Architecture Portfolio

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As I studied architecture and gained design experiences, I came to realize that architectural structures are more than spatial containers rather architecture is something that can change human behaviour and architects shoulder greater social responsibilities.

As I move ahead, I aspire to become an architect with the intention of creating sustainable,socially responsible designs that address our individual and collective spatial experiences.

Annual NASA Design Competition 2019-20

Participation

Laurie baker Trophy 2020-21

Participation

Jhuntamara

Winner INTACH Heritage awards

ASDC

Shortlisted

S A K I N A B H A V N A G A R W A L A S O F T W A R E C O M P E T I T I O N L A N G U A G E S 11/03/2000 MUMBAI | INDIA A U T O C A D S K E T C H U P P H O T O S H O P R E V I T I N D E S I G N R H I N O C E R O U S E N S C A P E M I C R O S O F T O F F I C E
E N G L I S H H I N D I G U J A R A T I F R E N C H N A S A N A S A I N T A C H A P I C

2020:

2020:

2019:

2019: Carpentry

2018

+91 9833877752

C O N F E R E N C E S A N D W O R K S H O P S
S K I L L S E D U C A T I O N H A N D D R A F T I N G C R E A T I V I T Y C R I T I C A L T H I N K I N G A R C H I T E C T U R E M O D E L M A K I N G D O O D L I N G M A T E R I A L E X P L O R A T I O N A R C H I T E C T U R A L J O U R N A L I S M G R A P H I C S T E R R A I N D E J E U X
E X P E R I E N C E
APIC -International conference on architecture and people
Non conventional building materials
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ICHH
International conference on humane habitat
H A R I T A - T H E G R E E N F O O T P R I N T T H E D E S I G N W O R K S H O P Play ground design Project mumbai Bangalore F R E E L A N C E OCT 2020 - NOV 2020 F E L L O W S H I P FEB 2020- APR 2020 I N T E R N S H I P DEC 2021 - MAY 2022 P R I M A R Y | S E C O N D A R Y S C H O O L I N G THE ALEXANDRA GIRLS’ ENGLISH INSTITUTION J U N I O R C O L L E G E JAI HIND COLLEGE B A C H E L O R S I N A R C H I T E C T U R E RIZVI COLLEGE OF ARCHITECTURE
: Cradle to Cradle : waste managment
@the_brut
sakinabhav@gmail.com @sakina_b11
C O N T E N T S U D A A N : I N T E R N A T I O N A L F I N A N C I A L C E Y O U T H C E N T E R U N C H A R T E D B U N G A L O W D E S I G N P A R A L L E L S 01 02 03 04 05 06 08 07
: S A F E S P A C E F O R W O M E N E N T E R H O U S I N G I N A L A N G H A M L E T O F J H U N T A M A R A T H E D E S I G N W O R K S H O P 01 - 08 09 - 14 15 - 20 21 - 26 27 - 32 33 - 36 39 - 40 37 - 38
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U D A A N : Safe space for women

L o c a t i o n : Bandra East, mumbai

S e m 1 0

A safe space for women is a physical or virtual environment that is free from discrimination, harassment, and violence, where women can feel comfortable expressing themselves without fear of judgment or retribution. Such a space focuses on addressing the psychological, economic, and social issues that women face and aims to uplift their overall well-being.

The intervention focuses on psychological, economic, and social issues and aims to provide a holistic approach to women’s well-being by addressing their needs in these three areas. By creating a supportive environment that empowers women, such a space can help uplift women’s overall well-being and promote gender equality.

E S I G N D I S S E R T A T I O N
D
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VISUAL WEIGHT

Clustered design is ideal to prevent heavy visual weightage and allows visual connectivity

Issues Women Face in the world: through the lens of religion

Gender Inequality and Religion

For several years, women from different faiths have faced many challenges and biases solely based on gender. Gender inequality belongs among the most prevalent forms of social inequality and exists all over the world, with different effects in different regions. These differences are primarily due to cultural legacies, historical development, geographic location and last but not the least, the religious norms which predominate in society.

Patriarchy

In many of the religions throughout the world —conservative Roman Catholic, Evangelical and Pentecostal Protestant, Mormon, Orthodox Jewish and Islam-women are denied the equal opportunity in learning and teaching of religious knowledge, that is available to men. Women cannot be ordained or given positions of leadership in most religions. A woman can never be ordained as a Roman Catholic priest. The common starting point of all sects is that the sexes were created differently.

Violence against Women

LIGHT MATERIAL

Considering a light weight design to reduce the impact on natural context

In India, violence to women, the marginalized sections of society, and minorities is a disturbing issue. Violence is prevalent in the family and expands to a woman’s circle of known persons, even those she is thought to revere and confide in, like religious leaders, and in public spaces.

Sexual abuse against Women

Religious structures have a negative impact on victims of sexual abuse, too. Women internalize scriptural interpretation that describes woman as sinner, manipulator and temptress. This contributes to their silence on abuse. Seeing the priest in the place of God compounds the confusion and guilt. As a result, the psychosocial and spiritual impact of abuse committed by the clergy is immense on women victims.

HEIGHT

Considering height of Building to not exceed the height of the surrounding trees so as to provide privacy.

Society and women

Society has set rules for every role, moreover, these roles are more critical based on gender. How a woman speaks, dresses, and chooses a way to live her life, is predecided for her, in return she is always expected to be accommodating and compromising, even when she is in an unhappy and unsafe environment.

REIGNITE

Spaces aloocated to enhance community interaction.

The consequences of all these rules are increased rapes, sexual harassment, subjection to child marriage, marital rape, etc. When a woman decides to speak up against such harassment, the accused proves it can get worse by causing harsher consequences like acid attacks.

Prays to god to get closer
C o n c e
p t
Acceptable Undervalued Valued Unacceptable Fulfills her duties by procreating 03

VOLUME

Scale, volume and order creating heirarchy awe and power

VISTAS

Creating vistas in pocket spaces to provide calming spaces and embark rejuvenation.

HOPE

Usinkg light and shadows to reate spaces that are calming and pleasant to be in.

CHAOS

AND ORDER

Triggering the Chaotic minds on the user and helping them simplify their thoughts

Z O N I N G Movement Public Users Security Parking Ticketing Open Space Counceling Open Space Open Space Cafe Cafe Library Seminar / Farewell Workshop+ Recreational Experiential space Shops Exit Exit Security Housing Focal Admin Security Women 04
Section A-A’ 0 5 10 20 40 05
Ground floor plan

Workshop and library Axonometric

Counselling room Outdoor spaces

Horizontal

Openings

Vertical

Cafe Workshop Library Gym And physiotherapy Yoga Comp lab and Co-working space
Elevation A-A’ Reinforcement band @ 75 mm off center from each face 2 no.s of continuous bars running along on each face 2 bar reinforcement along each face diagonally
Reinforcement for circular openings Amphitheatre And Bird feeder zone
Reinforcement band @ 75 mm off center from each face
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Pathway Towards the exit

Ferrocement

Confession wall

Elevation B-B’ Section B-B’

Rain Chain Detail

Twisted Coulmn Pier

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Center reinforcement 12mm dia bars Rotation Angle is 10 degree for each twisted course Concrete Base to support the Fin Shell Beam Extension to connect the shell with main structure Beam Base for self supporting the fins Concrete fins Structural Wall Powder coated aluminum framework Polyethylene expanded foam backing rod Foam gap-fill tape Foam gap-fill tape Internal finishes supported on battens with an insulated gap to mask exposed wall mount Double Glazed Unit Projected line of curb Structural wall fixings, packers and silicone to ensure air tightness Lead Flashing chased into brick work Ferrocement Gutter Steel pin attaching chain to gutter Rain Chain Cobble to absord impact of runoff Open drain rock Rcc planter box 4” dia perforated pipe covered with mesh to connect with storm system Waterproofing Gravel stopper Protective Layer Ferrocement Gutter Screed to fall Screed to fall Housing Axonometric
Fin Structure Axonometric Sky Light Detail
Gutter
ZONES
a colaboration with nature and using it in the healing process 07
Detail DIVERSITY
Creating

Optimizing design:

Designing concrete structures with energy efficiency in mind can help to reduce the energy consumption required for heating and cooling. Use of passive solar design techniques have been used to help regulate temperatures and reduce the need for artificial heating and cooling.

Passive design strategies in concrete construction refer to design principles that aim to optimize the building’s natural resources to improve energy efficiency, reduce the building’s environmental impact and improve indoor comfort conditions.

Kids play area 1

Kids play area 2

Section C-C’

Plan Course 01,02,10,19 Plan Course 03,11,20 Plan Course 04,12,21 Plan Course 05,13,22 Plan Course 06,14,23 Plan Course 07,15 Plan Course 08,16 Plan Course 09,17 Plan Course 10,18 degree Counselling and legal aid Axonometric
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09

Biophilic designed buildings incorporate things like natural lighting and ventilation, natural landscape features and other elements for creating a more productive and healthy built environment.Light is a part of our rhythm maximizing natural light and changes throughout the day enhances our visual comfort. If mimics our circadian rhythm and essentially keeps us on track with our natural 24 hour cycle. Feel nature in the air studies show that student performance is enhanced in spaces with variability in temperature and airflow. Airflow stimulation has been found to keep people awake, also naturally improves focus and performance.

I N T E R N A T I O N A L F I N A N C I A L C E N T E R
L o c a t i o n : Bandra west , mumbai S e m
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10
` Up to from fresh Up to in productivity lighting Up to memory outside An
and Up to in productivity to daylight G R O U N D F L O O R P L A N S E C T I O N A - A’ S E C T I O N B - B’ 11
International Financial to customers outside economy, dealing financial products

11% gains in productivity fresh air

An International Financial Services Centre caters to customers outside the jurisdiction of domestic economy, dealing with flows of finance, financial products and services across borders.

to 23% gains improvement productivity from good lighting and access to views

1. Fundraising services for individuals, corporations and governments.

25% better functioning memory when workers have outside viewsir

2. Asset management and global portfolio diversification undertaken by pension funds, insurance companies and mutual funds.

Wealth management.

to 18% increase productivity through access daylight

Financial Services Centre caters the jurisdiction of domestic with flows of finance, and services across borders.

3.
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Green roofs serve several purposes for a building, such as absorbing rainwater, creating a habitat for wildlife, increasing benevolence and decreasing stress of the people around the roof by providing a more aesthetically pleasing landscape, and helping to lower urban air temperatures and mitigate the heat island effect.

` RETAIL AND LEISURE - OFFICE U N D E R TH E B R I D G E W A L K W A Y E N T R A N C E V I E W F I R S T F L O O R P L A N BUSINESS CENTRE - HOSPITALITY M O V E M E N T R E C E D I N G I N S I D E O U T C I R C U L A T I O N

Mumbai is one of the most populous cities in the world. Employment too plays a major role in attracting people to this cultural conglomerate of a city. It is also the commercial powerhouse of India.But what makes Mumbai such an important city for the next IFC to be proposed? To answer that we need to understand the financial history of Mumbai and the Conception of BKC

B R E A K O U T S P A C E S E N T R A N C E V I E W -
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OFFICE BUSINESS CENTRE - HOSPITALITY - OFFICE
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H O U S I N G I N A L A N G

Learning from issues in the production of homes and the architectural imagination that emerges as an outcome of perception and tangible networks . The intent of this project was to design a social, liveable neighbourhood for the workers of alang ship breaking yard. Nearly 90% of the workers are currently living in squaters in terrible living conditions and high density. They have no basic amenities, and have to buy fresh water and electricity from the nearby locals on a daily basis. The proposed design is for a self sustainable neighbourhood that provides the workers with all basic amenities as per their needs. The aim was to create a housing that provides purpose and a sense of belonging to the workers. This project helps the workers to be closer to their families while providing them with the amenities for a comfortable living.

L o c a t i o n : A l a n g s h i p b r e a k i n g y a r d S e m 0 7
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G R O U N D F L O O R P L A N S E C T I O N A - A’ 17

Incorporating small scale farming activities as secondary source of income. This will not only facilitate the community kitchen but will also help to provide a sense of belonging to the people leaving their hometowns and coming to work in Alang

Providing the women with an opportunity to bring revenue to their homes. This same facility makes it convenient for the workers as it will serve them with tiffin services.

Provision of convenience stores on site makes the site self catoring and provides benefits to the recidents .

In the current status of Alang, people have engaged their kids into the shipbreaking process which is very hazardous. Providing spaces on site which engage the younger generation.

Central community space for social gatherings and for increasing social interactions. These people require a safe space where they can rejuvenate themselves time and again.

P R O G R A M F R A M E W O R K U N I T D E S I G N F A R M I N G C O M M U N I T Y K I T C H E N C O N V E N I E N C E S T O R E K I D S P L A Y A R E A C O M M U N I T Y S P A C E
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C L U S T E R P L A N 1 S E C T I O N A - A’ NATURAL TERRACES CENTRAL COMMUNITY SPACE OVERLOOKING COURTYARD USE OF MIXED GEOMETRY 19 S E C T I O N B - B’ The space in the site to an amenity accessible

community space is designed the center of the to make it the amenity equally accessible to all.

Play ground area created in the corner of the site to make the space safe for children

PLAY GROUND AREA

SPACE
V A R I E T Y O F S E A T I N G S C L U S T E R P L A N 2
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21

Y O U T H C E N T E R

The Youth Center is a social and recreational center intended primarily for use of adolescents and Youths of ages ranging from 10 to 24 years. The Center supports opportunities for youth to develop their physical, social, emotional, and cognitive abilities. The sole purpose of this project is to be a breathing and breeding arena of urban youths who can channelize their extremely eager passion and energy on the variety of activities. The design intended to create a space towards which the users felt inquisitive. The terrace has been designed to create a vantage point to utilize the scenic beauty of the Worli sea face .The secondary aim of the design was to form a halting point for the migrant birds, therefore creating a biodiversity zone within the site which not only creates a break space for the users but also helps the fauna.

L o c a t i o n : B a n d r a W e s t S e m 0 5
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DESIGN EVOLUTION

The design began with the zoning of dividing the site into 3 zones ; Parking, Youth Center and Biodiversity zone.

Housing

Ramp

Amphitheatre Bird Feeder Zone

Creating a defined movement pattern and dividing spaces to enable movement through the site

In order to create spill out spaces, interractive spaces and incorporating interconnective nature within the structure, trinagular niches were created between spaces .

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Re-arranging the structure perpendicular to the predominant wind direction and providing fenestration on the same in order to channel the wind flow into the structure .

In order to make the roof completely accessible, providing a ramp that leads to the roof and delivers an experiential walk for the users, as if they are walking over a bridge in a forest.

Green Roof

Jaali sitting space

Designing a green accessible roof to provide a vantage point for the users which can even be used for morning walks and yoga sessions.

Exhibition space Canteen

Library

Multipurpose Hall

Workshop room

GREEN ROOF DETAIL
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AMPHITHEATRE

The design promotes space segregation , dividing the structure from the biodiversity zone.

SPILLOUT SPACE

The space created between the multipurpose hall and library has seating arrangements to make the space interactive and create inter-connection between spaces

BIRD FEEDER

Every year we have thousands of migrating birds looking a place to migrate.Being

BOUNDARY WALL DESIGN

Instead of having the prevailing boundry walll , replacing it with stepped seating arrangement.

to the sea, our site can used as a haulting point a home to several birds breeding.Providing evergreen trees that in return attract birds on site,having placed at intervals,etc.This becomes a visual aid the people visiting the

N O R T H E L E V A T I O N S E C T I O N B - B’ 25
G R O U N D F L

ZONE thousands looking for migrate.Being close can be point and birds for evergreen attract the feeders intervals,etc.This aid for the site.

SUPPORTIVE HOUSING

Providing a housing system that not only acts as a shelter but also provides opportunities.

HIGH SCHOOL EQUIVALENCY

H.S.E is a mode of education within the site.

SHOPPING ARCADE BIODIVERSITY ZONE

Center for showcasing the production of the youth center .

An attempt to create bird conservation zone within the site itself.

P R O G R A M F R A M E W O R K
26 L O O R P L A N
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THE WAY WE WORK Architecture, design, engineering should be seamless. Our approach is integrated and interdisciplinary. We have pioneered a sustainable approach to design. Our approach is sensitive to location and culture, often combining the latest advances in building technology with techniques drawn from vernacular tradition; and we harness the skills, enthusiasm and knowledge of integrated design teams, clients and communities to create inspirational environments. The Design Workshop brings together the major and specialist skills involved in the design of great buildings into a single, managed service. We think ‘design integrity’ and work as a cohesive team with a common purpose.

T H E D E S I G N W O R K S H O P A R C H I T E C T U R E | U R B A N D E S I G N | I N T E R I O R S
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C U R I O S I T Y

AREA : 21420 SQ.FT LOCATION : DEVNAHALLI BANGALORE

The brief of the project was to creat a science and technology center for children. The concept was to create an infinity loop using eco friendly material and a sustainable design. The experiments as well as the showcased subjects have been designed by the team. it is a space with extreme fluidity and kids friendly.

AREA : 2650 SQ.M LOCATION : KOLKATA

A Renovation project for which the idea was to design the elevation in a way it would stand out in the street and could appear as a prestige commercial structure. The project comprised of replanning all floor plans, redesigning the bathrooms to achieve the maximum and redeigning the exterior for a more gothic look.

AREA : 10530 SQ.FT LOCATION : NANDI HILLS

The brief of the project was to create a vacation home that later turned to a permenant home. The design spinned around creating a home that captured the beauty of the hill even after` further development in the vicinity. while keeping larger windows, the challenge of countering the weather arose. The design evolved solving all the issues.

16 L A K E V I E W R O A D
60'4" x 36'6" UP 10'-0" ORIENTATION AREA 22'-5" co 16'-10" co 16'-10" CHEMISTRY HALL PHYSICS HALL 2'X9' window 6'-0" 6'-0" 6'-0" 6'-0" 2'-4"co co2'-4" SEATER SEATER SEATER SEATER co1'-6" 1'-6" AMES ROOM 8' CORRIDOR KIDS ZONE 14'-11"co co 15'-1" STAGE 126SEATINGS 15'-3"co UP co14'-7" 13' CORRIDOR 13' CORRIDOR co 6'-0" co 6'-0" co 6'-0" co 6'-0" 2'-0" 4'-0" 4'-0" co3'-0" 3'-0" 3'-0" 2'-3" 2'-6" 3'-6" 3'-0" 6"co3'-0" co 4'-0" co6'-0" PREP TABLE FRIDGE CHEMICALS co 3'-7" co 2'-2" co3'-1" co 4'-7" co 4'-7" co 3'-1" co 3'-1" co 3'-3" 2'-0" co 1'-11" co 1'-11" co 2'-0" 11'-10" co6'-8" 4'-5"co co 3'-10" co 8'-3" co 4'-6" co 3'-2" co 4'-7" co 3'-6" co 1'-10" co 1'-10" co 2'-0" co7'-2" co8'-1" 2'-0"co 3'-7"co 3'-2"co 3'-3"co 2'-0"co 2'-0"co 4'-7"co 2'-5"co 4'-3"co 11'-8" BIOLOGY HALL co 2'-0" co 3'-2" 3'-3" 2'-0" 2'-0" co 3'-7" co3'-10" co6'-10" co 4'-11" 4'-6" co 3'-2" co2'-10" co2'-0" co2'-0" co 1'-11" co 1'-11" co3'-2" co 6'-10" 5'-1"co 2'-1"co 2'-0"co 3'-8"co 2'-0"co 5'-6"co 2'-1" 2'-1" co 4'-9" co 3'-3" 3'-10" co 2'-1" co 2'-1" co 4'-11" co 2'-11" co 2'-8" 4'-0" 3'-2" CAFE PANTRY 4'-0" STORE ROOM 5'-9" 2'-6" 8'-0" SKY-LIGHTDIGITAL ROOM INFINITY ILLUSION Crazy Stick Fountain Miscellaneous Hollow Masks Ambigious Objects HeadonaPlatter Anti-Gravity illusion Warping Mirrors Warping 30'-0" 15'-0" 20'-0" 13'-0" 6'-0" 15'x15'x7' Undegroundtank 15'x15'x7' Undegroundtank 6'FootingPerimeter 16'-3" 9'-3" 25'-0" 10'-9" 5'-2" 8' wide Corridor 9'-9" 13'-6" 16'-0" 11'-0" JANITOR'S CLOSET WOMEN'SRESTROOM MEN'S RESTROOM 5'-0" 3'-0" 3'-9" 3'-10" 2'-8" 3'-8" 5'-0" 5'-0" UNISEX RESTROOM UNISEX RESTROOM UNISEX RESTROOM 4'-9" 4'-9" 2'-9" 2'-10" 2'-10" 2'-11" 4'-9" tyre bridge stone slopes co 4'-0" 3' 8' tyre sink tap point tyre sink steel sink tap point 12' 17' 1'-4" 3'-0" 4'-1" 6'-11" BLACKTHICKCURTAINS TILLROOF 7'-11" UP TILEQTY=250sqft TOTAL TILE QTY FOR AUDI= 1465sqft PLUS WASTAGE 2'-6" 2' 10'-0" 7'-0" 12'-0" 8'-0" 1'-0" 1'-0" 6" 1'-0" 1'-0" 1'-6" 7'-0" 1'-0" 5'-0" 1'-0" 7'-0" 1'-6" 1'-3" 11'-4" 19'-4" 6'-2" tyre sink tyre sink Tap 7'-11" 21'-0" 8'-4" 17'-2" 12'-0" 4'-6" 3'-1" Ø6'-11" 2'-10" 4'-8" 6'-1" 4'-3" 6'-1" 4'-9" 11'-9" 11'-7" 11'-1" 9'-9" 4'-0" 1'-10" 1'-7" 15'-10" 12'-4" 15'-8" 14'-0" 16'-2" 12'-5" 11'-2" 18'-1" 10" 13'-7" 20'-5" 2'-9" 12'-1"14'-2" 16'-9" 11'-3" 13'-2" 11'-4" 8'-4" 12'-10" 11'-4" 15'-7" 12'-4" 12'-11" 12'-7" 11'-5" 11'-8" 13'-1" 14'-11" 9'-2" 6'-5" 13'-4" 12'-8" 6'-7" 14'-10" 11'-3" 8' 4'-10" 13'-11" 18'-3" 3'-2" 18'-9"14'-10" 3'-0" 12'-1" 11'-4" 11'-1" 15'-7" 13'-6" 18'-7" 13'-5" 15'-1" 13'-4" 16'-3" 18'-8" 25'-4" P1 P2 P3 P4 P5 P6 P7 P8 P9 P10 P11 P12 P13 P14 P15 P16 P17 P18 8'-7" 10'-7" 4'-3" 7'-3" 7'-0" 11'-10" 1'-5" 16'-9" 12'-6" 6'-0" 2'-1" 4'-1" 11'-2" 9'-4" 8'-10" 6'-6"5'-10" 4'-8" 14'-6" 9'-6" 4'-4" 6'-10" 13'-9" 14'-4" 9'-4" 1'-5" 10'-2" 4'-5" chemistryundercountersimilar drawers chemistry add drawers 4" 2'-0" 3'-3"STEPS 1'-8" 5'-0" SINK TAP stepdown 1'-6" 1'-6" 1'-8" 8'-0" 7'-8" 20'-7" 21'-6" 11'-3" 12'-8" 11'-1" 13'-11" 7'-10" 1'-0" 13'-0" 19'-0" 8'-4 9'-11" SEATING RAMP 14'-6" 14' 8'-9" 15'-0" 12'-8" 25'-3" 2'-2" 16'-5" 20'-10" 7'-5" SEATING 40'-3" 28'-0" 5'-9" 13'-0" 6'-0" 6'-0" 45'-0" 43'-6" 2'-0" 2'-0" 1'-0" 1'-0" MCB MCB eq eq eq eq with centre WC linewith centreofWC with centre WC linewith centre WC linewith centre WC eq eq eq eq eq. eq 1'-0" eq 2'-0" eq SB14 SB2 SB3 2'-0" SB4 1'-6" SB5 SB6 SB7 SB16 SB17 SB19 SB20 SB29 SB28 SB25 SB27 SB33 SB36 SB38 SB42 SB43 SB54 SB52 SB55 SB50 SB48 SB56 SB57 SB57 SB60 SB68 SB66 SB69 SB71 SB85 SB84 SB80 SB78 SB79 SB91 SB100 SB104 SB107 SB108 SB110 SB111 SB92 MCB MCB 2'-0" X/4 X/2 X/4 SB94 SB168 ALL FORRCCB/MCB/ELCB BLOCK FORALLRCCB/MCB/ELCB BLOCK2+3 SB51 SB49 SB8 SB11 SB12 SB13 eq SB18 2'-0" SB21 SB22 SB23 SB24 eq. SB26 SB32 SB31 SB30 SB34 2'-0" 2'-0" 2'-0" SB37 SB39 SB41 SB40 SB44 SB45 SB46 SB47 1'-6" 2'-0" SB53 CENTER WALL WINDOWCENTER WINDOWCENTER CENTER WINDOWCENTER WALLCENTER CENTER WALL WINDOW CENTER WINDOW CENTER WINDOW WINDOW CENTER eq 1'-0" SB58 SB59 SB67 SB61 eq SB62 SB63 SB64 SB65 2'-0" SB70 SB72 SB73 SB76 SB77 SB86 SB83 SB81 SB82 SB87 SB88 SB89 SB90 SB92 SB93 EQ SB94 SB95 SB96 CENTEROFWINDOW 2'-0" 2'-0" CENTEROFWINDOW SB93 SB114 SB103 SB165 EQ. SB169 SB170 LENGTH/2 LENGTH/2 LENGTH/4 LENGTH/4 LENGTH/2 LENGTH/2 LENGTH/4 LENGTH/4 eq. eq. eq. SB167 SB166 SB163 SB161 SB164 SB159 SB117 SB124 SB123 MC SB125 SB126 SB135 SB134 SB131 SB132 SB142 SB135 SB138 SB141 SB143 L/3 Length WallBetweenColumns BetweenColumns Length WallBetweenColumns L/3 L/3 L/3 2'-0" SB96 SB97 SB99 SB98 distancebtwnColumns SB Columns SB101 SB102 eq. 2'-0" 2'-0" 2'-0" 2'-0" BetweenColumns Columns Centre WallBetweenColumns SB106 SB105 SB112 SB113 eq. eq. 2'-6" 4'-9" 3'-0" eq. eq. eq. eq. 2'-6" SB116 SB115 SB128 SB129 SB130 SB126 4'-0 SB137 SB140 SB139 SB118 SB119 SB121 SB125 SB122 SB136 SB144 SB146 SB148 ACPT ACPT ACPT ACPT ACPT VENTPT VENTPT VENTPT SB168-A SB168-B MCB-LIGHT with centreofWC linewith centre 2'-0" 2'-0" FRONTLED LIGHTBARTHAT WIDTH INLETPOINTS BACKLEDLIGHTBARTHAT RUNS WIDTH SB-A-10 SB-A-11 SB50A SB48A 15A 15A SB123 15A PTAC AC PT PT -A-06 SB-A-18 SB-A-17 SB-A-19 SB-A-20 F-A-12 F-A-13 SB-A-21 SB-A-22 SB-A-23 SB-A-24 SB-A-26 SB-A-31 SB-A-32 2'-0" eq. eq. eq. eq. eq. 3'-9" 7'-0" EQ. EQ. SB@4' SB SB SB SB SB SB SB SB SB SB SB SB SB LIGHTS GARDEN SPOT LIGHTS ALL SB ARE AT 1' FROM FFL ON DECK UNLESS OTHERWISE MENTIONED ALL WALL LIGHTS ARE AT LINTEL LVL UNLESS OTHERWISE MENTIONED SB@4' SB@4' LIGHT CENTER TO DOOR CENTER TO
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U C C H I R E D D Y ’ S R E S I D E N C E

AREA : 5752 SQ.FT LOCATION : KORAMANGALA

A renovation project in the location of koramangala, the client wanted a transition home from ancient to a modern interior house. the idea was to create a home which had both iinterior and exterior open spaces which made the house seem bigger.

OFFICE 2 SEATINGS COFFEE DECK COVEREDCORRIDOR co 6'-0" 6'-0"co 3'-0"co 6'-0" 4'-0" co2'-10" 6'-0" 14'-0" 3'-11" 7'-0" 7'-0" 7'-4" 5'-7" 6'-4" 7'-2" 5'-0 6'-9" HEIGHTWALL HEIGHTWALL PLINTHLVL +1FT +2FTLVL +2' LVL EXIT 4'-7" 6" 4'-7" 6" 4'-3" 2'-0" 2'-0" DOWN TILEQTY=135sqft TILEQTY=1080SQFT SB139 5'-9" 2'-0" SB145 SB147 SB149 SB150 SB151 SB152 AC ACPT MCB-LIGHT SB-A-12 SB-A-13 PTAC ACPT ACPT ACPT 10'-1014 4'-0" 5'-7" 1'-4 1'-4 1'-2 SB-A-02 SB-A-01 SB-A-04 SB-A-03 SB-A-09SB-A-08 SB-A-15 SB-A-05F-A-08 SB-A-27 SB-A-28 SB-A-29 SB-A-30 SB-A-33 SB-A-34 BAR ELEC. KITCHENETTE 38' 11" LENGTH WARDROBE STORAGE G. BATHROOM
S
SB5 10" 2' DL1 1'-6" F1 ELEVATION 1 8'-6" 7'-8" 14'-1" SB4 3'-6" EQ. ELEVATION 4 EQ. 5'-1" 3'-4" 8'-6" 8' 6'-8" SB7 WP3 @7'0" EQ. EQ. L4 F1 L3 2' 10" ELEVATION 3 13'-10" 8'-6" 8' SB6 2' WP1 @7'0" 4'-10" 6" 4'-10" F1 C1 DL1 1'-6" WP1 @7'0" L3 ELEVATION 2 20'-1" 5'-1" 8'-6" TV S2 AIR CONDITIONER SWITCH EXHAUST FAN AIR CONDITIONER SOCKET TWO WAY SWITCHES CEILING MOUNT FAN POINT T.V. POINT TELPHONE POINT FLOOR POINT FOR LANDSCAPE WALL MOUNT LIGHT POINT CEILING MOUNT LIGHT/DOWN LIGTH POINT BED LAMP UP-DOWN LIGHT DROP LIGHT LAMP CHANDILIER POINT 15 AMPS SOCKET AMPS SOCKET COVE LIGHTING WALL MOUNT FAN WI WI-FI SWITCH BOARD SB LN LAN IN INTERCOM DROP LIGHT POINT LINTEL BOTTOM AT 6'4" LINTEL BOTTOM AT 8' 3" PEDESTAL AT BOTTOM SITTING ROOM UP LOFT ABOVE WITH 9' HEADROOM UNDERNEATH LAMP POINTS 23'-1" IN SB3 WP2 SB4 SB5 SB6 SB7 L4 L3 WP1 WP3 DL1 F1 SB12 SB8 SB20 SB4 Elevation 4 SB(SWITCH BOARD) SB4 SB5 Elevation 1 SB5 SB6 Elevation 2 SB6 SB6 @ 2'0" bottom of board SB7 Elevation 3 SB7 SB7 @ 2'0" bottom of board Modules 5A switch-2 no. 5A socket-2 no. 5A switch for WP3-1 no. USB charging port 1 no. 5A Control for Fan- 1 no. 5A socket 1no. 5A switch - 1no. 5A switch for WP2 1no. USB charging port 1 no. Intercom Elevation 4 #524 REDDY RESIDENCE DRAWING NO. REVISION NO. DRAWING TITLE DEALT CHECKED BY: DATE SCALE SITE ADDRESS NOT TO SCALE #524, REDDY RESIDENCE, 7th CROSS, 12th MAIN ROAD, 3rd BLOCK KORAMANGALA ,BANGALORE-560034. CONTRACTOR: CLIENT: SUCHARITA REDDY SURENDRA AANCHAL/ GOUTHAM THE DESIGN WORKSHOP: SIGNATURE: ALL CONTRACTOR/CLIENTS WILL SIGN BELOW ONLY ON CONFIRMATION OF THE CONTENTS OF THE DRAWING AT THE TIME. ANY DOUBTS WILL BE CLARIFIED IMMEDIATELY. 1. ALL DIMENSIONS ARE IN INCHES & FEET UNLESS OTHERWISE SPECIFIED. 2. THE SCALE MENTIONED IN THE DRAWINGS IS TRUE OF ITS PURPOSE; DO NOT SCALE THE DRAWINGS UNDER ANY COST. 3. ANY DISCREPANCY IN THE DRAWINGS MUST BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY. 4. ALL DRAWINGS MUST BE CROSS VERIFIED FOR MEASUREMENTS AT SITE. ANY VARIATION MUST BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY. 5. THERE SHALL BE NO CHANGES MADE TO THE DRAWINGS WITHOUT CONSENT OF THE ARCHITECTS. 6. ALL STRUCTURAL ELEMENTS SUCH AS BEAMS, SLABS, LINTELS SHOULD BE REFERRED AS PER STRUCTURAL DRAWINGS. THIS ONLY INDICATING HEIGHTS. LEGENDS: GENERAL NOTES: #524, REDDY RESIDENCE,7th CROSS, 12th MAIN ROAD, 3rd BLOCK KORAMANGALA ,BANGALORE-560034. N COMPASS ARCHITECT SITTING ROOM ELECTRICAL DRAWING #524/ELE/GF/03 ELECTRICAL DRAWING June 3, 2022 AISHWARYA PLAN R5 Glass Painting funky glass 7'-10" 2'-1" 3'-4" 2'-1" 1' 7'-10" 2'-1" 3'-4" 2'-1" 1' 1' 1' 7'-8" 7'-4" 7'-8" 7'-4" 2'-5" 4' Glass Painting funky glass 7'-10" 2'-1" 3'-4" 2'-1" 1' 2'-2" 3'-6" 5'-8" 7'-10" 2'-1" 3'-4" 2'-1" 1' 1' 1' 7'-8" 7'-4" 7'-8" 7'-4" 2'-5" 4' 30

35 F E R N M E A D O W S

AREA : 2550 SQ.FT

LOCATION : 35 FERN

MEADOWS

A design proposal for a family home for a family of five. a budgeted project with the owner being a structural engineer himself. The entire house has a very indian vernacular touch to it and the design revolves around elements from the clients previous home.

AREA : 100 SQ.M LOCATION : COORG

A design proposal for a family home in a village located in Coorg. The vision was to creat a more vernacular home on an extremely contoured site using dunes. The ground floor below the ground level and the first floor is at GL.

UP UTILITY LAUNDRY PANTRY WET KITCHEN POOJA T.V ROOM/G. BEDROOM DINING DRY KITCHEN MAIDS BEDROOM MAIDS BATHROOM MASTER BEDROOM CLOSET MASTER BATHROOM CAR PARKING LIVING ROOM G. BATHROOM 4.3 [14'-2"] 4.1 [13'-4"] 1.5 [5'-1"] 1.6 [5'-3"] 4.9 [16'-2"] 1.3 [4'-4"] 3.0 [9'-10"] 2.0 [6'-8"] 3.3 [11'] 4.8 [15'-11"] 3.3 [10'-11"] 3.8 [12'-5"] 1.8 [5'-9"] 3.0 [9'-10"] 2.3 [7'-8"] 1.5 [4'-11"] 2.6 [8'-6"] 1.5 [4'-11"] 3.1 [10'] 3.3 [10'-9"] 1.2 [4'] 2.2 [7'-1"] 3.3 [10'-9"] 2.2 [7'-1"] 2.5 [8'-1"] 2.4 [7'-10"] 2.2 [7'-1"] 5.1 [16'-9"] 4.4 [14'-7"] 3.9 [12'-11"] 1.7 [5'-8"] 3.5 [11'-5"] 1.7 [5'-8"] 3.7 [12'-3"] 4.3 [14'-1"] SCALE- 1:100 DATE REVISION DRAWING #35 FERN BILISHEEVALE BIDHARAHALLI BANGLORE DISTRICT, THE DESIGN SIGNATURE: 4. ALL DRAWINGS MEASUREMENTS BROUGHT IMMEDIATELY. 5. THERE SHALL DRAWINGS 6. ALL STRUCTURAL LINTELS DRAWINGS. ALL CONTRACTOR/CLIENTS CONFIRMATION THE TIME. CLIENT: PROJECT 35, DRAWING LEGENDS: SITE ADDRESS R.NO. PROPOSED GROUND TOTAL AREA3650 SQ.FT GROUND FLOOR AREA: 2445SQ.FT
D
I ’ S R E
C E LIFT AREA: 25 SQ.FT PANTRY COVERED COURTYARD AREA: 340 SQ.FT 5' 5' CAR PORCH MAIDS ROOM BATHROOM KITCHEN FIRE WOOD KITCHEN 4'-6" 7'-8" 12' 11'-4" 8' OUTDOOR SEATING FOYER FAMILY ROOM GUEST ROOM DAY BED GUEST BATHROOM LAUNDRY 8' 11'-8" 18' 12'-8" 9'-2" 6'-3" 26'-10" 12'-4" 8'-5" 9' 15'-6" 3'-4" 9'-4" 11'-4" 5'-8" 5'-4" 6' 7' 6'-8" 9'-4" 13'-4" 10' 6' 10' 6'-8" 8' 16' 12' DRYING AREA AND HANDE AREA: 57 SQ.FT AREA: 76 SQ.FT AREA: 310 SQ.FT AREA: 269 SQ.FT AREA: 60 SQ.FT AREA: 205 SQ.FT AREA: 278 SQ.FT AREA: 233 SQ.FT AREA: 93 SQ.FT AREA: 120 SQ.FT AREA: 28 SQ.FT AREA: 57 SQ.FT ROLLING SHUTTER BUILT IN SEATER DEBINI/PROPOSED/GF/R0 May 8, 2022 DATE REVISION NO. DRAWING NO. ARCHITECT 1. ALL DIMENSIONS ARE IN METERS UNLESS OTHERWISE SPECIFIED. 2. THE SCALE MENTIONED IN THE DRAWINGS IS TRUE OF ITS PURPOSE; DO NOT SCALE THE DRAWINGS UNDER ANY COST. 3. ANY DISCREPANCY IN THE DRAWINGS MUST BE GENERAL NOTES: PROJECT NAME: DEBINI'S RESIDENCE DRAWING TITLE: SITE ADDRESS COMPASS R.NO. DATE CHANGES PROPOSED PLAN GROUND FLOOR R0 SCALE- 1:100 TOTAL AREA 4176 SQ.FT GROUND FLOOR BUILT 2040 SQ.FT SEMI OPEN SPACE 632 SQ.FT COURTYARD :224 SQ.FT TERRACE :855 SQ.FT ADDITIONAL BUILT 805 SQ.FT 31
E B I N
S I D E N

S A T H Y A ’ S

sliding wardrobes in both bedrooms a per existing plan using plywood & finished with laminate finish.

& fixing kitchen undercounter shutters, tall units, over counter using water proof plywood & finished with laminate finish as per design. Appliances additional as per selection

& fixing repainting for the entire house using Royale paints.

& fixing soft furnishing for the house that include curtains, rugs, pots, blinds, curios, pillows etc. Cost is estimated.

& fixing movable furniture for the house that include 3 study tables, bar, TV Unit, Foyer137.25

& fixing step up flooring framework for laminated wooden flooring as per design.

& fixing electrical light fixtures that include ceiling lights, wall lights, LED strip lighting, landscape lighting. Cost includes labour for any changes for location of the point as per design.

29 April 2022
Design Workshop Sl. No. Work part Specification Area Amount
Wardrobes Providing
150 ₹ 375,000
Utility Providing
92.25 ₹ 230,625
Re paint Providing
4330 ₹ 108,250
Providing
1 ₹ 225,000
The
1
& fixing
2 Kitchen &
3
4 Soft Furnishings
Providing
₹ 274,500
Raise Providing
437 ₹ 109,250
wooden Flooring Providing
437 ₹ 65,550
Providing
1 ₹ 250,000 9 Plumbing Works Providing & fixing sink points in proposed kitchen as per design. Cost involves re-piping from NW to SE corner. Sink cost included. 1 ₹ 65,000 10 Essential furnishings Furniture such as 2 beds, bar stool, side tables, 4 seater sofs, 2 seater bed cum sofa, dining table etc. 1 ₹ 450,000 11 Landscape Providing & fixing landscape elements such as pergola, plants, pots, lighting, water bodies etc. 1 ₹ 50,000 12 Design fees Design & management fees that provides render images of all spaces along with technical drawings along with site visits, material selection, vendor & labour management for project. 1 ₹ 200,000 T Tota ₹ 2 403,175 All rates are tentative, cost will vary as per design. Final quote will be shared on freezing of design. All taxes additional. Sathya's Residence, Prestige Point, Bangalore AREA : 600 SQ.FT LOCATION : Bangalore
5 Movable Furniture
6 Floor
7 Laminated
& fixing laminated wooden flooring for raised areas
8 Electrical works
Interior project
to
32
An
for an
old client, who didnt want
use
her flat on the second floor and wanted to stay on the ground floor. the idea was to create a very convinient design for her

G r o u n d f l o o r P l a n C o m p o u n d W a l l D e s i g n

S e c t i o n

C o n d u i

33 W O R K I N G D R A W I N G
B o u n d a r

The brief demanded a design of a villa/ vacation home with five bedroom, servant quarter and parking for minimum 2 cars , taking into account the landscape, parking and circulation on the site.

N o r t h E l e v a t i o n B-B’ S e c t i o n C-C’ r y W a l l D e t a i l t D e t a i l 34

RCC construction is used for a mojor part of the construction . The compound wall was designed to include planters within the wall itself . The eddition of a green element in the design made it versatile.

F i r s t F l o o r P l a n P l a t f o r m D e t a i l P l a t f o r m D e t a i l D r i p M o u l d
35

F. C. P.

D e t a i l e d S e c t i o n
S e c t i o n K i t c h e n P l a n
K i t c h e n
Fixing 36

S t r i p S e c t i o n D e t a i l

Jhuntamara,holds as an example to the communities that suffer from biases faced due to caste systems.Despite that, they are wholly self-sufficient and are thriving on their ow, irrespective of their place in the traditional concept of society

M a s t e r P l a n

S e c t i o n B - B’

W o m e n c o l l e c t i n g w a t e r f r o m b o r e w e l l

W e l l s i n t h e b a c k y a r d

W o m e n P l a s t e r i n g M u d w a l l s

C l u s t e r v i e w

R o o f s t r u c t u r e d e t a i l S

e c t i o n A - A’
37 D O C U M E N T A T I O N J H U N T A M A R A

Pivoted windows are used as it is cost efficient and is flexible for the user

Every intervention, irrespective of its scale creates an impact on the lifestyle of the user. This impact could either have a positive or a negative response. Our interventions were based on dealing with the issues Faced and enhancing the existing potentials in their designs.

Fireplace

in front of the curved seating provide a warm ambience for socializing

Smokeless chulha for cooking provided by giving a funnel through the wall constructed
38 L A U R I E B A K E R T R O P H Y
Introduction of staircase gave an opportunity to create storage in space below it.

PLAYGROUND DESIGN

The project was designed for MSB Educational Intitue in May 2021. A proposal for the backside playground area which had to incorporate a pool, an art room, a play area and a changing room. The art room was designed on the first floor level.

Architecture shapes our lives, creating places to work, rest, and most importantly, play. The forms, colours and materials within our environment define the ways that this ‘play’ occurs. Placing something as simple as a hopscotch grid on a path can transform a mundane environment into a place for children to play.

COMPONENTS + MATERIALS

This design primarily uses local materials to reduce transport cost and suppport local industry. Metal connections are used rather than traditional bamboo joinery for ease of assembly.

Architectural interventions can encourage different types of movement and activity. Play is not necessarily an activity that is clearly defined, rather it can be a product of a childs imagination framed by their environment.

Learn : Creativity Confidence Play: Active Sensory

Dramatic Learn : Collaboration Communication Play: Social Reflective Imaginative Learn : Creativity

MONKEY BARS + CLIMBING

Confidence Play: Active Sensory

Dramatic Learn : Creativity

SENSORY PLAY

Collaboration

Play: Creative Sensory

Reflective

T E R R A I N D E J E U X
ROPE CLIMBING WALL PLANTER
39 P A R A L L E L S
Freelance

A small venture of exploring material and its possibilities inspired by Brutalist architecture. Designing a series of handcrafted raw concrete planters where each pot and planter is inspired by shapes, patterns and colours reflecting the idea of brutalism. The idea expands further into creating containers which have multiple usage and adds in to the idea of exploration

A venture that began in June 2020, with the aim of exploring the materials with the concept of brutalist architecture. Creating containers that could be used as planters or pots for the table tops.

INSTAGRAM ID: @the_brut

40
S A K I N A B H A V N A G A R W A L A T H A N K Y O U X +91 9833877752 sakinabhav@gmail.com @sakina_b11 @the_brut

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Architecture Portfolio by sakina bhavnagarwala - Issuu