Welcome to a carefully curated portfolio where creativity meets intention, and identity flows through every detail. Each piece is shaped by craftsmanship, concept, and authenticity — not created just for the sake of producing, but to inspire, to challenge norms, and to contribute to something greater than myself.
Through my work, I aim to make space for emotion, purpose, and transformation. I want to show that I am a strong, confident woman with a clear voice and vision — someone who uses design not only to reflect the world but to help reshape it. This is me, and this is what happens when passion meets purpose.
Table of Content
About me
My name is Saga, I am 24 years old, and I am from Gothenburg. Right now, I am living in Amsterdam for an exchange semester, but normally I study Textile Economics at the Swedish School of Textiles in Borås, where I am developing a broad understanding of the fashion industry – from purchasing and marketing to production and sales. Fashion and design have always been a significant part of my life. I love expressing myself through clothing and find it exciting to follow and analyze trends – both for inspiration and to understand the development of the industry.
Creating and being creative is something that truly drives me, whether it’s putting together a thoughtful outfit, experimenting with color and form, or diving into craftsmanship. Recently, I’ve also developed an interest in knitting and crocheting, a way to combine traditional creation with a modern expression.
“I see every step as an opportunity to grow, whether it's a challenge, a learning experience, or a chance to push my limits”
My friends would probably describe me as a social and engaged person with a strong desire to develop. I am very aware of what I want, which can sometimes be both a strength and a challenge. I have clear goals in everything I do and always strive to reach them, whether it’s related to my studies, work, or personal projects. My determination makes me focused and driven, but I have also learned that sometimes flexibility is required to achieve success in the best possible way. My drive to constantly develop and improve myself makes me curious about new ideas and opportunities, and while I can be a bit stubborn – in a good way – it helps me stay on track when necessary. I thrive when I can challenge myself and think creatively, and I see every step as an opportunity to grow, whether it's a challenge, a learning experience, or a chance to push my limits.
In addition to my studies, I work parttime as a store associate at ICA Focus Gårda, where I’ve developed my skills in customer service, logistics, and problemsolving – valuable qualities in many contexts.
I am always looking for new ways to grow and explore, seeing every opportunity as a chance to broaden my perspectives and develop both my skills and creativity.
R e s u m e
Profile: Professional experience:
Saga Kilvik Gothenburg
Textile Economics Student & Store Associate
Education:
University of Borås
Bachelor’s Programme in Textile Economics
August 2023 – Present
University-level studies focused on the fashion and textile industry, covering areas such as purchasing, sustainability, business strategy, and product development
University of Gothenburg
Introductory Course in Law (Distance)
March 2021 – May 2021
Fundamental introduction to Swedish law, legal systems, and legal methodology
Katrinelundsgymnasiet, Gothenburg
Economics Program – Specialization in Law
August 2017 – June 2020
Upper secondary education with emphasis on economics and legal studies
Contact:
Sagakilvik@gmail com +46734324808
Language:
Swedish - Native
English - C1
Spanish - A1
German - A1
Key skills:
Supply chain understanding
Sustainability awareness
Excel / data handling
Adobe Illustrator
Teamwork
Adaptability
Store Assistant, ICA Torslanda
MAY 2021 – SEPTEMBER 2021
Summer position in a grocery store. Focused on stocking shelves, customer service, and working efficiently under time pressure.
Au Pair / Personal Assistant, Berlin
SEPTEMBER 2021 – AUGUST 2022
Worked as a private assistant to a fashion model. Gained insights into fashion production, photoshoots, and the planning process behind them.
Store Assistant, ICA Maxi Torslanda
AUGUST 2022 – MAY 2023
Primarily responsible for the fruit & vegetables and dairy departments. Developed skills in logistics, accountability, and communication with suppliers.
Part-time Store Assistant, ICA Focus Gårda
MAY 2023 – PRESENT
Working in the online department with order fulfillment. A fast-paced and physically demanding role requiring precision and efficiency in a high-volume environment.
Part-time position alongside full-time studies. Assisted with product placement, assortment presentation, and basic customer service.
Gained hands-on experience in retail design, consumer flow, and trend-conscious visual merchandising – directly related to my studies in textile economics.
Chapters of My Work
01. Styled for Tomorrow
0.1.1 Styling
0.1.2 Moodboards that capture the future in color and form
02. Making as Practice
0.2.1 Visual presentations
0.2.2 Project descriptions
03. In Lines We Trust
0.3.1 Illustrative Graphics
01. Styled for Tomorrow
Pics by: Me.
Styling by: Me.
Models: Confidence and beauty — by the ones I love.
Pics by: Me.
Styling by: Me.
Models: Confidence and beauty — by the ones I love.
Pics by: Me.
Styling by: Me.
Models: Confidence and beauty — by the ones I love.
0.1.2 Moodboards that capture the future in color and form
As we look toward the future of fashion and design, we see a shift toward the tactile, the grounded, and the intentionally slow. In a time of growing climate awareness, digital fatigue, and social fragmentation, there is an increasing need for colors, materials, and forms that reconnect us to something tangible, warm, and human. This moodboard captures exactly that: the future in color and form.
Colors: The Palette of the Future
The colors of the future are muted, natural, and subtly emotional — not necessarily bold, but comforting and enduring. According to WGSN and Coloro’s color forecasts for 2025 and beyond, we are seeing a shift towards:
A mysterious dark blue-violet hue that represents the transition between the digital and the natural. It is both dramatic and contemplative, making it ideal for eveningwear or statement accents.
A warm, nourishing orange tone that conveys recovery, wellbeing, and optimism. Particularly wellsuited for knitwear and sport-inspired fashion.
Nature-inspired greens that evoke a sense of gardening, renewal, and inner balance. According to Pantone and WGSN, these are considered “regenerative greens ” colors that communicate calmness and sustainability
Earthy, grounded neutrals that continue to dominate, especially in minimalist wardrobe essentials. These tones act as visual anchors and connect directly to natural materials
When it comes to material choices, there is a clear shift toward greater transparency, circular practices, and innovative technologies that mimic the logic of nature. Designers and producers are increasingly prioritizing fabrics that are not only durable and comfortable but also ethically sourced and environmentally responsible. This includes a growing emphasis on lowimpact fibers, closed-loop production systems, and materials that can either biodegrade or be endlessly reused all in an effort to create a more sustainable and sensory-rich design future.
Lyocell, particularly in the form of TENCEL™ by Lenzing, is a cellulosebased fiber produced in a closed-loop system where over 99% of solvents are recycled. It requires significantly less water and fewer chemicals compared to conventional cotton, making it a more sustainable alternative for knitwear and shirting (Pingio Home, 2023).
Hemp & Nettle, Hemp and nettle are lowimpact fibers that require minimal water, no pesticides, and grow quickly. They provide a natural, textured aesthetic that is becoming increasingly desirable. The EU is currently supporting several pilot projects to position hemp as a key fiber of the future (Hemp4Circularity, 2024).
(Unknown,n.d.)
(Hemp Fabric Lab, n.d.).
Deadstock & Recycled Wool, more and more brands are turning to leftover fabrics (deadstock) and recycled wool to create new designs. This approach is both environmentally conscious and creatively engaging, allowing designers to work with limited, unique materials while reducing waste (My Green Closet, 2023).
(Etsy, n.d.).
Reflection:
Why These Choices?
The colors and materials we use today go beyond aesthetics — they express values. As the fashion industry shifts from fast to slow, from artificial to authentic, and from loud to thoughtful, designers are embracing a more mindful, intentional approach (Sustainability Directory, n.d.).
Working with natural tones and tactile, low-impact materials is not just about trend; it’s about aligning with a movement that prioritizes longevity, ethics, and emotional connection. This approach supports the creation of wardrobes and expressions that hold meaning over time — a form of resistance to rapid consumption and disposability (Tripulse, n.d.).
Mycelium Leather & Plant-Based BioTextiles, Innovative alternatives to animal leather and fossil-fuel-based synthetics are on the rise. Mylo™, developed by Bolt Threads, is a leather-like textile made from mycelium (mushroom roots) that is biodegradable and renewable — a breakthrough in sustainable material innovation (Bolt Threads, 2023).
By choosing fibers like lyocell, hemp, and nettle, which use fewer resources and offer timeless texture, designers are helping shape a more sustainable future (Orbasics, n.d.).
(SettingMind,2021).
Bolt Threads. (n.d.). Mylo: Unleather the future.
https://boltthreads.com/technology/mylo /
Elena, M. (2024, March 4). Best of Paris Fashion Week: A new age of enlightenment. Whitewall.
Interreg North-West Europe. (n.d.). Hemp4Circularity. https://hemp4circularity.nweurope.eu/
My Green Closet. (2023, May 5). Zero waste and circular fashion brands. https://mygreencloset.com/zero-wastefashion-brands/
Orbasics. (n.d.). What is slow fashion? https://orbasics.com/blogs/stories/slowfashion
Pingio Home. (2023, February 22). TENCEL™ vs cotton: A comparative analysis of sustainability, performance, and applications. https://www.pingiohome.com/tencel-vscotton-a-comparative-analysis-ofsustainability-performance-andapplications.html
Setting Mind. (2021, April 21). Major fashion houses back new mycelium-based vegan leather Mylo™. https://settingmind.com/major-fashionhouses-back-new-mycelium-based-veganleather-mylo/
Sustainability Directory. (n.d.). What is slow fashion philosophy? https://lifestyle.sustainabilitydirectory.com/question/what-is-slowfashion-philosophy/ Tripulse. (n.d.). Fast fashion vs. slow fashion. https://tripulse.co/blogs/news/fastfashion-vs-slow-fashion
Unknown. (n.d.). Fashion illustration of a minimalist outfit. Pinterest. Retrieved May 25, 2025, from https://www.pinterest.com/pin/xxxxxxxx
Unknown. (n.d.). Fashion illustration of a woman in a long coat. Pinterest. Retrieved May 25, 2025, from https://se.pinterest.com/pin/189080884 351693613/
WGSN. (n.d.). Color trends. https://www.wgsn.com/en/trends/colors/
02. Making as Practice
0.2.1 Visual presentations
0.2.2 Project descriptions
I primarily work with crochet, where I have developed a personal and intuitive approach by combining patterns, instructional videos, and hands-on experimentation. While I only know the basics of knitting, I have enough understanding of the technique to create my own pieces — from concept to finished product.
Among other things, I’ve crocheted hats and laptop sleeves using recycled T-shirt yarn made from 100% cotton. These were created with a 5 mm crochet hook, using both single and double crochets to build structure and shape. I prefer working without strict patterns — instead, I rely on trial and error, often redoing the same section multiple times until the form feels right. It’s a craft shaped by patience, presence, and a willingness to let the material guide the process. I have also made smaller garments such as mittens, hats, and cropped tops. In these, I adapt the crochet technique depending on the intended function and aesthetic. By using double and treble crochets, I can create larger gaps between the stitches, resulting in a more open and breathable texture — for example, a top might consist of large grid-like spaces. For items designed to retain warmth, like mittens and hats, I use a much tighter stitch to create a denser and more insulating fabric.
Recently, I’ve also started learning how to make small decorative motifs, such as flowers and traditional granny squares, which has opened up new possibilities for expression in my creative work.
03. In Lines We Trust
This project presents a thoughtfully curated capsule wardrobe consisting of nine garments, designed and illustrated in Adobe Illustrator. The collection features a denim shirt, high-rise jeans, a woolblend blazer, a knitted sweater, a cropped trench coat, two essential base tops, and a coordinated kimono wrap set with tailored shorts.
The aim was to create a timeless and functional wardrobe foundation — pieces that can be worn in multiple ways, across seasons and occasions. Each garment was selected with care, combining clean silhouettes, subtle detailing, and a neutral color palette to ensure ease of styling and long-term relevance.
With a focus on simplicity, versatility, and wearability, this capsule reflects a minimalist approach to fashion — one that supports a more intentional and sustainable personal style.
1. Denim Shirt – 100% Cotton
A relaxed-fit denim shirt designed for everyday wear. Features button closures and two chest pockets. Made of 100% cotton and available in three versatile blue shades: dark navy, mid blue, and light blue. Can be worn closed, open over a base layer, or styled under a jacket.
2. Jeans – S/S 2025
Straight-leg, high-rise jeans in full length. Made from 100% cotton, including 15% RCS-certified recycled cotton and 85% OCS-certified organic cotton. Offered in three tonal blues, these jeans are a core staple, designed to work seamlessly with every other item in the collection.
3. Regular Fit Blazer
A tailored blazer created for the autumn/winter season. Crafted from a wool blend (52% Wool, 44% Polyester, 4% Acrylic) and fully lined (56% Polyester, 44% Viscose). Structured yet soft, it features clean lines and comes in three classic colorways: beige, light grey, and black — ideal for dressing up or down.
4. Knitted Sweater
A cozy knit made from sustainable fibers: 69% Lyocell, 24% Cotton, and 7% Mulberry Silk. Features ribbed details at the cuffs, hem, and neckline. Designed with a relaxed silhouette for comfort and layering, available in three soft, muted tones: earthy taupe, sage green, and mauve.
5. Cropped Trench-Style Utility Jacket
A short trench-inspired jacket featuring large chest pockets, side zip pockets, and adjustable cuffs. Shell: 100% cotton. Lining: 100% polyester. Lightweight and functional, perfect for transitional weather. Available in three neutral tones: light grey, sand, and taupe.
6. Oversized T-shirt
A wide-fit, short-sleeved T-shirt with dropped shoulders and clean detailing. Minimalist and unisex in style, this piece is designed for comfort and layering, or to be worn on its own as a relaxed everyday essential.
7. Tank Top
A fitted, sleeveless top with a deep neckline and ribbed hem. Likely in a knitted or jersey quality, it's a minimalist and versatile base layer that brings flexibility to any combination.
8. Kimono-style Wrap Top
A modern wrap blouse with wide lapels and a soft, belted silhouette. Crafted in a rich reddish-brown shade, this top offers a feminine structure that works for both casual days and more polished looks.
9. Tailored Shorts (Matching the Kimono Top)
High-waisted shorts designed to coordinate with the kimono wrap top. With belt loops, pleats, and side pockets, these shorts provide a tailored yet comfortable option for warmer days perfect for creating a monochrome set or mixing with other capsule pieces.
1.Denim Shirt – 100% Cotton
2. Jeans – S/S 2025
3. Regular Fit Blazer
4. Knitted Sweater
6. Oversized T-shirt
5. Cropped Trench-Style Utility Jacket
7. Tank Top
8. Kimono-style Wrap Top
9. Tailored Shorts (Matching the Kimono Top)
Wrap Set
Smart Casual Blend
Effortless Edge
Final Reflection
This portfolio was created not just as a course requirement, but as a personal and creative statement — a space where I could explore and express my perspective on design, identity, and communication. Inspired by The Gentlewoman, a magazine that celebrates strong, independent women with clarity, depth, and elegance, I wanted to craft a portfolio that reflects those same values. Throughout the pages, I’ve aimed to balance structure with personality, and visual simplicity with thoughtful content. It was important to me that each section feels intentional and visually cohesive but also human, honest, and distinctly mine. Each chapter — from conceptual explorations to visual research, material experimentation, and reflective practice represents a different layer of my creative thinking.
Together, they form a narrative of who I am, what I value, and where I want to go. This is more than a summary of work it’s a self-portrait in progress.
Design, for me, is about more than making things look good. It’s about asking questions, observing details, and building visual stories that connect ideas with feeling. I hope that this portfolio communicates not just what I’ve done, but why I do it — and that it leaves the reader with a sense of intention, curiosity, and maybe even inspiration. This is a small part of me, captured in one moment of time. And I’m proud of what it says.
