Issuu

2013 - 2024

ARCHITECTURE PORTFOLIO

RYAN A. FARNAM

RYAN A. FARNAM

EDUCATION

SOUTHERN

CALIFORNIA INSTITUTE OF ARCHITECTURE (SCI_Arc) LOS ANGELES, CALIFORNIA

Bachelor of Architecture, Graduate 2018

EMPLOYMENT

LUNO DESIGN STUDIO LOS

Architectural Designer

Project types: high-end residential, commercial, mixed use

ANGELES, CALIFORNIA

July 2022 - July 2024

Developed initial design concepts, sketches, and 3D models for residential and commercial projects. Collaborated with senior architects to refine design ideas and integrate client feedback. Produced detailed construction documents, including floor plans, elevations, sections, and site plans using Revit. Ensured accuracy and compliance with building codes and standards in all technical drawings. Coordinated with engineering teams, contractors, and consultants to ensure seamless project execution. Participated in client meetings, drafted concise and detailed meeting minutes and incorporated client requirements into final designs. Prepared and delivered visual presentations, including renderings and mood boards, to communicate design intent. Researched and selected appropriate materials, finishes, and fixtures in line with project budgets and aesthetic goals. Created material boards and specification documents for client approval and construction use. Conducted site visits to assess project progress, ensuring alignment with design specifications and quality standards.

ARTHUR CHABON ARCHITECTS IRVINGTON, NEW YORK

Architectural Designer

Project types: high-end residential, commercial, mixed use

October 2020 - June 2022

Played a significant role in the design development and construction documentation of a 15,000 sq. ft. residence in the Bahamas. Created and presented schematic design options for a 23,000 sq. ft. synagogue expansion in Palm Beach, Florida. Contributed to the complete renovation of the Fifth Avenue Synagogue in Manhattan, from initial concept to construction documentation. Prepared and delivered visual presentations, including renderings, physical models and mood boards, to communicate design intent. Acquired valuable experience in redlining drawings. Crafted numerous high-detail presentation models. Simultaneously collaborated on multiple projects of varying scales. Developed valuable management skills through client and contractor meetings, interactions with manufacturers, and overseeing the purchase, delivery, and installation of project components. Engaged in client meetings to present design concepts and integrate client feedback into the final designs. Created material boards and specification documents for client approval and construction use.

OKB ARCHITECTURE LOS ANGELES, CALIFORNIA

Architectural Designer

Project types: residential, commercial, mixed use

January 2020 - April 2020

Coordinated directly with Project Architect and Project Manager to develop conceptual and schematic design for a single family residence in Santa Monica and prepared design development documents. Collaborated with a three-person team on a fast paced design competition for a new office space for Service Titan. Assisted in producing design development documents for a mixed use building in West LA.

ROTTET STUDIO LOS ANGELES, CALIFORNIA

Architectural Designer

Project types: commercial, hotels, retail, residential, restaurants, cruises

August 2018 - December 2019

Participated in all phases of design and construction processes. Responsible for interior design work, furniture design, product design, graphics and all print media. Assisted in coordination between other architecture firms, engineering firms and manufacturers on project design and review. Digital modeling, drawing, visualization and rendering. Designed material boards. Created construction drawings and equipment specifications.

310.991.7081

RYANAFARNAM@GMAIL.COM

INTERNSHIPS SAFAI ARCHITECTS SANTA MONICA, CALIFORNIA

Architectural Intern

Project types: mixed use, residential

2525 CALIFORNIA AVE

SANTA MONICA, CA 90403

June 2018 - Aug 2018

Coordinated directly with lead architect in drafting digital plans and sections of multiple mixed-use residential projects of wide-ranging scale

MAXI SPINA ARCHITECTURE LOS ANGELES, CALIFORNIA

Architectural Intern

Project types: museum, residential, civic, exhibition

May 2017 - Aug 2017

Collaborated with a four person team on an international, fast paced design competition for the Lima Art Museum Expansion. Tasks: Digital modeling, design computations, visualization and rendering, multiple design studies, presentation drawings and diagrams. Worked on the conceptual and schematic design for a canopy proposal for Airbnb Open 2016. Produced renderings for the Piaggio House, a single family residence in Argentina. Digitally modeled and prepared designs for 3D printing.

MATTI ROSENSHINE ARCHITECTS JERUSALEM, ISRAEL

Architectural Intern

Project types: Civic, Residential

LANGUAGE English and Farsi

June 2016 - Aug 2016

Worked on the conceptual and schematic design for a synagogue in Jerusalem. Tasks: Digital modeling, renderings, design studies, presentation drawings, diagrams, and construction observation. Assisted in the production of construction drawings a single family residence.

PROFESSIONAL EXPERIENCE

ROTTET STUDIO

AUGUST 2018 - 2020

PRIVATE DINING ROOM: VIKING CRUISES

The feature wine rack wall was designed to make a bold statement in an otherwise compact space. Given the size constraints, it was essential for the design to be both efficient in layout and impactful for visitors. A wine rack functions like a form of advertisement—a billboard, if you will—so my goal was to transform a conventional wine rack into something truly extraordinary.

I approached the design through the lens of array techniques, a particular interest I developed during my thesis. I saw the project through to completion to ensure the design intent was fully realized. The most significant takeaway from this experience was gaining a deeper understanding of the complexity inherent in a Rhino model. This journey taught me how to translate a conceptual design into a crafted piece, emphasizing the attention to detail and rigor required to bring a design to fruition.

Note: The rendering on the left was presented to the client at the conclusion of the conceptual design phase and was created using 3ds Max.

Revisiting Thesis Concept Design

Concept to Construction

By refining an old rendering from my thesis, I developed the initial concept design that inspired the feature wine rack. The process of meticulously working through the fine details—without compromising the integrity of the design—was a challenging yet rewarding aspect of this project that I truly valued and learned from.

Construction Drawings

Wine Storage Details

Enlarged

Final Product

Photos of Completed Project

Crafted Reality

The completed photos of the feature wine rack wall showcase its striking design, making a bold statement in the compact space it occupies. The carefully arranged layout not only maximizes efficiency but also captivates visitors, serving as a visual advertisement for the curated selection of wines. Each detail reflects the rigorous attention and craftsmanship that went into the project, highlighting the transformation from a conventional wine rack to an extraordinary centerpiece.

These images capture the journey of translating a conceptual vision into a beautifully crafted reality, embodying the essence of innovation and artistry in design.

Material Board

Sun Deck Renovation

Sun Deck Design

What began as a reimagining of the Sun Deck Canopy culminated in a complete transformation of the Sun Deck itself, designed to align seamlessly with the brand’s image. The most significant challenge involved creating an awning and selecting furniture that adhered to the minimum height requirements for navigating the bridges along the river cruise route. This necessitated close collaboration with manufacturers and engineers to develop customized pieces that met these specifications.

EXISTING

Residential Modernism

Designed Landscape

A New Landscape

The Premier Experience

A Home On-Board

In close collaboration with the Project Manager, Office Principal, and Viking Owner, I led the development of the overall concept and design package for the Owner Suite. This project was particularly meaningful to me, as it provided an intimate look into the personal dimensions of designing a space that truly feels like home.

LIVING ROOM

Owners Suite Floor Plans

OWNER SUITE BATH

LANGHAM PLACE

SAN FRANCISCO, CA

The Langham Place San Francisco renovation celebrates the city’s essence, blending timeless elegance with cultural and historical storytelling. Inspired by Renzo Piano’s architectural vision, the design emphasizes transparency, natural light, and harmony between interior and exterior. Warm palettes of light woods and natural materials evoke an inviting, modern ambiance, reflecting San Francisco’s unique light quality and artistic spirit.

Subtly incorporating the city’s landmarks the design creates a sophisticated narrative, enriched by curated contemporary art. I contributed from concept through design development for key areas, including the elevator lobby, elevator cab, typical king-sized room, the club lounge dining, and the Chaun pool.

Balancing minimalism with intricate details, Langham Place offers an inspiring sanctuary for affluent, global-minded guests. More than a hotel, it’s a landmark honoring San Francisco’s past, present, and future—a space guests will never want to leave.

HOTEL ELEVATOR LOBBY

A. LOBBY ELEVATION

LEATHER PANELS IN OIL-RUBBED BRONZED FRAME

DESTINATION DISPATCH

ELEVATOR CALL PANEL

ART

ETCHED STAINLESS STEEL ELEVATOR DOORS

HOLD OPEN DOOR

DESTINATION DISPATCH ELEVATOR CALL PANEL

Elevator Cab Perspective Views

CAB PERSPECTIVE ENTRY VIEW

WOOD CEILING

CONCEALED COVE LIGHT

ETCHED STAINLESS STEEL CEILING

WOOD PANELS

ETCHED STAINLESS STEEL PANEL / DOOR

CONCEALED LIGHT

RIBBED GLASS WALLS

LEATHER WRAPPED HANDRAILS

WOOD FLOOR

CAB PERSPECTIVE EXIT VIEW

HOTEL ELEVATOR CABS

CAB VIEW FROM LOBBY

LEATHER HANDRAIL DETAIL

GLASS TUBE CONCEPT

ROLLDOWN BLACK-OUT SHADE (ELECTRIC) WITH SHEER OVERDRAPES

FREESTANDING CONSOLE TABLE WITH DATA, POWER, AND PHONE INTEGRATED/ TV ABOVE

TOP DINING TABLE

3’ LUGGAGE BENCH WITH STORAGE BELOW AND ABOVE

STONE

STAKEHOLDER SUMMIT MEETING

THE LANGHAM

KING ROOM 12

TYPICAL FLOOR

Club Lounge Dining

Langham Place

Chaun Pool

SCHEME A

OKB ARCHITECTURE

AUGUST 2018 - 2020

WATERSTONE RESIDENCE

Nestled in the vibrant heart of Santa Monica, this single-family residence sought to expand its footprint. To navigate the client’s vision for growth, we presented a series of massing studies, each exploring subtle variations in scale. The outcome: a thoughtfully conceived addition of a new second story paired with a comprehensive remodel of the first floor.

I developed multiple plan schemes, meticulously tailored to align with the client’s aspirations while adhering to zoning regulations and site restrictions. From these, we refined our options down to three distinctive schemes (illustrated to the left), for which I created detailed digital models and renderings to facilitate client presentations.

The most significant takeaway from this process was the appreciation for the unique set of conditions that govern each project. This understanding shaped our approach and highlighted the necessity of addressing underlying constraints. This aspect of architecture resonates deeply with me, as it drives the creation of organic and innovative solutions.

SCHEME C

SCHEME B

Scheme D l Visualization

Waterstone Residence

FRONT VIEW

ARTHUR CHABON ARCHITECTS

OCTOBER 2020 - JUNE 2022

NORTHSTAR RESIDENCE - BAHAMAS

The single-family residence project, spanning 11,300 square feet and featuring a detached garage and guest house, is nestled in the picturesque Bahamas. My role encompassed the entire process from design development through to the construction documents. I worked closely with the Principal and Project Manager, both of whom were dedicated to explaining every detail thoroughly, greatly enhancing my professional growth.

This project provided me with a clear understanding of the requirements needed to compile a complete design development package and construction documents. It enriched my experience in drafting interior layouts and producing precise construction details. Furthermore, I gained invaluable firsthand experience collaborating with architects, contractors, clients, interior designers, landscape architects, and other subcontractors, deepening my appreciation for the collaborative nature of architectural practice. This multifaceted involvement has equipped me with the skills and insights necessary to tackle future projects with confidence and clarity.

STREET VIEW

Garage Construction Details

Her Bath Design Development

Integral Color Skim Coat Plaster on Gyp. Walls

Fumed Engineered Antique Oak Floors

Her Makeup Table Elevation

Her Bath Tub Detail

Caleidolegno Veneer

Pink Onyx Stone

Glassos White - Gloss Countertop

Belgian Black Honed Stone

Newood Wedge Veneer

Newood MV Veneer

Integral Color Skim Coat Plaster on Gyp. Walls

Fumed Engineered Antique Oak Floors

Credenza Elevation

Credenza Section

Fumed Engineered Antique Oak Floors

Color Skim Coat Plaster on Gyp. Walls

Dunes - Honed Stone

Hes Vanity Millwork Elevation His Vanity Section

Glassos White - Gloss Countertop

EXISTING CONDITIONS

FIFTH AVENUE SYNAGOGUE

MANHATTAN, NEY YORK

The renovation of the Fifth Avenue Synagogue, located in Manhattan, New York, involved a comprehensive transformation across six floors, with every room undergoing careful renovation. My role spanned all phases, from conceptual design to the construction documents, allowing me to engage deeply with the project.

I had significant design involvement in key spaces, including the playful terrace, the main stair, and the Memorial Hall dedication wall. Collaborating closely with a dedicated committee provided me with invaluable insights into the needs and aspirations of the community, enhancing my understanding of how to create meaningful spaces.

Throughout the project, I gained substantial experience in producing detailed construction documents and honing my rendering skills to visualize design intent effectively. This renovation not only deepened my technical abilities but also reinforced the importance of community engagement in architectural practice.

Stair B Renovation

Fifth Avenue Synagogue

New Breath

The existing staircase was in urgent need of revitalization due to its outdated, inconsistent, and worn condition. We initiated the process by meticulously measuring the current structure, followed by preliminary drafting. With the parameters defined, we embarked on a comprehensive redesign, focusing on enhancing both functionality and aesthetic appeal.

Floor Plan

West Elevation East Elevation

Stair B Final Design

Photo of Completed Design

The Transformation

The renovated stairway exemplifies thoughtful design and craftsmanship, transforming a utilitarian space into an architectural focal point. The interplay of light and shadow highlights the carefully chosen materials, creating a harmonious blend of form and function. Witnessing this vision come to life has been profoundly rewarding, as it enriches the building’s character and enhances the daily experience of all who use it.

Memorial Hall Dedication Wall

Memorial Plaque Plan

Memorial Plaque Elevation

Memorial Plaque Section

PALM BEACH SYNAGOGUE

The renovation and expansion of the synagogue, situated on a 31,424 square foot lot in Palm Beach, Florida, presented an enriching architectural challenge. My involvement spanned every phase, from conceptual design to schematic design, allowing me to deeply engage with the project’s evolution. Conducting thorough site research was essential to understand zoning restrictions, coding requirements, and the limitations on lot coverage and parking.

I developed two distinct floor plan schemes, focusing on functionality and community engagement. To visualize these concepts, I produced Enscape renderings of each scheme, providing a clear representation of the design intent. Furthermore, I crafted a clean and precise physical model to convey the vision effectively.

This project enhanced my understanding of renovation processes and site-specific challenges. It reinforced the importance of balancing innovation with existing architectural context, deepening my appreciation for thoughtful design in community spaces.

PALM BEACH, FLORIDA

Harmonious Integration

The elevation was designed to ensure that the new addition harmoniously integrated with the existing structure, maintaining the aesthetic integrity of the existing conditions.

South Elevation

Building Elevation

East Elevation

East Elevation

LOBBY VIEW

STAIR VIEW

ROOF GARDEN VIEW

LOBBY VIEW 1

BANQUET HALL VIEW

COURTYARD VIEW

GALLERY

COURTYARD VIEW

ROOF GARDEN VIEW

ROOF GARDEN VIEW 1

Tactile Architecture

This physical model, crafted from 2 and 4 ply paper, faux grass and trees, plexiglass, and wooden beams, showcases intricate floor and window patterns, along with detailed floor plans, all achieved through precise laser cutting.

VILLA KARUNA

VILLA MUDITA VILLA UPEKKHA

VILLA METTA

VILLA UPEKKHA

VILLA MUDITA

VILLA KARUNA

LUNO DESIGN STUDIO

TRANCAS CANYON RESIDENCE

The request for this small-scale development was to conceive of these homes as wellness retreats where the overall experience of the community would be focused on meditation and personal spiritual practices. The site at a macro level was imagined as a zen garden where the round pools of each home was the focus of each individual residential experience. The homes radiate around each pool, drawing focus to the constant “center”.

The Budhist Brahmavihara concept acts as a branding of the site that helps set the tone for the development and give the individual homes a point of inspiration to promote individuality in the community. The spiritual color story of each Vehara carries through the interiors of each home and into the selection of the planting palette.

I primarily developed two of the four lots, Villa Upekkha and Villa Metta. Starting from drafting conceptual floor plans through to the completion of two detailed permit sets, my architectural development was significant, both technically and conceptually.

SITE

Villa Upekkha

Vihara Study

CONCEPT

The leading concept for this Vihara is that of balance and equanity, and the associated color story in yellow. The form of the home is symmetrical with a strong center axis. The material palette is rammed earth walls, with exposed wood beams and T&G wood ceilings, creating a warm conforting enviornment.

REAR

ENCINO RESIDENCE

ENCINO, CALIFORNIA

Situated in Encino, California, this expansive Spanish-style single-family residence boasts over 60 meticulously designed rooms and spaces. My primary role on the project was to complete the comprehensive interior design package, collaborating closely with the project manager to ensure cohesion and functionality throughout the home. I was tasked with designing several rooms that had previously lacked direction, allowing me to infuse fresh concepts into the project. Actively participating in client meetings, I drafted detailed minutes and adeptly incorporated client requirements into the final designs.

This project not only allowed me to leverage my extensive experience in interior design but also enhanced my skills in managing a large-scale interior package, all within the Revit environment. The takeaway from this endeavor has been a profound understanding of the intricacies involved in crafting such a substantial interior scheme, which will undoubtedly inform my future work in architectural design.

STREET VIEW

DINING ROOM

PRIMARY BATHROOM

PRIMARY BEDROOM

SECONDARY BEDROOM

Main Kitchen

Primary Bedroom

Interiors

Primary Bedroom

Interiors

Primary Bath

CAMDEN RESIDENCE

BEVERLY

HILLS, CALIFORNIA

Nestled in Beverly Hills, this expansive 26,000 square foot single-family residence embodies the elegance of Georgian architecture while optimizing its spaciousness through thoughtful design. The clients’ desire for a generous lawn influenced the L-shaped massing, creating a harmonious balance between outdoor and indoor living. To maximize the square footage, the residence features a double basement, a solution that required meticulous planning to accommodate an array of desired amenities.

Working on this project has been an invaluable experience, allowing me to gain extensive knowledge in planning and space optimization given the size of the lot and the program requirements. Collaborating closely with clients has deepened my understanding of their needs, enhancing my ability to translate their vision into reality. Additionally, I developed a much clearer understanding of Beverly Hills building codes and regulations, which proved essential in navigating the design process. Designing such a massive single-family residence has broadened my skill set and provided insights that will undoubtedly influence my future work in residential architecture.

STREET VIEW

CAMDEN

ACADEMIA

SONGDU NATIONAL MUSEUM OF WRITING

SONGDU, SOUTH KOREA

SPRING 2018 l THESIS l FERDA KOLOTAN

The thesis reimagines the museum as an experiential environment that prioritizes visual effects over mere artifact display. It argues that the design of a museum is as crucial as its content, highlighting the significance of architecture and opening avenues for innovative design.

This vision is realized through the lens of Denise Scott Brown and Robert Venturi’s ‘duck vs. decorated shed’ concept. Instead of choosing one over the other, it advocates for a hybrid approach that marries the two ideas. By combining a distinctive form that rivals the importance of the objects within (the duck) with rich surface details (the decorated shed) that create dynamic visual effects, the museum’s unique presence within the urban landscape underscores its aesthetic value, fostering a culture of innovative design.

Building And Site

The site is envisioned as an extension of the building, embodying the form of a landmass. My goal was to establish a relationship that seamlessly translates from three-dimensionality to two-dimensionality. This was accomplished by mirroring the building’s fabric while introducing subtle variations in directionality and spacing. The resulting artificial landscape features both active and passive areas that engage with the urban environment, framing and responding to views of Central Park, the lake, and the city, while offering fresh perspectives.

The Decorated Shed

In my continued exploration of stacking and array mechanisms, I developed a variety of unique surface effects that elevate the visual appeal of the museum. These surface details function as a louver system, effectively managing both direct and indirect sunlight.

HIGH RISE ON THE HIGH LINE MANHATTAN, NEW YORK

Situated at the northern end of DS&R’s High Line Park on Manhattan’s west side, 10 Hudson Yards Tower commands attention from pedestrians strolling north along the elevated park.

At 870 feet tall, 10 Hudson Yards Tower sets itself apart from neighboring high-rises with its distinctive form and innovative tectonics. Unlike traditional towers with sharply defined silhouettes, its design blurs the edges, creating a seamless transition between the building and the sky.

FALL 2015 l THIRD YEAR STUDIO l ALEXIS ROCHAS

Massing Models

Longitudinal

Lateral Structure

Vertical Structure

Vertical Panels

Section AA’

Vertical City

The tower’s dynamic shape gives rise to vibrant atrium spaces, which not only provide diverse office layouts and stunning views but also foster a sense of community and connection among the companies that occupy the building.

Final Model Photos

Karim Saleh

Project Description

Southern California

Institute of Architecture Extension

Project Stats:

Size:

Height: 60’

# Floors:

OCC. Group: A3 (B)

Construction Type: A3

Our proposal for the redesign of the Southern California Institute of Architecture, situated in the heart of Los Angeles’ arts district, aims to redefine student interaction within the academic environment.

The challenge of this project was to develop a comprehensive plan that adhered to the school’s existing program while demonstrating an understanding of structural integrity, environmental considerations, life safety measures, building assembly, and sustainability principles. To foster positive creative interactions among students, we envisioned a space that minimizes privacy barriers. By reducing partitions and isolating elements, we created an open environment that offers complete visual accessibility.

The design connects various programmatic typologies—differing in size and form— through atriums that appear as carved extensions of the building’s exterior. This

approach allows the project to be interpreted as both a cohesive entity and a layering of multiple forms. The façade system intriguingly blurs the relationship between individual elements and the overall structure.

While the primary purpose of the atrium is to invite natural light into the building’s core, it also facilitates dynamic public circulation, encouraging interaction among students from different academic years. This fosters healthy relationships rooted in teamwork and creative collaboration. The site features three pedestrian entrances, each guiding visitors toward an outdoor courtyard that leads to the building’s entrance, ensuring visual connectivity between the interior and exterior.

The façade employs a double-layer system that blurs the part-to-whole relationship of the building. The first layer consists of GFRP panels, arranged to create a sense of alignment and intentional misreading.

The second layer incorporates an aesthetically integrated photovoltaic panel system, which overlaps the grain of the GFRP panels, enhancing the visual complexity and further obscuring spatial definitions. Finally, the third layer introduces apertures that disregard the previous grains, contributing to the overall ambiguity of the design.

Building Systems

Egress Diagram

RECONSTRUCTING THE DATONG LIBRARY

DATAONG, CHINA

Preston Scott Cohen and his team embraced a significant challenge: to explore and resolve the formal properties of a constantly evolving, multifaceted surface. They recognized that conventional techniques and software were insufficient for addressing this complexity, prompting Cohen to adopt a new approach to designing these intricate systems.

During the design phase of this building, discussions around Building Information Modeling (BIM) were gaining momentum as a more efficient design tool. This innovative software has since influenced students like us, enabling us to navigate and challenge our design concepts in three-dimensional space.

However, complications with the client and public dissatisfaction with the building’s design—alongside similar projects in the area— led to delays in completion. Ultimately, the project was halted before it could be fully realized. The unique formal properties Cohen envisioned remain unresolved, continuing to evolve in many of his subsequent works.

FALL 2013 l TECTONICS MAXI SPINA

Axonometric Chunk

Datong Library

Facade

The building’s façade operates through a network of interconnecting frames designed to support its intricate, multifaceted paneling. A stone veneer seamlessly integrates with the surrounding space via a series of bolts that attach to a slender, flexible frame positioned between them. This frame is connected to the structure using a 3D-printed joint, effectively merging the two elements.

The main frame, composed of steel beams, is intentionally offset from the façade due to the complexity of the geometry, allowing the interior walls to reflect a smooth version of the exterior. Ultimately, the Datong Library showcases stunning results, although some finishes have been misinterpreted.

Worms Eye Axonometric

Birds Eye Axonometric

Exploded Chunk of Facade

Transformation Proposals

Datong Library

Transformation l

By manipulating the various characterizations of the facade’s articulation such as resolution: depth, intensity, subdivision and randomization, the goal was to achieve confusion regarding the definition of a facade onto another. Therefore lose the existing hierarchy between surfaces.

Transformation ll

Preceding the extensive sculpting of the facade articulation, the purpose of subdivision reacts to the mass by enabling directionality and orientation. The interaction between two dimensional and three dimensional readings produces a possible strategy for an aperture proposal.

Transformation lll

The third proposal provokes the conversation between two and three dimensions by exploiting the aperture strategy through a modified system of panel subdivisions. Louvers are therefore created to welcome indirect lighting without cooperating with the intensity of raw daylight.

Transformation lV

By manipulating the various characteristics of the facade’s articulation, such as resolution, depth, intensity, subdivision but continuous flow through the facade, the goal was to achieve similar effects as the original of a continuous system but with different parameters. Therefore keeping the existing hierarchy between surfaces at a less dense intensity.

Transformation V

Transformation Vl

The chosen proposal provokes the conversation between two and three dimensions by exploiting the aperture strategy through a modified system of panel subdivisions. Metal louvers are therefore created to welcome indirect lighting without cooperating the intensity of raw daylight throughout the facade with chosen form articulations puncturing through the facade creating apertures on the interior walls.

Transformation VI Datong Library

Transformation Description

The study of all the transformations tries to explore the complexity of Cohen’s geometric design. I hoped to play into the origami structure by making the tile pieces more active. The way I achieved that is through opening the pieces individually, making them into operable windows. I imagined the facade as a more metallic material that folds on a louver system. In terms of transparency to get natural light through, we cut through the frame system in the form of triangular slits to still connect to the overall design.

As through the previous process, the folds were developed in script as Cohen did and the specific tiling and folds within the form were made by hand. Seeing that the process of development is the same as the design team at Cohen’s firm, it seems to reveal a unchanging process. There is only so much reliance we can have on both a script technology and a semi-free form technology; they both serve their purpose only for so long.

It provokes the conversation between two and three dimensions by exploiting the aperture strategy through a modified system of panel subdivisions. Metal louvers are therefore created to welcome indirect lighting without cooperating with the intensity of raw daylight throughout the facade with chosen form articulations puncturing through the facade, creating apertures on the interior walls.