RueiTing＿Portfolio

R u e i T i n g

Content

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Resume

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p4

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W(hole)

p5

p8

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0x0: Detach from

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p10

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Tw o G h o s t s

p11

p12

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Give Live & Believe

p13

p16

4

5

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MurMur App

p17

p18

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設計人 Designer

p19

p20

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甲青

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p22

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瘦骨嶙峋的愛

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朝朝暮暮

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張 睿 庭 R u e i-Tin g Cha n g Birth | 2003/07/23 Phone | 0909790312 Email | rueitingc@gmail.com I a s pi re to be co m e an ae st het ic ad v o cate i n the fu tu re, b r i ng i n g aestheti c exper i en ces back to th e rea lm of l i fe , a l l o w in g t he m to b e c l o s e to li fe, con n ected wi th li fe, and m eani ng fu l.

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De s ig nS kills

V i s u a l D e s i g n | G ra p h i c D e s i g n | Ty p o g ra p h y D e s i g n | Ed i to r i a l D e s i g n | B a s i c P h oto g ra p h y | I m a ge Ed i t i n g

Inte r ns hip Ex p e r i en ce I llustrator

P rofi c i e n t

P ro fi c i e n t i n ma i n v i su a l a n d l a yo u t d e si g n .

I n De si g n

Fam i l i a r

Un d e r sta n d i n g o f ba si c d e si g n co n ce pts.

P h otosh op Figma

P rofi c i e n t Fam i l i a r

B a si c kn o w l e d ge o f p hoto g ra p hy, i ma ge e d i ti n g .

Fa mi l i a r w i th F i g ma , P rototyp e o p e rati o n s.

Inte r ns hip Ex p er i en ce

20 2 3 | 純 粹 創 意 整合 行 銷 有 限 公 司 P ure C reati vi ty I n teg rated Mar keti ng Co., Ltd.

Ma i n V i s u a l D es ign fo r J iac he n Year Taip e i Ne w Year 's Street | Don g y i n Packag i ng Des i g n | Fu zhong Fa n ta s y C i t y Ty p o grap hy De s ign Se r v e d a s a C a d re

20 2 3 ｜ C l a s s of 1 1 0 C l as s Ex hib it io n - P ub li c Relati on s Team Mem b er 20 2 4 ｜ D e pa rt m e n tal Ex hib it io n - P ub l ic Relati on s Team Mem b er 20 2 4 ｜ vo l . 55 D e s ign J o ur n al - Ed ito r- in - Chi ef Award s a nd Ho n o r s

20 2 3 | T h e 8t h C ro s s -St rait Ne w Tal e n t De si g n Com peti ti on | J u n i o r Year Vis ual Yo ut h Gro up _ Excellen t Award

20 2 3 | D e pa r t m e n t Ex hib it io n o f Vis ual C o m m u n i cati on Des i g n, NT UA,Clas s of 111【SYNAPS E】 | T h re e - D i m e n s io n al M o d e l in g _ M e r i t Award

20 2 1 | T h e 26t h Da Dun F in e A r ts Ex hib it io n of Tai chu ng Ci ty | In k a n d C o l o r C atego r y _ Se l e cte d

20 2 0 | 108t h A cad e m ic Year Nat io n al St ud ent Ar t Com peti ti on

| In k Pa i n t in g C atego r y, High S c ho o l Gen eral Clas s _ F i r st Place

Ed ucation

V i s u a l C o mmu nicat io n De s ign o f Nat io n al Tai wan U n i ver s i ty of Ar ts D a yt i me | J u n i o r | 2 0 2 1 - 0 9 ~ 2 0 2 5 - 6

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Graphic Design W(hole) Name | W(hole) Ye a r | 2 0 2 3 Designed By | 許亞筑

張睿庭

Class 110 Exhibition 反轉選取 Inverse Selection Works

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Intro

Color

W ( hole ) m ea ns h a vi n g ga p s, w o u n d s. Th e s hap e of the b o d y i s co n sta n t l y c h a n gi n g

e71f19 c772a3

from the ins id e o u t . W o u n d s b eco m e pa r t of

the b od y, wit h a cc u m u l ated b l o o d c l ots rem a ining ,

s ca r s

g ra d u a l l y

turning

i n to

wr inkle s or text u res. Per h a p s i t 's d est i n ed to

ha p p e n, and w e a l wa y s b eco m e a w h ole af te r ex p e r ie nc i n g co l l i si o n s, fa l l s, o r tea rs .

FFFFFF 000000

9dceeb 8d669d

Material Fa b r ic , p r inte d m ater i a l s, resi n c l a y, temp e rature - s e ns itiv e p o w d er.

ecb193 479cc0

Photography Th e re are tre m o r s o n t h e su r fa ce a n d w i t hi n th e fl e s h . S ometi me s i t's h ard to i magi n e or n oti ce, bu t the re are s ubtl e scratch es i n y o u r teet h or p ore s , or th e twi sti n g pai n betwe e n organ s , an d some

emotions that o n l y t h e y k n o w a b o u t . T h os e un metaboli ze d blood c lots an d lon g-lasti n g bru ises m a ke y ou like a w r i n k l ed pa p er t h at n eed s s ome ti me or your forgi ve n e s s . T h e y we re mean t to exist , as who could a r r i ve h ere w i t h o u t so m e co lli s i on be fore leavi n g?

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Graphic Design W(hole) Conceptual Calendar Co nce ptua l cal en d a r w h ere va r i o u s w o u n d s are s ymboli cally i n tegrate d i n to th e d e s i gn , de p icting the em ergen ce o f sca r s o ver t i me .

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Months

J a nua r y : Sca r

A pr i l : Inci si on

March: Profus e b l eed i n g

M a y : Ul cerati on

J un e: Suture

J u ly : B r uise f ro m a fa ll Novem b er : M i n or b l eed i n g

Februar y: A bras ion Aug ust : B r ui s i n g

S e pte mb e r : Scratch

October : S cab form ati on

D ecem b er : B ur n i n j ur y

Photography W ound s b e come pa r t o f t h e b o d y, a n d s o m e s c a r s s l o w l y t r a n s f o r m i n to wri n kle s or text u res, e v e n t u a l l y b e i n g a cce p t e d a s p a r t o f t h e b o d y, b e co m i n g i n e x p l i c a b l e . Pe r h a p s t h e y a r e d e stined to a p p ea r.

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Graphic Design 0x0: Detach Ｆrom

About Atone m e n t W e will ex p lore t h e rel at i o n sh i p b et w ee n re li gi on an d th e d e ve lop me n t of h uman c i vi li zation, atte m pting to i n teg rate t h e i m a ges a n d mean i n gs of d i ffe re n t d e i ti e s , d i s cove ri n g th e i r i mpact and effe cts on the h u m a n p sy c h e, a n d seei n g th e ex i ste n ce an d value of re li gi on be yon d th e le v el of be lie f, while also co n tem p l at i n g t h e esse n ce of "aton e me n t ."

W hethe r in re lig i o n o r m o d er n so ci et y, p eop le sti ll tr y to alle vi ate th e p s yc h ologi cal burd e n brou g ht

by s in throug h sp ec i fic b eh a vi o r s o r wa y s of th i n ki n g. T h e re fore , aton e me n t n ot on ly ex i sts widely in re lig ion b ut a l so m a n i fests i n n o n -rel i gi ous c ulture s an d s oc i eti e s .

Th is ex hibition w i l l exp l o re t h e h i sto r y, c u lture , an d s oc i al bac kgroun d of aton e me n t , as we ll a s the atone m e nt m et h o d s i n d i fferen t rel i g i o n s an d be li e fs .

From the re cog n i t i o n o f si n to t h e pat h of li be rati on . We wi ll d e lve i n to th e p s yc h ologi cal reasons for atone m e nt a s a n i n n er n eed o f h u m a n be i n gs : i s i t fear of h e ll or a true re cogn i ti on of wrongdo in g? A nd how d o w e fin d t h e h ea ven w e can ste p i n to wh i le li vi n g th rough aton e me n t?

N a m e | 0 x 0 : D e t a c h Ｆr o m Ye a r | 2 0 2 3

Designed By | 張睿庭

吳亞輿

許亞筑

羅上安

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0x 0 : Deta c h fro m Th e m eaning of 0 x 0 rep resen ts ea ch o f u s wan de r ing b etwe e n si n a n d red em pt i o n . 0 an d 0

rep re s e nt the exi t a n d en t ra n ce, a s w el l as th e

en d and the b eg i n n i n g . X sy m b o l i zes th e un k nown, re p resen t i n g t h at si n ca n n ot be quantifi e d with n u m b er s.

Th e s e thre e c ha ra cter s fo r m a n i n fin i te sy mbol,

ju st like ea c h o f u s exp er i en c i n g a n end le s s jo ur ne y of ato n em en t . I f Ox i s a state, th e n "D eta c h From " i s a n exp ectat i o n , h o p i n g th at e v e r y s oul tra p p ed i n si n ca n e ven t u a l l y obtai n

lib e ration of b ot h t h e o u ter b o d y a n d i n n e r s p ir it .

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Two gh osts , to an d fro th e y s way.

I n th e me mori e s n ame d love , th e y stray.

Re stle s s s ouls , fore ve r e n twi n e d , Wan dering ai mle s s ly, n o path d e fin e d .

Album Design Two Ghosts Name | Two Ghosts_Album Resign Ye a r | 2 0 2 3

Designed By | 張睿庭 | 許亞筑 | 堀伊鞠 | 黃伊綾

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The lyrics booklets P r int the ly r ic s o n a t ra n spa ren t sh eet , w i th two gh osts eac h p ri n te d on th e fron t an d bac k cov ers.

Th e m e m or ie s a p p ea r fa i n t l y, t ra n si t i o n i n g from color to blac k an d wh i te , mi rrori n g th e fad ing of lov e ov e r tim e . A n d at i ts d eep est l a y er, t h e re li e s th e s i lh ouette of th e on ce be love d .

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Give Live & Believe

Graphic Design Give Live & Believe Organs Donation

Name | Give Live & Believe_Organ Donation Series Visual Design Ye a r | 2 0 2 3

Designed By | 張睿庭

�� 第 八 屆 兩 岸 新 銳 設 計 競 賽 ＿ 視 覺 青 年 組 ＿ 優 秀 獎 16

Intro

Organs

b

d vess e loo

corn

ki

tr

l

Giv e ( O rgans )

Li v e ( C ontinuat i o n o f l i fe)

ncrs pa

Belie v e ( T his b el i ef )

small intesline

Create an op p o r t u n i t y fo r vi ta l i t y w h i l e be li e ving in the conti n u at i o n o f l i fe.

G radi e n t co lor

ach 

ve

rt val 

liver

h

P ri m ar y co l o r

d n ey

h  rt F9875F

9DDD6B

E A5514

100%

FFFFFF

FFFFFF

80%

F9875F

50%

Seco n d a r y co l o r

17

CCCCCC

lungs

skin t

6 66 6 6 6

0%

do en n

EA5514

9DDD6B

70%

bone

捐贈卡

器官

Organs donation

Organs donation

簽署日期

/

/

/

簽署的原因

貼上願意捐贈之器官/組織項目

簽署人 （敬請親自以正楷書寫） 出生日期

/

/

/

國民身分證統一編號

聯絡電話

Email 法定代理人姓名及國民身分證統一編號

本人

希望

不希望

獲得器官捐贈同意卡（如未勾選，視同「不希望」）

給家人的話

（簽署人未滿20歲，須由法定代理人正楷書寫）

國民身分證／統一編號

聯絡地址

卡號（工作人員填寫）

Graphic Design Give Live & Believe 18

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UI Design Mur Mur In tro This is a n ap p ca l l ed "M u r M u r I n so m n i a C ompan i on ," wh i c h foc us e s on th e i d ea th at i n s omnia is

n ot lone ly a nd p ro vi d es co m pa n i o n sh i p for th os e wh o s uffe r from i n s omn i a. T h e ap p h as four main functions : P rofil e, M u r M u r, S l eep, a n d Re p orts .

Name | MUR MUR Ye a r | 2 0 2 4

Designed By | 張睿庭 ｜ 李冠廷 ｜ 劉嘉源 ｜ 戴云熏

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失

眠

LOGOMARK

睡

碎

唸

MUR MUR CHARACTER

Us ing a c ha racter w ea r i n g a n e y e m a sk an d pre par ing to s leep a s t h e m a i n vi su a l sy mbol,

ec hoing the co re co n cept o f t h e a p p l i cati on

Happy

Sa d

Luck

A n ge r

Exc i ted

D i zzy

H un g r y

Emo

DAI LY S L E E P R AT E

rel ate d to s le e p, a n d c reat i n g a p l ea sa n t an d

drea m y atm os p h ere w i t h ca n d y -co l o red stan da rd color s and g ra d i en ts.

COLORS

P i rm a r y C o l o rs

I CO N

Se co ndar y Co lo rs

TYP O GR A P H Y Noto Sans TC-Black Noto Sans TC

BU T TO N & SE AR C H FI E L D

Aa

Bo l d 2 4

Bo l d 2 0

Aa

Aa

Reg u l a r 2 0

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Aa

Aa

Aa

Bo l d 1 6

Reg u l a r 1 4

B ol d 12

Aa Reg u l a r 1 2

BooK Design 設計人 Designer

Intro "設 計 人 D e s ig ner " i s a n i m p o r ta n t i n d ep end e n t p ubli cati on of th e De partme n t of V i s ual C ommu nication De s ig n at t h e N at i o n a l Ta i wa n U n i vers i ty of Arts . E ac h i s s ue i s collaborati ve ly e d i te d by fa cu lty

me m b e r s a nd st u d en ts, feat u r i n g i n t ro d u cti on s an d i n te r vi e ws re late d to vari ous d e s i gn fie l ds. It

prov id e s stud en ts w i t h o p p o r t u n i t i es to abs orb n e w kn owle d ge , gai n ex p e ri e n ce , an d e n h an ce their

des ig n s k ills . A d d i t i o n a l l y, i t h el p s i n co mi n g fre s h me n q ui c kly un d e rstan d th e s cop e of th e Visu al Com m unicatio n D esi g n d epa r t m en t .

Name | 設計人 Designer vol.55 造雲計畫 Ye a r | 2 0 2 4

E d i t o r- i n - c h i e f | 張 睿 庭 D e p u t y e d i t o r｜許 亞 筑

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P hilos op hy The for m ation o f cl o u d s i s a sen si t i ve re s p on s e of a d i s p e rs e d s yste m to s ubtle c h an ge s in the at m os p he re . Even t h e sl i g h test i n fl u en ce can caus e i t to tran s form i n to a comp lete ly d i fferent

ap p ea rance . C a n w e a l so resp o n d en t h u si asti cally to th e most s ubtle c h an ge s i n our e n vi ron ment , acc um ulating to fo r m o u r o w n "c l o u d s"

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BooK Design 甲青

Intro W hat is ag ing? A g i n g i s i n e vi ta b l y a cco m pan i e d by los s — los s of vi tali ty, los s of youth , los s of cog nitiv e ab ilitie s , lo ss o f cer ta i n f u n ct i o n s, o r e ve n los s of me mori e s . Agi n g i s th e fin al d e sti n ati on of a

co m p lete life , a n d i t i s a l so t h e l a st l esso n i n li fe : "acce pti n g on e s e lf." More acc urate ly, i t i s accepting one s e lf who i s g ra d u a l l y ret i r i n g a n d coex i sti n g wi th th i s tran s i ti on . Wh e n on e reac h e s old age,

it m ay s e e m li ke t h e y h a ve l o st m a n y of th e c h arms of youth , but be i n g able to grace fully and healthily ste p i n to t h e m i l esto n e o f o l d age i s an i mme n s e ly h on orable an d re markable ac hie v e me nt . Rega rd le ss o f h o w l i fe u l t i m atel y come s to an e n d .

Name | 甲青

Ye a r | 2 0 2 2 D e s i g n e d B y ｜張 睿 庭

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The p ur p os e of t h i s e -b o o k i s to fo cu s o n th e e ld e rly an d p rovi d e gran d c h i ld re n wi th an op p ort u nity to b ette r und e rsta n d t h ei r g ra n d pa ren ts. Th rough th e th e me s of food an d c loth i n g, th e e -book pres-

ents the " Legac y Reci p es" a n d "4 0 / 5 0 Years Ago" s e cti on s . I n th e "Food " s e cti on , we d oc ume nt ou r gra nd pa re nts ' t ra d i t i o n a l reci p es w h i l e i mp rovi n g our own c uli n ar y s ki lls . I n th e "C loth i n g" s e ction,

w e d is c us s thei r d a i l y o u t fits w i t h t h e eld e rly, e n couragi n g th e m to ex p re s s th e ms e lve s an d gain

co nfi d e nce in t h ei r a p p ea ra n ce. By vi si t i n g an d e stabli s h i n g more con n e cti on s wi th th e e ld e rl y, we pay atte ntion to t h ei r d i eta r y a n d d ressi n g h abi ts , e n courage more commun i cati on an d i n te ra ction am ong the s ilv er-h a i red gen erat i o n , a l l o w i n g th e e ld e rly to re fl e ct on th e i r youth wh i le p rovi d ing u s w ith a b ette r un d er sta n d i n g o f t h e d a i l y l i ve s an d wi s d om of th e e ld e rly.

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BooK Design 瘦骨嶙峋的愛／朝朝暮暮

Intro Au thor : 李 豪

"Skinny Lov e ," d er i ved f ro m t h e so n g "S ki n n y Love " by th e Ame ri can ban d Bon I ve r. T h i s book is di v id e d into fo u r pa r ts, ea c h i n sp i red b y on e of th e four li n e s from "Ski n n y Love ":

W ith a m ore d i rect a n d ex pa n si ve p er sp e cti ve , H ao L i s e e s d e s pai r an d d e s olati on i n th e c rowded mod e r n s oc iet y, g u i d i n g u s t h ro u g h va ri ous forms of e moti on s , re lati on s h i p s , p h e n ome n a, and

value s , p ointin g to t h e t h i n l i n e b et w een love an d h ate th at e ve r yon e h as ex p e ri e n ce d or i s experienc ing . T hroug h p o et r y, i t en co u ra ges y ou to n o lon ge r fear fac i n g your own e mac i ate d s e lf.

Name | 瘦骨嶙峋的愛̲Book Redesign Ye a r | 2 0 2 4 D e s i g n e d B y ｜張 睿 庭

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Intro Author : 張 西

Xi Zha ng fold s ea ch d a y i n to t h e m u n d a n e, jotti n g d own th e s mall, tri vi al word s of e ve r yd ay li fe —be the y p e r p lex ing o r j o y f u l , so r ro w f u l o r m o vi n g— i n s i le n ce . T h e s e murmurs , h i d d e n i n th e pas s a ge of

tim e , a re transfo r m ed i n to "D a y b y D a y," a colle cti on wri tte n by X i Z h an g for both h i ms e lf and the read e r s , d a y a n d n i g h t .

Name | 朝朝暮暮̲Book Redesign Ye a r | 2 0 2 4 D e s i g n e d B y ｜張 睿 庭

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