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bank n at South o s a e s g itin Orchestra other exc ining the rks on an jo a b ts m is e rt a a re to ing hestr detti is su f outstand onic Orc e o n rm e y a B a h rr il la a h o P l onductor ll, with an iolinist Nic The Roya -coming c tivating v estival Ha d F p n l a -a a C y p o u s. R rt e nce ritten’s by th Centre’s ipating B issable co directed c , m ti n o n u rt A f e . c o a n s o m e Choir – for a seri elan Siste h Violin C The Bach s Venezu gold’s lus y u rn b o o m g K n fa u in s e be f th aughter, daz zle uiem will raduate o d by his d q g e e , R in z r u jo a e is th W a an athers ving Diego M as Zukerm ar cast g h ll undly mo c te fo in s P ro a . p rk d e o an , th with the w mphony, centenary ettable sociated Fourth Sy s s a r’ t s an unforg le h o e a m b M ir to r o h s fo c e , is the ukerman hat prom t. Arianna Z utoit for w D s e n of Faus rl a soprano h Damnatio n of C o e ti h c T e , ir e d c ie under the ’ masterp of Berlioz e c n a rm perfo

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CES E I P R E T S MA RUSSIAN m 2, 7.30p 16 Tuesday

October

201

nductor Litton Co iano Andrew P k s Parem i Natasha

v -Korsako h. Rimsky rc o , y sk Mussorg e Bare Mountain th .1 Night on Piano Concerto No y sk .5 v o o N ik Tcha phony y’s vich Sym Mussorgsk Shostako ning with e n p o o ti , ic c p si e u d Russian m ntain – a A feast of t on the Bare Mou agic and m h it w s h m ig d ri b N t g a n th lli thri to his frien bath the piece ches’ Sab : n o ti ra of the Wit ssorgsky described st the orche Mu completed mischief. ssian and o u h R w re v, a o k rk a o rs w h o y -K m y f sk Rim cter o hostakovic d and chara and disordered.’ S re e rm rd o fo is e d h ‘T ed and looded d o t-b o lo h t-b .. th o l. origina his own h n regime. In the Fif tle er fire for the Russia , finding new, sub came und k h attac ed ic h w s this style , c si mu ting work ed down n to e h se fascina ich boasts y, e n h o T h . p te m y a h S st tirising the oncerto, w ways of sa ovsky’s First Piano C ing themes. n aik pe frame Tch ost famous of all o m e th f o e on

LD O G N R O K

onductor atheuz C lin Diego M io enedetti V Nicola B

ERTO C N O C VIOLIN

0pm 2012, 7.3 r e b m e v 1 No Thursday Rimini esca da

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IEM U Q E R R WA 0pm 012, 7.3 2 ovember N 7 2 y a Tuesd m

ally ar Requie exception Britten W ce of this n ing a m o rm c o h rf ble pe en’s fort tt sa ri is B m f n o u r An Bach honou side The work, in ed along powerful rm self for his o rf im e h p and Britten y b en d te c centenary du cifist, Britt choir con . As a pa rk ar, o w w f o e Choir – a th ty e futili th rding of o re c lo re p l x a semin ity to e combines he work opportun T e . th d a d e e d relish ms by to its with poe g tribute ss in a y a lt M p m e il wh Requie . The resu the Latin ed Owen fr . m il ty o u fr W a t ts e x e te po al b orld War exception d W n a st ir r F e e w th po f haunting is music o in . d Promotedn with se mis associatio Not to be

ION

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tor l Conduc David Hil oprano xS -soprano Sarah Fo ly Mezzo ne te a h W ty Kit arito Nelson B Benedict hoir C The Bach

tor l Conduc David Hil ews Soprano tth Sally Ma Ainsley Tenor rk a John M e ie Bariton p O Alan ir o h C The Bach ege Trebles oll C m a h lt E

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3, 7.30p

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vergne loria s of the Au Poulenc G Selection from Song e Canteloub uiem eq R é oire fl ru u D nch repert brates Fre le – with e c s e e rc m fo m l This progra orchestral and voca is one of nds c’s Gloria n which ble le u o P . soprano nt results with solo s, magnifice rk sa o w s u r which, a mbitio tin texts fo his most a La nce. g re in e v ss re re s exp special a lt fe c and choru n le ergne take tholic, Pou of the Auv s g n devout Ca o S l These e’s sensua rthly ones. g Canteloub nly pleasures to ea gs are sun ave e folk son n rg us from he e y v b u A d anie ttings of , accomp glorious se t, Occitan c uruflé’s le D ia . d n l a tio hestra rc in the loc o l u rf u lo th century, e’s co mid-twentie e work a Canteloub e th m o fr s th ates chant give Requiem d Gregorian f o y. lit se a u u q is but h spiritual nd deeply ed in Promotio timeless a with sociat n as

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USSIA R G N I T ENCHAN pm 13, 7.30 0 March

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UST A F F O 30pm ION 2013, 7. il r p A DAMNAT 0 3

uctor no utoit Cond Charles D onose Mezzo-sopra D Ruxandra s Tenor ve Paul Gro lson Baritone e Ne t ic d ss-bariton Bene White Ba rus rd la il W o Sir Ch ymphony London S n Children’s Choir do New Lon

Tuesday

ust tion of Fa e Damna e Berlioz Th s a suprem nowned a re , is e c it ie to u sterp Charles D ’ epic ma as of Berlioz r omposer te c re e rp th te y in b d e b ri became s desc ’. Berlioz which wa e u q ti a m the e dra version of a ‘légend Goethe’s y t put it b o d n e x ld transfi : ‘I cou g n ri la c e ,d meals, in Faust story ssantly, at e c in it d a tale that down. I re reet.’ The st e is th in , ated by h the theatre z is illumin io ite rl is e u B q x d e e ll of so gripp l music, fu fu ng. ti ti u ri a w e l b a c fluid vo uniquely d n a rs rt u nce colo for this co orchestral it is joined to , each u st D a c s r e rl Cha uly stella tr a ive y b e c g express performan outstandin ir e th r fo d celebrate le. Unmissab . rs e w o p

HONY P M Y S ’ ‘TITAN , 7.30pm 3 May 201 4 1 y a d Tues o.25 ncerto N

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EST 30pm N I F S 2013, 7. ’ y A a M N 9 ’ ay 2 VIEN trassburg Wednesd No.3, ‘S ukerman Pinchas Z Violin r/ Conducto kerman Soprano u Z a n n a Ari

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Royal Philharmonic Orchestra - Southbank Centre 2012/13