Rozz Magazine Edition Three

ROZZ MAGAZINE edition three

Hellooooo good people of the Rozz Magazine community!

We’re so glad that you’ve picked up a physical copy of our magazine, found it on Issuu, on our website, or however else you managed to get your hands on this because we have worked really hard on getting this to you. We’ve spent the last few years working as concert photographers and being involved in several different local music scenes in Europe and in the USA. The amount of raw, unfiltered energy and the love for music that so many of these artists show on stage and through their music is something that simply cannot go unnoticed or be kept to ourselves, which brings us to where we are now. Rozz Magazine is an initiative we started together to share some of the music and artists and shows that we love and think that you’ll love to. From indie to grunge to punk to metal and everything in between, this magazine is meant to encompass all of the things we love about music.

Our third issue has some articles we’re really excited about, including some exclusive interviews with some very talented artists, as well as some shows that we loved seeing this month. We hope that by the end of this magazine you will have found some cool new music, or got to read about an artist that you love! You can keep up with everything we’re doing and the production of the next magazine on Instagram @rozzmagazine.

We hope you enjoy this as much as we do, and if you know of an artist or a band or another creative (that could also be you!) who you think we should cover in a future issue of Rozz, feel free to send us an email at rozzmagazine@gmail.com. We’d love to hear from you!

All the best, Mars & Hugo

mooon: live in nijmegen

While psychedelic music has evolved into many forms and gained quite some popularity in the last few decades, there is one bandthathastrulystucktotheir roots bringing us all 60s psychedelic rock played on era-accurate instrumentsboastingthepopular clothingstylesoftheera(andstill managingtomakethemlookcool today). On February 29, Noord Brabant’s own MOOON took their audience into a time machine at Merleyn in Nijmegen to bring us into their world of 60s psychedelicjams.

Just a week after their album release show, MOOON has takentoseveralothercitiesaround the Netherlands to share their latest creation: their third studio album simply titled “III”. Their last album,Safari,wasreleasedin2019, andyoucanhearthehoursofwork that have been put into the band and their writing process over the years.Theirfirstalbumbroughtus oneoftheirmostwellknownsongs, “Surfin’WithYou”,followedbythe psychedelicadventuresthroughthe savannahthatSafaritookuson.III has presented us with a more refinedtakeontheirsound,whilestill giving us everything that defines MOOONsonically.

On the night of their show in Nijmegen, they kicked off the night with a fellow psychedelic guitarist (forgot his name). While the crowd was a bit more tame for the opening set than it was for

MOOON’s, it was safe to say that thecrowdenjoyedthemselvesfrom the moment that they stepped in. From the back of the room, the stagewasnearlyinvisible,withfans gathered left and right with their friends with drinks in their hands andsmilesontheirfaces.

After opener brought his set to an end, MOOON swept the crowd into a time machine right back to the era of the Beatles and the Yardbirds. From the gear that they use, to their clothes and of coursetothesoundoftheirmusic, it’snearlyimpossibletotellthatthis band began making music in 2013 inagarageandthatthey’renot60s rockstarsthatgotlostinthewrong decade.Beingabletoseesongsfrom

the new album being played just a fewdaysaftertheirreleaseinasmall andintimatevenuetrulymadefora specialshow.

By the end of the set, the band had most of the crowd dancing together underneath a psychedelicwavethatfeltasthoughitwas bouncing around the room. While we can’t bring back the Beatles or any other band from their era, watching MOOON play live feels like the best way to take yourself backtothattimeperiod,butbetter! Their new album is available on all majorstreamingplatforms,andyou canseewheretheyareplayingnext on their Instagram and website, @ mooonband and mooonband.com, respectively

welcome to the dcc tour with bad nerves & nothing but thieves

Last year saw the release of NothingButThieves’latestconcept album, “Welcome to the DCC”. Thisspring,theyhittheroadinEurope to play it live for thousands of people.Andofcourse,whobetterto kickofftheirshowsthantheirhometown’s punk rockers, Bad Nerves! OnFebruary23and24,theyplayed two back to back sold out shows to atotalofabout34,000peopleatthe ZiggoDome,beingthebiggestshow that they had played on the entire tour.Butnotonlywasitthebiggest showthattheyhadplayedon that tour, it was also Bad Nerves’ biggest showyetthroughouttheirentirecareer, definitely something to be witnessed.

Doors opened hours before the show, as thousands and thousands of people filed into the Ziggo Dome, energy high for what laid ahead. From the balconies that circled around the edges of the room to the floor that was densely packed with excited fans, the excitement buzzedaroundtheroomlongbefore the show started. A little over two hours after the doors had opened, the house lights dimmed and the stagelightsbegantoglowredasallof the attention in the room shifted to Bad Nerves and the show they were abouttoputon.

In true Bad Nerves fashion, theykickedofftheirsetwith“Don’t Stop”, a strong start as always and a great way to build up the energy in the room even higher. Fans in the frontrowwhohadqueuedforhours to secure their spot at the barrier reached their hands out towards the

Everybody Going Crazy, Gods, the band really took the crowd through the whole spectrum of emotions. Andofcourse,NothingButThieves couldn’t possibly play at Amsterdam’s Ziggo Dome without playing Amsterdam, could they? They wrapped up the show perfectly, playing their newest song, Oh No :: HeSaidWhat?,followedbyAmsterdam, and finally tying it all together withOvercome.

This past spring, Nothing But Thieves have taken Europe by storm on their Welcome to the DCC Tour, along with Bad Nerves to open up each one of their shows. On February 23 and 24, they played the sold-out Ziggo Dome two nights in a row, the biggest shows that they played the entire tour. band as they sang along with each and every song. While the overall atmosphere was definitely different at these shows than it was at their headline shows last year, the front row fans danced like there weren’t 17,000 other people in the room watching them. As the set went on, peopletowardsthemiddleandback of the floor began to get more into themusic,fillingtherestofthemassiveroomwithanirresistibleenergy. Toosoon,BadNervesplayed Dreaming, the final song of their setlist. As they walked off stage, the energyintheroomonlygotmoreintenseasfanswaitedforNothingBut Thieves to play their newest hits off their 2023 Welcome to the DCC album.Asthehouselightswentdown again and the stage lights went up, thecrowdroaredwithexcitement.

The bassline of Welcome to the DCC echoed through the room, with Conor Mason’s vocals captivating people from the barrier allthewaytotheseatsinthesecond balcony. The band played a mix of their newest songs, as well as some old favorites. Lover, Please Stay, Is

With Nothing But Thieves being a mix of indie, harder rock, and some elements of pop, Bad Nerveswasaveryfittingcurtainraiser to open up the show and get the crowd’s energy going. These shows were Bad Nerves’ biggest shows to date, and seeing 17,000 pairs of eyes on them as they played their set felt unreal.BadNerveswillsoonbejoiningtheHivesontheirtour,aswellas releasing their second studio album “StillNervous”onMay31.

hey!

hey! you! You’ve Got the nerve!

If you’ve been following Rozz Magazine since our beginning, then by now you’re well acquainted with Bad Nerves, the UK rock scene’s loudest, fastest band. Recently,onthefinaldayofFebruary,theyunveiledthealbumartand release date of their much-anticipatedsecondstudioalbumentitled “StillNervous,”featuringanalbum coverthatpayshomagetothepunk rockaestheticofthe70sand80s. Accompanying the album announcement is their latest single,“You’veGottheNerve,”which offers an enticing preview of what the full album has in store. This track, along with their preceding singles, signals a subtle evolution in Bad Nerves’ sound. While not a complete departure from their debut album, the band appears to be delving deeper into their punk roots this time around. Drawing inspiration from influential bands like the Ramones, their punk atti-

you! You’ve Got the nerve! hey! you! You’ve Got the nerve! hey! you! You’ve Got the nerve! hey! you! You’ve Got the nerve!

tude is more pronounced, putting even more passion and power into their music, promising possibly evenmoreenergyattheirliveshows thantherehasbeenbefore. While their debut album hasmoreofanewtakeonpop-punk or“powerpop”sound,astheband said themselves, “You’ve Got the Nerve”leansheavilyintoamoreaggressive, punk-oriented direction. Reminiscent of classics like “BlitzkriegBop,”thesongfeaturesrepetitive yet catchy lyrics that are easy to sing along with without veering into cliché territory. Each band member shines in their respective roles, with moments of strippeddownverseshighlightingvocalsand drums before the bassline kicks in, leadingtoexplosivechorusesdriven by Will Power and George Berry’s guitars.Thesedynamicshiftswithin the song serve as the perfect catalyst for fans to open up mosh pits and build up anticipation before

finallybeingabletogowild.

The single’s album cover stands out amidst the sea of othersonplaylists,featuringastriking black-and-white photograph of vocalistBobbyBirdandleadguitarist Will Power in action, juxtaposed against bold yellow text repeating the song’s title. This visual encapsulatestherawenergyencapsulated within the music, setting the tone evenbeforehittingplay.

With “You’ve Got the Nerve” generating heightened anticipation for their upcoming album release, fans can mark their calendars for May 31st when “Still Nervous”willbeavailableonallmajor streaming platforms, as well as in physical formats including vinyl and CDs. As excitement mounts, be sure to stay updated with Bad Nerves’ latest updates and endeavors on Instagram @badbadnerves ortheirwebsitebadnerves.co.uk

hey! you! You’ve Got the nerve! hey! you! You’ve Got the nerve!

the Edition 3 Playlist

A little insight into what we’ve been listening to here at rozz this month. bad nerves’ new punk anthem, mood of a sinner’s melodic deathrock, and taking it back to 2008 with have heart’s pave paradise.

Under the Veil Mood of a Sinner

Bringing back goth influences from the 80s and 90s, this song takes soft melodic vocals and pairs them with deathrock instrumentals reminiscent of the likes of Christian Death or Horror Vacui.

Police Truck Dead Kennedys

Everyone knows and loves this one, but it felt necessary to include this month. This entire album from front to back is an absolute punk classic. Ride, ride, how we ride!!

You’ve Got the Nerve Bad Nerves

Bad Nerves’ loudest, punkest track yet. It’s fast, it’s chaotic, it could get a mosh pit spinning before you could even finish reading this song description.

At the Gates of Silent Memory Fields of the Nephilim

A beautiful ode to literature featuring a passage from Aleister Crowley’s writing read in the most stunningly sinister voice you’ve heard yet. It’s eight minutes long, but worth every minute.

I Am The Vomit Battlesnake

What a song name, amirite? A guitar riff that will get stuck in your head, grimy bass, and almost alien-like vocals, it’s exactly what we wanted from this song.

Tethered - Deux Visages

Soft, angelic vocals over heavy instrumentals. beautifully exeuted, blending several different genres into something that will be on repeat for days.

The Razor’s Apple Fleshwater

Heavy, gritty bass, guitar, and drums with Marisa Shirar’s gracefully clean vocals. A perfect song to soundtrack those days when our emotions become too overwhelming and we need a break.

Freak Silverchair

If only Silverchair was still around and making music. At least before the band called it quits, they left us with a great discography that still hits. Freak in particular was definitely a highlight.

Pave Paradise Have Heart

Seemed timely to put this one on the playlist as the band reunites to play a few more shows. This song is perfect to put on full volume on a fast night drive by yourself. Or a good song to scream at the sun. Or both.

Eyes (Second Death) Voodoo Church

Voodoo Church is a band that has been often looked over. DIY recording has given their music an authentic sound that takes you from wherever you are right into a small dingy venue watching the show of your life

Finish Lefty Quarters of Change

Sick guitar riffs left and right, it’s bright, it’s dance-y, it’s one that’s been stuck in our heads for weeks. This band has come a long, long way from their start in 2017 as a high school cover band.

Distressed Horror Vacui

Horror Vacui’s newest single epitomizes what vampires would listen to if they went clubbing.

Victoria Reminders

Reminders is bringing that classic California surf rock sound to the UK and putting their own spin on it. Definitely a highlight of their debut album, Best of Beach Punk.

thhe night

morphine

a slow emotional story of the dark and unknown, morphine’s slow melodic sounds will surely relax

Yo diablo Cap4. :El Sabbath de las brujas

The Psychedelic rockabilly duo Yo Diablo from spain is if you dig psychedelia a must know band the duo started in 2018 and are rising to become a big one in the genre, with this song Cap4. being part of an album which is an experimental interpretation of the soundtrack of a Silent Danish Horror film called “Häxan’’

Just Mustard, Tennis

From the great irish experimental angelic shoegaze band Just mustard is tennis a droning tennis-like beat with haunting vocals from katie ball, this song will either haunt your dreams or open your eyes.

The presidents of the U.S.A. Kick out the jams

A mid 90s classic that you can never get enough of. Sit back, relax, and kick out the jams with this track from their debut album.

Midori (ミドリ) Yukiko-san ゆきこさん

Midori is a japanese mix of jazz jock, noise and punk, this song is a very fast-paced and very destructive chaotic track that features themes of destruction, pain, and the overcoming difficult moments in life

Zudwa Химера (Chimera Band)

Chimera is a russian industrial rock band from Moscow Russia the a sound born out of the life and aftermath of the USSR with emotional melodic post rock feels

Aviram

All my love’s in vain

Aviram All my love’s in vain a journey from the past to present, with this song being playful and melodic like the beatles in a indie coat.

Gouge away, stuck in a dream

The hardcore punk band gouge away will blow you away with their new record “deep sage” its heavy and GREAT, beginning their record with stuck in a dream wich will tell you in just a few seconds you hit hardcore gold

C.C.T.V. EP (whole EP)

Usually it’s one song but this EP is 5 min 15 seconds consisting of : Quiet, Anxiety, Mind Control, Paranoia, a little known punk new wave project out of indiana, a lot of potential, honestly sad there isn’t more.

The dirtbombs sharivari

From concept to reality and then there was “the dirtbombs” with sharivari a slow hypnotic detroit garage punk song from a master in the scene mick collins

Deep tan xenomorph queen

Deep tan is a thriving band in the london post punk scene just back touring with The Chats and QOTSA, casually, but very understandable, with their new single which WILL itch that part of your brian you didn’t knew you needed itched, it feels good.

ZIM omar rodriguezlopes, john frusciante

Just the names should already make you curious enough to listen but let me put the light on this song and album recorded in 2003 and released in 2010, man what an angelic masterpiece of flowing guitars that will leave goosebumps

Oxbow Cold & well lit place

Oxbow is a beauty of a band, like “the birthday party” combining elements of musique concrète and free jazz in an electrified pair dress pants, with the song being a beautiful symphony of free flowing music and emotion.

Butthole surfers human cannonball

A classic that if you haven’t heard yet…. What are you doing put it on and enjoy some classic punk.

Whispering sons

Whispering sons + Plexi stad

AT doornroosje

Hailing from Belgium, Whispering Sons has been touring around Europe putting on an experience that feels moreintenseandmorepersonalthanmostotherpostpunkshows.OnMarch16,thebandtooktoDoornroosje’smainstagetoplaytoasoldoutroomofover1,000people,alongsidePlexiStad,afellowBelgianband. PlexiStadquicklythreweveryoneheadfirstintotheirmusic,bringingawildenergytothestartoftheshow.It’s easytoseethatfrontmanSeanPelemanismeanttobeonstage,withavibereminiscentofayoungIggyPopor LuxInterioroftheCramps.Asanopener,PlexiStadperfectlyexecutedtakingpeopleawayfromwhereverthey were before and putting all of their energy and attention to the here and now at the show. Dancing across the wholestagealongsidehisbandmates,theirsetgoteveryoneupandmovingbythetimeitcametoaclose.

As the lights went down, the room packedintighterthanitwasbefore, with fans from the very front of thestage,tothebarsatthesidesof the room, all the way to the doors in the back. One by one, the band memberswalkedonstage,andthey began with Balm (After Violence). An intense atmosphere fell over the room, with all eyes on vocalist FenneKuppens.Watchingtheband on stage felt like they were telling you an intense personal story. The instrumentals beautifully accented the vocals, along with Fenne’s intense delivery of the lyrics. At several parts of the show, she stood very close to the front of the stage,

leaningoverthecrowdandmaking fierce eye contact with members of the crowd, further intensifying the overallenergyoftheshow.

Whispering Sons has come a long way since their earliest release in 2016. Between then and now, they’ve released three albums and many singles, as well as having played countless shows all across Europe. Their most recent album, TheGreatCalm,wasrecordedover four weeks between a studio close to Eindhoven, Netherlands and a DIY setup on the Dutch island of Vlieland; the band brings just as muchenergytotheirstudiorecordings as they do to their live shows.

Listening to the album from front to back is an intense experience, takingyouthroughanentiremusicalandemotionalspectrum.

Boththenewandtheoldersongs livecreateanatmospherethatcan’t be found anywhere outside the world of Whispering Sons. To say that the band is a “must-see live act” is almost an understatement. As of March and April 2024, they are touring across Europe, and to follow along with upcoming tours, music, and announcements, find them on Instagram @whisperingsonsorontheirwebsitewww.whisperingsons.com

DD Island

DD Island, a Brooklyn-based band, is more than just that; they’re a collective of artists weaving together the essenceofnatureandtheenergyofthecityintotheirmusic,eachmemberbringingtheirownflairtothesongs.

Comprising of Brandon Rhodes on guitar and vocals, Andrew Strader on bass and vocals, JeremyBattonguitarandlapsteel, andZachLitchmanondrums,DD Island’s journey from a solo studio project to a fully-fledged band has been marked by collaboration, dedication, and a genuine love for musicandthecommunitythatsurroundsit.

The formation of the band wasn’talinearstory,butratheraseries of twists and turns that ended with a collective of artists who all bring their ideas together to make what we know as DD Island’s discography. Brandon Rhodes initiated DD Island as his recording project, but it wasn’t long before Andrew Strader, with his bass guitar and vocals, joined forces with Brandon, bringing a wealth of experiencefromtheirNashvilleroots. Jeremy Batt’s addition on guitar and lap steel further enriched the band’s sound, adding layers of texture and depth. “We went through a lot of drummers, and like, had a hard time finding someone who was the right fit. And as soon as Zachstartedplayingwithus,itwas justkindofanobrainer.SoThat’s aclassicNewYorkbandproblem… Everyone needs a drummer”, said Brandon.Whilefindingadrummer wasn’t easy, eventually, Zach Litchman solidified the lineup with his dynamicdrummingstyle,completingthegroup. Their recently released

EP, a collection of songs crafted over the band’s first year together, showcases their organic approach to making music. Recorded live in their rehearsal space with minimal overdubs, the EP captures the raw energy and spontaneity of DD Island’s performances. Tracks like “Running” and “Crush Me” exude ablendofurbangritandnaturalserenity, reflecting the band’s diverse influencesandexperiences.“Imean we’re in a city, but it doesn’t really feellikeacityrecord...Itfeelsmore likeawildernessrecord. Ididwrite Running on a hike. I, you know, consumed a little bit of psilocybin and smoked a little joint, which I don’treallydothatmuchanymore, butforsomereasonIwastryingto decompress and I was at Kaaterskill creek and I just like hung up a hammock and writing tunes in my head all day”, said Brandon reflecting on his part of the writing

process of the EP. Despite their Brooklyn base, DD Island’s music transcends the confines of the city andexpandsintothewilderness.As self proclaimed “nature boys”, the band often finds inspiration in the outdoors, away from the chaos of lifeinthecity.

Beyond their music, DD Island champions the DIY ethos and the importance of community in the local scenes. Their involvement in venues like Alphaville in Brooklyn highlightstheircommitmenttobeing an active member in their local community.“It’skindofpartofthe identity of the whole place that’s super nice. It’s a place for bands to play and it’s a place for musicians to work and like support themselves, but also have a life outside of their work. You know, they get, like,we’reabouttogoontour,and, you know, are able to get the time off from work and have other peo-

Escaping the city, getting the band together, and Alphaville

ple come in and cover our shifts.” These smaller local venues as well as DIY venues across local music scenes have built a community of artists, fans, and everyone behind thescenesthatsupportsDDIsland andotherbandslikethem.

Looking ahead, DD Island shows no signs of slowing down. With new music in the works and agrowingfanbase,they’rejustgettingstarted.Whetheronstageorin the studio, they’re in it for their connection to music, channeling theircollectivetalentsintocreating acommunityaroundDDIsland.

So, whether you find yourself lost in the wilderness or navigatingthebustlingstreetsofacity, DDIsland’smusicoffersastepaway

from whatever’s going on and into their psychedelic folk world. You canfindthemwhereveryoustream your music under DD Island, as wellasonInstagram@dd.island.

PHOTOSBY@hasselbad (Kristen

Sollecito)

diy venues and their importance within alternative music

DIYmusicvenuesholdacherished placewithintheheartofpunkmusicandcountlesslocalmusicscenes worldwide.Personally,Ifindfewexperiencesasexhilaratingasstanding amidst the tightly-packed crowd in a cozy, albeit sweltering room, absorbingthefamiliarmelodiesofmy friends’band,despitehavingheard themcountlesstimesbefore.While

thismaysoundsarcastic,Igenuinelystandbymysentiment.Itisquite possiblethatthecontinuityof music, particularly within the rock and alternative genres, would simply cease to exist without the presence of these vital spaces. These venues serve as more than mere stages for performances; they cultivatecommunities.

At their core, they foster a sense of belonging and camaraderie essential to the music scene. Often run by volunteers, they offeropportunitiesforindividualsto contribute to the scene while forging connections with like-minded enthusiasts. Reflecting on my own involvementinapre-pandemicDIY venue,Iwitnessedfirsthandhowit

servedasanexusfordiversetalents, from musicians and photographers to event organizers. It was akin to finding a chosen family, united by oursharedpassionformusic.

Moreover, DIY venues play a pivotal role in democratizing accesstolivemusic.Unliketheirlarger counterparts with prohibitive production costs, these DIY spaces operate on the collaborative efforts ofthecommunity,makingliveperformancesmoreaffordableandintimate. For emerging bands without

mainstreamattention,thesevenues offer a vital platform to showcase their artistry and connect with audiences.Someofmymostcherished memoriesstemfromintimategatheringsinDIYvenues,wheretheaudience size rarely exceeded a couple of hundred people. These spaces arenotmerelystagesbutnurturing grounds for artists and their communities.

DIYmusicvenuesserveas sanctuaries for both musicians and enthusiastsalike.Theyfosterasense

of belonging, facilitate creative collaboration, and democratize access tolivemusic.Withouttheseplaces, the vibrancy of local music scenes andthespiritofartisticexperimentation would undoubtedly die off. Aswenavigatethroughourcurrent era, their significance in sustaining the cultural fabric of music cannot beoverstated.

mood of a sinner their debut album, favorite live shows, projects beyond music, inlfuences & more.

For fans of 80s and 90s deathrock and goth, Mood of a Sinner is a band that amalgamates haunting melodies with ethereal narratives, transporting listeners into a realm of introspection and exploration. ThegroupcomprisesNickyonlead guitar, Mortue as the vocalist, Tamayo as rhythm guitarist, Bianney on bass, and Chantalle on drums.

As of late, the band is working on theirdebutconceptalbum;theprocess towards creating it has been one fueled by passion and perseverance. Nicky describes the writing process as deeply gratifying, with each member fully immersed in the creative flow. Mortue reflectedalotonthechallengesofcrafting lyrics that align with the album's thematic essence, highlighting the intricacies of channeling a fictional character's perspective that is different from your own. Despite the challenges that come with making an album, the recording process is described as a learning experi-

ence, with each session bringing new insights and growth. Chantelle and Bianney both highlighted the collaborative dynamic of the band, as well as the band’s collaboration with a talented producer. From the theatrics of Christian Death's "Only Theatre of Pain" to the experimental sounds of Boris' "Absolutego," the band draws from an array of different albums and artists when writing their own music. Bianney draws inspiration from the bass lines of albums like "Seduction" by The Dance Society and "Deathwish EP" by Christian Death, while Chantalle finds

resonance in the raw energy of releases like "Boom in the Night" by Bush Tetras. You can hear how wide their influences are in their music, and it’s sure to be seen in their upcoming concept album. Thinking back on their live performances, Mood of a Sinner reminisces about standout moments that have stayed in their minds. From underground tunnel shows in San Diego to sharing the stage with iconic deathrock bands like Christian Death, each experience has contributed to their growth as performers. “We played at Til Two bar one night and while we

were on stage. I had a moment where I looked up and out to the crowd but couldn’t make anything out, just dense purple fog and my band mates. That moment stuck with me cause it felt like a part in a dream”, Bianney recalls. Looking ahead, Mood of a Sinner ventures beyond music with plans for a comic book adaptation of their concept album's narrative. This innovative approach seeks to immerse audiences in their fictional universe, offering a multi-dimensional experience that you can see and hear for yourself. The band also anticipates

their upcoming summer tour, preparing a hauntingly ethereal show to share with their fans. Mood of a Sinner has brought back the gothic rock of the 1980s and 90s, and they’re making sure that it is here to stay. Eerie vocals, spooky guitars,thisbandisperfecttolisten to as you’re putting on your knee highblackbootstogooutanddance the night away at the goth club. To watch out for the release of the album and other projects, you can find them on Instagram @moodofasinner as well as on Spotify or wherever you stream your music.

randy hansen: the Genuine Hendrix Experience

Tribute acts have existed fordecadesandmanyofthemhave been overdone, or played out to seem more satirical than an actual tributetotheartist.However,there isonethathaslongprovedhisskills and his ability to channel another artist’s energy without merely being a clone. Randy Hansen (along with his band, the Randy Hansen Experience) has been touring the world as the Jimi Hendrix tribute act, selling out stages faster than youcansayhisnameandhissuccess is no surprise, considering his outof-this-world guitar mastery and hisshowmanship.

Randy first began a Hendrix tribute project titled Randy Hansen’s Machine Gun, which quickly garnered the attention of David Rubinson and film director Francis Ford Coppola. This inter-

action led to Randy playing a large role in the soundtrack for Apocalypse Now, (1979). After the movie, Capitol Records began to take notice of Randy, and gave him a recorddealaswellasfreereignover hisdebutalbum.Thisalbumwasa departurefromtheHendrixsound, but definitely showcased Randy’s talent and why he gained so much notoriety.

Followingthesuccessofhis debutalbum,Hansenembarkedon tours with notable figures such as Mitch Mitchell, the original drummer of the Jimi Hendrix Experience, and Buddy Miles. Additionally,hiscollaborationwithMichael Jackson resulted in the co-writing of the track “State of Shock” in 1984, adding another feather to his cap of achievements. Throughout his illustrious career, Hansen

has shared stages with icons like the Kinks, Heart, and Stevie Ray Vaughan,leavinganindeliblemark onthemusicindustry.

On a more personal note, both of us here at Rozz have had the absolute joy of being able to shoot photos at some of his shows in Europe, and can confidently say heisoneofthemosthumblemusicianswe’veworkedwith,especially considering how much he has accomplished throughout his career. Randy, as well as his band and his manager bring such a bright, fun energy to each show they play and ifyouevergetthechancetoseehim live, you have to! All of his shows both in the US and in Europe are keptuptodateonhiswebsitewww. randyhansen.com.

contact info (the boring stuff)

Thanks again for checking out this magazine that we’ve worked super hard on! we are a two person team doing absolutely everything from designing the magazine, to the photography, to reaching out to artists and interviewing them, printing and binding the physical copies- yep, that’s all just us two. and we’re happy to be doing it! it means a lot for people to check out our work! you can keep up with everything going on with the magazine in between each monthly release on our socials below:

Instagram: @rozzmagazine

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Email: rozzmagazine@gmail.com