ARTS SELASAR SUNARYO ART SPACE ANNIVERSARY
A DOUBLE VOYAGE OF SHADOWS, LUMINOSITY AND SKILFUL PLAY
T
HE Selasar (verandah) Suna-
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| OCTOBER 21, 2012
ryo Art Space is a verandah in the sense that it is an important cultural organization in Indonesia in general and in Bandung in particular, from where we can travel into the wondrous world of the contemporary arts. Recently, the gallery founded by wellknown artist Sunaryo, celebrated its 14th anniversary. But Selasar Sunaryo Art Space is more than an exhibition venue, it also includes a café, a bookshop, a library and various programs complementing the exhibitions (such as art discussions and book discussions, seminars, workshops, dance and music performances, film screenings). Perhaps, one day, Sunaryo’s son Arin Dwihartanto, a visual artist in his own right, will
take over his father’s torch so that the Selasar Sunaryo Art Space will continue to illuminate a variety of paths into the contemporary art world. It is difficult to imagine Indonesia’s cultural landscape without this gallery playing its many illuminating roles. From the Beginning to the End is the current exhibition featuring the father and son —Haryadi Suadi (b. 1939) and Radi Arwinda (b. 1983)—duet. The opening on September 22 was officiated by artists Tisna Sanjaya and Muhammad Zico Albaiquni, who also happen to be father and son. Tisna and Zico presented a moving performance titled ‘tradition-art-relation-today.’ Father and son washed and kissed each other’s feet after which Tisna gave a passionate speech while Zico made a charcoal drawing on a huge canvas accompanied by songs
played by a troupe of traditional musicians. The performance was concluded by Tisna washing and kissing the feet of his former teacher, Haryadi Suadi, as a public display of respect of a pupil towards his mentor. An artistic path does not start from a tabula rasa. Each artist is influenced by many predecessors, however, each artist will also come to a point where she or he will start creating her or his own footsteps, and, perhaps, influence others to meander down a similar road. The history of the arts is marked by inter-generational influences as well as figurative patricide. However, in Indonesia, generally speaking, particularly in Java, seeking consensus and harmony are favored over open confrontation. Stepping out of one’s predecessor’s shadow—especially if that is one’s father’s and he is a