cultural canvases a Dialogue between Filipino and Worlds art Traditions by Roy Espinosa

Cultural Canvases

A Dialogue Between Filipino and World Art Traditions

INTERNATIONAL EDITION 2025

ABOUT THE COVER

The cover design of the book "Cultural Canvases: A Dialogue Between Filipino and World Art Traditions" captivates with its dynamic and harmonious layout. At its heart lies a circular focal point where the title is elegantly inscribed. The typography is graceful yet impactful, reflecting the theme of cultural exchange and artistic harmony.

Encircling this central text are a series of vibrant and diverse artworks by both Filipino and international artists. These pieces radiate outward, creating a border around the title, symbolizing the interconnectedness and dialogue between various art traditions. The artworks, with their varying colors, styles, and techniques, seamlessly blend to showcase the richness of global and Filipino artistry.

The cover communicates a sense of unity and celebration, drawing viewers into a world where cultural boundaries dissolve, and art takes center stage as a universal language. It's an invitation to explore the vivid stories and traditions that intertwine across the pages of the book.

MOSAIC ART

Cultural Canvases

A Dialogue Between Filipino and World Art Traditions

ISBN no. 978-621-95380-9-1

Roy C. Espinosa

Publisher

Ruth C. Espinosa

Editor

Ruth Espinosa

Ingrid Aimee Peñaflor

Writers

Celso Duazo Pepito - contributor

John Paul Cover Design and Layout

All rights reserved. No part of this publication maybe reproduced, distributed, or transmitted in any form or by any means. Including photocopying, recording, or other electronic or mechanical methods without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other non-commercial uses permitted by copyright laws. For permission request, write to the publisher.

Published by:

The Filipinas Institute for the Advancement of Arts and Culture (FILARTS), Inc.

Block 4 Lot 13-A Gemini Street Cruzville Subdivision, Brgy. Kaligayahan, Quezon City 1124 Philippines

Email: filartspublishing@gmail.com

Quantity sales, special discounts are available on quantity purchases by corporations, associations, and other organizations. For details, contact the publisher at the address above.

First Printing June 2025

MOSAIC ART

Pag Galang, Po, Opo, Mano po

Mosaic Art Hand cut

1663 x 2230mm

Original Artwork by Frank Hari

Battle of Mactan

Mosaic Art Hand cut

3272 x 2406mm

Original artwork by Ambrocio Mallari

Introduction

Art is a language that transcends borders, weaving stories that connect cultures and generations. Cultural Canvases: A Dialogue Between Filipino and World Art Traditions celebrates this dynamic exchange, showcasing the profound interplay between Filipino creativity and global influences.

At its heart, this book explores how artists, both local and international, engage in a shared conversation through their works— melding tradition with innovation, heritage with modern expression. Filipino artistry, deeply rooted in symbolism and storytelling, finds echoes in global movements, forming bridges that enrich both perspectives. Through paintings, sculptures, and multimedia works, each featured piece speaks to the universal human experience, transcending geographical and ideological divides.

The book presents compelling narratives alongside stunning visuals, inviting readers to witness the vibrant dialogue that shapes contemporary art. It highlights the distinct voices of Filipino artists while celebrating the diversity of global traditions, illustrating how art fosters understanding and connection.

Through these pages, Cultural Canvases reminds us that creativity knows no limits—that every stroke, texture, and form carries a story, linking past to present, local to global. It is an invitation to explore the transformative power of artistic exchange and appreciate the beauty of shared cultural dialogues.

Roy C. Espinosa

Publisher's Note

Art is a bridge—connecting histories, cultures, and creative minds across time and space. Cultural Canvases: A Dialogue Between Filipino and World Art Traditions is a testament to the transformative power of artistic exchange. Through its pages, readers will witness how Filipino artistry, rooted in deep symbolism and rich narratives, engages with global traditions, shaping a shared visual language that speaks to all.

This book is not merely a collection of images and essays; it is a dialogue—one that celebrates the fluidity of culture and the boundless imagination of artists. As publishers, we take pride in bringing forward a work that fosters conversation, understanding, and inspiration. Our hope is that every reader, whether artist or admirer, finds within these pages a renewed appreciation for the intricate relationships that define artistic traditions.

We extend our gratitude to the artists, scholars, and visionaries who contributed to this book, ensuring that the conversation between Filipino and world art traditions continues to evolve. May Cultural Canvases serve as both a tribute to the past and an invitation to the future—a space where creativity knows no borders.

ROY C. ESPINOSA

Visual Artist. Arts & Culture advocate. Publisher. Art Show Organizer. Founder of (FILARTS) The Filipinas Institute for the Advancement of Arts and Culture.

PREFACE

Art is more than an aesthetic pursuit—it is a dialogue, a bridge between cultures, histories, and ideas. Cultural Canvases: A Dialogue Between Filipino and World Art Traditions is an exploration of this dialogue, weaving together narratives that showcase the dynamic interplay between Filipino creativity and global artistic movements.

Within these pages, readers will encounter the works of Filipino artists who have embraced both tradition and innovation, engaging with international perspectives while remaining rooted in their own cultural heritage. This book is not merely a collection of artworks; it is an exemplification of the fluidity of artistic exchange, where influences merge, evolve, and redefine identities.

Filipino art carries the weight of history, the depth of symbolism, and the passion of storytelling—qualities that resonate universally. By placing these works alongside global traditions, Cultural Canvases illuminates the ways in which creativity transcends boundaries. It is an invitation to reflect on the beauty of shared artistic expression and the enduring connections that emerge through the visual language of art.

May this book inspire dialogue, appreciation, and a deeper understanding of the intersections that shape our artistic and cultural landscapes.

Philippine Embassy in Kuala Lumpur

F O R E W O R D

I congratulate the Filipinas Institute for the Advancement of Arts and Culture,Inc. (FILARTS) for putting together “Cultural Canvases”, a coffee table book that celebrates 74 artists representing Belgium, Brazil, Egypt, Germany, Greece, Holland, India, Indonesia, Japan, Korea, Malaysia, Morocco, Nepal, Romania, Singapore, Thailand, Vietnam and my country, the Philippines.

By sharing their unique perspectives, these artists demonstrate that art is a universal language that allows different cultures to express themselves, converse and understand each other.

I am especially pleased that 32 Filipino artists are featured in this collection, reflective of the rich artistry, creativity and passion that continue to shape and enrich the Philippine art scene.

I hope this coffee table book will spark pride and inspire a deeper love for art and culture in everyone. Mabuhay!

MARIA ANGELA A. PONCE Ambassador of the Republic of the Philippines

PAMBANSANG KOMISYON

PARA SA KULTURA AT MGA SINING

M E S S A G E

Greetings from the National Commission for Culture and the Arts!

For years, The Filipinas Institute for the Advancement of Arts and Culture or FILARTS has stood as one of the pillars in promoting the rich and one-of-a-kind Philippine arts and culture through its wide-rang ing initiatives including art publications, educational workshops, and more. Its ded ication continues to provide a healthy advancement of our cultural heritage that helps us Filipinos be closer to our identity.

On behalf of the NCCA, I commend the FILARTS for its unwavering commitment to fostering a vibrant cultural space where our traditions and artistic expressions thrive-mak ing a loud voice that can be heard worldwide.

As this coffee table book reaches the hands of the readers around the globe, may it serve as both a celebration of our nation 's artistic achievements and an invitation to explore the vibrant soul of the Filipino.

As the prime government arm dedicated to promote, develop, and safeguard Philippine arts and culture, trust that we continue to empower and support organizations like FILARTS and ensure that our cultural legacy thrives for the following years.

Mabuhay ang FILARTS!

Mabuhay ang ating sining at kultura !

Eric B. Zerrudo, Ph.D. Excutive Director

MESSAGE

Art has always been a powerful bridge—linking cultures, communities, and generations. In an increasingly interconnected world, the role of art in fostering mutual understanding and celebrating diversity has never been more important. This Cultural Canvases Publication stands as a testament to the creative spirit that transcends borders and speaks to the heart of our shared humanity.

This publication brings together a remarkable collection of artists from various corners of the globe, each contributing their unique voice, perspective, and technique. Through their works, we witness the harmony between tradition and innovation, the dialogue between personal identity and collective memory, and the unyielding passion that drives the creative journey.

More than just a catalogue of visual works, this book is a celebration of cultural richness and artistic expression. It provides a platform where artists can share not only their creations but also their stories— stories shaped by heritage, environment, and life experience. These pages reveal the depth and diversity of contemporary art, reminding us that despite our differences, we are all bound by a universal language: the language of creativity.

We are proud to support this initiative that promotes global artistic collaboration. It is our hope that this publication will inspire readers, collectors, curators, and fellow artists alike. May it encourage further exploration, dialogue, and appreciation of the many ways art can uplift, question, connect, and transform.

To all the participating artists, we extend our heartfelt congratulations and gratitude. Your dedication, vision, and courage to express yourselves enrich not only this publication but the global arts community at large. Your work leaves an indelible mark and invites us all to see the world with renewed curiosity and compassion.

Finally, I thank the organizers, curators, editors, and supporters who made this publication possible. It is through your unwavering efforts that this international celebration of art becomes a lasting contribution to cultural exchange and artistic legacy.

Let us continue to champion the arts, not only as an expression of creativity but as a vital force for unity, understanding, and peace.

Curatorial Director of YES + AMJB Art Museum Malaysia

MESSAGE

It is with great honor that I present this coffee table book, *Cultural Canvases*, showcasing the vibrant world of Philippine arts and culture. At its heart is the remarkable visual artist and cultural advocate, Roy C. Espinosa.

Roy's dedication to the arts has enriched the Philippine art scene and inspired countless artists. He has been instrumental in promoting mosaic artworks in the Philippines and has provided a platform for both established and emerging artists, contributing significantly to art criticism and appreciation. In this book, Roy discusses international artists and the collaborative efforts that bring diverse artistic visions together

I extend my deepest gratitude to Roy C. Espinosa for his tireless dedication and passion. His work celebrates the rich cultural heritage of the Philippines and inspires future generations of artists.

Thank you, Roy, for your invaluable contributions and artistic vision.

CEO, Mozzaico

T A B L E O F

Introduction About the Publisher

Preface

Foreword from the Philippine Ambassador to Malaysia - Maria Angela A. Ponce

Message from Eric B. Zerrudo, PhD

Executive Director NCCA

Message from Dr. Ding Yuming Curatorial Director of YES + AMJB Art Museum Malaysia

Message from Mr. Mansour Maher CEO/President Mozzaico

A Symphony of Colors Across Two Continents - Agustin "Do" Noble

A Cultural Storyteller and Guardian of Filipino Heritage - Aris Bagtas

A Journey Through Art and Nature Alfonso Vargas

A Journey of Color, Passion, and Connection - Ana Lyn Seva

Where Art and Business Converge Billy Yu

A Lifelong Journey Through Art and Nature Cee Cadid

A Story of Perseverance and Passion Celso Duazo Pepito

A Visionary Filipino Artist Making Global WavesDale Bagtas

Celebrating Filipino Heritage Through Artistic Mastery - Doodz Iligan

Celebrated Boholano Artist Elvin Vitor

A Visionary in Story Telling Espie Bagtas

A Vision Transform: The Artistic Journey of Fe Madrid Pepito

The Wizard of Art - Fidel Sarmiento

A Cubist Luminary Celebrating Hope and BeautyEugenia "Gene" Artango-Villasper

A Journey in Creativity

Gilfrancis Maningo

A Love Rekindled: Irma Espinosa's Journey Back to Art - Irma F. Espinosa

Blending Realism with Abstract Fluidity in Ilocos Norte and Beyond - Grandjoy Agdigos

Sculpting Souls: The Wire Sculptures of Ingrid Aimee Lopez - Peñaflor

A Fusion of Healing and Art

Dr Janet C. De Grano

Preserving Heritage While Painting The Future Lemuel Blanco

The Masterful Storyteller of Davao's Art Scene

Welehito N. Pepito

Master of Realism and Cultural Narratives

Manuel Sinquenco

A Visual Storyteller of Mystical Harmony

Mark Daingan Chua

Master of Imaginative Figurism and Nationalistic Art - Nemi Miranda

A Master of Oil and Expression

Orlando Distor

A Visionary in Philippine Modern Art

Oscar Salita

Masterful Strokes - Pancho Piano

A Story of Passion and Linework

Pauline Allison F. Espinosa

His Artistic Odyssey - Philipp Badon

Master of Watercolor and Cultural Storyteller - Rafael "Popoy" Cusi

A Journey of Art, Faith, and Resilience

Remy Boquiren

The Dual Life of a Doctor and Impressionist-Expressionist - Dr. Renato Cheng

A Visionary of Infinite Creativity

Roland Rosacay

A Master of Realism and Cultural Narratives - Romeo Ronald Cortez

The Rebel Expressionist of Filipino Art Roy Ama

Championing Filipino Art on the Global Stage Roy Espinosa

The Spirit of Nature in Color and Form Sherwin Tan

Capturing The Beauty of God's Creations - Tatz Lee

A Tapestry of Faith, Culture, and Modernity William Yu

An Artistic Journey Through Nature and the Human Spirit - Petrus De Vuyst - Belgium

C O N T E N T S

A Journey Through Symbols and Time Sandra Lima

e Silva - Brazil

Crafting Harmony and Awareness through Abstract Art - Safaa Afifi - Egypt

Harmonizing Love and Artistry

Aksana Yakimova (Steffan) - Germany

A Visionary in Contemporary Art

Dorothea Fleiss PH.D. - Germany

A Visionary Sculptor and Painter

Gabriel Grama - Greece

The Global Journey

Shefqet Avdush Emini - Holland

Bridging Tradition and Modernity in Contemporary Indian Art

Dr. Prakash Kishore - India

Path to Creative Expression

Swati Ghosh - India

Her Vision and Goals

Ashima Sehgal - India

A Journey of Spiritual Artistry

Piki Pratyusha Chavan - India

A Journey Through Geometry and Spiritual Abstraction

Dr. Neerja Chandna Peters - India

Reviving Mizoram's Cultural Heritage Through ArtLalhming Mawii - India

A Journey from Corporate to Creative Expression - Monalisa Mehta - India

The Art of Hypertext and Existential Abstraction - Dedy Sufriadi - Indonesia

A Visionary Journey in Contemporary Art

Keiichiro Kimori - Japan

A Visionary Korean Artist & Global Art AdvocateBosuk Lee - Korea

Bridging Cultures Through Art and Education - Julie Kim - Korea

Capturing the Essence of Human Emotion Through Art - Allen Tan - Malaysia

A Visionary in Abstract ExpressionismSuzlee Ibrahim - Malaysia

A Life Dedicated to Art, Culture, and Environmental AdvocacyCheong Mei Fong - Malaysia

Bridging Cultures Through Artistry

Elaine Chew - Malaysia

A Journey Through Ink and Expression

Eng Nee Nee - Malaysia

A Visionary in Batik Art and Cultural Expression - Esther Wong - Malaysia

Capturing Essence of Human Emotion Through ArtJason Min - Malaysia

A Visionary in Art and Education

Khalid Othman - Malaysia

An Imaginary Artist Redefining Boundaries Through Art - Ng Yi Shen - Malaysia

The Unseen BeautyOoi San Tee - Malaysia

A Maestro of Malaysian Contemporary Art

Shirley Chu - Malaysia

Brushstrokes of Passion

Tan Siew Yean - Malaysia

A Journey of Color and Creativity

Tim Teh - Malaysia

A Life in Art, Education, and Boundless Creativity

Tneh Sok Tuan - Malaysia

A Journey Through Art and Activism

Abdeslem Azdem - Morroco

A Maestro of Modern Nepali Art

Roshan Pradhan - Nepal

A Champion of Figurative Art

Kapil Mani Dixit - Nepal

A Visionary in Contemporary Romanian Art

Mirela Traistaru - Romania

A Master of Finger Painting and Trailblazer in the Art

World - Mdm Lim Sue Luan - Singapore

The Art of Flight and Emotion

Susanna Wong - Singapore

A Journey of Art and Redemption

Barry Yeow - Singapore

A Visionary Thai Artist Bridging Art and Literature

Paretas Hutanggura - Thailand

A Journey of Tranquility and Artistic Excellence

Rapeepat Phonrattanapaiboon - Thailand

Journey of an Artistic Visionary

Dang Anh Tuan - Vietnam

A Masterful Journey in Graphic Art

Le Thanh - Vietnam

Bridging Art, Heritage, and Community Through Creativity - Đinh Mai Thu Trang - Vietnam

Painting the Wind's Whispers

Nguyen Nghia Cuong - Vietnam

Weaving Fantasies into Reality

Nguyen The Hung - Vietnam

Redefining Contemporary Art Through Geometry and Emotion - Nguyen Thu Thuy - Vietnam

Acknowledgement

PHILIPPINES

Agustin "Do" Noble

A Symphony of Colors Across Two Continents

Agustin "Do" Noble, born in the Philippines in 1954, is a celebrated artist whose vibrant works echo the lush beauty of nature through a lyrical melody of colors. His artistic journey began in his homeland, where he gained prominence as both a notable art teacher and an award-winning artist before migrating to Australia in 1988.

Do Noble's early years were marked by a deep immersion in the Philippine art scene. During his time at FEATI University in Manila, where he obtained his Bachelor of Fine Arts degree in 1978, Do Noble quickly established himself as a significant figure in the local art community. His active involvement in art associations, coupled with his success in art competitions, solidified his reputation. His continuous participation in group exhibitions not only showcased his talent but also honed the expertise he later imparted as an art teacher at the Philippine Women's University and the Technological University of the Philippines.

In the Philippines, Do Noble's artistic career flourished with several solo exhibitions and numerous group exhibitions, earning him accolades and recognition. His works were selected for ASEAN traveling exhibitions and featured in Philippine magazines, newspapers, and an art book. His leadership roles included serving on the Board of Directors of the prestigious Art Association of the Philippines and being the president of the art group "Spectrum", composed of teachers and students from various art schools in Manila.

Upon relocating to Australia, Do Noble continued to depict his visions uniquely, blending his individual style with the local setting. His work gained international acclaim, with his pieces published in the book International Contemporary Masters Vol-7 (Las Vegas, Nevada), 50 Australian Artists, Australian Art Collectors, Art Almanac, and several issues of the Australian Artist magazines and newspapers. He also served as a past councilor for the Australian Guild of Realist Artists.

Do Noble's works have been exhibited at the National Gallery of Victoria, earning him over 800 art awards. His creations are distinguished by the vivid effects of his vibrant colors, whether in oil pastel or watercolor, and his unique individual style. His artistic achievements have firmly established him as a master of color and composition.

His artistic journey and accolades have led to his works being represented in private and public collections of local and regional galleries, art organizations, Rotary Clubs, schools, and various corporations in Australia, the Philippines, London, and America.

Agustin "Do" Noble's artistic philosophy is beautifully encapsulated in his own words: "My attempt is to sing out the beauty of nature in a lyrical melody of colors." This sentiment resonates through each of his pieces, reflecting his deep appreciation for the natural world and his ability to capture its essence on canvas. His art continues to inspire and captivate audiences across continents, transcending cultural boundaries and celebrating the universal language of beauty and color.

—Ruth Espinosa

Autumn Riverside Oil On Canvas 1 X 1m 2021

Summer Afternoon Oil On Canvas 91 x 91cm 2021

Afternoon Warmth, Oil On Canvas, 100 X 100 2020

Glorious Morning Oil On Canvas 105 x 80cm 2021

'Mystical Evening Oil On Canvas 105 x 105cm 2022

Seaside Rendezvous Oil On Canvas 100 x 100cm 2020

Aris Bagtas

A Cultural Storyteller and Guardian of Filipino Heritage

A prominent Filipino artist born in 1971 in Bulacan, Aris Bagtas has indelibly etched his name in the annals of art history through his meticulous exploration of the rich cultural tapestry of the Philippines. His artistic journey, sparked at a young age, is deeply rooted in his commitment to preserving and celebrating his homeland’s cultural heritage.

Bagtas’ artistry seamlessly intertwines traditional and modern influences, paying homage to Filipino folklore, mythology, and history. With vivid colors, intricate patterns, and masterful brushwork, he brings to life the essence of each story. His artworks forge a profound connection to the past, inviting viewers to embrace their cultural heritage.

Among his renowned series, the Esperanza Series stands out, a tribute to the unwavering love and resilience shared with his wife. Through this collection, Bagtas breathes life into Filipino legends and myths such as the epic of Lam-ang, the enchanting Maria Makiling, and the heroic Lapu-Lapu, intertwining themes of devotion and perseverance.

Primarily working with acrylic on canvas, Bagtas adds a timeless quality to his artwork,

emphasizing the enduring relevance of these tales. His bold use of color and attention to detail create an immersive experience for viewers, allowing them to not only see but also feel the narratives passed down through generations.

Beyond his artistic endeavors, Aris Bagtas is a fervent advocate for the preservation and promotion of Filipino culture. He actively engages with local communities, educating the younger generation about the importance of embracing their heritage through workshops, exhibitions, and talks.

His work has garnered critical acclaim both nationally and internationally, exhibited in galleries and museums in the Philippines and abroad, including the Asia, Africa and Europe. Collectors and connoisseurs alike seek his paintings, solidifying his profound impact on the art world.

Aris Bagtas’ contributions extend beyond his artwork. He has conducted numerous solo shows, participated in group exhibits, and led art workshops and outreach programs in the Philippines and abroad. He has also created mural paintings for churches and cathedrals in locations such as Malolos, Bulacan; Intramuros, Manila;

Valenzuela City; Binondo, Manila; Occidental Mindoro; and Essen, Germany. In 2019, his work was presented to Pope Francis by the Bishops of Luzon, now part of the Vatican’s collection.

His works have been featured in several art books and magazines. He has completed commissioned artworks for prestigious projects, including Rebisco’s 55th Year Special Edition Designer Tin Can in 2018 and Artwork Trophies for Philippine Airlines Awards in 2018, 2019, 2023, 2024 and 2025.

Bagtas’ commitment to art and culture extends to his involvement in organizations. He serves as an Executive Committee member of the National Commission for Culture and the Arts (NCCA) and Vice President of External Affairs at the Art Association of the Philippines (AAP). Currently, he is the Art Director of Kunst Filipino—Kapatiran at Ugnayan ng Natatanging Sining at Talentong Filipino, which received the Presidential Awards for Filipino Individual and Organization Overseas (Banaag) in 2021. Furthermore, he is the Archivist at the Knights of Rizal Heart chapter.

Aris Bagtas just finished his European tour, a series of shows and exhibitions that will undoubtedly continue to showcase his artistic brilliance and

unwavering commitment to celebrating his homeland’s essence. Aris Bagtas is more than an artist; he is a cultural storyteller and guardian of the Filipino spirit.

—Ruth Espinosa

Esperanza series • Acrylic on Canvas • 24 x 36in • 2022

Our Lady of Mt.Carmel • Acrylic on Molave Wood • 24 x 24in • 2019

48 x 36in 2024

48 x 96in 2021

Inspirasyon ng Buhay

Acrylic on Canvas

Pilgrims of Hope

Acrylic on Canvas

Tatlong Persona Acrylic on Canvas

32 x 24in 2020

Biyaya ng Katubigan Acrylic on Canvas 36 x 36in 2024

Alfonso Vargas A Journey Through Art and Nature

Al Vargas is a Filipino artist whose profound connection to nature has shaped his artistic evolution. Born and raised in an island south of the capital, his early years were infused with the wonders of landscapes, seascapes, and tranquil backwoods. These surroundings became the bedrock of his creative vision, inspiring a lifelong pursuit of artistic expression.

Despite his innate talent, Al’s path to becoming an artist was far from direct. His aspirations of becoming an architect or comic book illustrator were set aside due to parental objections, leading him to pursue a career in Mechanical Engineering. Yet even in the highly technical field of industrial design, his artistic inclination flourished. Working in the Design Department of a Japanese appliance company, Al infused artistry into functionality, ensuring that products were both aesthetically appealing and practical. His mastery of lines, proportions, colors, and composition played a role in the company’s success, proving that even in engineering, art has a place.

After retiring, Al moved to the United States, where he rekindled his passion for painting. His weekends were spent immersed in nature— photographing sceneries that he would later translate onto canvas. His evenings were dedicated to painting, experimenting with acrylic, watercolor, and pastel to bring his visions to life. This period marked a turning point, reinforcing his devotion to the craft.

Upon returning to the Philippines, Al initially set painting aside, but his love for sketching persisted. Frequent coffee shop visits turned into sketching sessions, and with encouragement from friends, he embraced his childhood dream. Today, he pours his passion into masterful artworks that capture the grandeur of nature. His landscapes and seascapes, inspired by cherished memories of exploring the coasts and backwoods of his youth, evoke both nostalgia and admiration.

Al is also an active member of Urban Sketchers Philippines, regularly participating in plein air sketching activities across Metro Manila and

beyond, including out-of-town sessions in Vigan, Ilocos. His enthusiasm for capturing the essence of places firsthand reflects his dedication to preserving fleeting moments through art. His involvement in FilArts Group further highlights his engagement with the local art scene, connecting with fellow Filipino artists and contributing to a thriving creative community. His works have also been published in the coffee table book Filipino Artists: Their Culture, Their Arts, solidifying his presence in the contemporary Filipino art landscape.

Through exhibitions, both local and international, Al continues to share his artistic journey, offering viewers a glimpse into his world— one where nature’s beauty is rendered with heartfelt precision. His is a story of resilience, passion, and the undeniable pull of artistic expression. Whether in industrial design or fine art, Al's creativity remains unwavering, proving that one’s true calling will always find its way back home.

—Ruth Espinosa

A Symphony of Colors • Watercolor on Paper • 18 x 12in

Cordillera Wild • Acrylic on Canvas • 12 x 17in

The Bull at Dazaifu • Pen and Watercolor on Paper • 7.5 x 10.6in

The Stonewalls of Kokura Castle • Watercolor on Paper • 7.5 x 10.6in

Ang Buto ni Kuratog • Acrylic on Canvas • 18 x 24in

Ang Para An-it Acrylic on Canvas 18 x 24in

Ana Lyn Seva A Journey of Color, Passion, and Connection

Ana Lyn Seva, known affectionately as “ANA,” is a Filipino painter whose artistic journey has flourished in the heart of Malaysia. Based in Petaling Jaya, Ana’s vibrant works speak of resilience, creativity, and the unifying power of art. Since her artistic awakening in 2020 during the pandemic, she has rapidly ascended in the art world, earning recognition both locally and internationally.

Ana’s artistic breakthrough came with her poignant piece, LOCKDOWN, which represented Malaysia in an exhibition in Surrey, London. The painting encapsulated the emotions and experiences of a world in isolation, resonating deeply with audiences. This success paved the way for highprofile commissions, including works for the Fairfield Hotel by Marriott in Kuala Lumpur and Aurelius Hospital in Nilai. Each piece she creates

carries her signature expression—bold, evocative, and deeply connected to human emotions.

Her journey continued with remarkable international exhibitions, further cementing her presence in the global art scene. She showcased her works at the ASIA ART SHOW in Sydney in 2023, followed by the International Art Dialogue Exchange Exhibition in Kuala Lumpur in 2024. These exhibitions allowed her to collaborate with celebrated Filipino and Malaysian artists, engaging in artistic exchanges that enriched her perspective.

However, Ana’s impact extends beyond her own canvases. In December 2024, she launched Open Experience: Idea Sharing Sessions, a platform dedicated to fostering dialogue and inspiration among artists. Through this initiative, Ana encourages creative exploration, bringing together

emerging and established talents to exchange ideas, stories, and perspectives. Her vision for unity through art aligns seamlessly with her belief in the transformative nature of artistic expression.

Her commitment to artistic growth and community building is further embodied in 11 Art Space by Ana Lyn, her personal artistic hub. This platform is not just a showcase of her work but a sanctuary where art thrives—where colors dance, where conversations spark, and where creativity knows no bounds. It is a space that reflects her artistic philosophy: “Love, Smile & Passion… let’s paint…!!!”

Ana’s journey stands as an inspiring testament to the power of art in bridging cultures, emotions, and aspirations. From the solitude of lockdown to the global stage, her work continues to inspire, uplift, and connect. Whether through her compelling paintings or her dedication to nurturing artistic dialogues, Ana Lyn Seva remains a vibrant force in the creative world—one whose colors weave stories of hope, passion, and boundless imagination.

—Roy Espinosa

Nebulous • Mixed Media • 60 x 60in • 2023

Entity Mixed Media 60 x 60in 2023

Guazy Mixed Media

60 x 60in 2023

Energia

Billy Yu

Where Art and Business Converge

Billy Israel A. Yu is a Filipino artist whose work embodies a compelling fusion of artistic vision and business acumen. Holding a bachelor's degree in business administration with a focus on marketing, Yu brings a unique perspective to the contemporary art landscape, seamlessly blending the analytical rigor of the business world with the expressive freedom of artistic creation. His artistic style centers around the exploration of geometric abstraction, drawing inspiration from elements of expressionism and cubism to create a visual language that is both structured and dynamic.

Yu's art is characterized by a meticulous attention to detail and a profound understanding of composition. He masterfully employs pointed and curvilinear shapes, manipulating outlines to create a sense of depth and movement within his canvases. Each brushstroke appears deliberate, contributing to a larger narrative of forms and colors that interact

harmoniously. His works are not merely static images; they are vibrant explorations of space and form, inviting the viewer to engage with the intricate interplay of shapes and colors. This structured approach to artistic creation reflects the strategic thinking inherent in his business background, where each element is carefully considered and strategically placed for maximum impact.

While specific examples of Yu's artwork are not available, his overarching artistic philosophy becomes the focal point. His dedication to geometric abstraction allows him to delve into the fundamental principles of form and space, echoing the innovative spirit of artists like Picasso. His canvases become arenas for visual experimentation, where shapes transcend their conventional meanings and colors weave a narrative that is both introspective and engaging. This exploration of geometric abstraction allows Yu to push the boundaries of artistic expression, creating works that are both intellectually stimulating and visually captivating.

The artist's background in business administration provides a fascinating dimension to his artistic persona. This duality of skills is evident in the strategic composition of his pieces, where each element seems carefully arranged, reminiscent of the components of a well-structured business plan. Yu's ability to merge the analytical with the expressive distinguishes him within the contemporary art world. He demonstrates that art and commerce are not mutually exclusive domains, but rather two sides of the same coin, each informing and enriching the other.

Yu's artistic journey is more than just a visual experience; it is a testament to the power of combining precision, innovation, and a nuanced

understanding of both the artistic and commercial worlds. His style itself becomes a canvas—a dynamic exploration of geometric forms and a celebration of the symbiotic relationship between structure and creativity. He demonstrates that artistic expression can be enhanced by the strategic thinking and analytical skills honed in the business world.

Throughout his career, Yu has consistently challenged the conventional boundaries of artistic practice. His works, though not specifically described here, are characterized by their intricate detail and thoughtful composition, each piece reflecting his deep understanding of both artistic principles and business strategies. This unique blend of skills allows him to create art that is not only visually compelling but also deeply meaningful, resonating with viewers on multiple levels. He brings a fresh perspective to the art world, demonstrating that business and

creativity can coexist and even complement each other.

As a visionary artist whose work effectively bridges the gap between the structured world of business and the fluid realm of artistic expression, Billy Israel A. Yu's commitment to geometric abstraction, coupled with his ability to infuse work with both precision and innovation, positions him as a significant figure in the contemporary art scene. His work serves as a powerful example of the potential that arises when analytical and creative skills are combined, inviting viewers to appreciate the inherent harmony that can exist between art and commerce.

—Ruth Espinosa

Mother And Child Fruit Harvest • Acrylic On Canvas • 35 X 35in

Lucky Horse • Acrylic on Canvas • 30 x 40in

Woman With Phone • Acrylic On Canvas • 36 X 40in

Cee Cadid

A Lifelong Journey Through Art and Nature”

Carlos Tanig Cadid, a revered figure in Filipino art, was born on May 13, 1954, in Barrio Tibaguin, Hagonoy, Bulacan. Growing up in a family with deep ties to the sea, being the second of five children to a fisherman father, Melchor Cadid, and mother, Marla Tanig, Cadid's early life experiences significantly shaped his creative journey.

At the tender age of four, Cadid underwent a unique rite of passage when his father threw him into the sea to teach him how to swim, a tradition shared among his siblings. This baptism into the aquatic world may have sparked his profound appreciation for nature, which is evident in his art today.

Cadid's formal education began at Tibaguin Elementary School, where his nights were often spent drawing comic book characters by the light of a lamp. His early artistic inclinations led him to represent his Grade IV class in an inter-school art competition, an experience that, despite not winning, fueled his passion for art. He later transferred to Barrio Sagrada Elementary School for Grades 5 and 6, where his cousin Philip Victor, an aspiring artist,

inspired him to pursue painting. Throughout his high school years at Hagonoy Institute, Cadid's passion for art continued to grow. He spent countless hours copying Amorsolo paintings from calendars, and despite his average academic performance, he was the only one in his family to finish high school. This milestone marked the beginning of his determined pursuit of a career in art.

In 1970, after hearing captivating stories about the UE Fine Arts Department from a barriomate, Cadid decided to become a painter. He stayed in Balintawak with his uncle, Emil Tanig, a commercial photographer, which provided him with a conducive environment for artistic growth. The following year, Cadid enrolled at the UE School of Fine Arts under the deanship of Florence Concepcion.

Cadid's career took a significant turn in 1972 when his cousin, Amelia Tanig, recommended him to work as a live-in frame maker for the painter SYM and Galicano. This opportunity allowed him to learn from members of the Dimasalang Group over five years. His dedication was recognized when he became a finalist in the PNB art competition in 1976, the same year he participated in a Dimasalang group exhibit at ABC Galleries.

Cadid's personal life intertwined with his professional journey when he married Paz Canilao from Macabebe, Pampanga, on September 11, 1976. Together, they navigated the art world, forming "Dimasalang II" with three other artists and presenting their first exhibit at ABC Galleries.

Throughout his career, Cadid continued to evolve, presenting numerous solo and group

exhibitions. His works, primarily still lifes, have been showcased in prestigious venues like Galerie Bleue and ABC Galleries. Cadid's artistry garnered international attention, with features in events such as the Seoul South Korea exchange and the New York international competition.

In 1980, he was invited by Jose Tanig Joya to join the Lakan Sining ng Bulacan and later VACOOP. His contributions to the art community extended beyond exhibitions; he also conducted workshops for the disabled and participated in various artist groups like the Tuesday Group, Wednesday Art, FPAGI, and KWADRO.

Carlos Tanig Cadid's legacy is an affirmation of his unwavering dedication to art, his ability to draw inspiration from his life's experiences, and his commitment to sharing his vision with the world. His journey from a small barrio in Bulacan to the forefront of the Filipino art scene serves as an inspiration to aspiring artists everywhere.

—Ruth Espinosa

Musika Dekada 60 - Medium • Gouache • 37 x 25in

Dalandan • Gouache • 18x24

Flower Vendors • Gouache • 25 x 37in • 2020

Fruits • Gouache • 24 x 36in

Kreco Gouache Size 20 x 37in

Artist to artist Gouache 24 x 24in 2024

Celso Pepito A Story of Perseverance and Passion

Celso Duazo Pepito, born in Daan Bantayan, Cebu, is a renowned Filipino artist whose journey into the world of art is as colorful as his paintings. Raised in Bukidnon, Celso never imagined he would become a painter. As a child, he spent most of his time working on the farm and dreamed of becoming an engineer. However, his path took a different turn when he was awarded "Artist of the Year" in high school, not for his drawing skills but for his talent in calligraphy. This recognition led his adviser to encourage him to pursue Fine Arts in college.

In 1981, Celso graduated from the University of the Philippines Cebu College with a degree in Fine Arts. Under the mentorship of Martino Abellana, a respected Cebuano painter, Celso initially embraced impressionism and realism. For thirteen years, he painted in a style reminiscent of his mentor, earning praise for his ability to capture the essence of his subjects.

However, Celso's artistic journey was far from static. In 1994, he began to explore cubism, seeking to develop his own unique style. This period of experimentation led to the creation of his signature cubic simplicity, characterized by three planar divisions that serve as backdrops to his subjects. His paintings often depict themes of family, spirituality, and nationalism, reflecting his belief that positive change in society begins with the family.

Celso's art is deeply rooted in his spirituality and his commitment to nation-building. He believes that art is a powerful tool for communication and uses his work to convey messages of hope, love, and dedication to one's country. His paintings are revelations of his unwavering belief in the importance of family and community.

Over the years, Celso has showcased his works in numerous exhibitions both in the Philippines and abroad. His art has been displayed in countries such as the USA, Luxembourg, Peru, Singapore, Malaysia, Indonesia, and Thailand. Each exhibition is a celebration of his artistic evolution and his dedication to his craft.

One of Celso's most recent and notable exhibitions is "Antecendance," which took place in 2024. This exhibition was a reflection of his journey as an artist and his continuous exploration of new

themes and techniques. "Antecendance" featured a collection of works that highlighted his signature cubic style while also showcasing his growth and experimentation with new forms and ideas. The exhibition was a resounding success, drawing art enthusiasts and critics alike who were captivated by the depth and complexity of his work.

Celso's story is one of perseverance and passion. From his humble beginnings in Bukidnon to his rise as a celebrated artist, he has remained true to his vision and his commitment to using art as a means of communication and inspiration. His works continue to inspire and captivate audiences, reflecting the rich cultural heritage and vibrant spirit of the Philippines.

Through his art, Celso Duazo Pepito has not only found his own voice but has also given a voice to the values and ideals he holds dear. His journey proves of the power of art to transform lives and communities, and his legacy will undoubtedly continue to inspire future generations of artists.

—Ingrid Aimee Peñaflor

Learning Moments Acrylic on Canvas 20 x 16in 2024 Private collection

Perks of a Father Acrylic on Canvas 20 x 16in 2024 Artist's collection

Lift of Joy Acrylic on Canvas 20 x 16in

2024 Ms. Hope Melencion collection

Musically Motivated Acrylic on Canvas

20 x 16in

2024 Artist's collection

2025

Meeting of the Minds Acrylic on Canvas

23.5 x 17.5in

Hon. Raymond Alvin and Mrs Julinne Kate Garcia collection

Welcoming a New Born Acrylic on Canvas

35.5 x 24in

Mrs. Tatz Lee collection

Dale Bagtas

A Visionary Filipino Artist Making Global Waves

A renowned Filipino artist who has carved a unique niche in the realm of abstract expressionism, Dale Bagtas, with his illustrious career marked by numerous accolades, continues to captivate the international art scene. Among his many achievements is winning Second Place in the "Lorenzo il Magnifico" Viewer's Choice Award and 4th Prize in the Mixed Media Category at the XIV Florence Biennale 2023 in Florence, Italy. These awards underscore his artistic prowess, transcending borders and cultures.

Bagtas' creative voyage demonstrates his innovative spirit, characterized by a distinctive style that marries abstraction with expressionism. He employs a unique technique of directly applying acrylic paint from the tube to the canvas, creating a mesmerizing blend of organic masses and dots. His work delves into the exploration of biomorphic cellular forms, which converge in a symbiotic dance, evoking a microcosm universe. The result is a structured pattern of nucleic spheres and orbs that interact with molecular-shaped fabrications, transforming the two-dimensional canvas into a dynamic, oscillating, and rhythmically charged landscape. The vibrant hues and brilliant neon colors he uses infuse a pulsating cadence into his compositions, lending them a primordial quality.

Throughout his career, Bagtas has made a lasting impression on the art world, participating in numerous exhibitions across the Philippines, Europe, Africa, and Asia. His global presence extends beyond geographical boundaries, affirming his role as an artist whose work resonates worldwide. His exceptional talent has been recognized with several prestigious awards, including the International Prize Donatello Award, the International Prize Leonardo Da Vinci Award, the International Prize Pegasus for the Arts, the International Prize Michelangelo, and the International Career Art Prize Award. These accolades validated his artistic and stylistic research, demonstrating his significant impact on contemporary art.

Though he is not based in Europe, Bagtas is currently engaged in a series of exhibitions and shows across the continent, further expanding his artistic presence. His work continues to captivate audiences worldwide, earning him recognition as a sought-after artist in the global art community.

Beyond his artistic pursuits, Bagtas is deeply involved in cultural and philanthropic efforts. He is an active member of Kunst Filipino—Kapatiran at Ugnayan ng Natatanging Sining at Talentong Filipino, an organization that received the Presidential Awards for Filipino Individuals and Organizations Overseas (Banaag) in 2021. In addition, He is a dedicated member of the Knights of Rizal Heart Chapter, demonstrating his commitment to both artistic and charitable endeavors.

Ariosto Dale Bagtas' creative evolution is one of innovation, exploration, and global recognition. His abstract expressionism goes beyond boundaries and evokes a strong connection with art enthusiasts worldwide, making him a distinguished figure in the art world. As he continues to create and share his mesmerizing creations, his impact on the art scene is bound to endure for generations to come.

—Ruth Espinosa

Celestial Body

Acrylic on Canvas 24 x 24in 2022

Constellation of Hope 60 x 72in

Acrylic on Canvas 2024

Allia Marian Cruz collection

Harmony in Life

Doodz Iligan

Celebrating Filipino Heritage Through Artistic Mastery

Antonio Roque Iligan (Doodz Iligan) is a full-time artist who has made a significant impact on the contemporary art scene in the Philippines. Known affectionately as "Doodz" by friends, relatives, and the artist community, he has been passionate about art from a young age. His unique style and dedication to his craft have earned him recognition and admiration from both peers and art enthusiasts.

Doodz's journey in the world of art began with his early fascination with colors and forms. He honed his skills through formal education and self-study, constantly experimenting with different mediums and techniques. His work often reflects his deep connection to Filipino culture and heritage, blending traditional elements with modern, innovative approaches.

One of the defining characteristics of Doodz's art is his ability to capture the essence of Filipino life and landscapes. His paintings often depict vibrant scenes of rural life, bustling cityscapes, and serene natural environments. Through his art, he aims to evoke a sense of nostalgia and pride in the Filipino

identity, celebrating the country's rich history and diverse culture.

Doodz is also known for his versatility as an artist. He has worked with various mediums, including oil, acrylic, watercolor, and digital art. This adaptability allows him to explore different styles and themes, keeping his work fresh and engaging. His digital art, in particular, has gained popularity in recent years, showcasing his ability to merge traditional techniques with modern technology.

Along with his artistic pursuits, Doodz is actively involved in the local art community. He frequently participates in exhibitions, workshops, and collaborative projects, sharing his knowledge and passion with fellow artists and aspiring creatives. His contributions to the art scene have not gone unnoticed, and he has received several awards and recognitions for his outstanding work.

Doodz's commitment to his craft and his dedication to promoting Filipino art have made him a respected figure in the art world. His work continues to inspire and influence a new generation of artists, ensuring that the rich cultural heritage of the Philippines is preserved and celebrated through art.

—Ruth Espinosa

Best Medicine

Acrylic on Canvas 32 x 24in

Katuwaan

Acrylic on Canvas 24 x 32in

Banana Seller Acrylic on Canvas 24 x 24in

The Fisherman Acrylic on Canvas 32 x 24in

The Singer Acrylic on Canvas 32 x 24in

My Heart's Out Acrylic on Canvas 32 x 24in

Elvin Vitor Celebrated Boholano Artist

Elvin Perocho Vitor, a prolific full-time artist based in Bohol, Philippines, has made significant contributions to the world of visual arts through his exceptional oil and acrylic paintings. A graduate of The University of Bohol with a degree in Bachelor of Fine Arts major in Advertising Arts, Vitor has etched his name in the art community both locally and internationally.

Vitor is best known for his small acrylic collectible paintings created for Marvel Licensed Company and Chinese Sketchcards Company, as well as his large-scale oil portraits on canvas. His remarkable talent has led to numerous exhibitions of his work, both within The Philippines and on the international stage. Indeed, Vitor's artwork has captured the attention of audiences around the globe, earning him features on national television and various international media outlets, including Bohol Balita, Bohol Chronicle, Bohol Tribune, Teras Malioboro News Indonesia, Gma Regional Tv, Bombo Radyo, Tele Radyo, Smni, Gma News, 24 Oras News, Untv, Net25, Ptv, Abs-Cbn, Radyo Agila, Filipino Modernism Book, Aap Book, Daloy Likha

Magazine, Sining Pilipinas, Xl Show Canada, Leonardo Da Vinci Book, Steel Jackdaw Uk Magazine, And London Tele-Tabloid.

In 2024, Vitor received the prestigious Leonardo Da Vinci Recognition In Milan, Italy, where he also conducted a solo art exhibition. He has held solo exhibitions at the provincial capitol of Bohol and in Bangkok, Thailand. Vitor's outstanding contributions to the arts were recognized with Bohol's prestigious Tobaw (The Outstanding Boholano All Around The World) Award for Visual Arts In 2024.

Since 2013, Vitor has actively contributed to the art scene in Bohol, serving as a judge and facilitator in various art events. In 2019, he was a semi- finalist in the Metrobank Art & Design Excellence (Made) Competition. His passion for nurturing young talent is apparent in his five-year tenure as an art instructor for children. Moreover, his work with Marvel Licensed Company in China producing collectible cards, showcases his versatility and commitment to promoting Boholano Art on an international platform.

Vitor's journey as an artist was not without challenges. Originally a graphic artist, he transitioned to full-time painting after developing an eye defect, which significantly influenced his artistic path. He is actively connected with several art organizations, including Bohol Arts and Crafts Heritage (Bach), Bohol Artists Guild Alliance (Baga), Ace Of Arts, Filarts, Guhit Pinas, and Bohol Pop.

Elvin Perocho Vitor's artistic vision centers on creating hyper-surrealistic oil and acrylic pain-tings that reflect his identity and highlight Boholano culture through diverse approaches. His goal is to continue organizing solo and group exhibitions, both nationally and internationally, to inspire and impact aspiring young Boholano artists. Vitor's dedication to his craft and his commitment to cultural promotion have made him a prominent figure in the art world, leaving a lasting legacy for future generations.

Through his art, Vitor aims to bring the rich cultural heritage of Bohol to the international spotlight, providing a platform for Boholano culture to be appreciated and valued globally. His work serves as a testament to his unwavering dedication to the arts and his desire to make a meaningful impact on the world through his unique artistic expression.

—Ruth Espinosa

Kulbahinam Nga Laraw Oil On Canvas 53 x 89in 2024

Sadya Taliwala Sa Hadla Oil On Canvas 36 x 36in 2024

Nahimulag Tungod Sa Lingla • Oil On Canvas • 72 X 48in Diptych • 2024

Handuraw sa Bulawanong Damgo Oil on Canvas 58 x72in 2023

Mugna sa Y sinugdan ug Y katapusang Kalipay Oil on Canvas 2024

Laum Sa Malinawong Ugma Oil On Canvas 48 X 36in 2024

Espie Bagtas

A Visionary in Visual Storytelling

Espie Bagtas is a multifaceted artist whose diverse background and passion for visual storytelling have made her a prominent figure in the art world. Armed with a Bachelor's degree in Elementary Education, a Certificate in Pre-school Education, and a Master's Degree in Administration and Supervision, Espie brings a wealth of knowledge and creativity to her artistic endeavors. She is a former teacher, manager, and co-owner of Obrang Bagtas Paintings, where she honed her skills and developed her unique style.

Recognized for her significant contributions to the arts, Espie is a proud member of various esteemed organizations. She actively participates in KUNST Filipino-Kapatiran, an association that promotes Filipino art and culture. Her dedication to this organization earned her the prestigious Presidential Awards for Filipino Individual and Organization Overseas (Banaag) in 2021. Additionally, Espie is a member of the Obrang Bagtas, their family art organization, further underscoring her commitment to serving her community through art.

Inspired by the artistic talents of her husband and son, Espie embarked on her own creative journey, utilizing a vibrant color palette to create

compelling visual narratives. Her first major exhibition, titled "Expression", took place at the Limanjawi Art House in Borobudur, Indonesia. This cross-border visual art exhibition highlighted the artistic exchange and collaboration between the Philippines and Indonesia, showcasing her ability to bridge cultures through her work.

Building on this success, Espie's artwork was later showcased at the Consulate General of the Philippines in Milan, Italy, in an exhibition aptly named "Obrang Bagtas Art Exhibit." This prestigious event allowed her to share her unique artistic perspective with an international audience. She also participated in Women in Art Biennale at Chelsea Gallery London, England demonstrating her ability to capture attention and create meaningful connections through her art.

Espie's artistic style is characterized by her adept use of color and her talent for weaving intricate narratives into her pieces. Her work often evokes a deep sense of emotion, inviting viewers to explore the stories being portrayed. Whether she is creating captivating landscapes, intricate still life compositions, or expressive portraits, Espie's art leaves a lasting impression on those who encounter it.

Beyond her own artistic pursuits, Espie is dedicated to giving back to the art community and empowering aspiring artists. She conducts workshops and shares her expertise, inspiring others to explore their creativity and find their own artistic voices.

As Espie Bagtas continues to evolve and create, her unwavering commitment to selfexpression and storytelling remains evident. Her artwork serves as a spectacle of her talent, passion, and ability to connect with viewers on a profound level. With each new exhibition and venture, Espie cements her place in the art world as a visionary artist with a unique perspective and a powerful voice.

—Ruth Espinosa

Home Sweet Home 2

Acrylic on Canvas 18 x 24in

Connections

Acrylic on Canvas 48 x 36in

Home Sweet Home 3

Acrylic on Canvas

x 24in

Home Sweet Home

Acrylic on Canvas

x 24in

Fe Madrid Pepito A Vision Transformed: The Artistic Journey of Fe Madrid Pepito

Fe Madrid Pepito's story is one of unexpected turns and beautiful discoveries. Born in Cebu, Fe pursued a career in optometry, graduating from Southwestern University. Her life seemed set on a path of helping people see the world more clearly through her profession; however, fate had other plans for her.

Fe's journey into the world of art began when she married Celso Duazo Pepito, a well-known artist. Through her marriage, she found herself surrounded by the vibrant Cebuano art community. This constant exposure to art and artists awakened a latent talent within her. What started as a mere curiosity soon blossomed into a full-fledged passion for painting.

Fe's early works were a mix of still life, landscapes, seascapes, and human figures. She experimented with various mediums, including watercolor, pastel, acrylic, and oil. Despite her versatility, she found her true joy in painting flowers. For Fe, art was not just something to be seen but something to be felt. Each brushstroke was an expression of her emotions, and each painting was a piece of her soul.

Her first major exhibition was a significant milestone in her artistic journey. In 2005, she held her first solo show, "Kahingpitan," at the SM Art Center in Cebu City. This exhibition was a validation to her growth as an artist and her ability to convey deep emotions through her work. The positive reception she received gave her the confidence to continue pursuing her passion.

Fe's art is characterized by its simplicity and elegance. Her paintings often depict everyday scenes, capturing the beauty in the mundane. Her use of color and light brings her subjects to life, making them almost tangible. Whether it's a bouquet of flowers or a serene landscape, Fe's paintings have a way of drawing viewers in and making them feel a part of the scene.

Over the years, Fe has participated in numerous exhibitions, both in the Philippines and abroad. Her works have been showcased in various prestigious venues, including the Langkawi Art Biennale in Malaysia. Each exhibition is a celebration of her artistic voyage and a testament to her dedication to her craft.

One of Fe's most notable exhibitions was "A Season of Togetherness", a two-person show with her husband Celso, held at the Perpetual Succour Hospital in Cebu City in 2004. This exhibition was a beautiful representation of their shared passion for art and their journey together as artists. It was a celebration of their love for each other and their love for art.

Fe is also a charter member of Cebu Artists Incorporated, an organization dedicated to promoting art awareness in the Cebuano community. Through her involvement in the organization, she has played a significant role in fostering a love for art in her community. She believes that art has the power to bring people together and create a sense of belonging.

Despite her success, Fe remains humble and grounded. She continues to paint, driven by her love for art and her desire to share her vision with the world. Her journey as an artist is a testament to the power of passion and perseverance. From her beginnings as an optometrist to her rise as a celebrated artist, Fe's story is one of transformation and discovery.

Indeed, Fe Madrid Pepito's journey is a beautiful tale of unexpected turns and newfound passions. Her art is a reflection of her soul, capturing the beauty in the everyday and the emotions that come with it. Through her paintings, Fe invites us to see the world through her eyes and feel the emotions that drive her. Her story is an inspiration to all, reminding us that it's never too late to discover our true passion.

—Ingrid Aimee Peñaflor

Glimpse of Nature • Oil on Canvas • 16 x 12in • 2023 • Artist's collection

Buhos ng Buhay • Oil on Canvas • 20 x 30in • 2024 • Artist's collection

Essence of Serenity Oil on Canvas

20 x 16in

2025

Artist's collection

Flow of Life

Acrylic on Canvas

16 x 20in

2023

Artist's collection

Semblance Of Heritage 2 Oil on Canvas 12"×16"

2023

Artist's Collection

A Glimpse of Calmness Oil on Canvas 16 x 14in

2021

Artist's collection

Fidel Sarmiento The Wizard of Art

Fidel Sarmiento, born in 1959 in the Philippines, is a celebrated Filipino artist known for his vibrant and dynamic paintings. His journey into the world of art began in his childhood, where he found joy in drawing and painting. Growing up, Fidel was always surrounded by the beauty of nature and the rich cultural heritage of his homeland, which greatly influenced his artistic vision.

Fidel's formal education in the arts started at the FEATI University, where he honed his skills and developed his unique style. His early works were characterized by their bold use of color and intricate details, reflecting his keen eye for beauty and his deep appreciation for the world around him. After graduating, Fidel worked in various art-related jobs, which allowed him to further refine his craft and gain valuable experience.

In 1981, Fidel held his first solo exhibition at the Gallery One, Greenhills. This marked the beginning of his professional career as an artist. His early works were heavily influenced by surrealism, a style that allowed him to explore the depths of his imagination and bring his visions to life on canvas. His paintings were characterized by their dreamlike quality and intricate details, capturing the viewer's attention and inviting them into his world.

Fidel's artistic journey took a significant turn when he began teaching at various art institutions. Teaching allowed him to share his knowledge and passion for art with others, further enriching his own understanding and appreciation of the craft. During this time, he also curated at Kanlungan ng Sining, where he was exposed to indigenous tribal crafts. This exposure had a profound impact on his work, introducing new elements and themes that would become integral to his style.

In 1987, Fidel traveled to New York for a group exhibit at the Philippine consulate. This experience broadened his horizons and introduced him to new artistic influences. He spent years in Europe, immersing himself in the local art scene and attending festivals that celebrated the aboriginal use of colors extracted from plants. This period of exploration and learning greatly enriched his artistic repertoire.

In 1999, Fidel traveled to Johannesburg, South Africa, to exhibit his painting "Sail" at the World Summit. This international exposure further cemented his reputation as a global artist and opened up new opportunities for artistic collaboration and cultural exchange.

Upon his return to the Philippines, Fidel continued to push the boundaries of his creativity. He held numerous solo exhibitions, each showcasing his growth as an artist and his unwavering commitment to his craft. His works have been displayed in prestigious venues both in the Philippines and abroad, earning him critical acclaim and a loyal following.

One of Fidel's most notable contributions to the art community is his role as the president of the Art Association of the Philippines (AAP). Under his leadership, the AAP has organized numerous events and outreach programs, bringing art to various communities across the country. Fidel's dedication to promoting art and nurturing young talents has made a significant impact on the Filipino art scene.

Despite his success, Fidel remains humble and grounded. He continues to paint, driven by the same passion and curiosity that fueled his early years. His journey is a testament to the power of perseverance and the transformative force of art.

Fidel Sarmiento's story is one of discovery, growth, and unwavering dedication. From his early days in the Philippines to his rise as a celebrated artist, Fidel's journey is an inspiration to all. His works continue to captivate and inspire, reflecting the rich cultural heritage and vibrant spirit of the Philippines. Through his art, Fidel Sarmiento has not only found his own voice but has also given a voice to the values and ideals he holds dear.

—Ruth Espinosa

Larawan ng Kahapon • Acrylic on Canvas • 24 x 24in • 2024

Maria • Oil on Canvas • 36 x 36in • 2024

Father and Son Acrylic on Canvas 30 x 24in 2024

Pamana • Acrylic on Canvas • 48 x 72in • 2024

From Vigan To New York Acrylic on Canvas 24 x 18in 2024

Rizal In Calamba On on Canvas 24 X 18in 2024

Eugenia "Gene" Artango-Villasper

A Cubist Luminary Celebrating Hope and Beauty

Eugenia "Gene" Artango-Villasper stands as a beacon of inspiration in the contemporary art world, renowned for her distinctive cubist style and the profound impact of her creations. A masterful artist, Gene passionately crafts pieces that not only spark hope but also radiate beauty, leaving an indelible mark on all who encounter her work. Her signature "Modern Mestiza" series in particular, has captivated audiences with its celebration of diverse cultures and the multifaceted nature of contemporary Filipino women. Through her vibrant cubism, Gene explores themes of whimsical allegory, femininity, abundance, and harvest, emphasizing the transformative power of compassion, love, peace, and joy.

Gene's creative development is deeply rooted in her education and early experiences. She graduated with a Bachelor of Fine Arts in Advertising Arts from the University of the East, where she honed her skills and developed her unique artistic voice. Her dedication to her craft and her ability to infuse her work

with emotion and meaning have earned her a place among the most respected artists in the Philippines and beyond.

The "Modern Mestiza" series is a testament to Gene's ability to blend traditional and contemporary elements, creating works that resonate with a wide audience. This series not only celebrates the rich cultural heritage of the Philippines but also highlights the strength, resilience, and beauty of Filipino women. Through her art, Gene reveals the hidden beauty of the world, inviting viewers to see the world through a lens of hope and positivity.

Gene's artistic excellence is showcased through her participation in prestigious international art events. Her works have been featured at the World Art Dubai in both 2024 and 2025, the XIV Florence Biennale in 2023, The Crypt Gallery in London in 2023, and the Paris Carrousel du Louvre in 2024. These events have provided her with a

global platform to share her art, and her participation has been met with critical acclaim. Notably, she was a World Art Dubai 2024 awardee, standing out among 10,000 artworks and 400 international participating artists.

In addition to her international success, Gene has also made a significant impact on the local art scene in the Philippines. She has exhibited her work at numerous sold-out exhibitions at prestigious galleries and participated in local art fairs such as the Visayas Art Fair in 2023, Philippines' Finest at the Congress in 2023 and 2024, and the ManilArt in 2024. These exhibitions have allowed her to connect with local audiences and contribute to the vibrant art community in the Philippines.

Gene is also a proud member of the prestigious Saturday Group of Artists and the Art

Association of the Philippines. Her involvement in these organizations reflects her commitment to fostering a supportive and collaborative art community. She actively engages with fellow artists and art enthusiasts, sharing her knowledge and passion for art.

Undoubtedly Eugenia "Gene" ArtangoVillasper's contributions to the art world extend far beyond her stunning cubist creations. Through her art, she celebrates the beauty and resilience of Filipino culture and women, spreading messages of hope, love, and joy. Her dedication to her craft and her impact on both local and international art scenes make her a true luminary in the world of contemporary art.

—Ruth Espinosa

Spirit Animal Series 1 Acrylic on Canvas 48 x 36in 2024

Mestiza Musikera: "The Cellist" Acrylic On Canvas 48 × 36in 2023

Mirror Mirror Acrylic On Canvas 36 X 36in 24 X 24in

Fierce Beauties Acrylic on Canvas 36 x 24in 2024

Mestiza Musikera: " The Flautist " Acrylic On Canvas 48 X 36in 2023

The Caturday Group Acrylic on Canvas 27 x 27in 2024

Gilfrancis Maningo

A Journey in Creativity

Gil Maningo is a Filipino artist from Cebu, Philippines, born in 1958. His deep-rooted passion for the arts has been shaped by his experiences and influences throughout the years. He studied Fine Arts at the University of the Philippines Diliman, where he developed his skills and love for creativity.

Throughout his artistic journey, Maningo has been fortunate to receive mentorship from notable artists like Professor Martino Abellana, Jeff Dizon, and National Artist Jose Joya. These mentors, along with the works of artists such as Gustav Klimt, Willem de Kooning, and Wassily Kandinsky, have significantly influenced his artistic direction and provided him with confidence in his abilities.

Maningo is not just a painter; he is also skilled in photography, composition, singing, and acting. He worked as a graphic artist for the Chicago Sun Times Magazine, where his talents were recognized and appreciated. During his travels abroad, he had the opportunity to learn about American-Indian art, further expanding his artistic horizons. He often visits museums, drawing inspiration and appreciating the works of other artists.

Maningo's faith in God is a central part of his life, helping him face challenges with resilience and joy. His spirituality is evident in his art, inspiring him to give glory to the Giver of his many talents. This strong sense of faith influences his roles as a family man and an entrepreneur, guiding him through life's ups and downs.

Compassionate and sensitive, Maningo finds inspiration in unexpected places. He often stares at a blank wall, conversing with his paints and paintbrushes, coaxing them to infuse his artworks with a soul. His artworks reflect his keen observations of the world around him, as he enjoys expressing himself through his creations. As a non-conformist, he explores unconventional artistic techniques and is unafraid to push boundaries. Maningo aspires to be known as an

"Expressionist", an artist who seeks to capture emotions, moods, and personal experiences through his paintings. His artworks are a testament to his ability to convey complex feelings and ideas through vibrant colors and expressive brushstrokes. By emphasizing his identity as an Expressionist, Maningo hopes to invite viewers to engage with his art on a deeply emotional level.

A talented Filipino artist, Gil Maningo's diverse range of creative abilities has allowed him to make a significant impact in the world of art. Rooted in his faith and driven by his passion, he continuously strives for excellence in all his endeavors. Through his art, Maningo captures the beauty of the world and shares his profound emotions and experiences. His unique approach and dedication to his craft make him a prominent figure in the Cebuano arts community.

With his multifaceted talents and unwavering faith, Gil Maningo's journey in creativity serves as an inspiration to many. His ability to seamlessly blend various art forms and convey deep emotions through his works truly sets him apart as an artist. As he continues to evolve and explore new artistic avenues, Maningo's contributions to the art world will undoubtedly leave a lasting legacy.

—Ingrid Aimee Peñaflor

Meditating Carmela Acrylic on Canvas 48 x 48in 2024

Precious Time Mixed Media 48 x 96in

Decompression

Acrylic on Canvas 36 x 48in 2024

Solamente Corazon Mixed Media 48 x 48in

Irma F. Espinosa

"A

Love Rekindled: Irma F. Espinosa's Journey Back to Art"

Irma F. Espinosa is a Filipina artist whose journey in the art world reflects resilience, passion, and dedication. A Fine Arts graduate from the Philippine Women's University, Irma was deeply immersed in painting during her student years, honing her craft and expressing her creativity. However, after marrying her schoolmate and mentor, Roy Espinosa, she temporarily set aside her artistic pursuits to focus on raising their children. Roy, a distinguished visual artist, publisher, and art event organizer, has played a significant role in shaping the local and international art scene, curating exhibitions and publishing works that celebrate Filipino and Southeast Asian artistry.

For years, Irma devoted herself to her family, ensuring that her children grew up in a nurturing environment. Yet, her love for art never faded. As her children matured, she found herself drawn back to the canvas, reigniting the passion that had once defined her early years. Today, she actively participates in exhibitions, both locally and internationally, alongside her husband and daughter, Pauline Allison Espinosa, who has also established herself as a visual artist.

Beyond her artistic endeavors, Irma plays a crucial role in managing the Filipino Artists Magazine and Southeast Asian Artists Magazine, publications that highlight the richness and diversity of the region’s art scene. These magazines, published under FilArts Publishing, which she and Roy manages, serve as platforms for artists to showcase their work and engage in meaningful discourse about contemporary art. Silently working in the background, Irma oversees the production of coffee table books, meticulously curating content that celebrates artistic heritage and innovation.

Her contributions extend beyond publishing—she also serves as the gallery manager of their gallery café, a space that merges art with community engagement. Under her management, the gallery café has become a hub for artists, collectors, and enthusiasts, fostering discussions and collaborations that enrich the artistic landscape.

Irma’s return to painting is not merely a personal triumph but a validation to the enduring nature of artistic passion. Her journey reflects the balance between family and creativity, proving that

art remains an intrinsic part of one's identity, even when life takes unexpected turns. Through her work, she continues to inspire, reminding artists that it is never too late to return to their first love.

—Roy Espinosa

Intricate Curves Pen and Ink 8.25 x 11in 2025

Symphony of Shapes Pen and Acrylic on paper 8 x 16in (Diptych) 2025

Sinuous Whimsy Pen and ink

8.25 x 11in

Interconnected Harmony 6 Pen & Ink on paper 12 x 9in

Symphony of Patterns

Acrylic on Canvas

20 x 16in

Grandjoy Agdigos

Blending Realism with Abstract Fluidity in Ilocos Norte and Beyond

ith over two decades of experience, Grandjoy Agdigos is a distinguished artist from Ilocos Norte, Philippines, whose primary medium is acrylic paint. Her dedication to pushing the boundaries of realism while exploring abstract and fluid art has made her a prominent figure in both local and international art scenes.

Born and raised in Laoag City, Ilocos Norte, Grandjoy's artistic journey began during her school days. She attended Holy Spirit Academy of Laoag before pursuing a Bachelor of Fine Arts major in Advertising at the College of the Holy Spirit, Mendiola, Manila. Her formal education provided a strong foundation, but it was her relentless practice and passion that truly shaped her artistic path.

Her early career saw her in various roles, from being a management trainee at Flora Arts Philippines to a cashier at Duty-Free Philippines in Fort Ilocandia Hotel Resort. She also spent over a decade as a restaurateur at Granny's Restaurant. However, her true calling remained in the arts, and in

2015, she transitioned to becoming a full-time visual artist. Grandjoy's solo exhibitions reflect her creative evolution and dedication. Her first solo exhibit, "Millennium", was hosted at Homelife Elegance Showroom in Laoag City. This was followed by "Jardin" at Citylight Hotel in Baguio City, "Whimsy", and "Expressions of Joy", both at Red Dot Collective Building in Laoag City. Each exhibition showcased her ability to blend realism with abstract and fluid art, captivating audiences with her unique vision.

Her participation in group exhibitions further highlights her active presence in the art community. She has exhibited at Arte Luna Museum in Paoay, Ilocos Norte, Pugad ni Art Studio in Baguio City, and ART/SPACE by Galleria Banez in Pasig City, among others. These exhibitions include notable events like "Struggles on Different Strokes", "The Art Spot Tagaytay", "FilipinaZ Fair", and the "Luzon Art Fair". Her work has been featured in various prestigious venues, from Festival Mall Alabang to SM Mall of Asia in Pasay, showcasing her versatility and broad appeal.

Grandjoy's international presence is marked by her participation in exhibitions such as "Beyond Expressions" by FilArts at Palm Art Space in Hanoi, Vietnam, and "Language of Coexistence" at Art Haegeumgang Theme Museum in Geoje, South Korea. These international showcases have allowed her to connect with a global audience and further refine her artistic expression.

In addition to her exhibitions, Grandjoy is actively involved in collaborations, commissioned works, and public art projects. Her keen interest in abstract and fluid art continues to drive her exploration and experimentation within these genres. Her art serves as a testament to her commitment to pushing the boundaries of her craft and her desire to continually evolve as an artist.

Today, Grandjoy Agdigos remains a vital and influential figure in the art community. Her works not only reflect her personal journey and artistic growth but also serve as an inspiration to aspiring artists. Her ability to blend various styles and her dedication to her craft ensure that she will continue to make significant contributions to the art world for years to come.

—Ruth Espinosa

Garden Gala Series 1 • Acrylic on Canvas 60 x 40in • 2024

Garden Gala Series 3 • Acrylic on Canvas • 60 x 32in • 2024

Her Magical World Series 4

Acrylic on Canvas 24 x 24in 2024

Garden Gala Series 3

Acrylic on Canvas 60 x 32in 2024

Ingrid Aimee Peñaflor

"Sculpting Souls: The Wire Sculptures of Ingrid Aimee Lopez-Peñaflor

Ingrid Aimee Lopez-Peñaflor is a remarkable Filipino visual artist, writer, and sculptor whose journey in the world of art is nothing short of inspiring. Born in Manila, Philippines, Ingrid's artistic path has been marked by her unwavering dedication to creativity and her unique ability to transform everyday materials into extraordinary works of art.

Ingrid's artistic journey began with a passion for painting, which she pursued with fervor. Over the years, she honed her skills and developed a distinctive style that resonated with art enthusiasts and collectors alike. Her paintings, often characterized by vibrant colors and intricate details, reflect her deep understanding of the human experience and her ability to convey powerful emotions through her work.

However, it was her discovery of aluminum wire as a medium for sculpture that truly set her apart in the art world. Ingrid's sculptures are a testament to her innovative spirit and her commitment to pushing the boundaries of traditional art forms. Using aluminum wire, she creates intricate and lifelike

sculptures that capture the essence of her subjects with remarkable precision. Each piece is meticulously handcrafted, making her work not only visually stunning but also deeply personal.

One of the most striking aspects of Ingrid's sculptures is their ability to convey emotions. Her audience often describes her sculptures as "alive with emotions", denoting her skill in infusing a sense of vitality and movement in her creations. Whether it's a delicate figure in a moment of contemplation or a dynamic pose frozen in time, Ingrid's sculptures have a unique ability to connect with viewers on an emotional level.

Ingrid's journey as a sculptor is particularly noteworthy because female sculptors are relatively rare in the art world. Her success in this field is a validation to her talent and determination. She has broken barriers and paved the way for other aspiring female artists to explore the world of sculpture. In addition to her work as a sculptor, Ingrid is also a prolific writer. She has contributed numerous articles and curatorial notes to esteemed art publications,

sharing her insights and experiences with a wider audience. Her writing reflects her deep knowledge of art and her commitment to promoting the work of fellow artists.

Throughout her career, Ingrid has received numerous accolades and recognition for her contributions to the art world. She has participated in international exhibitions and received certificates of appreciation from various cultural organizations. Her work has been featured in prominent art books and magazines, further cementing her status as a leading figure in the Filipino art scene.

Ingrid Aimee Lopez-Peñaflor's creative journey evinced the transformative power of art. Her ability to create deeply personal and emotionally resonant sculptures using aluminum wire has earned her a special place in the hearts of art enthusiasts. As she continues to explore new mediums and push the boundaries of her creativity, there is no doubt that Ingrid's impact on the art world will continue to grow, inspiring future generations of artists to follow in her footsteps.

Entwined Souls Aluminum Wire 16 x 13 x 7in 2025

Sitting, Waiting, Wishing Aluminum Wire 17 x 12 x 9in 2025

Good night Girl

Whispered

Moonlight Muse Aluminum Wire

x 14 x 7in

Che Aluminum Wire 24 x 17 x 13in

Dr. Janet C. De Grano

A Fusion of Healing and Art

Dr. Janet C. De Grano is a Filipina artist whose brushstrokes weave together the realms of nature, emotion, and personal transformation. A full-time practicing dermatologist, loving wife to Dr. Louie De Grano, and devoted mother of three, she has found a profound artistic calling beyond her medical career. What began as a therapeutic refuge during a period of personal change has flourished into an extraordinary artistic journey—one that embraces nature’s rhythms and the soulful narratives embedded in aged wood and fluid watercolor.

Janet’s rekindling of her passion for painting was spurred by a significant moment—her eldest daughter leaving for university. Faced with the emotional void, she turned to art as a means of expressing and processing her sentiments. Through sheer dedication, her proficiency in painting deepened day by day, eventually shaping an artistic voice uniquely her own.

Her artistic training has been enriched by immersive experiences with esteemed mentors

across different corners of the world. Janet briefly trained at the Julian Ashton Art School in Sydney, Australia, refining her techniques and sensibilities. She later participated in workshops with acclaimed artists Ms. Svetlana Orinko in Christchurch, New Zealand, and Mr. Alvaro Castagnet in San Francisco, USA. In Manila, she developed further under the guidance of respected Filipino artists Mr. Julius Legaspi and Mr. Angelito ‘Jo’ Florendo. Beyond formal mentorships, Janet embraces self-directed learning, seeking inspiration and knowledge from various video-sharing platforms, an avenue that has allowed her artistic curiosity to continuously evolve.

From the beginning, Janet’s muse has been Mother Nature herself. Her deep connection to the landscapes surrounding her has resulted in four successful solo exhibitions, each rich with representations of trees and natural scenery. Recently, she has expanded her creative horizons by exploring unconventional materials—salvaging derelict tree trunks from country roadsides and using them as canvases for her latest works. This innovative approach reflects not only her artistic ingenuity but also her deep reverence for nature’s enduring stories.

Janet’s Wood Collection, Usbungan: Mga Kwento ng Kahoy, brings forth another dimension of her artistry. She breathes new life into old and weathered wood—each piece telling a silent story of the trees that once stood tall. Through a fusion of oil paints, imagination, and inspiration, she celebrates the textures, hues, and histories embedded within Narra, Kakawate, Kamachile, Santai, and Kamagong. Her work is an ode to the resilience of nature, as well as an artistic endeavor to preserve its beauty through creative transformation.

Through her paintings, Dr. Janet C. De Grano continues to bridge the worlds of healing and art. Whether through fluid strokes or repurposed materials, her works embody the essence of renewal, emotional depth, and the ever-evolving stories nature whispers to those who are willing to listen.

—Ruth Espinosa

Paggapang Oil On Wood 19x41 x 11.5in 2022

Colors Of Autumn Oil On Wood 23 x 62 x 12in 2022

Ugat Ng Buhay Oil On Wood (2 Sides)

30 x 44 x 13in 2022

Kahel At Berde Oil On Wood

22 x 29 x 12in 2022

Walk With Me Oil On Wood

18 x 62 x 0.7in (Pair) 2022

Beach Front Oil On Wood

18 x 62 x0.7in (Pair) 2022

Lemuel Blanco Preserving Heritage While Painting The Future

Lemuel Blanco, the eldest son of the renowned Blanco family Jan and Jaz Blanco, has seamlessly woven tradition and innovation into his artistic journey. Born with a natural curiosity and love for creativity, Lemuel began his exploration of art at just two years old. With crayons in hand, he captured the wonders of childhood through sketches of festivals, fluttering butterflies, and vibrant flowers. These early works showcased the untamed spontaneity and joy of a budding artist.

Lemuel’s artistic foundation was deeply influenced by his grandfather, the esteemed painter Jose "Pitok" Blanco. Under Jose’s mentorship, a seven-year-old Lemuel began painting landscapes inspired by his grandfather’s iconic style. This guidance helped him refine his technique and develop a unique perspective. However, their collaboration came to an untimely pause when Jose Blanco passed away, leaving an unfinished painting and a void in Lemuel’s creative life. The incomplete piece remains a poignant symbol of their bond.

In the wake of his grandfather’s passing, Lemuel found himself at a creative crossroads. While he deeply mourned Jose’s absence, he also felt a

pull to explore other artistic avenues. Immersing himself in theater and singing, he discovered new ways to express his creativity and emotions. Yet, despite this shift in focus, his passion for painting and the visual arts remained a constant undercurrent in his life.

After a decade-long hiatus, Lemuel experienced a transformative return to his artistic roots. With a renewed sense of purpose, he revisited the unfinished landscape he had once started under his grandfather’s guidance. Completing the piece marked a deeply personal milestone—it was both a tribute to his grandfather’s influence and a reaffirmation of his own place in the Blanco artistic legacy.

Lemuel’s journey has not gone unrecognized. Over the years, he has received numerous accolades, including the Natatanging Mamamayan sa Sining at Musika award in 2012 for his contributions to Music and Visual Arts. He has also been celebrated as a Youth Ambassador by the Municipality of Angono and honored at the prestigious 2024 CREATE Awards in the visual arts category by the House of Representatives of the Philippines.

A Magna Cum Laude graduate of the University of Santo Tomas, Lemuel holds a B.A. in Fine Arts, majoring in Painting. His academic achievements, including a Merit in Thesis, reflect his dedication to his craft. Beyond his personal artistry, he is passionate about making art more accessible. With interests in Museology and Art Conservation, Lemuel is committed to preserving the rich legacy of Filipino art while exploring contemporary narratives.

While deeply respectful of the traditional storytelling that his family is known for, Lemuel aspires to expand the Blanco legacy with his own visionary approach. He seeks to reflect the complexities of today’s society through his work, blending timeless techniques with fresh, modern perspectives. Through his dedication to both preservation and innovation, Jan Lemuel Blanco continues to honor his family’s heritage while painting a future that resonates with a contemporary audience.

—Ruth Espinosa

Prologue: Jose V. Blanco Oil on Canvas 20 x 18in 2021

Easter Sunday Framework Oil On Canvas 30in Diameter 2018

Fisherman Son Oil on Canvas 24 x 18in 2020

Pakwan Oil on Canvas 24 x 44in 2019

Ten Years in the making • Oil on Canvas • 12 x 30in • 2019

The Good Shepherd Oil on Canvas 10 x 8in 2021

Welehito N. Pepito

The Masterful Storyteller of Davao’s Art Scene

Affectionately known as Lito Pepito, one of the enduring pillars of Davao’s visual arts community. A celebrated painter with numerous accolades, Pepito’s artistry goes beyond brushstrokes—his impact extends into mentorship, advocacy, and leadership. At 74 years old, he remains as vibrant as ever, a father figure not only to his family but also to generations of artists he has inspired.

Born with an insatiable creative drive, Pepito’s journey into the arts was unconventional. He never had the opportunity to formally study fine arts, yet his hunger for artistic mastery led him to pursue every possible avenue for learning. His dedication saw him attend workshops and training sessions wherever his professional career took him, ultimately earning a certificate of completion from The Northlight Artist Studio Art Workshop in Cincinnati, Ohio, under renowned watercolorist Mary Farrell.

Though Pepito worked in fields unrelated to art—ranging from medical sales to dental equipment coordination—his passion for painting never wavered. Whenever possible, he set aside resources to purchase art materials and immerse himself in galleries, particularly those in the Ermita and Malate districts. His encounters with

artistic movements, both local and international, broadened his perspective. Trips to Paris, Bordeaux, and notable museums in Germany and the Netherlands provided him with firsthand encounters of artistic genius, further refining his creative vision.

Over time, Pepito’s artistic evolution manifested through both technical mastery and conceptual depth. His early paintings, steeped in realism, depicted still-life compositions of fruits, tea sets, and koi fish—symbols of prosperity that attracted numerous collectors. His genre scenes depicting lumads and indigenous Filipino communities resonated deeply with audiences, as they highlighted culture and tradition.

A turning point came when he absorbed techniques from acclaimed artists Tony Alcoseba and Ibarra Dela Rosa, leading him to experiment with broken brushstrokes and pastel tones reminiscent of the impressionists. While Pepito embraced impressionism for a time, his restless artistic spirit drove him toward experimentation—melding realism with cubist elements. His semi-cubist works, characterized by translucent overlays and dynamic tonal gradations, signified a transition in his style. Pepito himself has hinted that his journey might eventually lead toward pure abstraction, a testament to his continuous artistic evolution.

Beyond his personal achievements, Pepito’s dedication to fostering the artistic community in Davao is unparalleled. He founded the Davao Watercolor Society and Trihil Art Club, co-founded the Davao Artist’s Foundation, and holds leadership roles in several other artist organizations. He is the current VP of Dabawenyo Artists Federation,Inc. These initiatives demonstrate his commitment to not just his own craft, but the collective progress of Davao’s vibrant artistic landscape.

With 19 solo exhibitions to his name and countless group shows, Pepito has earned recognition in esteemed art publications, including Philippine Art Now, Pananaw II, and First Contemporary Art Malaysia. His works, philosophies, and unwavering dedication ensure that his legacy will endure, inspiring the next generation of artists to create, dream, and push artistic boundaries.

Lito Pepito stands not only as an extraordinary artist but also as a visionary mentor whose impact continues to shape the future of Philippine art.

—Ruth Espinosa

Anod • Watercolor • 22 x 15in • 2024 • Sir Mathew Aarts collection

Fisherfolks Bay • Watercolor • 14 x 20in • 2025

Mangosteen Soft Pastel

12” x 8”

2024

Mr. Wilson Bangayan Collection

Masadya Watercolor

20 x 14in

2024 Engr Randolph Salvado collection

Opposite page Hinayhay Watercolor 20 x 14 2024

Carlo Aguilar collection

Manuel Sinquenco Master of Realism and Cultural Narratives

anuel Sinquenco, a distinguished Filipino artist, has carved a unique niche in the art world with his exceptional talent and dedication to realism. Born and raised in Tanay, Rizal, Sinquenco's journey into the world of art began as a young teenager, driven by the desire to improve his family's financial situation. His early experiences painting miniature houses on canvas, which he sold in local art galleries, laid the foundation for his signature style.

Sinquenco's art is characterized by a blend of decorative and natural realism, often depicting old houses with intricate details. His use of horizontal and vertical structures creates a sense of space and depth, while interposed shapes within his compositions add a labyrinthine quality to his works. This distinctive approach has earned him recognition and admiration from art enthusiasts and collectors alike.

Throughout his career, Sinquenco has participated in numerous exhibitions and art shows, both locally and internationally. His works have been showcased in prestigious galleries and museums, highlighting his ability to capture the essence of

Filipino culture and heritage through his art. Sinquenco's dedication to his craft is evident in every piece he creates, each one telling a unique story and inviting viewers to explore the rich tapestry of Filipino life.

Alongside his artistic pursuits, Sinquenco is deeply committed to giving back to the community. He conducts workshops and art classes, sharing his knowledge and expertise with aspiring artists and enthusiasts. His involvement in various art organizations and initiatives demonstrates his passion for nurturing the next generation of Filipino artists.

Sinquenco's contributions to the art world have not gone unnoticed. He has received numerous awards and accolades for his exceptional talent and dedication to realism. His works continue to inspire and captivate audiences, solidifying his place as a master of realism and cultural narratives.

As Manuel Sinquenco continues to evolve as an artist, his commitment to realism and storytelling remains unwavering. His art serves as a testament to his talent, passion, and ability to connect with viewers on a profound level. With each new exhibition and project, Sinquenco cements his legacy as a visionary artist who captures the essence of Filipino culture and heritage.

Manny's journey is far from over. He continues to paint, driven by the same passion and dedication that fueled his early years. His works continue to inspire and captivate audiences, reflecting the rich cultural heritage and vibrant spirit of the Philippines. Through his art, Manny Sinquenco has not only found his own voice but has also given a voice to the values and ideals he holds dear.

Undeniably, the story of Manuel "Manny" Sinquenco is one of perseverance, passion, and creativity. From his humble beginnings in Tanay, Rizal, to his rise as a celebrated artist, Manny's journey proves that the power of art can transform lives. His works continue to inspire and captivate audiences, reflecting the rich cultural heritage and vibrant spirit of the Philippines. Manny's legacy as an artist will undoubtedly continue to inspire future generations, reminding us all of the beauty and power of art.

—Ingrid Aimee Peñaflor

Awit, Sipol at Kalakal • Acrylic on Canvas • 36 x 48in • 2024

Luntiang Pamayanan • Acrylic on Canvas • 36 x 48in • 2024

Paluwas • Acrylic on Canvas • 36 x 48in • 2024

Patungo sa Mabiyayang Buhay • Acrylic on Canvas • 18 x 24in • 2024 • Mrs. Jane T. Pagkalinawan collection

Pauwi • Acrylic on Canvas • 24 x 36in • 2024

Trading with Love • Acrylic on Canvas • 48 x 96in • 2024

Mark Daingan Chua

A Visual Storyteller of Mystical Harmony

Mark Daingan Chua is a self-taught artist whose work transcends conventional boundaries, weaving together the serenity of nature with the enigmatic realm of dreams. Based in Davao, he has cultivated a unique artistic vent that speaks of balance, energy, and the seamless integration of opposing forces. His compositions are not merely visual representations but immersive experiences that invite viewers to engage with the unseen threads that connect reality and mysticism.

From the earliest stages of his artistic journey, Mark has been deeply attuned to the ebb and flow of energies that shape the universe. His paintings are precise manifestations of the harmony between chaos and tranquility, darkness and light, movement and stillness. Through bold, expressive strokes and an unrestrained use of color, he brings forth an atmosphere that mirrors the shifting tides— fluid, unpredictable, and charged with cosmic intention.

Mark's approach to painting is deeply intuitive, reflecting his belief that every brushstroke carries meaning and purpose. He meticulously

balances elements within his compositions to attract positive energies, allowing the viewer to step into a world where abundance, prosperity, and good fortune radiate effortlessly. His creations are not only aesthetic wonders but also vessels of intention, imbued with the power to manifest blessings and spiritual fulfillment.

As an artist who embraces the mystical, Mark’s works defy the rigid boundaries of logic, inviting audiences to explore perspectives beyond conventional reality. His signature style dissolves the distinctions between the surreal and the familiar, crafting portals through which viewers may glimpse hidden truths. Each piece offers a sense of movement, as if the colors themselves whisper the secrets of an unseen dimension.

Beyond the canvas, Mark’s artistic philosophy is grounded in the transformative nature of balance. His works reflect his understanding that opposing forces must coexist for true harmony to emerge. By integrating dreamlike elements with grounded natural themes, he establishes a visual dialogue that resonates with viewers on a deeper, spiritual level. His use of vibrant hues serves not only as a medium for artistic expression but also as a bridge between the tangible and ethereal realms.

As he continues his journey through artistic exploration, Mark remains devoted to uncovering the mysteries of the universe through his craft. His paintings stand as reminders that art is not simply a visual experience, but a portal through which one can connect with energies beyond comprehension. Those who engage with his works are invited to step into a world of serenity, prosperity, and infinite possibility.

Mark Daingan Chua’s art is a celebration of interconnectedness—a testament to the boundless nature of creativity, spirituality, and human perception. His ability to harmonize the opposing forces of existence through color, movement, and intention establishes him as a visionary artist whose work speaks to the soul. May his creations continue to inspire, uplift, and bring tranquility to all who encounter them.

—Ruth Espinosa

A Gasp of Good Luck Mixed Media on Canvas 3.1ft x 3.1ft 2024

Blooming Victory

Mixed Media on Canvas 6.1ft x 3.2ft 2025

Swimming Through Success Mixed Media on Canvas 5.9ft x 5.4ft 2025

In Full Bloom

Mixed Media on Canvas

8ft x 4ft 2024

Golden Classic

Mixed Media on Canvas

24 x 18in 2024

Crimson Harvest

Mixed Media on Canvas 24 x 18in 2024

Nemi Miranda

Master of Imaginative Figurism and Nationalistic Art

Nemesio "Nemi" Miranda, born on February 14, 1949 in Angono, Rizal, is a celebrated Filipino artist known for his unique style called "Imaginative Figurism." This distinctive approach blends concrete forms with pure imagination, creating captivating and culturally rich artworks. Nemi Miranda's journey into the world of art began at a young age, inspired by Filipino comic book illustrators like Francisco Coching and muralist Botong Francisco.

Nemi Miranda's artistic education was shaped by his time at the University of Santo Tomas, where he earned a Bachelor of Fine Arts degree. His early career saw him winning first place in the Shankar’s International Competition in Painting in New Delhi, India, at the age of 15. This early recognition set the stage for a prolific career filled with numerous solo exhibitions and international acclaim.

One of Nemi Miranda's most significant contributions to the art world is the establishment of

the Angono Ateliers Association in 1975. This organization has played a crucial role in promoting Filipino art and culture, fostering a sense of community among artists in Angono. Nemi Miranda is also credited with promoting the Higantes Festival in Angono, an annual cultural and religious event that showcases the town's rich cultural heritage.

Nemi Miranda's works are deeply rooted in Filipino culture and history, often depicting scenes from the Philippine countryside and local folklore. His murals, such as the "History of the Philippine Army" at Fort Bonifacio and the "EDSA Shrine Mural", are powerful expressions of his nationalistic spirit. These artworks not only capture the essence of Filipino history but also serve as a testament to his dedication to his craft.

In addition to his murals and paintings, Nemi Miranda has also created relief sculptures and landmark sculptures, including the Centennial Monument commemorating the first Muslim Boy Scout troop in Zamboanga City. His works are

characterized by vibrant colors and intricate details, inviting viewers to explore the stories and legends that shape Filipino identity.

Nemi Miranda's commitment to art and culture extends beyond his own creations. He has mentored aspiring artists, sharing his knowledge and passion for art through workshops and exhibitions. His involvement in various art organizations, such as the National Commission for Culture and the Arts (NCCA), founding the Rizal Artist Federation (RAF) in 1986, co founding the Philippine Association of Figure Artists (PAFA) in 1986, and the Intramuros Visual Artist Philippines (IVAP) in 2012, highlights his dedication to nurturing the next generation of Filipino artists.

Currently, Nemi Miranda continues to inspire and captivate audiences with his unique style and unwavering commitment to his motherland. His works are celebrated both locally and internationally, solidifying his place as a master of Imaginative Figurism and a guardian of Filipino culture. As he continues to create and share his art, Nemi Miranda's legacy as a visionary artist and cultural storyteller remains strong, ensuring that his contributions to the art world will be remembered for generations to come.

—Ruth Espinosa

Father and Child • Oil Pastel • 9 x 12in • 2005

Maria Makiling • Oil on Canvas • 20 x 30in • 1987

Masayang Pamilya • Watercolor on Paper

• 9 x 12in • 2009

Golden Harvest • Oil on Canvas • 24 x 30in • 2006

Orlando Distor A Master of Oil and Expression

rlando Distor is a seasoned Filipino visual artist, celebrated for his evocative oil paintings. Born in Manila, Philippines, and currently residing in Antioch, California, Orlando has dedicated 25 years to mastering his craft. His artistic journey is brimming with his passion and commitment to the arts, having participated in numerous art exhibitions across the East Bay area, Los Angeles, and San Francisco, California, U.S.A.

Orlando's formative years were spent studying Fine Arts at the Philippine Women's University, where he majored in painting. Under the tutelage of Ibarra Dela Rosa, a renowned Filipino impressionist painter, Orlando honed his skills and developed a distinct artistic language. Dela Rosa's influence is evident in Orlando's approach to painting, particularly in his use of color and composition.

The core of Orlando's artistic practice revolves around the medium of oil paint. His works often depict places and everyday scenes, capturing the essence of human life as it unfolds over time. This thematic focus is complemented by his continuous experimentation and discovery, which he believes are crucial to the development of his art. Through his creative process, Orlando aims to produce artworks that not only please the eye but also resonate on a deeper, expressive level.

Orlando's creative process begins with composition. He meticulously considers how the parts of an image relate to each other to create a cohesive whole. This involves the strategic placement of objects on the picture plane and the relationships between these objects, all of which contribute to the expressive content of the image. His approach ensures that each element within the composition serves a purpose, enhancing the overall impact of the artwork.

Another key aspect of Orlando's technique is atmospheric perspective. He skillfully describes how objects that are close appear clear, while those that are farther away become blurred. This method not only adds depth to his paintings but also conveys the artist's perception of space and distance. Orlando's use of warm and cool colors further accentuates the atmospheric conditions of the scenes he portrays, whether it is summer, fall, winter, or spring. His ability to express emotions through color aligns him with artists like John Constable, Alfred Sisley, and Vincent van Gogh, who are known for their direct strokes and bright color palettes.

Throughout his career, Orlando has remained dedicated to studying, investigating, and evaluating his work. His relentless pursuit of artistic excellence reflects his aspiration to inspire future generations. By sharing his knowledge and insights, Orlando hopes to contribute significantly to the field of art, ensuring that it continues to evolve and thrive. His works not only depict the progression of time but also serve as a source of inspiration and education for upcoming artists.

Orlando Distor's journey as an artist is marked by his unwavering dedication, continuous experimentation,

and deep-seated passion for art. His paintings are not only a visual delight but also an affirmation to his commitment to capturing the beauty and intricacies of everyday life. Through his art, Orlando continues to inspire and influence the art world, leaving a lasting legacy for future generations.

—Ruth Espinosa

Kitchen Utility Workers Oil on Canvas 16 x 20in

Las Casas De Acuzar • Oil on Canvas • 20 x 16in

Las Casas De Acuzar Oil on Canvas 20x16 inches

Plaza Mayor De Tobias Oil on Canvas 20 x 16in

Sulyap • Oil on Canvas • 16 x 20in

The Drinker Oil on Canvas 20 x 16in

Oscar Salita

A Visionary in Philippine Modern Art

Oscar Salita is a Filipino painter whose works embodied a fusion of cubism and impressionism, creating a unique visual language that resonated deeply with art enthusiasts. His paintings, often characterized by faceless figures, invited viewers to engage with his art on a personal and interpretative level, making his works both mysterious and thought-provoking.

Born on July 4, 1945, in Quiapo, Manila, Salita’s artistic journey began in his childhood when he learned wood carving from a Santo Niño artisan in his hometown of Hagonoy, Bulacan. His passion for the arts led him to pursue a Bachelor of Fine Arts (BFA) in Advertising at the University of Santo Tomas (UST), where he was mentored by some of the most influential figures in Philippine art, including Vicente Manansala, Galo Ocampo, Diosdado Lorenzo, and Alejandro Celis. His exposure to these pioneers shaped his artistic identity, leading him to develop a style that blended Filipiniana themes with modern abstraction.

Salita’s works were heavily influenced by cubism, particularly the techniques of Vicente Manansala, but he infused his own distinct approach by incorporating faceless figures in his compositions. This stylistic choice was not merely aesthetic—it was a deliberate attempt to encourage viewer participation, allowing audiences to project their own emotions and interpretations onto his paintings. His subjects often depicted vendors, laborers, and everyday Filipino life, reflecting his deep connection to the country’s cultural and social landscape.

One of the most fascinating anecdotes about his work involved an exhibition at Valle Verde

Country Club, where organizers initially requested that he paint figures with faces. However, after two weeks, collectors asked him to erase the faces, reaffirming the power and allure of his signature faceless style.

Salita was part of the Next Generation Moderns of UST, alongside notable artists such as Raul Isidro, Tam Austria, Danny Dalena, and Ed Castrillo. He thrived during the Golden Era of Philippine Art, forming a collective known as the Starving Artists, which sought to challenge artistic norms and push creative boundaries.

His works were frequently auctioned, with pieces like "Kargador" fetching record prices at León Gallery, Makati. His paintings, spanning decades from the 1970s to the 2020s, remain highly sought after in the art market.

Oscar Salita’s contributions to Philippine art extend beyond his canvases—his ability to evoke emotion and introspection through faceless figures cemented his legacy as a visionary. His works continue to inspire new generations of artists, proving that art is not just about representation but about engagement, interpretation, and storytelling.

—Ruth Espinosa

Mother and Child • Oil on Canvas • 24 x 18in • 2001

8 Ladies • Oil on Canvas • 30 x 40in • 2008

Golden Rice Harvest • Oil on Canvas

• 28 x 40in • 2008

Fruit Harvest • Oil on Canvas • 30 x 35in • 2007

Pancho Piano Masterful Strokes

A renowned Filipino artist, Pancho Piano has established himself as a prominent figure in the art scene. With a long and successful art career, he has made significant contributions to the art community in the Philippines.

As the founding President of the Bikol Expression Art Group, Mr. Piano has played a crucial role in promoting and supporting local artists in the region. Through this platform, he has provided opportunities for artists to showcase their talent and fostered a sense of unity among the members.

Moreover, Mr. Piano also served as the Founding Chairman of the Salingoy Art Group in Bikol. With his leadership, the group has brought together artists from different backgrounds to collaborate and create meaningful artworks. This collaborative effort has enriched the artistic landscape of the region, making it a hub of creative expression.

Furthermore, Mr. Piano founded the Bikol Kugos Group, where he served as the President. With an impressive track record of 60 one-man shows and 250 group shows, both locally and internationally, his works has reached a wide audience. His dedication to showcasing the beauty and culture of Bikol through his artwork has earned him recognition and admiration.

With a keen interest in celebrating Bikol legends and traditions, Mr. Piano has created captivating series that highlight the Peñafrancia and Mayon. These series serve as a tribute to the rich cultural heritage of the region. In addition, his love for playing the violin is evident in his musical instrument series. Through his artwork, he beautifully combines his passion for both visual and performing arts.

Beyond his artistic achievements, Mr. Piano is known for his qualities as a devoted husband, father, and grandfather. Despite his success, he

remains grounded and approachable, always willing to engage with fellow artists and admirers. His down-to-earth demeanor is reflected in his artwork, which resonates with sincerity and simplicity.

Mr. Piano is a highly regarded Filipino within the art world. Through his leadership and artistic accomplishments, he has contributed significantly to the growth and recognition of the Bikol art community. His genuine nature and artistic prowess make him a beloved figure among his peers and art enthusiasts alike.

—Ingrid Aimee Peñaflor

Tres Marias Acrylic on Canvas 84 x 48in

Legend of Mayon Acrylic on Canvas 84 x 48in

Embrace Acrylic on Canvas 48 x 36in

Daragang Magayon

Acrylic on Canvas 42 x 32in

Daragang Magayon

Acrylic on Canvas 40 x 30in

Magayon VIII • Acrylic on Canvas • 36 x 24in

Pauline Allison Espinosa A Story of Passion and Linework

Pauline Allison F. Espinosa is a Filipino artist whose journey in the world of art is deeply rooted in the creative legacy of her family. Born into an environment where artistic expression was second nature, she grew up inspired by her father, renowned painter and publisher Roy Espinosa, and her mother Irma Fariñas, a fine arts graduate. Though Pauline did not formally pursue a career in the arts, her passion for painting remained a fundamental aspect of her life, transcending professional boundaries and shaping her identity as an artist.

Despite obtaining a degree in Hotel and Restaurant Management and working as a full-time barista, Pauline has continuously nurtured her artistic endeavors. In between steaming milk and crafting coffee, she dedicates her spare moments to creating intricate works of art, proving that creativity can thrive in unexpected places.

Her current artistic focus revolves around black and white line paintings, meticulously crafted using acrylic pens. These monochromatic compositions reflect a delicate balance of depth, precision, and movement. One of her signature themes explores the bond between mother and child, surrounded by floral elements that add an ethereal

touch. A distinct hallmark of Pauline’s work is the subtle mystery in her subjects—particularly the mother figure, whose face remains partially concealed. This intentional obscurity adds intrigue, inviting viewers to engage with the emotional depth and narrative within the piece.

Pauline’s art carries a sense of rhythm, where intricately detailed lines form a mesmerizing dance across the canvas. The absence of color in her work allows the viewer to focus on the energy and movement imbued within each stroke. Her style resonates with those who appreciate fine detailing, where simplicity converges with sophistication.

Though Pauline maintains a humble approach to her craft, her artworks have gained recognition both locally and internationally. She has exhibited alongside her father, showcasing her distinctive compositions to audiences beyond Philippine borders. Her exhibitions have received praise from critics and art lovers alike, highlighting her ability to convey strong visual storytelling despite a minimalist palette.

Art, for Pauline, is not just a means of aesthetic creation—it is a form of expression, a

medium through which she connects with others. Her works serve as reflections of human relationships, emotions, and the beauty found in simplicity. She approaches each painting with sincerity, allowing her passion and experiences to guide her hand.

As she continues her artistic journey, Pauline remains committed to evolving her technique while staying true to her unique style. Whether through the quiet moments spent sketching after work or the grand exhibitions that introduce her pieces to the world, her artistry continues to speak volumes, reminding us of the silent power of creativity.

Aquatic Elegance Pen and watercolor 11 x 7.5in 2025

Coffee Lover Pen and Watercolor 1 1 x 7.5in 2025

—Roy Espinosa

Harmony of Colors Pen and Watercolor

11 x 7.5in

Serenity in Motion

Pen and Watercolor

11 x 7.5in

2025

Blossoms of the Hidden Gaze

Acrylic on Canvs

16 x 12in 2023

Hearts Intertwined

Acrylic on Canvas

50 x 40cm (15.5 x 19.5in)

Philipp Badon His Artistic Odyssey

Philipp Badon, born in 1957 in Quezon City, Philippines, is a name that echoes deeply within the Filipino art community. His journey into the world of art began in the most unexpected of places—the stock room of the University of the East's Fine Arts department. As a student, Philipp sold his first painting, "Women in Forest", to ballet luminary Joji Felix Velarde. This early success was a sign of the remarkable career that lay ahead.

Philipp's formal education in the arts was complemented by his work experiences. After graduating, he worked as an artist at Marilyn Jacinto Catalogue Advertising and the National Economic and Development Authority's (NEDA) art department. These roles allowed him to hone his skills and develop a unique style that would later define his work.

In 1981, Philipp held his first solo exhibition at the Heritage Art Center. This marked the beginning of his journey as a professional artist. His early works were heavily influenced by surrealism, a style that allowed him to explore the depths of his

imagination and bring his visions to life on canvas. His paintings were characterized by their dreamlike quality and intricate details, capturing the viewer's attention and inviting them into his world.

Philipp's creative path took a significant turn when he began teaching at Genesh Art Center and Yvonne Jurado's Academie Beaux Arts at Legaspi Towers. Teaching allowed him to share his knowledge and passion for art with others, further enriching his own understanding and appreciation of the craft. During this time, he also curated at Galleria de las Islas, where he was exposed to indigenous tribal crafts. This exposure had a profound impact on his work, introducing new elements and themes that would become integral to his style.

In 1987, Philipp traveled to Sydney for a group exhibit at the Philippine consulate. This experience broadened his horizons and introduced him to new artistic influences. He spent a year in Australia, immersing himself in the local art scene and attending fetes that celebrated the aboriginal use of botanical-based colors. This period of exploration and learning greatly enriched his artistic repertoire.

Upon his return to the Philippines in 1993, Philipp continued to push the boundaries of his creativity, starting with a one-man exhibit of pastels at the Lopez Museum, showcasing his versatility and mastery of different mediums. Two years later, he presented his tenth solo exhibition at the Manila Hotel, followed by a watercolor exhibit at the same venue in 1999. Each exhibition was a demonstration of his growth as an artist and his unwavering commitment to his craft.

Philipp's art is a reflection of his journey— each painting a chapter in the story of his life. His works are characterized by their vibrant colors, intricate details, and the unique blend of surrealism and indigenous influences. Through his art, Philipp invites viewers to see the world through his eyes, to experience the beauty and complexity of his visions. Despite his success, Philipp remains humble and dedicated to his craft. He continues to paint, driven by the same passion and curiosity that fueled his early years.

Philipp Badon's story is one of discovery, growth, and unwavering dedication. From his early days in the stock room of the University of the East to his rise as a celebrated artist, Philipp's journey is an inspiration to all. His works continue to captivate and inspire, reflecting the rich cultural heritage and vibrant spirit of the Philippines. Through his art, Philipp Badon has not only found his own voice but has also given a voice to the values and ideals he holds dear.

—Ingrid Aimee Peñaflor

Rafael "Popoy" Cusi Master of Watercolor and Cultural Storyteller

Rafael "Popoy" Cusi was born on October 24, 1950 in Bongabong, Oriental Mindoro. A celebrated Filipino artist renowned for his mastery in watercolor painting, Popoy Cusi was dubbed as the "Master of Watercolor in the Philippines".

From a young age, Popoy was influenced by his father, Lucas Cusi, who was also a painter. He honed his skills through various small gigs, such as painting street murals, billboards, and even designing festival floats for local fiestas. His dedication to art led him to pursue formal education at the Philippine Women's University, where he earned a Bachelor of Fine Arts degree.

Cusi has made significant contributions to the art world, both locally and internationally. His artistic journey is marked by numerous accolades and international recognition. He has exhibited his works in various countries, including Japan, Spain,

Belgium, Malaysia, Thailand, Indonesia, England, and the United States. His paintings have received positive reception and numerous awards, such as the Arts Environmental Award in Rome. One of his notable publications, "Philippine Coral Reefs in Watercolor", was endorsed by the United Nations and Smithsonian Institute.

Popoy Cusi's watercolor paintings are known for their vibrant colors and intricate details, capturing the essence of the Philippine landscape and culture. His works often depict scenes from nature, cultural heritage, and everyday life, reflecting his deep connection to his roots. He believes in a holistic approach to art, engaging not only the hands but also the heart and mind. According to him, "It is easy to paint but difficult to become an artist", emphasizing the importance of self-expression and personal investment in each piece.

Apart from his artistic ventures, Popoy Cusi is an advocate for the preservation and promotion of Filipino culture. He actively engages with local communities, conducting workshops and exhibitions to educate the younger generation about the importance of embracing their heritage. His commitment to art and culture extends to his involvement in various organizations, including the National Commission for Culture and the Arts (NCCA) and the Art Association of the Philippines (AAP).

Currently residing in Pasay City, Popoy Cusi continues to inspire and captivate audiences with his distinctive style and unwavering dedication to his craft. His works are not only visually stunning but also carry a profound message about the beauty and richness of Filipino culture. As he explores new directions in his art, including mural painting and sculpture, Popoy Cusi remains a vital figure in the Philippine art scene, ensuring that his legacy endures for the years to come.

—Ruth Espinosa

Underwater Rendezvous • Watercolor on Paper • 36 x 36in • 2024

Underwater Symphony Watercolor on Paper 36 x 36in 2024

Boatman in Mindanao Watercolor on Paper 14 x 21in 2005

The Family • Watercolor on Paper • 14 x 21in • 2002

Seascape • Watercolor on Paper • 14 x 21in

2005

Remy Boquiren

A Journey of Art, Faith, and Resilience

emy Boquiren, born in 1940 in Surigao del Norte, is a celebrated Filipino artist whose life journey is full of resilience, faith, and exuded immense power of creativity. Despite early challenges, including the absence of her father and limited resources, Remy's innate talent and indomitable spirit propelled her into a remarkable artistic career that spanned decades.

Remy's formal artistic education began at the University of Santo Tomas (U.S.T.) in the early 1960s, where she was mentored by esteemed art faculty members, including National Artists Victorio Edades, Diosdado Lorenzo, Galo Ocampo, and Napoleon Abueva. Their guidance ignited a lifelong pursuit of artistic excellence, awakening Remy to the world of shapes, colors, and forms.

Following her graduation in 1964, Remy embarked on a multifaceted career that included roles as an art editor, advertising professional, and art instructor. Despite the demands of her burgeoning family life—marrying her partner Rizal Conception and raising their three children—Remy remained steadfast in her commitment to her artistic calling.

In 1976, Remy made the courageous

decision to pursue her passion for art full-time, resigning from her teaching position to focus on painting. This leap of faith was rewarded with a series of successful solo exhibitions that garnered critical acclaim and captured the attention of art enthusiasts and patrons alike. Notably, her second solo exhibition in 1976, titled "The Way We Wear" proved to be a breakthrough moment, drawing the patronage of art connoisseurs, including former First Lady Imelda Marcos.

Throughout her illustrious career, Remy's artistry evolved and flourished, encompassing a diverse range of themes and subjects inspired by her rich tapestry of life experiences. From nostalgic depictions of childhood memories to explorations of Filipino culture and identity, her works resonate with depth, emotion, and profound insight. Her enduring passion for creativity, coupled with her unwavering faith and resilience, serves as an inspiration to aspiring artists and enthusiasts alike, reminding us of the transformative power of art to transcend adversity and illuminate the human spirit.

Remy Boquiren's legacy as a pioneering figure in the Philippine art scene is cemented by numerous solo and group exhibitions, showcasing

her enduring passion for creativity and her unwavering commitment to her craft. Her story is a testament to the power of art to transcend challenges and inspire others to pursue their dreams.

—Ruth Espinosa

Morning Drizzle

Acrylic on Canvas 20in x 12in

2020 Raul Luis Manaligod collection

Heartfelt Gratitude • Pastel on Canvas

• 19 x 13in • 2021

Ethereal Embrace of Spring • Pastel on Canvas • 19 x 13in • 2021

Dr. Renato Cheng

The Dual Life of a Doctor and Impressionist - Expressionist

In the quiet sanctuary of his studio, Dr. Renato Cheng finds respite in the interplay of colors and brushstrokes. As both a critical care physician and a celebrated artist, he gracefully navigates the worlds of science and creativity, bridging the gap between logic and emotion.

From childhood, Dr. Cheng was captivated by the beauty of nature, sketching its details with youthful enthusiasm. Inspired by the great masters, he developed a deep affinity for Impressionism and Expressionism, two movements that now define his distinct style. His artistic journey unfolded alongside a rigorous medical education, where he learned to balance his passion for painting with the demanding life of a physician.

Choosing critical care medicine, Dr. Cheng became known for his unwavering dedication and compassion. Patients and colleagues admire his ability to forge genuine connections, making him a trusted figure in his field. Despite the intensity of his profession, he never strayed from art, treating it as both meditation and solace. Painting for at least an

hour daily, he finds tranquility amidst the pressures of saving lives.

His canvases embody thousands of intentional brushstrokes, blending the delicate hues of Impressionism with the emotional rawness of Expressionism. Soft pastels and dynamic strokes coexist harmoniously, reflecting his ability to capture fleeting beauty and deep sentiment. Impasto layers add texture and movement, breathing life into each piece.

International acclaim has followed his artistic pursuits, with his works finding homes across Asia, America, and Europe. Viewers are drawn to the emotional depth and dreamlike essence of his paintings. Purposefully leaving room for interpretation, Dr. Cheng allows his work to speak for itself, fostering personal connections between the art and its audience.

For Dr. Cheng, painting is more than a pastime—it is a spiritual journey and an expression of his soul. Each piece reflects his thoughts, emotions,

and experiences, making his art profoundly intimate. He remains committed to medicine, ensuring neither vocation overshadows the other. His patients benefit from his unwavering care, while his artistry continues to flourish.

Beyond his own craft, he inspires fellow artists to embrace individuality and authenticity. Encouraging boldness, he urges creatives to transcend traditional boundaries and forge their own paths. His exhibitions leave lasting impressions, offering audiences glimpses into both his inner world and universal emotions.

Dr. Renato Cheng’s extraordinary life as both a healer and creator exemplifies the powerful intersection of art and medicine. Through dedication, passion, and resilience, he proves that dual vocations can harmonize beautifully. His journey continues to uplift and inspire, leaving an indelible mark on the world.

—Ingrid Aimee Peñaflor

Landscape Memory 20 • Oil Canvas • 48 x 72in • 2020 - 2023 • Private Collection

Landscape Memory 47 • Oil on Canvas • 48 x 72in

2023 - 2024 • Private Collection

48 x 72in

Private Collection Landscape

Roland Rosacay A Visionary of Infinite Creativity

n the realm of artistic expression, Roland Rosacay emerges as a visionary whose creations transcend the boundaries of the finite, echoing the profound words of Sri Aurobindo, "The infinite would not be the Infinite if it could not assume a manifold finiteness". Born in the picturesque town of Angat, Bulacan in 1964, Rosacay's artistic journey is deeply rooted in the awe-inspiring landscapes surrounding the Angat River, particularly the majestic Sierra Madre mountain ranges, a wellspring of inspiration throughout his life.

Rosacay's oeuvre resonates with a profound connection to symbolism, skillfully translated onto canvas. Grounded in the reductionist ethos, he distills figuration into simplified geometric forms, a technique exemplified in his captivating fish paintings. In these works, a contemplative dimension unfolds as a stylized school of fishes, encapsulated within a spherical void, dances in a repetitive pattern. Translucent lines undulate, mirroring the ebb and flow of water waves, while vibrant neon hues breathe life into the composition. The abstracted fish, drawn from Eastern Oriental conventions, symbolize

positive energy, good fortune, and wealth, fostering a sense of unity and infinity unbounded by time. This showcases Rosacay's printmaking proficiency through meticulously incised hard-edged forms.

In his recent minimalist creations, Rosacay introduces a Zen-like quality. Against a grayish-white backdrop, circular outlines of varying dimensions, horizontal lines, and vertically dripped pigments dominate the canvas. Restricting his palette to monochrome gray and earthy hues accentuates the purity of form, with red and blue strategically employed to define the circumference. Circular configurations evoke notions of infinity and perpetual motion, while horizontal lines and vertical drips symbolize flowing water, a recurring motif in his works.

Having pursued Art Studies at the Philippine Women’s University in Manila, Rosacay is a distinguished member of the Philippine Association of Printmakers. His artistic prowess extends beyond painting, encompassing printmaking and sculpture. Notably featured in the "400 Years Limbag Kamay" publication by the Cultural Center of the Philippines, Rosacay has held seventeen major solo exhibitions from 1990 to 2018 in various cities across the Philippines.

Beyond the borders of his homeland, Rosacay has left an indelible mark on the international art scene. Participating in exhibitions in California, New York City, and Seoul in the early

1990s, he garnered accolades, including the Certificate of Awardee in the New York International Art Competition. A seasoned competitor in national art competitions, he has also served as a panel judge in local art festivals and at the University of the Philippines Film Center Board of Judges in 2001.

A compassionate artist, Rosacay is actively engaged in charitable causes. His participation in the CBN "Heart for Life" art exhibition and the St. Luke's Hospital and Lung Center of the Philippines Hospital art exhibitions underscores his commitment to using art as a powerful medium for positive change. In his multifaceted career, Roland Rosacay incorporates the transformative potential of art, where the infinite converges with the finite in a harmonious dance of creativity and purpose.

—Ruth Espinosa

Blurred series • Acrylic on Canvas • 36 x 36in • 2024 • Private collection

Blurred series 2 • Acrylic on Canvas

36 x 36in

2024

Private collection

Fish -Fish Yellow series • Acrylic on Canvas • 24 x 30in • 2020

Fish Harmony series • Acrylic on Canvas • 24 x 30in • 2021

Five Koi Series • Brass Sculpture • H12 L14 w 20 • 2024

Two Koi Series • Brass Sculpture • H 9 L 11

W 12

• 2024

• Toots Romero collection

Romeo Ronald Cortez A Master of Realism and Cultural Narratives

Romeo "Ronald" Cortez Jr. is a Filipino realist artist whose works magnify the sincerity and truth of life through art. Based in New York, Cortez has built a reputation for his meticulous attention to detail, capturing the essence of his subjects with striking precision. His journey as an artist is one of resilience, passion, and an unwavering commitment to his craft.

Born in Taytay, Rizal, Cortez spent his formative years in Lucban, Quezon, a town known for its vibrant artistic community. Growing up in a modest household, he discovered his love for drawing at an early age. Without the luxury of toys, he turned to pencil and paper, sketching on anything available—including paper bags used by his mother, a dressmaker. His innate talent became evident as he created intricate drawings that delighted those who received them.

Despite his artistic aspirations, Cortez pursued a degree in Marine Transportation in Manila, following his mother’s wishes. However, his passion for art never waned. He spent his free time studying the works of master painters, visiting galleries, and refining his skills through self-directed learning. His dedication paid off, as he eventually transitioned into a full-time career as an artist.

Cortez’s artistic style is deeply rooted in realism, a genre that demands exceptional skill and patience. His ability to render lifelike portraits and scenes has earned him admiration from both Filipino and international audiences. One of his most notable works is a charcoal and white pencil portrait of New York Mayor Eric Adams, which he presented during the Philippine flag-raising ceremony in Bowling Green Park. The piece, celebrated for its vivid detail, immortalized the mayor wearing a well-fitted Barong Tagalog, a tribute to Filipino heritage.

Throughout his career, Cortez has held numerous solo exhibitions, including his 2021 show in New York, which highlighted themes of Philippine culture and family. His works often depict traditional Filipino values, rural lifestyles, and historical landmarks, preserving the essence of his homeland through art. His participation in group exhibits has been extensive, further solidifying his presence in the art world.

Cortez’s journey speaks on the power of perseverance and self-belief. Despite lacking formal training in fine arts, he has mastered his craft through sheer dedication and an unyielding passion for storytelling through visuals. His art serves as a bridge between cultures, celebrating Filipino identity while resonating with audiences worldwide.

As he continues to create, Cortez remains committed to his mission of capturing life’s sincerity and truth. His works not only showcase technical brilliance but also evoke deep emotional connections, making him a true ambassador of Filipino artistry on the global stage.

—Ruth Espinosa

Farmer's Delight Pastel on Paper 24 x 18in 2024

Fish and tomatoes • Pastel on Paper • 11 x 15in • 2022

Fruits of labor Pastel on Paper 22 x 18in 2024

Marbles • Pastel on Paper • 18 x 24in • 2024

Seven Golden Fish Pastel on Paper 16 x 11in 2024

Sungka (series ii) Pastel on Paper 15 x 11in

Roy Ama

The Rebel Expressionist of Filipino Art

Roy Ama is an artist who refuses to follow the rules. His paintings are bold, emotional, and unapologetically raw. He embraces chaos, allowing his art to evolve through destruction and reconstruction. His technique, the ancient concept of "Build and Destroy," reflects his belief that creation should be free, unrestrained, and unpredictable.

In Ama’s world, colors are layered, scraped away, and rebuilt. His paintings are a living process, constantly evolving until they reach a state of emotional truth. This method creates depth, texture, and movement, making his works feel alive. The unpredictability of his process mirrors the unpredictability of human emotion. No two paintings are ever the same, just as no two feelings are identical.

Ama does not seek perfection. Instead, he seeks honesty. He does not conform to traditional painting techniques because he believes that art should be an extension of the artist’s inner world. He paints instinctively, without fear of breaking established conventions. This fearless approach gives his work an undeniable energy—a sense of freedom that speaks to those who refuse to be confined by society’s expectations.

His colors are intense, his forms distorted, his brushstrokes wild. There is no symmetry, no careful balancing of elements, only pure emotion spilling onto the canvas. Each piece tells a story of destruction and rebirth, capturing the essence of transformation. For Ama, breaking the rules is not about rebellion for the sake of rebellion—it is about finding joy in creative freedom. He thrives in unpredictability, reveling in the process of undoing and rebuilding.

Ama’s art is not quiet. It does not whisper—it roars. It demands attention, forcing viewers to confront their own emotions. His paintings do not simply decorate walls; they challenge perceptions, push boundaries, and make people feel. They remind us that beauty is not always neat, polished, or controlled. Sometimes, beauty is found in imperfection, in chaos, in the uninhibited expression of the soul.

Through his work, Ama sends a message: Art should not be restricted by rules. It should not be confined by expectations. It should be raw, emotional, and deeply personal. His paintings are more than just visual pieces—they are experiences, invitations to step outside the boundaries of convention and embrace creative liberation.

Roy Ama does not just create art; he lives it. His process, his technique, and his fearless attitude

make him an artist who stands apart. His happiness comes from pushing past limitations, from breaking down barriers, from allowing himself to paint without restrictions. His work is a testament to the power of artistic freedom—a reminder that expression is meant to be wild, untamed, and full of life.

—Ingrid Aimee Penaflor

Untitled

Untitled 3

Untitled 4

Untitled 5

on Canvas

Untitled 6

on Canvas

x 30in

Roy Espinosa Championing Filipino Art on the Global Stage

Roy C. Espinosa is a Filipino visual artist, cultural advocate, and publisher whose efforts have propelled Filipino art onto the international stage. Born in Pasay City on October 11, 1966, he graduated from the Philippine Women’s University College of Music and Fine Arts in 1988, setting the foundation for a career marked by artistic excellence and cultural leadership.

Espinosa’s artistic evolution spans realism, fauvism, and the signature abstraction of his gray series. His paintings, rich in emotion and narrative, reflect both his technical mastery and his deep connection to Filipino heritage. His work has earned prestigious accolades, including the Art Legacy Award in Penang, Malaysia, and the Art Ambassador title from Malaysia’s National Academy of Arts, Culture & Heritage (ASWARA). Most recently, he was honored with the Picasso Award at the World Heritage Art Festival in Udaipur, India, further cementing his status as a globally recognized artist.

Beyond his individual artistry, Espinosa has been instrumental in advancing Filipino art

worldwide. He has conceived and facilitated exhibitions that highlight the depth of Philippine creativity, becoming a key figure in intercultural exchanges. His dedication to mentorship has positioned him as an essential bridge for emerging artists seeking international recognition. His leadership roles—including as Country President for the Philippines in International Art Acts and Cultural Manager for the Philippines in Colombia— underscore his commitment to fostering artistic diplomacy.

As a publisher, Espinosa has preserved and amplified Filipino artistic narratives, ensuring they reach audiences far beyond the Philippines. His work in documentation and dissemination has secured Filipino artists’ place in global art conversations, helping to safeguard cultural identity through printed works.

His influence extends to judging prestigious art competitions, curating exhibitions, and advising creative organizations, further solidifying his reputation as a global art advocate. His contributions

are documented in international art books, including World Biennial of Art Pandemic S.O.S. Mother Earth and The Bridge, reinforcing his role as both an artist and thought leader.

Espinosa’s legacy is defined by his ability to unite tradition and innovation while promoting Filipino art internationally. His work embodies not only technical brilliance but also a vision for a more interconnected and culturally enriched art community. His contributions continue to inspire artists to embrace their heritage, push creative boundaries, and engage in meaningful artistic exchanges.

Embracing Boughs

Watercolor on paper 14.74 x 22in

Unbreakable Ties

Acrylic on Canvas 18 x 24in

—Ruth C. Espinosa

A Tale of Love and Life Acrylic on Canvas

24 x 24in

2024

Raul Luis Manaligod collection

Symbiotic Souls Watercolor on Paper

29 x 21in 2024

Raul Luis Manaligod collection

In the Arms of the Forest Acrylic on Canvas 24 x 24in 2024

Tangled Affection Watercolor on Paper 29 x 21in 2024

Sherwin Tan

The Spirit of Nature in Color and Form

Sherwin Tan, a distinguished FilipinoChinese artist, has crafted a unique artistic identity shaped by his deep reverence for nature and spirituality. Growing up in an environment where the sea and rice fields were mere moments away, his early encounters with the grandeur of landscapes became the foundation of his artistic journey. These natural scenes—herons standing statuesque on carabaos, emerald waves of rice fields, and the expansive sky—laid the groundwork for his profound connection to nature and its visual poetry.

Tan’s artistic development was a blend of formal education and innate passion. He pursued a Bachelor of Fine Arts at the University of San Carlos, Cebu, later refining his skills with a brief study of Chinese Art in Taiwan. However, his creative impulse had already taken root before academia, leading him to explore a dynamic interplay of abstraction, Oriental minimalism, and prophetic themes.

Deeply influenced by the soak-and-stain method pioneered by Helen Frankenthaler, Tan developed his own version of lyrical abstraction. His canvases exhibit a harmony between color and

movement, a spontaneous yet controlled dance that evokes the majesty of mountains, seas, clouds, and rain. Art critics have noted how his fluid brushwork resonates with the vibrational energy of nature— allowing each piece to find its own landscape, its own rhythm.

A unique hallmark of Tan’s work is its prophetic dimension. His pieces, inspired by Divine energy and the presence of the Holy Spirit, extend beyond traditional landscape abstraction, offering a spiritual experience. His compositions are infused with mysticism, guiding viewers toward introspection, connection, and transcendence. Themes of rebirth, revelation, and serenity permeate his collection, inviting audiences to engage with the unseen.

Tan's stylistic evolution led him to develop two primary approaches: an Oriental minimalist technique that draws upon Chinese artistic philosophy and a contemporary style interwoven with prophetic visions. His work resonates deeply with audiences, frequently described as evoking personal emotions, spiritual revelations, and an inner sense of harmony.

Throughout his prolific career, Tan has showcased his works in numerous solo and group exhibitions across the Philippines, Hong Kong, and beyond. His pieces have been collected by notable figures such as Josie Natori and former First Lady Imelda Marcos. His achievements include being featured in Bukas Sarili Foundation Christmas Cards, serving as a judge in art competitions, and receiving accolades such as the ROSA Rotary Club Outstanding Surigaonon Award.

His exhibitions—ranging from "Beauty for Ashes" to "Moon Serenading the Sea"—embody his commitment to artistic exploration and spiritual dialogue. With each canvas, he pushes the boundaries of color field painting, embracing an approach that allows nature, spirituality, and abstraction to coalesce into powerful visual narratives.

Tan continues to expand his artistic expression, focusing on prophetic art with greater creative freedom. His ongoing projects include exhibitions in a Gallery in Metro Manila, showcasing his evolving interpretations of nature and divine inspiration. As he looks ahead, his aspiration remains steadfast: to bring his vision to wider audiences locally and internationally, further establishing his art as a bridge between the tangible world and the spiritual realm.

—Ruth Espinosa

Birthing of Hope Acrylic on Canvas

Enchanting Firmament Acrylic on Canvas

Bright tomorrow Acrylic on Canvas

Flow of Blessings Acrylic on Canvas

Fortune Tree Acrylic on Canvas

Bright Future Acrylic on Canvas

Tatz Lee

Capturing The Beauty Of God's Creations

Tatz Lee's artistic journey is a testament to the power of passion and faith. As an artist, she has found solace in capturing the breathtaking beauty of clouds and sunsets, using her art to convey messages of hope and peace. With a style that exudes simplicity and uncomplicated elegance, Lee's paintings aim to calm the mind, soothe the soul, and uplift the spirit.

Lee's fascination with clouds and sunsets stems from her deep appreciation for God's creations. She believes that these natural wonders hold the key to inspiring hope and tranquility in a world often filled with chaos. By focusing on the subtle play of light and color in her paintings, Lee invites her viewers to reflect on the beauty and majesty of nature.

One of the defining characteristics of Lee's art is her use of simplicity. Unlike many artists who strive for complexity and intricacy, Lee's approach is centered on clarity and directness. She wants her paintings to be accessible to everyone, regardless of their artistic background or personal experiences. By stripping away unnecessary elements, Lee's art speaks directly to the heart, conveying a sense of peace and tranquility that transcends words.

Lee's artistic influences are diverse, but she finds particular inspiration in the works of Caro SaintVire. Saint-Vire's style resonates with Lee's own artistic vision, allowing her to express her ideas with ease and comfort. More than just creating art, Lee believes that art has a crucial role to play in nation-building. She sees art as a reflection of our culture, traditions, and faith, as well as a powerful tool for promoting understanding and tolerance between different cultures.

For Lee, art is not just about aesthetics; it's also about making a positive impact on society. She believes that art can be a unifying factor, bridging gaps between people from different backgrounds and cultures. By sharing her art with others, Lee hopes to inspire a sense of connection and community, reminding everyone that they are part of a larger whole.

As an artist, Lee is also passionate about encouraging the next generation of creatives. She wants to remind them that it's okay to be different, that their uniqueness is a strength, not a weakness. Lee's own journey into the art world was not without its challenges. Despite having a passion for art from an early age, she lacked the confidence to pursue it. It wasn't until later in life that she found the courage to nurture her gift, eventually making her mark in the art world.

Lee's educational background is rooted in Landscape Architecture, which she studied at the University of the Philippines in Diliman, Quezon City. She completed her elementary and secondary education at Avalokitesvara School in Zamboanga City. Although her professional path took her into family business, her love for art remained a constant presence in her life.

Today, as Lee continues to create and share her art, she is reminded of the importance of faith and perseverance. Her art is a testament to the power of following one's passion, no matter how late in life it may begin. Through her paintings, Lee invites us to reflect on the beauty of God's creations, to find peace in the midst of chaos, and to hold onto hope in times of uncertainty.

With each brushstroke, Lee's art conveys a sense of serenity and calm, a reminder that even in the most turbulent of times, there is always beauty to be found.

As she continues on her artistic journey, Lee’s painting merges emotional abstraction with a deeply personal spiritual purpose. It calls to mind the transcendental simplicity and created not just a work of art, but a visual prayer.and serves as a beacon of inspiration, encouraging others to explore their own creative potential and to never give up on their dreams.

— Celso Duazo Pepito

In a Flash in the Twinkling of an Eye Oil on Canvas 22 x 28in 2025

His Mercy Endures Forever Oil on Canvas 22 x 28in 2025

Out Of The Darkness Into His Marvelous Light Oil on Canvas 22 x 24in

2024

My Grace Is Sufficient For You Oil on Canvas 22 x 28in

2025

My Peace I Give You Oil on Canvas 30 x 38in

The Help Meet Oil on Canvas 24 x 22in

William Yu A Tapestry of Faith, Culture, and Modernity

In the heart of Manila, amidst the vibrant pulse of Filipino life, William Yu stands as a compelling figure, an artist weaving together the threads of tradition, spirituality, and contemporary expression. His work is not merely a visual experience; it's a profound dialogue between the past and the present, an attestation to the enduring power of Filipino heritage infused with a distinctly modern sensibility.

Yu's artistic journey began in the bustling streets of Manila, where the vibrant tapestry of colors and textures ignited his passion. This early fascination led him to pursue Fine Arts at the University of the Philippines, a formative experience that honed his technical skills and deepened his understanding of Filipino culture. His education provided a solid foundation upon which he would build his unique artistic voice.

Yu's art is characterized by a masterful fusion of traditional Filipino elements and contemporary aesthetics. He draws inspiration from indigenous patterns, folklore, and mythological symbolism, reinterpreting them through a modern lens. His works evoke a sense of nostalgia while simultaneously

celebrating the dynamism of the present. Each piece captures the rich diversity of Philippine culture, from the mystical to the mundane, presented with a fresh and innovative perspective.

While Yu acknowledges the influence of Filipino masters like Fernando Amorsolo and Benedicto Cabrera, as well as international figures like Frida Kahlo and Pablo Picasso, his art transcends mere imitation. He has forged his own distinct style, evolving through various artistic phases. From figurative cubism, employing textured "picasoid" geometric forms, to his groundbreaking "Metasism", an abstract idiom encouraging spontaneous creation, Yu has consistently pushed the boundaries of his artistic expression.

Perhaps the most significant chapter in Yu's artistic evolution is his development of "Hallelism". More than just a style, Hallelism is a philosophy, an artistic manifesto rooted in his deep spirituality. Derived from the Hebrew word "Hallel", meaning "Praise You YAHUWAH", it encapsulates Yu's belief that art should glorify the divine. Hallelism emphasizes the process of creation as paramount, with the final artwork serving as a secondary manifestation of this spiritual act.

Yu's Hallelism works are complex and multi-layered. They incorporate corporeal forms, scriptural text, and the intangible energy of the creative process. There is no predetermined theme or subject; figuration and abstraction coexist, with the act of creating lines, shapes, and colors itself constituting the meaning.

A unique element of Yu's work is his integration of Neo-Baybayin calligraphy. This is his

own adaptation of the pre-Hispanic Filipino script, a testament to his commitment to preserving and revitalizing indigenous traditions. He combines this with painting, creating what he terms "Twin Arts". This fusion echoes the "Three Perfections" of traditional Chinese painting, which integrates painting, poetry, and calligraphy. Yu's works also feature personal authentication seals with Hebrew pictographs, similar to the red seals found in Chinese paintings.

William Yu's contributions to the Filipino art scene are undeniable. His works have been showcased in numerous solo and group exhibitions, both locally and internationally, earning him critical acclaim and a dedicated following. He has also published books documenting his artistic journey and the philosophy behind Hallelism. Beyond his artistic achievements, Yu inspires a new generation of Filipino artists, demonstrating the power of art to connect cultures, transcend time, and express the deepest spiritual beliefs. His amicable nature and benevolent smile reflect the wisdom and experience he has accumulated throughout his artistic career. William Yu is not just an artist; he is a cultural ambassador, a spiritual guide, and a visionary whose work continues to resonate with audiences around the world.

—Ruth Espinosa

Abba Yahuwah Is The • Acrylic On Canvas • 34 X 35in • 2019

Lucky horses • Acrylic on Canvas • 36 x 68in • 2017

2011

Abba Yahuwah Is The Light

Acrylic On Canvas

X 35in

Mother And Child

Acrylic On Canvas

X 35in

Praise Abba Yahuwah Acrylic On Canvas 34 X 35in 2018

The Eagle Acrylic On Canvas 36 X 41in 2022

BELGIUM

Petrus De Vuyst

An Artistic Journey Through Nature and the Human Spirit

Petrus De Vuyst is a distinguished Belgian artist born in Ghent in 1954 who has made a significant mark in the contemporary art scene with his profound exploration of the relationship between nature and humanity. His works resonate with the evocative theme "The Spirit of the Place", a concept that underscores the intricate bond between natural environments and the human soul. This theme has been a central motif in Petrus' artistic endeavors, influencing his various pictorial projects and exhibitions.

Petrus' dedication to "The Spirit of the Place" was prominently showcased in his solo exhibition in 2018 at the Ecuadorian House of Culture in Quito. This exhibition showcased his ability to capture the essence of different locales and their impact on human emotions. Through his art, Petrus invites viewers to contemplate the subtle yet profound connections between their surroundings and their inner selves.

Petrus' artistic exploration is not confined to traditional galleries alone. His collaboration with the Mombo Art Gallery in Sevilla, Spain, and the Artit Art Gallery in London has expanded his reach to a global audience. These galleries have adeptly combined online art shows with publications in their magazines and books, ensuring that Petrus' work is accessible to a diverse and international community of art enthusiasts.

Together with his thematic explorations, Petrus is a master of the pictorial technique of the Flemish Primitives. This expertise is vividly evident in his portrait paintings, where he employs meticulous detail and a rich color palette to bring his subjects to life. One of his standout works, "Portrait of my Father", exemplifies his mastery of this technique. This poignant and deeply personal piece received acclaim and was honored with an award, further solidifying Petrus' reputation in the art world. In 2023, this work was featured in the book "100 Artists Bringing Figures to Life", published by Artit in London.

Petrus' artistic philosophy is beautifully encapsulated in the quote by Johann Wolfgang von Goethe: “Nature and art, they go their separate ways, it seems; yet all at once they find each other”. This sentiment reflects Petrus' belief in the harmonious coexistence of nature and art, a theme that permeates his body of work.

Through his paintings, Petrus De Vuyst not only captures the visual beauty of the natural world but also delves into the emotional and spiritual dimensions of human experience. His ability to fuse

the two realms of nature and art creates a compelling narrative that speaks to the core of our existence. Whether through the detailed brushstrokes of a portrait or the sweeping landscapes of his thematic projects, Petrus' work continues to inspire and captivate audiences worldwide.

For those interested in experiencing Petrus' art firsthand, his works are showcased on his website (petrusdevuyst.art), the ARTIT Art Gallery in London (artit.net/artists/pietdevuy), and on his Instagram profile (@petrus_de_vuyst). Through these platforms, Petrus continues to share his artistic vision and contribute to the rich tapestry of contemporary art.

—Ruth. Espinosa

Cloud Forest Condor Machay Acrylic on canvas, from the Backlight Series. 132.5 x 230 cm Ecuador, 2019

The Medina of Tetouan • Oil on hardboard • 21 x 29.7cm • Morocco, 2023

29.7

The Coupé d’Aizac Volcano Drawing on hardboard 29.7 x 21cm France, 2023

Oil on hardboard

x 21cm Malta, 2022

Andean Landscape” Drawing on Hardboard 21 x 29.7cm Ecuador, 2023

Portrait of my Father Oil on hardboard 42 x 29.7cm Belgium, 2020

BRAZIL

Sandra Lima e Silva A Journey Through Symbols and Time

Sandra Lima e Silva, a distinguished contemporary Brazilian visual artist, was born in Belo Horizonte, Minas Gerais. Her multifaceted journey in the art world is underscored by a rich academic background and a profound commitment to exploring the human condition through her art. Sandra's educational pursuits began with a degree in Dentistry from PUC, Minas Gerais, in 1987. However, her true calling led her to the School of Fine Arts at UFMG, where she earned a bachelor's degree in Fine Arts in 1993. Furthering her academic achievements, she attained a postgraduate degree in Education for Gifted and Talented Individuals from UFLA in 2008.

Sandra's artistic career took flight in 1989, while she was still a student at the School of Fine Arts. Since then, she has been an active participant in both national and international exhibitions, showcasing her distinctive approach to art. Her research delves into the myriad dimensions of life, confronting fundamental human concerns and the conflicts that arise from them. In a world brimming with signs, Sandra's work emphasizes the significance of symbols as essential complements to understanding and expression. These symbols drive us to act, interact, and organize ourselves, weaving a complex tapestry of human experience.

Central to Sandra's artistic expression is her work in engraving, characterized by simple, spontaneous, gestural, and imaginary symbolism. This approach harkens back to ancestral writings inscribed on surfaces worn by time, evoking a sense of continuity and reflection. Time, in Sandra's work, is not merely a transient passage but a profound space for contemplation. Her pieces raise questions, spark reflections, present challenges, and leave traces of memories. The answers, however, emerge from the viewers' personal connections with her work, making each experience uniquely individual.

Sandra's art has garnered international acclaim, with her works featured in prestigious collections around the world. Notable institutions housing her pieces include the National Art Museum of China (NAMOC) in Beijing, the National Museum of Fine Arts of Taiwan (NTMOFA) in China, and the Tama Art University Museum in Tokyo, Japan. Her influence extends to the China Artists Association in Beijing, the Dafen Art Museum in Shenzhen, China, the Transylvanian Art Center in Sfântu Gheorghe, Romania, and the Geumgang Nature Art Biennale in Gongju, South Korea. Each of these collections

attests to Sandra's ability to resonate with diverse audiences and cultures through her universal themes and symbolic language.

Sandra Lima e Silva's work proves that indeed the power of art transcends boundaries and connect us to our shared humanity. Her exploration of symbolism and time invites viewers to embark on a journey of introspection and discovery, where the past and present converge in a dance of meanings and interpretations. Her artistic vision continues to inspire and challenge, creating a lasting impression on the global art landscape. Through her meticulous engravings and evocative themes, Sandra encourages us to pause, reflect, and engage with the deeper questions that shape our existence. Her contributions to contemporary art are not just visual but also philosophical, offering a rich tapestry of thought and emotion for all who encounter her work.

—Ruth Espinosa

Untitled I • Acrylic on Canvas • 21 x 34cm

Time the Master of Everthing I • Acrylic on Canvas • -21 x 34cm

Untitled II • Acrylic on Canvas • 20.5 x 29.5cm

Be you! • Acrylic on Canvas • 49.5 x 59cm • 2016

Safaa Afifi

Crafting Harmony and Awareness through Abstract Art

An Egyptian visual artist based in Cairo, Safaa Afifi is renowned for her exceptional ability to blend colors and her keen eye for detail. A graduate of the Faculty of Fine Arts with a degree in Interior Design, Safaa's artistic journey is deeply rooted in her passion for raising awareness about how art enhances individual well-being, societal growth, and environmental harmony. Her unique style of abstract art, distinguished by her vision and sense of mass and color, sets her apart in the contemporary art scene.

Safaa's artistic approach is characterized by her innovative use of color and texture. Her works are a harmonious blend of abstract forms and intricate details, creating a visual symphony that captivates viewers. Her sense of mass and color relationships, combined with the fluidity of her strokes, brings her paintings to life, making them stand out in the art world. Her dedication to her craft and her ability to convey profound messages through her art make her a significant figure in the realm of abstract painting.

Over the years, Safaa has participated in numerous exhibitions, both in Egypt and internationally, showcasing her talent and contributing to the global art community. Her journey began with exhibitions like "Africa in the Eyes of the Artist" at Beit Al-Sinari in 2014 and "The Warmth of the 1980s" at the Mahmoud Mokhtar Museum in 2015. These early exhibitions laid the foundation for her subsequent success.

In 2015, Safaa held a solo exhibition at Darb 1718, followed by another solo show titled "Free Touches" at the Ramtan Taha Hussein Center in 2016, sponsored by the Ministry of Culture. Her ability to create compelling narratives through her abstract art has earned her critical acclaim and a dedicated following.

Safaa's work has also been featured in various symposiums and group exhibitions, such as the "Mediterranean Days of Visual Arts" in Tunis, Nabel, and Hammamet in 2015, and "Shams Egypt" in Sharm el-Sheikh in 2016. She has participated in significant events like the Cairo Atelier Exhibition in 2016, the "Crossroad Civilization" symposium in Luxor, and the "Da Vinci Exhibition", both in 2017.

Her international presence is marked by her participation in numerous global art events. Safaa has showcased her work at the "Leon Art Virtual Exhibition" in Ecuador in 2020, the "World Peace Through Art" exhibition by Kalyani Art Gallery in the Himalayan Foothills, and the "100 Eminent International Artists" exhibition by Bindaas Art in

2020. These exhibitions have allowed her to connect with a wider audience and share her vision on a global scale.

Safaa's dedication to her craft extends beyond creating art; she is also involved in curatorial work, collaborating with galleries like Positive Energy Art Gallery in India and the Niler Art Community in Egypt. Her efforts in organizing international virtual exhibitions like "Freedom" in August 2021 and "Dialogue of Civilization" in September 2021 highlight her commitment to fostering cultural exchange and artistic collaboration.

Through her art, Safaa Afifi continues to inspire and uplift, using her talent to promote wellbeing, societal harmony, and environmental awareness. Truly her journey as an artist is that of passion, creativity, and unwavering dedication to make a positive impact through art.

—Ruth Espinosa

Abstract 3 • Acrylic on Canvas • 100 x 80 cm

Abstract 2

Acrylic on Canvas 50 x 50 cm

Abstract 4

Acrylic on Canvas 80 x 60 cm

Abstract 4

Acrylic on Canvas 80 x 60 cm

Abstract 6 Acrylic on Canvas 110 x 100 cm

Abstract Acrylic on Canvas 50 x 50 cm

GERMANY

Aksana Yakimova (Steffan)

Harmonizing Love and Artistry

Aksana Yakimova (Steffan) is a remarkable self-taught artist hailing from a small village in Belarus. Her life has been an intricate dance of love, intertwined with a rich tapestry of experiences. Beyond her identity as an artist, Aksana holds a Master's degree in linguistics, unveiling her diverse intellectual pursuits.

Aksana's journey took an enchanting turn when she ventured into the realm of art, earning the highest qualification as an art teacher. For many years, she imparted her profound knowledge of art history to eager young minds while nurturing creativity through her own art circle, "Art-workshops".

Aksana's artistry finds its deepest roots in the abstract and portraiture genres, where she wields a captivating array of hot and wet media. Encaustics, watercolors, ink, and even digital techniques serve as her chosen mediums. Beeswax, with its capacity for subtle color transitions and texture, adds a sense of calm to the chaos of daily life. Her work is rhythmic

and emotional, with a positive spiritual impact, echoing our feelings and elevating our souls.

Aksana's unique touch lies in her use of encaustic, an ancient technique that brings a vivid, living quality to her creations. Hot wax, like the human mind, is lively and challenging to tame. It generates sophisticated color transitions and textures, offering tranquility amid the bustle of existence.

Aksana's artistic journey has spanned many years, but it was during a period of isolation that she truly delved into her craft. She predominantly favors encaustic and watercolors, channeling her passion into abstract paintings and portraits, each piece imbued with a compelling narrative, for love is synonymous with her art. In her view, art is a vessel through which we dream of new realities and catalyze change in the world.

In July 2021, Aksana fulfilled a lifelong dream by inaugurating her own studio-gallery, "Greentree A2" in Tauberbischofsheim, Germany. Since then, she has been actively collaborating with art galleries in Morocco, Greece, and the Philippines, assuming the role of curator alongside her artistic pursuits. Aksana's dedication and excellence in her craft were acknowledged by the Guinness Book of World Records, earning her a certificate as a painter of international acclaim.

As her art continues to resonate with audiences worldwide, Aksana Yakimova (Steffan) stands to the power of self-expression and the transformative potential of art in the human experience. Her story is an ode to love and creativity, an artist who paints not just with pigments but with the very essence of her being.

—Ruth Espinosa

A3 16.5 x 11.7in

A5 8.27 x 5.83in

Dance

Encaustic

Fantastic Forest

Encaustic

Fly Watercolor Color

A4 11.7 x 8.3in

On the Soul

Encaustic

A2 23.4 x 16.5in

Positive Vibes Encaustic A5 8.27 x 5.83in

With Closed Eyes

Encaustic

A2 23.4 x 16.5in

Dorothea Fleiss PH.D.

A Visionary in Contemporary Art

Dorothea Fleiss is a distinguished German visual artist, art therapist, and cultural organizer known for her profound contributions to contemporary art. With a career spanning decades, Fleiss has established herself as a dynamic force in the art world, blending artistic expression with therapeutic practices and international collaborations.

Born in Romania, Fleiss pursued her passion for art through formal education, refining her skills in fine arts and art therapy. Her academic journey provided her with a strong foundation in various artistic disciplines, allowing her to explore diverse mediums and conceptual approaches.

Fleiss’ work is characterized by a deep engagement with symbolism, abstraction, and emotional depth. As a visual artist, she employs a range of techniques - including painting, ceramics, and installations - to convey complex narratives and evoke introspective responses. Her artistic philosophy is rooted in the belief that art serves as a bridge between personal expression and collective experience, making her work both intimate and universally resonant.

Beyond her personal artistic endeavors, Fleiss has played a pivotal role in fostering artistic communities and cultural exchanges. She is the founder and director of the DFEWA Professional Artists Association, an organization dedicated to supporting artists and promoting cross-cultural collaborations. Through DFEWA, she has curated numerous exhibitions, symposiums, and biennials, providing a platform for artists from diverse backgrounds to showcase their work.

Her involvement in international art projects has led to exhibitions in various countries, including India, Romania, Austria, and Thailand. Fleiss has also served as a jury member for prestigious art events, further solidifying her influence in the global art scene.

Fleiss has been instrumental in organizing and curating major art events, such as:

• European International BookArt Biennale (EIBAB) – A platform celebrating book art and bibliophile creations.

• DFEWA Transilvania Symposium – An initiative bringing together artists for collaborative projects in Romania.

• Orient-Occident Collective Exhibition – A crosscultural exhibition featuring Indian and German artists.

Her dedication to promoting artistic dialogue

has earned her recognition as a visionary leader in contemporary art.

Dorothea Fleiss’ contributions extend beyond her own artistic practice. As an art therapist, she integrates creative expression with healing, emphasizing the metamorphic power of art. Her work continues to inspire emerging artists and cultural practitioners, reinforcing the idea that art is not only a medium of aesthetic exploration but also a tool for social and emotional enrichment.

Through her unwavering commitment to artistic excellence and cultural exchange, Fleiss has carved a unique space in the art world, leaving a lasting impact on both individual artists and the broader creative community.

—Ruth Espinosa

Amoris Dinini Canoni

Mixed Media

21 x 14 x 52 Cm • 2020

Amoris Dinini Canoni Mixed Media 21 x 14 x 52 cm 2020

Memento • Mixed Media • 30 x 40cm

The Cartography of Silence • Mixed Media on Canvas • 50 x 60cm

Fragments of the Unspoken • Mixed Media on Canvas • 60 x 50cm

The Dance of Colors • Mixed Media on Canvas • 50 x 60cm

GREECE

Gabriel Grama A Visionary Sculptor and Painter

Gabriel Grama is a distinguished sculptor and painter born in Piatra Neamț, Romania in 1976, whose artistic journey has been shaped by a deep connection to form, structure, and cultural symbolism. His works, often characterized by a fusion of contemporary primitivism and classical influences, have earned him recognition in Greece and beyond.

Grama's artistic path began at the Victor Brauner Art High School in Piatra Neamț, where he studied under the guidance of sculptor Silviu Bejan. His passion for sculpture led him to the George Enescu University of Arts in Iași, where he refined his craft under Professors Antonică and Bostan. His academic years laid the foundation for his distinctive approach to sculpture, blending traditional techniques with modern conceptual frameworks.

In 2008, Grama became a member of the Greek Union of Fine Artists (E.E.T.E.), marking his integration into Greece’s vibrant artistic commu-

nity. His role as a plastic artist and art educator in Greece’s public education system further solidified his influence in the region.

Grama’s career is punctuated by numerous solo and group exhibitions that showcase his evolving artistic vision. His most recent solo exhibition at the "Constantin Brâncuși" Hall of the Romanian Parliament Building in Bucharest (2023) featured over 120 works created in Athens, reflecting his deep engagement with themes of identity and transformation.

Among his other notable solo exhibitions include shows in Artshot Gallery, Athens (2025), Kaplanon Gallery, Athens (2019), his "Contemporary Primitivism" exhibit in Florence, Italy (2016), "Without Boundaries" in Dion, Greece (2016), Melina Mercuri Hall, Athens (2015), and a show in Designer Dot Gallery, Athens (2010).

His participation in group exhibitions has further expanded his artistic reach, including

"Outside-Inside" (Union of Plastic Artists of Greece, Athens 2023); "The Faces of the Town" (Kaplanon Gallery, Athens 2018); "ArtAthina" (KunstHall Gallery, Helsinki, Athens 2016); and "The Crisis and Plastic Artists" (Technopolis Art Center, Athens 2011).

Grama’s engagement with international symposiums has allowed him to collaborate with artists worldwide, contributing to the global discourse on sculpture and painting. His participation in events such as the Painting Symposium in Bistrița, Romania (2022) and the Sculpture Symposium in Crete, Greece (2018) highlights his commitment to artistic exchange and innovation.

His works often explore themes of mythology, human struggle, and spiritual ascension, drawing inspiration from ancient Greek art, Romanian folklore, and Byzantine iconography. His sculptural pieces, particularly those created during symposiums in Crete, stand as monumental testaments to his ability to merge historical narratives with contemporary artistic expression.

Grama’s artistic philosophy revolves around the idea that art transcends boundaries, serving as a bridge between cultures and eras. His approach to sculpture and painting is deeply rooted in storytelling, where each piece conveys a narrative of resilience, transformation, and identity.

As he continues to exhibit and create, Grama remains a pivotal figure in the Greek and Romanian art scenes, inspiring new generations of artists with his dedication to form, symbolism, and cultural dialogue.

—Ruth Espinosa

Dream Ascensions Acrylic on Canvas 160 x 60cm 2025

Cosmogonia Acrylic on Canvas 24 x 30cm

Purple Tale Acrylic on Canvas 50 x 60cm

Purple Odyssey • Acrylic on Canvas • 47 x 77cm

Without Title Acrylic on Canvas 47 x 77cm

L'esperance'' Acrylic on canvas 47x77cm

HOLLAND

Shefqet Avdush Emini

The Global Journey

Shefqet Avdush Emini is an internationally recognized artist whose unique style and artistic signature have earned him a prominent place in the global art community. Born in Kosovo in 1957, Shefqet's journey as an artist has been marked by his academic training and his ability to develop a distinctive artistic tone that echoes through the audiences worldwide.

Shefqet's artistic education laid the foundation for his career, allowing him to explore and refine his techniques. His dedication to his craft is evident in the extensive list of exhibitions where his works have been showcased. From the prestigious halls of the Louvre in France to art galleries in Sweden, Denmark, Turkey, Morocco, Egypt, China, Austria, the Netherlands, Washington D.C., Switzerland, Germany, Italy, Great Britain, Spain, Portugal, Belgium, Romania, Bulgaria, Macedonia, Slovenia, Croatia, Serbia, Bosnia, Kosovo, Albania, Brazil, Kuwait, Slovakia, Poland, Oman, Russia, Palestine, Canada, Algeria, Azerbaijan, India, and Tunisia, Shefqet's art has captivated audiences across the globe.

One of the hallmarks of Shefqet's career is his participation in numerous art symposia. These

gatherings bring together local and international artists to create, collaborate, and draw inspiration from one another. Shefqet's regular invitations to these events highlight his status as a respected and influential figure in the art world.

Along with his prolific exhibition history, Shefqet is also a dedicated educator. He is connected to the Filarski Academy, a private academy in the Netherlands founded by the artist Marian Filarski. At the academy, Shefqet teaches master classes in painting, sharing his knowledge and expertise with the next generation of artists.

Shefqet's artistic style is characterized by its boldness and originality. His works often feature vibrant colors, dynamic compositions, and a unique blend of abstract and figurative elements. This distinctive approach has earned him a loyal following and critical acclaim. His ability to convey complex emotions and ideas through his art has made him a sought-after artist for exhibitions and collections worldwide.

Throughout his career, Shefqet has received numerous accolades and recognition for his contributions to the art world. His works have been featured in prominent art publications, and he has been the subject of various reviews and articles. This recognition is a validation to his talent, hard work, and dedication to his craft.

Succinctly, Shefqet Avdush Emini is a celebrated artist whose unique style and artistic

vision have left a remarkable impression on the global art scene. His extensive exhibition history, participation in art symposia, and commitment to education reflect his passion for art and his desire to inspire others. As he continues to create and share his art with the world, Shefqet's legacy as a pioneering and influential artist is assured.

—Ruth Espinosa

Portrait of a Man Acrylic on canvas 60 x 80cm

Portrait of a Man 2 • Acrylic on Canvas • 100 x 100cm

Portrait of a Woman • Acrylic on Canvas • 100 x 120cm

Dr. Prakash Kishore

Bridging Tradition and Modernity in Contemporary Indian Art

r. Prakash Kishore, a distinguished Indian artist, has carved a niche for himself in the art world with his profound works that blend traditional and modern techniques. Born on March 13, 1988 in Muzaffarpur, Bihar and presently staying in Shillong, Meghalaya, Dr. Kishore's artistic journey is entrenched to his dedication and passion for the visual arts.

Educationally grounded with a B.F.A. in Painting (2009) and an M.F.A. in Painting (2011) from Kala Bhavana, Visva-Bharti, Santiniketan, Dr. Kishore further honed his expertise by earning a Ph.D. from Utkal University of Culture, Odisha in 2019. His doctoral thesis, "Tracing the Mediatic Realism in Indian Art post 90’s: Introspecting the Identity of Pseudo Realism" showcases his deep engagement with the evolving narratives of Indian art.

Dr. Kishore's portfolio is expansive, encompassing numerous solo and group exhibitions.

His solo exhibition "Fragmented Emotions" at Alliance Francaise, Chandigarh in 2019, was a landmark event that highlighted his ability to capture complex human emotions through his art. His participation in prestigious group exhibitions such as the Kathmandu International Art Exhibition (2024), International Art Exhibition in Phuket, Thailand (2024), and the 84th All India Exhibition of Arts, Amritsar (2018), underscores his recognition and influence in the art community.

Dr. Kishore's exhibitions aren't limited to Indian soil; he has showcased his work internationally, from the New York Biennale (2013) to the United Art Fair in New Delhi (2012), and "Broadening the Canvas of Culture and Sexuality" at Bengal Art Gallery, Kolkata (2012). These exhibitions have allowed him to engage with a global audience, broadening the impact of his art.

In addition to his exhibitions, Dr. Kishore has been actively involved in various curatorial projects.

His notable curatorial projects include "Where The Mind Is Without Fear" at Bangkokthonburi University, Bangkok (2023), and "Revived Emotions" at the Contemporary Art Center, Bangkok (2020). These projects highlight his commitment to fostering artistic dialogue and collaboration.

Dr. Kishore's contributions to the art community extend beyond creating and curating art. He has delivered lectures at esteemed institutions like the National Institute of Fashion Technology in Meghalaya, and Bangkokthonburi University, sharing his knowledge and inspiring the next generation of artists. His involvement in art camps such as the Subhadra Art Camp and the International Centre Goa camp by INDIAN Atelier further underscores his dedication to the artistic community.

His work has not gone unnoticed; Dr. Kishore has received numerous awards and scholarships, including the National Scholarship from the Ministry of Culture (2009-10) and the North Bihar Award in Painting (2002). These accolades validated his skills and his contribution to the field of visual arts.

Dr. Prakash Kishore continues to push the boundaries of contemporary Indian art, combining traditional techniques with modern themes to create works that resonate deeply with audiences. His commitment to art and education, along with his impressive portfolio of exhibitions and awards, cements his status as a significant figure in the

contemporary art scene. As he continues to evolve as an artist and educator, Dr. Kishore's impact on the art world remains profound and enduring.

Acrylic on Canvas 36 x 48in 2023

—Ruth Espinosa

Dilemmatic

Acrylic on Canvas

Mind Game Acrylic on Canvas 50 x 50cm 2024

Cherry Blossom of Shillong Acrylic on Canvas 2023

Progress • Acrylic on Canvas • 36 x 48in • 2024

Swati Ghosh

Path to Creative Expression

Swati Ghosh is an accomplished Indian artist currently residing in Norway. She has always had an innate passion for the arts which is deeply rooted in her family's creative pursuits. Her father, a multi-talented individual, introduced her to the world of art. Beyond his professional career in homeopathy, he crafted beautiful sculptures using clay from their garden, meticulously painting them with vibrant colors. This early exposure to artistic endeavors kindled Swati's own creative spirit.

Swati's artistic journey has been profoundly influenced by her spiritual guru, Sri Yogiraj Sakti Kinkar Laha Roy, who lived in Kolkata, India. A revered saint and her family's spiritual guide, Sri Yogiraj has been a constant source of inspiration for Swati. She attributes her achievements and artistic growth to his blessings, believing that his guidance has illuminated her path since childhood. Recently, Swati created a striking drawing of her Gurudev using pencil and charcoal, a work that garnered her an award in an art competition in South Korea.

Throughout her life, Swati has been inspired by her parents. Her mother, in particular, played a significant role in fostering her artistic abilities. During auspicious occasions, her mother would adorn their home's floors with intricate Alpana designs, further enriching Swati's appreciation for traditional Indian art forms. Alongside her sister, Swati's interest in fine arts flourished from a young age, and the two would often engage in creative projects together.

Swati's dedication to her craft and her commitment to promoting cultural heritage have earned her recognition on an international scale. She has been appointed as a cultural ambassador and judge by the prestigious International Council of Museums (ICOM) Asia-Pacific Alliance (ASPAC). ICOM ASPAC serves as a platform for the exchange of information and cooperation between museums and museum professionals across 24 participating National Committees in the Asia-Pacific region. It collaborates with other regional ICOM organizations to preserve, continue, and communicate cultural

heritage. ICOM has also partnered with UNESCO to protect and promote cultural heritage worldwide.

On top of her artistic endeavors, Swati holds a strong belief in her motto: "WORK HARD & TRUST ALMIGHTY." Her unwavering dedication and spiritual connection continue to drive her creative pursuits. While she currently resides in Norway, Swati maintains a permanent home in Kolkata, India, where she often returns to reconnect with her roots and draw inspiration from her cultural heritage.

Swati's creative journey traverses on the power of familial influence, spiritual guidance, and unwavering dedication. Her recent award for the drawing of her spiritual guru underscores the depth of her talent and the impact of her inspirations. Swati Ghosh continues to harmonize her spiritual and creative pursuits as an artist for the world of art and culture to experience.

—Ruth Espinosa

Disguise • Mixed Media • 21 x 27in • 2017

Fisherman • Acrylic on Canvas • 101 x 76cm • 2019

Arendal Cityscape Oil on Canvas 60 x 50cm

Power of Energy Oil on Canvas 80 x 60cm

Nirvana Acrylic on Canvas 76 x 90cm 2022

Saraswati

Tempera on Silk 30 x 45cm 2025

Ashima Sehgal

Her Vision and Goals

As an abstract artist, Ashima Sehgal's work spans painting, photography, sculpture, and pottery, aiming to evoke wonder and introspection. Each piece is crafted to encourage viewers to connect deeply with their own emotions and experiences, transcending mere visual appeal.

Ashima's art is driven by a commitment to sophisticated emotional expression. Influenced by Picasso's cubism coupled with the strength of the feminine spirit, Sehgal uses abstract forms to explore themes of resilience and empowerment. Central figures, often strong women depicted with closed eyes, symbolize introspection and emotional depth. Her diverse color palette—greys, whites, oranges, blacks, beiges, and reds—enhances the emotional resonance of her work, creating pieces that are both visually and emotionally engaging.

Sehgal's work encompasses multiple mediums, each contributing to a rich and varied artistic expression. Painting serves as her main medium while photography captures abstract moments; sculpture adds a tactile dimension, and pottery combines form and function. This

interdisciplinary approach allows Sehgal to explore and convey complex emotional themes effectively.

Like many artists, Ashima Sehgal aims and aspires to grow and reach a wider audience. To achieve this, Ashima exhibited her works in major galleries and museums both nationally and internationally. By building a strong online portfolio and actively engaging on social media, Ashima was able to effectively establish her brand and connect with a broader audience.

Always on the look out for artistic development, Ashima plans to explore new techniques and mediums to keep her work dynamic and evolving. At the same time, Ashima is confident that sharing insights about her artistic process and abstract art will contribute to the broader art discourse.

Ashima has partnered with other artists and brands to expand her creative network and increase the impact of her work. These includes getting featured in art media and publications and participating in speaking engagements which has further established her presence and influence.

Ashima Sehgal's distinct artistic journey is defined by her dedication to emotional depth and abstract exploration. By pursuing diverse goals and continually evolving her practice, she strives to make a meaningful impact in the art world thereby inspiring viewers.

—Ruth Espinosa

Whimsical Cityscape • Mixed Media on Canvas • 2024

Wanderlust Customizable and available individually • Mixed Media on Canvas • 2024

Whimsical Day

Mixed Media

x 24in

Celestial Celebration

Mixed media on Canvas

x 36in

Whimsical Mood 1

Mixed Media 12 x 12in

2024

Whimsical Thoughts

Mixed Media on Canvas 30 x 24in

Piki Pratyusha Chavan

A Journey of Spiritual Artistry

Piki Pratyusha Chavan is a self-taught contemporary artist hailing from the vibrant city of Pune, India. With a Bachelor of Arts and a PG Diploma under her belt, she has carved a unique niche for herself in the world of visual arts. Her journey as an artist is not just a pursuit of passion but a profound exploration of self-expression and spirituality.

Even at a young age, Piki harbored an insatiable passion for the world of art. Her journey into the realm of creativity began as a hobby but soon blossomed into a lifelong pursuit. Unlike many artists who confine themselves to a single medium, Piki revels in the adventure that each new medium brings. Whether it is painting, sculpture, or mixed media, she continuously delves into various forms, each providing a fresh perspective and a new challenge. For Piki, art is not just a pastime; it is a profound stress buster that offers solace and rejuvenation amidst the chaos of life.

In recent years, Piki's artistic path has taken a spiritual turn. She has developed a deep inclination

towards spirituality and has been learning different mediums of healing. This newfound spiritual awareness has begun to reflect in her artworks, infusing them with a sense of serenity and profound meaning. For Piki, spiritualism has become both an inspiration and a guiding force in her artistic endeavors. Her works are not just visual representations but spiritual experiences that invite viewers to explore their own inner worlds.

Piki's creative journey has been both adventurous and fulfilling. Her unique approach to art and her ability to infuse spirituality into her creations have earned her recognition and admiration both in India and abroad. She has participated in numerous group exhibitions, showcasing her versatility and creative prowess.

Piki's notable exhibitions include:

• Janiv Group Art Exhibition, Bal Gandharv Art Gallery, Pune, 2018

• Emerging Artist Art Exhibition, Dushyant Art Gallery, Pune, 2019

• Beyond Borders (A collaborative Art Exhibition of Artists from India & the Philippines), Manila, Philippines, 2024

• Confluence (A collaborative Art Exhibition of Five Nations), Museum Pasifika, Bali, Indonesia, 2024

• Culture & Tradition Exhibition of India, Chitra International Art Gallery, Dehradun, 2024

• Emotions Art Exhibition of India, Chitra International Art Gallery, Dehradun, 2024

• Palette Fusion – Bridging Cultures (An International Art Exhibition of artists from India & Indonesia), Bali, Indonesia, 2024

• Art Diversity 2025 (Culture & Art Exchange Program of Artists from Asian Countries), New Delhi, India, March 2025

Through her participation in these exhibitions, Piki has not only showcased her talent

but also celebrated cultural exchange and artistic collaboration. Her works have been appreciated for their unique blend of contemporary aesthetics and spiritual depth, making her a significant figure in the contemporary art scene.

Piki Pratyusha Chavan's journey as a self-taught contemporary artist revealed her relentless passion, spiritual inclination, and creative exploration. Her ability to transcend the conventional boundaries of art and infuse her works with profound spiritual meaning sets her apart as a truly inspiring artist. As she continues to explore new mediums and delve deeper into the realms of spirituality, her artistic journey promises to be even more adventurous and fulfilling.

—Ruth Espinosa

Eternal Ascent

Shades of Emotions - 2

Monks Acrylic on Canvas

Risen Acrylic on Canvas

Awakening Acrylic on Canvas

Shades of Emotions Acrylic on Canvas

Dr. Neerja Chandna Peters A Journey Through Geometry and Spiritual Abstraction

r. Neerja Chandna Peters transitioned from a distinguished career in medicine to a full-time pursuit of art in 2019. A post-graduate physician, Dr. Peters practiced both medicine and art until she embraced her passion for geometric abstraction as a form of meditation. Her distinctive visual language— an intuitive interplay of light, color, and form—has earned her recognition on both national and international platforms.

Dr. Peters is a member of The Drawing Collective, an international group of artists dedicated to abstract geometry, and serves on the managing committee of the Eastern Foundation of Art and Culture, India. Her works have been extensively researched and exhibited worldwide, with four solo exhibitions, including one at the New England Regional Art Museum, Armidale, Australia, two in Portland, Oregon, USA, and a recent showcase at Bikaner House, New Delhi.

Her accolades include receiving the Third Prize at the First International Biennale by the International Association of Visual, Performing, and Other Arts in Lithuania (2021); Artist of the Year Award (2020); Wallace Hartley World Art Day Award

(2020); and the Critics’ Choice Award (2020). More recently, she won the Artist of Distinction Award at the TFA Awards, JD Institute of Fashion and Technology (2023) and the Best Exhibit Award at the Annual National Exhibition EFAC India (2024).

Dr. Peters has participated in numerous international exhibitions and projects with museums and publications. Her works have been featured in prestigious events such as the Biennale of Miniature Arts in Timisoara, Romania; World Art Virtual Biennale; Pandemia S.O.S. Mother Earth; Columbia Arte, USA; VBIG Guarulhos International Bienal of Small Format, Brazil; and the World Health Organisation x Create 2030 Covid-19 Arts Festival and Virtual Art Gallery. She has also contributed to the International Creative Drawings Exchange Program and exhibited in over 20 countries, including Argentina, South Korea, Italy, Costa Rica, Brazil, Mexico, UK, Germany, Poland, Spain, Croatia, Turkey, India, Russia, Bangladesh, Pakistan, Philippines, Australia, France, and the US.

Dr. Peters' work has been cited in PhD theses in Turkey and was featured in research journals. She has been published in Bluebee Magazine (London), Flora Fiction Literary Magazine, Quarantine Zine (New York), The Knack Magazine (US), Eki Magazine (Italy), and Indian Creative Minds Magazine.

Dr. Peters' arts are housed in esteemed collections, including the New England Regional Art Museum (Australia), Bowdoin College Museum of Art (Maine, USA), Haegeumgang Theme Museum (Korea), Polo Museum of Roccarainola (Naples, Italy), Museum and Gallery of Modern and Contemporary Art (Philippines), Archives of the Ministry of Education (Turkey), Frida Kahlo Art

Gallery (Mexico), and the City Council of Mostoles (Spain). Her works also reside in private collections across the US, UK, Australia, Canada, Croatia, Germany, Italy, Netherlands, and India.

Through her art, Dr. Peters continues to explore the spiritual dimensions of geometric abstraction, creating compositions that resonate with harmony, balance, and a deep connection to the Divine.

—Ruth Espinosa

Saadhaka 2

45.7 x 45.7 cm 2020

91.4 x 122 cm 2021

Hope Acrylic on Canvas board

Liberty Acrylic on Linen

Samadhi 2 Acrylic on canvas

x 45.7 cm 2020

The Divine Connection Acrylic on canvas board

x 38 cm

Lalhming Mawii

Reviving Mizoram’s Cultural Heritage Through Art

Lalhming Mawii, known as Amoii, is a self-taught Mizo artist whose work bridges ancestral narratives with contemporary expression. Inspired by the engraved monoliths of Vangchhia Kawtchuah Ropui—silent witnesses of a lost civilization—she reinterprets these historical elements, weaving themes of identity, resilience, and womanhood into her art.

Her symbolic approach creates a dialogue between past and present. A recurring motif in her work is the puakpuan, a traditional baby carrier representing care and connection, with tassels signifying gender identity—braided for girls, twisted for boys, and plain for common gender. Amoii also emphasizes the elaborate headgear and necklaces worn by Mizo women, reflecting strength, pride, and heritage.

Her distinctive scratching technique in the My Culture, My Heritage series mimics woven textures, evoking traditional textiles without using actual thread. Through meticulous etching, she transforms ancestral memory into contemporary form, threading the past into the present.

Believing that art carries both personal and

cultural responsibility, Mawii revives ancient storytelling methods. Her paintings reinterpret the carvings on Vangchhia’s monoliths—engraved with warriors and ritual symbols—blending tradition with modern technique to engage a global audience. She also advocates for the revival of traditional pottery, stone carving, and indigenous crafts, ensuring Mizoram’s artistic essence remains vibrant.

Beyond her canvases, Mawii fosters artistic growth within her community. In 2005, she founded the Art Novelty Gallery in Aizawl to showcase emerging Mizo artists. Expanding her mission in 2013, she established the Art Novelty Institute of Art & Craft, a skill development center empowering youth and adults in artistic pursuits. Through workshops, exhibitions, and collaborations with institutions like SIRD and Panchayat offices, she provides free art education, particularly for young artists and women, helping them reconnect with cultural roots.

Her dedication to art and cultural advocacy has earned her numerous accolades, including the 2022 Commendation Award for Outstanding Contribution in Promoting Art and Culture Globally from Vision Art Media (New York) and the Voice of International Professional Art Association. She also received the Rani Laxmibai Kala Award for Women

Artists (2021) and the Wallace Hartley W.A.D Award (2020), among others.

Mawii’s legacy lies in reclaiming Mizoram’s ancestral voices through artistic storytelling and mentorship. Whether through her intricate compositions or initiatives nurturing the next generation of artists, she preserves cultural identity by blending heritage with innovation— ensuring Mizoram’s traditions continue to resonate far beyond its borders.

Magnificent series -7

Acrylic on Canvas 24 x 36in 2025

Source of Life series

Acrylic on Canvas 24ft diameter 2023

K Jonathan Thangmawizuala collection

—Ruth Espinosa

Lady Justice Acrylic on Canvas 36 x 30in 2023

2023

Mrs T.

collection

My Culture My Heritage

Acrylic on Canvas

x 36in

Mrs T. Zosangpuii collection

My Culture My Heritage

Acrylic on Canvas

x 36in

Zosangpuii

My Culture My Heritage Acrylic on Canvas

36 x 36in

2023

Mrs T. Zosangpuii collection

My Culture My Heritage series Acrylic on Canvas 30 x 36in 2023

Most Rev. Bishop Stephen Rotluanga collection

Monalisa

Mehta

A Journey from Corporate to Creative Expression

Monalisa Mehta is a self-taught conceptual contemporary artist whose deep passion for art has driven her to create works that resonate with the stories and emotions of everyday life. With an MBA from Symbiosis and over a decade of experience in the IT sector, Monalisa made a bold decision at the age of 35 to pursue her true calling—art. This marked the beginning of her serious art journey, where she has since dedicated herself to exploring and expressing the complexities of human emotions through her work.

Monalisa’s art is deeply inspired by the narratives that unfold around us, particularly the feelings and inner conflicts that people experience. Each piece she creates holds a story that is close to her heart, aiming to communicate messages of inner turmoil and the paths to overcoming them. Her ability to capture these profound themes has garnered her recognition and admiration from art enthusiasts and curators alike.

Her artworks have been showcased in esteemed exhibitions, including the prestigious Museum Pasifika in Nusa Dua, Bali, Indonesia. This international exposure has led to her works being collected by art curators from Singapore, India, and

other countries, further establishing her presence in the global art scene.

Monalisa has her share of achievements in the field of arts. Her participation in Jahnive Art Exhibition in 2019 marked one of her early public showcases where her unique style began to attract attention. Through the Jahniv Art Online Exhibition and Sale (2020), Monalisa was able to reach a broader audience by adapting to the digital age, thereby successfully exhibited and sold her works online.

Monalisa was also awarded with Dushyant Art Gallery Emerging Artist (2019) and most recently the M F Hussein Award (2023) presented at the Indian Art Carnival Season 3, to honor her contributions to contemporary Indian art.

As an emerging artist, Monalisa’s work was celebrated for its innovative approach and emotional depth. She has participated in numerous national and international art exhibitions including the Konark International Art Exhibition (2022-23), Arth Art International Virtual Exhibition (2023); and Art Diversity (2024), showcasing her works to further solidify her reputation as a significant contemporary artist.

Embracing virtual platforms, Monalisa continued to share her art with a global audience. Likewise, exhibiting in Delhi, Malaysia, and Bali, underscored her versatility and appeal across different cultures.

The Bharatiya Kala Ratna Art Achievers Award (2022) presented by Ajanta Ellora International Art Gallery, recognized Monalisa’s outstanding contributions to the art world.

Monalisa's string of awards and recognitions such as the CAA Gold Award (2022), Kala Gaurav Eminent Artist Award (2022), Silver Award for Future Star Artist (2022), Asia Pacific Art Iconic Award (2023), and Top 100 Nature Artist (2023) acknowledged her excellence and iconic status in contemporary art. These awards validated her skill and dedication as an eminent artist with great potentials in the art community.

Monalisa Mehta’s crossover from the corporate world to the art world has been fulfilling. Her works continue to inspire and resonate with audiences, making her a prominent figure in contemporary art.

—Ruth Espinosa

Rise like a queen

Mixed Media

24 x 36in 2024

Flame - Threads of Passion

Mixed Media

32 x 48in 2024

Red Dot

Mixed Media

30 x 30in 2024

"The Quest for Happiness: A Delicate Balance Between Progress and Simplicity

As we reside in sprawling cities, indulging in luxurious spaces, we often find ourselves torn between the allure of modernity and the charm of tradition. Despite material comforts, our souls yearn for the serenity of rural landscapes, humble abodes, and a simpler way of life.

In pursuit of inner peace, genuine happiness, and harmony, we search for a balance between logic and emotion, reason and intuition. Yet, in today's fastpaced world, this equilibrium remains elusive, leaving us to navigate the tension between our aspirational minds and nostalgic heart.

Yin Yang • Mixed Media • 32 x 48in

INDONESIA

Dedy Sufriadi

The Art of Hypertext and Existential Abstraction

Dedy Sufriadi is a celebrated Indonesian contemporary artist known for his thoughtprovoking engagement with text and abstraction. Born in Palembang in 1976, he developed an early passion for painting, which led him to pursue formal education at the prestigious Institut Seni Indonesia (ISI) in Yogyakarta. His academic journey, culminating in a Master’s degree, provided him with a strong foundation in both technical execution and conceptual exploration.

Sufriadi’s artistic evolution is deeply intertwined with his fascination for existential philosophy and literature. His works often incorporate textual elements, reflecting his engagement with thinkers such as Friedrich Nietzsche, Jean-Paul Sartre, and Søren Kierkegaard. This intellectual depth manifests in his paintings, where fragmented phrases and layered compositions create a dynamic interplay between meaning and abstraction.

His career has been marked by numerous solo exhibitions across Southeast Asia, including Singapore, Malaysia, and the Philippines. His

"Hypertext" series, a defining body of work, explores the omnipresence of text in modern life, questioning its role in shaping perception and knowledge.

Sufriadi’s work is characterized by a fusion of abstract expressionism and conceptual text-based art. His paintings often feature chaotic yet deliberate arrangements of words, symbols, and textures, inviting viewers to engage in a dialogue between visual and verbal narratives. His use of monochromatic palettes and layered compositions enhances the depth and complexity of his pieces.

Beyond aesthetics, his art serves as a philosophical inquiry, challenging conventional understandings of language and communication. His approach resonates with audiences who seek deeper intellectual engagement with visual art.

Sufriadi’s contributions to contemporary art have earned him widespread recognition. His works are housed in esteemed collections such as the OHD Museum in Indonesia, Ilham Gallery in Malaysia, and the Iloilo Museum of Contemporary Art in the Philippines. His participation in international art fairs and exhibitions has solidified his reputation as a

leading figure in Indonesian contemporary art. His ability to merge philosophical inquiry with artistic expression has inspired a new generation of artists to explore the intersections of text, abstraction, and meaning. His influence extends beyond Indonesia, shaping dialogues in the broader Southeast Asian art scene.

Dedy Sufriadi continues to push the boundaries of contemporary art with his innovative approach to text and abstraction. His dedication to exploring existential themes through visual language has established him as a significant figure

in the Indonesian art world. As he continues to evolve, his work remains a testament to the power of art to provoke thought, challenge perceptions, and inspire deeper engagement with the complexities of human experience.

—Roy Espinosa

The world doesnt need idiot art to make audiences look smart, 2023

Scheinders List • Mixed Media on Canvas • 170cm x 220cm • 2023

The World Doesnt Need Idiot Art To Make Audiences Look Smart

Mixed Media on Wood

2023

180 x 200 x 20cm

JAPAN

Keiichiro Kimori

A Visionary Journey in Contemporary Art

Keiichiro Kimori is a distinguished Japanese artist whose work transcends traditional boundaries and explores the depths of contemporary expression. Residing in Umi-machi, Fukuoka, Japan, Keiichiro has established himself as a prolific figure in the art world. With a rich educational background and a series of accolades, his artistic journey is nothing short of inspiring.

Keiichiro's formal education in the arts began at Kyushu Sangyo University, where he earned a Bachelor of Fine Arts in 2007, majoring in Painting. His dedication and passion for art led him to further his studies, achieving a Master of Fine Arts in 2009 and later, a PhD of Fine Arts in 2014. Throughout his academic journey, Keiichiro specialized in Plastic Expression, a field that emphasizes the transformative power of artistic materials and techniques.

Keiichiro's talent and creativity have been recognized on an international scale. He has participated in numerous Artist in Residence programs and Art Camps, including the Sasaran International Art Festival in Malaysia (2014), the Yogyakarta International Art Festival in Indonesia

(2015), and the FACE TO FACE: INDIA 2018 International Art Festival in Udaipur, India. His involvement in these events has allowed him to collaborate with artists worldwide, enriching his artistic perspective and broadening his creative horizons.

In addition to his participation in art festivals, Keiichiro has also held several solo exhibitions. Notable among them are his 2012 exhibition at Gallery ArtdeMaA in Fukuoka, and his 2019 exhibitions at 410Gallery and Gallery Kaze, both in Fukuoka. His solo exhibitions have showcased his unique approach to art, characterized by a deep understanding of physical concepts and an innovative use of materials.

Keiichiro's work has also been featured in numerous group exhibitions, including the Malaysia, Japan & Philippines Fusion 3 Art Exhibition at Gallery Seni Mutiara in Penang, Malaysia (2016), and the Asian International Art Exhibition at the Fukuoka Asian Art Museum (20152023). His contributions to these exhibitions have highlighted his versatility and ability to engage with diverse artistic themes and styles.

Throughout his career, Keiichiro has received several prestigious art awards. He won the Purchase Award at the Kyushu Sangyo University Graduation Works Exhibition in 2007 and the Incentive Award at the Rupa Exhibition in 2008. In 2016, he was awarded the Grand Prize at the Tenjin Art Biennale held at the Fukuoka Asian Art Museum. More recently, he received the Vibrant Contemporary Artists Award at the Vibrant Contemporary Artists Exhibition in 2021, and the Fukuoka Wall Art Award in 2022.

Keiichiro's contributions to the art world extend beyond his own creations. He has served as a part-time lecturer in Artistic Anatomy at Kyushu Sangyo University from 2014 to 2024, and as a project lecturer at ZOKEI Junior College of Art and Design since 2022. His commitment to education and mentorship has helped nurture the next generation of artists, fostering a vibrant and dynamic artistic community.

In recognition of his outstanding contributions to the arts, Keiichiro was honored with the Anish Kapoor Award at the World Heritage Art Festival 2024-2025 in Udaipur, India. This prestigious cultural award underscores his influence and impact on the global art scene.

Keiichiro Kimori's journey in the art world is a story of dedication, creativity, and unwavering passion. His work continues to inspire and captivate audiences, creating a lasting impact on contemporary art.

—Ruth Espinosa

Physical Concept - Occurrence • Mixed Media • 162×162cm • 2021

• 2021 7TH GEOJE INTERNATIONAL ART FESTIVAL /Haegeumgang Theme Museum ,Yukyung Art Museum/Geoje/South Korea

• Donation: Haegeumgang Theme Museum / Yukyung Art Museum

Physical Concept / Adolescence

Mixed Media 162 × 162cm 2016

• 2016 Tenjin Art Biennale/Fukuoka Asian Art Museum/ Fukuoka/ Japan

• Grand Prize

Physical Concept / Rebuild

Acrylic 162 × 162cm 2024

• 2024 Katmandu International Art Exhibition / Katmandu / Nepal / TARAGAON NEXT

• Private collection

Physical Concept - Refrain

Acrylic 162 × 162cm 2023

• 2023 Foundation of Asian Artists , Japan Committe Exhibition/ Fukuoka Asian Art Museum/Fukuoka/Japan

Physical Concept /Skin-HIP

Mixed Media 53 × 53 × 3cm 2019

• 2019 Physical Concept -Keiichiro Kimori Solo Exhibition- /410Gallery/ Fukuoka/Japan

• Private Collection

Physical Concept/Torso of Gold Collagraphy 70 × 50cm 2018

KOREA

Bosuk Lee

A Visionary Korean Artist & Global Art Advocate

ee Bosuk is an influential Korean visual and installation artist whose career has been dedicated to fostering international artistic exchange and pushing the boundaries of contemporary art. As a multifaceted creator, exhibition planner, curator, commissioner, and coordinator, she has played a crucial role in global art projects since 1996. Her efforts have connected more than 500 world-class artists from 98 countries, establishing a vast creative infrastructure that promotes collaboration across diverse artistic disciplines.

Lee currently serves as President of the International Creative Artists Association (21CICAA) and Chairman of the World Culture Artists Association, Inc. (WCAA)—positions that reflect her commitment to advancing cultural dialogue and artistic excellence on a worldwide scale.

Lee’s work is deeply rooted in visual and installation art, where she explores themes of transformation, space, and the fluid nature of human experience. Through immersive environments, her installations challenge perception, creating profound

encounters between art and audience. Her ability to harmonize aesthetic tradition with experimental expression has made her a powerful force in contemporary art.

Beyond her personal artistry, Lee is an exceptional curator and organizer, having planned and participated in international exchange exhibitions, biennales, symposiums, academic art seminars, mural projects, and art therapy initiatives. Her outreach extends to working with severely disabled individuals, patients in medical wards, and children battling cancer, using art as a tool for healing and empowerment.

Her projects span across numerous countries, including Nepal, Russia, the United States, Germany, China, Italy, Austria, Belgium, Japan, the Netherlands, and many more, demonstrating her ability to create globally connected artistic platforms.

Lee's artistic foundation is a product of rigorous academic training. She completed a course in contemporary art at Hongik University Graduate School of Art in Korea and later majored in Western painting at the I. Lepin Academy in Russia, where she studied under Professor Igor Rajdrogin. This unique combination of Eastern and Western artistic education has allowed her to develop a deeply nuanced approach to creativity.

Throughout her career, she has held 37 solo exhibitions in prestigious venues such as the Nepal Art Council, the Hermitage Museum in Russia, and various galleries in New York, Germany, Austria, Japan, and Korea. Her works have been collected by esteemed institutions, embassies, museums, and private collectors across the globe, solidifying her influence in the international art scene.

Lee’s contributions to the arts have been recognized through various accolades, including:

• Macedonian Biennale 'Osten Award'

• Honorary Artist Certificate from St. Petersburg International University in Russia

• Youth Leader Grand Prize (Korean Youth Newspaper)

• Innovative Management Grand Prize for Social Contribution

• Hallyu Culture Contribution Grand Prize (Korean National Assembly)

As a judge at international art competitions, Lee has evaluated works at events such as the World Youth Art Festival, the Iran Darroudi Academy of Visual Arts, and the Cypressus Larnaca Biennale, among others. Her keen eye for artistic excellence has contributed to shaping the careers of emerging talents worldwide.

Lee's artistic evolution has reflected the dynamic shifts in time, place, and environment. She believes that while imitation can yield great art, true mastery is achieved through originality. Her dedication to the transformative power of creativity continues to inspire both established artists and new generations.

Through her tireless efforts in international cultural exchange and artistic innovation, Lee remains a beacon of creativity, mentorship, and global artistic unity.

—Ruth Espinosa

Character Symbol Abstraction 'World with Stories'-Arirang Mazirbe 162.2cmx130.3cm Oil on canvas 2018

Character Symbol Abstraction 'World with Stories'-Arirang of Slavantas 162.2cmx130.3cm Oil on canvas 2018

Character Symbol Abstraction-The World with Stories Oil on canvas

130.0 x 162.0cm

2014

Character Symbol Abstraction 'World with Stories'Arirang of Slavantas ! Oil on canvas

162.2cmx130.3cm

2018

Character Symbol Abstraction -The World of Story

Telling- Happy Life

Acrylic Mixed Media on Canvas

130.0x162.cm

2011

Character Symbol Abstraction

The World with Stories II

Oil on canvas

130.3 x162.2cm

2019

Julie Kim Bridging Cultures Through Art and Education

ulie Kim, born in 1980 in Seoul, South Korea, is an artist whose work transcends borders, connecting people through her unique visual language. With a background in art and education, Kim has made significant contributions to both the Korean and Philippine art scenes.

Kim graduated from the Art and Design Department of Kyung Hee University in Seoul, South Korea. She furthered her studies by obtaining a Master's degree from the Graduate School of Education at the same university. Her academic journey laid the foundation for her multifaceted career, blending artistic practice with education.

Kim's career has been diverse, encompassing roles as an art professor, freelance designer, and illustrator of Korean children's books. Her passion for education led her to mentor students at an Art Academy, preparing them for university entrance exams. Her ability to merge artistic expression with pedagogy has made her a respected figure in both fields.

Currently, Kim resides in Cebu, Philippines, where she manages an Art Academy and Gallery Café. Her mission is to infuse the vibrant colors of Korean art into the Philippine cultural landscape. Through her work, she fosters an exchange of artistic influence between the two countries, bridging cultural gaps through creativity.

Beyond her canvas, Kim plays a vital role in fostering collaboration and cultural exchange. As a facilitator for the Philippine Korean Artist Group, she brings together artists from different backgrounds, encouraging dialogue and mutual inspiration. Her involvement in various exhibitions, including the 75th Anniversary of Korean Diplomatic Relations in the Philippines, showcases her commitment to art diplomacy.

Kim's artistic philosophy is deeply rooted in the idea that art serves as a bridge between cultures. Her work reflects themes of unity, transformation, and shared human experiences. Whether through her paintings, mentorship, or curatorial projects, she

continuously seeks to create spaces where artists can thrive, regardless of their cultural backgrounds.

Kim’s artistic style is characterized by a harmonious blend of Korean traditional aesthetics and contemporary influences. Her compositions often feature intricate details, vibrant colors, and symbolic elements that invite viewers to explore deeper narratives. She draws inspiration from both her Korean heritage and her experiences in the Philippines, creating works that resonate with audiences across different cultures.

As the owner of an art education academy, Kim focuses on child psychology, youth development, and career art. Her vision is to nurture young talents, helping them find their artistic voices while instilling a sense of cultural appreciation. Through her work, she invites viewers to experience new perspectives and find common ground.

Julie Kim's art serves as a bridge, connecting hearts and minds across cultures. Her commitment to fostering understanding through creativity attests to the power of art in our globalized world. By continuously pushing the boundaries of artistic expression and education, she remains a beacon of inspiration for aspiring artists and cultural advocates alike.

—Ruth Espinosa

Keep it in Damda Korean folk Painting paint with korean paper Hanji 14 x 10in 2025

The Story of Happy Patience Mixed Media 30 x 24in 2024

Blossom Companion Acrylic on Canvas 25.5 x 19.5in 2024

Patient Companions Mixed Media 20 x 16in 2023

Allen Tan

Capturing the Essence of Human Emotion Through Art

llen Tan, a self-taught artist from Malacca, Malaysia, has carved a distinct niche in the art world with his deeply expressive and symbolic works. With a career spanning over three decades in the advertising industry as an art director, Tan’s creative journey has been shaped by his exposure to various media channels. However, his true passion lies in painting—an endeavor he fully embraced in 2002 when he launched his renowned collection, “Truefaces”.

Tan’s work is a profound exploration of human emotions, relationships, and the masks people wear in different aspects of life. His “Truefaces” series delves into the complexities of identity, portraying the various facades individuals adopt—whether in business, personal relationships, or entertainment. Through abstract and realistic styles, he captures the essence of these emotional projections, prompting viewers to reflect on the authenticity of their own expressions.

Beyond human emotions, Tan has also ventured into depicting one of nature’s most majestic creatures—the horse. His fascination with the

animal’s physique and temperament led him to create a monumental painting on a single roll of traditional Chinese rice paper measuring 156cm x 1,000cm. This masterpiece was recognized by the Malaysian Book of Records as the longest horse painting on canvas, further cementing his reputation as an artist who pushes creative boundaries.

Tan’s versatility and artistic excellence have earned him numerous accolades and opportunities to showcase his work. His paintings have been featured in charity events, tourism functions, and solo exhibitions, including those organized by the Melaka government to promote local art. His ability to capture emotions and narratives has also led him to paint portraits of celebrities, royalty, and corporate figures, including Malaysia’s Yang Di Pertuan Agong, the Sultan of Selangor, and the Sultan of Perak.

In addition to his solo exhibitions, Tan has actively participated in fundraising projects and charitable events, using his art to support meaningful causes. His works have been auctioned to raise funds for various initiatives, reflecting his commitment to using art as a tool for social impact.

Allen Tan’s artistic journey is an affirmation to the power of self-expression and the ability of art to transcend boundaries. His “Truefaces” collection continues to resonate with audiences, offering a compelling commentary on the human condition. His dedication to exploring new themes and techniques ensures that his work remains dynamic and thought-provoking.

As an artist who seamlessly blends symbolism, realism, and abstraction, Tan’s contributions to Malaysian art are both profound and enduring. His ability to evoke deep emotions through his paintings makes him a significant figure in the contemporary art scene, inspiring both emerging and established artists alike.

—Ruth Espinosa

Life 4 • Acrylic on Canvas • 48 x 48in • 2021

Blue Night • Acrylic on Canvas • 48 x 48in • 2021

Realization 1 Acrylic on Canvas 48 x 60in 2021

Realization 2

Acrylic on Canvas 48 x 60in

True Faces Acrylic on Canvas 48 x 48in 2021

Unveiled Mask Acrylic on Canvas 48 x 48in 2021

Suzlee Ibrahim

A Visionary in Abstract Expressionism

Born in 1967 in Kuala Terengganu, Malaysia, Suzlee Ibrahim has established himself as one of Malaysia’s most celebrated abstract expressionist painters. With a career spanning over 37 years, Suzlee has continuously pushed the boundaries of artistic expression, creating works that embody raw emotion, movement, and spontaneity.

Suzlee’s artistic journey began with a deep fascination for the interplay between colors, textures, and gestures. His paintings are characterized by bold strokes, dynamic compositions, and a profound connection between mind, eye, and hand. His approach to art is deeply intuitive, allowing him to translate emotions and experiences into visually striking pieces. His works often reflect the landscapes, environments, and emotions he encounters throughout his travels, making each painting a unique narrative of his artistic exploration.

Throughout his career, Suzlee has held 46 solo exhibitions and participated in art showcases across more than 40 countries worldwide. His ability

to convey emotion through abstraction has earned him international recognition, with his works being collected by prestigious institutions such as the Brooklyn Art Library (USA), Monastir Museum of Modern Art (Tunisia), and Emaar Properties (Dubai, UAE).

Beyond his personal artistic practice, Suzlee has played a significant role in shaping Malaysia’s art scene. He has served as a lecturer at the School of Art & Design, Institut Teknologi MARA, and currently holds the esteemed position of Dean at the Faculty of Fine Art, ASWARA (National Academy of Arts & Culture) in Kuala Lumpur. His dedication to education and mentorship has inspired countless young artists, reinforcing his commitment to nurturing the next generation of creative minds.

Suzlee’s contributions to the art world have been recognized through numerous accolades. In 2007, he was honored as the Japan-Malaysia Art Friendship Ambassador by the Ministry of Culture, Arts, and Heritage Malaysia. His international acclaim

was further solidified when he received the Gold Medal at the Zervas Art Symposium in Paris (2020). His ability to bridge cultures through art has made him a respected figure in both Malaysian and global artistic circles.

His exhibitions, such as "Imagery of Sounds & Visuals" at Galeri ASWARA, Kuala Lumpur, and "Tekirdag Expression" at Galeri Seni UiTM Melaka, showcase his ability to merge abstract art with contemporary themes. His works continue to be sought after by collectors, corporate organizations, and art enthusiasts who appreciate his unique approach to abstract expressionism.

Suzlee Ibrahim’s legacy is one of artistic innovation, mentorship, and cultural exchange. His dedication to the arts, both as a painter and educator, has cemented his place as a pioneering force in Malaysian contemporary art. His propensity to evoke emotion through abstraction ensures that his influence will continue to inspire generations of artists to come.

—Ruth Espinosa

Over The Rainbow Acrylic & Oil on canvas 150 x 150cm, 2022/ 23

Blue Wave No 3

Acrylic & Oil on Canvas 183 x 152cm 2023

150 x 150 cm

2022/23

Starlight Reflecting

Acrylic & Oil on Canvas

Little Green Apples

Acrylic & oil on Canvas

Collection: MUSEUM AZMAN

150cm 2021/ 22

150 x 150cm

2021/22

Shadows of Moonlit Nights

Acrylic & oil on Canvas

Reflections of Falling Leaves

Acrylic & Oil on Canvas

Cheong Mei Fong

A Life Dedicated to Art, Culture, and Environmental Advocacy

Cheong Mei Fong, born in 1951 in Penang, Malaysia, is a highly respected artist whose contributions to the Malaysian and international art scene have been profound. With a career spanning decades, she has established herself as a versatile and accomplished artist, known for her mastery of painting and sculpture. Her work reflects a deep engagement with themes of nature, cultural heritage, and environmental consciousness, making her a significant figure in contemporary Malaysian art.

Cheong Mei Fong pursued her formal art education at the Oriental Art Centre in Penang, earning a Diploma in Fine Art in 1989. Her dedication to artistic excellence led her to become a life member of the National Art Gallery of Malaysia, PeRUPA Malaysia, Malaysia Art Society, and Penang Art Society. She currently serves as the Vice President of the Penang Art Society, further solidifying her role as a leader in the Malaysian art community.

Cheong’s work is characterized by a harmonious blend of traditional and contemporary elements. She often incorporates Chinese ink painting techniques, creating compositions that evoke a sense of serenity and introspection. Her themes frequently explore spiritual journeys, reflections on nature, and cultural identity, making her work deeply resonant with audiences. Her paintings have been featured in Artist Directory, Artists Favorite, Art China, and 310 Malaysian Artists, showcasing her recognition in the art world.

Throughout her career, Cheong Mei Fong has participated in numerous exhibitions, both locally and internationally. She has exhibited in Singapore, Thailand, Taiwan, Japan, Korea, Indonesia, China, Australia, England, Canada, and the Philippines, demonstrating her global artistic reach. Some of her notable achievements include:

• 2016 Beautiful China in My Eye Competition – Excellence Award

• 2021 Best Artwork Top 30 – 1st National Art Exhibition in India

• 2022 Silver Award – Black and White Painting Competition, Hong Kong

• 2024 Bronze Award for Excellence – Canada National Artists Association

• Japan International Art Institute Prize – Tokyo Metropolitan Museum of Art

Her contributions extend beyond painting— she is also an accomplished sculptor. Her sculpture titled "Hope" was collected by the Penang State Art Gallery, further cementing her legacy in Malaysian art.

Cheong Mei Fong is deeply committed to environmental advocacy through art. As the founder of CD Sculpture Art, she encourages the public to reuse CDs to create sea creatures, promoting sustainability and ocean conservation. Her 2020 Waste Art Competition entry, "Gorilla," was selected by the National Art Gallery of Malaysia, highlighting her innovative approach to repurposing materials for artistic expression.

Additionally, she has played a pivotal role in organizing WWF charity art exhibitions in 2014, 2016, and 2017, serving as the organizing chairman. Her dedication to philanthropy and environmental awareness through art has made a lasting impact on the community.

Cheong Mei Fong’s artistic journey is a testament to her unwavering passion for art, cultural expression, and environmental advocacy. Her ability to seamlessly blend traditional techniques with contemporary themes has earned her a distinguished place in Malaysia’s art scene. Through her exhibitions, mentorship, and contributions to the artistic community, she continues to inspire and shape the future of Malaysian art.

—Roy Espinosa

Brilliant Shine Acrylic on Canvas 100 x 70cm 2023

Splendor Shine • Acrylic on Canvas • 45 x 52cm • 2024

Bronze Award in the Westem Painting Category in Canada National Artists Association

Dark Light

Acrylic on Canvas 40 x 50cm 2024

Japan International Art Institute Prize

Ribbons of Flowing Light • Acrylic on Canvas • 75 x 75cm • 2024 • Lifetime Outstanding Achievement Award

Black & White

Acrylic on Canvas 75 x 90cm 2022

Silver Award in Black & White Painting Competition 2022 international Competition Hosted by Hong Kong

Brilliance Shine Endlessly

Acrylic on Canvas 45 x 50cm 2024

Elaine Chew

Bridging Cultures Through Artistry

Elaine Chew's journey through the realms of artistry is set forth to her boundless creativity and unwavering dedication. While her early years were adorned with the strokes of makeup brushes, it was her innate artistic spirit that guided her towards a path of transcendent beauty and cultural exploration. In the bustling artistic scene of Singapore in 1984, Elaine emerged as a luminary in the field of makeup artistry. Her exceptional skills not only graced the faces of runway models but also nurtured the talents of aspiring artists within a prestigious makeup academy. As her reputation soared, she found herself on international stages, triumphing in numerous makeup competitions and leaving an ineffaceable mark on the global beauty landscape.

However, it was in 2018 that Elaine embarked on a transformative journey, discovering a newfound passion for Chinese calligraphy. What began as a casual hobby soon blossomed into a profound artistic endeavor, igniting her soul with a fervent desire to explore the rich cultural heritage

embedded within each stroke of the brush. Elaine's dedication to her craft extends beyond personal enrichment; it reflects deeply with her commitment to giving back to the community. Actively involved in various charity groups, she harnesses her artistic talents to uplift others, participating in fundraising events and exhibitions that serve noble causes close to her heart.

The acclaim for Elaine's artistic prowess knows no bounds. Yearly invitations to prestigious events during Chinese New Year celebrations is an undeniable affirmation of her rising prominence in the world of calligraphy. From the opulent halls of Pavilion Kuala Lumpur to the esteemed corridors of educational institutions like Kuen Cheng High School and Kwang Hwa Private School, her exhibitions captivate audiences with their elegance and grace.

Internationally, Elaine's talent has garnered widespread recognition, with solo exhibitions held in esteemed galleries across Korea, England, China, and Singapore. Each brushstroke speaks volumes,

weaving together a tapestry of cultural exchange and artistic expression that transcends geographical boundaries.

Among her many accolades, Elaine's solo exhibitions at Joyful Gallery in Klang and her participation in renowned events like the International Culture Art Fair in Korea and the Art Penang International Art Summit & Expo underscore her status as a luminary in the world of contemporary art. Her recognitions extend beyond solo endeavors, with notable wins such as the PTGSA22 by Gallery Shah Alam and the Excellent Award at the Art Exhibition in Seoul, further cementing her legacy as a trailblazer in the global art scene.

Elaine's journey is not merely one of artistic evolution but also a celebration of cultural harmony and unity. Through her mastery of both makeup artistry and Chinese calligraphy, she continues to bridge cultures, inspire generations, and leave impactful effects on the canvas of human creativity. As she navigates the intricate interplay between beauty and culture, Elaine Chew remains a beacon of artistic excellence, illuminating the path for aspiring artists and cultural enthusiasts alike.

—Ruth Espinosa

The Fruit of The Spirit Chinese ink on Rice Paper 68 x 135cm

Dancing almost Blossom Chinese ink on Rice Paper 68 x 135cm

Filial piety

Chinese ink on Rice Paper 68 x 135cm

Steadfast Love

Chinese ink on Rice Paper 68 x 135cm

Harmony of Heart and Nature

Chinese ink on Rice Paper 68 x 135cm

Whispers of Spring Chinese ink on Rice Paper 68 x 135cm

Eng Nee Nee

A Journey Through Ink and Expression

orn in 1962 in Kedah, Malaysia, Eng Nee Nee is a distinguished artist whose mastery in traditional and contemporary painting techniques reflects a lifelong dedication to artistic exploration. As a committed member of Malaysia’s vibrant art scene, her work bridges the fluid elegance of ink painting with the textured depth of acrylic and oil painting, resulting in a diverse artistic repertoire that speaks to both tradition and innovation.

Eng’s artistic exploration gained momentum in 2018 when she began studying ink painting under the esteemed guidance of Mr. Han Biao. This foundation allowed her to refine her brushwork, capturing the delicate interplay of form and movement within her compositions. Seeking further growth, she expanded her artistic practice in 2023 by embracing acrylic and oil painting, venturing into new mediums that added complexity and richness to her expression.

Her dedication to the arts is evident in her extensive affiliations with various prestigious organizations. She is a lifetime member of the National Gallery and the Malaysian Women

Calligraphers and Painters Association, demonstrating her commitment to preserving artistic heritage and championing female artists. She plays a financial role in both the Penang Ink Painting Association and Central Art Association, ensuring the sustainability of artistic initiatives within her community. Her involvement extends to membership in the Penang Art Association, Northern Art Association, International Art Academy, and Japan International Art Academy, reinforcing her engagement in global artistic dialogues.

Eng’s work has been recognized in numerous international art exhibitions and competitions. In 2021, she earned a place among the top 100 artists in the Callisto Art & Culture First International Online Art Competition. Her participation in the 2022 Asia Pacific Art Fair in Singapore marked a significant milestone, elevating her presence in the regional art landscape. Her commitment to artistic excellence continues in 2024, where she contributes to notable exhibitions, including the Hong Kong International Exhibition at Central Library, the Chinese Ink Art Exhibition celebrating 50 years of Malaysia-China diplomatic relations, and global showcases in Canada, Taiwan, Japan, and China, such as the Dunhuang Art Exchange Tour and Resonance of Art International Exchange Exhibition.

Eng’s participation in the 2025 Spring Malaysia International Online Juried Art Competition

(“Figure & Faces”) and the Beauty of Southeast Asia International Art Exhibition further affirms her growing influence in the art world. Through these exhibitions, her work continues to captivate audiences, reflecting her evolving exploration of artistic forms.

Her approach to painting is rooted in a profound understanding of cultural traditions while embracing modern interpretations. Through each brushstroke, Eng Nee Nee conveys narratives of movement, harmony, and emotional depth, offering viewers a glimpse into her artistic vision. As she continues to evolve in her practice, her contributions enrich the Malaysian and international art community, inspiring fellow artists and art enthusiasts alike.

—Roy Espinosa

A Stroll Through Silver Shower Oil on Canvas 46 x 61cm 2025

Whisper in the Rain Oil on Canvas 46 x 61cm 2025

Clean Heart Chinese ink 46 x 58cm 2024

Winter Chinese ink 68 x 68cm 2023

Down hill Acrylic on canvas 30 x 40cm 2024

Soar

Oil Painting on Canvas 38 x 46cm 2024

Esther Wong A Visionary in Batik Art and Cultural Expression

Born in Selangor in 1946, Esther Wong Kim Ho is a Malaysian artist whose creative journey has been as dynamic and multifaceted as her life itself. A lifelong member of the Association of Malaysian Artists in Kuala Lumpur and a distinguished member of the Japan International Academy of Arts, Wong has consistently demonstrated an unwavering commitment to artistic excellence and cultural storytelling.

Wong’s early career was rooted in education, having trained as a teacher specializing in arts and crafts at the Malaysian Teacher’s College. For 15 years, she imparted her knowledge to young minds, shaping the artistic sensibilities of the next generation. However, driven by a thirst for new challenges, she pivoted to law, earning her qualification and practicing as a lawyer until her retirement in 2019. Yet, art remained an essential part of her identity and upon retiring, she fully embraced her passion, returning to the world of creativity with renewed vigor.

Since dedicating herself entirely to her artistic pursuits, Wong has created a significant influence on the Malaysian art scene. She has participated in numerous group exhibitions across Kuala Lumpur, Penang, and Johore, showcasing her distinctive approach to batik—a traditional textile art deeply

embedded in Southeast Asian heritage. Her exploration of batik transcends convention, infusing the medium with expressive Chinese ink techniques that reflect her dual cultural identity as a ChineseMalaysian artist. This fusion creates a compelling dialogue between tradition and innovation, allowing her work to speak to both heritage and contemporary aesthetics.

Her artistic achievements were internationally recognized in 2024 when she received a prestigious Gold Award at the 17th Japan International Art Exhibition. This honor not only affirmed her exceptional craftsmanship but also reinforced her role in bridging artistic traditions between Malaysia and Japan.

Among Wong’s notable works is Sweet Memory, a batik masterpiece depicting a young girl kneeling by a river, her long flowing hair capturing the movement of time and nostalgia. The golden wax linings imbue the piece with symbolic richness, as gold is revered in many East Asian cultures for its associations with longevity and happiness. The presence of the lotus flower further deepens the emotional and philosophical layers of the artwork, representing resilience and the triumph of beauty over adversity.

Looking ahead, Wong remains steadfast in her ambition to bring her art to wider audiences. She aspires to exhibit her work not only within Malaysia but also across Japan, Taiwan, Thailand, and China, continuing her mission to share her cultural

perspectives and artistic explorations with the world. With her distinctive blend of tradition and experimentation, Wong’s work exemplify her dedication to artistic innovation and the preservation of cultural heritage.

—Roy Espinosa

Soft and Shy whisper Batik

35 x 75cm 2024

Born Free Batik

35 x 75cm 2024

Patience Batik

35 x 75cm 2024

Dragon Fly Batik 35 x 75cm 2024

Jason Min Illuminating the Art World with Creativity

Jason Min, a Malaysian artist based in Penang, has carved a distinctive niche in the art world with his unique and compelling artistic expressions. Often referred to as The Little Matches 火柴人 Artist, his work embodies creativity, passion, and a deep connection to cultural narratives. With an impressive career spanning multiple solo exhibitions, mural art, and international collaborations, Jason has established himself as a significant force in contemporary Malaysian art.

Jason’s artistic journey began with his first solo exhibition in 2014, The Journey of the Little Matches, held at Living Story Penang. This exhibition set the foundation for his future work, showcasing his ability to convey profound themes through his art. His second solo exhibition, Wonderful World, followed in 2015 at Island Gallery, Penang, further solidifying his presence in the local art scene. In 2024, Jason continued to evolve his artistic vision with his fourth solo exhibition, Life Like Lotus, presented at FuGuang Yuan Art Gallery in Kuala Lumpur.

Beyond solo exhibitions, Jason has been actively involved in numerous group exhibitions across Malaysia and internationally. His participation in Art For Nature 2014 – WWF Malaysia, We Are The World – Balik Pulau Art Society, and Penang Art Open "HOPE" highlights his engagement in environmentally and socially conscious projects. His talent has reached global audiences through Imago Mundi Colours of Destiny in Italy, Taiwan Songshan Exhibition in Taipei, and Malaysia-China Art Exhibition at One East Museum in Penang.

Jason’s contribution to mural art has been instrumental in shaping the public art landscape in Malaysia. His murals, Teasing the Ducks 1 & 2, Three Famous Faces, Matchstick Man & Durians, and The Beginning, are cherished visual landmarks in Penang. Through these works, he has enriched urban spaces with captivating narratives, blending tradition with modern artistic sensibilities.

Jason’s artistic achievements have been extensively documented in publications and media

features. His work has been showcased in Explorer "Singapore" Magazine, Nuyou Magazine, and Astro's Food Moments. His insights and contributions to the art scene have been acknowledged in major newspapers such as China Press, Kwong Wah Jit Poh, Sin Chew Daily, and The Star. Additionally, he has also been featured in television programs like 8TV Octave Space and TV1 Installation Art By The Bay.

As a dedicated member of the artistic community, Jason holds life memberships in the Penang Art Society, Balik Pulau Art Society (serving as a committee member), and the International Association of Creative Arts (IACA). His role in these organizations has allowed him to foster collaborative artistic initiatives while nurturing emerging talent.

In 2024, Jason won the prestigious Artistic Coexistence and Prosperity award from IACA, reaffirming his impact on the international art scene. His continuous dedication to art is evident in his participation in charitable and cultural projects, including Charity Opera Show at the Penang State Museum and the CNY Exhibition Road Show at Kwai Chai Hong, Kuala Lumpur.

Truly, Jason Min’s artistic journey reflects a commitment to creative exploration, cultural dialogue, and public engagement. Whether through his striking murals, thought-provoking exhibitions, or contributions to art societies, he remains a beacon of inspiration in the Malaysian and global art community.

—Roy Espinosa

The Belief • Chinese Ink on Rice Paper • 70 x 70cm • 2024

In a Split Second Chinese Ink on Rice Paper 70 x 70cm 2024

Love in Stillness

Chinese Ink on Rice Paper 70 x 70cm 2024

Observe and Abive • Chinese Ink on Rice Paper

70 x 70cm

2024

Khalid Othman

A Visionary in Art and Education

Born in Pahang, Malaysia, Khalid Othman has carved a distinguished path as an artist, educator, and advocate for creative learning. With a deep-rooted commitment to art education and an impressive body of work showcased internationally, Khalid has become a prominent figure in the Southeast Asian art scene. His contributions span both artistic practice and pedagogical leadership, shaping generations of artists and thinkers.

Khalid’s journey in the arts began with a Bachelor’s Degree in Art & Design (Fine Art) from Universiti Teknologi MARA (UiTM), Malaysia. His passion for art education led him to pursue an Art Teaching Diploma at UiTM, followed by a Master’s Degree in Art & Design Education at De Montfort University, UK (formerly Leicester Polytechnic). His academic achievements reflect a deep commitment to both personal artistic growth and the cultivation of creative education.

His professional career in education is extensive, beginning as an art teacher at a

secondary school in Pahang (1976–1980). His role evolved into curriculum development, where he served as an officer in Art Education at Malaysia’s Ministry of Education (1981–1991). His expertise later took him beyond Malaysia, becoming a lecturer in Art Education and Art & Creative Technology at Universiti Brunei Darussalam (1992–2012).

Continuing his dedication to education, Khalid became a part-time lecturer at AEU University in Kuala Lumpur (2013) and contributed as an SME, tutor, and examiner at Open University Malaysia (2014–2017). He also served as an academic member for Highland International Boarding School, Malaysia, and lectured at the Malaysia Institute of Art.

Beyond his contributions to education, Khalid has remained an active artist, participating in various exhibitions across Malaysia, Brunei, Thailand, Indonesia, the Philippines, India, and China. His work explores diverse themes, reflecting a blend of academic rigor and artistic exploration.

His early exhibitions include the Graduate Show at UiTM Syah Alam (1974) and the Art

Teachers Graduate Show at UiTM Terengganu (1976). He continued to showcase his work globally, including a graduate exhibition at Leicester Polytechnic, UK (1986), and later at major events such as The New Asian Art Experience in Bangkok (2010), Brunei Art Forum Show (2012), Art Connexion International Artists Exhibition at MATIC, Kuala Lumpur (2015), and the Silk Road Artist Rendezvous Exhibition in Hangzhou, China (2023). His participation in Imago Mundi (2018), Mindscape (2018), and the Affordable Art Show at World Trade Center KL (2022) demonstrates his continued relevance in contemporary artistic dialogue.

Khalid’s legacy is one of dedication to both artistic creation and the education of future generations. His work bridges the gap between theory and practice, offering students and audiences an enriching experience. Whether shaping curriculum development, mentoring young artists, or exhibiting internationally, his contributions exemplify a lifelong commitment to art’s power to inspire, educate, and transcend borders.

—Roy Espinosa

Making Murtabak • Acrylic on Canvas • 30 x 30cm • 2025

Cake Seller at a Night Market • Acrylic on Canvas • 30 x 30cm • 2025

Woman shopping at a Night Market in Malaysia

Acrylic on Canvas • 30 x 30cm • 2025

Selling Cakes at a Night Market in Malaysia

Acrylic on Canvas • 30 x 30cm • 2025

Mak Yong Dance Acrylic on Canvas 30 x 30cm 2025

Tarian Zapin (Zapin Dance) Acrylic on Canvas 30 x 30cm 2025

Tarian Zapin (Zapin Dance) • Acrylic on Canvas • 30 x 30cm • 2025

Making and Selling Apam Balik Acrylic on Canvas

30 x 30cm 2024

Woman selling Roti John Acrylic on Canvas

30 x 30cm 2024

Ng Yi Shen

An Imaginary Artist Redefining Boundaries Through Art

Ng Yi Shen, an imaginative artist hailing from the vibrant city of Penang, Malaysia, has defied all odds to emerge as a rising star in the art world. Born with Global Developmental Delay, Yi Shen's journey to artistic prowess has been nothing short of remarkable. From his early years in primary school, where he would lose himself in the strokes of his drawings, to his recent achievements in the art scene, Yi Shen's passion for art has become a beacon of inspiration.

Despite his initial struggle to focus in the classroom, Yi Shen's unyielding interest in the arts gradually took root as he matured. In 2022, he completed his Bachelor of Arts in Liberal Studies (honors), a milestone that not only expanded his horizons but also provided him with the opportunity to connect and communicate with a diverse range of individuals. This newfound confidence propelled him to express himself more openly and engage with strangers, fostering personal growth and artistic development.

Yi Shen's artistic development took a significant leap forward as he began actively participating in numerous exhibitions. These exhibitions became catalysts for his maturity and self-assurance, exposing him to the critical eyes of art enthusiasts and fellow artists. The pivotal moment arrived when his debut artwork was collected by esteemed art collector Alice Chang of Lai Lai Art. The validation and encouragement he received from this significant milestone reinforced his belief in his artistic abilities and further motivated him to pursue his passion.

One aspect that greatly influences Yi Shen's artistic expression is his profound love for animals, particularly inspired by Disney animations. Drawing strength from the might and majesty of lions, tigers, and leopards, his works exude an awe-inspiring aura. The subconscious impact of these magnificent creatures enhances his self-confidence, enabling him to skillfully capture a wide range of human expressions and embody the unique characteristics of animals. Through this fusion, his art takes on a profound and meaningful form, showcasing the depth of his talent and creativity.

In a remarkable collaboration that coincided with World Autism Day and Autism Awareness Month, Four Points by Sheraton Kuala Lumpur, Chinatown, partnered with Masteron Group Sdn Bhd, Dr. Choy Sook Kuen of Oasis Place Malaysia, and renowned artist Alice Chang from Lai Lai Art to host a fundraising art exhibition from 2nd to 18th April 2021. This event aimed to empower individuals with autism, fostering inclusivity and independence. All proceeds generated from the exhibition were dedicated to supporting Sri Eden, a non-governmental organization (NGO) that serves the special needs community.

Yi Shen was deeply honored and overjoyed to be given the opportunity to participate in this prestigious event, showcasing his expertise in abstract art. The exhibition not only allowed him to gain recognition but also provided invaluable experience that would shape his artistic career. Immersed in an atmosphere of compassion and support, Yi Shen's artistic voice reverberated, captivating the hearts of those who witnessed his evocative creations.

As Ng Yi Shen continues to forge his path as an imaginary artist, his relentless pursuit of artistic excellence and his unwavering passion for creativity serve as an inspiration to individuals worldwide. Through his art, he shatters barriers, transcends limitations, and elevates the human spirit, creating a lasting impression on the art world and beyond. The remarkable journey of Ng Yi Shen is

one of sheer determination and life altering power of his unbreakable spirit as an artist.

—Ruth Espinosa

The Promise of Grandeur Acrylic on Canvas 60 x 90cm 2024

Unity is Strength Acrylic on Canvas 90 x 90cm 2024

Guardian of Vibrant Realms Acrylic on Canvas 40 x 50cm Year 2024

Natural Scenery Acrylic on Canvas 40 x 50cm 2024

Ooi San Tee

The Unseen Beauty

Ooi San Tee is a self-taught Malaysian artist whose passion for painting ignited at the tender age of 15. Born with an innate love for the arts, Ooi has spent a lifetime nurturing her creative spirit. Her unique artistic style, characterized by the use of dim and natural colors, evokes a sense of comfort and serenity, setting her apart in the contemporary art scene.

Ooi's formal education played a pivotal role in shaping her multifaceted career. She holds a Bachelor's degree in Chemistry, which provided her with a strong foundation in scientific principles and analytical thinking. Furthering her academic pursuits, Ooi earned a Master of Business Administration (MBA) with a major in Corporate Management and a specialization in Marketing. To complement her academic background, she also obtained dual diplomas in Makeup Artistry. This diverse educational background has endowed Ooi with a unique blend of scientific precision, business acumen, and artistic creativity.

Ooi's professional career is as varied as her educational background. She has amassed extensive experience in the skincare industry, working in product development, manufacturing, quality assurance, and sales. Her entrepreneurial spirit led her to establish and successfully manage

multiple theme cafes that integrate skincare retail, food, bowling, and badminton facilities. These ventures highlight her business savvy and her ability to innovate and create unique customer experiences.

Despite her busy career, Ooi has always made time for her passion for painting. Her self-taught artistic journey began in her teenage years, and over the decades, she has honed her skills and developed a distinctive style. Ooi's paintings often reflect the world around her, capturing everyday scenes with a touch of nostalgia and tranquility. Her preference for dim and natural colors lends a sense of calm and comfort to her work, inviting viewers to experience the simplicity and beauty of ordinary moments. She prefers the technique of spraying paint with a brush on the canvas, a method that adds texture and depth to her works, making them visually and emotionally engaging.

Ooi's dedication to her craft has not gone unnoticed. She has participated in various group exhibitions across Asia, showcasing her work in Malaysia, Thailand, Japan, China, the Philippines, Taiwan, and Singapore. These exhibitions have provided her with a platform to share her unique artistic vision with a broader audience and have earned her recognition and acclaim in the art community.

In 2022, Ooi was honored with the UTAR Outstanding Alumni Award in the Cultural and Artistic category, an acclamation to her contributions to the arts and her alma mater. This prestigious award recognized her exceptional talent and dedication to her craft. Ooi also received the Newcomer Award from the 17th International Painting and Calligraphy Awards Exhibition held at the Tokyo Metropolitan Museum of Art in 2024. This accolade further cemented her reputation as a rising star in the international art scene.

Ooi's artistic path is driven by a deepseated passion for painting and a desire to express the beauty of the world around her. Her self-taught approach, combined with her extensive professional and academic background, has allowed her to create works that are both technically proficient and emotionally resonant. Each of her paintings tells a story, capturing the essence of everyday life and transforming it into a visual narrative that speaks to the viewer.

Ooi San Tee continues to push the boundaries of her artistic practice, exploring new techniques and themes while staying true to her distinctive style. Her work pays tribute to the power of self-expression and the ability of art to transcend cultural and geographical boundaries. As she

continues to evolve as an artist, Ooi remains committed to sharing her vision and inspiring others through her paintings.

Ooi is an active member of several art societies, including the Penang Art Society, Balik Pulau Art Society, North Kedah Art Society, and the Malaysian Female Artist Society, among others. Her membership in these organizations underscores her dedication to the art community and her commitment to fostering artistic collaboration and exchange.

Among her recent achievements was the "Award for Excellence" she received from the National Artist Association Canada during the 2024 International Exhibition of Calligraphy & Painting in October. Another highpoint in her career is the inclusion of one of her paintings in the royal collection of the Queen of Perak during an official event at UPSI, Perak, on October 14, 2024.

Expanding her professional ventures, Ooi has launched GSKV Sports, a company specializing in the retail of sports equipment—including bowling, badminton, pickleball, and fishing gear— further showcasing her entrepreneurial versatility.

—Ruth Espinosa

Tupah Waterfall 2 • Acrylic on Canvas • 60 x 80cm

This is freedom

Acrylic on Canvas 102 x 76cm

Merbok Village 1

Acrylic on Canvas 60 x 80cm

Mysterious Door

Acrylic on Canvas

60 x 45cm

Tupah Waterfall 3

Acrylic on Canvas

60 x 80cm

Shirley Chu A Maestro of Malaysian Contemporary Art

rofessor Shirley Chu Siow Eng-PJK, a name synonymous with artistic excellence and cultural contribution, has cemented her place as a luminary in the Malaysian art scene. Born in Putian, Fujian, China, in 1951, Shirley's journey into the world of art began with a deep-rooted passion that has only flourished over the decades. Now representing Malaysia, she resides in Kuala Lumpur, where she continues to inspire and shape the artistic landscape.

Shirley's educational background is as diverse and rich as her artistic portfolio. She attended a Chinese secondary school before pursuing a Master's degree lesson with the China Academy of Art in The People's Republic of China. Initially embarking on a career as a fashion designer, Shirley's creative instincts eventually led her to the realm of painting. Her dedication to the arts was recognized with an upcoming appointment as a visiting professor at the Japan International Art Research Institute.

Throughout her illustrious career, Shirley has held significant positions in the art community. She is the President of the International Association of Creative Arts, National President of the Malaysian Artists Society, and National President of the Malaysian Female Artists Society. These roles reinforce her leadership and commitment to fostering artistic talent and collaboration.

Shirley's work has garnered numerous awards and recognitions, reflecting her exceptional talent and contributions to the arts. In 2005, she won the Grand Prize at the Asia Art Award by the Korea Culture Art Research Institute. Her artwork has been featured in international group exhibitions from 1996 to 2023. In 2011, Shirley received the PJK Medal conferred by the Sultan of Selangor for her dedicated service to society. She has also been a consistent winner at various art competitions, including the Runner-up Award in Chinese Ink Painting at the Open Show 2014 hosted by the National Visual Art Gallery Malaysia and the Winner at the Open Show 2018-2022 hosted by Galeri Shah Alam. In 2023, she was honored with the Asean Chinese Outstanding Artistic Contribution Award.

Shirley's artistic path is marked by a series of major solo art exhibitions that highlight her creative evolution. From her 1996 Sabah Chinese High School Education Fund Raising exhibition in Tawau to the 2023 "Love with WATER" series, her solo exhibitions have captivated audiences with their depth and diversity. Notable exhibitions include her 2005 charity art exhibition that spanned Singapore, Malaysia, Hong Kong, and Taiwan, and her 2022 "Pokok dan Bunga" series held in various prestigious galleries across Malaysia.

Apart from her solo exhibitions, Shirley has participated in numerous group exhibitions across the globe. Her artwork has been showcased in China, the UK, the USA, Japan, South Korea, India, Indonesia, the Philippines, Thailand, Singapore, Taiwan, Hong Kong, and Malaysia. These exhibitions have provided her with a platform to share her artistic vision with a broader audience and have earned her recognition and acclaim in the international art community.

Shirley's contributions to the art world extend beyond her own creations. As a leader and educator, she has played a pivotal role in nurturing the next generation of artists. Her commitment to promoting cultural exchange and artistic collaboration left a significance on the art community.

Unequivocally, Professor Shirley Chu Siow Eng-PJK's artistic evolution is marked with dedication, talent, and unwavering passion for the arts. Her diverse educational background, significant leadership roles, and numerous accolades reflect her profound impact on the Malaysian and international art scenes. Shirley continues to push the boundaries of her artistic practice, inspiring others with her vision and creativity.

Shaoying-Prosperity Color ink painting 68 x 58cm

Shaoying-Matthew 4:19 Chinese Ink on Rice Paper 136 x 68cm 2020

—Ruth Espinosa

Abundance

Color ink painting

84 x 74.5cm

Matthew 4:19

Ink painting 136 x 68cm

Shaoying-Watching Fish by the Water • Color Ink Painting • 69 x 137cm • 2023

Fishes Swimming in the Pond • Ink painting • 90 x 70cm

Tan Siew Yean

Brushstrokes of Passion

Tan Siew Yean, a talented artist from Parit Buntar, Perak, Malaysia, embarked on the creative path following her departure from the corporate world and her involvement in her husband's business. Her longstanding fascination with art finally found its expression during her retirement, ignited by a passion nurtured through years of collecting Chinese paintings.

In 2017, Tan immersed herself in the world of Chinese brush painting under the tutelage of Master Ng Hun Kim. This experience sparked her desire to explore further, leading her to delve into acrylic painting in 2019 and subsequently, watercolor painting the following year. Despite being a novice, Tan's talent quickly garnered attention. Her Chinese brush painting was recognized by the Kuala Lumpur and Selangor Chinese Assembly Hall (KLSCASH), earning her a spot in the prestigious National Art Exhibition in September 2019.

Since starting her artistic endeavors, Tan has become a regular participant in numerous art exhibitions across Malaysia. As an active member of the Penang Chinese Brush Painting Art Society, she consistently contributes to their annual

exhibitions. To refine her skills and gain broader exposure, Tan participated in art camps such as the Balai Seni Langkawi and the international art camp organized by the North Kedah Art Society in 2019. Her international presence was further established through her participation in The First International Exhibition of the Taiwan International Culture and Art Alliance in Taiwan in October 2020, and the virtual "Belt and Road Culture & Tourism Exchange Week" art exhibition in September 2020 during the height of the Covid-19 pandemic.

Tan's commitment to giving back is evident in her participation in charity art exhibitions organized by groups like the Malaysian Female Artists Society. Her recent works predominantly feature nature and wildlife, employing watercolor and acrylic mediums. Notable pieces include "Harmony", an acrylic painting depicting a family of pelican birds in a wilderness setting, and "Freedom", a watercolor painting that contrasts dark and light hues to evoke a sense of melancholy and hope in a sunset or sunrise scene.

A significant milestone in Tan's artistic development was the establishment of her personal gallery, HYW Art Gallery. Further solidifying her presence in the Malaysian art scene, she held a solo exhibition at Island Gallery in Penang on 5

November 2022, marking an important chapter in her evolving artistic career. Her accomplishments continue to unfold, with her watercolor painting recently selected for the virtual world art exhibition organized by Leonard International Group earlier this year.

Currently residing in Nibong Tebal, Penang, Malaysia, Tan Siew Yean's artistic journey exemplifies the transformative power of passion and commitment.

Tan Siew Yean's artistic evolution showcases her remarkable ability to embrace new techniques and styles while maintaining a unique and consistent voice in her work. Her story is one of perseverance, creativity, and the enduring pursuit of artistic excellence, making her a prominent figure in the Malaysian art scene.

—Ruth Espinosa

Enjoy the Nature Acrylic on Canvas 60 x 90cm

Green Nature Watercolor 60 x 40cm

sweet home

on Paper

Enjoy the nature Watercolor on Paper

60 x 50cm 2024

A Lovely couple Watercolor on Paper

30 x 42cm 2025

Tim Teh

A Journey of Color and Creativity

Tim Teh Ming Yang's creative journey is a story of passion, perseverance, and transformative. Born and raised in Penang, Malaysia, Teh's path to becoming a celebrated artist is marked by his unique background, technical expertise, and unwavering commitment to his craft.

Tim Teh Ming Yang discovered his love for art as a young teenager in 1976 when he participated in an art competition, encouraged by his art teachers. Winning first prize and having his artwork displayed at the Penang State Art Gallery for two weeks ignited his passion for art and set him on a creative path.

Despite his early success in art, Teh initially pursued a career in the paint industry, working for a Malaysian paint company. This experience provided him with extensive knowledge of paints and dyes, which he skillfully incorporated into his art. His ability to mix acrylic paints and dyes to achieve special effects has become a hallmark of his work, giving his pieces a distinctive "signature touch".

Despite moving to Taiwan with his Taiwanese wife in search of new opportunities, his passion for art remained strong that he eventually returned to Penang. Back in his hometown, Teh immersed himself in the local art scene and prepared for his first solo exhibition, "Concoction", held at Straits Quay Retail Marina's The Art Room in 2017. The exhibition featured over 20 acrylic paintings with themes ranging from wildlife and landscapes to portraits and visual fantasies.

Teh's decision to hold his first solo exhibition was significantly influenced by art maestro Datuk Tay Mo-Leong, whose advice to "not follow others" resonated deeply with Teh. He spent three years working on the paintings for "Concoction" and planning the exhibition, marking his return to Penang as an artist.

Among Teh's most prized paintings is "World of Fame", a 182 cm x 91 cm canvas featuring a galaxy of 62 world-famous figures, including Diego Maradona, Elizabeth Taylor, Elvis Presley, Michael Jackson, Mother Teresa, Saddam Hussein, Adolf Hitler, and Hulk Hogan. This painting was prominently displayed at the entrance of his exhibition.

Another significant work is "Blue Mosque", which was acquired by the Penang Board of Governors and presented as a gift to the Governor of Penang, Tun Dato Seri Utama (Dr.) Haji Abdul Rahman Bin Haji Abbas, on the occasion of his 80th birthday in conjunction with Tun Sardon Foundation's 40th Anniversary and Merdeka Day.

Teh is actively involved in various art organizations, including the Penang Art Society,

Penang Chinese Brush Society, Balik Pulau Art Society, Penang Teachers' Art Circle, and Club Bluoltremare International in Italy. He has participated in numerous group exhibitions both locally and internationally, showcasing his work in Penang, Malaysia; Zhejiang, China; Sarawak, Malaysia; Thailand; Guiyang, China; Quito, Ecuador; and Rome, Italy.

Having transitioned into a full-time artist, Tim Teh Ming Yang now devotes himself entirely to his creative practice. No longer bound by external work commitments, he immerses himself in his craft, refining his techniques and exploring new artistic territories. His journey reflects unwavering dedication, resilience, and a deep passion for artistic expression. With his technical expertise and distinctive style, Teh continues to create compelling works that captivate audiences both locally and internationally, further cementing his place in the art world.

—Ruth Espinosa

Bambi • Oil on Jute • 60 x 90cm

Embracing • Oil on Jute • 90 x 60cm

Kingfisher Oil on Jute 84 x 43cm

Dundee Oil on Jute 43 x 84cm

Dugong • Oil on Jute • 60 x 90cm

Sashimi • Oil on Canvas • 90 x 120cm

Tneh Sok Tuan

A Life in Art, Education, and Boundless Creativity

Born in 1970 in Penang, Malaysia, Tneh Sok Tuan is a dedicated visual artist and art educator whose passion for creativity has shaped both her personal artistic journey and the generations of students she has mentored. With over two decades of experience as an active art teacher, she has continuously nurtured talent while remaining committed to her own artistic practice, engaging in local and international exhibitions that showcase her evolving vision.

Tneh’s artistic career is marked by a steadfast dedication to painting and a dynamic exhibition record, reflecting her deep engagement with the art scene. In 2008, she became an active member of the Penang Teacher Art Circle (PTAC), a decision that further cemented her presence in the Malaysian art community. Through PTAC, she participated in every exhibition organized, solidifying her commitment to the collective growth of art educators and practitioners.

Her passion for expanding her artistic horizons led her to international exposure, notably in

2015 when she participated in an exhibition at Nanjing University of the Arts in China. This opportunity allowed her to engage with diverse artistic perspectives and establish connections with fellow artists beyond Malaysia’s borders.

Tneh continued to engage in high-profile exhibitions that celebrated artistic diversity and thematic explorations. In 2019, she was part of the International Women’s Day Art Exhibition at Atelier Gallery in Kuala Lumpur, an event that highlighted women’s contributions to the arts. The same year, she also took part in the Physics of Painting Art Exhibition at Universiti Sains Malaysia (USM), demonstrating her ability to navigate interdisciplinary approaches to visual expression.

Her artistic presence remained strong in 2020, a year marked by multiple significant exhibitions. She showcased her work in the Penang Art Society 67th Anniversary Beyond 2020 Annual Art Exhibition at the Penang State Art Gallery, celebrating the enduring legacy of Penang’s artistic community. She also participated in the Ocean Call on 2D CD Sculpture Exhibition at Island Gallery, Penang, as well as the Installation Art by the Bay exhibition in Kota Kinabalu, further expanding her creative footprint within Malaysia’s art spaces.

Most recently, in 2023, Tneh was part of Beyond Contemporary Art Penang, an international art summit and expo held at The Wembley, At St.

Giles Hotel Penang. This event reinforced her engagement with contemporary artistic dialogues and provided a platform for her to contribute to discussions on the evolving nature of visual arts.

Throughout her career, Tneh Sok Tuan has demonstrated an unwavering commitment to artistic expression, both as a creator and as a mentor. Her participation in numerous exhibitions and artistic collaborations deepen her dedication to exploring and sharing visual narratives that transcend borders. With a rich history of contributions to the Malaysian art scene and beyond, she continues to inspire through her vibrant artistic endeavors, bridging education and artistic innovation in a way that enriches the creative community.

—Roy C. Espinosa

White Tailed Deer Watercolor on Paper 18 x 12in 2021

Snowy Days Acrylic & Oil on Canvas 40 x 50cm 2019

Bird Acrylic & Oil on Canvas 40cm Diameter 2019

Landscape painting Oil on Canvas 40 x 50cm 2014

Hot Air Balloon Oil on Canvas 50 x 40cm 2017

The Forest Oil on Canvas 60 x 45cm 2015

MORROCO

Abdeslem Azdem

A Journey Through Art and Activism

orn in Taza in 1952, Abdeslem Azdem's artistic journey is as rich and diverse as the landscapes of Morocco. Growing up in the vibrant cities of Marrakech and Casablanca, Azdem's early life was steeped in the cultural and artistic heritage of his homeland. He pursued a degree in sociology, graduating in 1980 from Rabat, and later taught philosophy until 2005. His academic background deeply influenced his artistic vision, blending intellectual rigor with creative expression.

Parallel to his academic career, Azdem was actively involved in cultural and human rights NGOs in Morocco from 1995 to 2000. His leadership roles included serving as the President of the Nouveau Ciné-Club cinéma Beaux-lieux Aine Sebaa in Casablanca from 1981 to 1983. Between 1992 and 2000, he was a member of the Atelier de réflexion esthétique at the École Supérieure des Beaux-Arts de Casablanca, where he remained an influential figure until 1998. Azdem was also a founding member of the Association de l’Éducation aux Droits de l’Homme in Casablanca from 1996 to 2000, and a member of the Association Achoualaa Filiate Aine Chok during the same period.

Azdem's artistic philosophy is deeply rooted in the symbolic use of the square in his paintings, representing ideological concepts. The square, which he places at the center of the art, symbolically represents the heart. His sculptures, crafted from clay, ceramics, and bronze, aim to create a unique world that bridges the gap between the ideal and the figurative. His work often explores themes of humanity, quest, and meditation, striving to narrow the distance between painting and sculpture.

His recent exhibitions and achievements include the 2024 International exhibition at Plaix Dar El Baca Tasi Fès, supported by Fondazione Ducci. He also participated in the Artistic Residency of Moroccan-Belgian pottery at Djebli Club Mokrissate Chefchaoun, and joined a collective exhibition at Art Gallery Basma in Casablanca.

In 2023, Azdem participated in Art Exhibition International Morocco-Poland at Bloom Color Art Gallery Basma Casablanca. He also represented Morocco at the 4th International Art Symposium Tatlisu Art Meeting in Cyprus.

In 2022, he was again chosen to represent Morocco at the 14th Dakar OFF Biennale in Senegal.

Throughout his artistic career, Azdem has held several solo art exhibitions in various locations in and around Morroco - Galerie Ré, Galerie Coté-Sud Ouarzazate, Hotel Riad Salam Ouarzazate, Galerie d'Art Contemporain Mohamed Drissi Tanger, and Dar Souiri Essaouira, to name a few.

Azdem also immersed himself in artist residency programs such as the one he took in Bouznika in 2017.

Known for his minimalist approach in his art, Abdeslem Azdem create paintings and sculptures navigating with philosophical and mystical thematics.

Over the last decade, Azdem has participated in numerous collective exhibitions across Morocco, including Oujda, Nador, Tanger, Tetouan, Taza, Meknes, Rabat, Casablanca, Marrakech, Beni Mellal, Kalat Sraghna, Benhmed, and Agadir. His work has also been showcased in solo and collective exhibitions in London and France from 1991 to 2010.

Azdem has created a following in specialized art communities in his hometown, garnering attention for his unique artistic articulation.

Abdeslem Azdem has chosen to lead an artistic pathway dedicated to both art and activism, creating a legacy that bridges cultural and ideological divides.

—Ruth Espinosa

Sage Saveur • Acrylic on Paper Mache • 86 x 90cm 2013

Chamotte Stoneware, fired in a gas kiln at 1200 C 48cm (H) 2016

The Lover's Lodge Sandstone Sculpture Fired in a Gas Kiln at 1150 C

Opposite page Love for Two Diptych Acrylic on Canvas 60 x 30cm 2018

Deliverance

Acrylic and Collage on Canvas 60 x 60cm 2020

Roshan Pradhan

A Maestro of Modern Nepali Art

oshan Pradhan stands as a prominent figure in the world of contemporary Nepali art. Serving as the Director of Pagoda Institute of Fine Arts in Tinkune Subhidanagar, Kathmandu, Pradhan is also a founding member of the Pagoda Group and the Nepalese Contemporary Artists' Guild. His artistic prowess extends internationally, representing Nepal in the Febriano Inacquarello, Italy, and contributing to the International Island Country Arts Group in Turkey.

Pradhan's artistic journey is bolstered by his academic accomplishments, having earned a Master's Degree in Fine Arts from Tribhuvan University, Kirtipur, Nepal. His educational foundation has been pivotal in shaping his approach to contemporary art, enabling him to explore and innovate within the field.

Roshan Pradhan's talent has been widely recognized through numerous accolades. He was honored with the Creative Artist of the Year 2020 by the Nanda Devi Khanal Lalitkala Smriti Award (Arupan Art Gallery, Nepal). In 2015, he received the prestigious Araniko Youth Award (Gold Medal) from the National Youth Service Trust, Nepal. His earlier accomplishments include the 3rd Prize in an

art competition organized by Pidilite Industries, Ltd. in 2010, and the 2nd Prize for International Art & Craft Teacher in 2008, also by Pidilite Industries, Ltd. Additionally, he was acknowledged as a Fevicryl Expert Teacher by Pidilite Industries, Ltd. in 2006.

Roshan Pradhan's unique artistic vision has been showcased in several solo exhibitions:

• 2014: "Nodes Expression and Human Feelings" at Nepal Art Council Gallery, Babar Mahal, Kathmandu, Nepal.

• 2013: "Hanger 2" at Sakano Ueno Bijutsukan Art Gallery, Hokkaido, Japan.

• 2007: "Hanger" at Nepal Art Council Gallery, Babar Mahal, Kathmandu, Nepal.

Pradhan's work has been featured in numerous prestigious group exhibitions across the globe:

• 2024: "Reimagine Himalayan Art Now" - 659 Wrightwood Gallery, Chicago, USA

• 2021: "2nd Virtual Visual Expression" - International Online Art Exhibition organized by Pagoda Group, Nepal.

• 2020: "Asian Contemporary Art Exchange Exhibition" - Thousand Faces of Arts organized by National Taiwan Art Education Center.

• 2019: "Febriano Acquarello in Arte Culturale"International Watercolor Museum, Italy.

• 2018: "Friendship Art Exhibition" - Arma Museum, Indonesia.

• 2017: "Korea-Nepal Contemporary Art Exchange Exhibition" - Nepal Academy, Kamaladi, Kathmandu, Nepal.

Roshan Pradhan draws inspiration from the intricate interplay of human emotions and the subtle nuances of everyday life. His work often explores the themes of identity, cultural heritage, and the human condition, blending traditional Nepali elements with contemporary techniques. Pradhan's art is characterized by its vibrant colors, dynamic compositions, and profound emotional depth, inviting viewers to delve into the layers of meaning embedded within each piece.

Roshan Pradhan's contributions to the art world holds a significant influence on the cultural tapestry of Nepal. Through his directorial role, exhibitions, and international collaborations, Pradhan continues to inspire and shape the future of contemporary art in Nepal and beyond.

—Roy Espinosa

Effects of Artificial World • Acrylic on Canvas • 40 x 50in • 2022

The God • Acrylic on Canvas • 48 x 60in • 2022

Energy

Acrylic on Canvas 48 x 66in 2023

Power

Acrylic on Canvas 40 x 50in 2022

The Age of Pillar Acrylic on Canvas

x 54in

Acrylic on Canvas

x 72in

Kapil Mani Dixit A Champion of Figurative Art

Kapil Mani Dixit, born and raised in the vibrant cultural landscape of Kathmandu, Nepal, is a highly acclaimed nude figure drawing artist whose work has garnered recognition both locally and internationally. His journey as an artist began with an unexpected twist during his time in the United States, where he discovered his passion for figurative art.

Kapil pursued his Associate Degree in Fine Arts from North Lake College in Texas, USA, and later earned his Bachelor's in Fine Arts from the University of Texas at Arlington in 2004. It was during his tenure at North Lake College that he encountered a transformative moment—a nude figure drawing class that ignited his love for the human form. This pivotal experience shifted his artistic focus from landscapes, which he had previously favored in Nepal, to the intricate and expressive nature of human figures.

After a decade-long stay in the USA, Kapil made the bold decision to return to Nepal. His motivation was clear: to promote figurative art in his homeland. "The only reason I quit my lucrative art career in the USA and decided to come back to Nepal was to promote figurative art in Nepal", Kapil asserts. His commitment to this cause has been

unwavering, and he has since become a leading figure in Nepal's art scene.

Kapil's artistic journey is marked by an impressive array of exhibitions and awards. He has held eighteen solo exhibitions and participated in over eighty group exhibitions, workshops, and performances across Nepal, the USA, and Australia. His work has earned him more than forty national and international awards, including the prestigious Distinguished Alumni Award from the Dallas County Community College District (DCCCD) in 2018, recognizing his outstanding contributions to art and society.

Additionally, Kapil was awarded fellowships at the Vermont Studio Center and the A-Factory Studio Museum of Arts in the USA, further cementing his reputation as a distinguished artist. In 2014, the Government of Nepal honored him with the Arniko Youth Award, celebrating his extraordinary contributions to art and society.

Beyond his artistic achievements, Kapil is deeply committed to social causes. Through his art, he raises awareness and challenges stigmas associated with issues such as HIV, AIDS, and sexual abuse. He has organized charity shows and art auctions to support marginalized communities and victims of natural disasters like floods and earthquakes.

In the USA, Kapil established the "Kapil Dixit Excellence Award" at North Lake College, Irving, Texas, to support outstanding art students. This award, funded by the sale of his paintings, continues to recognize and nurture artistic talent annually.

Throughout Kapil Dixit's creative awakening

lies an artist dedicated to the arts and social change. His work not only captures the beauty of the human form but also serves as a powerful tool for advocacy and awareness. Kapil's commitment to figurative art and his philanthropic efforts have been ingrained in the art community in Nepal and beyond.

As he continues to create and inspire, Kapil remains a beacon of artistic excellence and social responsibility, embodying the transformative power of art in its purest form.

—Roy Espinosa

Victory Acrylic on Canvas 60 x 36in 2022

Pink Expression Mixed Media on Cardboard 11 x 4 ft 2024

Expression Mixed Media on Raw Canvas 13 x 6 ft 2024

Family • Mixed Media on Cardboard • 11 x 14ft • 2024

Nude Carpet

Media on Carpet

ROMANIA

Mirela Trăistaru

A Visionary in Contemporary Romanian Art

Mirela Trăistaru has established herself as a versatile and innovative artist whose work spans painting, sculpture, scenography, and body painting. Her artistic journey began with formal education at the Academy of Visual Arts "Ion Andreescu" in Cluj-Napoca, followed by a Master’s degree in Painting at the University of Arts in Bucharest. Since 1998, she has been a member of the Union of Plastic Artists of Romania, solidifying her presence in the Romanian and international art scene.

Trăistaru’s work is characterized by a bold interplay of colors, textures, and themes, often exploring the boundaries between reality and imagination. Her paintings create a magical world, where figures and forms merge in a surreal yet emotionally resonant manner. She does not rely on conventional artistic tropes but instead crafts compositions that challenge perception while maintaining a deep connection with human emotions and experiences.

Beyond painting, Trăistaru has made significant contributions to theater, cinema, and television, designing costumes and stage settings that enhance the visual storytelling of various productions. Her body painting projects are particularly intriguing, as they blur the lines between art and identity, transforming human figures into living canvases that embody her artistic vision.

Her artistic footprint extends far beyond Romania, with exhibitions and symposiums in France, Greece, Bulgaria, Serbia, Poland, India, Japan, South Korea, and the United States. Her works are housed in private and public collections across Europe, Asia, and North America, reflecting her global appeal and the universal themes embedded in her art.

Trăistaru’s large-scale projects include murals and painted installations in various locations, such as the Hotel Dacia in Sebeș, Groupe Société Générale in Constanța, and the Sea Club Hotel in Sharm el-Sheikh, Egypt. These monumental works showcase her ability to adapt her artistic style to

different environments, creating immersive experiences that captivate audiences.

Her philosophy on art is deeply personal yet universally relatable. She once stated, “I paint what I love. I am not an artist who paints their darkness, except rarely. I am impressed by what I love, and that is what I try to lay on the canvas. What I do not love, I forget—if it lets me forget”. This sentiment underscores her approach to creativity, where passion and intuition guide her artistic expression.

Through her multifaceted artistic practice, Mirela Trăistaru continues to push boundaries, inspire audiences, and redefine contemporary Romanian art. Her ability to seamlessly transition between different mediums and artistic disciplines makes her a true visionary, whose work resonates across cultures and generations.

—Roy Espinosa

EA • Mixed Media • 120 x 60cm Limited Series

NY Garden • Acrylic on Canvas • 200 x 500cm • 2021

Opposite page

Habitat Oil and Textile on Canvas

x 200cm

Rapeseed Acrylic on Canvas 200 x 500cm

Glass Fish, Glass World • 200 x 500cm • Acrylic on Canvas • 2019

Obsession • Acrylic on Canvas • 180 x 300cm • 2008

SINGAPORE

Mdm Lim Sue Luan

A Master of Finger Painting and Trailblazer in the Art World

dm. Lim Sue Luan (B.Sc. Chem) is a revered figure in the world of art, known for her exquisite finger paintings that capture the beauty and essence of nature. She currently holds the prestigious positions of President of the Women Artists Association (Singapore) and Advisor of the International Art & Culture Federation (Singapore). Her journey in the arts began with an apprenticeship under the tutelage of Singapore's pioneer artists, Master Liu Kang, Dr. Chen Wen Hsi, and Mr. Wu Tsai Yan, the master of finger painting.

Sue Luan's artistic career has been marked by her active participation in numerous significant art exhibitions both locally and internationally since 1982. Her talent and dedication were recognized early on when, in 1989, her finger painting "Calabash & Chicks" was purchased by the MND Acting Minister Dr. Seet Ai Mee at the Singapore National Day Art Fair. This momentous occasion marked the beginning of Sue Luan's rise to prominence in the art world.

The Singapore Tourism Promotion Board acknowledged her exceptional talent by organizing a series of solo art exhibitions and demonstrations for her in major cities across the USA, Europe, Japan, and New Zealand. These exhibitions introduced Sue Luan's unique art form to a global audience, garnering widespread acclaim and appreciation.

In 1999 and 2002, Sue Luan held her renowned "Lim Sue Luan Finger Painting Art Appreciation" events in Hong Kong. These events were well-received, with extensive coverage by major newspapers and broadcasts by Hong Kong TVB, further solidifying her reputation as a distinguished artist.

Sue Luan's artistic achievements have been recognized with several prestigious awards. In 2012, she was awarded the Grand Prize at the Asia Pacific Art Exhibition in Seoul, validating her exceptional skill and creativity. The "Beautiful Lim Sue Luan Chinese Finger Paintings Exhibition", organized by the Black Earth Art Museum and Black Earth Auction House in 2020, was a significant highlight in her career, showcasing her mastery of finger painting to a wider audience.

In 2024, Sue Luan received the Silver Medal at the Japan International Grand Prix Exhibition in Tokyo. Her finger painting "Bunches of Grape", became part of the collection of Japan Institute of International Art. Sue Luan was also appointed as a visiting professor of the institute, a remarkable honor that reflects her influence and impact in the art community.

Sue Luan's exquisite paintings are cherished

by art lovers, politicians, and royal families across various countries. Her works have found their way into prestigious collections, solidifying her ability to captivate and inspire through her art.

Throughout her illustrious career, Sue Luan has been featured in over 10 well-known publications, including "Great Women of the 21st Century" and "SG50 Golden Jubilee." These merits and recognitions highlight her significant contributions to the art world and her enduring legacy as a master of finger painting.

Mdm. Lim Sue Luan's art odyssey embodies her dedication, passion, and artistic brilliance. Her work continues to inspire and captivate audiences worldwide, making her a true trailblazer in the world of art.

—Ruth Espinosa

Squirrel jumping Tiandu Peak of Huangshan

Chinese Finger Painting

68.5cm x 34.5cm 1990

Narcissus • (Birthday Wishes from the Gods) • Chinese Finger Painting • 95 x 35cm • 1986

Peony & Chinese Bulbul (Wealth and old age together)

Chinese Finger Painting

69 x 45cm 1992

Lotus & Kingfisher

Chinese Finger Painting

69 x 68cm 2005

Lijiang(A Land So Rich In Beauty) • Chinese Finger Painting • 69 x 68cm • 2002

Huangshan Lotus Peak • Chinese Finger Painting

135 x 69cm

1985

Susanna Wong The Art of Flight and Emotion

Born in Hong Kong, Susanna Wong, also known as Huang Kaixian (Thirteenth Sister), relocated to Singapore after completing her studies at the University of Leicester in the U.K. in 1997. From a young age, Susanna was captivated by art. To her, art was not just colors on canvas; it was the very essence of life, a medium to express emotions, ideas, and stories. Under the guidance of accomplished artists in Singapore, her artistic journey flourished after her retirement. She learned various techniques, explored different mediums, and honed her skills.

Despite doubts and challenges along the way, Susanna remained steadfast in her pursuit. Now, after years of dedication and hard work, she

stands confidently as an artist, ready to share her vision with the world. For Susanna, art is not just a passion; it is a way of life, a journey of self-discovery, and an endless exploration of creativity.

An avid traveler, Susanna has explored numerous countries across Asia, Europe, and North America. Her extensive travels have profoundly enriched the depth and quality of her work. Each country she has visited possesses a unique local art culture, rich history, and breathtaking natural scenery, all of which have served as a deep source of inspiration for her creative endeavors. With an ability to capture the essence of her surroundings, Susanna excels in translating simple elements into meaningful and impactful artwork on canvas. Her art series primarily revolve around nature and various aspects of life. In her latest series titled "I-BelieveI-Can-Fly", Susanna seeks to convey a myriad of emotions, from love to hope, through the lens of the avian world. Inspired by the beauty and freedom of birds in flight, she captures these sentiments in vivid colors and fluid strokes, inviting viewers to explore the depths of human emotion and aspiration.

Since 2019, Susanna has actively participated in art exhibitions and events across numerous countries, including Singapore, Malaysia, Thailand, Myanmar, Cambodia, Indonesia, Taiwan, France, and Turkiye. In 2023, she marked a significant milestone in her artistic journey by holding her first solo exhibition, "I Believe I Can Fly" at the Penang Art Expo in Malaysia. Beyond her artistic pursuits, Susanna is deeply committed to giving back to the community. She engages in various local and overseas charitable art projects, using her talent as a force for good to support and uplift the less fortunate through music and art.

In a world often overshadowed by negativity and despair, Susanna's art serves as a beacon of

light, reminding us of the inherent beauty in life and the enduring power of creativity to transcend barriers. Through her art, Susanna not only shares her experiences but also invites others to see the world through her eyes, to feel the emotions she conveys, and to find inspiration in the simple yet profound wonders of life.

—Roy Espinosa

New Horizons

Acrylic on canvas

80 x 80cm

Self-esteem

Acrylic on canvas

80 x 80cm

Longing For Peace

Acrylic on canvas

70 x 70cm

Wings of Hope

Acrylic on canvas

80 x 80cm

Barry Yeow

A Journey of Art and Redemption

Born in Singapore, Barry Yeow is a selftaught artist whose passion for drawing began at a very young age. His journey into the world of art was not a straightforward one. Barry's early life was marked by struggles, including a battle with addiction that led to multiple incarcerations. However, it was during his time in prison that he rediscovered his love for art, which became a transformative force in his life.

Barry's artistic direction took a significant turn in 2011 when he decided to pursue art full-time. His works are heavily influenced by impressionists like Monet, characterized by vibrant hues and heavily textured mediums. Barry's art is deeply spiritual, often reflecting themes of hope and redemption. He believes that art has the power to spread happiness and inspire others, a philosophy that is evident in his extensive portfolio of murals and exhibitions.

Barry's dedication to his craft has led to numerous exhibitions both locally and internationally. His participation in the Yellow Ribbon Art Exhibition at the Singapore Art Museum from 2011 to 2017

highlights his commitment to using art as a means of rehabilitation and social reintegration. In 2015, Barry held his first solo exhibition "Seventeen" in Singapore, marking a significant milestone in his career.

His international presence grew with exhibitions in countries like Myanmar, Turkey, Indonesia, the Philippines, and the United States. Notable exhibitions include the Art Line Exhibition in Myanmar (2018), the Uluslararasi 2 - Resim Calistayu Art Symposium in Turkey (2018), and the Art Expo New York (2022). Barry's work has also been featured in various art fairs, including the Affordable Art Fair in Singapore and Hong Kong.

Barry's belief in the power of art to bring joy and hope is evident in his numerous mural projects. His murals can be found in various locations across Singapore, including D'Resort (2016), Ang Mo Kio Town (2019), and Sengkang Hospital (2020). His international mural projects include works in the Philippines and Turkey, such as the Ara Mural in Alcala (2019) and the Wall Mural in Manavgat (2019).

Barry's commitment to community engagement is further demonstrated through his participation in workshops and charity events. He has been involved in the Plein Air Art Painting Workshop in Singapore (2019), the Tememgong 20 Art Workshop (2019), and the Iscos Anniversary Charity Auction (2019). His efforts to inspire and mentor young artists are evident in his role as an art teacher and gallery owner since 2015.

Barry's contributions to the art world have not gone unnoticed. He has received several awards, including the Best Technique Award at the Yellow Ribbon Art Exhibition (2011), the Artisan of the Year Award from the Rotary Club of Singapore (2016), and the Manavgat Duvar Boyama Sanat Sunleri Award in Turkey (2019). In 2023, Barry was honored with the Chingay Best Mini Float Award and was a finalist for the Outstanding Adult Silent Heroes Award in Singapore.

Barry Yeow's journey from a troubled past to becoming an acclaimed artist is a testament to the transformative power of art. His works, characterized by vibrant colors and textured mediums, reflect his belief in hope and redemption. Through his

exhibitions, murals, and community engagement, Barry continues to inspire and spread happiness, proving that art can indeed change lives.

—Roy Espinosa

Blooming Angel Acrylic on Canvas 1.2 x 1.2mtr

Season's Greetings

Acrylic on Canvas 92 x 92mtr 2019

Blooming Glory • Acrylic on Canvas • 92 x 92mtr • 2019

The First Light • Acrylic on Canvas • 92 x 92cm

THAILAND

Paretas Hutanggura A Visionary Thai Artist Bridging Art and Literature

Paretas Hutanggura is a multifaceted Thai artist whose creative journey spans decades, blending visual artistry with literary expression. Since 1991, he has held numerous solo exhibitions across Thailand, showcasing his distinctive artistic vision. His works often explore themes of cultural identity, surrealism, and human emotion, making him a compelling figure in contemporary Thai art.

Hutanggura’s art is deeply rooted in symbolism and narrative storytelling. His paintings often feature intricate compositions that evoke a sense of mystery and introspection. His ability to weave visual and literary elements into his work sets him apart, as he seamlessly integrates his experiences as a novelist into his artistic practice. His participation in Neo Barbarian, a Thailand-Indonesia Art & Culture Exchange Project, highlights his commitment to cross-cultural artistic dialogues.

Throughout his career, Hutanggura has exhibited his works in both solo and group exhibitions. His presence in Thailand’s art scene has been marked by his ability to engage audiences

with thought-provoking themes. His participation in international art events, such as the Langkawi Art Biennale, further solidifies his reputation as an artist with global appeal.

Beyond his visual art, Hutanggura is also an accomplished novelist. His literary works include “The Wizard of Building”, “Digital Hymn”, and “Hermit’s Daughter”, among others. His novels often explore philosophical and existential themes, reflecting his deep understanding of human nature and societal structures. His ability to craft compelling narratives has earned him recognition not only in the art world but also in literary circles.

Hutanggura’s contributions to both art and literature make him a unique figure in Thailand’s creative landscape. His ability to bridge these two disciplines allows him to create immersive experiences for his audience. His works continue to inspire emerging artists and writers, encouraging them to explore interdisciplinary approaches to creativity.

As he continues his artistic journey, Paretas Hutanggura remains a beacon of innovation, demonstrating that art and literature can coexist harmoniously to tell profound stories. His legacy is one of exploration, cultural dialogue, and artistic excellence.

—Roy Espinosa

Venus Factory In China Oil on Canvas 90 x 210cm 2022

Nakornsrithammarat 5G Oil on Canvas 140 x 200cm 2022

The Living Goddess, Kumari of Kathmandu, Nepal Oil on linen 90 x 210cm 2024

Daughter of Machine Oil on Canvas 90 x 120cm 2023

60 x 80cm 2024

Club of Heritages (Canthi, Petchara & Lisa) Oil on Canvas

x 130cm

The Killing Notes Oil on canvas

Rapeepat Phonrattanapaiboon

A Journey of Tranquility and Artistic Excellence

apeepat Phonrattanapaiboon’s artistic path is deeply rooted in the pursuit of contentment and tranquility. His work is characterized by a meticulous focus on visual elements, where each point is crafted with the intention of creating a state of stillness and calmness. This approach is akin to practicing mindfulness, where the act of creating art becomes a meditative process. Rapeepat’s art invites viewers to pause and reflect, offering a serene escape from the chaos of everyday life.

Rapeepat Phonrattanapaiboon is a distinguished Thai artist whose work has garnered national and international acclaim. With a robust educational background in fine arts and art education, Rapeepat has dedicated his career to both creating and teaching art. As a faculty member at the Songkhla Rajabhat University, he has influenced a new generation of artists, sharing his knowledge and passion for visual arts.

Rapeepat’s artistic achievements are highlighted by numerous awards, including the

prestigious 10 Thai Contemporary Artist Award in 2011 and the Bualuang Gold Medal in 2024. His solo exhibitions span across various countries, showcasing his versatility and ability to connect with diverse audiences. From the serene landscapes of "Somrom" to the introspective "SAMATHA', each exhibition reflects his evolving artistic vision.

His work evokes the power of art as a medium for personal and collective reflection. By focusing on the simplicity of points and their arrangement, Rapeepat creates compositions that elicit a sense of peace and contemplation. His art is not just a visual experience but an invitation to engage in a deeper, more mindful interaction with the world around us.

Rapeepat’s contributions to the art world extend beyond his own creations. Through his teaching and participation in art exhibitions, he continues to inspire and uplift others, fostering a greater appreciation for the transformative power of art. His journey is a celebration of dedication, creativity, and the relentless pursuit of artistic excellence.

—Roy Espinosa

Serenity in My Mind

Acrylic and Gold on canvas

78 x 98cm 2023

Serenity in My Mind

Acrylic on canvas

108 x 84cm 2024

Serenity in My Mind

Acrylic and Gold on canvas

145x 64cm 2024

Serenity in My Mind

Acrylic and Gold on canvas

108 x 84cm 2023

Serenity in My Mind Acrylic and Gold on canvas

108 x 84 cm 2023

Serenity in My Mind

Acrylic on canvas

80 x 100 cm 2022

Dang Anh Tuan Journey of an Artistic Visionary

"Each of my works is a journey: a journey of love, happiness, and passion... A journey to the deepest desire of human beings; a journey back to our origins and the childhood of humankind."

Born and raised in the heart of Hanoi, Vietnam, Dang Anh Tuan has always been surrounded by the rich tapestry of his homeland’s culture. Graduating from Vietnam's University of Fine Arts in 1996, Dang Tuan was equipped with a foundation that would catapult him into the world of expressive abstraction.

Inspired by the revolutionary ideas of French artist Paul Gauguin, Dang Tuan’s early pieces drew upon themes of human interaction, nature, and the diverse landscapes he explored. His art style— expressive abstraction—beautifully marries various materials such as oil, lacquer, acrylic, and silk, creating a multidimensional experience for viewers.

As time progressed, so did the themes of Dang Tuan’s work. He began to delve into the throbbing issues of contemporary society—moral decay,

violence, temptation, and greed. His recent works are a powerful commentary on these negative aspects, reflecting the complexity and challenges of modern life.

A significant highlight in his illustrious career came in 2011 when he curated the open lacquer project "Collaboration Project of Vietnamese and International Artists" at Hampden Gallery in Massachusetts, USA. This project marked a pivotal moment, showcasing his ability to bridge cultures through art.

In 2019, Dang Tuan took a monumental step by founding Palm Artspace, an exhibition and exchange hub for both Vietnamese and international artists. This space has become a beacon for artistic collaboration and exploration, a testament to Dang Tuan’s commitment to nurturing the art community.

Dang Tuan’s solo exhibitions have left a lasting impression on the art world. Notable shows include "Journey of Dreams" at the Viet Arts Centre in Hanoi in 2010, and his debut solo exhibition "Milestone" at the Vietnam National Fine Arts Museum in 2004.

Beyond solo endeavors, his work has graced numerous group exhibitions around the globe.

His international presence is noteworthy. Highlights include the 2018 Paris Art Fair, the Red Project at Rocky Shore in Tokyo, Japan, the 2017 International Symposium of Contemporary Art in Romania, the 10th International Symposium of Modern Art in Austria, and the Solo International Art Camp in Indonesia in 2016. Furthermore, he showcased his art at the 26th Asian International Art Exhibition in South Korea in 2011.

Dang Tuan's dedication has taken him to many corners of the world, including Indonesia, the Netherlands, Germany, Austria, the UAE, Malaysia, China, Thailand, Hong Kong, and Singapore. He actively engages in international art shows, camps, symposiums, and exhibitions, continuously expanding his artistic horizons.

His contributions have not gone unnoticed. He has received numerous awards and scholarships, including recognition from Vietnam's Literature and Art Association in 2000, a grant from the Vietnam and Sweden Culture Promotion Foundation in 2004, the European International Book Art Biennial Award in 2010, and the 4th Paris Art Fair Award in 2018.

Residencies and workshops have played a crucial role in shaping Dang Tuan's artistry. He has attended and contributed to programs in museums and galleries across Vietnam, Indonesia, Austria, and Thailand.

Currently residing in Hanoi, Dang Anh Tuan continues his journey as a full-time artist, regularly hosting art shows at Palm Artspace and inspiring the next generation of artists.

—Roy Espinosa

Zen Garden • Acrylic on Canvas • 90cm diameter • 2024

The Garden of Love Acrylic on Canvas 90cm diameter 2024

Autumn Acrylic on canvas 80 cm diameter 2022

Udumbara Flower Acrylic on canvas 90cm diameter 2024

Autumn garden Acrylic on Canvas 80cm diameter 2021

Le Thanh

A Masterful Journey in Graphic Art

e Thanh believes that topics, materials, and techniques are merely creative tools for an artist. The true essence of art lies in its ability to convey the artist's thoughts and emotions through aesthetics. Her work aims to create a deep connection with the viewer, allowing them to understand and resonate with her artistic vision.

Le Thanh, born in Thanh Hoa City, Vietnam, on June 7, 1981, is a distinguished Vietnamese artist known for her contributions to graphic art. She has an impressive academic background, having earned a Doctoral Degree in Theory and History of Fine Arts from the Vietnam National Institute of Culture and Art Studies in 2021. Prior to that, she completed her Master’s Degree in Fine Art (Graphic Art) at the Vietnam University of Fine Arts in 2014 and her Bachelor’s Degree in Fine Arts Pedagogy at the Hanoi University of Fine Arts in 2007.

Le Thanh currently serves as a lecturer in Graphic Art at the Hanoi University of Architecture, where she shares her knowledge and passion for art with the next generation of artists. Her dedication to the field of fine arts is evident through her

numerous awards and recognitions. In 2024, she won the First Prize at the Exhibition of Vietnamese Cultural Heritage through Painting and the Third Prize at the Hanoi Regional Fine Arts Exhibition. Her accolades also include the Consolation Prize at the Vietnam Fine Arts Exhibition in 2020 and the First Prize at the North Central Region of Vietnam Exhibition in 2019.

Le Thanh's work has been showcased in various prestigious exhibitions both locally and internationally. In 2024, he participated in the Art Vogue d’ Nation at Palm Art Space, Ecopark, and the Confluence Exhibition at Pasifika Museum in Indonesia. Her art has also been featured in the Biennial International Print Exhibition in Varna, Bulgaria, and the Bengaluru International Print Exhibition at Lavaruart, India, among others.

Le Thanh's artistic philosophy centers around the idea that art is a powerful medium for expressing thoughts and emotions. She believes that the true value of art lies in its ability to connect with the viewer on a profound level, transcending cultural and linguistic barriers. Through her work, Le Thanh aims to inspire and evoke a sense of understanding and appreciation for the beauty of art.

—Roy Espinosa

SALVAGE, Screen print + marbling 140 x 150 cm The Consolation Prize at Vietnam Fine Arts in 2020

SAVE US! Screen print + marbling 100 x 150 cm, The North Central Exhibition in 2019.

SUBLIMATION

Screen print + marbling

Exhibition Destiny at Center for Assessment and Exhibition of Fine Art Hanoi 2020

NEWS

Screen print + marbling

20 x 20cm x 2

The International Print Biennial exhibition at Varna, Bunlgaria in 2021.

Reality and Virtuality

• Screen print • 100 x 40cm x 3 • 2014

The legend of Sam Son • Screen print • 68 x 162cm • The first prize work of Vietnam Fine Arts Association • 2015

Đinh Mai Thu Trang

Bridging Art, Heritage, and Community Through Creativity

Art, at its most profound, transcends mere aesthetics—it becomes a vessel for storytelling, a conduit for emotion, and a bridge between traditions and modern perspectives. Đinh Mai Thu Trang, an artist rooted in Vietnam’s rich artistic heritage, embodies this philosophy in every stroke of her brush and every composition she constructs. With a background in graphic design, painting, and fine arts theory, she has meticulously crafted a career that harmonizes deep intellectual inquiry with boundless creative exploration.

Trang’s artistic evolution is anchored in both academic rigor and experiential exploration. Graduating with a degree in Graphic Design from the University of Industrial Fine Arts in 2009, she pursued further studies in painting, pedagogy, and fine arts methodology, enriching her ability to merge conceptual depth with visual storytelling. Her pursuit of knowledge extended beyond borders, leading her to Boston, USA, for specialized training in STEM education, a testament to her interdisciplinary curiosity.

But beyond formal education, Trang’s artistic journey is one of experimentation and transformation—her works traverse themes of identity, sustainability, and human connection, often blending realism with evocative symbolism. Whether in sweeping landscapes, delicate figurative compositions, or avant-garde graphic designs, her visual language speaks to a profound engagement with culture, memory, and societal dialogues.

Trang’s presence in both Vietnamese and international art scenes reflects her dedication to sharing her artistic perspective with the world. From the Asia Art Alliance exhibitions in Taiwan, Cambodia, and Vietnam to thematic showcases such as "Sustainability" and "Freedom and Love", her works echo concerns about the natural world, human resilience, and the interplay of tradition and contemporary ideals.

Her earlier exhibitions, such as "Women and Flowers" (2017) and "The Era We Live In" (2023), reveal a painter’s sensitivity to emotion—capturing

fleeting moments that symbolize deeper cultural narratives. Through color, texture, and composition, Trang constructs immersive experiences that invite viewers to reflect on the meanings embedded within her art.

Beyond the gallery walls, Trang extends her artistic vision into exhibition design, spatial transformations, and educational outreach. Her work designing visual environments—whether for performance spaces, cultural archives, or exhibitions—demonstrates a keen sensitivity to spatial storytelling. Projects such as her LGBTfocused SeaPride exhibition and hospital mural initiatives showcase her belief in art’s ability to uplift, empower, and heal.

Her collaborations with Vietnamese publishing houses, including artistic contributions to books on pagodas, historical architecture, and cultural preservation, further solidify her role as both an artist and a guardian of heritage. Through visual design, she breathes life into narratives that celebrate Vietnam’s artistic lineage.

At the core of Trang’s artistry lies a deep reverence for human stories, cultural memory, and artistic evolution. Each painting, exhibition, and project reflects her commitment to bridging art with lived experience, ensuring that her works do not merely exist as static visuals but rather as immersive dialogues with the viewer.

As she continues to redefine the boundaries of artistic storytelling, Đinh Mai Thu Trang remains a powerful voice in contemporary Vietnamese art—a

creator who weaves history, identity, and imagination into a vivid tapestry of artistic expression.

Precious 01 • Mixmedia • 60 x 60cm • 2024

Precious 02 • Mixmedia • 60 x 60cm • 2024

Flowers for old days 01 • Mixed Media • 100 x 100 • 2018

—Roy Espinosa

Flowers for New Days 01 • Mixed Media • 46 x 61cm • 2023

Flowers for New Days 02

Mixed Media

45 x 90cm

2023

Living like flowers 01

Mixed Media 61 x 76cm 2024

Flowers for old days 06

Mixed Media

100 x 100cm 2018

Nguyen Nghia Cuong

Painting the Wind's Whispers

Nguyen Nghia Cuong, born in 1973, is a prominent contemporary Vietnamese artist whose work encapsulates the dynamic interplay between tradition and modernity. His artistic philosophy, eloquently expressed in his own words, compares art to a kite dancing with the wind: a delicate balance between control and freedom, grounded yet soaring. This metaphor resonates deeply with his artistic practice, which navigates the complexities of cultural evolution with humor, wisdom, and a touch of bewilderment.

Cuong's journey began with his graduation from Hanoi Fine Arts College in 1996. He currently lives and works in both Hanoi and Bac Ninh province, remaining deeply connected to the cultural heart of Vietnam. His career has been marked by numerous exhibitions, including six solo shows and participation in various group exhibitions across Vietnam and internationally. Notable exhibitions include "Spring Dream" (Ho Chi Minh City, 2020),

"Secret Garden" (Hung Yen, 2019), "Universal Love" (Udaipur, India, 2019), "Radical Joking Expressionism" (Italy, 2018-2019), and "The Supermarket Experience" (Singapore, 2018). His work has also been featured in significant exhibitions such as "Post – Doimoi – Vietnamese art after 1990" at the Singapore Art Museum (2008), highlighting his contribution to the development of Vietnamese contemporary art.

Cuong's art resides in prestigious collections, including the Singapore Art Museum and the RMIT University Hanoi Collection, as well as numerous private collections, attesting to the widespread recognition of his artistic merit. His work is characterized by a unique ability to capture the "cultural collision" between old and new, tradition and modernity, rural and urban. This collision is not presented as a harsh conflict, but rather as a nuanced dialogue, filled with both humor and introspection. He paints the whispers of the wind, translating the subtle shifts in cultural values and the anxieties of rapid change into visual narratives that resonate with contemporary audiences.

The artist's perspective is marked by a keen awareness of the transformations sweeping through Vietnamese society. He observes these changes with a blend of amazement and a touch of shyness, acknowledging the bewilderment that often accompanies rapid evolution. His art is not simply a passive reflection of these changes, but an active engagement with them. He uses satire and irony as

tools to explore the gaps between Eastern and Western cultures, highlighting the inherent contradictions and absurdities that arise from this cultural exchange.

Cuong's work is deeply rooted in Vietnamese culture, drawing inspiration from traditional motifs and artistic practices. However, he infuses these traditional elements with a contemporary sensibility, creating works that are both familiar and refreshingly new. His paintings are often imbued with symbolic meaning, inviting viewers to delve deeper into the layers of interpretation. He uses humor not as a means of trivializing serious issues, but as a way of engaging with them in a more accessible and thought - provoking manner.

Like the kite in his metaphor, Cuong's art maintains a delicate balance. It is grounded in the realities of Vietnamese life, yet it soars into the realm of imagination and reflection. He captures the anxieties and aspirations of a society in flux, offering insightful commentary on the challenges and opportunities presented by globalization and modernization. His art is a testament to the power of creative expression to bridge cultural divides and foster a deeper understanding of the human condition. Through his unique visual language, Nguyen Nghia Cuong invites us to join him on a journey of discovery, exploring the rich tapestry of Vietnamese culture and the universal themes of human experience.

—Roy C. Espinosa

Self Portrait Acrylic on Canvas 40 x 30cm 2024

Melody Land • Acrylic on Canvas • 100 x 40cm • 2024

My Garden Acrylic on Canvas 100 x 120cm 2024

Yellow Autumn in Bali Acrylic on Canvas 100 x 120cm 2024

Spring • Acrylic on Canvas • 80 x 60cm • 2024

Nguyen The Hung

Weaving Fantasies into Reality

Nguyen The Hung, born in Tuyen Quang province, Vietnam in 1981, is a contemporary artist whose work navigates the delicate intersection between imagination and reality. His art acts as a conduit, translating the ethereal landscapes of his mind into tangible forms for the world to engage with. Hung's artistic journey is marked by a keen observation of the "moving points" within his imagination, transforming fleeting thoughts and visions into compelling visual narratives.

Hung's formal art education culminated in his graduation from Hanoi Fine Arts University in 2009. This foundation, coupled with a residency at the Vermont Studio Center in Johnson, VT, USA in 2019, has provided him with the skills and perspective to explore the depths of his creative vision. He currently lives and works in Hanoi, Vietnam, a city that serves as both his home and a source of inspiration.

Hung's artistic philosophy centers around the idea of art as a "middle point". It's a bridge connecting his internal world, rich with fantasy and personal symbolism, with the external world and its myriad interpretations. This intermediary role allows him to share his unique perspective, inviting viewers to step into his imaginative realm and experience the world through his eyes. His work often possesses a

dreamlike quality, blurring the lines between the tangible and the surreal, prompting viewers to question the nature of reality itself.

His solo exhibitions offer intimate glimpses into his evolving artistic practice. From "And Flowers Showered" (2011) at Art Vietnam Gallery, Hanoi, to "Polyhedral" (2016) at L’Espace, Hanoi, and the more recent "Please, Handle With Care" (2013) at Craig Thomas Gallery, Ho Chi Minh City and its 2023 iteration "Please, handle with care - WhisperI am here" at Anh Duong Artspace, Hanoi, Hung has consistently demonstrated a commitment to exploring new themes and techniques. These exhibitions showcase his ability to craft immersive experiences, inviting viewers to delve into the intricate details of his artistic vision.

His 2019 exhibition "Another Land" at Salomon Arts Gallery, NYC, marked a significant step in his international career, exposing his work to a broader audience. The 2020 "In The Garden" exhibition at Hanoi Studio Gallery further solidified his presence within the Vietnamese art scene.

Beyond solo endeavors, Hung actively participates in group exhibitions, both locally and internationally. His inclusion in events like the NordArt in Germany (2022 and 2023), the 12th Asia Art Alliance Exhibition in Singapore (2023), and exhibitions in Malaysia and Indonesia (2023 and 2024) demonstrates his engagement with the global art community. These collective platforms provide opportunities for dialogue and exchange, allowing Hung's work to be contextualized within broader

artistic trends and conversations. His participation in the "Alo 1981" exhibition at the Vietnam National Fine Arts Museum in Hanoi (2022) highlights his connection to his artistic heritage and his contribution to the contemporary Vietnamese art landscape. Furthermore, his involvement in exhibitions like "Beyond Expression" at Palm Artspace Ecopark (2023) shows his continued exploration of new spaces and contexts for his art.

Nguyen The Hung's art navigates through the power of imagination. He skillfully weaves together personal narratives, fantastical elements, and a deep understanding of artistic technique to create works that resonate with viewers on a visceral level. His journey as an artist is marked by continuous exploration and a dedication to translating the ephemeral world of his imagination into tangible artistic expressions. As he continues to evolve and push the boundaries of his creative practice, Nguyen The Hung promises to be a significant voice in the contemporary art world for years to come.

—Roy Espinosa

Whispering memories 15 • Lacquer on Canvas • 60 x 50cm • 2024

Realm of Memories 03 Lacquer on Canvas 100 x 100cm 2024

Bygone Garden 09 • Lacquer on Canvas

• 100 x 100cm • 2024

A Bright New Day 03 • Lacquer on canvas • 100 x 100cm • 2024

Realm of Memories 01 Lacquer on Canvas 100 x 100cm 2024

Bygone Garden 01• Lacquer on Canvas • 100 x 100cm • 2024

Nguyen Thu Thuy

Redefining Contemporary Art Through Geometry and Emotion

In the ever-evolving landscape of contemporary Vietnamese art, Nguyen Thu Thuy stands as a distinguished figure whose works transcend conventional artistic boundaries. A visionary artist, academic, and cultural advocate, Thuy seamlessly merges geometric abstraction with profound emotional storytelling, offering viewers a deeply engaging artistic experience.

Born on December 10, 1977, in Hanoi, Vietnam, Thuy’s journey into the world of art has been one shaped by both rigorous academic exploration and a relentless pursuit of creative expression. She earned her Bachelor's and Master's degrees from the University of Social Sciences and Humanities before completing her Doctor of Philosophy at the Vietnam National Institute of Culture and Arts Studies. Her dedication to the academic study of art is further reflected in her role as the Vice Dean of the Faculty of Arts and Design at the School of Interdisciplinary Studies and Arts, Vietnam National University, Hanoi. Additionally, she serves as the Vice Committee of the Graphics Branch and the Secretary of the Vietnam Art Ceramic Club under the Vietnam Fine Arts Association.

Thuy's artistic contributions extend far beyond her academic roles. She has made significant strides in Vietnam’s applied fine arts

scene, earning recognitions such as the Bronze Prize at the National Exhibition of Applied Fine Arts (20052009). However, her distinctive artistic vision took a transformative turn in 2019, when she began exploring mono prints and polygonal paintings, a departure from traditional figurative art. This transition allowed her to experiment with optical illusions, fragmented forms, and striking color compositions, resulting in visually arresting works that challenge perception and interpretation.

Her solo exhibitions at the Vietnam Fine Arts Museum, including “Fragments of Memory” (2021), “My Prism” (2022), and “All Life’s Facades” (2024), showcase her continuous evolution in artistic exploration. These exhibitions are validations of her ability to communicate complex human emotions through structured geometric visuals, blending abstraction with existential depth.

Beyond Vietnam, Thuy has gained international recognition, participating in esteemed exhibitions such as the Qingdao International Contemporary Art Exhibition (China, 2022), the Busan International Environment Art Festival (Korea, 2024), and The National Art Center Exhibition (Japan, 2019). Her presence in these global platforms underscores the universal appeal of her artistic philosophy—one that navigates identity, memory, and the transient nature of human experience.

During the COVID-19 pandemic, Thuy expanded her creative focus to ceramic artistry, delving into the emotional states of individuals amid collective uncertainty. This period of introspection allowed her to explore new dimensions of artistic expression, further cementing her reputation as an artist who continuously pushes boundaries.

At its core, Thuy’s work invites audiences to engage in a dialogue about perception, identity, and resilience. Her mastery of optical techniques and symbolic narratives places her among the most compelling contemporary artists in Vietnam today. Through her geometric abstraction and meticulous craftsmanship, Nguyen Thu Thuy continues to redefine the parameters of visual storytelling, bridging traditional artistic practices with modern interpretations of reality.

With her unwavering commitment to innovation and artistic excellence, Nguyen Thu Thuy’s journey remains a beacon of inspiration for artists and cultural enthusiasts alike—both in Vietnam and across the world.

—Roy Espinosa

Samsara

Colors of Flower Mix Media 80 x 80 2022

Lady Glaze Ceramic 53 x 45 x 25 2024

Marilyn 3 Acrylic 100 x 100 2021

Thu Thuy Vanish 80 x 100 2021

ACKNOWLEDGEMENT

My sincerest gratitude to all those who became instrumental in bringing this coffee table book to life

Her Excellency Ambassador Maria Angela Ponce

Mr. Raul Luis Manaligod

Dr. Jorge Estanislao

Dr. Ding Yuming

Mr. Mansour Maher

My Writers:

Celso Duazo Pepito

Ingrid Aimee Peñaflor and my sister Ruth Espinosa who is always there to support my publication.

PAMBANSANG KOMISYON PARA SA KULTURA AT MGA SINING

Philippine Embassy in Kuala Lumpur

Ruth Chua Espinosa is a dynamic and accomplished professional who seamlessly balances multiple roles across diverse fields. As the head of human resources and regional manager at a financial institution, she demonstrates exceptional leadership and organizational skills. In addition to her full-time responsibilities, she also manages accounting and bookkeeping tasks, showcasing her versatility and dedication.

Despite her demanding schedule, Ruth has cultivated a deep passion for writing and editing, serving as the editor-in-chief of FILARTS’ esteemed publications—The Filipino Artists Magazine and The Southeast Asian Artists Magazine. Her keen interest in the arts was nurtured from an early age, inspired by her older brother’s paintings and her exposure to art exhibitions. Though she never pursued visual arts herself, she developed a refined understanding of artistic expression, which greatly informs her editorial work and writing.

Ruth’s commitment to FILARTS’ advocacy is unwavering, as she actively lends her expertise to support the organization’s mission of promoting artistic appreciation and cultural enrichment. Her contributions extend beyond magazine editing—she is also the writer behind FILARTS’ last four coffee table books, further solidifying her role as a key figure in documenting and celebrating Southeast Asian artistry.

A graduate of the Philippine Women’s University with a Bachelor of Arts in Communication Arts, Ruth combines her communication skills with a genuine enthusiasm for the creative world. Her love for travel complements her artistic pursuits, allowing her to explore diverse cultures and perspectives that enrich her writing. With a remarkable ability to balance multiple professions, Ruth continues to be a vital force in both the corporate and artistic landscapes, shaping narratives that inspire and educate.

Writers

Writer and Editor

Ingrid Aimee Lopez Peñaflor is a talented writer and artist, whose passion for storytelling flows seamlessly through both her written words and her vibrant paintings. Though she holds a business degree from the prestigious University of Sto. Tomas, it is clear that her true calling lies in the expressive realms of writing and art.

Ingrid has been honing her craft as a writer for several years and has made a significant impact in the literary world. Since 2018, she has been an esteemed writer at The Filipino Artists Magazine, a prominent publication that showcases the works and stories of Filipino artists. Her articles tastefully highlight the lesser-known aspects of the local art scene, exploring the brilliant minds behind the captivating works. Ingrid's deep understanding of art and her ability to convey its nuances and emotions through her words have earned her a reputation as a skilled and insightful writer.

Additionally, Ingrid's flair for storytelling extends beyond her work in The Filipino Artists Magazine. She is also a valued writer at Southeast Asian Magazine, another noteworthy publication that aims to promote and celebrate the artistic expressions of Southeast Asian artists. Through her contributions to this magazine, Ingrid continues to bring attention to the immense talent thriving in the region, fostering greater appreciation and understanding of diverse artistic perspectives. While writing is undoubtedly her forte, Ingrid's artistic pursuits transcend the confines of language. She possesses a natural talent for painting, using vibrant colors and expressive brushstrokes to create visually captivating works of art. Her ability to evoke emotions through her paintings is a testament to her creative prowess and her deep connection to the world of art.

Ingrid Aimee Lopez Peñaflor is a true wordsmith and visionary artist, gifted with a mesmerizing ability to captivate readers and viewers alike. With her valuable contributions to The Filipino Artists Magazine and Southeast Asian Magazine, she plays an integral role in shining a spotlight on the talents of Filipino and Southeast Asian artists. Through her impressive writing and mesmerizing art, Ingrid continues to leave an indelible mark on both the literary and artistic landscapes, inspiring others to express their own creativity and fostering a deeper appreciation for the beauty of art.

Writers

Cultural Canvases:

A Dialogue Between Filipino and World Art Traditions is a celebration of artistic exchange, where Filipino creativity meets global influences in a rich and evolving conversation. Through stunning visuals and thought -provoking narratives, this book showcases how artists from different backgrounds connect, inspire, and redefine traditions.

Filipino artistry, deeply rooted in symbolism, storytelling, and heritage, finds resonance in the broader world of contemporary and classical art. The works featured here highlight the power of visual language—one that transcends borders, bridges cultures, and fosters mutual understanding.

Whether you are an artist, a scholar, or an admirer of creativity, Cultural Canvases invites you to explore the intersections of tradition and innovation, offering insights into the universal connections that shape artistic expression. Step into this vibrant dialogue and witness how art continues to weave a shared human experience across time and space.