Design Context by Ross Francis

eye designed this SECTORS eye designed this is the graphic design output of Ross Franc. After a fair deal of reflection I have realised that the context of my practice does, or at least will aspire to be in the following sectors: Culture including: I have realised that I need to have an alias for my graphic design output.

Art & Exhibition Events Film Institutions Music

eye designed this is my will to create a context for my graphic design. Ross Franc is what studios will hire, and eye designed this is what however I feel that appearing in a professional capacity to potential clients requires a more established presence than a fresh graduate looking for â&#x20AC;&#x2DC;freelance and placementsâ&#x20AC;&#x2122;.

In due course, I am particularly interested in broadening my practice to enjoy a more diverse and eclectic role as a designer.

eye designed this allows my presence as Ross Franc to be a more personal space for my creative ventures that include but are not limited to my graphic design output.

Retail including:

Fashion & Lifestyle Science & Technology

Public including: Charities Government & Politics SECTORS

INTEREST tibor kalman AREAS

Entrepreneurship Vendit est accatum quuntia dolum qui andissi Facilitating tionseditthe accum creativity ipita dia of others sinciatis magnis doloreCollaboration prae nest arcia dicium ipsanim quam sunto quis es Technology aborpores rest, es ut ium eate sae omniam, omnihil Digital moditem Products fuga. Itatiandi dolorum que volut lam, THEsequia INTERNET quias et inus nit issequatqui offictatur sament Engaging od et quaspis interesting sit quam art everiatatus. Music Illupta tiorerum apitatur, omnia as eatecatur suntio Having blabsomething idest mincto to say quodio. Et et endest pore, imin IDEAS nust,IDEAS occustemodi IDEAS de nitiorit, niet estet im restem sit, Pragmatism non pratureperit que maio. Itatur antota dolora m Purpose res aut parcia dent rerepuditio. Itaspid ut quam, Anything occatemque that hascoressusam nothing to ilis doateceprati with designing recaefonts ditaes eatem liquisitiis voluptatur suntiis aut estia none sam Geometry volutes sinvelenihil ilibus doluptatur se re vellignest Making Rules quos expero enduntio tendent eum res aut parcia Breaking Rules (well) rerepuditio. Itaspid ut quam, occatemque Newdent things ateceprati recae ditaes aut del isqui The coressusam business of ilis ideas voloribus autessi mintora tempedit omnis eum doNotdis doing one thing forever luptae est, omnihiliquia sum eos quo officia speribu scimusae volo molupta tustis utempos apic te optatur adisintori dolectur, officia speribu scimusae volo molupta tustis utempos apic te optatur adisintori dolectur,

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PEOPLE

TIBOR KALMAN

Tibor Kalman (July 6, 1949 – May 2, 1999) was an American graphic designer of Hungarian origin, well known for his work as editor-in-chief of Colors magazine.

Kalman became founding editor-in-chief of the Benetton-sponsored Colors magazine in 1990. In 1993, Kalman closed M & Co. and moved to Rome, to work exclusively on the magazine. Billed as ‘a magazine about the rest of the world’, Colors focused on multiculturalism and global awareness. This perspective was communicated through bold graphic design, typography, and juxtaposition of photographs and doctored images, including a series in which highly recognizable figures such as the Pope and Queen Elizabeth were depicted as racial minorities. Kalman remained the main creative force behind Colors, until the onset of non-Hodgkins lymphoma forced him to leave in 1995, and return to New York. In 1997, Kalman re-opened M&Co and continued to

PEOPLE TIBOR KALMAN

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work until his death in 1999 in Puerto Rico, shortly before a retrospective of his graphic design work entitled Tiborocity opened its U.S. Tour of the San Francisco Museum of Modern Art. A book about Kalman and M&Co’s work, Tibor Kalman: Perverse Optimist, was published by Princeton Architectural Press in 1999.

Vendit est accatum quuntia dolum qui andissi tionsedit accum ipita dia sinciatis magnis doloreprae nest arcia dicium ipsanim quam sunto quis es aborpores rest, es ut ium eate sae omniam, omnihil moditem fuga. Itatiandi dolorum que volut lam, sequia quias et inus nit issequatqui offictatur sament od et quaspis sit quam everiatatus. Illupta tiorerum apitatur, omnia as eatecatur suntio blab idest mincto quodio. Et et endest pore, imin nust, occustemodi de nitiorit, niet estet im restem sit, non pratureperit que maio. Itatur antota dolora m res aut parcia dent rerepuditio. Itaspid ut quam, occatemque coressusam ilis ateceprati recae ditaes eatem liquisitiis voluptatur suntiis aut estia none sam volutes sinvelenihil ilibus doluptatur se re vellignest quos expero enduntio tendent eum res aut parcia dent rerepuditio. Itaspid ut quam, occatemque coressusam ilis ateceprati recae ditaes aut del isqui dis voloribus autessi mintora tempedit omnis eum doluptae est, omnihiliquia sum eos quo officia speribu scimusae volo molupta tustis utempos apic te optatur adisintori dolectur, officia speribu scimusae volo molupta tustis utempos apic te optatur adisintori dolectur,

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Today the influence of M&Co is still strong, both as a result of its work and that of the many designers, like Stefan Sagmeister, Stephen Doyle, Alexander Isley, Scott Stowell, and Emily Oberman, who worked there and went on to start their own design studios in New York City. Howard Milton and Jay Smith who worked with Kalman in 1979 went on to found Smith & Milton in London. Tibor Kálmán was a member of Alliance Graphique Internationale (AGI). Kalman was one of the 33 signers of the First Things First 2000 manifesto. Until his death (1999), Kalman was married to the illustrator and author Maira Kalman.

PEOPLE TIBOR KALMAN

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PEOPLE TIBOR KALMAN

I LIKE HIM COS HE DOES HIS THING The reason I like Tibor Kalman is because he always did his thing, in his way, with very few compromises. The motto he lived by is that he does everything twice. Reason being: The first time, he has no idea what he is doing. The second time he knows what he is doing. The third time it is boring. I like this.

SAGMEISTER

Stefan Sagmeister (born August 6, 1962 in Bregenz, Austria) is a New York-based graphic designer and typographer. Sagmeister co-founded a design firm called Sagmeister & Walsh Inc. with Jessica Walsh in New York City. He has designed album covers for Lou Reed, OK Go, The Rolling Stones, David Byrne, Aerosmith and Pat Metheny. Sagmeister studied graphic design at the University of Applied Arts Vienna. He later received a Fulbright scholarship to study at the Pratt Institute in New York. He began his design career at the age of 15 at “Alphorn”, an Austrian Youth magazine, which is named after the traditional Alpine musical instrument. In 1991, he moved to Hong Kong to work with Leo Burnett’s Hong Kong Design Group. In 1993, he returned to New York to work with Tibor Kalman’s M&Co design company. His tenure there was short lived, as Kalman soon decided to retire from the design business to edit Colors magazine for the Benetton Group in Treviso, Italy.

PEOPLE STEFAN SAGMEISTER

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PEOPLE STEFAN SAGMEISTER

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Vendit esttoaccatum dolum qui andissi Stefan Sagmeister proceeded form thequuntia New York tionsedit accum ipita dia sinciatis based Sagmeister Inc. in 1993 and has since designedmagnis doloreprae nest arciafor dicium ipsanim branding, graphics, and packaging clients as di- quam sunto quis es aborpores rest, es ut ium eateMusae omniam, omnihil verse as the Rolling Stones, HBO, the Guggenheim moditem fuga. Itatiandi dolorum que volut lam, seum and Time Warner. Sagmeister Inc. has employed sequiaWoodtli, quias etand inus Hjalti nit issequatqui designers including Martin Karlsson offictatur sament et formed quaspis Karlssonwilker. sit quam everiatatus. and Jan Wilker, who od later Illupta tiorerum apitatur, omnia as eatecatur suntio idest minctoartistic quodio. Et et endest pore, imin Stefan Sagmeister is blab a long-standing collabonust, occustemodi de Reed. nitiorit,He niet rator with musicians David Byrne and Lou is estet im restem sit, non monograph pratureperit“Made que maio. Itatur antota dolora m the author of the design You Look” res Booth-Clibborn aut parcia denteditions. rerepuditio. Itaspid ut quam, which was published by occatemque coressusam ilis ateceprati recae ditaes eatemInc.’s liquisitiis Solo shows on Sagmeister, work voluptatur have beensuntiis mount-aut estia none sam volutes sinvelenihil ilibus doluptatur ed in Zurich, Vienna, New York, Berlin, Japan, Osaka, se re vellignest expero enduntio tendent eum res aut parcia Prague, Cologne, andquos Seoul. He teaches in the gradudent rerepuditio. quam, occatemque ate department of the School of VisualItaspid Arts inutNew coressusam recae ditaes aut del isqui York and has been appointed asilis theateceprati Frank Stanton dis voloribus tempedit omnis eum doChair at the Cooper Union School autessi of Art, mintora New York. luptae est, omnihiliquia sum eos quo officia speribu scimusae volo molupta tustis utempos apic te optatur His motto is “Design that needed guts from the creaadisintori dolectur, officia speribu tor and still carries the ghost of these guts in the final scimusae volo molupta tustis utempos apic te optatur adisintori execution.” dolectur,

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Sagmeister goes on a year-long sabbatical around every seven years, where he does not take work from clients. He has spent many years designing for the music industry. Several years ago he decided to dedicate 25% of his work to the art world, things like books and publications for galleries, another 25% to the scientific community, 25% to social causes, and the remaining quarter has stayed dedicated to the music industry.

PEOPLE STEFAN SAGMEISTER

HE DESIGNS FOR NON DESIGN FOLK

TINA ROTH EISENBERG Tina Roth Eisenberg started swissmiss in March of 2005 as my personal visual archive. She grew up in Speicher (AR), Switzerland, influenced by renowned Swiss design and a lot of fresh mountain air. In 1999, after completing my design studies in Geneva and Munich, I crossed the Atlantic and began designing in New York. She ran her own studio, swissmiss, with clients including the Museum of Modern Art and the Food Network. (She no longer takes on clients but focusses on her own products/apps) She organizes a monthly breakfast lecture series called CreativeMornings, run a simple browserbased to-do app called TeuxDeux and is the founder of Tattly, a designy temporary tattoo shop. She believes in taking your personal projects seriously and gave a talk at SXSW explaining how it was in fact her side projects that allowed her to go clientless.

PEOPLE TINA ROTH EISENBERG

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PEOPLE TINA ROTH EISENBERG

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TINA R.E HAS HER FINGERS IN MANY PIES. PEOPLE TINA ROTH EISENBERG

SHE GOT BORED BEING IN A DESIGN STUDIO.

DANNY SANGRA

Danny Sangra is most recognised for his combinations of organic “growths” and geometric patterns, as in ‘The Hills are Dead’ limited edition print. His love of doing large scale mural commissions and the fact that he uses spray paint has led Danny to be wrongly associated with the graffiti scene with which he has only very tenuous links. The work closest to his heart is in fashion collaborating with Katie Hillier on print designs for Marc by Marc Jacobs among other things. Danny graduated from Central St Martins College London. He first came to wider public attention a few years ago when it seemed his murals were in shops everywhere. He is a brilliant graphic designer and since joining Scrawl Collective has become one of their busiest artists.

To boldy go where no graphic designer has gone before. Her career has taken her down a path that only she could design. She uses design, but in a entrpreneurial way, rather than as a service. PEOPLE DANNY SANGRA

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PEOPLE DANNY SANGRA

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DANNY SANGRA DOES NOT LIMIT HIMSELF. PEOPLE DANNY SANGRA

MUSIC VIDEO. SHORT FILM. GRAPHIC DESIGN.

DANIEL EATOCK

Daniel Eatock, a London-based artist and graphic designer, is an obsessive design documentarian and a champion of democratizing information architecture systems. His basic design methodology is rooted in a reductive logic that strives for objective and rational website designs. In 2005, Eatock co-created, with Jeffrey Vaska, a free, down-loadable content management system called Indexhibit that enables people to build simple websites that bring content to the fore. Indexhibit’s no-frills approach is evident on Eatock’s own site, eatock.com, an extensive repository for objects, prints, and photographs (his own and others’) that reveal his intense fascination with the art of observation and the pleasure of unexpected connections. A 1998 graduate of the Royal College of Art, Eatock interned at the Walker Art Center in Minneapolis before returning to England in 1999 to launch the design firm Foundation 33, which he later merged with the creative agency Boymeetsgirl. In 2003, he started Eatock Ltd., through which he builds and main-tains his database of photographic projects and completes work for a range of entertainment and cultural clients, including Samsung and Channel 4. The art world has also embraced him,

PEOPLE DANIEL EATOCK

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PEOPLE DANIEL EATOCK

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him, and various galleries Vendithave est accatum exhibitedquuntia his con-cepdolum qui andissi tual art. For a 2007 show tionsedit at London’s accum ipita M+Rdia Gallery, sinciatishemagnis dolorestuck his collection of prae tape nest rolls arcia to a beam diciumand ipsanim let them quam sunto quis es slowly unwind to the floor. aborpores Eatockrest, refers es ut to ium his process eate sae omniam, omnihil as “entrepreneurial authorship,” moditem fuga. which Itatiandi includesdolorum numer- que volut lam, ous limited-edition works sequia suchquias as Untitled et inus nit Beatles issequatqui Poster, offictatur sament a printed piece bearing od et thequaspis lyrics tositevery quamBeatles everiatatus. song. Illupta tiorerum apitatur, omnia as eatecatur suntio blab idest mincto quodio. Et et endest pore, imin nust, occustemodi de nitiorit, niet estet im restem sit, non pratureperit que maio. Itatur antota dolora m res aut parcia dent rerepuditio. Itaspid ut quam, occatemque coressusam ilis ateceprati recae ditaes eatem liquisitiis voluptatur suntiis aut estia none sam volutes sinvelenihil ilibus doluptatur se re vellignest quos expero enduntio tendent eum res aut parcia dent rerepuditio. Itaspid ut quam, occatemque coressusam ilis ateceprati recae ditaes aut del isqui dis voloribus autessi mintora tempedit omnis eum doluptae est, omnihiliquia sum eos quo officia speribu scimusae volo molupta tustis utempos apic te optatur adisintori dolectur, officia speribu scimusae volo molupta tustis utempos apic te optatur adisintori dolectur,

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PEOPLE DANIEL EATOCK

FINE ART. DESIGN. FINE ART. DESIGN ART. I have no idea what Daniel Eatock is. Does it even matter? Eatock meanders through conceptual art and comes out the other end with an identity for a reality TV show. I admire Eatocks attentiveness to his own interests and concerns, while maintaining an impressive portfolio of design work. The way Eatock will look at anything from every angle is something I would love to be able to do.

BOB GILL

He played the piano at summer resorts in the Catskill Mountains, New York, to pay his school tuition. He attended the Philadelphia Museum School of Art (1948–1951), Pennsylvania Academy of Fine Arts (1951), City College of New York (1952, 1955). When he graduated he became a professional graphic designer in New York City. Gill acted as a film title designer in several films, including several films of Ray Harryhausen. April Fool’s Day, 1962, Gill, Alan Fletcher and Colin Forbes established Fletcher/Forbes/Gill design studio, the forerunner of Pentagram. More than 100,000 copies of the partnership’s book, Graphic Design: Visual Comparisons (New York: Van Nostrand Reinhold, 1963), were sold. F/F/G soon outgrew their small studio and moved into a huge Victorian former gun factory on a canal. They started the Designers and Art Directors Association D&AD and opened a second office in Geneva. In 1967, Gill left the partnership and assumed independent freelancing again, including teaching,

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filmmaking and writing children’s books. He returned to New York in 1975 to write and design Beatlemania, the largest multimedia musical up to that time on Broadway, on which he worked with Robert Rabinowitz. He also proposed a peace monument for Times Square, Gill wanted to collect military junk from all over the world, pile it 40 feet high, spray it matte black, and mount it on a block of white marble. The New York City Fine Arts Commission did not like the idea. For his graphic design work, Gill has won a number of awards, sold illustrations to Esquire, Architectural Forum, Fortune, Seventeen, and The Nation magazines and has illustrated children’s books and designed film titles. He has also designed for Apple Corps records, Rainbow Theater, Pirelli, Nestlé, CBS, Universal Pictures, Joseph Losey, Queen (now Harpers & Queen), High Times magazines and the United Nations. He was elected to the New York Art Directors Club Hall of Fame in 1991 and the Designers and Art Directors Association of London has presented him with their Lifetime Achievement Award.

PEOPLE BOB GILL

GOOD IDEAS DONâ&#x20AC;&#x2122;T NEED AN EMBOSS. Bob Gill one of the original ideas men. Anything I write here will be an injustice to the way in which Bob Gill and his contemporarirs trail blazed the beauty of a good idea. I am always hunting for that one idea. I need a bigger gun.

PLACES

IDEAS BY MUSIC

Ideas by Music is an award winning design studio in Manchester.

PLACES IDEAS BY MUSIC

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I LIKE THAT THEY ARE BIG ON IDEAS. PLACES IDEAS BY MUSIC

WORK MAINLY WITHIN THE CULTURE SECTORS.

PENTAGRAM

Pentagram is the worldâ&#x20AC;&#x2122;s largest independent design consultancy. The firm is owned and run by 19 partners, a group of friends who are all leaders in their individual creative fields. They work in London, New York, San Francisco, Berlin and Austin. We design everything: architecture, interiors, products, identities, publications, posters, books, exhibitions, websites, and digital installations. Each of their clients works directly with one or more of their partners. This reflects their conviction that great design cannot happen without passion, intelligence, and personal commitment, which is demonstrated by a portfolio of work that spans five decades.

PLACES PENTAGRAM

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PLACES PENTAGRAM

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BIG NAMES. BIG STUDIO. BIG RANGE. PLACES PENTAGRAM

ECLECTIC. BOLD. DIVERSE. CULTURE. CLASSIC. ‘NICE’.

B&W

B&W – a design and communications practice based in Leeds. Formed in 2005 by award-winning creative directors Lee Bradley (B) and Steven Wills (W), we’ve become well known for our ability to combine big ideas with meticulous attention to detail – what you might call ‘craft’. Our craft is really important to us. We’ve made it work by staying deliberately small, so we can give each project the attention it deserves. We take the time to understand your challenges in detail, and develop the most compelling and relevant solutions. The ‘&’ in our name is important, too. It stands for our belief in partnership, collaboration, and making connections – between people and ideas, brands and audiences, design and business. We may be small, but we have big ideas and ambitions: like producing the most engaging, beautifully crafted, and effective work in the world. Yes, world. If you have similar ambitions for your brand, we’d love to hear from you. Drop us an email, or give us a call.

PLACES B&W AND GOLDEN

GOLDEN tibor kalman

Golden’s Venditaim est for accatum year two quuntia is todolum continue quiworking andissi for great tionsedit brands,accum stay realistic ipita diaand sinciatis perhaps magnis takedoloreon a fewprae morenest designers. arcia dicium This isn’t ipsanim just modesty quam sunto speakquis es ing;aborpores past experience rest, eshas ut ium shown eate thesae studio omniam, that when omnihil design moditem companies fuga. get Itatiandi too big, dolorum creative queand volut comlam, mercial sequia elements quias et come inus into nit issequatqui conflict too offictatur easily. “One sament thing odthat et quaspis we all agree sit quam on,”everiatatus. says Steve McKevitt, “is thatIllupta there’stiorerum an optimum apitatur, size for omnia a business as eatecatur like this, suntio andblab it’s about idest 12 mincto to 15 quodio. people.” Et et endest pore, imin nust, occustemodi de nitiorit, niet estet im restem sit, Thisnon kindpratureperit of straight thinking que maio. runsItatur rightantota through dolora the m Golden res aut method. parciaIndent termsrerepuditio. of a Golden Itaspid aesthetic, ut quam, the studio’s occatemque own cards, coressusam stationery, ilisposters ateceprati and recae books ditaes eatem liquisitiis voluptatur suntiis aut warm estia none feature predictably heavy doses of the me- sam ilibus director doluptatur re vellignest tallicvolutes - and sinvelenihil black. Creative RobseBrearley is quoslooking experofor enduntio tendent eum resaccurate aut parcia always the perfect foils, most rerepuditio. Itaspid quam, occatemque die dent cuts, finest stocks and bestut metallic inks. In client coressusam recae ditaes aut del isqui work, his motto ilis is toateceprati keep it simple. dis voloribus autessi mintora tempedit omnis eum dosum eos quo officia “I’mluptae a hugeest, fanomnihiliquia of not overcomplicating things,”speribu conscimusae volo“That’s molupta utempos te optatur cludes Brearley. nottustis to say I don’t apic sometimes adisintori dolectur, officia scimusae do complicated work, but the speribu idea behind it hasvolo to moluptaThe tustis utempos apic for te optatur be simple. things that work me takeadisintori somedolectur, thing out of the original brief, or out of the problem; they take something that was inherently there at the start and turn it around into a creative answer.” Vendit est accatum quuntia dolum qui andissi tion

TWO GREAT STUDIOS IN LEEDS. I WANT TO VISIT. PLACES PENTAGRAM

LEEDS BASED. ALWAYS DELIVER GREAT WORK.

LOVE

LOVE is a design-led agency with storytelling at the heart of our approach â&#x20AC;&#x201C; they believe that design sits at the very core of true brand success. LOVE develop visionary solutions that drive conversation and engagement for leading global brands across multiple consumer touch points. Working with a wholly integrated approach across advertising, branding, design, digital and experiential, LOVE finds the most interesting stories to tell in the most interesting ways. Recent LOVE brands include Johnnie Walker, Nike, Guinness, Adidas, Tanqueray, Levi Strauss & Co. and the design of the worldâ&#x20AC;&#x2122;s fastest selling album cover for One Direction. Since it was founded in 2001, the 40 strong agency has won over 250 awards, including recognition by D&AD, Creative Review, Design Week and Clio. LOVE has offices in Manchester and London.

PLACES LOVE

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MAJOR CLIENTS. CREATIVE BRAND STORIES. PLACES LOVE

AWE SOME VISUAL QUALITY. PHOTOS.

HAT-TRICK

Small studio in London. Design Week Number 1.

PLACES HAT-TRICK

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SMALL TEAM. HUGE IDEAS. CULTURE SECTOR. PLACES HAT-TRICK

SELF DRIVEN BRIEFS. RANGE OF CLIENTS.

GTF

Graphic Thought Facility is a London-based design consultancy with an international reputation for appropriate, effective and original solutions. Recent commissions include store environments for M&S, exhibition design for the Science Museum, books for the Gagosian Gallery, wayfinding for Vitra, and campaigns for Kvadrat and the Frieze Art Fair. We believe that a successful project is rooted in a deep understanding of its objectives and we take great care to listen to our clients, often forging longterm relationships. Although our approach has been cited as original and unconventional, our underlying principles are clarity, simplicity and a belief that functional need and emotional response demand equal consideration. We enjoy exploring the physical possibilities of design, which has naturally extended our work into product, exhibition and environmental design. We often use non-standard materials and production methods, exploiting our knowledge of niche manufacturers and forgotten techniques, as well as new technologies.

PLACES GRAPHIC THOUGHT FACILITY

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CULTURE. ARTY TECH DESIGN STUDIO. PLACES GRAPHIC THOUGHT FACILITY

SUPER CLASSY WORK. ELEGANT DESIGN.

KARLSSON WILKER karlssonwilker, the design studio of Icelander Hjalti Karlsson and Jan Wilker from Germany, founded in 2000 and located in the heart of New York City. Along with their team of creatives, they work directly and independently for a diverse mix of cultural and commercial clientsâ&#x20AC;&#x201D;from local non-profits to global corporations. Today, karlssonwilker continues to push forward on behalf of their clients.

PLACES KARLSSONWILKER

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PLACES KARLSSONWILKER

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WHAT? HOW? WHO? WHEN? WHY? PLACES KARLSSONWILKER

MAKE AND BREAK VISUAL ‘STYLES’.

BLEED

Design consultancy based in Norway and Austria.

PLACES BLEED

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PLACES BLEED

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HIGH FIDELITY.

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PLACES BLEED

SUPER â&#x20AC;&#x2DC;COOLâ&#x20AC;&#x2122;.

SNASK

They believe in standing out and have opinions to stand up for. To be a part of the present time and have the gaze nailed to tomorrow. They believe in telling stories and to really dare to be personal. To constantly question and challenge social conventions and to never be afraid of making enemies. Why? Because with obvious enemies a brand becomes clear and distinguishable, and will have millions of fans and followers. Finally they believe that the only right way is your own. Snask Off!

PLACES SNASK

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PLACES SNASK

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NO HOLDS BARRED. I HAVE AN IDEA. PLACES SNASK

LETâ&#x20AC;&#x2122;S DO IT. LETâ&#x20AC;&#x2122;S DO IT NOW. NOW!

BARNBROOK

Barnbrook is one of the most well-known creative studios in Britain. Their team of designers specialise in producing innovative books, corporate identities, CD covers, custom fonts, websites and magazines. Their clients range from international museums to charitable organisations. They have worked and won many awards in the area of motion graphics working for clients such as the BBC and Grey Advertising alongside producing self-initiated projects. Barnbrook also releases original fonts through VirusFonts that are used extensively worldwide. Our contribution to graphic design was recognised by a major exhibition at the Design Museum, London in 2007.

PLACES BARNBROOK

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PLACES BARNBROOK

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THE BEST CLIENTS. MUSIC. ART. PLACES BARNBROOK

CLASS, QUIRKS, ALWAYS GOOD DESIGN.

LUST

LUST is a multidisciplinary graphic design practice established in 1996 by Jeroen Barendse, Thomas Castro, and Dimitri Nieuwenhuizen, based in The Hague, Netherlands. LUST works in a broad spectrum of media including traditional printwork and book design, abstract cartography and data-visualisations, new media and interactive installations, and architectural graphics. Moreover, LUST is deeply interested in exploring new pathways for design at the cutting edge where new media and information technologies, architecture and urban systems and graphic design overlap. This fascination led to establishing LUSTlab in the summer of 2010. LUSTlab is more than a new form of Research & Development. LUSTlab goes further than observing, inventing and producing, by means of forming a platform where knowledge, issues and ideologies can be shared.

PLACES LUST

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VERY CLEVER STUFF. BROAD. EXPLORE PLACES LUST

DESIGN FINKING MADE VISUAL.

STUDIO DUMBAR

Design is at the heart of what they do. They describe their work as ‘visual branding, online branding’, meaning they create every visible expression of a brand or organization — offline and online. Their nature is to look for the pure essence — in the people they work with, and the projects they take on. It’s a mentality that helps them to build a great team and achieve extraordinary results, no matter how complex or demanding a project might be. They have their homebase in the Netherlands (Rotterdam) and a liaison-office in South-Korea (Seoul). On average, we have 5 different nationalities and cultures in the team. Their portfolio is equally diverse, encompassing work for a variety of clients both large and small – from business and government to cultural and non-profit. Studio Dumbar’s colourful history began in 1977 when Gert Dumbar founded the company in The Hague.

PLACES STUDIO DUMBAR

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PLACES STUDIO DUMBAR

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CULTURE SECTOR. PUBLIC SECTOR. ENGAGE PLACES STUDIO DUMBAR

THE EYE. BEAUTY FULL VISUAL TREATS.

THE BEAUTIFUL MEME They’ll give you unexpected, unusual, unboring ideas. Thumbing our noses at ordinary, they’ll make you nervous. They’ll offer you new realities. They win awards like Design Week’s Best Brand Identity and we’re one of The Drum’s Top 25 Emerging Agencies. Clients include Design Museum, Oaktree Capital, English National Ballet, AkzoNobel, Opera North and National Trust Scotland.

PLACES THE BEAUTIFUL MEME

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PLACES THE BEAUTIFUL MEME

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COPY MEETS DESIGN. THE CLUE PLACES THE BEAUTIFUL MEME

IS IN THE TITLE. BEAUT.

BUILD

Build is a London-based design consultancy with an international reputation for producing modern, graphic solutions for lifestyle clients, both independent and corporate. Our core strengths of brand identity, art direction and graphic design are showcased in a portfolio unified by a strong and confident visual language. We help clients rationalise their challenges and verbalise their personality, and no matter what the size of project, it is always our aim to deliver beyond expectation. Founded in 2001 by Michael C. Place (Creative Director) and Nicky Place (Business Director), and since joined by Joe Luxton (Designer) and Sophie James (Studio Manager). We specialise in producing visual identities for creative, design-led clients, and our portfolio encompasses brand identity, art direction and graphic design. We have extensive experience of production including print, websites, & moving image. Our services include design and art direction, management and production.

PLACES BUILD

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ALWAYS BEEN A FAN. LOVELY CLIENT PLACES BUILD

RANGE. BOLD, STEADY, HIGH QUAL.

BERGER & FOHR

Berger & Föhr is a graphic design and art direction studio based in Boulder, Colorado. The studio practices contemporary visual communication, informed by the past – inspired by the future. We employ a comprehensive methodology, rich in dialogue, rooted in experience and intuition to create lasting, considered work. The studio exists to support businesses, organizations and independents dedicated to the development of socially, culturally and environmentally responsible products, ideas, information and assets. They specialize in identity – providing logo and symbol design, bespoke typography, brand strategy and artistic direction, print and collateral design, website and application design, environmental graphic design and illustration, focused on icon and pictogram design. They are committed to the triple bottom line — people, planet and profit — and run their studio accordingly.

PLACES BERGER & FOHR

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PROCESS AND MATHS AND METHOD. PLACES BERGER & FOHR

CULTURE, PUBLIC, BRAND. COHESIVE.

OTHER STUDIOS

25ah A is a name A + B Studio A2 SW HK Ahonen & Lamberg Adam Rix AKQA Alex Bogusky Almasty Alphabetical Alvin Chan Andfold Studio Andreu Balius Asbury & Asbury Atlas Studio Banziger Hug Base & Chaco BBDO BB BIG / Bjarke Ingels Group Bunch Bobby Mckenna Box Head Brendan Dawes

PLACES OTHER STUDIOS

Burgess Studio Bureau Bruneau change is good Catalogue CHI Partners Church Of London Craig & Karl Creative Arthur CROWD CYRIAK David Shrigley David & Goliath DESIGN ARMY Design by Dave Design by Praline Designers Anonymous Deutsch Inc. dn&co DR.ME DRAWSWORDS DROGA 5 Dustin Edward Arnold Ed Ruscha Emeyele

Empire Design Jon Hannan End Of Work Joost Grootens Erik Brandt Jordan Blyth Experimental Jetset Josh King FACETS Julia Family Justin M. Maller FEIXEN Kasper Florio Felix Heyes Kate Moross Format Kate Prior Frame. Kessels Kramer Fraser Muggeridge Kellerhouse Frederic Teschner KIM Freytag Anderson King Frost* koos breen GBH LETMAN Vendit est accatum quuntia dolum qui andissi Give Up Art Lundgren + Lindqvist tionsedit accum ipita dia sinciatis magnis doloreGlad MADE BY MATTPYKE prae nest arcia dicium ipsanim quam sunto quis es GOOD IS DEAD Made Thought aborpores rest, es ut ium eate sae omniam, omnihil Grafisch Antwerp Maeda Studio moditem fuga. Itatiandi dolorum que volut lam, Graphical House Magpie Studio sequia quias et inus nit issequatqui offictatur sament HelloMe Manual od et quaspis sit quam everiatatus. Hey Marion Deuchars Illupta tiorerum apitatur, omnia as eatecatur suntio Heydays Mark Fenske blab idest mincto quodio. Et et endest pore, imin Images&Co Marke Johnson nust, occustemodi de nitiorit, niet estet im restem sit, INT WORKS Marla Weinhoff non pratureperit que maio. Itatur antota dolora m Isidro Ferrer Martin John Callanan res aut parcia dent rerepuditio. Itaspid ut quam, Glad Mash Creative occatemque coressusam ilis ateceprati recae ditaes Handsome Frank Matt Maurer eatem liquisitiis voluptatur suntiis aut estia none sam Homemade Cookies Mattson Creative volutes sinvelenihil ilibus doluptatur se re vellignest Hornet Michael & Sharif Doen Dingen quos expero enduntio tendent eum res aut parcia HORT Mike & Maaike dent rerepuditio. Itaspid ut quam, occatemque I am Adam Pacitti Mike Perry coressusam ilis ateceprati recae ditaes aut del isqui Ian Wright Modern Practice dis voloribus autessi mintora tempedit omnis eum doInterbrand Moving Studio luptae est, omnihiliquia sum eos quo officia speribu Ivan Cash NB tustis utempos apic te optatur scimusae volo molupta James Joyce NEO adisintori dolectur,NEO officia speribu scimusae volo James Victore molupta tustis utempos Neubau apic te optatur adisintori Jeff Koons Hugo & Marie dolectur, John Morgan Nick Bell

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Nick Blakeman North Nuelle OK-RM OK200 Open Studio Club Opposite jkr Pagan & Sharp Part of a Bigger Plan Pascal Anson Muro Buro Paul Sahre Paul Willoughby Pencil Studio Peter & Paul Peter Borg Planing Unit Practice Foundry Print Process Purpose Pushpin R2 Design Rabbithole Random Studio Richard Ardagh Rixt Rob Clarke Robin Howie Ruska Mrtin Assosciates Russell Warren-Fisher SLOWLY DOWNWARD Sampson May SB Studio Sell! Sell! Showcase Someone Spin Split PLACES OTHER STUDIOS

Stephen Walter Stephen Hislop Stephen Henry Steven Bonner Stockholm Design Lab Stout-Kramer Studio Dempsey Studio Kleuf Studio Laucke Siebein Studio Moross Studio Newwork Studio Roosegaarde Studio Small Studio Makgill Studio Spass Studio Thomson Stuff I Have Done Sruktur Sumo Design Sweet Toof TBWA The Arhipelago The Entente The Colour House The Lucury Of Protest The Partners The Print Project The Stone Twins Them Thirteen Thom Lambert Tim Wan Triborodesign Toko. Tom Hingston Unit Editions UNIT Universal Everything USEFUL

Vallee DUHAMEL Vault49 Vince Lo Vincy Cheung We Are Nathan Perkins Dialogue Biblioteque Design Why Not Assosciates DesignStudio Wieden + Kennedy Words Are Pictures work in process Y&R Yellow1 YES Vendit est accatum quuntia dolum qui andissi Zak Group tionsedit accum ipita dia sinciatis magnis doloreZut Alors prae nest arcia dicium ipsanim quam sunto quis es aborpores rest, es ut ium eate sae omniam, omnihil moditem fuga. Itatiandi dolorum que volut lam, sequia quias et inus nit issequatqui offictatur sament od et quaspis sit quam everiatatus. Illupta tiorerum apitatur, omnia as eatecatur suntio blab idest mincto quodio. Et et endest pore, imin nust, occustemodi de nitiorit, niet estet im restem sit, non pratureperit que maio. Itatur antota dolora m res aut parcia dent rerepuditio. Itaspid ut quam, occatemque coressusam ilis ateceprati recae ditaes eatem liquisitiis voluptatur suntiis aut estia none sam volutes sinvelenihil ilibus doluptatur se re vellignest quos expero enduntio tendent eum res aut parcia dent rerepuditio. Itaspid ut quam, occatemque coressusam ilis ateceprati recae ditaes aut del isqui dis voloribus autessi mintora tempedit omnis eum doluptae est, omnihiliquia sum eos quo officia speribu scimusae volo molupta tustis utempos apic te optatur adisintori dolectur, officia speribu scimusae volo molupta tustis utempos apic te optatur adisintori dolectur,

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