2015-2016
Executive Creative Assistant
University of Santo Tomas Heritage Conservation Society
Merchandise Design of the oranization’s new lanyard, caps, t-shirts
Awareness Poster Series for UST-HCS’ United Nation’s Day Celebration
Graduated Batch Salutatorian of 2017 Thesis of the Year in B.S. Architecture Top 9 in Architectural Licensure Examination
Ideas, Solutions, and Value should Graphic Designer and a practicing visual communication in delivering
The profession has taught me to target consumers can meet eye-to-eye. demands and peer-to-peer knowledge. me to develop good time management
Having worked in two visual design-related to not just software knowledge for different forms of human communication. amazing ideas into a reality!
2017- 2021
Junior Architect
WTA Architecture + Design Studio
Extensive 3D Modelling/detailing of buildings and furniture pieces;
Production of 2D illustrations under the supervision of a senior manager;
Assists in the conceptualization of theme, narrative and direction of presentations
2020 Volunteer Graphic Designer
The Lannang Archives
Curation of overall branding of the organization’s social media identity;
Graphic Design of Recruitment Poster
Architecture
Examination (June 2023)
should be on-point, engaging, and easy to understand. As a practicing Architect, I’ve always found it very fullfilling to be a medum of delivering this quality of concepts.
cultivate a common ground where different clients and their eye-to-eye. This calls for a great amount of understanding for clients’ knowledge. Dealing with various projects in this industry has trained management and the ability to adapt to new changes.
design-related industries for more than 6 years have exposed me for digital visualization but also a deeper understanding of the communication. Without further ado, I am excited to turn your new and
The Anthology Festival
Templates for speaker invites, speaker guides, staff guides, directory of speaker profiles, certificates, competition briefs
Design of brochures and PPT presentations for sponsors
Assists graphic designer in production of social media posts
The Anthology Festival
Curation, design, and production of overall Festival Theme, Logo and other Graphical Core Assets;
Curation, design and production of social media content
Overall coordination with foreign and local guest speakers from pre- to post-festivities
WTA Architecture + Design Studio
Curation, design, and production of printed and PPT client presentations
Mentorship and supervision of junior architects and designers
Overall coordination with clients, consultants and suppliers for varying architectural projects
Date Jan-Mar 2021
Client Non-profit Organization
Original Logo
Background
The Anthology Festival is an international annual celebration of Architecture and the Arts --- by architects, for architects.
The festival is attended by many local and foreign architects and other builtenvironment professional in a 3-day outdoor event in the Philippines.
2021 Festival: “Our City”
For the first time in 6 years, the festival will go online as a 3-day webinar in observance of Covid-19 protocol.
The 2021 festival takes on the theme of “Our City”, calling into awareness the evolution of our cities into full-fledged digital ones and how this change will affect architecture as we know it.
2021 Theme Logo Type Face
Scope of Works: Layouting, Illustrations, Content Writing
Date Jan-Mar 2021
Size 1080 x 1300 px
Apps Ps + Ai + Id
Client Non-profit Organization
Anthology Festival’s 6th year installation is a 3-day webinar series of Professional Talks by world-renowned Architects, entitled with the theme “Our City”.
The talks are centered around each Architect’s design process and the actual built outputs these processes are used upon, targeted towards both young, aspiring designers and currentlypracticing architects.
Date June 2020
Size 1080 x 1080 px
Apps Ps
Client Non-profit Organization
‘The Lannang Archives’ is a community of mixed-blood Filipino-Chinese youths who are focused on preserving the Filipino variant of the Chinese Language. Starting only in 2019, the community has always been on the search for more volunteers of different professional backgrounds who share the same passion.
Date June 2022
Size A4 (210 * 297 mm)
Apps Ps + Ai + Id + Skp
Client Government Office
‘Bakuran’ is a design pitch for the country’s Pavilion entry to the Venice Biennale for Architecture. It is envisioned to be an artificial garden that replicates the ‘lushness, warmth, and vibrance’ of Filipino Home Gardens.
Filipino Gardens are very rustic and vernacular, even in this modern age. Due to the abundance of large plants and colorful flora, thanks to the Tropical Climate of the country, gardeners can easily create beautiful gardens with any homemade garden decor. Inspired by this handmade charm, the booklet design uses natural textures and earth tones that evoke a feeling of “home”.
Date October 2021
Size A4 (210 * 297 mm)
Apps Ps + Ai + Id + Skp
Client Real Estate Developer
Terrace Park is an 18-story Concept Condominium that aims to be the first AirBNB Hotspot at the heart of the Tourist City of Legazpi, creating a series of layered homes punctured with gardens and multi-level parks.
Anchored on the “Live-Work-Play” concept, the branding design carefully uses warms colors in juxtaposition with earth tones, embodying elements of cheer and excitement amidst the company of nature.
Date May 2018
Size A5 (142 * 210 mm)
Apps Ps + Ai + Id
Client Architectural Firm
‘The Social Architecture’ newsprint foretells WTA Architecture and Design Studio’s manifesto on how architecture should be socially adaptible to the needs of its community, following its 3 key principles: (1) Engage; (2) Barrier-free; and (3) Localize.
With a limited budget, the newsprint should be able to communicate the principles in a concise but eye-catching manner. The print remained in circulation at the Venice Biennale 2018, from May-Nov.
Other Pages
Scope of Works: Layouting, Proofreading, Illustrations, Photo Manipulation
Date Mar 2023
Size 3840 x 2160 px
Apps Ps + Skp + Lumion
Client Architectural Firm
The process starts with a very detailed 3D model, created in Sketchup. I then look for pegs of actual footages of aerial shots that I can follow for the camera angle I want to take of the 3D Model. Once the scene is set, I collect images that match the viewing angle, setting, and shadows of my 3D Model.
Finally, in Photoshop, I assemble these pieces of images, like a jigsaw puzzle, to create one holistic piece. Adding a set of filters and color correction here and there, to match each picture with the others. And finally, the output delivers.
Raw Render
The process starts with a very detailed 3D model, created in Sketchup. I then look for pegs of actual footages of aerial shots that I can follow for the camera angle I want to take of the 3D Model. Once the scene is set, I collect images that match the viewing angle, setting, and shadows of my 3D Model.
Finally, in Photoshop, I assemble these pieces of images, like a jigsaw puzzle, to create one holistic piece. Adding a set of filters and color correction here and there, to match each picture with the others. And finally, the output delivers.
Raw Render
Raw Render