24, for acoustically amplified cello and piano 10 hands (2013)

Page 26

22

(√) O. O. O. O. . . . . . † 43 œ }œ œ }œ œ }œ œ }œ œ

3 ˘J¿ œ ˘J¿ ‰ œj œj ‰ ˘J¿ †4 æ â æ â æ (Bow-­‐hairs in between several strings behind the bridge)

78

Pl. 1

3

Pl. 2

3

BH

X

(Behind the bridge)

F

3

X

3

(√) # O. O. O. O. O. O. # O. O. O. O. # O. O. O. O. O. O. . . . . . . . . . . . . . . . . & 43 # œ }œ œ }œ œ }œ œ }œ œ }œ œ }œ 42 # œ }œ œ }œ œ }œ œ }œ 43 # œ }œ œ }œ œ }œ œ }œ œ }œ œ }œ

wh it

e k

eys

≠≠≠≠ ≠≠≠≠

fff sub.

Pl. 4

Vc.

t

jŒ Œ ƒ >¿ ^ v‰Œ

Pno.

(*) White keys guero percussive gliss. (With the hand microphone of the megaphone)

3

.

43 ^ ≈

.

.

7

.

7

(**)

(*)

.

(***)

43

5

(etc.)

5

(*) Move the polystyrene piece up/down noisily on the strings. (**) Pluck with the plectrum on the end of the indicated strings. (***) With the plectrum along the indicated strings. Similar to a rattling "guero" sound.

IV

^^^^‰ Œ œâ (arco)

fff sub.

Œ

.

.

7

42 ^ ≈

≈ v #œ≈ ^ ≈nœæ#œæ v œ œ œ œœ œ œ œ F fl fl â fl fl fl fl â fl fl 5

.

42

#. .

7

5

â

5

fl â

fl

Ó

Œ

43

3

Ï P sub.

5

Œ

Ï

3

X

3

X

f fl

SB

(*)

7 BH

42

ƒ

… ≠≠ J¿ 3 ≠ ≠ ≠ . ≠ l ≠ ce≠Ô 4 ≠Ô≠a≠Ôc≠Á≠Ô (**)

ƒ

@

æ ¿ ‰ ✠. ¿ ‰ . ôâ 7

X

fl

(*)

‰ . Ê ≈ }Oœ OJÊ ≈ }Oœ JO œ œ 3

43 i¿ œâ

BH

7

‰ n## œœ ‰ œœö œ> œ> F

Ó @

(etc.)

Π7

æ æ ¿fl ≈≈ ôâ .¿fl‰ ≈ œâ ¿fl ôâ 7

X

fl

(*) Hit the strings behind the bridge with the super-­‐ball. (**) Bow-­‐hairs in between several strings behind the bridge (***) Noisy gliss. with your nails on the strings behind the bridge.

3 v 4

fl

fl

v ‰. Œ SB

(***)

3

(**)

… 2> # 3 J¿ Œ 4 j #¿

Œ

X

3

& 43 Ê

‰ ≠≠≠ >¿≠P ‰ v Ô 3

f fl

œfl œ^ ≈ œfl ≈ œv œ#œfl œ â fl fl

^ ^ ^^^^ œâj# ✠Œ

X

‰ ✠‰ æ˘J¿ œflj ‰ æ˘J¿ œâj

3 4

3

3

≈ ^ ≈ 42

5

3

… 2> # 2 J¿ Œ 4 j #¿

t 42

Œ

œflj ‰ æ˘J¿ ✠æJ¿˘

(*) Hit the wooden ground of the piano board (through one of the rounded holes of the metal plate) with a super-­‐ball. (**) Slide a bottle neck on the strings indicated between brackets. The indicated notes are approximated.

(Behind the bridge)

7

3 ≈ v ≈ ^≈ 4 æ æ v œfl œ œ #œfl œ œfl#œ œ 5

2 4

42

Œ Œ

3

3 43 # œ. }Oœ œ. }Oœ}Oœœ. }Oœ œ. }Oœ œ. }Oœ œ. 42 œ##}Oœ œ. }Oœ œ. }Oœ œ. }Oœ 4 }Oœ# œ}Oœ ‰ #.

7

t

Œ Œ

… J¿

Œ

≠≠≠≠≠≠≠

‰Œ ¿> ≈ ^ vŒ

? 43

Œ

j

#¿

ys

&

J¿

(*)

ke

43

ck bla

?

HM: w.keys

(*) Black keys guero percussive gliss. (With the ;lesh of your ;ingers)

P sub.

3

Pl. 3

X

3

…2 > 3 ‰ #¿ &4

Pno.

3

(etc.)

X

œflæ#flœæ œv œfl œ^ ≈ œfl ≈ œ œ #œfl ≈œ^ ≈nœflæ #flœæ œv œfl œ^ ≈ œfl ≈ œv â â fl â fl â fl 5

>

5

(hit the strings behind the bridge with the palm of your hand)

Á

"ff "

Œ

? 43

5

arco

II ORD III

íí.

5

5


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