DYSTOPIA
Experience the world of the African dances which have influenced Latin, Bollywood, Jazz, and Contemporary choreography. Experience how we can embrace diversity as a remedy for Dystopia.
Directed by...
Professor Yvonne Goodridge with Special Student Choreography
April 6 & 7, 2017 at 7:30 p.m.
Shepard and Ruth K. Broad Center for the Performing Arts 11300 NE SECOND AVE, MIAMI 33161
FREE ADMISSION
Photography by Yanni De Melo Poster design by Thomas Rockwell
Barry University’s Department of Fine Arts Program in Dance presents February 3 & 4, 2012 Faculty Choreography by Yvonne Jones Goodridge and Sandra Portal-Andreu Student Choreography by Stephen Hill, Glenda Cajigal and Jaymesa Michie Barry University 11300 NE Second Avenue Yvonne Jones Goodridge - is the Assistant Professor of Dance at Barry University she is a scholar, educator and performing artist who has been teaching and performing for over 23 years. Mrs. Goodridge has her BFA degree in Dance from New York University, Tisch School of the Arts, and MA in Dance Education from Columbia University, Teachers College. Mrs. Goodridge has worked with the prestigious Alvin Ailey American Dance Center, and danced with the National Dance Theatre Company of Jamaica. Mrs. Goodridge has performed for Florida Brazil Festival the Festival de France here in Miami, Caribbean Dance Celebration in Miami and Fort Lauderdale and the Gullah Festival in Beaufort South Carolina. Prof. Goodridge has also directed over ten dance concerts at Barry University and choreographed for numerous musicals. Prof. Goodridge is author of the publication, “Tracing the Dance Roots of the Sea Islands” presented in Ghana, West Africa. Yvonne Jones Goodridge has presented at the: Congress On Research in Dance Conference, Florida Dance Educators Conference, Cultural Crossroads Conference in Jamaica, W.I. and most recently at the National Dance Educators Conference in Minnesota. Prof. Goodridge is completing her book on Dances of the Black Atlantic. Sandra L. Portal-Andreu is a Hialeah native of Cuban/Colombian decent, who began dancing with Madelyn Alfonso and later, trained under the direction of Vladimir Issaev. She received an A.A. from New World School of the Arts/MDCC, B.F.A. in Dance from Florida State University, and an M.S. in Movement Sciences from Barry University. She is certified trainer in GYROTONIC® and GYROKINESIS®. Additionally, Sandra has trained with Fernando Bujones, Suzanne Farrell, Michael Foley and Gerri Houlihan. She currently dances with Josee Garant Dance and her work was featured in the film, “Dancer” by Dara Friedman during Art Basel. Additional performance credits include: Arts Ballet Theater of So. Florida, Momentum Dance Company, Florida Grand Opera’s “AIDA”, Miami City Ballet’s “Lounge 2200”, and Composition. She has also performed for Carlos Ponce, Iron & Wine and the Superbowl. Mrs. Portal-Andreu is faculty at the New World School of the Arts. Additionally, she has taught at Barry University, Miami City Ballet School & Summer Intensive, Vladimir Issaev’s Classical Ballet Russian Seminar and FSU dance SARASOTA. Choreography credits include: City Theatre’s Summer Shorts with Jai Rodriguez, Lisa Loeb and City Theatre’s “Camp Kappawanna”, Gabriel Pulido’s “Deep Surface: A Homage to the Sea”, The Naked Stage Theater Company, Barry University and UM’s Young Musician’s Camp. “This year’s dance production is our artistic approach to “Molting”. Webster’s College Dictionary defines molting as “To cast or shed the feathers or skin, or the like, in the process of renewal or growth.” Now is the time for us to cast off the old, and embrace our new growth with more positive outlook towards our continued progress. What better way to renew the richness we all share, but through our dance.” - Prof. Yvonne Jones Goodridge - Artistic Director Program “Transient Phases” Music: Hector Villa Lobos – String Quartet No. Movements & Choreographer: Stephen Hill Dancers: AIM “Elegua – Obatala – Oshun” Music: Kasumbi, Luis Ortiz Napoles Choreographer: Glenda Cajigal Dancers: Michelle Sanchez, Floriza Fils-Aime, Jacqueline Aquilar, Glenda Cajigal Jazz Conversations Music: Pan Jazz Conversations, Mauby Bach Choreographer: Yvonne Jones Goodridge Dancers: BURDE “Thesis” Music: Steve Reich “Music for Large Ensemble” Choreographers and Dancers: Stephen Hill and Jaymesa Michie “Ladylike” Music: Johannes Brahms, “Klosterfräulein” Op. 61,2; “Phänomen” Op. 61,3 performed by Juliane Banse & Brigitte Fassbaender Robert Schumann, “Der Soldat” performed ny Anne Sofie Von Otter & Bengt Forsberg Choreography: Sandra Portal-Andreu Dancers: Angele Smith, Jaymesa Michie, Kesha Alleyne, Nicole Jimenez “Africa” Choreographer: Yvonne Jones Goodridge Dancers: HICA, BURDE, AIM Entire Cast Entire Cast Barry University Repertory Dance Ensemble “BURDE” Dancers: Kesha Alleyne, Billy Brooks, Kitania Torres, Khamani Fox, Nicole Jimenez, Karie Weissman, Kayla Williams, Emilie Paap, Jaymesa Michie, Glenda Cajigal Repertory Dance Ensemble: Sylvie Sylvain, Mirlie Abraham, Dunae Richards, Isabelle Silva, Rosana Fils-Aime, Jackeline Aguilar Bliss Carema Davis Deja Pickard Brittany Jean Carlesha Bradley Dunae Richards AIM Stephen Hill Kesha Alleyne Kitania Torres Nicole Jimenez Billy Brooks HICA Mirlie Abraham, Silvie Sylvain Technical Team Technical Director: Fernando Londono Assistant Technical Director: Elaine Bryan Lighting Designer: Elaine Bryan Lighting Board Operator: Brianna Grant Video: Vladimir Lescouflair, Brinkley Studio Assistant Stage Managers: Arike Ogundipe, Monique Cleveland Graphic Design by: Tom Rockwell Photography by: Lucrecia Diaz Special Thanks to: Silvia Lizama, Dorothy Messner, Michelle Webster IST Barry University Business Center, Graphic Design and Fine Arts Work-study Students.
Graduating Seniors Ana Reyalvarez was born in Managua, Nicaragua and began dancing at an early age. Ana started her formal training at “The National School of Ballet” in Nicaragua. Ms. Reyalvarez continued her studies in dance in the United States at the Thomas Armor Youth Ballet in Miami. Ms. Reyalverez earned her Associate of Arts Degree from Miami Dade College, and she is poised to graduate from Barry University in December with a BFA Degree in Theater/Dance. Ms. Reyalverez has performed nationally and internationally, in Nicaragua at the “International Gala of Ballet and in the production of “La Fille Malgardee” and for the Salvation Army at the Florida State Woman’s Retreat. Local performances include Miami International Book Fair, and the Wolfson Campus World Stage black history month program. Ana has trained in Ballet, Modern, Jazz, African dance technique, along with Flamenco and other Folk dances. This evening Ana Reyalvarez will be presenting her 3rd rendition of “The Creation.” Jarron Charles McKinney began dancing at the age of five as a youth member of the Saint James A.M.E Church Liturgical Dance Ministry. This sparked a passion for dance and Jarron joined the dance and theater club of North Dade Middle School where he learned musical theater and hip-hop. Mr. Charles-McKinney trained as a student of Alvin Ailey’s “Ailey Camp Miami”, studying Ballet, Modern, Jazz and West African dance. Jarron began his very own non-profit dance organization, Perspectives Contemporary Arts Academy (PCAA) before graduating from High School. Through PCAA, Jarron has held successful summer dance intensives for children of inner-city communities. Jarron Charles McKinney has studied dance here at Barry University and will soon receive his Bachelors of Fine Arts degree. Jarron is currently developing his own Afro-Caribbean inspired modern dance technique that he hopes to teach on an international platform. Jarron plans to become a dance teacher at a performing arts high school. Technical Team Theater Director: Fernando Londono Lighting Designer: Natalie Taveras Light Board Operator: Oriana Urdaneta Soundboard/ Projections: Jacqueline Rivas Crew: Annabel Herrera, Aatiyah Malik, Courtney McCall, Vincenzo Calcagno House Manager: RemiJin Camping Usher: Eileen Bermudez Photographer: RemiJin Camping Program/Poster Design: Thomas Rockwell The Creation Costume builder: Ana C. Cruz Animal make-up: Claudia Bertasso Narrator: Jeremy Alsay Music Editor: Maher Alhawsawi The Creation A Ballet Created and Choreographed by Ana Reyalvez Music by Camille Saint-Seans, Claude Debussy, Aram Khachaturian, Johann Pachelbel, Hector David Darkness “And the earth was disorganized and dark..” Music: Macabre Dance Dancers: Imani Edwards, Alexis White, Shevanesse Williams, Termeka McGriff, Jennifer Kabela, Ziahnnah McKenzie, Janice Ortiz, Alana Perez-Avery Light Music: En el Principio Dancers: Ana Reyalvarez, Shevanesse Williams, Termeka McGriff, Jennifer Kabela, Noelle Wright Waters “And the fish swam to the rivers and the seas” Music: Carnival des Animaux Dancers: Ana Reyalvarez, Janice Ortiz, Tylor Mercado, Carrol Rodriguez, Andrea Castro Nature Music: Canon in D Minor Dancers: Terkema McGriff, Kimberly Pierre, Nia Mozley, Andrea Castro, Alexis Alexander, Nmachi Okere, Alana Perez-Avery The Universe Video : Alejadro Burgos Music: Aram Khachaturian Living Creatures “Bring forth! Bring forth!” Music: Camille Saint-Saens(fragment). Dancers: Ana Reyalvarez, Imani Edwards (Lion), Shevanesse Williams, Jennifer Kabela (Panther), Noelle Wright, Claudia Bertasso (Tiger) The Creation - poem by James W. Johnson (fragment) “And God said…..” Shadow: Jeremy Alsay Awakening “And man became a living soul…” Music: Camille Saint-Saens Claude Debussy Dancers: Asia Arias and Abdulrahman Jaber Finale – All Dancers “I would like to dedicate The Creation to my family. thank Professor Yvonne Goodridge for her support and all the people who helped me to bring The Creation into the magic of dance-theater.” INTERMISSION The Black Experience Directed and Choreographed by Jarron-Charles McKinney Bondage Music: Chains by Sounds of Blackness Dancer: Keenan James Southern Trees - Visual Presentation Music: Nobody Knows the Trouble I See by Poole Brothers Bitter Crop Music Strange Fruit by Nina Simone Dancer: Alexis White Elevation Music: Soulbird Rise by India Arie Dancer: Shevanese Williams Still I Rise – Poem by Maya Angelou 365 Black Music: Pride by Osunlade feat. Nadirah Shakoor Dancers: Imani Edwards, Jennifer Kabela, Terkema McGriff, Ziahnnah McKenzie, Janice Ortiz, Yana Thorne, Alexis White, Shevanese Williams A Mighty Long Way - Presentation Music: How Got Over by Mahalia Jackson Rejoice and Be Glad Music: Oh Happy Day by Soweto Gospel Choir Perspectives Contemporary Arts Academy, Inc. Dancers: Charles Dennis, Garnese Eccleston, Keenan James, Weslie Simon, Alexis White Mary’s Morning Praise (A Tribute to Grandmother) Music: Woke Up This Morning with My Mind on Jesus Live Percussionist: Jarron-Charles McKinney Pata Pata Music Pata Pata by Miriam Makeba Dancers: Alexis Alexander, Imani Edwards, Jennifer Kabela, Terkema McGriff, Janice Ortiz, Yana Thorne, Alexis White, Shevanese Williams Special Thanks Clifford Combs, Anita Hudson, Emmanuel Maynard, Feborah Hudson McKinney, Jonathan McKinney, Sr., Perspectives Contemporary Arts Academy, Inc. Saint James A.M.E. Church (Miami), Erin St. John, Paulette Skinner
:
on the
FIDDLER ROOF
Starring Carbonell Award Winner - Chaz Mena
Directed by John Manzelli Musical Direction by Dr. Giselle Rios
October 27 at 7:30 pm
October 28 at 7:30 pm
October 29 at 7:30 pm - Post show Q & A with experts from South Florida's Theological, Cultural and Theatre communities
October 30 at 2:00 pm - Special Family Performance
Shepard & Ruth K. Broad Auditorium at Barry University 11300 NE Second Avenue
Miami Shores, Florida
For more information, call 305-899-3420 or email RHarrilal@barry.edu
All seats are General Admission the day of the performance.
Advanced reservations are not required.
All shows are FREE to the public.
Barry University poster design by Thania Mejia BFA 2023 Photography by Michelle Bellaver & Willima Nguyen
I was approached to create literary journals and commemorative books for the campus community.
Since these publications contain many pages of photos, I have selected a few sample spreads.
“ “
Thought is a clause taken from “Essay on Criticism,” a long poem by the eighteenth century poet, Alexander Pope.
The words appear in the following couplet:
True wit is nature to advantage dressed What oft was thought, but ne’er so well expressed.
It means that while many have insight into human experience (what oft was thought), few have the ability to express these thoughts eloquently. We believe that those selected in this year’s issue articulate the struggle and the beauty of what it means to be human.
Our chapter acknowledges Dr. Karen Callaghan, Dean of the College of Arts and Sciences. She generously supports this project and we are grateful. We would also like to acknowledge Assistant Professor Thom-
as Rockwell, whose graphic design work and passion bring this journal into fruition.
At the 2015 Writer’s in Paradise conference in St. Petersburg, Florida, author Andre Dubus III, paraphrasing the late director Mike Nichols, said that in order to create a true fictional world, one our readers will believe, we need to ask this one question: What’s it like, what’s it really like to be this person? And by answering that question as truthfully as possible, we create art. We tell stories. Our student writers, artists, and photographers have done just that.
Arc
ii
Saving Christopher By Katherine Rodriguez
The flashing red and blue lights came close, and Molly shrank into the darkness behind the gas station. Her breathing came fast. Was this it? Had they caught her? She felt tears well in her eyes as she pressed the sleeping child in her arms closer, her anchor to the world. This was it. She had failed him. They would take Christopher from her. She trembled as the blue and red lights grew closer. Suddenly, they stopped. A car door opened. Molly stopped breathing as she listened to the click clack of boots against the pavement. She pulled Christopher even closer to her. They weren’t getting him without a fight. The convenience store bell tinkled loudly in the quiet evening. She let out her held breath in relief. They hadn’t seen her…yet. She had to do something, but what? What? What? What was she to do? What was she going to do? Her mind was paralyzed with fear. How had they found them? Had the car given her away? Should she leave it and go on foot? She had to keep Christopher safe. Before she could make a decision, the bell tinkled again. There was nothing to be done. They would be found or they wouldn’t. She readied herself to run. Seconds pounded in her ears. An age seemed to pass as the footsteps faded away and car door shut. Then, the red and blue lights started up again. She watched in disbelief as the car disappeared around the corner. They hadn’t been spotted. She still had Christopher. Her legs gave beneath her. She slid down the wall keening softly, desperate not to wake him. He was safe, and that was all that mattered.
Back on the expressway, with Christopher safely stowed in his car seat, Molly’s fingers continued to tremble, but she was determined to put as much distance between them and that gas station as possible. She glanced down at the gas meter, which was reassuringly pointing at full; she would be States away before she had to stop again. She had known what she was getting into when she had put Christopher’s warmest jacket on him, taken the thick wad of twenties from the drawer and left her cell phone behind. That night, she decided to risk a hotel. She couldn’t drive forever. She chose a shabby-looking place that didn’t flinch when she paid in cash and had an external door to the room. Christopher was delighted that she let him jump on the bed and watch cartoons while she cleaned
Why You Go To Starbucks
Melissa Diaz
You take a sip of your black overpriced coffee and realize you’re not over him. The bitter taste reminds you of the feeling you got when he left. The burn on your tongue hurts less than the heartbreak. And with the constant noise of hipsters typing on their laptops and older men talking about politics, you can’t help but think, why do you still go to Starbucks? Is it for the Pumpkin Spice Latte? Probably. Or is it because it’s what every intelligent or inquisitive person does? Sit at Starbucks and pretend that you’re working, but you’re really thinking about your dog, the assignment you forgot to do, or your ex. Your ex didn’t like coffee and hated that you loved it. At one point it was a fun argument you two used to have, who loves or hates coffee more. You would think to yourself, am I actually talking about coffee or one another?
The fact that you thought about it bothered you. While you take another sip of your coffee, the older men talking about politics look over at you. They wonder why you’re here alone. You should be sitting at Starbucks with a someone sharing a bagel or a Reduced-Fat Cinnamon Swirl Coffee Cake. Little do they know that you do have a
A
15
16
What Oft Was Thought What Oft Was Thought Volume 14 2017/2018 What Oft Was Thought is published by: Alpha Alpha Xi Chapter, Sigma Tau Delta The International English Honor Society Barry University Department of English and Foreign Languages Miami Shores, Florida Barry University Volume 14 2017/2018 2017WhatOftCover.indd i Preface The members of Sigma Tau Delta (STD), the International English Honor Society (Alpha Alpha Xi Chapter), are pleased to present the work of student authors, artists, and photographers of Barry University. We are able to gather these entries through sponsoring an annual writing competition. Our chapter members solicit entries, vet the submissions, and render their opinions as judges, a service for which they are formally recognized at the University Honors Convocation each spring. Our journal is open to an array of genres, including fiction, poetry, hint fiction, essays, photography, and graphic novels. We are pleased that this year will mark the inaugural inclusion of the Dr. Helen Connell Essay Award. Dr. Connell was an Associate Professor in the Department of English and Foreign Languages at Barry University and served for several years as Chair of the Department. While Dr. Connell taught courses in American, World Literature, and the Humanities, her passion was film. She was a remarkable film scholar, historian, and critic. This award is named in her honor and is intended to promote the study of film as a critical art form. With each new issue we feel the need to explain the allusive title of our journal. What Oft Was
de Triomphe - Carlos Paillacar 25
Picture is Worth a Thousand Words - Iris Arellano 26
A
of
Peak
Truth, Yanni De Melo
boyfriend, but you’re here alone because your boyfriend is cheap and makes his coffee at home. At the register, a hipster is complaining that their Chai Tea Soy Latte with no whip and extra foam doesn’t taste right. But you’re looking past the hipster and directly to the entrance. You know that on Tuesdays he likes to come to this Starbucks on his way to work. You think if you sit here with your cutest outfit on and seem like you’re stressed, he will walk through those doors and notice that you’re not ok. Maybe he will sit down and ask you what’s wrong. You will tell him nothing, and he will refuse to believe it because he knows you. Even though you know it will never happen. The thought of this actually happening excites you. That’s why you go to Starbucks. *Honorable Mention Award, Fiction, Sigma Tau Delta Writing Contest 2017
Table of Contents
75thCover_Final.indd 1 9/22/15 7:05 AM 3 Curator’s Statement Professor Silvia Lizama 4 Founders Barry Family Portrait 6 Bishop Patrick Barry, DD 7 Mother Gerald Barry, OP 8 Monsignor William Barry, PA 9 John Graves Thompson 10 Construction and Buildings Ground Breaking 12 Aerial View 1952 20 Aerial View c.1956-1962 21 Aerial View 1994 22 Aerial View 2008 23 University Presidents President Timeline 24 Mother Gerald Barry, OP 25 Mother Genevieve Weber, OP 26 Sister Dorothy Browne, OP, PhD 27 Sister Trinita Flood, OP 28 Sister Jeanne O’Laughlin, OP, PhD 29 Sister Linda Bevilacqua, OP, PhD 30 75 Photographs Celebrating Campus Life and Educational Programs 31 75 Photographs - Information 82
1 5 The Barry University 75th Anniversary Photography Exhibition is a celebration. A celebration of the visionary founders of a small, Catholic women’s college, a celebration of Catholic education, and finally, a celebration of great photography. It represents a time when photographic images were “special.” Photographers carefully controlled the light and the environment within the frame with meticulous attention to detail. These photographs not only record moments in the early history of Barry University, they also represent an approach to taking photographs that has largely disappeared in our digital age. Photographers valued quality over quantity. The selection process for this exhibition was based upon the visual impact and content of the individual images. It was not an attempt to represent a time line of historic moments throughout Barry’s 75 year history. Photography professor Scott Weber and Art History professor Dan Ewing and I spent hours going through the carefully organized boxes of vintage photographs in the Barry University Archives and Special Collections. The archives are currently run by Manager Ximena Valdivia, whose vast knowledge of Barry history, love for photography, and incredible organizational skills made the daunting task much easier and more fun. Art History BA alumna and now Barry University Archives Library Technician Dominque St. Victor worked countless hours gathering information for identification of the images. Her perseverance and attention to detail were crucial to the success of this project. A project such as this is extremely time-consuming. Once the images were chosen, two advanced photography students made high-resolution scans of the vintage prints. Photography BFA alumnus Carlos Paillacar and MFA alumna Sara Armas worked hundreds of hours scanning the images chosen. Then Carlos, Sara, Scott Weber and painstakingly retouched many of the badly damaged images. After the images were sized and prepared for printing, Angelo Kurbanali Graphic Design BFA alumnus, took on the overwhelming job of printing. He did this task with great patience, a positive spirit and a love for Barry and the project. Among our Fine Arts staff, Michelle Webster (Assistant to the Chair), Dorothy Messner (Administrative Assistant) and Remijin Camping (Photography BA alumna and Photography Lab Technician) were invaluable in helping with many issues dealing with the exhibition and this companion publication. Finally, Tom Rockwell graphic design professor, graciously volunteered his talent and design skills for this beautiful catalog which accompanies the exhibition. This has been a true labor of love for the faculty and an incredible educational experience for the students involved. Through projects like these we continue to give our students valuable experiential learning opportunities. hope you enjoy this collaborative effort, which highlights how much we have to celebrate during this 75th Anniversary of the founding of Barry University. Silvia Lizama Exhibition Curator Chair, Department of Fine Arts College of Arts and Sciences Barry University 75th Anniversary Celebration of Photography Exhibition September 11 to November 29, 2015 Andy Gato Gallery CURATOR’S STATEMENT FOUNDERS Bishop Patrick Barry, DD Mother Gerald Barry, OP Monsignor William Barry, PA John Graves Thompson
75 Photographs - Information
7 The thirteen members of the Barry family, taken on the occasion of the Eucharistic Congress in Chicago, IL. Front row (L to R): Gerald (Chicago, IL), Reverend William (Miami Beach, FL), Reverend Patrick (Bishop of St. Augustine, FL), Sister Gerald, OP (Adrian, MI), Reverend Joseph (County Tipperary, Ireland) Back row (L to R): Michael (County Clare, Ireland), Frank (Los Angeles, CA), Richard (Oakland, CA), Lawrence (Jacksonville, FL), Mrs. Martin Halloran (Chicago, IL), James (Tucson, AZ), Mrs. Mary Cullen (Chicago, IL), John (San Francisco, CA), June 1926. Photography by Burke & Koretke. Founder, The Most Reverend Patrick Barry, DD Bishop of St. Augustine (1922-1940) after whom Barry College was named. Bishop Patrick Barry, DD Young Father Patrick Barry, DD, 1901, Dublin, Ireland. 71 58 59 60 61 83 01 Florida Garden, (Fine Arts Quadrangle), 1961. 02 Students in Penafort Pool, with view of Calaroga Hall (LaVoie Hall), 1954. 03 Students Cile Roussell and Mary Ann Danese by Cor Jesu Chapel, February 1953. Courtesy of Dr. Ceil Roussell. 04 Students Nancy William and Margaret Fillyaw at Rosa Mystica (Kelley House), 1962. Photography by Taylor Publishing Co. 05 Adrian Dominican Sisters, Order of Preachers at Cor Jesu Chapel, Easter Sunday: (Front) Dorothy Browne, Mary Ann Rissert, Marie Grace Gibney, Rose Mary Mc Elroy, and Agnes Patrice Waldron; (Rear) Sisters Helen Duggan, Elaine Scanlon, Agnes Cecile Prendergast, Mary Jane Hart, Mary Jean Walsh, Marie McGowan, Clarisena Meyer, Denise Mainville, Noreen McKeough, Joanne O’Conor, Thomas Mary Walsh, Eulalia LaVoie, Rose Therese Audretsch, Cleophas Freiburger, Michael James Carter, Jean Marie Sheridan, and Trinita Flood, 1949. Photography by Ronald Thibedeau. 06 Students enjoying leisure time outside Angelicus Hall (Adrian Hall) with view of Cor Jesu Chapel, 1951. 07 Student Margaret McCarter, c.1957. 08 Regina Caeli-Regina Mundi (Dalton-Dunspaugh), kitchenette and lounge area, November 1962. 09 Fine Arts, Ceramics. Sister Mary Joseph Kennedy, OP, 1962. Photography by Joe Rimkus. 10 Calaroga Hall Practice House (LaVoie Hall, second floor), Home Economics, 1960. Photography by Bill Sanders. 11 Calaroga Hall Practice House (LaVoie Hall, second floor). Hanging draperies in the Practice House, Maryann Dolan and Baben Butch, c.1959. 12 Penafort Pool, Aquatic Program. Students participate in the American Red Cross “Go-Catch the Life Saver” contest, January 25, 1942. Jean Wilkowski, Mimi McGuire, Mildred Baird and Doris Donovan. Photography by Frutkoff. 13 Penafort Pool. Colleen Breslin, November 2, 1941. Photography by Frutkoff. 14 Penafort Pool. Dottie Collins performs on the low board while Pat Gray does a swan dive from the three-meter board, 1947. 15 Dorm life with Susan Balduc, Barbara Begnalia, Ann McLoughlin and Carol Bloom, 1960. 16 Rosa Mystica (Kelley House). Photography by Bill Sanders. 17 Penafort Pool. February 10, 1952. 18 Science Laboratory. Science Club Officers Carol Smith, Betty Clemenger, and Fran Hickey, 1961. 19 Biology Department professor, Mr. Charles Stasek, 1958. 20 Thompson Hall. Suzanne Watters, Sister Judith Mary Singer, OP, Sister Alma Marie Messing, OP and Judith A. Benkert, March 1964. 21 Regina Caeli-Regina Mundi (Dalton-Dunspaugh). Junior and Senior Prom, Sally Kennedy and Steve Weiner, 1963. Photography by Steve Wever. 22 Thompson Hall Lounge. Barry College and Biscayne College students, 1965. 23 Calaroga Hall (LaVoie Hall). Students in Home Economics, Food/Nutrition class, directed by Sister M. Eulalia LaVoie, OP, 1957. 24 Secretarial Science. Sister Frances Clare O’Brien, OP, with students, c.1940. 25 Home Economics, 1960. Photography by Bill Sanders.
26 Home Economics Marie Ann Maraia preparing to make a two-piece suit, April 20, 1962. 27 Angelicus Hall (Adrian Hall) rotunda porch (L to R) Norma La Boe, Marie Dudley, Jeanne Le Blank, Ruth Cannon, Judee Kornmeier and Beatrice Hagner, February 10, 1952. 28 Angelicus Hall (Adrian Hall), Library, 1961. Original library located where Wiegand Center is now. 29 Regina Caeli-Regina Mundi (Dalton-Dunspaugh) Lounge, 1962. 30 Sisters on the way to Cor Jesu Chapel, 1961. 31 Cor Jesu Chapel. Cor Jesu Choir under the direction of Sister Maura, OP, Members: C. Ezoe, I. Williams, M. Moran, H. Riley, J. Rerucha, C. Mcguire, J. Kornmeier, M. Dudley, M. Reiss, C. Eckhoff, J. McGowan, C. Wodtke, M. Renuart, S. Hosier, A. Mercado, P. Mies, M. E. Grady, T. Trivette and C. Stanford, 1952. 32 Cor Jesu Chapel. Student Linda Bevilacqua as Sodality Prefect, 1961-1962. 33 Barry College campus store Patricia Johnston (L) and Pricilla Belanger (R), c.1957. 34 Angelicus Hall (Adrian Hall), Barry students checking their mailboxes, c.1957. 35 Trip to Cuba on Pan-American World Airways. Sister Mary Jane Hart, OP, Sister Jean Marie Sheridan, OP, Joanne Sicking, Barbara Millman, Louise Dorn, Penelope Estabrook, Ruth Mahoney, Jane Kennally, Ann Murphy, Phyllis Hennessey, Kathleen Kileen, Patricia Touscany, Celestine Igel, Mercedes Soto, Eleanor Bryne, Ilene Byrne, Rosemary Jordan, Lois Mattia, Janice Hirt, Patricia Huml and Georgann Travnikar, April 24, 1953. 36 Fishing Trip, November 21, 1953. Courtesy of Dr. Cile Roussell. 37 Social Work. Dorothea Sullivan, Sister Petronilla Francouer, OP, Sister Dorothy Browne, OP, PhD, President, Sister Arnold Benedetto, OP and Sister Elaine Scanlon, OP, 1964. 38 Calaroga Hall (LaVoie Hall), Home Economics class. Sister Eulalia LaVoie, OP, with students Evelyn Solis (L) and Louise LaJeunesse (R), 1961. 39 Summer Session Teaching Class. Sister Mary Virgine, OP, with young pupils. Workshop demonstration for elementary teachers, July 1957. 40 Botany House, former President, Mother Genevieve Weber, OP, 1969. 41 Fine Arts students drawing outside the Barry College Auditorium (Shepard and Ruth K. Broad Performing Arts Center), 1957. 42 Sister Mary Joseph Kennedy, OP and student Patricia Bourke painting, c.1961. 43 Athletics, Archery, c. 1963. 44 Athletics, Fencing. Recreational Athletic Association (L to R) Vice-President, Sandra Southmayd; Treasurer, Joyce Horacek; President, Martha Saconchik; Social Chairman, Rose Villalba; and Secretary, Martha Schwandt, 1961. 45 Penafort Pool, Class Olympics Day. Faculty and students gather around Penafort Pool to cheer during the race. November 3, 1959. 46 Athletics. Sophomore Class on Olympics Day. Sue Caruso returns the volleyball, 1960. 47 Fine Arts, Theatre. Construction of set for play “Carnival.” Patricia Lovarco, Maryanne Mangold and Lucille Moss, 1963. 48 Puppet Class summer school. Sister Evangeline Marie, OP, Sister St. Mark, SSJ, and Sister Mariana, OP, June 1957. 49 Fine Arts, Theatre. Sister Marie Carol Hurley, OP, Sister Trinita Flood, OP and Clarissa Molina, December 1956.
I would always find the time to design the faculty show posters. I also designed materials for my fellow artists in the visual art department as needed.
“ “
FACULTY SHOW Nicole Beltran Duane Brant Maria Brito Angi Curreri Natasha Duwin Jason Galbut Tracie Heller Lisa Kaplowitz Silvia Lizama Venessa Monokian Ray Morales Ania Moussawel Thomas Rockwell Sara Rytteke Scott Weber Sommer Wood Andy Gato Gallery Thompson Hall Barry Univeristy 11300 NE Second Avenue Miami Shores, FL 33161 305.899.3420 barry university The Artists The Venue The Dates 2012 Opening Reception Wednesday, October 3, 2012 Noon to 1:00 PM
EMPTY BOWLS
The Department of Fine Arts of the College of Arts and Sciences presents
EMPTY BOWLS for Haiti through Amor en Accion
Sunday, December 5th, 2010
3:30 PM – 5:30 PM in the Cor Jesu Chapel
“
Empty Bowls” projects are grass roots fund raising events organized and hosted by ceramics artists and educators worldwide to fight hunger and raise awareness. High school art teacher, John Hartom, initiated the project in 1990 to raise charitable funds for the hungry in his Michigan community.
Hartom’s students made ceramic bowls in their art classes that were used as individual serving pieces for a fund-raising meal of soup and bread. Contributing participants selected bowls to eat from and then kept the bowls as a reminder of the event and world hunger. During the next year, Hartom and other participants developed this concept into “Empty Bowls.” The project expands one group of concerned artists and students at a time, and events are currently held throughout the United States and Canada. One hundred percent of each meal’s proceeds are devoted to hunger-fighting organizations. “Empty Bowls” now supports food related charities around the world and has raised millions of dollars to aid in the fight against hunger.
From “Empty Bowls” literature:
There is a story about a man who left this earth and was taken on a tour of the inner realms. He was shown a room where he saw a large group of hungry people trying to eat dinner, but because the spoons that they were trying to eat with were longer than their arms, they remained frustrated: “This,” his guide told him, “is hell.” “That’s terrible!” exclaimed the man; “Please show me heaven!” “Very well,” agreed the guide, and on they went. When they opened heaven’s door, the man was perplexed to see what looked very much like the same scene: there was a group of people with spoons longer than their arms. As he looked more closely, however, he saw happy faces and full tummies, for there was one important difference: the people in heaven had learned to feed each other.”
Believe that we here on earth can learn to feed one another as well.”
Miami Shores
Fine Arts Commission
Barry University
PRESENT Pictures on Exhibition
Fine Arts Faculty & OCTOBER 2 to DECEMBER 11
Curated by Barry University’s Fine Arts Department Chair, Silvia Lizama
Presenting five artists:
Angi Curreri
Tracie Heller
Silvia Lizama
Sara Rytteke
Scott Weber
FOURTH AnnualNextStepDanceSeries: CelebratingtheMaleDancer BrowardCenterforthePerformingArts To purchase tickets, please contact the Broward Center Box Office at 954.462.0222 or visit our website at www.browardcenter.org Seating is limited. Adult content and partial nudity. These performances are made possible through generous support from the Broward Center for the Performing Arts. Performancesat8PMAdmission$15.002007 AbdoNewRiverRoom 201SouthWestFifthAvenueFortLauderdale,Florida 33312 Friday, June8andSaturday, June9, Photography by Sara Rytteke Poster design by Thomas Rockwell
“
I enjoy creating logos, I prefer a cleaner look, one that will reproduce in both small and large sizes in black and white and color.
I haven’t had a lot of opportunities to design logos but I have created a few.
“
AULIN G M ATCHBOX HAUL G Est. MO. Femtio årav service och ali tet . årav service och ali tet . C M Y CM MY CY CMY K LindaCardsOL.pdf 1 6/11/13 11:07 AM healing for your body and soul C M Y CM MY CY CMY K FinalCardol.pdf 1 7/22/10 8:45 PM
This work was done for The Commonwealth Group as a part of my service to the community. TCG allowed me to establish a template design that they were able to continue using on their own.
“ “
Beth Kaplan was most recently President and Chief Operating Officer at Rent the Runway, a fashion company with a technology soul that is disrupting the way women get dressed. In her role, Beth oversaw finance, operations, merchandising, customer insights, business development, and retail. She remains a strategic advisor, investor and Board member. Beth joined the company in 2013 and in her tenure spearheaded Rent the Runway’s retail expansion strategy, playing an integral role in the openings of the Rent The Runway boutiques in New York City’s Flatiron District, Washington DC’s Georgetown area, and Chicago’s River North. Prior to joining Rent the Runway, Beth served as President and Chief Merchandising and Marketing Officer at General Nutrition Centers Inc. where her focus was on key strategic initiatives surrounding the marketing & merchandising of GNC stores, development of an ecommerce platform, and product development. Beth played an integral role in the company’s 2011 IPO, the most successful IPO that year. Prior to GNC, Beth served as Executive Vice President and General Manager at Bath & Body Works where she oversaw the merchandising and marketing of the new flagship store format. Within that role she was responsible for the development of the BBW specialty brand program, bringing a variety of high-profile beauty and lifestyle brands to the corporation. Prior to Bath & Body Works, Beth was the Executive Vice President of Marketing and Merchandising at Rite Aid Drugstores, and prior to that spent 16 years at Procter & Gamble, her last role being President and General Manager of the Cosmetics and Fragrance division, including Cover Girl and Max Factor. Beth received a Bachelor’s Degree in Economics and an MBA from the Wharton School at the University of Pennsylvania where she also pursued interests in theater and journalism. She has been recognized in the industry for her work on a number of occasions including Drugstore Marketer of the Year in 1998 and one of Advertising Age’s Top 10 “Women to Watch” in 1999. She also sits on the boards of other private equity sponsored specialty retailers. Beth splits her time between New York City and Baltimore, Maryland, and is married with two sons. She competes nationally in Pro/ Am Ballroom Dance, and recently landed a top 6 spot in a national competition. 13th Annual Leadership Luncheon featuring A Conversation with Beth Kaplan, Strategic Advisor & Board Member, Rent the Runway and Katie Kempner Founder Kempner Communications & “Perspectives with Katie Kempner” October 25th, 2016 11:30 a.m. - 2:00 p.m. Jungle Island, Treetop Ballroom 1111 Parrot Jungle Trail Miami, Florida Contact 305.799.6547 for more information
