Portofolio 2018-2022 | Robin S. Pratama

ARCHITECTUREPORTFOLIO Made By ROBIN SURYA PRATAMA SELECTED WORK 2018 - 2022

ArchitectureEDUCATIONBachelor Degree | Tarumanagara University | 2018 - 2022 I learned the basic knowledge of architeture design principle, and learn to operate several architecture software. IMARTA Research and Development Team | Ciliwung Disaster Response| 2018 I learned to apply emergency architecture theory on Ciliwung River Flood case. Budi Pradono WFH Internships | 2022 I learned Budi Pradono architect design process, how to present an architecture de sign, work in a team, and turn it into work drawing. YoungEXPERIENCEArchitect Competition | Shortlisted | 2022 I do the concept for 600 sqm villas in Riyadh, Arab Pluit Mas Gate Design Competition | Shortlisted |2020 Committee of ADW Competition | 2018 - 2019 I prepare for the competition, determine the concept and TOR, find a jury, and co ordinate with various related parties, and teach my experience to the next committee candidate. AG.course | Architecture Software Course | Co-Founder | 2020 Instragram: ag.course Hi! It’s me Robin Pratama GET IN TOUCH Address Penjaringan | Jakarta | 14470 Contact +62Roibinpratama2000@gmail.com881026210005Idescribed myself as lifelong learner, architecture en thusiast, and loved to explore new ways to do things. Af terall I just finished my bachelor degree in Architecture and look forward for the next big thing that come at me. As i dive deeper into this field, im looking for a position as a junior architect, hope that i could learn more about architecture and wish to contribute to the work environ ment that i was placed into, Thank You! APP PROFICIENCY AdobeAutoCADSketchUpPhotoshop | Premiere EnscapeIndesign | Lumion Microsoft 365 Introduction.

Pluit Urban Market PROJECT. 01 PROJECT. 02 Market PROJECT. 03 Deaf Space Library Hall of Senen Office PROJECT. 04 Tango House 37|PagePratamaRobin|Portfolio

HALL SENENOF

2022 is the fifth year since a cinema building called Grand Theater Senen (GTS) stopped operating, used to be one of the first cinemas in Jakarta. As mall now became the centerplace for recreation, people left to choose mall cinema over old cinema building. Misused of the building as a place for pornographic film screenings, prostitution and narcotic drug sales became the reason of the closings in 2017. Located in Simpang Lima Senen, one of the busiest street intersection in Jakarta. Inheriting unique Art Deco style in its design, GTS acts as tangible evidence of developments in Senen. However, after fifth years, there has been no follow-up or plan from the gov ernment or related parties to revitalize the Grand Theater Senen building. Through an adaptive reuse approach, the Grand Theater Senen building is promoted to complement the spatial, social, program and demographic struc ture of Senen. The distinctive features of Art Deco architecture become the basis for memory which is further developed as the main characteristic of the building, which is combined and matched with mod ern architectural styles, so as to create a harmonious design that combines old and new elements. Con tinuing the collective memory of Senen as a form of identifying the true identity of the Senen area.

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Project Exterior Preview | Seen from Simpang Lima Senen

Open

The addition of windows throughout the building envelope is intended as a form of natural lighting and to build connectivity between the space in the building and the Senen environment. WindowUp Landscape

The demolition and removal of the outermost facade of the iron plate, opens a new space as a reception area and public open space which indirectly connects the open space of the Lima Senen intersection with the site.

Open

Design Strategy.

Create a Character

The Art Deco character in the existing building is replicated and further developed throughout the building, building a harmonious image and reinforcing the Art Deco elements that are typical of the legacy of Grand Theater Senen.

The

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Judging from the photo above, the situation now looks apprehensive and requires intensive repairs. The Grand Theater building looks inclusive and outdated, not much activity going on other than being a parking lot. This situation seems to be a spreading disease, for example the corridor of the bookstore and the office next door which also looks sluggish without any activity. This building looks inclusive with a zinc facade covering the entire face of the building, the legacy of the Art Deco architectural style also looks not well preserved at the head of the building, as well as the cutting of the head of the building for road widening. The arrangement of the interior spaces looks solid and dark, iron bars cover the ground level of the building, creating clear boundaries between the outside and inside areas.

Filling one of the busiest intersections in Senen, Grand Theater is considered to have a strategic position at the TOD point, close to 2 busway stations and connected to PS. Senen and Atrium mall via JPO. Being in a facial position, the Grand Theater has the potential to represent facial images at the five-senen intersection. Its position close to the five-senen intersection also encourages the processing of this project to be in line with the initial goal of the five-senen intersection, namely promoting pedestrian-friendly designs and being able to connect the components that fill the five-senen intersection (ps. Senen & Atri um mall).

Program Placement

To create pedestrian friendly space, along the right side of the building was made for pedes trian walk, while vehicle parking entry & drop off was put far on the back of the building.

There is four tower surrounding each building mainly building A and B, placed into each corner to ensure optimal accessibility. As the mass was split into three, related program was put into the same mass, the split was intend ed to create inner outer relationship between a building and the city environment.

GatewayUtility Core Placement Site Condition.

0 10 20 40 Siteplan 80 SCALE 1 : 125 160 1. West Office Lobby 2. Office Program 3. East Office Lobby 4. West Senen Hall Lobby 5. North Hall (Foodcourt) 6. South Hall (Foodcourt) 7. Retail 8. West Senen Hall Lobby 9. Drop-off Point 10. Basement Entry/Exit 11. Multipurpose Space 12. Storage 13. Open Plaza 14. Street Hall way 15. Exit Pedestrian Bridge 16. Generator & Trafo House Building A : Book Publication Office STUPA 0 10 20 40 Siteplan 80 SCALE 1 : 125 160 Pantura Busway Station Senen Central 1. West Office Lobby 2. Office Program 3. East Office Lobby 4. West Senen Hall Lobby 5. North Hall (Foodcourt) 6. South Hall (Foodcourt) 7. Retail 8. West Senen Hall Lobby 9. Drop-off Point 10. Basement Entry/Exit 11. Multipurpose Space 12. Storage 13. Open Plaza 14. Street Hall way 15. Exit Pedestrian Bridge 16. Generator & Trafo House Building A : Book Publication Office 0 10 20 40 Siteplan 80 SCALE 1 : 125 160 PanturaMainRoad Busway Station Senen Central 4 13 13 14 1. West Office Lobby 2. Office Program 3. East Office Lobby 4. West Senen Hall Lobby 5. North Hall (Foodcourt) 6. South Hall (Foodcourt) 7. Retail 8. West Senen Hall Lobby 9. Drop-off Point 10. Basement Entry/Exit 11. Multipurpose Space 12. Storage 13. Open Plaza 14. Street Hall way 15. Exit Pedestrian Bridge 16. Generator & Trafo House1515 1 2 2 3 KramatBunderRoad KramatRayaRoad Building A : Book Publication Office Building STUPA2022|Senen-Jakarta|Office|HallSenenDesignOutput.

STUPA

DOSEN FASILITATOR : Maria Veronica Gandha, S.T. M. Arch.

SITEPLAN MainRoad 5 8 9 10 11 12 13 14 KramatPuloStreet 16KramatBunderRoadBuilding B : SenenBuildingHallC:MultipurposeSpace

PROGRAM STUDI SARJANA ARSITEKTUR - JURUSAN ARSITEKTUR DAN PERENCANAAN UNIVERSITAS TARUMANAGARA8.33 JUDUL PROYEK : Balai Senen - Revitalisasi Gedung Bioskop Grand Theatre Senen NAMA MAHASISWA : Robin Surya Pratama DOSEN MATA KULIAH : Maria Veronica Gandha, S.T. M. Arch. NOMOR MAHASISWA : 315180108

The solid and massive form of the old building mass, encourages the division of the mass into three parts, each of which has a different role and function. The division of mass encourages the formation of outdoor space circulation among the masses, encourages ac tivities around it, promotes the movement of outdoor space for pedestrians. The distribution of mass also allows for a more even penetration of light, allows opening of more open cir culation access along the north and south sides of building B, and forms a building complex that builds the atmosphere around the plaza (number 13) .

GAMBAR : DIPERIKSA & PENGELOLADISAHKAH NO. LEMBAR : ...../.....

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PROGRAM STUDI SARJANA ARSITEKTUR - JURUSANSTUPA 8.33 JUDUL PROYEK : Balai Senen - Revitalisasi Gedung NAMA MAHASISWA : Robin Surya Pratama DOSEN MATA KULIAH : Maria Veronica Gandha, S.T. M. Arch. DOSEN FASILITATOR Maria Veronica Gandha, S.T. M. Arch. 1. West Entrance Lobby 2. Printing Room 3. Storage Room 4. Showcase Room 5. East Entrance Lobby 6. Meeting Room +10.60+13.90+8.40+5.70 5.05 5.055.05 A B C D F 29.94 3 4 7 6 89 10 0 2 4 8 SCALE 1 : 50 m Section B-B Building A : Book Publication Office 7. Working Space 8. Editorial Room 9. Relax Room 10. Balcony STUPA 8.33 1. West Entrance Lobby 2. Printing Room 3. Storage Room 4. Showcase Room 5. East Entrance Lobby 6. Meeting Room +10.60+13.90+8.40+5.70+3.00+0.30±0.00 5.05 B C D 5.050.53 29.94 1 2 3 7 76789 10 0 2 4 8 SCALE 1 : 50 m Section B-B Building A : Book Publication Office 7. Working Space 8. Editorial Room 9. Relax Room 10. Balcony +0.30±0.00 7 4.00 8 17.40 0 2 4 8 SCALE 1 : 50 m Section A-A Building A : Book Publication Office 1. Storage Room 2. Meeting Room 3. Working Space +5.70+3.00+0.30±0.00 7 4.004.00 8 9 10 17.40 0 2 4 8 SCALE 1 : 50 m Section A-A Building A : Book Publication Office 1. Storage Room 2. Meeting Room 3. Working Space +3.00+0.30±0.00 7 4.004.00 8 9 17.40 0 2 4 8 SCALE 1 : 50 m Section A-A Building A : Book Publication Office 1. Storage Room 2. Meeting Room 3. Working Space +5.70+3.00+0.30±0.00 7 4.004.00 8 9 17.40 321 0 2 4 8 SCALE 1 : 50 m Section A-A Building A : Book Publication Office 1. Storage Room 2. Meeting Room 3. Working Space 0 2 4 8 SCALE 1 : 50 m Section A-A 1. Storage Room 2. Meeting Room 3. Working Space+10.60+13.90+8.40+5.70+3.00+0.30+10.60+13.90+8.40+5.70+3.00+0.30±0.00±0.00 7 4.004.00 8 9 10 17.40 5.05 5.055.05 A B C D F G1.60 3.80 I 5.050.533.80 29.94 H 1 2 3 4 5 7 768 10 3321 ±0.00+8.40+5.70+0.30+3.00 +0.30 +8.40+5.70+3.00+0.60 +0.30+0.30+0.30 +10.60 0 2 4 8 SCALE 1 : 50 m Section A-A 0 2 4 8 SCALE 1 : 50 m Section B-B 1. Storage Room 2. Meeting Room 3. Working Space 1. West Entrance Lobby 2. Printing Room 3. Storage Room +10.60+13.90+8.40+5.70+3.00+0.30+10.60+13.90+8.40+5.70+3.00+0.30±0.00±0.00 7 4.004.00 8 9 10 17.40 5.05 5.055.05 A B C D F G1.60 3.80 I 5.050.533.80 29.94 H 1 2 3 4 5 7 76789 10 3321 ±0.00+8.40+5.70+0.30+3.00 +0.30 +8.40+5.70+3.00+0.60 +0.30+0.30+0.30 +13.90+10.60 +10.60 PratamaRobin|Portfolio

5.05 A B C D 5.050.533.80 29.94 1.652.303.403.201.8012.351342 L M N O 2.95 5.05 5.05 3.002.383.80 KJ 22.23 B A STUPA 8.33 1. West Entrance Lobby 2. Security Room 3. Panel Room 4. Locker Hall 5. Printing Room 6. Showcase Room 7. East Entrance Lobby 8. Storage 3 0 2 4 8 SCALE 1 : 50 m First Floorplan STUPA 8.33 1. West Entrance Lobby 2. Printing Room 3. Storage Room 4. Showcase Room 5. East Entrance Lobby 6. Meeting Room +10.60+13.90+8.40+5.70+3.00+0.30±0.00 5.05 A B C D 5.050.533.80 29.94 2 3 7 76789 10 0 2 4 8 SCALE 1 : 50 m Section B-B Building A : Book Publication Office 7. Working Space 8. Editorial Room 9. Relax Room 10. Balcony 5.05 A B C 5.050.53 1.652.303.403.201.8012.35134562 L M N 2.95 5.05 5.053.80 KJ 22.23 B A STUPA 1. West Entrance Lobby 2. Security Room 3. Panel Room 4. Locker Hall 5. Printing Room 6. Showcase Room 7. East Entrance Lobby 8. Storage 1 4 5 2 3 0 2 4 8 SCALE 1 : 50 m First Floorplan 7654 88 +0.30 +0.60 +0.30+0.60+0.15+0.30+0.15±0.00±0.00 +0.45+0.30+0.60+0.45 +0.30+0.25 +0.60 +0.35 5.055.055.05 GCABDF 3.801.60 I 3.800.535.05 7 4.00 29.941.804.00 3.20 3.40 2.30 1.65 12.35 13456 2 8910 L H ONMP 3.802.383.005.055.052.95JK 22.23 17.409.40 B A2022|Senen-Jakarta|Office|HallSenenDesignProcess.

Art Deco Style

The key of Art Deco architectural style lay in the use of homogeneous materials, play of decorative elements and lights to showcase its intricate shape. This revitalization of Grand Theater Senen (GTS) was presented as a better version of its former self to showcase the beauty of Art Deco style as its true identi ty. Transforming the old dark corner building into a landmark that enrich the city space of Simpang Lima Senen.

The Main Hall

A typical tightly closed cinema building is transformed by providing a void space in the middle of the building, into a communal space that connects the surrounding spaces. The distinctive openings of the Art Deco windows also adorn the narrow areas, allowing the penetration of light from the Sky lights to reach the spaces below.

Section A-A 4 20.70 53A 3B 3.80 1.40 3.80 5.40 6 +18.30+14.00+10.30+6.80+3.30 1 1 332 3434 65 -3.00+10.30+6.80+3.30+0.307 +3.30+0.30+3.30 +10.30+6.80+10.30+6.80 3. Working Space (Open Desk) 4. In Room Working Space 2 4 8 SCALE 1 : 50 m 4 20.70 5 0.40 3A 3B 5.40 3.80 1.40 3.80 5.40 6 +18.30+14.00+10.30+6.80+3.30+0.30±0.00 1 1 332 3434 65 -3.00+10.30+6.80+3.30+0.307 +3.30+0.30+3.30+0.30 +10.30+6.80+10.30+6.80 1. Retail Space 2. Meeting Room 3. Working Space (Open Desk) 4. In Room Working Space (Reserved Desk) 5. North Hall (Foodcourt) 6. South Hall (Foodcourt) 7. Parking Basement1 332 634 7 0 2 4 8 SCALE 1 : 50 m Section A-A Building B : Senen Hall 1. Retail Space 2. Meeting Room 3. Working Space (Open Desk) 4. In Room Working Space (Reserved Desk) 5. North Hall (Foodcourt) 0 2 4 8 SCALE 1 : 50 m Section A-A Building B : Senen Hall PratamaRobin|Portfolio

5.00 5.00 5.00 5.006.40 A B C D E F 57.30 1.80 1.80 7.58 2.40 2.50 2.50 2.50 O PNM Q R S T 5.405.401346 20.70 1.72 5.00 52 0.40 9.90 0.36 B 1. West Gate Entrance 2. West Lobby 3. Panel Room 4. Plumbing Room 5. HVAC Room 5 2 7861 4 First Floorplan 7. Service Corridor 8. South Hall (Foodcourt) 9. Retail Space 10. East Lobby 11. East Gate Entrance 2 4 8 16m 5.006.40 A B C 1.80 1.80 O PNM 5.405.401346 20.70 1.72 5.00 52 0.40 9.90 0.36 B 1. West Gate Entrance 2. West Lobby 3. Panel Room 4. Plumbing Room 5. HVAC Room 6. North Hall (Foodcourt) 5 21 4 SCALE 1 : 80 First Floorplan 0 2 4 8 16m 1. Retail Space 2. Meeting Room 3. Working Space (Open Desk) 4. In Room Working Space (Reserved Desk) 5. North Hall (Foodcourt) 6. South Hall (Foodcourt) 0 2 4 8 SCALE 1 : 50 m Section A-A Building B : Senen Hall2022|Senen-Jakarta|Office|HallSenenDesignOutput.

5.00 5.00 5.00 5.00 6.40 HG I J K L 57.30 6 2.50 2.50 2.50 2.50 2.60 6.10 2.45 U V W X Y Z 1A 1B 1D 789 3.04 3.36 2.65 2.84 50.90 5.00 1C 3.96 5.809.405.80 21.00 JUDUL PROYEK : Balai Senen - Revitalisasi Gedung Bioskop Grand Theatre Senen NAMA MAHASISWA : Robin Surya Pratama DOSEN MATA KULIAH : Maria Veronica Gandha, S.T. M. Arch. NOMOR MAHASISWA : 315180108 GAMBAR : DIPERIKSA DOSEN FASILITATOR : Maria Veronica Gandha, S.T. M. Arch. 99 1110 43 5.00 5.00 5.00 5.00 5.006.40 A B C D E F HG 57.30 1.80 1.80 7.58 2.40 2.50 2.50 2.50 2.50 2.50 2.50 O PNM Q R S T U V W X 1.72 50.90 5.00 0.360.40 PROGRAMSTUPA 8.33 JUDUL PROYEK NAMA DOSENMAHASISWAMATADOSENFASILITATOR 1. West Gate Entrance 2. West Lobby 3. Panel Room 4. Plumbing Room 5. HVAC Room 6. North Hall (Foodcourt) 5 2 7861 4 Floorplan 7. Service Corridor 8. South Hall (Foodcourt) 9. Retail Space 10. East Lobby 11. East Gate Entrance 16m PratamaRobin|Portfolio

2022|Senen-Jakarta|Office|HallSenenDesignOutput. 0 2 4 8 SCALE 1 : 50 m Section6.40B-B 5.00 5.00 5.00 5.00 57.805.00 A B C D E F +18.30+14.00+10.30+6.80+3.30 1 25 11 11 SUZUK 1213 +0.30 +0.30 +10.30 +6.80 -2.75 +0.70 +1.35 +2.00 +2.65 +3.30 +4.20 +4.85 +5.50 +6.15 +6.80 +2.60+3.30+0.30+2.60 1. West Lobby 2. Service Corridor 3. Retail Space 4. East Lobby 5. Meeting Room 6. Isolation Room 7. Virtual Meeting Room 8. Pantry 0 2 4 8 SCALE 1 : 50 m Section6.40B-B 5.00 5.00 5.00 5.00 A B C D E +18.30+14.00+10.30+6.80+3.30+0.30±0.00 1 11 11 SUZUK 13 +0.30 +0.30 +10.30 +6.80 -2.75 +0.70 +1.35 +2.00 +2.65 +3.30 +4.20 +4.85 +5.50 +2.60 JUDUL PROYEK : Balai Senen - Revitalisasi Gedung Bioskop Grand Theatre Senen NAMA MAHASISWA : Robin Surya Pratama DOSEN MATA KULIAH : Maria Veronica Gandha, S.T. M. Arch. NOMOR MAHASISWA : 315180108 GAMBAR : DIPERIKSA & PENGELOLADISAHKAH 1. Retail Space 2. Meeting Room 3. Working Space (Open Desk) 4. In Room Working Space (Reserved Desk) 5. North Hall (Foodcourt) 6. South Hall (Foodcourt) 7. Parking Basement 5 6 0 2 4 8 SCALE 1 : 50 m Section A-A Building B : Senen Hall Section B-B 5.00 5.006.40 A B C D 1.80 1.80 7.58 2.40 O PNM Q 5.405.401346 20.70 1.72 5.00 52 0.40 9.90 0.36 B 1. West Gate Entrance 2. West Lobby 3. Panel Room 4. Plumbing Room 5. HVAC Room 6. North Hall (Foodcourt) 5 21 4 SCALE 1 : 80 First Floorplan 7. Service 8. South 9. Retail 10. East 11. East 0 2 4 8 16m 1. Retail Space 2. Meeting Room 3. Working Space (Open Desk) 4. In Room Working Space (Reserved Desk) 5. North Hall (Foodcourt) 6. South Hall (Foodcourt) 7. Parking Basement 0 2 4 8 SCALE 1 : 50 m Section A-A Building B : Senen Hall

PratamaRobin|Portfolio 5.00 5.00 5.00 5.00 6.40 HG I J K L 3 4 6 7 8 9 10 11 6 14 +0.30 +0.30+10.30+6.80+3.30+0.30 +6.80+10.30+8.55+5.05+3.30-2.75+2.60 +2.60+6.80+3.30+0.30 1. West Lobby 2. Service Corridor 3. Retail Space 4. East Lobby 5. Meeting Room 6. Isolation Room 7. Virtual Meeting Room 8. Pantry 9. Reservation Desk 10. Playing Space 11. Working Space (Open Desk) 12. Parking Space 13. Management Office 14. Sewage Treatment Plant 0 2 4 8 SCALE 1 : 50 m Section6.40B-B 5.00 5.00 5.00 5.00 5.00 5.00 57.80 A B C D E F HG +18.30+14.00+10.30+6.80+3.30+0.30±0.00 1 25 6 11 11 6 SUZUKI 1213 +0.30 +0.30 +10.30+6.80+3.30+0.30+10.30 +6.80 -2.75 +0.70 +1.35 +2.00 +2.65 +3.30 +4.20 +4.85 +5.50 +6.15 +6.80 +2.60+2.60+3.30+0.30+2.60 STUPA 8.33 JUDUL PROYEK : Balai Senen NAMA MAHASISWA : Robin Surya DOSEN MATA KULIAH : Maria Veronica DOSEN FASILITATOR : Maria Veronica 1. West Lobby 2. Service Corridor 3. Retail Space 4. East Lobby 5. Meeting Room 6. Isolation Room 7. Virtual Meeting Room 8. Pantry 9. Reservation Desk 10. Playing Space 11. Working Space (Open Desk) 12. Parking Space 13. Management Office 14. Sewage Treatment Plant 0 2 4 8 SCALE 1 : 50 m Section B-B 5 5.40 6 6.40 5.00 5.00 5.00 5.00 A B C D E F +18.30+14.00+10.30+6.80+3.30+0.30±0.00634 1 11 11 UKI 13 +3.30+0.30 +0.30 +0.30 +10.30 +6.80 -2.75 +0.70 +1.35 +2.00 +2.65 +3.30 +4.20 +4.85 +5.50 +10.30+6.80 +2.60

2022|Senen-Jakarta|Office|HallSenenDesignOutput.

As a space that was previously tightly closed between two massive masses, the trans formation of the space into an open area is deemed feasible in breaking the existing density of space, allowing the formation of an open garden that allows more optimal exchange.air

Senen Hall Corridor Located on the ground floor, a long corridor is formed, used as a communal area, filled with food vendors on one side and open to circulation on the other, high accessibility is intended to strengthen connectivity with the city space of Senen.

Senen Hall Courtyard

Building C | Multipurpos Hall | Siteplan | Number 16 |

2022|Senen-Jakarta|Office|HallSenenDesignOutput.

The third mass (Building C) has a separate placement from the other masses, has a smaller form, this area was previously used as one of the three theaters that are operated, now it is transformed into a multipurpose area that allows holding various related events, such as book-launching, author meetings, book shopping festivals, workshops, and related event to the adjoin program.

PROGRAM STUDI SARJANA ARSITEKTUR - JURUSAN ARSITEKTUR DAN PERENCANAAN UNIVERSITAS TARUMANAGARASTUPA 8.33 JUDUL PROYEK : Balai Senen - Revitalisasi Gedung Bioskop Grand Theatre Senen NAMA MAHASISWA Robin Surya Pratama DOSEN MATA KULIAH : Maria Veronica Gandha, S.T. M. Arch. DOSEN FASILITATOR : Maria Veronica Gandha, S.T. M. Arch. 4.00 10 +11.70+9.50+6.60+3.90+0.30±0.00 79 9.201 0 2 4 8 SCALE 1 : 50 m Section A-A Building C : Multipurpose Space 1. Multipurpose Space 2. Backstage & Storage Detail JUDUL PROYEK : Balai Senen - Revitalisasi Gedung Bioskop Grand Theatre Senen NAMA MAHASISWA : Robin Surya Pratama DOSEN MATA KULIAH : Maria Veronica Gandha, S.T. M. Arch. NOMOR MAHASISWA : 315180108 GAMBAR DOSEN FASILITATOR : Maria Veronica Gandha, S.T. M. Arch. Building C 1. Multipurpose Space 2. Backstage & Storage 3. Preparation Space +11.70+9.50+6.60+3.90+0.30±0.00 4.004.004.004.00 4.00 K L M N O P 20.00 1 2 4 8 m Section B-B Multipurpose Space STUPA 1. Multipurpose Space 2. Backstage & Storage 3. Preparation Space +11.70+9.50+6.60+3.90+0.30±0.00 4.004.004.00 K L M 20.00 1 0 2 4 8 SCALE 1 : 50 m Section B-B Building C: Multipurpose Space PROGRAM STUDI SARJANA ARSITEKTUR - JURUSAN ARSITEKTUR DAN PERENCANAAN UNIVERSITAS TARUMANAGARASTUPA 8.33 JUDUL PROYEK : Balai Senen - Revitalisasi Gedung Bioskop Grand Theatre Senen NAMA MAHASISWA : Robin Surya Pratama DOSEN MATA KULIAH : Maria Veronica Gandha, S.T. M. Arch. NOMOR MAHASISWA : 315180108 GAMBAR : DIPERIKSA & PENGELOLADISAHKAH NO. LEMBAR ...../..... DOSEN FASILITATOR : Maria Veronica Gandha, S.T. M. Arch. Building A & C | Book Publication Office & Multipurpose Space 4.00 10 +11.70+9.50+6.60+3.90+0.30±0.00 79 9.201 0 2 4 8 SCALE 1 : 50 m Section A-A Building C : Multipurpose Space 1. Multipurpose Space 2. Backstage & Storage 3. Preparation Space Detail PratamaRobin|Portfolio

MARKET

2021|Pluit-Jakarta|Market|MarketUrbanPluitIntroduction.

Globalization that occurred in this decade brought a mixture of cultures and traditions around the world. The market as part of the space for people’s daily activities is not immune from the influence of glo balization intervention. In Indonesia itself, traditional markets are a type of market that reflects the culture and traditions of the local community, becoming a place of livelihood, fulfillment, recreation and social interaction that is full of values and norms in society. Located in the densely populated area of Muara Ka rang, Pluit, North Jakarta. Muara Karang Market is one of the traditional markets that previously held the above role. However, along with the develop ment of commercial areas in Pluit, the Muara Karang market is no longer the destination of choice for the community other than being just a place for buying and selling. | 5600m2 | PLUIT, JAKARTA | 2021

MARKETURBANPLUIT

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PLUIT|CONTEXTURBANInthedesign

2021|Pluit-Jakarta|Market|MarketUrbanPluitDesignProcess.

The diagram above illustrates the sol id-void density of the Pluit area, a high density demanding optimal and effi cient land use.

GREEN SPACE GRID

Mapping the green open space grid, which is generally used by the commu nity as a communal space, the location of the market itself occupies the miss ing green spot, thus encouraging the design of a market that functions as a communal space.

process, the context of the area and the site environ ment play an important role in determining the design, so un derstanding it is an essential of understanding what is needed by both the community and the sur rounding environment.

SOLID - VOID

The arrangement of dense urban space is formed from several housing com plexes, with a relatively high population, making the market an important es sence of daily fulfillment.

COMMERCILE PERIMETER Dense population encourages commer cial business growth along the connect ing lines, making the market has great potential if developed.

INHABITANT DENSITY

CONNECTIVITY

Adjacent to an arterial route that con nects the backflow of the business dis trict (Pluit) in the east with the residen tial area (Kapuk) in the west, Pasar has potential in the development sector as a recreational facility.

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TRAFFIC DENSITY

The density of traffic flow home before work hours, underlies the development of a good night-market/food market as a form of replication of the typology of programs around the site.

URBAN CULTURE | MUARA KARANG With a location that has direct access to the backflow connecting the pluit-kapuk, the envi ronment around the Muara Karang Raya road has great potential for commercial develop ment, which is generally found on the back flow path. This can be seen from the culinary business filled with visitors during office hours until late at night. This place is a destination for those who want to eat food, interact, gath er, and socialize.

2021|Pluit-Jakarta|Market|MarketUrbanPluitDesignProcess.

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URBAN CONTEXT | MUARA KARANG Surrounded by commercial shophouses, the market perception is no longer seen as an individual building but as a cluster that complements and fulfills various market variations. Because of this, a design that takes into account the connectivity between lots is needed in establishing market connectivity with the environmentalcontext.

GENERAL CONDITION

01. MARKET CONTEXT

The market that has been around since 1997 (24 years) has entered its last de cade of existence. Throughout its journey, the Muara Karang market has become place where people fullfill their daily needs, as gathering place, and part of neighborhood interaction and activity takes place. However the spatial design that was built, was not originally planned to accomodate what has been said before, this has forced the market spaces to adapt harshly.

The market perimeter is where the culinary delights took place, it is a social space for people to meet, interact, and eat, this event lasted morning till noon. The market adapts various activities in this section that were not previously planned during its initial design. So it is common to found a restaurant in the market. Though it took place on the outer side of the building, somehow it is what makes the market alive till today.

2021|Pluit-Jakarta|Market|MarketUrbanPluitDesignProcess.

The building itself has little to no connection to its surrounding environment and pro gram, make no interaction in between. It has symmetrical design that has no dis tinction with every other buildings. Traffic jam occurred everyday because many of the parking space was placed alongside the market, blocking the street level view and disturb circuliation at pedestrian level. The market is designed to be as compact as possible to maximize the number of rental units. The closed market creates a dark at mosphere and it was poorly ventilated.

Semi-permanent tarpaulins connect the market with adjacent buildings, creating a narrow path where street vendors filled right in the side of the alley. What they sold is varied from food, ac cesssories, even clothes, and etc. The con dition of the building that is not pleasant, make people prefer street market over shopping inside the market building itself.

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02. STREET MARKET CULTURE

03. DEGRADED BUILDING

The bustling atmosphere of a narrow dark and crowded market is common and part of the community’s culture commonly found in many Indonesian Market.

STRATEGYCONCEPTUALInachieving

The rigid structure of urban space encour ages the use of a square-shaped site, so that the maximization of the perimeter of the site based on the building coefficient can be achieved.

the goal of market revitalization, several design con cepts were applied based on the contextual environment, site, cul ture and traditions of the local community, as well as the devel opment of programs owned by the previous market.

CONNECTING AXIS Formed two transverse axes that connect each plot across the market, this axis will later become the lifeblood of the market where visitors will pass.

SIMPLE PLAN

2021|Pluit-Jakarta|Market|MarketUrbanPluitDesignProcess.

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MARKET AS A PLACE

BACK TO WALK

In an effort to fill the void of green space in Pluit, the mass of buildings is divided along the connecting axis, with the center of the mass being the main space for market ac tivities as well as green space.

The overall shape of the building is made of terraces with the aim of maintaining the skyline and transitioning the height of the shophouses around it, this is achieved by forming a gable roof that peaks at the back.

The connecting road was converted to function as a pedestrian walk, as well as a replication of the street market to activate the corridors of the surrounding space.

CREATINGW GREEN CORRIDOR

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Located between residential areas, the strategic market position plays an import ant role in connecting spaces and accom modating surrounding activities.

GRADUAL HEIGHT ROOF

2021|Pluit-Jakarta|Market|MarketUrbanPluit Output.Design

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MARKET ALLEY MARKET AREA MARKET Output.Design

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MODEL|UNITMARKET In accommodating buying and selling activities in fulfilling the program of activities in the market, several types of infrastructure modules were formed that were tailored to the needs and various functions of the market, both for daily buying and selling activities or holiday activities held every few months.2021|Pluit-Jakarta|Market|MarketUrbanPluit Output.Design

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2021|Pluit-Jakarta|Market|MarketUrbanPluitDesignOutput.

As the heart of the neighborhood, where the lo cal meet, socialize, and full their needs. The main corridor of the market was set to became place of interaction between spaces, the porosity of the mass allows the use of natural lighting through sky light windows which further allows the placement of vegetation in the room. A variety of tree called Ketapang Cendana with characteristic that is semi dense is used, intended to create light dispersion from skylights in the market interior, creating an atmosphere that changes with time.

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Market Hallway In the same place, through three separate void, the space between upper level down into the low est level (basement) was connected, merging the space vertically. The design allowed the building to dissipate heat and unwanted odor easily out and circulating fresh air naturally.

Placement of vegetation in the form of trees (Ketapang Kencana variety) is intended to create light dispersion from skylights in the market interior, creating an atmosphere that changes with time. lattice windows on the top floor. Market Terrace SECTION A-A 0 5 10 202021|Pluit-Jakarta|Market|MarketUrbanPluitDesignOutput.

The determined axes are the main basis for the formation of inner and outer spaces, the corridors that are formed imitate the shape of the street market, creating the familiarity of the street market flanked on both sides. The opening vista is also intended so that visitors can see the other side of the market, inviting visitors to explore. Market Hallway

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The road that previously flanked the market was turned into a pedestrian path, complementing the functionality of the market, especially on holidays when the number of traders increases. These corri dors are also places where visitors can take a leisure ly walk, exercise, or meet and interact.

Street Market SECTION B-B 0 5 10 202021|Pluit-Jakarta|Market|MarketUrbanPluitDesignOutput.

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In the middle of this building is the meeting point of the two axes that connect the areas around the site, as the main market space, this space is a place that can accom modate various activities and events of the surrounding community such as the market before the new year, the market for the celebration of the cap-go-day. meh, Chi nese New Year celebration market, and other activities. Atrium

Market

In an effort to dispel the old image of a dark and slum market, the market facades facing east and west are made transparent in an effort to make market activities visible from the outside to passers-by, and also to allow natural light into the interior of the market. The wooden facade that extends along the road, is intended as an attractive area as well as shows a prominent difference along the path as an entry point from the market, which was not shown in the previous building.

Market Facade

Deaf people inhabit a rich sensory world where vision and touch are a primary means of spatial awareness and orientation. Many use sign language, a visual-ki netic mode of communication and maintain a strong cultural identity built around these sensibilities and shared life experiences. When a particular building on education was created, the intention was to include everyone in the process. The problem was the students and the deaf commu nity had no say or empowerment later on in making the important designs. When it came to designing the next building, the goal was to change this pow er dynamic. Therefore a space that can empowered their ability suit their need was created in the form of library that also act as innovation incubator that em powered the dead community.

DEAF SPACE

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They perceived space mostly from their eye sight and what they can see. The visual field of the human eye spans ap proximately 120 degree. of arc. Eyesight Vibration, Lightning, and Reflection enhance their awareness. Evolved Sensoric Closed space hinder their abil ity to be aware of their surround ing, thus blindspot.creating Blindspot Movement and vibrant color caught tively.attentiontheireffec AttentionLimitationConcept Idea Transparent /Opaque / Facade Wall Open Level Leveled Space Open Plan Easy KineticTransition/InteractiveSpace Shadow / forAdequateManipulationLightSpaceGroupActivityAdequateWayWidthforGroupWalk Deafgain2019|Grogol-Jakarta|LibrarySoace|DeafDesignProcess.

Mass Transform Potential Deafgain

Basic mass form was placed on cramp site. The mass was pulled down to allow light penetrate through spaces around. Facade was placed to cast shadow onto spaces. Open plan to create see through spaces.

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To be aware, they rely a lot from their eyesight by noticing small changes in their surrounding. Sharp As they use signing to communicate, they could talk as long as they can see their counterpart. (Aprrox. 3-5m apart) Visual Communicator To communicate bet ter they create space in between to see and sign their counterpart. Approx. a half to a me ter apart. Proximity As eyesight become prior to day to day activity, eye injury become concern. Injury

FIRST FLOOR 0 1 2 Amphitheatre +0.20 Car Park +0.00 Hallway +1.202019|Grogol-Jakarta|LibrarySoace|DeafDesignProcess.

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Simple Lath facade allow does who pass by to take a glimpse inside the building, informing a library around their neiWghbourhood.

SECOND FLOOR Reading Area +3.70 0 1 22019|Grogol-Jakarta|LibrarySoace|DeafDesignOutput.

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Open plan design allow free flow of natural light, human circulation, span of view and varied use of space, furthermore providing adequate space for deaf people to interact.

Preview of the first floor, mainly used as reading space also place where the books, magazine, novel, and etc was stored.

Output.Design

Preview of the second floor, mainly used as group collaborative space and reading space.

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Design Output.

Deaf space. INNER COURTYARD

By how deaf people communicate through signing, this allowed to create silent space that suitable for readers to focus, therefore the space can be as open as possible. Open spaces also allowing deaf people to com municate and interact on diffrent level, the level create diffrent space and boundary that make the deaf feel safe at their stand.

To recreate the imaginary site, a wiring diagram was used in the process, uniqueness of structure and pat tern of wiring diagram somehow look similar to how our city develop, therefore in the process, the line on the wiring diagram would represent the lot / site and the fold would represent the topography.

Design Concept Tango as a form of dance had many unique shape neither form, this uniqueness itself was carried over into the design process, in the approach of thev design concept, a tango sillhouette was choosen. This 2 di mensional shape was later transformed into 3 dimen sional to form an architecture massing.

HOUSETANGO

Site and Topography

Tango house is the outcome of design approach. Idea can come from many sources, yet somehow we struggle to find it. Design approach come in handy in this situation, by cre ating a form of thinking, we can solve a problem base on a set of structure we set at first in design approch.

HOUSE | 144m2 | IMAGINARY SITE | 2018

2018|SiteImaginary|HouseHouse|TangoIntroduction.

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Building program is consisted of public spaces in the ground and pri vate spaces in the upper level. The mass was then indented to create the solid-void of space based on the curvy shape of Tango dancer form.

01 Wiring diagram of “Mustang Ford 1979” was used as the topographic base for the site.

2018|SiteImaginary|HouseHouse|TangoDesignProcess.

02 05 06 The diagram was then simplified in several line to pinpoint the face that later was cutted and folded.

03 04 07 08

The more private space was put in the wall that has a secondary func tion as a shear wall. A garden was placed in the rooftop that was use also as higher ground for people to enjoy the surrounding .

The cutted and folded paper then represent the site level and its limit, recreating imaginary site. The slab and supporting foundation was placeed above the sloping terrain, creating the ground for the space.

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LONGITUDINAL SECTION 0 1 2 42018|SiteImaginary|HouseHouse|Tango Output.Design

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2018|SiteImaginary|HouseHouse|TangoDesignOutput.

FIRST SECONDFLOORPLAN012 4 0 1 2 4 LEGEND 1. Rooftop 2. Lounge 3. Toilet 4. Warehouse LEGEND 1. Rooftop 2. Lounge 3. Toilet 4. Warehouse PratamaRobin|Portfolio

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