Architecture Portfolio 2015-2019

R I Y E S H P A T I L

A R C H I T E C T U R E P O R T F O L I O

EDUC ATION

COMPETITIONS

PRIMARY|SECONDARY SCHOOL

LOUIS I. KAHN TROPHY (N.A.S.A.)

St. Francis D’Assissi High School, Mumbai.

Sketcher

JUNIOR COLLEGE

LOUIS I. KAHN TROPHY (N.A.S.A.)

Sathaye College Of Science, Mumbai.

Sketching Head

BACHELOR OF ARCHITECTURE

LOUIS I. KAHN TROPHY (N.A.S.A.)

Rizvi College Of Architecture, Mumbai.

(4th Year B. Arch)

Trophy Head

(2015-16)

(2016-17)

(2017-18)

LOUIS I. KAHN TROPHY (N.A.S.A.)

Trophy Mentor

L ANGUAGES

(2018-19)

ANNUAL NA SA DESIGN COMP. (N.A.S.A.)

.

ENGLISH

(2016-17)

HINDI MARATHI

ANNUAL NA SA DESIGN COMP. (N.A.S.A.)

.

SOF TWARES

POSTS

AUTOCAD

PROCREATE (iPad)

REVIT

COREL DRAW

SKETCHUP

PHOTOSHOP

RIYESH PATIL Artist | Designer +91 9920067320

riyeshpatil@gmail.com

SITE DEVELOPMENT HEAD Ÿ 2018 Archfest Ÿ 2019 Archfest

LOGO DESIGNER Ÿ 2017 Archfest Ÿ 2018 Archfest Ÿ 2019 Archfest

(2018-19)

WHO AM I With one hand dipped in Architecture & the other in Art, I constantly thrive to ď€ nd a balance between the two.

Architecture has helped me evolve and unlearn all the preconceived notions while Art has always been a medium of expression and a way to discover myself.

C O N T E N T S

A R T

D E S I G N

A R C H I T E C T U R E

1

ORPHANAGE

2

CO-WORKING SPACE

3

COMMEMORATION CENTRE

4

LANDSCAPE DESIGN

5

INTERIOR DESIGN

6

WORKING DRAWING

7

ART

8

INSTALLATIONS + HANDS-ON

9

LOUIS I. KAHN TROPHY

(Architectural Design Sem. 3)

(Architectural Design Sem. 5)

(Architectural Design Sem. 6)

(NASA Design Entry)

(Semester 3)

(Semester 6)

(Sketches, Illustrations, etc.)

(Pavilion, Mural, Carpentry, etc.)

(Naggar Castle, Anand Bhavan)

ORPHANAGE ORPHANAGE 1

Mumbai has a lot of orphanages for children, but none of them are designed particulalry for their needs and are usually retrotted in an existing structure. The Aim was to design an Orphanage for Children and provide a better shelter to facilitate their all round growth and needs.

Convert 2D to 3D

Creating avoid on the northern facade to ood the interiors with diffused north light.

Slicing the form to create sub-volumes from the entire volume.

Using these new volumes to sculpt spaces. As these volumes are created from a single volume, it creates a greater sense of unication

Increasing the height of the northern facade leaving a gap between the glass and the slab. Also, Sloped Roof allows easy escape of hot air.

PLAN

ROOF PLAN

SECTIONS

CO-WORKING CO-WORKING SPACE SPACE 2

Starting with a basic form.

The Site was in Mahim, Mumbai with it’s west side overlooking the highly dynamic LifeLine and it’s west side having the static and soothing view of the waterfront.

With the increasing demand of Co-Working Ofces in Mumbai, the aim was to break free from the notion of ofce being a space of cubicles and design a space which would actually enhance the interaction within the CoWorkers enabling them to have a wider network while being in an open ofce environment.

Altering the basic form to enhance the viewing experience.

Creating a void in the mass to immerse nature into the structure making the space not only outward looking but also looking into itself.

Elongating the form to increase the area & introduction of vertical louvers & pop-out spaces to frame the view & break the monotony.

Stacking up these loops to form interesting volume of spaces.

GROUND FLOOR PLAN

DE

O PL

EX D O

O FL R PL S

E AT

1st FLOOR PLAN

SECTIONS

2nd FLOOR PLAN (OPEN COWORKING SPACE)

3rd FLOOR PLAN (SHARED | PRIVATE COWORKING SPACE)

4th FLOOR PLAN (ACCOMODATIONS)

COMMEMORATION COMMEMORATION CENTRE CENTRE 3

With Bollywood completing it’s 100 Years Milestone, the Aim was to Design a Commemoration Centre to rejoice the Art of Cinema, paying Tribute to a Unique Bollywood Personality.

Selected Personality was Anurag Kashyap for his Raw, Bold, Brutal approach to the idea of Film Making and his constant efforts to portray the society in its truest form.

• WORKSHOPS

Giant Cube as a space to signify Brutality with Simplicity.

Chamfering the edges to not overpower the user & yet keep the brutality intact allowing various forms.

Chamfering the tip to allow the natural light to penetrate in from the north.

Playing with the levels to create interesting & inward looking spatial workshop.

• EXPERIENTIAL / EXHIBITION SPACE

A room with human friendly proportions.

Increasing the volume drastically to overpower the human proportyion to create discomfort & isolation.

Increasing the volume drastically yet gradually to to slowly gulp the user into the space.

Chamfering the tip to allow the natural diffused north light to penetrate in.

• LANDSCAPED SEATING

General Seating

Introducing Landscape in between the seating.

Raising the lanscaped portion to create an heirarchy of facets & to creat a backrest

• SUNKEN PATHWAY

Normal Pathway with kerb stone dening the edge.

Sinking the pathway into the ground to create a much more involving & immersive experience.

Modifying the sunken path to a zigzag path creating a play of sight & increase interest due to ambiguity.

Adapting to the form of the rest of the design acting not only as a seating but also a buffer zone.

PLAN (WORKSHOP)

SECTION (WORKSHOP)

PLAN @ 1.5M

ROOF PLAN

S E C T I O N S

E L E V A T I O N S

LANDSCAPE LANDSCAPE DESIGN DESIGN (NASA Competition Entry) Theme: REFLECTION An attempt to create a Landscape Design which could translate the Intagible Experience of Depression into a Tangible Experiential Space. The Aim was to give out a social message and spread Awareness about Mental Health.

4

AGE

Natural Phenomenon Path it takes Point of Reection Places| People|Events|Occurences

Ÿ Ÿ Ÿ Ÿ

The Youth are the Major victims to the Depression

Journey Memories No. of people suffering from Depression in India (As of 2015) Ÿ Ÿ

Stimulant Interaction

Flashback Calamity/Disaster Leave an impact

Introducing an Intervention which aims to spread an Awareness among the youth about the sensitive topic of Depression by creating a Physical Space which translates this intagible experience of Depression into a Tangible Experience.

Ratio of people suffering from depression in Urban Areas

No. of people Committed Suicide in India (as of 2012)

PLAN

타 Change in

Volumes

타 Play of Light &

타 Levels

Shadow

타 Texture: Rough

Rock

EXPERIENCE

SECTIONS

INTERIOR INTERIOR DESIGN DESIGN 5

Retroď€ t For A Family with a Husband-Wife and 2 Kids in an existing house with only the exterior walls intact.

AX VIE ONO W

ME

PLAN

TR

IC

LIGHT FIXTURE DESIGNS

WEST ELEVATION

WORKING WORKING DRAWING DRAWING 6

Working Drawing of a G+2 R.C.C. Villa

COMPOUND WALL & GATE DETAIL

GROUND FLOOR PLAN

SECTION AA’

( VILLA )

FAUCET DETAIL

TOILET PLAN

SKYLIGHT DETAIL

SECTION CC’

KITCHEN COMPARTMENT DETAIL

STRIP SECTION

ART ART 7 SKETCHES

ART + ARCHITECTURE

URBAN SKETCHES.

INSTALLATIONS INSTALLATIONS + + HANDS-ON HANDS-ON 8

BAMBOO PAVILION, Sagunabaug, Maharashtra

3D WALL MURAL, Rizvi College Of Arch.

INTERACTIVE WALL, Rizvi College Of Arch.

INTERACTIVE WALL, Rizvi College Of Arch.

A PL AY OF LIGHT, Rizvi College Of Arch.

LOUIS LOUIS I. I. KAHN KAHN TROPHY TROPHY

(DOCUMENTATION & ANALYSIS)

(NASA Competition Entries)

9

Intensive Documentation and Analysis of Historical and Traditional Architecture and Sites.

NAGGAR C A STLE, Kullu, Himachal Pradesh.

ANAND BHAVAN, Civil Lines, Allahabad.

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T H A N K

Y O U