Hello!I’m Riva Joshi, a third-year architecture student at Kathmandu Engineering College. To me, architecture is about turning a space into a meaningful place. Through this internship, I’m eager to apply my creative ideas to real projects and learn from experienced professionals. I look forward to growing my skills and being a part of the field of architecture.
contact : 9845443359
mail: rivajoshi773@gmail.com
EDUCATION
2021- present
2019-2021
till 2019
PARTICIPATION
Kathmandu Engineering College,Kalimati bachelor’s in architecture
Aroma College,Bharatpur
higher secondary education in science lower secondary education
Little Flower School,Narayangarh
AND EXPERIENCES
2023 Photography competition participation
2024
HGU UNITWIN-KEC joint workshop
2024 Archibuild Expo volunteering
2024-2025
2025
Association of KEC Architecture
Dristi 3.0 committee
Books in bloom,Dristi 3.0 participation akar representative participation executive member
SOFTWARE SKILLS
cad
2025 modelling render
AutoCAD
Sketchup
Enscape
Lumion
D5 Render adobe cc Photoshop
Illustration
InDesign
other Microsoft Office
twist & tranquility confluence of diversity
01
twist & tranquility
The Twist & Tranquility concept for the site in Bhaisepati, Lalitpur (1118.84 sq m) is all about balancing movement and calm. The design responds to the natural contours of the land, with the lower level blending into the ground to create peaceful, public spaces like gardens and lounges. The upper levels twist slightly, offering private areas that are open to beautiful views while remaining secluded and serene. This contrast between the stable, grounded spaces and the dynamic, elevated volumes creates a unique environment that feels both connected to nature and inspiring in its design.
CONCEPTUAL DEVELOPMENT
A simple rectangular mass is generated based on the site’s dimensions, responding to the natural contours for stability and integration.
The volume is twisted along the Y-axis, dividing it into a grounded lower level (public) and an elevated upper level (private) to enhance spatial hierarchy.
A central atrium is introduced, acting as a light well and visual connection between the public and private spaces while improving ventilation.
Given form captures both the dynamic movement of form and the calmness of space. The twisting volume creates contrast, while the central atrium and site integration bring harmony, resolving the architectural paradox through thoughtful design.
FOYER
ATRIUM
OUTDOOR LIVING AREA
INDOOR LIVING AREA
DINING ROOM
KITCHEN
PANTRY
DIRTY KITCHEN
STORE ROOM
ROOM
ROOM
atrium
FIRST FLOOR :
Family room
Library
Study room
2 bedrooms
Master bedroom
GROUND FLOOR :
Foyer
Atrium
Outdoor living area
Indoor living area
Dining room
Kitchen
Pantry
vertical circulation
Dirty kitchen
Store room
Puja room
Guest room
Washroom
Office
LOWER GROUND FLOOR :
Garage
Gym
Front porch area
Backyard area with swimming pool
Interior of atrium space
Porch area with small garden space
Section along the atrium
02 confluence of diversity
The Confluence of Diversity commercial hub in Tikathali, Gwarko (8226 sq. m) fosters urban vitality through an integrated spatial and material dialogue. The public plaza at the front acts as an inviting threshold, blurring the boundary between built and open spaces. A central atrium, strategically placed at the site’s focal point, enhances connectivity and spatial fluidity. The interplay of wood, brick, metal, and glass creates a rich material contrast, reflecting the diversity of users and programs. More than a marketplace, it becomes an urban catalyst, facilitating interaction, exchange, and collective experience.
CONCEPTUAL DEVELOPMENT
Generating a focal point by aligning with urban nodes and movement networks, establishing a strong spatial and visual connection within the site. This creates a dynamic interface between the built form and its surroundings.
Positioning the primary mass parallel to the rear setback, allowing the front to function as an activated urban plaza that enhances public engagement. This spatial strategy fosters seamless integration between open and built spaces.
Transposing the focal point into an atrium, reinforcing it as the confluence of circulation and interaction, creating vertical and horizontal spatial continuity. The atrium becomes a breathing void, allowing light, air, and movement to define the experience.
Shaping the masses around the atrium, creating a natural flow between spaces, movement, and functions. This interplay brings a sense of cohesion and efficiency, making the space intuitive and dynamic.
View from the junction of the road
View at the entrance of the building
Section at X-X along the atrium
03 revolutionizing the notion
The furniture factory, located in Pepsicola on a 9785 sq. m site, redefines the furniture industry in Nepal by integrating modern technology, operational efficiency, and sustainability. The design is organized into distinct zones for production, design, and employee relaxation, optimizing workflow while fostering creativity. Natural light and ventilation are prioritized to create a healthy and comfortable work environment. Sustainable practices are incorporated in both construction and production, establishing a forward-thinking model that enhances efficiency, productivity, and worker well-being.
CONCEPTUAL DEVELOPMENT
The showroom is positioned as a bold focal point, creating a strong visual and spatial anchor that attracts customers while establishing a clear and inviting entry experience.
A defining axis extends from the showroom, acting as the backbone of the design, organizing circulation and creating a seamless flow between different functional zones.
Spaces are zoned along this axis, transitioning from public (showroom) to semi-private (production spaces) and private (worker quarters and storage) to maintain efficiency, accessibility, and hierarchy.
The production spaces respond to the site’s natural contours, placing heavy, noisy machinery (sawmill, plywood production) on the lower level to minimize sound disturbance while maintaining a smooth operational workflow.
SEASONING UNIT
PRODUCTION UNIT (LOWER) 7. PRODUCTION UNIT (UPPER) 8. AMENITIES
AND ADMIN 12.MESS AND RECREATIONAL
UNLOADING
LOG STORE
SAWMILL
PLYWOOD PRODUTION
WAREHOUSE
The final roofing material is installed over the purlins to complete the composite truss system..
Purlins are added across the trusses to support the roofing system and maintain structural integrity
A third rafter is placed to enhance structural stability and ensure proper load distribution.
Three different sizes of Pratt or Warren trusses are selected, with two intersecting at 90 degrees and the third connecting at their meeting points either at a smaller angle or 90-degree angle to create a composite truss structure
Glass panels are installed on the sides of the truss structure to provide enclosure and aesthetic integration.
Production interior
View from the main road
Production interior
Showroom interior
Section at Y-Y
Section at X-X
THE BOOK CANOPY :
A LIBRARY THAT BREATHES WITH NATURE
The Book Canopy is an open-air library designed to blend seamlessly with nature, creating a space where knowledge and the environment coexist harmoniously. Inspired by the sheltering form of a tree canopy, the design uses locally sourced brick and timber to provide a warm, inviting atmo-sphere for reading, learning, and community engagement. The roofing is inspired from surrounding context with use of locally sourced materials.
MATERIAL PALATTE
Reading space exterior view
WORKING DRAWINGS
PHOTOGRAPHY
I captured the diverse landscapes of Nepal’s hilly and Himalayan regions, including Ghandruk,Khumai Dada,and. Tilicho Lake, and. The journey showcased misty hills, towering peaks, serene lakes, and traditional villages, each blending nature and culture beautifully.
Looking back through the door makes me realize how far I’ve come, and how much
