Master Portfolio 2016_ Ritawei

architecture x senses x experience MASTER OF ARCHITECTURE PORTFOLIO

by Rita Wei

/EDUCATION Master of Architecture at University of Melbourne 2015-2016 Master of Architecture Exchange at TUDelft 2016 Bachelor of Architecture at University of Melbourne 2010-2012 /EXPERIENCE Graduate Architect at Jesseant Architects 2013-2015 SONA super studio 2015 SHELTER International Student competition 2016

CONTENT

LOVE REACTOR

the FALCON

BUILDING TECHNOLOGY

keywords_phenomenology, atmosphere, experiential, line drawing, acrylic

keywords_phenomenology, atmosphere, experiential, line drawing, acrylic

keywords_light weight, climate control, facade

page 1-4

page 5-8

page 9-10

An INFRASTRUCTURE design that discussed architecture as a system and being highly interrelated with anthropology.

Design of a FOYER that dedicated to a hypothesized concert of David Bowie in the 1973 London.

Nakagin Capsule TOWER conversion project with a focus on passive heating and cooling system and light weight facade.

The Master’s study has further uncovered my fascination with design and strengths in critical thinking, communication, team works and developing a unique graphic style.

Specifically, in contrast with my bachelor’s projects which took a more conventional path in tackling designs, recent projects are grounded on in-depth research and a more critical understanding of what architecture is/ means to me. note* This portfolio (1.0) presents the final outcome of each studios that undertaken during my 2 years Master’s study; And ended with snapshots of my bachelor’s projects. Full version of projects is available at: https://issuu. com/ritawei. which contains detailed research and progress for each semester.

REJUVENATE AZCA

A LANDMARK designed for Madrid, completed in TUDelft. keywords_research, urban planning, landmark, high-rise, building technology

page 11-16

THESIS PROJECT: iLife

A MANIFESTATION of a new Modernism that belongs to architecture of the outer space.

Zero Gravity is exploited, experiences fostered by such architectural type are infinite and liberated. keywords_zero gravity, liberation, outer space, spatial experience, behaviour page 17-22

UNDERGRAD PROJECTS

page 23

PROJECTS FROM WORK

page 24-25

MASTER STUDIO C: A HUMAN INFRASTRUCTURE

LOVE REACTOR Underpressure Lab Lead by Alessia Pegoli and Vass VanSteel Program used: Rhino, Photoshop, Illustrator, AutoCAD 1

/PROJECT BRIEF & DESIGN PROCESS The projects will instigate the co-creation of architectural performance through the copulation of architecture and user.

The process will provoke design to the dimensions of a spatial and bodily spectacle, a receptive system comprising the user body, the program apparatus and the resultant event as the site. We will challenge notions of the engagement of the eye and the body through mediums of storytelling and scene evocation to propel a discourse on the pertinence of cross- disciplinary methodology in creating a holistic design system.

RESEARCH & DESIGN THINKING: body+apparatus+place=event

systematic multi-d isciplin ary cross -func tiona l auto mat ed prim ary (ex sec trac ond tive ary ) in tra dus ns (m trie a p nuf ort po s act ati we on urin co rp s IND g lan ys m ) in US tem m dus s TRY un t r ies ica tio n IN sy FR st AS em TR UC TU RE

a. our obsession with technology further disconnect one with another

dynamic

Its performance is filmed and evaluated (film clip link: ).

efficient

The project starts off with the design of a body apparatus based on inspirations drawn from our favourite movie. With the apparatus - an installation that interacts with the human body, we are asked to investigate its social meanings by placing it at a site of our interest within Melbourne CBD.

TRAITS

/body+apparatus+place=events

em st

&

c. et

RE DU E OC PR

sy

n io at c u rce ed ou s re ce du pro bly em ass ss proce

FACTORY SYSTEM

packaging logistic

b. the defunct phone booth at Flinder st Station is re purposed as a communication medium.

MY SYSTEM / INFRASTRUCTURE

ALTE R ENER NATIVE GY

storage space

efficiency

safety

ts gh ou les th on oti / ru e em les p i ssu nc al i pri ion rat ope le cyc y life antit u q lity & qua ity inabil susta ity human

kineti c hor mo ne bo dy he so at un d sp iri ts

S RN

E NC CO

b. the medium evolved into a paying system for the metro which requires injection of loving messages.

2

SYSTEM OPERATION DIAGRAM

TRANSMISSION PIPELINES - Weaving within the structure - Harvesting energy from human - Harvesting love

PLUGGING IN - Human injected into the system

RECEIVING LOVE The LOVE REACTOR is a human infrastructure that harnesses love and humanity in the dystopia future. It is critiquing the dominance of technology which gradually builds up a wall in between ‘us’.

PRODUCING LOVE THE CARRIAGE - Receiving love messages - Glass, transparent, pure

3

SCAFFOLDING - Chaotic, overwhelmed, overdeveloped, filthy dystopia world

ILLUSTRATIONS ELECTRIC RAIL

OVERHEAD RACK

TOTE

THE SPIN PLATFORM - WAITING AREA SYSTEM ENTRANCE GETTING ON/OFF TRAIN SYSTEM EXIT

CONVEYOR BELT

/PROCESS Delivering message while in transit to the platform.

While passengers reach the doorway of the carriage, the Head Steamer lifted and detached from the person.

Start receiving message while seated

4

MASTER STUDIO D: A FOYER DEDICATED TO BOWIE’S LAST CONCERT

Collage section of the Foyer: Symbolizing Bowie has brought life back to the industrialized city. He frees people’s mind. The foyer has become a focal point of the city.

/PROJECT BRIEF ‘Loving the Alien’ studio suggests that the experience of inhabitation, simultaneously engaging all our senses in the acts and rituals of life, is the most appropriate basis for the development and evaluation of architectural propositions. The studio will stand in defence of small, idiosyncratic works of architecture truly revealing the human dimensions of contemporary life.

the FALCON Loving the Alien Lead by Rennie Liffen & Virginia Mannering Program used: Rhino, Photoshop, AutoCAD 5

/DESIGN PROCESS The studio engages us with the experiential potential of the architecture of ‘Performance’ inspired by the extraordinary and enigmatic British musician, David Bowie. We use the work of Bowie as a metaphor to consider the phenomenological implications of the architectural ‘alien’. Narratives are developed in conjunction with our writer-collaborator to form the functional and emotional brief for the architecture of a new ‘Foyer’ (spatial sequence for audience from street to seat) at a detailed hypothetical music venue in central London.

Acrylic model of the Falcon in Exhibition

STORY BOARD & MOMENT DRAWING

3rd July, 1973

5:30PM

5:40PM

5:50PM

6:00PM

6:30PM

7:00PM

7:30PM

3rd July, 1973, London “It’s Silver!”

5:30 PM; At the arrival The floating silver mass strikes my sight It flares; it reflects As if it is rebelling against its context Just as a gigantic spacecraft It is waiting for us to board

“It is alive!”

5:40PM The underbelly of the space craft is lighten up by the glowing cells Beer pipes, as veins, are weaving through those Illuminated spaces In one of the cells, she waves at me “Come on up!” she says.

5:50PM It is vast, it is spacious Beneath the glossy skin There are the bones Robust, metallic, cold

The artificial landscape 6:00PM I turned around I stood there, staring at the space As if there’s a landscape of stairs As if it is a stage that showcases all sorts of dramas and stories I set my foot on the steps Walk towards the greenish glows

The greenish glows 6:30PM Beer flows within the ‘venations’ As if it is the fuel for the space craft; the blood for this living organism Fascinating!

I repeated After a few more sips The green seems to glow brighter, brighter

Excitement 7:00PM Half an hour till the show starts Excitement has already piled up within the linear gallery At the end of the tunnel I see the flare of the venue door It is teasing us

Scream Scream 7:30PM Nicotine has levelled up my excitement.

I’m immersing in the taste of cigarette.

Screams at the back of the door has now become a symphony A poetic expression of our passions indeed “let’s go” she says, With a sound of the glam room door closing.

6

PLANS & SECTION

GF plan

7

Level1 plan

Level2 plan

Section (of Foyer and Music Venue)

DETAIL DRAWINGS AT PORTAL

8

MASTER BUILDING TECHNOLOGY (completed in TUDelft): NAKAGIN 2.0

NAKAGIN 2.0

9

MASTER, BUILDING TECHNOLOGY (completed in TUDelft)

10

MASTER STUDIO E (completed in TUDelft): REJUVENATE AZCA, MADRID

REJUVENATE AZCA, MADRID Complex Project: Anatomy of a Landmark Project team: Rita Wei & Zac Chapman Lead by Aldo Trim, Albert Takashi Richert Program used: Revit, Rhino, Illustrator, InDesign, Photoshop, AutoCAD

11

/PROJECT BRIEF We are required to perform a thorough urban research in order to understand Madrid’s history and context (specifically AZCA - a suburban commercial district), and to identify the Landmarks that could become catalyst for intervention. The research zooms in from the large scale of the city itself, to the medium scale the site, to the small scale of the building. Researches upon infrastructure, morphology, building typology, politics, economy and cultural facts will serve as basis for forming a narrative which is leading for the individual redesigns of the Landmark.

SITE ANALYSIS & MASTER PLANNING project site: AZCA Madrid city centre

/PROJECT BACKGROUND

proposed design public transportation stops retails & eateries office towers

In 1966, AZCA was imagined to be a lively shopping and residential district, with cultural venues that would reinvigorate Madrid and effectively become the new centre of the city. Decades of compromises, altered planning and redevelopments have seen the complex become highly heterogeneous and vastly confusing. In the last two decades of the 20th Century, towers arose and brought an influx of globalized institutions which ultimately re branded the site. It became the capitalist complex that can be seen today, the public arena that was originally conceptualized has been forced to the south and the centre lacks a dynamic urban arena. Stemming from the post war period, the complex’s infrastructure and planning is highly charged with ideals of post modernism and often, references to antiquity can be seen throughout the site. note: detail of research please refer to Portfolio 2.0

/MASTER PLANNING

0

500

nels that tunnels are highly that tunnels are potenhighly thatpotenare highly potenl due to tial itsdue unique to its tial spatial unique due tospatial its unique spatial ity and quality lighting andcondition. lighting quality and condition. lighting condition. have They a special have a atmospheric special They have atmospheric a special atmospheric quality. quality. quality.

15000m

Activating defunct corridors and tunnels around the central park, by proposing an architectural language that distinguishes with the site. In particular, metallic materials are exploit and thin columns are to replace masonry structural supports in activated areas.

DIVERGENT vs CONVERGENT

400sqm each 400sqm each 400sqm each 293sqm

293sqm 1413.3sqm 1413.3sqm 293sqm

466.4sqm

1232.7sqm 1232.7sqm

433.2sqm

466.4sqm

466.4sqm

1232.7sqm

668.3sqm

6339.5sqm 6339.5sqm

1413.3sqm

668.3sqm

668.3sqm

6339.5sqm 433.2sqm

entrances entrances

433.2sqm

entrances

tunnels highlighted tunnels highlighted in tunnels doted in highlighted doted in dotedtotall area totall of selected area of totall tunnels selected area tunnels of selected tunnels existing axis existing & focal point axis existing & focal point axis & focal point lines willlines remain will itsremain current lines its willcurrent remain its current is approx is 12406.4 approx sqm 12406.4 is approx sqm 12406.4 sqm function -function major site - major access function site -access major site access for officefor people. office people. for office people. while Mahou while tower’s Mahou net tower’s while lettaMahou net lettatower’s net lettable area and blesanitary area andarea ble sanitary area is and area sanitary is area is 17838.8sqm17838.8sqm 17838.8sqm

re establish new re establish focal point new re & establish focal point new & focal point & identify existing identify gridgrid existing & toaccording grid & according to grid existing &grid identify rotate rotate according rotate grid to main entrances. main newentrances. axis main newentrances. axis new axis related angle related related to Torre angle Picasso to angle Torrerelated Picassoangle to Torreangle Picasso related angle related proposed. proposed. proposed.

fill in gaps fill - in complete the gaps fill the in complete the gaps the- complete the loop of formalloop event of formal spacesloop event of formal spaces event level floorlevel slab floor slab & extended &connecting tunnel connecting tunnel connecting to the tunnel to- the level 2 floor slab2 extended & 2extended to the journey journey fieldgenerated of column field generated of column generated service journey towerservice tower field of column service tower

spaces

12

loop of informal loopevent of informal & loop event of infor & exhibition spaces exhibition spaces exhibition

SEQUENCE & MOMENT

Sequence drawing: moving through the site (more drawings in portfolio 2.0)

13

left: Transformed undercroft - Venue space; Right Top: Corridor connecting Service Tower and Tunnel spaces; Right Bottom: Undercroft, approaching the Tower

SITE PLANS 0 10 30

80m

DIVERGENT vs CONVERGENT

/LEVEL 0 SITE PLAN

/LEVEL 1 SITE PLAN

/LEVEL 2 SITE PLAN

THE SERVICE TOWER /CONCEPTUAL SITE PLAN

/SERVICE TOWER DESIGN PROCESS

The design is built upon the Mahou plan. The exhaust is retained and treated as a highlight.

the two disjointed tunnels are now linked by a metallic bridge. The linkage is uplifted as to let circulation through. The openings synchronize the geometry of the landmark - Torre Picasso’s gateway.

DIVERGENT vs CONVERGENT

continuity of the journey here is achieved by extending the architectural element - columns.

It is a way finder.

potential s t o r a g ev e r t i c a l exhaust space transition

a second skin is added for the exhaust.

the starting point of the tunnel is lead by a series of portals. Acting as the metallic arms of the service tower.

the Venue is enclosed by perforated metallic panels. Its opening has similar language with the existing landmark and also the ‘bridge’.

relocate the stair core and centralize it in the habitable space.

intersecting two geometries.

forming a new volume that accommodates services and act as a solar chimney.

the ‘service tower’ cancels out a portion of the ‘storage tower’.

area enlarged in order to provide sufficient storage space and circulation &matching the architectural language of the storage tower with he exhaust.

elevator is allocated in the ‘service tower’.

column grid. ‘service tower’ would be single glazed. the ‘storage tower’ are double layered. inner layer is glass and the outer skin is perforations.

14

MASTER THESIS STUDIO: iLife - MANIFESTATION OF A NEW MODERNISM

/EARTH on the earth terrain, gravity is the orientation the ground is our guidance telling us what is up, down, left and right our perception of architecture is fixated.

Wall is wall …

17

/ZERO GRAVITY Disorientation the wall, the floor, the ceiling are merged architectural section becomes an elevation plan becomes a section a section …

we sit without a seat sleep without a bed wash without flowing water our perception is to be reformed lifestyle is to be reformed architecture is to be reformed …

SITE PLAN & FORM FINDING Collage of genes Architecture of the outer space

5

Earthly architecture Gene extraction

/ARCHITECTURE OF THE OUTER SPACE

2

b

Zero gravity has overthrown our perception of space and distorted our sense of orientation. Earthly architecture’s plan becomes section, section becomes plan. The whole building envelope merged into one terrain that imposes infinite possibilities.

1 3

4

j

g

i

f

This thesis project - iLife, is to challenge and overturn such ‘disorientation’ by utilizing the zero gravity effect. Earthly architecture is the source of genes, for composing a series of apparatus that not only shelters us, guides and assists our movements, but also fosters diverse events and experiences.

m 1.3

i 1.2

1.9

2.4

1.7

1.5

c

2.1

1. Dock-in compartment 2. Grid 3. iLife apparatus 4. Vending pipes 5. PV shell

0.9

a

2.4

m

4.2

7.6

c

c

c

1.9

1.8

k

3.5

1.3

1.0

2.0

e,f

0.9

1.65

3.8

3.3

d

Proposal: iLife

m,l

k International space station (375km)

/RESEARCH note: please refer to Thesis book at https://issuu.com/ritawei

g

1.8

a 3.1

a 1.65

1.9

4.5 0.9

Sputnik-1 (215km)

d

1.5

1.6

1.9

f

iLife

h

j

1.7

2.7

Altitude 375km Orbital inclination 51.6 deg Time 91 minutes Frequency 15 times/day Orbiting speed 27619km/h

1.5

1.8

Thesis Studio: Flirting With Space Lead by Christina Bozsan

1.0

1.9

l

3.7

Zero gravity has overthrown our perception of space and distorted our sense of orientation. Earthly architecture’s plan becomes section, section becomes plan. The whole building envelope merged into one terrain that imposes infinite possibilities.

1.0

1.88

1.0

0.8

5.3

2.1

1.75

3.2

2.55

m e

1.2

Earth radius 6378km

h

b

1.95

This thesis project - iLife, is to challenge and overturn such ‘disorientation’ by utilizing the zero gravity effect. Earthly architecture is the source of genes, for composing a series of apparatus that not only shelters us, guides and assists our movements, but also fosters diverse events and experiences.

2.1

Program used: Rhino, Illustrator, Photoshop, AutoCAD

1.5

/iLife

(siteplan @ 1:1000 & assemblage)

/FORMATION

(anatomy and reinterpretation @ 1:100, dimension unit: meter)

18

e

Lf

i i

S H E L L . . . . .

G R O O V E . . . . .

. . . . .

S K E L E T O N

Categorizing form... /GROOVE Groove , as the fold of the building skin, function as a way finding device. The undulating surface becomes the ‘handrail’ element that assists movements.

Best suited for mixed used, dynamic, public space.

A complex surface geometry fosters diverse events and interaction with the human body. /SHELL Shell is an enclosure. It forms static, intimate or private spaces that accommodate the human body.

Its scale determines its programs - whether it is for private or communal usage.

ABPL90169 Design Thesis Flirting With Space Studio Lead by Christina Bozsan Qiuxu (Rita) Wei 335181

19

/SKELETON Skeleton magnifies possibilities. It defines a territory and maintains a sense of openese.

It is best seen as a space for gathering. The replication of elements creates the ‘Groove’ effect which enables vibrant activities and movements.

FORM EVALUATION (5 CONFIGURATION)

20

FORM EVALUATION

67

87

21

73

70

66

72

75

74

91

79

78

89

90

81

82

69

71

84

68

77

88

76

83

80

85

86

MOMENT DRAWINGS

/A GLIMPSE OF THE ARTIST’S OFFICE

/THE INTIMACY, BATHHOUSE

/OUTER SPACE Zero gravity fosters infinity Infinite experience infinite possibilities architecture of the outer space is the ground is a pathway that directs our movements is an apparatus experience is liberated ...

/THE SPACE RESIDENCE

/A MOMENT IN THE LIBRARY

22

SNAPSHOTS OF PROJECTS FROM WORK

Development Summary: Total Site Area: 1164.2m² Shared Common Driveway:

249.5m²

Total Site Coverage: 552.6m² (47.5%) Total Permeable Area : 362.1m² (31.1%)

Unit 1: Site Area: Site Coverage: Lower Ground: Ground Floor: First Floor: POS: SPOS: No. of Bed: No. of Car Space: Storage:

269.5m² 149.9m² 85.2m² 80.9m² 85m² 55.8m² 39.4m² 3 2

Unit 2: Site Area: Site Coverage: Lower Ground: Ground Floor: First Floor: POS: SPOS: No. of Bed: No. of Car Space: Storage:

200.25m² 123.9m² 90.8m² 76.1m² 93.7m² 37m² 25.9m² 3

Unit 3: Site Area: Site Coverage: Lower Ground: Ground Floor: First Floor: POS: SPOS: No. of Bed: No. of Car Space: Storage: Unit 4: Site Area: Site Coverage: Lower Ground: Ground Floor: First Floor: POS: SPOS: No. of Bed: No. of Car Space: Storage:

245.8m² 151.9m² 45.3m² 147.5m² 58.9m² 75.5m² 56.2m² 3

173m² 98.5m² 51.6m² 79.8m² 59.6m² 75.6m² 49.4m² 3

formal living

floorboard

6.1 x 5.0

formal dining dining

floorboard

5.2 x 4.0

paving

g enin scre high dary 2.4m boun osed front prop 900mm t offse

floorboard

kitchen

4.3 x 4.6

butler's kit floorboard floorboard

floorboard FFL=AHD:68.40

alfresco

FFL=AHD:67.68

timber decking

atrium

4 steps up

floorboard

FFL=AHD:67.68

entry

FFL=AHD:68.40

UP to 1st FL

floorboard

porch

1 step up

2 steps up

paving

1 step up

yard

DN to basement

floorboard

master bedroom 1

wc tile

floorboard

4.2 x 5.0

living

5.2 x 6.8

ens

paving

tile

l'dry floorboard

1.2m high pool fence

wir

paving

FFL=AHD:68.40

balcony

pool

proposed 2.4m high screening offset 900mm front boundary

paving

new crossover proposed in accordance with relevant authorities requirement.

LOWER GROUND FLOOR PLAN SCALE 1:100 @ A1

GROUND FLOOR PLAN SCALE 1:100 @ A1

Amendments

No.

Date

Project

Notes

Description

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS

JESSE ANT ARCHITECTS

4 MILLER CRESCENT, MOUNT WAVERLEY

Date Drawn Project No.

Title

ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS

LOWER GROUND FLOOR PLAN

LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

Amendments

712/8 Marmion Place Docklands Victoria Australia 3008 31-03-2014 Scale AL/JW Checked

Drawing No.

1:100

JW

AL

Date

Description

Amendment

TP06

13040

No.

Notes

Project

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING.



DO NOT SCALE FROM DRAWINGS

-

JESSE ANT ARCHITECTS 712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

Title

ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS

GROUND FLOOR

LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

1:100 15-06-2014 Scale AL/JW Checked

Drawing No. JW

AL

Amendment

A101

13025

LEGEND:

SUBJECT SITE

A-A

B-B

Existing trees to be removed (shown in red)

C-C A-A

4 MILLER CR SINGLE STOREY DEWLLING FACED BRICK TILE ROOF

B-B

C-C

Existing trees to be retained (shown in black)

Existing structures to be removed (shown in red)

EXISTING STREESCAPE SCALE 1:200 @ A1

01

NORTH ELEVATION

01

SCALE 1:100 @ A1

NORTH ELEVATION (FRONT FENCE ELEVATION) SCALE 1:100 @ A1

SUBJECT SITE 4 MILLER CR PROPOSED 3 STOREY DWELLING

SITE ANALYSIS

D-D

PROPOSED STREESCAPE

SCALE 1:300 @ A1

SCALE 1:200 @ A1

01 Amendments

No.

E-E

Date

Description

Notes ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

Project

4 MILLER CRESCENT, MOUNT WAVERLEY

JESSE ANT ARCHITECTS

SITE ANALYSIS

Amendments

No.

Date

Description

712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

Title

31-03-2014 Scale AL/JW Checked

Drawing No.

1:300

JW

AL

TP02

13040

Project

Notes ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS

Amendment

ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS

-

LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

4 MILLER CRESCENT, MOUNT WAVERLEY Title

STREETSCAPE

EAST ELEVATION

DEMOLITION PLAN

SCALE 1:100 @ A1

SCALE 1:100 @ A1

JESSE ANT ARCHITECTS 712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

31-03-2014 Scale AL/JW Checked

Drawing No.

1:200

JW

AL

Amendment

TP05

13040

Amendments

No.

Description

Date

-

Notes

Project

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING.



DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

JESSE ANT ARCHITECTS

Amendments

No.

Date

Description

712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

Title

ELEVATIONS

1:100 15-06-2014 Scale AL/JW Checked

Drawing No. JW

AL

Notes

Project

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING.



DO NOT SCALE FROM DRAWINGS

Amendment

ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS

A300

13025

LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

PROPOSAL FOR 4 TRIPLE STOREY TOWNHOUSES AT 4 MILLER CRESCENT, MOUNT WAVERLEY

JESSE ANT ARCHITECTS 712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

Title

DEMOLITION PLAN

1:100 15-06-2014 Scale AL/JW Checked

Drawing No. JW

AL

Amendment

A002

13025



TOWN PLANNING DRAWING LIST: TP00 - PERSPECTIVES

TP08 - FIRST FLOOR PLAN

TP01 - SITE LOCATION PLAN

TP09 - ROOF PLAN

TP02 - NEIGHBORHOOD CHARACTER & SITE ANALYSIS

TP10 - ELEVATIONS

TP03 - DESIGN RESPONSE

TP11 - ELEVATIONS

TP04 - DEMOLITION PLAN

TP12 - SECTIONS

D-D

TP05 - EXISTING & PROPOSED STREETSCAPES

TP13 - SECTIONS

TP06 - LOWER GROUND FLOOR PLAN & AREA SCHEDULE

TP14 - SHADOW DIAGRAMS

TP07 - GROUND FLOOR PLAN

TP15 - SHADOW DIAGRAMS

ens

bed 3

E-E

bath

bed 4

01

PERSPECTIVE 1

formal living

formal dining

butler's kit

kitchen

dining

KITCHEN SCALE 1:50 @ A1

alfresco

LIME AVENUE

01

A-A

SECTION CC SCALE 1:100 @ A1

B-B

A-A

C-C

B-B

C-C

01

PERSPECTIVE 2

KITCHEN SCALE 1:50 @ A1

PERSPECTIVE 4

02 ens

ens

bed 6

bed 3

atrium

retreat

living

formal dining

KITCHEN SCALE 1:50 @ A1

bed 4

kitchen

cellar

PERSPECTIVE 5

PERSPECTIVE 3 Amendments

No.

Date

Description

Notes ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

Project

4 MILLER CRESCENT, MOUNT WAVERLEY Title

PERSPECTIVES

SHADOW DIAGRAM @9AM

SHADOW DIAGRAM @10AM

SHADOW DIAGRAM @12PM

SCALE 1:200 @ A1

SCALE 1:200 @ A1

SCALE 1:200 @ A1

01

SECTION DD

01

SCALE 1:100 @ A1

Date Drawn Project No.

31-03-2014 Scale AL/JW Checked

Amendments

Drawing No. JW

AL

13040

Amendment

TP00

-

No.

Date

Description

Notes ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

Project

4 MILLER CRESCENT, MOUNT WAVERLEY Title

SHADOW DIAGRAM

SCALE 1:100 @ A1

KITCHEN

02

SCALE 1:50 @ A1

KITCHEN SCALE 1:50 @ A1

JESSE ANT ARCHITECTS 712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

31-03-2014 Scale AL/JW Checked

Drawing No.

1:200

JW

AL

13040

Amendment

TP14

-

Amendments

No.

Date

Description

Notes

Project

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING.



DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

TOWN PLANNING

SECTION EE

01

JESSE ANT ARCHITECTS 712/8 Marmion Place Docklands Victoria Australia 3008

Title

SECTIONS

JESSE ANT ARCHITECTS

Amendments

712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

1:100 15-06-2014 Scale AL/JW Checked

Drawing No. JW

AL

13025

Amendment

A303

No.

Date

Description

Notes

Project

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING.



DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

Title

INTERNAL ELEVATION 1

JESSE ANT ARCHITECTS 712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

15-06-2014 Scale AL/JW Checked

Drawing No.

1:50

JW

AL

13025

Amendment

A500

DOCUMENTATION - HOUSE

24

SNAPSHOTS OF PROJECTS FROM WORK

Energy Rating requirements 103 terrace

104 terrace

105 terrace

105 privacy screen

Draught Control methods C-C

B-B

W44

103 terrace

W45

103 bed1

103 ens

W46

103 bed2

W48

104 bed1

W49

104 terrace

W50

104 bed2

W51

105 bed

-

W54

W52

105 terrace

106 bed1

106 bed2

‘

 

103

103 ens

104

104 bed2

105

105 wc

106 bed2

’

ALL Windows/glazed doors

103 living&kit

103 study

104 wc

104 kit&dining

104 ens

105 wc

105 kit&dining

corridor

wall adjoining 102&103

106

corridor

106

M2 SINGLE SPLIT LEVEL BRICK HOUSE ADDITION TILE ROOF

NO.998 TILE ROOF SINGLE STOREY BRICK HOUSE

A

B

C

D

‘

E

186°55' 45.72

M3

M11

M4

M3

LIVING

ENS

M2

M5

M5

M12

105 terrace

106 bed1

W55

104 bed2

106 ens 105

105 study 104 ens

107 ens

107

G08 BAL

M3

F

UP

DN

2

BED1

8 7

LIVING

6

3

5

BED2

6

3

7

2

8

1

void

4

5

VOID

107 terrace

4

LIVING

BED1

BED1

106 kit

105 wc corridor

DP

KITCHEN

BED2

101 WC

fire stair

ENS

LIFT

KITCHEN & DINING

DP

G02 BAL

3

WC

DINING

KITCHEN

102

BED2

4

M3

4

ENS

natural ground line at boundary

107 107 terrace privacy screen

F

WC

F

3 lift

M9

corridor

F

LIVING

fire stair landing

101 bed2

106

service

DINING

DINING

fire stair landing

101 bed1

M12

M3

W56

STUDY

KITCHEN

corridor

WC

F

97°00' 25m

corridor

corridor 101 wc 101 ens

vent

W40

corridor

W39

102 kit W38

102 terrace

102

101

102 bed2 W37

M6

W57

WC

KITCHEN & DINING

ENS

107 wc

KITCHEN

107

WC

107 bed2

STUDY

1

102 bed1

102 ens

M4

106 wc

2 105

STUDY

KITCHEN

277°00' 25m

104

104

104 study W41

103

104 wc

103 kit

ENS

STUDY

103

DINING

101 terrace

Draught Control methods

M5

106 terrace

BED2

105 bed

BED

ENS

DINING

LIVING

G03 BAL

106 bed2

BED1

104

2

DP

Energy Rating requirements

BALCONY WITH SCREENING

M8

107 bed1

BED2

BED2

102 wc

RL. 57.130

M11

106

BED1

WC

LIVING

 

M5

TILE ROOF

107 terrace

104 terrace

104 terrace

103 wc

W43

103 bed1

104 bed1

103 terrace

BED1

LIVING

A-A

M9

’

NO.1 SINGLE STOREY

1 W'BOARD HOUSE DP

 

 

SCALE 1:100 @ A1

’

F

1

EAST ELEVATION

‘

existing 1.5m paling fence

natural ground line at bulding

natural ground line at boundary

proposed ground line

natural ground line at building

-

-

‘

-

’

A

-



B

C

6°55' 45.72

D

E

NORTH ELEVATION

F

ALL Windows/glazed doors

HILLSIDE PARADE



WEST ELEVATION

SCALE 1:100 @ A1 102 terrace

 

 

 

‘

‘

’

102

101 kit

101 wc

101 ens

vent

corridor

service

service

107 dining

107 l'dry

107 wc

SCALE 1:100 @ A1

106 living

’ 102 terrace

102 living

102 bed2

SOUTH ELEVATION

MATERIAL SCHEDULE

102 l'dry

102 ens

W36

102 wc

102 bed1

101

101 living

W35

W34

101 bed2

lift

101 bed1

W33

101 bed2

W32

corridor

107 ens

void

fire stair

W31

107

107 bed1

107 bed2

W63

W62

W61

106 terrace

107 terrace

W60

W59

W58

1700mm lovers to restrict overlooking (angle of inclination of lovers to be determined on site)

SCALE 1:100 @ A1

ISSUE FOR CONSTRUCTION 04.01.2015 Amendments

No.

Date

Project

Notes

Description

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING.

JESSE ANT ARCHITECTS

994 TOORAK ROAD CAMBERWELL

DO NOT SCALE FROM DRAWINGS

Drawing No.

1:100 26-07-2014 Scale AL/JW Checked

Date Drawn Project No.

EAST & SOUTH ELEVATION

LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

101 terrace

FIRST FLOOR PLAN

JW

AL

No.

Date

106 terrace

ISSUE FOR CONSTRUCTION 04.01.2015 Project

Notes

Description

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS

Amendment

A301

13040

107 terrace

SCALE 1:100 @ A1

Amendments

712/8 Marmion Place Docklands Victoria Australia 3008

Title

ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS

M5

M3

M11

M1

M2

M11

M3

M2

M12

M1

M5

M6

712/8 Marmion Place Docklands Victoria Australia 3008 1:100 26-07-2014 Scale AL/JW Checked

Date Drawn Project No.

FIRST FLOOR PLAN

LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

M5

JESSE ANT ARCHITECTS

994 TOORAK ROAD CAMBERWELL Title

ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS

-

Drawing No. JW

AL

Amendment

A103

13040

C

Energy Rating requirements

Draught Control methods -

M3 ‘

-

M3

’

ALL Windows/glazed doors 202

203

206

CORRIDOR

205 WC

103

BED 2

CORRIDOR

G03

106

CORRIDOR

G08

‘

‘

’

’

RL. 49.680 +

BED

RL. 49.098 +

GBB5

existing 1.8m brick fence

   C1

C1

C1

C1

existing natural ground line at boundary proposed ground line

SECTION A-A

SOUTH ELEVATION

SCALE 1:100 @ A1

SCALE 1:100 @ A1

ROOF: WALLS:

SCALE 1:50 @ A1

204 LIVING

  RL. 53.650

CORRIDOR

LIFT CORE

AIR VENT

CORRIDOR

Energy Rating requirements



104 KITCHEN

AWNING:

Draught Control methods -

CORRIDOR

WC

G05 STUDY

‘

-

BED

(5) SELECT CEMENT RENDER SMOOTH FINISH, inc. INTEGRAL COLOUR, DULUX COLOUR SPECIFIER, “DEEP GARNET” OR SIMILAR (6) FRAMELESS CLEAR GLASS DOWNPIPES: (7) SELECT SHEET STEEL, COLORBOND “WOODLAND GREY” OR SIMILAR GUTTERS/FASCIAS: (7) SELECT SHEET STEEL, COLORBOND “WOODLAND GREY” WINDOWS: (8) ALUMINIUM FRAME .SELECT COLOURBOND COLOUR, “WOODLAND GREY” GARAGE DOORS: (9) SELECT SHEET STEEL, COLORBOND FINISH “SURFMIST” DRIVEWAY: (10) EXPOSED AGGREGATE; (11) clear glass (12) fixed obscure glazing to 1700mm height

ALL Windows/glazed doors

CAR PARK

‘

‘

’

’

SECTION B-B

Notes

SCALE 1:100 @ A1

No.

Date

Project

Notes

Description

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

JESSE ANT ARCHITECTS

994 TOORAK ROAD CAMBERWELL

Date Drawn Project No.

SECTION A-A & B-B

1:100 26-07-2014 Scale AL/JW Checked

Drawing No. JW

AL

13040

No.

Date

Project

Notes

Description

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING.

Amendment

A400

SCALE 1:5 @ A1

SCALE 1:20 @ A1

Amendments

712/8 Marmion Place Docklands Victoria Australia 3008

Title

ENTRANCE STAIR DETAIL

PERFORATED SCREEN & PFC FRAME DETAIL

ISSUE FOR CONSTRUCTION 04.01.2015 Amendments

(1) SHEET STEEL ROOFING, COLORBOND, “MANOR RED” OR SIMILAR FINISH (2) FACE BRICKWORK, BORAL, “BLUE RIO” OR SIMILAR (3) SELECT CEMENT RENDER, SMOOTH FINISH, INCL. INTEGRAL COLOUR, DULUX COLOUR SPECIFIER “NATURAL WHITE” OR SIMILAR (4) SELECT ALUCOBOND FEATURE CLADDING “SMOKE SILVER” OR SIMILAR (5) SELECT CEMENT RENDER SMOOTH FINISH, inc. INTEGRAL COLOUR, DULUX COLOUR SPECIFIER. “DEEPGARNET” OR SIMILAR

BALUSTRADE:

’

DISABLE LIFT

SCALE 1:100 @ A1

Materials and Finishes Schedule

ENTRANCE STAIR DETAIL CORRIDOR

natural ground line at boundary

existing 1.9m paling fence

EAST ELEVATION

DO NOT SCALE FROM DRAWINGS

-

ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

ISSUE FOR CONSTRUCTION 04.01.2015

JESSE ANT ARCHITECTS

994 TOORAK ROAD CAMBERWELL

712/8 Marmion Place Docklands Victoria Australia 3008 26-07-2014 Scale AL/JW Checked

Date Drawn Project No.

Title

DETAILS

Drawing No.

1:100 & 1:50

JW

AL

13040

Amendment

A603

ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

Jesse Ant Architects

(1)

Suite 801, Level 8, 492 St Kilda Road, Melbourne VIC 3004 Ph: (03) 9820 5211 Email: info@jesseantarchitects.com.au; www.jesseantarchitects.com.au ABN: 97 704 554 379

(2)

(3)

(4)

(5)

(10)

Project

Drawing Number

Project Number

A400

15029

85 Thames Street, Box Hill Drawing

Date

ELEVATIONS

Drawn

02-12-2015

1:100

Scale Checked

Amendment

AL /JW

-

Energy Rating requirements tactile indicator as per AS 1428.4 2002

tactile indicator as per AS 1428.4 2002

tactile indicator as per AS 1428.4 2002

tactile indicator as per AS 1428.4 2002

SET OUT POINT

Draught Control methods

DN

-

DN

’

Unit 6

Garage L'dry tile

Pwd tile

Pwd tile

L'dry

L'dry

tile

tile

Pwd tile

Pwd tile

L'dry

Pwd tile

Unit 7 floorboard

concrete

tile

Ens tile

STAIRS

STAIRS

STAIRS

STAIRS

180 SET DOWN

STAIRS

Porch

ALL Windows/glazed doors balustrade as per manufacture specification

Unit 5

concrete

Unit 1

-

balustrade as per manufacture specification

SET OUT POINT

Unit 4

Unit 3 Garage

‘

-

180 SET DOWN

180 SET DOWN

STAIRS

180 SET DOWN

180 SET DOWN

180 SET DOWN

Unit 8

balustrade as per manufacture specification

balustrade as per manufacture specification

STAIRS

WC tile

Garage

Garage

Garage

concrete

concrete

concrete

Unit 2

‘

’

Ens tile

STAIRS 180 SET DOWN

Porch

‘

180 SET DOWN

’

Garage concrete

SET OUT POINT

BASEMENT

GROUND FLOOR

FIRST FLOOR

SECOND FLOOR

SCALE 1:50 @ A1

SCALE 1:50 @ A1

SCALE 1:50 @ A1

SCALE 1:50 @ A1 UNIT 1

UNIT 2

UNIT 3

UNIT 4

UNIT 5

UNIT 6

UNIT 7

SETOUT PLAN SCALE 1:100 @ A1

Notes ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

LIFT CORE

E T

STAIR CORE SECTION1

STAIR CORE SECTION2

SCALE 1:50 @ A1

Amendments

No.

SCALE 1:50 @ A1

Date

Description

Notes ANY ERRORS, DISCREPANCIES OR OMMISSIONS IN THE DRAWINGS, NOTATIONS OR DIMENSIONS SHALL BE IMMEDIATELY BROUGHT TO THE ATTENTION OF THE ARCHITECT FOR CLARIFICATION PRIOR TO WORKS COMMENCING. DO NOT SCALE FROM DRAWINGS ARCHITECTURAL DRAWINGS TO BE READ IN CONJUNCTION WITH SPECIFICATIONS, MECHANICAL, ELECTRICAL, HYDRAULIC, LANDSCAPE ARCHITECTURAL DRAWINGS LOCATION OF ALL HARDWARE, FIXTURES AND FITTINGS TO BE CONFIRMED WITH ARCHITECT PRIOR TO WORKS COMMENCING.

Project

994 TOORAK ROAD CAMBERWELL Title

DETAILS

DOCUMENTATION - LOW RISE APARTMENT

25

STAIR DETAIL SCALE 1:5 @ A1

ISSUE FOR CONSTRUCTION 04.01.2015

JESSE ANT ARCHITECTS 712/8 Marmion Place Docklands Victoria Australia 3008 Date Drawn Project No.

26-07-2014 Scale AL/JW Checked

Drawing No.

1:100 & 1:50

JW

AL

13040

Amendment

A600

-

BUILT PROJECT

Jesse Ant Architects

Suite 801, Level 8, 492 St Kilda Road, Melbourne VIC 3004 Ph: (03) 9820 5211 Email: info@jesseantarchitects.com.au; www.jesseantarchitects.com.au ABN: 97 704 554 379

Project

85 Thames Street, Box Hill

Project Number

Drawing Number

A100

15029

Drawing

Date

SETOUT PLAN

Drawn

02-12-2015

Scale Checked

1:100 AL /JW

Amendment

to make x to draw x to explore BACHELOR OF ARCHITECTURE PORTFOLIO

by Rita Wei