Architecture Portfolio

Page 1

Name Hao Rui University Politecnico di Milano Zhejiang Sci-Tech University

Year 2022-2017

APPLY FOR INTERSHIP

HAO RUI

City: Milan, Italy Birth: Taiyuan, China Phone: +39-3452120652 Email: archirui.formyf@gmail.com

EDUCATION EXPERIENCE

Politecnico di Milano, Italy, Architecture-Built Environment Interiors 09/202027.3 / 30 24.7 / 30

Zhejiang Sci-Tech University, China, School of Architecture Bachelor’s Degree in Engineering 09/2014-06/2019

Beijing, China

Pills Architects Shanghai, China

The competiton of Shenzhen Institute of Design and Innovation. I participated in the first phase of the competition, including site research and the proposal of the programme.

“1994” narrative installation at OCAT Shanghai. In this project, I was responsible for the modeling, from the concept sketch to the final generation of the installation, including the selection of materials and the details of the constructions. I was also responsible for the physical model and the construction drawings for docking with the construction team.

Gastropod Studio

2017-2018

2020 2020 I participated in the study of the cultural space of Quanzhou ancient city in China, and investigated the buildings or places that carried various traditional cultural activities. The study involved two aspects: one was the environment in which the case was located, and the other was the space of the case itself. I did research, organized information, mastered drawings and layout.

2017 I participated in the reconstruction project of Quanzhou Pedestrian Street in China, researched the types of paving bricks, and divided the belongings of streets and shops. I worked on the main drawing and layout work.

2016-2017

I participated in the research of the urban villege of Shenzhen city in Gastropod Studio. Based on the two types of information: map mechanism and street real scene, the paper summarized the simplified modules of different influencing factors, integrated the information into game software, and tried to build the logical relationship between modules, and understood the overall impact of this. I was responsible for collating information logic and scene drawing.

WORKSHOP

Nantes, France

Cortona, Italy

2021

HORNORS | AWARDS

2022 CortonaOPen3d is a SmartCityDesign workshop in a Cultural Heritage context that will take place in the exceptional city of Cortona (Arezzo, Tuscany, Italy). During the workshop, I developed in groups an artistic installation inserted in the context of the city of Cortona.

The paper published in Building Engineering Technology and Design, Issue 169 "Analysis of the rationalization design of the public space outside the village in the citytaking the Santai Community as an example"

The Third Prize in 2016-2017 "Challenge Cup" College Students Extracurricular Academic Science and Technology Works Competition "Feasibility Study of Color Planning in Environmental Construction of Small Towns——Based on the Investigation of Color Landscape of Shimen Town in Jiaxing Ancient Canal Section"

The paper published in Building Engineering Technology and Design, Issue 169 “Understanding and Thinking of the Course Chinese Architecture History

The current building of the Centre Hospitalier Universitaire (CHU) of Nantes and its neighborhood will be the case study of this workshop. The CHU Nantes will move to a new site in 2026 and its current site is from now on part of a large-scale participative debate on the renewal of the city center. We had an experiential walk with the app City sense, walked with own made music, and we also experienced the blind walk focus on other sensory elements in group. We developed some radical collages to express the feelings about the hospital's surroundings. 05/2018 04/2017 10/2016 06/2016

The Second Prize in 2016 Structural Design Competition in Zhejiang Sci-Tech University

SKILLS

Adobe Photoshop Adobe Illustration Adobe InDesign Grasshopper Rhino V-ray Keyshot AutoCAD Microsoft Office Suite Autodesk Revit Sketch up Blender
CONTENTS 18 36 2 1 2 3 [Emerging by Digging] -From Invisible To Visible [En-Ternity] -Milan Welcome City [Gratocosmos] -Colliding Communities
48
[Housing Complex] -Flexible, opening and natural
4

-Discover the fun of slow space in Quanzhou 66

-Return to daily life 6

[Commercial Street Design] [Other Works]

78 90 5

7

[Reassembling Ancient City]

EMERGING BY DIGGING

——————————— From Invisible To Visible

Group work Type : Academic, 2022

Professor : Annalisa de Curtis, Monica Manfredi

Teaching Team: Matteo Isacco, Giuditta Nacamulli, Federica Lentati, Luca Vivanti

Teamates: Rui Hao, Petra Masini, Carola Greta Mazzocchi, Martina Porta, Bowei Li

Location : Milan, Italy

2
01
3

The title of our project is “A pier between the Castle and the City”, because when we went to the site and also studied its conformation from the drawings, we noticed that the castle is like an island detached from the dynamic and dense city, it has its own time and its own rules, and the vegetation that surrounds it acts as a “cushion zone” that muffles the noise of the city and slows down its speed. Our intervention is not intended to reconnect these two distinct worlds, nor to change the characteristics of either, but to be a pier for the island, reinforcing its identity. Our ideal pier is the Santo Spirito Ravelin, which is excellent for its position as a gateway to the “cushion zone”, but it is also a particularly fragile point worth working on because it is currently exclu ded from both the city and the castle due to its marginality, almost as if it is an island within another island.

4 Overview

Foundamentals and Foundations

• Fundamentals | scale 1:4000

• Foundations | scale 1:4000

In the fundamentals we have col lected all the existing features of the castle system that helped us during the design process. The Ghir landa is highlighted as an important underground experience, a point of historical interest which is by its conformation particularly isolated and hidden from the castle system.

In the foundations we can see how the references traced by the castle are concentrated in the visual point of arrival of via Marco Minghetti (the road coming from Cadorna station), trying to include in that point, as said before, also the memory of the destroyed building that once stood protecting the entrance using their footprints.

5

Urban Interpretation

• Urban interpretation | 1:8000

and

• Figure | scale 1:1200

• Action groundfloor | scale 1:1200

6
Figure
Action ISLAND vs CITY DIG UNDERGROUND THRESHOLD MEMORY HISTORICAL TRACES UNEARTH KALEIDOSCOPE

THE VIEW

THE VANTAGE POINT FROM THE RAVELIN TOWARDS THE TOWER IS ONE OF THE MOST INTERESTING ELEMENTS THAT WE DECIDED TO HIGHLIGHT IN OUR PROJECT.

The alignments have created three defined shapes that make up the volume of the building. In red you can see the linear elements, and in blue the actual fielded forms.

• Action underground floor | scale 1:1200 7
8
Plan, Elevation and Section • Groundfloor plan | scale 1:700 • Elevation of the project | scale 1:700
9 • Longitudinal section #1 of the project | scale 1:700
10 • Second underground floor | scale 1:700 • Groundfloor plan | scale 1:700 Ground floor plan and Second ground floor plan
11

Sections and Plan

Looking at the sections, the new exhibition spaces are designed as a vaulted walkway to recall the continuity with the Ghirlanda and receive light from the ceiling. It is a one-way path on several levels that culminates in the circularspa ce and connects to the entrance hall. The central portion of the building, always looking at the sections, remains a low-flow space and surrounded on all sides by the main circulation areas. This makes it the ideal location for secondary functions such as services and emergency stairs.

The underground building looks like this from the outside, in plan it appears quite camouflaged due to the presence of greenery on almost all of its surface, it can be seen that also from the sections it remains very low so as to respect and not hide the facades of the castle and the Ravelin.

• Plan of demolished and construction | scale 1:1500
• Transversal section of the project | scale 1:1000
12
• Longitudinal section of the project #2 | scale 1:1000

Exploded Axonometry

GFA (Gross Floor Area) 1060 m2 Workshop 59.60 m2 Services 27.60 m2 Hall 97.70 m2

Ticket office / Infopoint 20.50 m2 Codex 9.70 m2 Conference room 71.25 m2

Temporary Exhibition

Permanent Exhibition 451.15 m2

• Exploded axonometry

Roof Underground Floor

13

Expositions, Renderings and Sections

EXPOSITION 1: THE WALLS

The organic shape of the walls promotes the observation of explanatory texts and other informations thanks to the given inclination.

EXPOSITION 2: THE NICHES

14
• View | The smaller niches • View | The bigger niche • View | The walls from East to West • View | The walls from West to East • Sections of the diagonal from West to East | scale 1:250
The exhibition path that winds through the organic design of the walls is interspersed with niches that provide the display of threedimensional objects aimed at telling the story of Leonardo’s life and works.

EXPOSITION 3: THE CIRCLE

If on one hand we find the codex, on the other, as an opposite pole we find the round shrine that explains its content.

EXPOSITION 4: THE CODEX

DEFENCE

Protected like a treasure by perimeter walls accompanied by ramparts CENTRALITY

Located in the focal point of the diagonal, the focal point MEMORY Positioned at the meeting point between the new building and the historic pre-existence SACREDNESS

Heralded by a widening of the walls and illuminated by upper glazing reminiscent of a church apsis

As the project itself the codex can also be observed from multiple points of view. It’s hidden behind walls as well as in plain sight as background of the stage. • View |

15
The
Codex exhibition from the theatre
• Sketch | The
Codex exhibition from East
to
West
• View | The circular exhibition interior • View | circular exhibition entrance from the diagonal path

Physical Model

Material:

Cellulose warm white and matte cardboard 1mm, 2mm —— base, buildings, project

Corrugated cardboard 30mm —— base

Textured paper —— castle roof

Coarse paper —— printed faces

16
17

EN-TERNITY

——————————— Milan Welcome City

Group work

Type : Academic, 2021

Professor : Ingrid Paoletti, Elena Mola

Teaching Team: Giorgio Castellano, Edoardo Copelli, Giulia Grassi, Tommaso Pagnacco, Michele Tonizzo

Teamates: Rui Hao, Han Gao, Xiancong Huang, Yireng Luo

Location : Milan, Italy

18
02
19

The pavilion is located in area Trotto, right next to San Siro Stadium. It is chariterized by two bounda ries of stables. The task is to design a pavilion as an information point. Our concept started from the entrances in Milan, which typically used terrazzo as paving material combined with greeneries. We deconstructed the main elements of the entran ces and reconstructed them in our own language. Firstly, we wanted to play between the contrast of geometry and organic shape, geometry represen ts terrazzo while organic represents greenery. We have the geometry as our skeleton in 3D modeling process and the “skin” growing on the “skeleton”.

To realize this concept, we choose to use fibre reinforced polymer, namely CFRP for the loading bearing structure and GFRP for creating the “surface” for each load bearing element. It will go through a coreless robotic filament winding process, each element is generated in grasshopper with a certian argorithm. Furthermore, we use colo red ETFE for the system to prevent the pavilion from rain and snow, as well as to emphasis the geometry form. Our reference is Buga Fibre Pavilion and we want to push the boundary of long span coreless wound structure and the potential of carben fibre as construction material.

20
Overview

Site Analysis

21
Entrance Deconstruction Pattern Skeleton+Evnelope Reproduction Concept Functional Diagram Accessibility Diagram

Planivolumetric View 1:500

Stage/Club: 403.18m2

Circulation Area/ Public Seating Area: 962.92 m2 Book Store: 222.9 m2 Ticket Office:160.18 m2

30M

22
23 Concept Diagram Exsisting Massing Area Volume Entrances Circulation Level Differences Form Exploration Set Boundries Furnitures and Greenery
Birdeye View
A
24
B
Section A-A' Section B-B' Roof Plan 1:200
10M B' A' 25

1. Ticket Office:160.18 m2

2.Circulation Area/ Public Se ating Area: 962.92 m2

3. Stage/Club: 403.18m2

4. Book Store: 222.9 m2

5. Cafeteria: 239.9 m2

Furniture

10M 26 Interior Plan
1:200
Prototype Component with Chair Component in dia logue with furniture Component and Chair Creates Space Vegetation and Com ponent Creates Space Greenery as Partition Vegetation in Dialo gue with Component Component as Furniture Vegetation with Ground Movement

Exploded View

ETFE

Emphasis geometry shape and inner funtions

Carbon Fibre and Glass Fibre Organic Geometry

Model Base Skeleton of the whole System

Site Use Color to Mark Functions

Public Seating Area Stage

Ticket Office Book Store

Primary Circulation Secondary Circulation

27
28 Section

Building Material

TORAYCA® carbon fiber M35J

E-Glass Fibre

Epoxy Resin

Young's Modulus: 343 [GPa]

Tensile Strength: 4700 [MPa] Density: 1.75[g/cm3]

Young's Modulus: 72.3 [Gpa]

Tensile Strength: 3445 [MPa] Density: 2.58 [g/cm3]

LOAD-BEARING MATERIAL

Young's Modulus: 35.9 [GPa] Tensile Strength: 33.7 [MPa] Density: 1.1 [g/cm3]

Steel S355J2 Type 4A – Waterproof ETFE

Foil/Film

Tensile Strength: 470 - 630 [Mpa] Density: 7.85 [g/cm3]

Yield Strength: 295 - 345 [Mpa] Young's Modulus: 190 - 210 Gpa

Weight: 0.5 kg/m2

CONNECTIONS ENCLOSURE

Production Process

Winding - Glass Fibre

Soaking in Epoxy Resin 130 C

CFRP

Fibre Composite

Carbon Fibre Roving and Glass Fibre Roving With Epoxy Resin

Young's Modulus: 202 [GPa] Tensile Strength: 2690 [MPa] Compressive Strength: 1400 [MPa]

Winding - Carbon Fibre

Component Formation Process

Polyester and Continuous Rovings Laminate 70% E-glass

Young's Modulus: 72 [GPa]

Tensile Strength: 800 [MPa]

Compressive Strength: 350 [MPa]

29
Structural Frame Glass Fibre Lattice Carbon Fibre Reinforcement Carbon Fibre Corner Reinforcement

Construction System

Beam-Column Structure Made of Fibre Composite Lattice Tube with Mechanically Prestresses ETFE Membrane

Physical Model

Force Analysis

General structural division: The structure system is divided into different components, re specting the division curve.

Component connection: Force induction from membrane into composi te components.

Force analysis representation of com ponent intersection node test.

Destructive testing prototypes overview: Full component test

P Mz My Nx Nx My Mz Nx Nx P 30
Division Cureve Membrane Cables
Forces From
Structural
Compression
Steel Pole
P=12KN

Linkage Detail of ETFE Membrane Foundation 3D Detail

Detail Section 1:12

31 Technical Details

Load Calculation Table

Fibre Composite

Steel ETFE

Total

Self Weight: 32,553 kg

Vertical Load: 26,955 kg

Gravity:264 KN

Simplified Equivalence Structural Material Property

Glass Fiber

Fiberglass Tube

Young's Modulus: 72 [GPa] Tensile Strength: 800 [MPa] Compressive Strength: 350 [MPa]

Hybrid Composite Structure

Carbon Fiber

Young's Modulus: 139.3 [GPa] Tensile Strength: 565.6 [MPa] Yield Strength: 326.4 [MPa] CFRP

Young's Modulus: 202 [GPa]

Tensile Strength: 2690 [MPa]

Compressive Strength: 1400 [MPa]

32

KARAMBA 3D MODEL ANALYSIS

The darker the color is the stronger displacement.

Displacement

Bending Moment 3D View

Axial Force N - 3D View

The more red the color is, the less utilization it is. The more blue the color is, the more utilization it is.

Utilization

Bending Moment Section

Axial Force N - Section

Shear Force N - 3D View

Shear Force N - Section

33
34
WE ARE ALL LOOKING FOR IDENTITY.
35 WE
ARE MILAN.

GRATOCOSMOS

——————————— Colliding Communities

Group work Type : Academic, 2021 Professor : Francesco Leoni and Paola Briata

Teaching Team: Sara Ghirardini, Paolo Conforti, Beatrice Balducci, Manuel Frediani, Federica Ponticelli

Teamates: Rui Hao, Guanghui Chen, Federica Pradella, Maria Katharina Reibling, Roberto Pasquale Romeo, Dalila Taglianetti Location : Milan, Italy

36
03
37

Overview

KNOWLEDGE: understand the site

“POLARIZATION” between:

Wandering through Gratosoglio, we realize that the neighborhood is made of 2 cores. These entities reject each other, creating con trast. For these reasons we investigated in the between area due to reach a possible answer. Searching for hidden dimension in the space in between we focu sed our attention in the public green area: the Gratobowl and the Eurospin parking lot. The architectural composition of that elemen ts allow the use as kind of scenographies for the people, during different hours of the day.

NEGATIVE

Users Target activities

Golden age Families

Foreigners

Young people

Activities, services, place for meetings Activities, services, school facilities Activities, services, place for meetings Place for meetings and social activism

services open space quiet open space quiet creative laboratoriesschools shops creative laboratories schools common garden drinking, talking

common garden wondering around

NEIGHBORHOOD CORE small shops greenery services (post office, pharmacy, cafes, laundry)

IN BETWEEN AREA

WHITE TOWERS AREA small communities bad interaction lack of services good greenery

38

site HABITS: focus on people + spatiality

THE CORES FOR THE FUTURE

AREA

POSITIVE

NORTH SIDE

Feraboli street

SOUTH SIDE

/ COSMOS, noun

EUROSPIN PARKING

SYNTHESIS: towards the project

THE CORES FOR THE FUTURE

Kandinskij high school “no-name square”

Baroni primary school

a social place a connector an adaptle place

a nature noode a buffer zone

tram station

The cosmos is the Universe. Using the word cosmos rather than the word universe implies viewing the universe as a complex and orderly system or entity; the opposite of chaos

planets

secondary spaces: kiosk, clusters, areas with social funcotions, like yoga, fitness, etc

orbits

rings around the main spaces, defined by different urban elements/materials; the collisions create new in-between spaces main areas of the project, where borns the main social spaces and activities; the central one will be the biggest

suns

39
GRATOBOWL DOG

Planivolumetric

40
• Planivolumetric | scale 1:1000

Ground Movement

Sections 1:1000

Modellation Diagram

1 / terrace system

In two points the ground is lifted up, creating a small hill which hide the core of the project, creating a sensorial path through the area

2 / islands system

The borders of the project are characterized by small “islands” of green, with different type of vegetation, creating varius paths

41

Axonometric View and Plan Core

42
• Plan Core | scale 1:300
43

Second-core Area and Sections of Main Core

Playground

The new Gratosoglio playground is a welcoming space for kids and families, thanks to its strong appeal. Moreover, it’s surrounded by green spaces which define it’s borders, helping controlling kids inside and trees protecting from sunlight.

Materials:

Plan scale 1:200

The new Gratosoglio skatepark is an attractive point for kids and young people, who can play together thanks to the different slopes of the skate elements.

Skatepark Dog area

The new Gratosoglio dog area is a playful area for families’s pets, surrounded by nature and well equipped.

Plan scale 1:200

Plan scale 1:200

44
soft
concrete
gravel harder rubber levocell grass
• Section Core | scale 1:420
rubber Materials:
Materials:
Axonometry Axonometry Axonometry
45
Render Render Render

A WELCOMING PLACE BETWEEN THE WHITE TOWERS

46

A NEW GATHERING POINT FOR DIFFERENT COMMUNITIES

47

HOUSING COMPLEX

——————————— Flexible, opening and natural

Group work Type : Academic, 2021

Professor : Fabris Luca Maria Francesco, Valle Pietro

Teamates: Rui Hao, Han Gao, Yueqing Wu

Location : Nagoya, Japan

48
04
49

Master Plan 1:500

Master plan can show our building’s link with intersection and other block building as well as the layout of vertical circulation and landscape. nor entrance is the west.

MASTER PLAN 1:500

Public service area is set near two entrance.The design of landscape and path makes courtyard ecological and interesting. Which is combined with entrance and vertical circulation. Landscape include hard floor and soft floor, people can relax in

Master plan can show our building’s link with intersection and other block building as circulationandlandscape.Mainentranceisinthenortheastcorner,minorentranceis

When COVID-19 pandemic spreads around the world, people’s work and lifestyle is forced to change. The place where people live bears the needs of work and social interaction. When this particular pattern is mapped from the unit to the housing complex, where ting rooms, co-working studios. The future is uncertain. By maintaining the diversity and flexibility of the space is able to the housing ple can find a space able to fit their own work and life requirements.

Public service area is set near two entrance.The design of landscape and path makes interesting. Which is combined with entrance and vertical circulation. Landscape include peoplecanrelaxinhardfloor.

GROUP 8 Han Gao | Yueqing N
50

CONCEPT

likemeetingrooms,co-workingstudios. The futureisuncertain.Bymaintainingthediversityandflexibility needspositively,wherepeoplecanfindaspaceabletofittheirown

WORK AND LIVE IN THE FUTURE

Underground shopping north east corner, which gathered

COURTYARD

MASTER PLAN 1:500

N

SITE ANALYSIS LOCATION

with intersection and other block building as well as the layout of vertical entranceisinthenortheastcorner,minorentranceisthewest.

CONCEPT

Site Public Service

entrance.The design of landscape and path makes courtyard ecological and entrance and vertical circulation. Landscape include hard floor and soft floor,

When COVID-19 pandemic spreads around the world, people's work and lifestyle is forced to change. The people live no longer a single spatial model, and at the same time bears the needs of work and social interaction. thisparticularpatternismappedfromtheunittothehousingcomplex,whereasharedworkingareaisnaturally likemeetingrooms,co-workingstudios. The futureisuncertain.Bymaintainingthediversityandflexibilityofthespaceisabletothehousingcomplex needspositively,wherepeoplecanfindaspaceabletofittheirownworkandliferequirements.

WORK AND LIVE IN THE FUTURE

City Garden

Leave a big square to let people gathered and enter to create a multiple main elevation and more open entrance

leave a big square to let people gathered andentertocreateamultiplemainelevation andmoreopenentrance

The west entrance as minorentrance people to enter, we set areainthewestparts.

Public service area combined entrance. these collective by residents and as well external users.

The design area is located in Nagoya in Japan and is a high density urbanblock. The block measures86X96metersinplan

ENTRANCE

City Garden Public Service

GROUP 8 Han Gao | Yueqing Wu | Rui Hao

pandemic spreads around the world, people's work and lifestyle is forced to change. The place where a single spatial model, and at the same time bears the needs of work and social interaction. When ismappedfromtheunittothehousingcomplex,whereasharedworkingareaisnaturallygenerated, co-workingstudios.

Bymaintainingthediversityandflexibilityofthespaceisabletothehousingcomplexadapttofuture wherepeoplecanfindaspaceabletofittheirownworkandliferequirements.

leave a big square to let people gathered andentertocreateamultiplemainelevation andmoreopenentrance

Public service area combined with main entran ce. these collective service can usable by resi dents and as well as attractive to external users.

Public service area combined with main entrance. these collective service can usable by residents and as well as attractive to external users.

Underground shopping center entrance in the north east corner, which is anode where people gathered

COURTYARD

landscape. Main entrance is in the north east corner, mi in hard floor.

In the middle of courtyard, area, such as meeting room, can enhance vitality of courtyard hub between two entrance.

Public Service

live no longer a single spatial model, and at the same time where a shared working area is naturally generated, like mee housing complex adapt to future needs positively, where peo

as well as the layout of vertical isthewest.

people gathered multiplemainelevation

makes courtyard ecological and nclude hard floor and soft floor,

Public service area combined with main entrance. these collective service can usable by residents and as well as attractive to external users.

Active Courtyard

Active Courtyard

In the middle of courtyard, we have co-work area, such as meeting room, studio, which can enhance vitality of courtyard and as a hub between two entrance.

In the middle of courtyard, we have co-work area, such as meeting room, studio, which can enhance vitality of courtyard and as a hub between two entrance.

The west entrance as minorentrance provide for people to enter, we set several public service areainthewestparts.

Yueqing Wu | Rui Hao
GROUP 8 Han Gao | Yueqing Wu | Rui Hao
Office
thisparticularpatternismappedfromtheunittothehousingcomplex,
GROUP 8 Han Gao | Yueqing Wu | Rui Hao City Garden Public Service Active Courtyard
Gao | Yueqing Wu | Rui Hao
51

North Elevation and Sections

North Elevation

The elevation façade

The elevation façade element include wooden The wooden grille enhance the privacy and element of units.

The wooden grille enhance façadecontinuesthe

GROUP 8 Han Gao |
Section 1-1 1:200 ±0.000 +9.100 +6.100 +3.100 +12.100 +15.100 +18.100 +21.100 +24.100 +25.300 1 2
52

Elevation 1:150

+25.300

+24.100

+21.100

+18.100

+15.100

+12.100

+9.100 +6.100 +3.100

±0.000

Section 2-2 1:200

façadeelementincludewoodengrilleandwhiteframe. enhance the privacy of units. Public service area order and element of units.

wooden grille and white frame. of units. Public service area façade continues the order

Yueqing Wu | Rui Hao
53

Restaurant

Exhibition

Library

Store Recreation Room Store 54

GROUP 8 Han Gao | Ground Floor Plan
Tea Room

Supermarket

Yueqing Wu | Rui Hao N Plan 1:200
Cafe Studio 55

Public service area is highlighted by purple color. Live and work unit is highlighted so we set near main entrance, such as café, gym and bookstore.

We try to mix up different persons unit in each floor. And the middle area is this area, to meet needs of people to work together.

Public service area is highlighted by purple color. Live east public service is also provide for external users, and bookstore.

Wetrytomixupdifferentpersonsunitineachfloor.And fromtwoentrance.Sowesetco-work,studiointhisarea,

First Floor Plan 1:200 N Gym Meeting
56

highlighted by yellow color .The east public service is also provide for external users, a hub when people entered from two entrance. So we set co-work, studio in

Live and work unit is highlighted by yellow color .The users, so we set near main entrance, such as café, gym

Andthemiddleareaisahubwhenpeopleentered area,tomeetneedsofpeopletoworktogether.

Fourth Floor Plan 1:200 N
Studio Studio Library
57

Unit Combination + Constrcution

UNIT COMBINATION + CONSTRUCTION

Thesediagramshowsthecombinationofdifferenttypeofunitsinthe building,as well as the structure of the facade.We usually combine different units vertically and seperate them with staicases in the horizontal direction.the main materials of facade are concrete and speciallytreatedwood.

3 21

4 persons + 6 persons 2 persons + 4 persons

2 persons + 4 persons 4 persons + 6 persons

1 2 1 Floor 58

GROUP 8 Han Gao |
wooden fence concreteflowerpot

5/6 Persons Commercial Vertical Circulation

Floor 2-4 Floor 5-8 Floor

3

woodshading concrete slab

persons + 6 persons 4 persons + 6 persons (corner)

persons + 6 persons 4 persons + 6 persons (corner)

Wu | Rui Hao

Yueqing
2 Persons 3/4 Persons 59
GROUP 8 Han Gao
GROUP Horizontal and Vertical Unit Group Distribution Public Space Layout 60 Units Group
UNITS

Vertical Circulation Distribution

Public Space System

2 Persons (×96)

3/4 Persons (×56)

5/6 Persons (×33)

Commercial

Vertical Circulation

Studio

Self-study Room

Meeting

Self-study Room

Studio

Meeting

Studio

Brainstorm Room Library

Library Gym Cafe

Workshop

Gao | Yueqing
Wu | Rui Hao PUBLIC SPACE SYSTEM
61

PLAN SECTION

Plan

Ground Floor Plan 1:50

Ground Floor Plan 1:100

Life

work

AXONOMETRIC

GROUP 8 Han Gao | Yueqing Wu | Rui Hao

PLAN SECTION

Section Section

2 persons unit plan is service core in the middle, include bathroom and kitchen. Bedroom combine with working area,livingroomcombinewithworkarea.

Theelevationfacadeiscomposedbyfour2personsunit.Whichfacadeelementiscurtainwall+woodengrille.

AXONOMETRIC

Axonometric Axonometric

2 persons unit plan is service core in the middle, include bathroom and kitchen. Bedroom combine with working area, livingroom combine with work area. The elevation facade is composed by four 2 persons unit. Which facade element is cur tain wall +wooden grille. The section perspective shows the internal furniture layout, can clearly see the condition of living and working.

2 PERSONS

2 PERSONS

Ground Floor Plan 1:50

N

Blueandredpeopleiconshowsdifferentconditionsofworkingandlivingin3/4personsunit.

Blue and red people icon shows different conditions of working and living in 3/4 per sons unit.

To make working and living space combined more systematically, space more flexible, we design somefurniturecanbescalableandmoveable,whichfunctioncombineliveandwork. Balcony'sglasswallprovideenoughlighttostudiospace.

To make working and living space combined more systematically, space more flexi ble, we design some furniture can be scalable and moveable, which function combi ne live and work.

Balcony’s glass wall provide enough light to studio space.

GROUP 8 Han Gao | Yueqing Wu | Rui Hao

3/4 PERSONS

3/4 PERSONS

N B K Work Br1 Br1 L
Thesectionperspectiveshowstheinternalfurniturelayout,canclearlyseetheconditionoflivingandworking. 10m 6 m
work Life
B L K
Br2 Br2 Work
7m 12 m
Work
62
Plan

PLAN SECTION

Elevation

ELEVATION

Ground Floor Plan 1:50

Ground Floor Plan 1:100

First Floor Plan 1:50 N

First Floor Plan 1:100

5/6 PERSONS

5/6 PERSONS

The main logic of 5/6 persons unit plan is service core in the middle, include staircase and ba throom.

Themainlogicof5/6personsunitplanisservicecoreinthemiddle,includestaircaseandbathroom.

Compareto3/4personsunit,thisunitplanhaveamorebigkitchenanddiningarea.Atthesametime,livingroomis adoubleheightarea.

Compare to 3/4 persons unit, this unit plan have a more big kitchen and dining area. At the same time, livingroom is a double height area.

Inthegroundfloor,bedroomcombinewithworkingarea.Inthefirstfloor,wesetastudioareaforco-work.

In the ground floor, bedroom combine with working area. In the first floor, we set a studio area for co-work.

GROUP 8 Han Gao | Yueqing Wu | Rui Hao

5/6 PERSONS

AXNOMETRIC

FURNITURE DESIGN

Design

Our concept is to make space more flexible and interactive. we are thinking to create a housing and working unit balance betwe en private and public area. Which is transform partition by wall, column to moveable furniture. We believe this mode will meet people’s needs and more popular in the future.

Ourconceptistomakespacemoreflexibleandinteractive.wearethinkingtocreatea housingandworkingunitbalancebetweenprivateandpublicarea.Whichistransform partitionbywall,columntomoveablefurniture.Webelievethismodewillmeetpeople’s needsandmorepopularinthefuture.

7m 12 m 1
B Studio Work Br2 Br2 B L K Br2 Work Patio
1 GROUP 8 Han Gao | Yueqing Wu | Rui Hao
Patio
LIFE workspace bedroom L L L Studio K Br livingroom kitchen studio work work 63
WORK
Plan Section Furniture
Axonometric

These perspective shows how complex looks when people stay on the corridor and balcony.Internal corridor

These perspective views shows how com plex looks when people stay on the corridor and balcony.Internal corridor makes cour tyard more open. Several public service balcony can provide for people to relax and communicate.

courtyard more open. Several service balcony can provide for people relax and communicate.

GROUP 8 Han Gao |
2 5 3 4 2 4 64 Perspective
PERSPECTIVE 1
views

com corridor cour service and

complex corridor makes Several public people to

Yueqing Wu | Rui Hao
1 3 5 65

ANCIENT

Individual work Type : Academic, 2019

Tutor : Cheng Wenjie

Location : Quanzhou, China

66 05
REASSEMBLING
CITY ——————————— Discover the fun of slow space in Quanzhou
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Site Analysis of 21 Cultural Spaces

The design originated from the thinking of the cultural planning of the ancient city of Quanzhou. The 47 points marked in the figure were selected from the cultural space resources that can be repaired and utilized in the Tsinghua Ancient City Planning. After that, 21 points with more development possibilities were selected. Reference basis for the secon dary design. Space resources are buildings or places that carry various types of traditional cultural activities, including temple ancestral temples, celebrities' former residences, old-name shops, craftsmen's workshops, and folk cultural as sociations.

These cultural spaces are scattered throughout the ancient city in a sporadic manner. Most of them exist in the small city and low-key state in the ancient city community, and are integrated into the daily life of local residents.

Licheng district, Quanzhou

Planning area of the ancient city SITE

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Slow Pace Status in Quanzhou

rich sediments, multi-dimensional sides and fine

in the local

seem to be suitable for the slow and random, bottom-up gradual spontaneous appearance through such a somewhat random and unstable spatial state. These scattered historical and cultural spaces are hidden in the daily life of the residents and become a special node in the street space.

Slow Space: Formation of Lane

711 886 1224

Quanzhou ancient city street lane space

modern-urban alley space

The “maze-like” lanes in the ancient city stretched to all cor ners. Lanes are the road to and from others, and they are the space of communication full of humanity and life.

modern planning narrow, ventilated and sunproof bottom-up

In ancient times, the lanes were generally built perpen dicular to the official road and then spread outward. The dynamic evolution has formed the unplanned, sel f-organized street form, and the east and west streets are still the main street.

In the process of growing and spreading, residents spon taneously build their homes according to their needs, le aving the public open space in front of the house. This is the main reason for the organic and complex form of the lane.

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The details culture

The meaning of the nodes

Streets carry residents' daily activities, while nodes with special spirit enrich people's behaviors. Compact and mixed functional layout provides conditions for diverse activities in streets and lanes, such as recreation, communication, en tertainment, exchange, worship and exchange.As a result, the maze is enriched by the endless daily life of the city as a whole.

Xiaoping’s alley is narrow, but the space in front of the house is very comfortable.

70
Ordinary houses can also become special because of creativity. Unmannedalleys,butthere aregreatthings.
QishiPalaceislikelyanatural parking.
commercial space commercial space religious space religious space private residence citizen entertainment space
HowXiaoping's Caizha business isgoingrecently?

The Possibilities of Renovation

private residence Space capacity: Space function 500 workshop performance space

daily space

particularity space

religious space commercial space

citizen entertainment space

ORIGINAL SPACE FUNCTION MORE POSSIBILITIES FOR SPACE + SPACE CAPACITY

71
80
*2 *3 *3 *2 *4 *2 *4 *5
30 exhibition space

Design Principles

01. The street changes from the scale of the car to the scale of the pedestrian, which are retained in the design.

02. The most common private dwellings and commercial spaces in the ancient city are homogeneously distributed.

03. The ratio of the daily space to the special space echoes the needs of the residents for the event venue.

04. The random distribution of special spaces brings uncertainty and enrichment to the streets.

"The Wall"

The external architectural form of Quanzhou cultural space is not necessarily related to its inherent function. As a kind of structure with identification meaning, “wall” isolates the lively and quiet, and also implies the special nodes existing in the block.

Ground Floor Plan

? 72
daily
daily
particularity space 0 50 (m) N 20 private
commercial space
1m 12m
space
space
residence
Quiet and lively Implied node existence

The future impact of the renovation

In the process of reorganizing the building, the spirit and memory of the special nodes will also be extracted and reorganized. While retaining the original architectural form, the new use space is added, and the lane between the building and the building is full of life. Bre ath, this is the most charming and ideal state of Quanzhou ancient city I imagined. Such an ideal city can restore the local cultural value of Quanzhou, enhance the living space, and also serve foreign tourists.

73

Axonometric Drawings and Elevation

Block 1

"The wall" hints at the exhibition of functio nal buildings, religious buildings and work shops that appear in the block.

Block 2

"The wall" hints and workshops

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A B C D E 0 10(m) 2

Block 3 hints at the performance building workshops that appear in the block.

"The wall" hints at religious buildings and civic buildings that appear in the block.

75
AB BC DE
76
Story Board: the daily life of the residents
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Final Collage: The future development may bring further possibilities to the city.

COMMERCIAL STREET DESIGN

Individual work Type : Academic, 2017

Tutor :Jin Rongke

Location : Jiaxing, China

78
06
——————————— Return to Daily Life
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Currency appears, and the era of bar ter is basically over.

Economy development leads to different types of business.

From the primitive society, business began to increase in labor efficiency due to the emergence of production to ols, and there was a market for barter.

The depressed eco nomy has made busi ness become a link to the neighborhood.

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Development History The origin of business
Dynasty Market Song Dynasty Market 200 BC 900s 1100s 1920 1980s 700 BC 600s 1700s The end of the Qing Dynasty Medieval trade Amsterdam Old Exchange Cattle market Showcase
Commercial
Tang
THE DESIGN ORIGINATED THE EARLIEST BUSINESS ECONOMIC PROSPERITY ECONOMIC RECESSION TRADING PLACE CHANGE 1802 1950s ECONOMIC

Business model has changed dramatically because of the rise of the Internet.

GLOBALIZATION

THE RISE OF THE INTERNET

The future business may be separated from the physical sto re through virtual rea lity.

81 ORIGINATED 2000s 2200s
design originated Convenient Internet Shopping Mall Connah's Quay market in March Rich signboard Markthal Rotterdam
ECONOMIC
THE SAME STRUCTURE
1970s 2018 2018 ? ?

Convenience stores are the most wi dely distributed and largest commer cial form in the city. The proportion of commercial housing determines to some extent whether developers develop business in the base.

The increase in the pressure of life makes modern people's demand for business also high.Young people are the main force of consumption, and the prosperity of business in the base is related to the distribution of population and age.

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train
bus
Site Environment Analysis SITE
station
station
Residential Area Integrated Market Shopping Mall Convenience Store Supermarket

Activity Spaces

There are new parks here! There are new games today!

Wrestling here is not afraid, like a lot of hills.

There will be better scenery on it, and it is not bad to walk here.

Life has been very hard, and it doesn't matter if you evade it here occasionally.

There are trees here! health! We are willing to sit here!

Every Saturday there is a market, and the neighbors can meet each other this day.

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N 84 Ground Floor Plan 0 10(m) 2

the frame the inner courtyard activity spaces

The rich sediments, multi-dimensiona

The rich sediments, multi-dimensiona

The rich sediments, multi-dimensiona

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Story Lines: Four spaces for children, adults, the elderly and the temporary market

For children

For temporary market

For adults

For the elderly

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87

Daily Status of the Commercial Street

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89

OTHER WORKS

Individual work

Type : Academic, 2017

Tutor :Jin Rongke

Location : Jiaxing, China

90
07
91

Black Painting and Watercolor painting

Sequence

Theory

of our visual world is a dynamic process involving the con time. The spaces, surfaces, objects, events and their mea associated in such varied combinations to constitute both man-made landscape cannot be seen simultaneously, but experienced in some temporal sequence. writes, “Architecture may well be frozen music, like a pho but man is the pickup whose movement realizes the sequential experience of our visual content has served some notable architectural and urban works. While the perceived through a succession of separate images, the experience is continuous and connected. Sometimes, what a building or a landscape is less important than the rela could engage with with the city context or the production of spaces and between them that will support healthy civic more imaginable, elements such as paths and nodes must concert form an identifiable space. Based on a certain move observer senses space-sequence as a whole whose parts are and are relatively fixed in relation to each other. Each node has its own spatial characteristics which could be percei observer from different point of view. Beginning with “The Sour culminating at the Ira Keller Forecourt Fountain, whether it is a waterfall landscape or undulating grassland, or even seemingly cleverly designed steps, diverse fragmentary “signs” or “sym connected during the visual experience of the observers. finish the whole routine regardless of their free movement due to several events being held at some point, the image will be complete.

Portland open space sequence

Portland open space sequence

Lawrence Halprin, 1963-1970

Lawrence Halprin, 1963-1970

Chenye Hu, Hengyue Wang, Zhihao Li, Han Gao, Rui Hao Portland open space sequence Lawrence Halprin, 1963-1970
sequence
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1963-1970 sequence
93 MODULE 1 Semi Private MODULE 2 Semi Public MODULE 3 Public Typologies PLAN 1 PLAN 2 PLAN 3 SECTION 1 SECTION 2 SECTION 3 1m4m MODULE 1 Semi Private MODULE 2 Semi Public MODULE 3 Public Typologies PLAN 1 PLAN 2 PLAN 3 SECTION 1 SECTION 2 SECTION 3 1m4m WORKSHOP | CortonaOPen3d Insert an artistic installation in the context of the city of Cortona

WORKSHOP |

A psycho-architectural approach to urban design in Nantes

https://prezi.com/p/edit/-pryfir7u-au/

MINDS

This hosue is designed throught the lens of wireframes drawings, and organised by irregular geometry like a moster, living in our daily life. The site for the project is irrelevant. View, trees and landscapes are not gonna be romanticized. Instead, the house fol lows Hejduk’s nine-quare grid problem, taking the 9x9x9 cube as its limits.

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Experience | Pills Architects - 2020

“1994” narrative installation at OCAT Shanghai

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HAO RUI

Birth place and date of birth Taiyuan, China 29/03/1995 E-mail archirui.formyf@gmail.com

Phone +39-3452120652

City Milano, Italy

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