EDIUM M
2015-2024 SELECTED WORKS VOLUME. 1

RICK [SANG WON] YOON ricksangwonyoon@gmail.com
+1 314.332.8422
2015-2024 SELECTED WORKS VOLUME. 1
RICK [SANG WON] YOON ricksangwonyoon@gmail.com
+1 314.332.8422
WASHINGTON UNIVERSITY IN ST.LOUIS
St.Louis, MO
BA Architecture
Minor in Art
Graduation, May 2021
GPA: 3.6 / 4.0
Dean’s List
YONSEI UNIVERSITY
Seoul, South Korea
Summer 2016
Study Abroad Program
SALISBURY SCHOOL
Salisbury, CT
Class of 2015
Honored in Art
Honored in Stage Design
Rhinoceros
Revit
V-ray
Sketchup
Lumion
Illustrator Photoshop Primiere Pro
Indesign Lightroom
Microsoft
Dong IL Architects and Engineers, Seoul, South Korea
• Supported by organizing 3D digital models of the project, using programs: Rhinoceros, Auto CAD, Adobe Softwares.
• Contributed to projects; Residential Complex (Ulaanbaatar, Mongolia) and (Busan, South Korea)
• Made precise edits and drafts of Architectural project drawings by using AutoCad.
• Managed translation for the foreign language documents to English and Korean.
• Designed presentation documents for client’s understanding of the project.
• Sorted and organized materials such as physical files, tracking spreadsheets and reports.
• Enhanced collaboration between team members by preparing meeting materials and taking clear notes to distribute to the team.
HKS, Inc, Healthcare Studio, Atlanta, Georgia
• Organized and produced Architectural Design Booklet for Hospital & Research center projects.
• Provided Illustrative Diagrams, Master plans, and Architectural Drawings for evolving phases.
• Contributed in HKS internal Design Competition “Tactical Urbanism” Penn Avenue Rennovation Project.
HKS, Inc, Mission Critical Studio, Chicago, Illinois
• Organized and produced Multiple Architectural Documentation in all Design Processes.
• Provided Architectural drawings through out all evolving phases.
• Prepared and presented Daily / Project related Presentation materials to Clients and Internally.
• Simultaneously worked on multiple projects through deadlines with organized Multitasking Skills.
• Maintained and Secured Close Business Relationships by Numerous Non Disclosure Agreements.
Ministry of Defense, Republic of Korea, Injae, South Korea
• Completed Military Service as Sergeant of Military Combat Engineer with honor.
• Nominated as Squad Leader, demonstrated leadership and responsibility of commanding up to 10 soldiers.
Seoul, South Korea
• Non profit Exhibition and Art Donation to Organization of Human Rights.
1. 2. 3. 4. 5.
NOTHING
TARDY CHAPEL
STRUCTURE MORE STUDIES
SECTION OBLIQUE
WALL OF TRANQUILITY
“If I am looking for a story at all, it is in my relationship to the subject - the story that tells me, rather than that I tell.”
-Bruce Davidson-
Design has always been a medium my personality. I firmly believe can describe much more than interactions with well-designed senses. I also believe that people to utterly unfamiliar spaces interactive experiences. As one’s be challenged from time to time, to discover such designs.
I deliver innovative ideas by mediums and spaces into my can be anything from concrete sound, and more; when appropriately applied, they introduce an entirely enjoy manipulating these unconventional utilizing them as a way to express Each medium has a very distinctive boldly and loudly, and I borrow to speak to the audience. My voices into a universal one by and revealing them in spatial goal in mind, I was able to successfully intriguing designs during my academic
medium to express myself and believe that one successful design any number of words can, as well-designed pieces can trigger multiple people should be exposed in order to maximize such one’s imaginative capacity can time, it surely can be a hassle by incorporating unorthodox my designs. For me, mediums concrete and steel to air, time, appropriately and creatively entirely unique experience. I unconventional mediums and express my design concepts. distinctive voice that speaks borrow their voices in my designs My goal is to translate those by listening carefully to each spatial configurations. With that successfully create bold and academic career.
Time is one attribute to this universe that never gets changed or altered. However, the precence of this medisum becomes too obvious sometimes, people stop appreating the greatness of it. Wha if progression of time is visually present to one another? Evolution of time is invisible to the naked eye, however it could be seen with combination of another medium, steam.
Due to the mother nature, There is close to infinite amount of steam produced underground of Iceland. Co-existance of two continental techtonic plates next to each other, this country is gifted with endless active volcanic activity. Century Tower, accomodates this nature attribute, steam, to visually present the evolution of time. Not only so, With the visual effect created by steam, the two towers can be seen from far away and produce self sustainable energy throughout the system.
PERSPECTIVE RENDER
SYSTEM DIAGRAM
As the name of the tower resembles, [Century Tower] the building’s life span is expected to last 100 years. During a century, tower demonstrates gradual functional deviation. The transcontinental fissure progressively shifts apart from each other during time. Tension wire across two towers controls the amount of steam produced from each tower, exhibiting magnificent scenary of time transition.
STEAM VS TIME PROGRESSION:
PRECIPITATION VS RESERVOIR:
Amount of precipitation counter relates to the amount of steam produced at the tip of the pipes.
OBSERVING DECK
AURORA ROOM
OBSERVATORY PATH
PLANTARIUM [3F,4F] TOWER 1,2
CAFE [2F,3F] TOWER 2
WELCOME CENTER [1F] TOWER 2
ELEVATION FLOOR PLAN
One might say that someone is like a oxygen. This usually translates that the one is always present where ever they go. Air is alway there and we know it. Air doesn’t have form or rigidity, but has volume. What if air could be utilized to form a structure? All it needs is a simple algorithm and structure that can contain the air’s form as solid. Enforcing and controlling air is the matter of issue.
PHASE 1 PHASE 2
PHASE 3 PHASE 4 PHASE 5
a. STARTING FROM TRASH:
Random assortment to test form and mass the item can produce.
b. ABSTRACTING THE FORM:
Form was wrapped with metal mesh to transfer and abstract its pattern.
c. DISCOVERING PATTERN:
Orignal mass was extracted to clearly discover the wrinkles and patterns of the form abstraction process.
Structures and patterns analyzed from phase 1 to 3 were utilized to form a harmonious structure. Paper was wrapped around the phase 2 model and the patterns were transparantly reflected on the skin by accomodating glue and folds. From that the design of the whole starts to get abstracted and smoother in general.
a. TRACING THE FOLD:
Plan drawing of phase 4 was laid down to replicate its structure for phase 5 model.
b. CREATING BASE STRUCTURE:
Double sided tape was placed along the traced lines to act as a placeholder for the individual folds.
c. UTILIZING WRINKLES:
Double sided tapes were created into folds, forming a base structure for the skin.
AIR
Not everyone can attend chapel service Sunday mornings. People work at different times of the day. Why should prayers only be made under the bright light? Pray under the silent night sky to make your prayers be heard loud to God.
Ambiance and quietness blends in with the darkness, suggesting perfect space for those with sincere and genuine prayer.
Chapel for people who shall be late in the day of their schedule.
Studied all the properties of light into one machine. Light machine is made with the intentioin to experiment all features of light in darkness. Those may include, Transparancy, Reflection, Defraction, Distortion, and Shadow. Light penetrates through the peak hole on the top and in to the darkness. Then the machine starts to operate. Carousel of light.
PEEK INTO DARK
REFLECTION
SITE, LIGHT STUDY
CHAPEL, ROOFTOP VIEW
Series of models were made in order to replicate the effects of the light machine. Model suggests some of the visual effects that the chapel produces to the site and design experience. Extended look of the design reflects back to the site study. Suggesting a design with a pathway combined with the chapel it self for better circulatory approach.
CHAPEL, ABSTRACT MODEL GLAMOUR VIEW
CHAPEL, ABSTRACT MODEL PERSPECTIVE VIEW
Noise pollution is one of the biggest stress factors in modern era. The issue exacerbates as one goes closer to the urban area. St. Louis is notorious for its random and aggressive placements of highways. In fact, highways are one of the biggest factor that produces noise pollution.These loud beasts screams out noises 24/7 to the near residential areas. Goal of this project is to reflect those noises back to the highway and provide tranquility around those noisy beasts.
Pleiospolos Nelii, was studied exclusively to plan out the fully sustainable ecosystem for the community center / greenary. This plant is a succulant plant which, doesn’t require significant amount of water, however it only strives under a strong light source. Plants in general are also proven to be effective for reducing noise from the surrounding environment.
A self sustainable perfect ecosystem collector, and produce this unique the plant is able
sustainable planter was designed inorder to provide the ecosystem for the plant. Angled Reflective panels, Seed evaporation control were applied in order to unique planter. By the effects that the planter witholds, to thrive during its life span and reproduce at ease.
This community center / greenary reflects the noise back to the highway effectively by utilizing the different angles. Each modules on the surface not only reduces noise, but also provides full sustainability to the building and filters polluted air from the highway to the residential area.
Noise reflects back to the highway by reflecting back through the soundproofing surfaces on the modular planter. Sunlight is reflects and penetrates into the building for enhanced lighting conditions.
Air circulation is uninterrupted due to vacant tunnel located at the bottom of the modular planter.
Rocking chair was designed and crafted in the woodshop to research the correspondence between ergonomics and weight distribution. Center of the mass of the chair is structurally aligned with human body to perform a stable rocking gesture. The specific chair was also designed with consideration of saving material. The final product was made with 2 5ft x 5ft x .5in plywood and 10ft of 1in diameter rod.
Research started out as choosing a building of interest, Marche by Kengo Kuma. Then, by utilizing multiple sources and base understandings of architecture, technical drawings, 3d structure section model, and functional diagrams were delivered. Multiple revisions and debates were made in order to hypothesize the details, which are insufficient in research data.
NOTHING STRUCTURE.
CENTURY TOWER.
TARDY CHAPEL.
WALL OF TRANQUILITY.
THANK YOU TIME. AIR. DARK. NOISE.