Richa S_ Portfolio_Landscape Architecture

Richa Sharma Professional Portfolio

M.Landscape Architecture , School of Planning and Architecture , New Delhi ricsha02@gmail.com | +91-9034240435

Design Cell c/o Ms. Savita Punde : Jun‘13-Nov‘14 Design Accord c/o Mr. Madhup Mazumder Jun’16-Jul’16 Delhi Development Authority: Jul’16-Jul’21

-BAGH-E-BAHAAR , THE GARDEN OF SPRING DISTRICT PARK , VASANT VIHAR, DELHI -YAMUNA RIVERFRONT AREA ADJACENT TO CWG VILLAGE, DELHI -TUGHLAQABAD ARCHAEOLOGY PRECINCT TUGHLAQABAD, DELHI --BHARAT VANDANA DISTRICT PARK AND TD-2 DRAIN SECTOR-20, DWARKA , DELHI

Schematic Sketch : Setting up a landscape vocabulary around scattered monuments.

Bagh-e-Bahaar | The Garden of Spring

Recreating the Sense of Place for Last Surviving Tughlaq Garden District Park , Vasant Vihar , New Delhi 43 Acres | 2017-2020

Intent: Sites, besides being a piece of land, are oftan layered with diversely distinct identities absorbed one over the other over a span of time. This adsorption is sometimes organic, sometimes forced. The land, with time, often loses these identities. However, at times, these layers manage to retain these identities. However, at times, these layers manage to retain their identidy, holistically evolving into another heterogenous system. An ordinary looking district park in Delhi, happened to be one such case.

Found surviving within an urban park, with deposited layers of history of many eras ever since the 14th century, the project, Bagh-e-Bahaar ( literally ‘The Garden of Spring’), as it is called now, is a project which traces the sense of place, building a socially cohesive urban green for the neighborhood and giving one of the last ways to know how the Tughlaq gardens would have looked once.

FIRUZ SHAH AND HIS GARDENS Firuz Shah Tughlaq had laid 1500 gardens in greater Delhi during his reign.

How exactly would those gardens look and what were their salient features, there are not many ways left to know it. This garden is one of those ways. Ever since the later years of 14th century, this garden has survived till date and remains the last living memorial of Tughlaq era gardens. Firuz Shah was very fond of fruit gardens or orchards, and his garden would also cultivate grapes among other fruits. Besides fruits, there were also planted trees of Khirni, Jamun, Tamarind, Badhal, Clinth, Peepal etc.

BARADARI, GUMBAD, OLD WELL SYSTEM Baradari and Mosque belong to Firuz Shah Tughlaq’s time and their ruins can still be seen on the site. There also lie on the site, two wells, a raised watercourse. We must not forget that only this garden was used for revenue gerenation but also as camping and hunting ground for his troops. It also consists of a mosque for which running water was needed five times a day for religious practices of Vazu. Suppposedely, a Lodi era monument was built adjacent to the Baradari, the Bara Lao ka Gumbad, in 15th century, which was originally adorned with blue glazed tiles. In the process of restoration, the blue tiles are added by State Archaeology during 2018 to its umberella shaped dome.

1. Binding the historical context together 2. Relaying pedestrian circuit and strategic placement of entrance plazas 3. Integration of proposed public domain along the circulation.

URBAN OPEN SPACE The park had gained notoriety as a safe place for illegal axtivities. Despite being properly lit, it was turning into a safe haven for drug peddlers and molestors. Entire edge of the green area was studied to relocate the entrance points, universally accessible, strategically to give maximum reach to public. The circulation system was relaid to generate short-cuts through the park to have maximum footfall. The boundary walls were lowered down to give natural survillance and sense of safety to all genders and age-groups. Middle storey haphazard planting was removed to imprive visual expanse and avoid shadow areas for anti-social elements.

MONUMENT GARDEN ‘Bagh-e-Bahisht’- The design scheme creates a quadrilateral setting for the tomb and the Baradari. A small water feature, reminiscent of water channels, is neatly tucked in the geometry. The axes of this setting are culminated onto entrance courts. Towards the Northern end at Poorvi Marg, ‘Bagh-e-Shajar’, and towards the East connecting to Basant Lok Commercial Complex is placed ‘Amaltas Court’. The West axis connects to a structure said to be used as a mosque originally. A square courtyard, ‘Poetry Garden’ is placed at a diagonal axis to this strutcure complemeting the geometry of the entire layout. The South side expands onto stepped orchard terraces.

ECOLOGICAL REPOSITORY 900 trees (45 species, native and naturalised), including fruit bearing trees as per historical context, are planted in the park. Thus public space starts acting as a tree repository. natural contours were followed to create recharge zones and waterbodies. All existing trees were accomodated in proposal.

A ceramic tile and seeds collected from the park avaiaible as souvenir in the park

Bagh-e-Shajar Amaltas Court Sopan Bagh Bagh-e-Sukhan Naubagh Gulzar (Amphitheatre)

Before

Amltas Court : After

Construction Drawing: Poetry Garden Paving Pattern

Boundary Wall: Before and After

Amphitheatre built around existing Ronjh trees.

Poetries in Tree court

Published in LA Journal 69th Edition . March 2022

Newspaper: Times of India March 2021

INTENT: ASSISTING NATURAL RECOVERY PROCESSES The key to a successful habitat restoration is utilising nature’s regenerative power. After eliminating anthropogenic activities, the project sets its goal on recreating a diverse local habitat by reinstating the local hydrological system and reviving flora and fauna. The design applies minor earth shaping and careful dredging of local gullies to create a holistic system of water retention for a longer period to re-store the lost floodplaoin character.

CREATING RESILIENT, FLOOD ADAPTIVE LANDSCAPE. To restore the resilinece of flood plains, an adaptive landscape idea was created based on the existing topography, where the whole site acts as a natural sponge to hold water for a longer period. As the water level recedes, the leaving water forms channels and shallow ponds on the site. The design proposal intercepts this receding water with coarse beds using ripraps, gabions, and reed beds, strategically placed so that the water is retained for a longer period.

Areas of lower flood risk were used for constructed wetlands and the highest areas for a public interface and recreational usage. This comprehensive strategy will be used for flood protection, Bio-diversity Restioration, and Habitat Protection.

CREATING A HEALTHY CITY-NATURE RELATIONSHIP A healthy riparian landscape is overlapped with a conducive layer of the urban level public realm through a series of strategies like the boardwalk, plazas that would give the public a controlled access throughout the site to reinstate a sense of connection with the river; hence generating a sense of responsibility that the river has been deserving and eventually forming a human-nature balance pivotal to the flood plains.

Planting Sketch

Yamuna Riverfront- Area Adjacent to CWG Games Resileint Landscapes

Adjacent to CWG Area 417 Acres | 2019-Contd.

LOGO DESIGN AND ELEMENTS What should be the criteria for urban aesthetics? How should they be derived ? What should they evoke? To whom do they belong ?

Logo for the river rejuvenation is a menifestation of the meander of a river echoing through the countours of landscape , evolving and nurturing the graceful silhouettes creating these fluvial landscapes. The project of revival of floodplains and the natural processes along the river identifies with the same journey. It were riverside where the humanity made wonderful scenes to celebrate its own particular manifestations to those of nature.

Interestingly, the type for the logo is hand written with a very common, but extremely significant tool called ‘qalam’- a local pen cut out of a dried hollow riparian reed (sarkanda) which is no less than synonymous to floodplains itself.

The logo and idea of deriving tools and aesthetics from the river itself is reflected again and again all along the floodplain project and it’s components.

LEGEND

1. Lower Contour Water Channel 2. Gabion Wall 3. Lawn with Coarse Sub Layer Underneath 4. Gabion Spout to Core Retention Zone 5. Core Retention Zone with Planting 6. Excess Water Overflow Spout 7. Water Rills 9. Boardwalk

1. Entrance Plaza 2. Parking 3. DDA Site Office 4. Nursery 5. Streetscape in Public Domain 7. Board Walk 8. Bajri Pathway 9. Retention Zone with 2m wide Gabion 10. Intermediate connector pavilion to accomodate boardwalk level fifferences 11. Termination pavilion 12. Rain Shelters 13. Pavilion of Sight 14. Pavilion of Sound 15. Sun dial 16. WindPOle 17. Metal Gong 18. Kinetic Sculpture 19. Retention Zones 20. Boulder Creeks with Planting Medium and Mulch 21. Runoff Water aeration and Filteration ZOne 22. Riparian Planting 23. Grasslands 24. Bridge 25. Amphitheatre seating in Gabion Toe Wall 26. Natural Water Rill

PLANTING PLAN SKETCH

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1. Tughlaqabad Fort Tughlaqabad Fot is a ruined fort in Delhi, built by Ghiyasuddin Tughalaq, the founder of Tughlaq dynasty, of the Delhi Sultanate of India in 1321, as he established the third historic city of Delhi, which was later abandoned in 1327. It lends its name to the nearby Tughylaqabad residential- commercial area as well as the tughlawabad institutional area.

2. Fortress of Adilabad Adilabad, a fort of modest size, built on the hills to the south of Tughlaqabad was provided with protective massive ramparts on its boundary around the city of Jahanpanah. The fort was much smaller than its predecessor fort, Tughlaqabad fort, but of similar design.

The fortifications built, linking with the other two city walls, was 12 m in thickness and extended to a length of 8 km. Another smaller fortress, called the Nai-ka-Kot (literally "Barber's fortress") was also built at a distance of about 700 m from Adilabad, with the citadel and army camps, which are now seen only in ruins. the citadel and army camps, which are now seen only in ruins.

Tomb of Ghiyasuddin Tughlaq The actual mausoleum is made up of a single-domed square tomb (about 8m x8m) with sloping walls crowned by parapets. In contrast to the walls of the fortification made up of granite, the sides of the mausoleum are faced by smooth red sandstone and inlaid with inscribed panels and arch borders from marble. The edifice is topped by an elegant dome resting on an octagonal drum that is covered with white slabs of marble and slate. Inside the mausoleum are three graves:

Tughlaqabad Archaeological Precinct Historical Urban Landscapes Tughlaqabad 221 Acres | 2020-Contd.

HISTORY OF TUGHLAQABAD AND CHRONOLOGICAL EVOLUTION OF SITE

INTENT: The 271 acres of site is addressed on a holistic level with the rest of the greens around scattered historical built ups.

The primary concern in development of the site is to generate one larger vocabulary for the cultural, historical, and natural context of the area while fully conserving and enhancing the historical buildings and the inherent distinct character and also to activate the site in public domain and to trace efficient, shortest, and experiential pedestrian routes through the site to orient the visitors towards the monuments located across the corners of the site while conserving the rustic or xeric character, all with minimum possible disturbance. To ensure the all urban/associated activities are plugged along these routes to maintain the sanctity and character of the place.

The proposed activities are as follows: Historic themed Avenues and Courtyards , Cultural Haat Space, Amphitheatre, Playing Maidans, Elevated Restaurant, Orchard, Rustic character seating, Mounds, Performance area, Water bodies with stepped edges Addressing the dynamics of the cultural and historical aspects, a balanced approach is adopted to integrate the existing historic fabric with larger natural and built environment where the carefully intervened and designed green space acts at one layer as a vast canvas to resonate the components from the local communities and living traditions from the surroundings and sets a model for cultural landscapes in urban surroundings providing a ground for local tourism and neighborhood interactions. Providing strategic ingression points and shortest routes crossing through the park binds it with the warps and wafts of the urban landscape fabric.

Resource conservation is a key concern while resurrecting and conceptualizing a landscape character for the site.

Water still remains a scarcity and most of the plant selection have been strictly kept to xeric. Planting character majorly constitutes of grasses and trees planned to give a rustic character to the site.

DESIGN ELEMENTS AND THE AESTHETICS OF SULTANTE (TURKISH) PERIOD AND THEIR INTERPRETATION INTO DESIGN

PART B: LEGEND 1. Monument Entrance 2. CrossOver Bridge 3. At Grade-Cycle Track 4. Below Grade Cycle Track 5. Pedestrian Pathway 6.

Parking (Vehicular Domain) 7. Mound 8. Courtyard with Seats 9. Stone Totem 10. Sculpture 11. Existing Amphitheatre 12. Court of Mirrors 13. Stepped Pathway 14. Kaya Maya Temple Entry 15. Fort Route 16. Pathway 17. Entry to Fort 18. Retention Pond 19. Grassland Planting 20. Dense Planting

PART A: LEGEND 1. Monument Walk 2. Causeway Wall Replica 3. Court of Lines (Informal play Area) 4. Rock Seats 5. Giant Taper Rock 6. Pebble Bed 7. Timber Platform 8. Way to Fort 9. Restaurant Avenue 10. Restaurant (Elevated) 11. Spillover Courtyard 12. Orchard Planting 13. Cycle track 14. Cycle Track integrated pathway 15. Parking 16. Grassland/Xeric Planting 17. Maidan 18. Dense Planting

HAUZ KHAS LAKE EDGE

Urban Landscapes, Urban Waterbodies Hauz Khas , Delhi, India 2019- Contd.

INTENT: The intent of the project is to activate lake edge and its adjoining spaces in public realm by providing interactive spaces of public character that caters to all age groups and activities.

Visual windows are created at strategic points that gives a prospective view towards the monument and seating areas are located at those points that concentrate the activity zones. More features are added like lighting, sculptures, paving patterns to create an interest for the visitors.

LEGEND 1.Seating Plazas 2. Lake view points/Deck 3. Food Pocket/Food Trucks 4. Covered seating 5. Acupressure paving 6. Skateboard Edge 7. Sculptures 8. Wall Graffiti’s on historical and Environment themes .

9. Sensory plantations in Nakshatra Tree Garden M: Monument C : Innovative Children Play Zone

BHARAT VANDANA

Urban Landscapes, Urban Waterbodies INTENT: The proposal is conceived as a journey that imparts varied spatial experiences to the user by taking him through various phases in the History of India, inducing a sense of pride. Benchmark time periods of Indian history have been chosen and are depicted through landscape design of the park. It is broadly divided into 6 distinct zones relating to the milestones namely, Indus, Vedic, Buddhist, Islamic-Rajput, Independence Struggle and Contemporary. In addition, are also designed a Central Ceremonial Plaza, and spaces for Neighborhood facilities. The design celebrates India in totality and finally as the secular democratic nation represented through this central ceremonial plaza which has been designed as a central fulcrum to the entire scheme where the spirit is kept safe as a sacrosanct soul of the design. ay.

District Park, Sector-20, Dwarka , Delhi, India 198 Acres | 2018- Contd.

LEGEND 1. Entrance Court 2. Public domain 3. Terrace 4. Ghat 5. Upper Level Lake 6. Inundation Deck 7. Vedic Entrance 8. Great Lawn 9. Club 10. Sports Court 11. Asoka Lawn 12. Water Body with Deck 13. Sawan Bhadon Pavilion 14. Mughal Lawn 15. Navras Court 16. Children, Elderly and, Sensory Lawn 17. Waterfront food court 18. Lotus Pond 19. Freedom Court 20. Mound 21. Island 22. Inundation frog court 23. Fishing deck 24. Boating Deck 25. Children Play 26. Science Pavilion 27. Lawn 28. Water court 29. Bridge 30. Water Pavilion 31. Central Ceremonial Plaza

INTENT: The site is located immediately behind the Vishwavidyalaya Metro Station. The area is samll and intended for high rise residential towers. The footfall around the site is huge and an introvert planning was required.

Planting was a major challnege since most part if terraced and only little sun is available in the inside courtyard.

YBPL HOUSING

Client: YBPL Group, Architect : ARCOP Near Vishwavidyalaya Metro Station , New Delhi 14 Acres | 2013

DETAIL AREA: STILTS

species like Azadirachta indica, Anthocephalus cadamba, Polyalthia longifolia, Holoptelia intregifolia, Erythrina indica, Bauhinia variegata, Tabebuia avallanedae

AREA DETAIL

PLANTING PLAN

INTENT: To create a landscape vocabulary that compliments the heritage nature of the old bungalow. Currently the landscape, though impressive, makes an independent imperial statement in stark contrast to the ‘english cottage’ nature of the heritage structure. It is strongly felt that a garden based on the pronciples of the 18th century english garden style would both compliment and sit in harmony with the structure.

The landscape intends to make an appropropriate complementary setting for the house.

LOCKSLEY HALL

Client: Kalpataru Mumbai, Architect : BRIC Design Design Development, Presentation, Construction Document Mahabaleshwar, Maharashtra, India

LEGEND 1. ENTRANCE 2. DRIVEWAY 3. DROP-OFF 4. ARBOR 5. LAWN 6. ROLLING LAWN 7. STEPPING STONE 8. OUTDOOR DINING 9. LOUNGE 10. SUN-DECK 11. WALKING TRAIL 12.WHISPERING BROOK 13. KIDS’ PLAY 14. HORSE RIDING ARENA 15. EXISTING NALA 16. OLD BUNGLOW 17. NEW GUEST HOUSE

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OLD BUNGLOW

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DETAIL PLAN: CENTRAL AREA

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SCHEMATIC SECTION THROUGH LOUNGE

CONSTRUCTION DOCUMENT: ARBOR -ENTRANCE AREA

CONSTRUCTION DOCUMENT: DINING TERRACE

AERIAL VIEW

EPICA & ELEVARE

Client: Ramprastha Gp., Architect : Sikka Associates Design Development, Presentation, Construction Document Sector-93, Gurgaon, Haryana, India 37 Acres | 2013

LANDSCAPE DEVELEOPMENT PLAN

SHADOW ANALYSIS ELEVARE

EPICA

SITE PLAN: POTENTIALS

DETAIL PLAN: EPICA

1. ARRIVAL PLAZA 2. THE SYLVAN TRAILS 3. TRIVIA COURTS 4. THE OASIS 5. THE LAGOON 6. SPORTS CURTILAGE 7. KIDS KINGDOM 8. THE SENSORY GARDEN 9. LITTLE GLEN

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LEGEND

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10. ALAMEDA 11. TOWER DROP-OFF 12. WALKWAY 13. DRIVEWAY 14. WHEELER PARKING 15. BICYCLE PARKING 16. BASEMENT RAMP

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VIEWS

BHARATPUR PALACE RESORT

Client: Claridges., Architect : Abhikram Design Development, Presentation Bharatpur, Rajasthan, India 26 Acres | 2013 INTENT: Claridges is a un9queproject of Landscape Development arpund a palace building converted into a resort. The area under consideration was largely a part of watershed to the adjacent local stream, Govardhan nala. The surface run-off management was essential character of the heritage complex. While orchards remained key element in chosing the planting scheme for the site, the overall circulation was woven all around the site picking clues for providing proximity to all the heritage structures scattered on the site.

DRAINAGE MAP

DRAINAGE STRATEGY

NETWORK OF SWALES AND LOCATION OF KUNDS

SCHEMATIC PLAN: CHARBAGH

SCHEMATIC PLAN: NAV KUMUD ( NINE LOTUSES) PRANGAN

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Bharatpur is habitat to several migratory birds. The clusters are named on the birds itself like Monal Kunj, Neelkanth Kunj, Bakul Kunj, Mayur Kunj, etc.

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TYPICAL CLUSTER PLAN

1. KART DROP OFF 2. ANGAN 3. TENTED VILLA 4. SWIMMING POOL 5. DECK 6. JALI SCREEN 7. LAWN 8. PIVOTTED LOUVERS 9. STONE BENCH 10. PLANTERS 11. FLOWER PARTERRE 12. SERVICE UNIT

VIEW TOWARDS THE POOL

DOVER PARK RESIDENCE

Client: Ms. Singhania., Architect : Shailesh Shah Design Development, Presentation Kolkata, West Bengal , India | 2013

-RESIDENCE -1 SUSHANT LOK, GURGAON, HARYANA -COMPETITION ENTRY FOR NATIONAL WAR MEMORIAL NEW DELHI, INDIA -RESIDENCE -4 RAIPUR , CHHATTISGARH

RESIDENCE-1

Client: Mr. Nagpal.

Sushant Lok - I, Gurgaon , Haryana | 2014

COMPETITION ENTRY FOR NATIONAL WAR MEMORIAL TEAM : Richa Sharma & Vigneswaran Azaghusundaram

C-Hexagon, India Gate, New Delhi | 2016

INTENT:

empty chhatri. Placing it behind the chhatri also brings the public footprints to this part of area. The arrangement is geometric and represents the DISCIPLINE.

LEGEND 1. BAAHARI PARIKRAMA

9. RAKTIM DARRA

2. KSHITIZ SEEM

10. KAUSTUBH

3. MERU PRISHTHA

11. PRAKASH PUNJ

4. BHEETARI PARIKRAMA

12. RAMP DOWN TO SERVICES

5. SHPPR STAMBHA

13. CONNECTING PLAZA

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7. CHETANA KHAND

UNDERPASS

8. HIMADRA PEETHIKA

15. TRAIL TOWARDS PROPOSED TUNNEL

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NGMA

RESIDENCE-4

CLIENT: Mr. Anwar Dhebar Raipur, Chhattisgarh, India | 2021