HONORS & AWARDS 2022-2023

Maddie Bell (Jones)
English; Visual & Dramatic Arts
Alyssa Cahoy (Sid Richardson) * English; Health Sciences (minor: Medical Humanities)
Savannah Carren (Jones)
English
Akaya Chambers (Martel)
English; Visual & Dramatic Arts
Madeleine Cluck (Wiess) English
Sarah Darilek (Lovett)
English
Morgan Gage (McMurtry) *
English; Visual & Dramatic Arts (minor: Study of Women, Gender, & Sexuality)
Ella Hoyt (Hanszen) *
English
Destiny Jackson (Duncan)
English; Psychology
Tiffany Jin (Duncan)
English; Politics, Law, & Social Thought
Sammi Johnson (Duncan) ^
English; Sociology
Annette Jones (Brown)
English
Ray Karki (Brown) ^ English
Jordan Killinger (Will Rice)
English (minor: Business)
Kennedy Kovin (Duncan)
English
Sara Mansfield (Hanszen)
English; Economics
Cg Marinelli (Hanszen)
English (minor: Business)
Warda Mohamed (Jones)
English; Sociology
Izabella Natchev (Martel)
English; Computer Science
Summer Diem-Ha Nguyen (Hanszen) ^ English (minor: Medical Humanities)
Anna Rajagopal (Jones) * English
Alexis Robertson (Sid Richardson) English (minor: Sociology)
Camille Villar (McMurtry) * English; Biochemistry & Cell Biology
Kendall Vining (Martel) ^ English
Alejandra Wagnon (Wiess)
English, Visual & Dramatic Arts
Rachel Waite (Duncan)
English; Sports Medicine & Exercise Physiology
Lily Weeks (Jones)
English; Visual & Dramatic Arts
Elysia Wu (Lovett)
English; Neuroscience
Hannah Young (Wiess)
English
Bonnie Zhao (Baker) English, Sociology
^ Graduated December 2022
* Student recommended for University Distinction in Research and Creative Works
The Senior Seminar & Research Workshop is an immersive, year-long, research and writing methods course. The culmination of the course is an in-depth critical or creative work with the potential for public-facing components (e.g., performances, websites, e-zines, podcasts, community events), as well as collaborations with a student’s secondary major or minor.
Maddie Bell
“Crossroads”
Alyssa Cahoy
“A Path is Formed By Walking: With Love, To the Budding Pinay Luminary”
Savannah Carren
“Adjective Noun”
Akaya Chambers
“Death Lives in Cold Bones”
Madeleine Cluck
“Medical Dramas in Public Discourse”
Sarah Darilek
“Nonvert Narratives: Online Identity and Community for Exvangelicals”
Morgan Gage
“dying languages”
Ella Hoyt
“Three Photos of Somme in Spring”
Destiny Jackson
“The Diary Monologues”
Tiffany Jin
“Inheritance and Revolt: Aphra Behn’s Libertine Poetry”
Annette Jones
“Group Sourced Truth”
Ray Karki
“A Fall of Reign”
Jordan Killinger
“Inspiring Middle School Students to Love Reading in an Internet-Obsessed World”
Kennedy Kovin
“Post-Dobbs Abortion Narratives”
Sara Mansfield
“The Intersection of Modernism, Gender, and Sexuality”
Cg Marinelli
“But Then She Came Back”
Warda Mohamed
“Black Placemaking at Rice University”
Izabella Natchev
“Increasing Representation of Women, Queer Identities, and Mental Health in Science-Fiction”
Summer Diem-Ha Nguyen
“The Desensitizing Ubiquity of War Metaphors in Healthcare: An Investigation of Militaristic Language in Early COVID-19 News Articles”
Anna Rajagopal
“For All the Tiger Daughters”
Alexis Robertson
“Confronting the Literary ‘Canon’”
Anne Rubsamen
“Teenage Gothic”
Camille Villar
“The Paperback Patient: Interpersonal Insights from Psychiatric Diagnoses in Gothic Literature”
Alejandra Wagnon
“A Non-Comprehensive Look into The Brain of Alejandra Wagnon”
Rachel Waite
“Too Old: Questioning Age Beliefs”
Lily Weeks
“Stone Acts, Butch Feelings: Minor Aesthetics in Lesbian Pulp Archives”
Elysia Wu
“Tale As Old As Time: Reimaging Femininity in Magical Retellings”
Hannah Young
“Everyday Anomalies: A Collection of Sci-Fi-Realism Short Stories”
Bonnie Zhao
“Unveiling the World of Fanfiction: From Derivative to Legitimate Literature”
Caroline
and
Created to honor Emeritus English Professor David Minter and his wife Caroline, this award is given out every year to a graduating English major with an extraordinary GPA, whose transcript demonstrates a breadth of scholarship.
Anna Rajagopal
Anne Rubsamen
Fiona Tolhurst Memorial Award
This prize is presented to a graduating English major who has demonstrated academic excellence in upper-level courses, and has expressed interest in a graduate degree.
Kyra McKauffley
Lily Weeks
Caroline S. and David L. Minter Outstanding Essay Prize
This prize is awarded for a paper of ten pages or more written for an English course by a current junior or senior English major.
Lily Weeks
“Too Butch for Feelings: Reading Minor Lesbians in 20th-Century Pulp Fiction”
Caroline S. and David L. Minter Summer Scholar Awards
These awards are given out every year to any student whose research over the summer will inform their work in English during the following semester.
Huijun Mao, Dasseny Areola, Hannah Hoskins, Jasmine Beveridge
Lady Geddes Essay Writing Prize
This prize is an annual writing competition for the best academic paper by a currently enrolled freshman or sophomore.
First Place - Alyse Bijl-Spiro
“Absurd Heroism in the Streets of London: An Existentialist Reading of Virginia Woolf’s Mrs. Dalloway”
Second Place - Shani Chiang
“The Other Slave Girl in Harriet Jacobs’ Incidents in the Life of a Slave Girl”
Inprint Marion Barthelme Prize in Creative Writing at Rice University
This award is given out every year to a graduating student who has completed coursework in creative writing at Rice University.
Anna Rajagopal
Paul Otremba Award for Literary Citizenship
Each year, this award is given in memoriam of the life and work of Paul Otremba, a poet, Rice professor, and dedicated literary citizen, honoring a graduating Rice student who has made outstanding contributions to the literary community on campus, in the Houston area, or the field.
Hannah Young
The Rice Review Awards
R2: The Rice Review is a student-run literary journal at Rice University founded in 2004 by creative writing professor and author Justin Cronin, and made possible by the generosity of the Huisick, Epstein, and Williams families. Each year, R2 gives out Williams Awards to those students whose work merits additional recognition.
George Guion Williams Prize for Fiction
First Place – Ella Hoyt for “Three Photos of Somme in Spring”
Second Place – Ashley Wang for “Hope is the Thing With [Unfortunate] Feathers”
George Guion Williams Prize for Creative Nonfiction
First Place – Emelia Gauch for “I am attempting to construct a person from memories and shadows”
Second Place – Anne Rubsamen for “The Uncanny Tooth”
George Guion Williams Prize for Poetry
First Place – Riya Misra for “Show Your Work”
Second Place – Camellia An for “Blood Orange”
The English Department also recognizes Senior Lecturer Ian Schimmel who serves as faculty advisor to R2: The Rice Review. Instructor Schimmel consistently goes above and beyond to mentor, and serve as a resource for, those students that serve on the editorial staff of this incredible journal.
McKenna Tanner, Lily Weeks, Hannah Young Editors-in-Chief, R2
Dasseny Arreola, Riley Combes, Suzanne Harms, Katherine Jeng, Janai Kameka, Kaitlyn Keyes, Grace Kwon, Izabella Natchev, Kayla Peden, Hannah Son, Ariana Wang, Grace Yetter
Section Editors, R2
Basma Bedawi, Shreya Challa, Joanna Coram, Kenna Dixon, Emelia Gauch, Kyra McKauffley, Hadley Medlock, Hoang Nguyen, Jaclynn
Schwander, Cat-Linh Tran, Amelia Tsai, Ziana Ukani, Ashley Wang
R2 Staff
Julia Li, President, English Undergraduate Association (EUA)
Katherine Jeng and Cg Marinelli, Co-Vice Presidents, English Undergraduate Association
Riley Combes, Treasurer, English Undergraduate Association
Ellie Cha, Secretary, English Undergraduate Association
Founded in 2016, the EUA connects English majors and potential majors, readying students for diverse career paths and lives. Lecturer Amanda Johnson serves as faculty advisor.
Scott Pett Professor José Aranda
“No More New Worlds: Utopic Anxiety and the US Settler Imagination, 1885-1925”
August 2022
Sólveig Sigurdardottir Professor Nicole Waligora-Davis
“Hidden in Plain Sight: Nordic Colonialism in American Literature from Reconstruction to the Immigration Act of 1924”
December 2022
Sam Stoeltje Professor José Aranda
“Of Ghosts and Justice: Spectral Politics in 20th-Century U.S. Literature” May 2023
Chaney Hill Rowan Morar
Sonia Del Hierro PhD 2023
Assistant Professor of Chicanx Literature, Southwestern University
Kevin MacDonnell PhD 2021
Assistant Professor of Eighteenth-Century British Literature, Wake Forest University
EXTERNAL
Taylin Nelson Travel Award
American Society for Eighteenth-Century Studies
DEPARTMENTAL
Bren Ram
Clancy Taylor Summer Public Humanities Fund
Shirley Bard Rapoport Essay Prize
This essay prize is awarded every year for the best essay by a graduate student in the English Department. Morris Rapoport established this endowed prize as a memorial to honor his beloved wife and lifetime partner, Shirley Bard Rapoport, and her love of writing and literature.
First Place - Paul Burch
“Receptivity, Simultaneity: The Thin Red Line as Ecological Cinematic Poesis”
Second Place - Bren Ram
“Realism and Interface: Reading Ruth Ozeki Apocalyptically”
Chair’s Best Dissertation Prize
Each year, this prize is awarded to the best dissertation in the English department.
Sólveig Sigurdardottir
“Hidden in Plain Sight: Nordic Colonialism in American Literature from Reconstruction to the Immigration Act of 1924” Advisor: Professor Nicole Waligora-Davis
December 2022
Margaret C. Ostrum Summer Research Grant
This summer research grant allows students to travel to archives or work on ethnographic projects outside of Houston, especially for work related to their dissertation.
Nina Cook
Chaney Hill
Chaney Hill
Dean’s Fund Travel Grant School of Humanities
Bren Ram
National Humanities Council Graduate Student Summer Residency School of Humanities
Zainab Abdali, Humanities Graduate Student Assocation Co-president
Taylin Nelson, Humanities Graduate Student Assocation Co-president; Graduate Student Representative
Nina Cook and Karen Siu, Graduate Student Representatives
Chaney Hill
Diluvial Houston Initiative Predoctoral Fellowship
Center for Environmental Studies, Rice University
Meredith McCullough Visionary Partners’ Dissertation Fellowship
Center for the Study of Women, Gender, and Sexuality, Rice University
Diluvial Houston Predoctoral Fellowship
Center for Environmental Studies in collaboration with the Diluvial Houston Initiative, Rice University
Taylin Nelson Marilynn Mars Gillet Fellowship
Nina Cook
“A Speaking Silence: ‘Universal Language’ and Multilingualism in The Shape of Water” Word & Image, forthcoming
“Like a Lamb to the Slaughter: Unjust Censorship in Tales from Shakespeare” The CEA Critic, November 2022
Chaney Hill
“The Roots and Routes of Black Emancipation in Sutton Griggs’s Imperium in Imperio”
Texas Studies in Literature and Language, forthcoming Summer 2023
“Review of Steven L. Davis and Sam L. Pfiester, eds. Viva Texas Rivers! Adventures, Misadventures, and Glimpses of Nirvana along Our Storied Waterways”
Western American Literature, vol. 57, no. 4, Winter 2022
“Necro-Settler Coloniality in Texan Mythology and Identity: Forgetting the Alamo”
Western American Literature, vol. 57, no. 3, pg. 255–83. Fall 2022
Review of V Castro’s The Haunting of Alejandra
Southern Review of Books, forthcoming, May 2023
Review of KB Brookins’ Freedom House
Southern Review of Books, April 2023
Review of Clint Smith’s How the Word is Passed: A Reckoning with the History of Slavery Across America, “Confronting False Histories in How the Word is Passed”
Southern Review of Books, January 2023
Taylin Nelson
“Chapter 10: ‘Labouring Bodies: Work Animals and Hack Writers in Oliver Goldsmith’s Letters”
Routledge Studies in Eighteenth-Century Cultures and Societies Series - Letters and the Body: 1700-1830 ed. Karen Harvey, Sheryllynne Haggerty, and Sarah Goldsmith, forthcoming Summer 2023
Bren Ram
“Realism and Interface: Reading Ruth Ozeki Apocalyptically”
Modern Fiction Studies , forthcoming Fall 2023
“Lucy’s Apocalypse: Placing the End of the World in Narrative” Apocalyptica 1.2, pp. 97-115, forthcoming Spring 2023
“Reproductive Poetics: Infertility and Mediation in Monica Youn’s Blackacre”
Arizona Quarterly 79.1, pp. 105-129, Spring 2023
“An Introduction to the Speculative Fiction of Percival Everett” Ancillary Review of Books, 2022
“Coming Home to Folk Horror: A Review of C. A. Fletcher’s Dead Water” Ancillary Review of Books, 2022
Nina Cook
“‘As the Judge’: The Interpolation of the Reader in The Woman in White”
North American Victorian Studies Association Conference
Bethlehem, PA
October 2022
Chaney Hill
“Translating the Global Climate Concerns with Personal Stories”
Guest Lecture for Environmental Studies 205: Reckoning with the Anthropocene, Watersheds Rice University
2023
“Black Histories Lab: Re-Thinking Black Houston”
Black Houston(s) Symposium: Research, Policy, and Activism—Past and Future
Rice University and the Gregory School
March 23–24, 2023
“A Space in Between: The U.S.-Mexico Border Wall as War Memorial”
Experiencing War Memorials: Feeling, Place, and Public Memory
University of Alabama
2023
“Bathed in the Blood: Necro-Settler Colonialism at the Alamo”
Modern Language Association Conference
San Francisco, CA
2023
“Future-Oriented Black Expressivity in Sutton Griggs’ Imperium in Imperio”
Western Literature Association Conference
Santa Fe, NM
2022
“The Roots and Routes of Black Emancipation in Sutton Griggs’ Imperium in Imperio”
South Central Modern Language Association Conference
Taylin Nelson
“Black Histories Lab: Re-Thinking Black Houston”
Black Houston(s) Symposium: Research, Policy, and Activism—Past and Future
Rice University and the Gregory School
March 23–24, 2023
“Digitally Mapping the 18th Century”
American Society for Eighteenth-Century Studies
St. Louis, MO
March 9–11, 2023
“Studying Sharks as ‘Enfleshed Work’: Christina Sharpe and Natural History”
American Society for Eighteenth-Century Studies
St. Louis, MO
March 9–11, 2023
“Defining the Human in Environmental Humanities”
Venice International University Graduate Seminar Series
Venice, Italy
June 6–11, 2022
Bren Ram
“I Spy Nothing: A Nuclear Commons of Anti-Blackness”
Association for the Study of Literature and the Environment
Portland, OR 2023
“Genre Theory as Pedagogical Tool: A Case Study on the Personal Statement” College English Association
San Antonio, TX 2023
“American Desert and the Palimpsest of Nuclear Apocalypse”
Western Literature Association
Santa Fe, NM
2022
“Inviting Apocalypse Studies: Reading Ruth Ozeki’s A Tale for the Time Being”
Association for the Study of Literature and the Environment
Newark, DE 2022
Professor José Aranda, Director of Graduate Studies
Professor Aranda has a joint appointment with the department of English and the department of Modern and Classical Literatures and Cultures. He has written articles on early U.S. criticism, 19thcentury Mexican American literature, the future of Chicano/a studies, and most recently undertaken an investigation of the relationship between modernity and Mexican American writings, entitled, The Places of Modernity in Early Mexican American Literature, 1848-1948. Nationally, he sits on the board of Recovering the U.S. Hispanic Literary Heritage Project, and is an active member of the MLA Chicana and Chicano Literature Division. He teaches courses in Chicano/a literature and 19th- and 20th-century U.S. literature.
Professor Krista Comer, Chair of the Awards Committee
Professor Comer is a scholar of contemporary literature and cultural politics with interdisciplinary interests in problems of place, space and their theorization. Her books include Landscapes of the New West: Gender and Geography in Contemporary Women’s Writing (1999), and Surfer Girls in the New World Order (2010). She has published essays widely, and edited two special issues of the journal Western American Literature. In 2014, Professor Comer co-founded the Institute for Women Surfers (IWS), an international grassroots political education initiative in the Public Humanities. Her current book project is Living West as Feminists
Professor Lacy Johnson, Director of Undergraduate Studies
Professor Johnson teaches Creative Nonfiction. She is a professor, curator, activist, and author of The Reckonings (Scribner, 2018), which was a finalist for the National Book Critics Circle Award in Criticism, and the memoir The Other Side (Tin House, 2014). For its frank and fearless confrontation of the epidemic of violence against women, The Other Side was named a finalist for the National Book Critics Circle Award in Autobiography. She is also author of Trespasses: A Memoir (University of Iowa Press, 2012), which has been anthologized in The Racial Imaginary (Fence Books, 2015, edited by Claudia Rankine et al.) and Literature: The Human Experience. She is currently Artistic Director of the Houston Flood Museum.
Professor Kirsten Ostherr, Department Chair
Kirsten Ostherr, PhD, MPH is a media scholar, health researcher, and technology analyst. She is currently leading a multidisciplinary project called “Translational Humanities for Public Health” that will identify humanities-based (and humanities-inspired) responses to the COVID-19 pandemic, to document and help others build upon these creative efforts. Kirsten is founder and director of the Medical Humanities program (2016-present) and the Medical Futures Lab (2012-present). She has spoken to audiences at the White House, the World Health Organization, the National Library of Medicine, TEDx, the mHealth Summit, Medicine X, the Louisville Innovation Summit, the Bauhaus, and universities and conferences worldwide.
Rice English integrates creative and critical practice through training in close reading, analytical writing, cultural history, and craft/form. Our faculty research and pedagogy cover the breadth of the study of British and American literatures and cultures ranging from the medieval era to the present. The curriculum emphasizes literature and literary history, race and ethnicity studies, feminist and gender studies, queer theory and the history of sexuality, visual culture and comparative media studies, and the Anglophone literature of the postcolonial world. Faculty have particular strengths in the newer interdisciplinary areas of medical humanities, ecocriticism, post-humanism, and environmental humanities.
Rice English is also home to a vibrant creative writing concentration offering a range of courses in fiction, poetry, and creative non-fiction.
Our doctoral program is training the next generation of teacher-scholars through interdisciplinary seminars and a comprehensive professionalization program.