Summer 1996
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e Allies and Morrison d g e 36 GOING DUTCH
at Newnham
This scheme, first illustrated in CA29 Autumn 1994 and recently complet-
ed, fits well in the Ieafy red brick world of Newnham. The London
ffi' A quarterly review of current a rch itectu ra l, u rba n ist a nd environmental issues in the Cambridge area produced by th e Ca m b ri d g e Associ ati o n of Architects. The views in this gazette are those of the i ndivid ua I contributors a nd not of the Association.
glimpsed through a passageway there this is the 'Little Street'come to life. This is not the first time Newnham College has been likened to a Dutch painting. Pevsner described Basil Champneys buildings as having the atmosphere and "feminine daintiness" of a Peter de Hoogh, Vermeer's rival. The college is after all the apotheosis of "Queen Anne", essentially a revival of a Dutch seventeenth century style. All this may come as a surprise to Allies
practice of Allies & Morrison are fast developing a reputation for well considered, carefully detailed building's which both respond and contribute to context. Jeremy Lander reports.
their heroes are Aalto, Khan, Scarpa and Asplund - and this building is certainly
lf, like me, you missed the Vermeer exhibition at the Hague you should get your clogs on and trot down to Newnham college where Allies and Morrison have recreated a little piece of the Dutch Master's work in the twentieth century form. Hand-made brick and white woodwork enlivened by incident - someone framed by a balcony here, a passer - by
"precedence of appearance over expression of plan and construction" for which Shane de Blacam (unfairly) criticises them in his review of the Dublin Embassy (AJ 23.11.95.). No, it is simply the result of a genuine desire to integrate buildings with their context, to establish, as Asplund did so well, an immediate sense of place.
and Morrison. They have made their name as uncompromising modernists -
not pastiche. There is none of that