Revista The 13th N° 53 (Interviews)

AÑO: 5 | NÚMERO 53

THE 13th UN A REV I S TA I M A GI N A RI A

NOCTORUM - MUSTA PARAATI BEAUTY IN CHAOS BRIM LISKI - I AM A ROCKETSHIP

INDEX INTERVIEW

NOCTORUM

MUSTA PARAATI

BEAUTY IN CHAOS

BRIM LISKI

I AM A ROCKETSHIP

04 08 12 18 24

SESIONES ENTREPISOS EN EL ESTUDIO MONTACARGAS YA TENEMOS VARIAS SESIONES LISTAS PARA LANZAR...

INGRESEN Y SUSCRÍBANSE A NUESTROS CANALES PARA RECIBIR INFORMACIÓN SOBRE LAS SESIONES Y PODER VER LOS VIDEOS. WEB: https://www.entrepisosradio.com/ FACEBOOK: https://www.facebook.com/EntrepisosRadio/ INSTAGRAM: https://www.instagram.com/ciclo_entrepisos/

[ Interview with Marty Willson-Piper from Noctorum by Diego Centuriรณn.

Photograps: Simon Green and Olivia Willson-Piper. ]

IN DEPTH: MARTY WILLSON-PIPER AND NOCTORUM

Maybe one of those musicians more interesting from his music but also from his words, a musician, who in his speech teaches us and shows us that musical wisdom takes his years of study, both to listen, to read and to know how to make history with his musical talent. Taking advantage of the release of the single advance Noctorum, the duo consisting of Marty Willson-Piper and Dare Manson, who will release the third album in 2019. We contacted Marty.

Hi Marty, we are glad to talk with you, we focus on Noctorum and the next album "The Afterlife".

Hi Diego ¡Thank you!

To begin with, please tell us how is this project initially came to be?

My partner in Noctorum, essentially a studio project, is Dare Mason and we have been working together since we were teenagers. After our teenage years, Dare followed the path of engineer/ producer whilst I gravitated towards guitarist/singer/songwriter. Consequently it was inevitable that we would work together and when I began to make solo albums, Dare got involved in all but one. After a while, we decided that it would be nice to also have Dare involved in the writing process so we formed Noctorum for that purpose.

It’s been 16 years since the band's debut "Sparks Lane" (2002), followed by the albums "Offer The Light" (2006) and "Honey Mink Forever" (2011). Have there been any that you feel has changed in Noctorum over these years?

No, not really. We continue to be eclectic, but our eclecticism is more focussed if that doesn’t sound like a contradiction. Ha Ha! Today technology offers many new opportunities in relation to songwriting. You can be on one side of the world and Dare on the other side of the planet, and compose without any problems. Is that what happened for this album? Please tell us about your work in terms of the composition for this new album.

It is true that you can work together remotely, but that’s not how we do it. We get together in Penzance in Cornwall at the VIP Lounge Studio and In Deep Music Archive headquarters and we write sitting in a room with guitars or basses in hand, sometimes working with a drum loop, sometimes not. That’s it! We work on ideas, rhythms, guitar and bass parts and then get a rough version recorded and then usually I will get a vocal melody idea and roughly jam it down to remember it and work on it later.

The new preview videos for this album are interesting and I see that Olivia Willson-Piper is also involved. How long did you work on this new album and where can people buy it?

We began working on the album in October 2016 and Olivia started videoing snippets of the process, unless she was playing violin of course, then I would take hold of the camera. So we’ve been in and out of the studio over a two year period, self-investing in it and that’s why we took up a PledgeMusic campaign. This gave fans the possibility to support us in the process and also give them the opportunity to acquire a copy through the campaign a full 3 months before the street release date. Pledgers will receive the album in November, street date is February through Schoolkids Records.

When reflecting on your extensive career, perhaps you can share some words about where you are in your development or your own personal path as a singer-songwriter, specifically in regards to this new Noctorum album?

Well, hopefully it’s an evolutionary process throu-

gh all projects I am involved in, although in music it seems that what were once prolific artists often cease to be. Pete Townshend’s output, The Stones, Bowie, was sporadic after their amazing ground-breaking and creative decade from 19691980. Stevie Wonder released both Music Of My Mind and Talking Book in 1972. Both Please Please Me and With The Beatles were released in 1963. But what happened with The Psychedelic Furs - their last album was 1991 and yet they still tour, no new songs for 27 years? How can you be so good and just stop writing? There’s many examples but then there’s Neil Young!

For me the only enemy is time, especially being involved in lots of different projects. You have to prioritize your creativity over vacuuming the house or painting the cat. As I’m involved in many different projects, the involvement of other people is an impetus to create. I imagine it is hard for an artist who has always written by himself, had success and can no longer find the inspiration in a different musical world - Neil Young breaks that

mold. Jagger/Richards probably don’t see each other that much. For me, staying enthusiastic has never been a problem, so I can create for its own sake, the consequences, as in, is it worth being creative because if no one buys it there’s no point, is really quite irrelevant and not why I create in the first place.

I realize you're also preparing your next solo album. Will your plans with Noctorum's work possibly delay those plans or was that all factored in? More than anything, I think about the possibility of presenting the Noctorum album live. Does that possibility exist?

Noctorum has always been a studio project.

Having said that, Olivia and I do play Noctorum songs live. We regularly play Hopes And Fears from Offer The Light, High As A Kite and Hey There from Sparks Lane and most recently My Museum from that album. But it’s difficult with Noctorum because we use the studio as an instrument - we multi-track, create beds of sound,

blend instruments together to create soundscapes, multi-track vocals. We‘d need a nine-piece band to perform the songs properly live - brass, percussion, strings on top of two guitars, bass and drums. So it’s unlikely that there would be a full-fledged Noctorum live production but you never know. It depends on how successful it becomes in the end it’s all about what you can afford.

I’m writing songs for another solo album between everything else. Hopefully by the end of next year I will have enough songs to record an album with Olivia - possibly in Texas.

As I mentioned earlier, Pepe and I are working on the material that you left with us in February of 2017, so we’ll also be presenting that. But there is something I didn’t ask you about at that time - consider this a good excuse to return to that question. Tell us about your collection of records, movies and books ... And the work you are doing with your website.

Well, the labour of love that is the In Deep Music Archive continues to grow as we travel around and pick up all kinds of interesting and often forgotten record from record shops around the world.

I write about music as much as I can on the website (indeepmusicarchive.net) as time allows. We estimate that the archive now has something like 50,000 titles but we have run out of room and need a bigger space. The dream is to turn the archive into a musical culture centre but that takes finance and I don’t think backers see a return for their money and if there’s no profit, there’s no help. We need an arts philanthropist who sees the value of this immense and beautiful library of

music and values it as just that. I don’t think that museums of art and culture, opera houses and so called high art institutions are making a profit either, but without them we would be searching for the preservation of our souls in an empty world of money and survival. The soul needs art, music, dance, reading, to survive - otherwise you are Donald Trump.

2018 is nearly finished. Your life has had many memorable moments this year. How do you see your own personal 2018?

A great success, a wonderful wife, one of my daughters making me a grandfather, travel, new friends in Texas after producing Salim Nourallah’s album, the new Noctorum album, England doing well in the world cup - what more could you ask for?

2019 is nearly touching us. What plans do you have for Noctorum, your solo project and also for the new year?

The Noctorum campaign finishes in November, but we will continue to promote it into the new year for a street date release of mid-February. Olivia and I will play shows in Germany. I will play with Anekdoten and start work on a new Anekdoten album in Stockholm. We have the new MOAT album started, we will continue with that in Penzance next year as well as the Atlantium project in April.

In December we will go to Liverpool to see Paul McCartney and in March to London to see Roy Harper. A solo album will become a reality once I have the songs written, it’s a work in progress. So many dreams, so little time.

[ Interview with Saku Paasiniemi from Musta Paraati by Diego Centuriรณn.

Photograps: Stefan Bremer and Anabel Dflux ]

MUSTA PARAATI AND JYRKI 69 MAKE A WICKED COMBO

When thinking about these questions I started listening to the new record of the Finns Musta Paraati, a post punk conundrum where Gothic Rock would surely be present by the simple presence of Jyrki Linnankivi (The 69 Eyes, 69 Cats). And I was not that far away when I heard "Black Parade" which is an album that goes way beyond the labels that you want to put on it. The album is a demonstration of character and sensitivity in each chord, in each rhythm, in each riff, in each melody, in each keyboard pad, in each voice phrase.

They were born in 1982 and their first separation in 1984, then they made some concerts with different formations but the original duo of Saku Paasiniemi (guitar) and Panda Nikander (bass) stayed united every time the band was reactivated.2015 was the year that brought them back and in 2018 they return with their third album, after 30 years of their last album, Käärmeet (Snakes) (1984).

For this interview we have contacted the band to meet them and talk about their new album.

Hi guys, thanks for answering these questions.

For starters, how were those first years in which everything happened very fast? Two years, two albums, several alignment changes.

That old phrase is the right way to describe that what was happened in early 80s "too much, too soon" hahahaa we all were into that first wave of punk rock and suddenly we became most selling rock band in Finland with no plans at all and during those 3 years we recorded music with 3 different singers, which was quite weird and I think it's some kind a world record as well hahahaa a but after all I think we did something right cuz Peilitalossa has become some kind of cult album.

In 2015, you returned definitively.

How was it to meet again after so many years with a project that was on hiatus?

2014 we got together to celebrate our original keyboard player's Birthday and decided to play few songs as well and it felt so good so right after that we recorded Uusi Musta/New Black EP and ended up to play live almost in

every main festivals in Finland.

How and when does Jyrki enter as a vocalist?

We started to make new album in Finnish right after those gigs but soon I noticed that Herra Ylppö the singer is too busy with his other projects so it started to effect us in a bad way and some of us got frustrated cuz things just happened too slowly, so one night I was at home playing guitar and drinking beer I got that idea to send some demos to Jyrki. I had that idea already that we should do some things in English as well cuz anyway I noticed that we have fans abroad as well and also it helps cuz Cleopatra released Peilitalossa in the USA. But I wanted to make those new songs with a different vibes cuz the singer and the language were new things for us but still wanted to have our roots in it and make it in ordinary Musta Paraati way.

I was thinking that Musta Paraati and Jyrki could be the awesome combination for it.

What do you think Jyrki has

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contributed to the sound of Musta The album has already been edited ... What is the feeling now?

Paraati?

Jyrki have that brilliant thingy that I think it was good that we kept it older he gets, better he's voice gets. simple, guitar, bass and drums been.

He is like the Johnny Cash of Goth‌ And to finish this interview, I will hahahaaa ask you the last two questions.

What challenges did this new What are the next plans of the rebirth of Musta Paraati impose band? Will Jyrki be in the formation on you? While the sound is quite that Black Parade will present? natural and direct ... is it an album In December we start a Finnish tour and do some gigs in January too and designed to take it to live?

I was a bit stressed about how people after that let's see Europe, Japan, will take that new wave of Paraati during Russia and USA........ Time will tell.... the studio session but now when I have Anyway the live gigs are the things that album in my hand I know we did for me, why I am doing this, actually we the right thing, I think it fresh, modern have songs already for the next album goth rock album but still have our roots cuz I think we shouldn't take another 30 years break....... Hahahaa in it.

How did you start writing the songs Is there something that I did not ask, but you want to say to our readers? of "Black Parade"?

We played live in the studio cuz what's Goth rock, rock, post punk or whatever. the point to make it too tricky cuz I still Tt is music and that's how it should be want us to sound raw enough when we appreciated.

Peace out Saku play live on stage.

Thanks guys!

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[ Interview with Michel Ciravolo from Beauty In Chaos by Benjamín York.

Photographs: Christina Godepski and Eloisa Limon ]

BEAUTY IN CHAOS: MICHAEL CIRAVOLO IN LEAGUE WITH MUSICAL ROYALTY

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¡The times are a-changing… for good!

In recent times, technology has allowed us to enjoy albums that, just decades ago, would have been impossible to dream of. Thinking about uniting artists from different continents to create, under the captivating idea of one dreamer, is something totally possible today. There are some cases where, in the pages of our Magazine, some of the components of new work of this particular style are again under one roof. In this case, guitarist Michael Ciravolo (Human Drama) has done an exceptional job selecting a group of front-line guests, all to give life vocally to Beauty In Chaos, a dream come true for Michael.

Hi Michael, thanks for letting me ask you these questions.

Before I start I want to congratulate you on "Finding Beauty in Chaos", an exquisite album.

Thank you very much for your kind words and for taking the time to do this.

To begin, how was the idea of this album born?

The idea to do this record actually started during the recording the Human Drama “Broken Songs for Broken People”. It became obvious that we had grown apart musically; by ‘we’ I mean myself and the other members of the band. As I was recording my guitar parts for the record, it must have been clear to my producer that I was frustrated. He said to me “why don’t you do your own record?” So, it was really that simple idea. I finished doing my guitar parts on the Human Drama album, but started writing and recording songs for what was now my ‘solo’ record. BEAUTY IN CHAOS quickly grew into so much more.

Beauty in Chaos was born for this album?

We are bombarded with so much negativity... on the news, all over social media, even in movies and music. Hate, po-

litics and the apocalypse is everywhere.

A friend of mine photographs abandoned building, and what struck me was how nature with its beauty retakes the dilapidated structures. The natural beauty is returned.

My concept on this record was to ‘find’ that beauty, wherever it may be in the chaos that surrounds us.

How was the process of thinking who would sing each song and how was the time to receive the affirmative answer?

I had spoken to most of the artists about doing this album first, so I had a good idea of who would be part of it. When we completed a music track, producer Michael Rozon and I would sit back and listen to it and talk about who we felt it would be a good fit for. It was really that simple on most of the songs.

“Memory Of Love” was a song I wrote to capture what I felt was the energy of early Human Drama and Johnny would be the singer on that track. But most of the other songs was simply putting the right ‘pieces’ together. Thankfully all of it just seemed to come together.

Have you missed a musician who has not been able to participate?

Actually, I had sent a song to Robert Smith, but with him working on lyrics to

the long-awaited new CURE album, it was not something he felt he would have time to do. He did say he liked the track quite a bit, so who knows… maybe he will do something with BEAUTY IN CHAOS in the future. That would just be wonderful! I am hoping that with the positive response ‘finding beauty in chaos’ is getting, that it will open the door for others to join us as BIC evolves.

As I said at the beginning, technology has advanced so much that this album is possible in part to the growth of the internet and all forms of recording. In

other times an album like yours would have taken much longer than it surely took you.

What do you think of the digital world?

Well that is certainly correct. This record probably would not have even been possible without the digital recording technology. ProTools and DropBox where certainly key comments of our recording process.

At least half of the singers on this album recorded their vocals in their own home studios. Wayne Hussey sang in his studio in San Paulo, Simon Gallup recorded his bass at his son Eden’s studio, etc… all based on ‘technology’. So yes, I am a fan of

digital to a certain extent, but I can’t say I love the way people listen to or purchase music in the digital world;. But I’ll spare you my views for right now!

get to call them my friends. Honestly, the only person on this album I don’t know personally is ICE T although we are going to meet soon. It’s been a real pleasure putting together some very iconic artists, Do you plan to present it live? (if the some that have never been on a song answer is affirmative) With what band together. would you do it?

Honestly, I never thought of BEAUTY IN Now that the album has been released, CHAOS in the ‘live’ context, but I must ad- what are your next steps? mit that I am thinking about it more now We will be releasing several more videos than I thought I would. I guess we will see following up our first video, ‘Storm’. We also what is possible. Ashton Nyte and I will be have a remix album started called “beauperforming the three songs we did toge- ty re-envisioned’. Tim Palmer, who produther, including the debut single ‘Storm’ is ced The Mission, The Cure, Tin Machine, sort of an ‘unplugged’ setting next week U2 and more, has already mixed several for some tv/film music supervisors… so songs, with John Fryer and others doing there’s the first live performance of BIC! remixes. I’m really excited about this record since there will also be some cool I would like you to tell us the contact acoustic versions of a few of the songs. with each guest....

We should have this record out in March I am very proud to say that most of the 2019, then it’s on to BIC3, which I plan to amazing artists on this album also compri- impose a new set of creative limitations! se a big part of my record collection and I

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Do you have a second job in Beauty in Chaos?

I guess you would call my second job or ‘day’ job being President of Schecter Guitars.

It sounds glamorous but it’s a lot of work. I’m not complaining because it can be a very creative outlet and I do love designing guitars. It’s also put me in a position to meet and become friends with a lot of great artists which are on this record.

To finish and thank you for your kindness to answer us. Is there anything you want to add that I did not ask?

When I decided to do this record, I really wanted to challenge myself so I set two ‘limitations’ in the making of it. First, I would be the only guitarist on the album and second, there would be no synthesizers. I wanted all of the textures and soundscapes to be created with only guitars. I think we accomplished what we set out to do and I think it helps make this a remarkable cohesive sounding album… that I think everyone should own.

Thanks Michael!

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[ Interview With Ryan Policky from Brim Liski by Diego Centuriรณn.

Photographs: Ryan Policky. ]

IT'S AN EXPLOSION OF FEELING

Brim Liski is realizing an electronic dream, devised by two like-minded musicians based on the landscapes created in their mind. This project sees Ryan Policky of A Shoreline Dream accompanied on this adventure

by Justin Gitlin, an experimental digital artist, who also goes by the name CacheFlowe. Brim Liski has already existed for a decade. Now they are offering a new four-song EP called "Duels", so we reached out to them to learn about this new trip.

Hi Ryan, thanks for agreeing to make this interview.

I follow the music made by Ryan and his group A Shoreline Dream, but I did not know about this project. So I assume this interview will be eyeopening for all our readers.

To begin with, I know about the origin of the name of this project, but I ask you to share this story with our readers too.

The name was inspired by my dear friend Michelle Brim, kinda melded with the way my name is pronounced. The significance being that at the end of mixing and mastering “Recollections of Memory� for A Shoreline Dream I learned of her passing after giving her a call to tell her the good news of the album and to get together with her. She was attempting to contact me the week that Mark Kramer came over to help finalize the album and I was unable to reach back until it was already too late. It was devastating for me. She was one of the most amazing friends I had at the time. Someone I'd shared so much with.

It inspired me to write some new music and Justin agreed. Brim Liski became the tribute and motivator to move forward.

our free time developing the first track that gave us the motivation to expand it into a full album.

What is the composition and recording work like for this project?

We're such great friends that it really just came naturally. Much like when working with Ulrich, we tossed ideas back and forth, adding bits and pieces to the mix and passing it along to the other. We're both super open minded and very experimental with our writing, but we also knew each others strengths to make the songs truly shine. It was very organic. Very simple. Not a lot of talk, just a lot of music.

In November of 2019, you will be marking your ten-year anniversary. What has changed from your first songs until your current output – these songs on the "Duels" When and how did this project emerge?

EP? Well, as stated above it came about without What's crazy is that I wasn't even thinking warning. I knew immediately I wanted to me- about that anniversary until reading this quesmorialize Michelle, and we also were hot on tion. It's amazing how fast time goes by. Time our heels to try a collaboration since we were is a machine gun in fact ;). Not much has reaalready familiar with each others production lly changed on a production standpoint, but process since we had done some remixes to- our lives have changed dramatically. We're gether. I worked the day gig with Justin so it no longer working together at the same plawas easy to make it come to life. Spending ce we were during the first album, and we've

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both become freelance artists for a living. So it was difficult for us to find a time to make the music happen again since we had to hustle to try and find work for ourselves. Time was limited. But we still wanted to try some things.

We still had that urge to create new music, and that's huge.

In 2012, you released "The Repetitions" – what can you tell us about this work?

The Repetitions was quite literally based on the words themselves. Within the repeating elements in nature, the universe, life and human consciousness we were inspired to dish it out for a second release. It as well was more of an EP like Duels, but very conceptual to what was going on. It's pretty emotional, but still has that element of tech that we love interweaving in our music. Justin comes up with some stellar beats and this release for sure showcased that. Plume is one of my faves... that is a complete droner, but spatially epic and expansive. It's as close to electronic doom I could conjure up at the time.

Now that "Duels" is out, what can you tell us about the time when you composed some of these new songs?

Duels is one of those releases that happened during huge changes and revelations in my life. We came back together after a lull and somewhat emotionally draining time. In fact, this was my transition moment to yet another project named “Genessier” that is the true opposite of this dreamy vibe. What I love about Duels is the fact that it's electronically raw yet not reliant on a particular production style. It's huge but yet completely devastating. We're the goth side of progressive shoegaze and this truly shows that side of us. “A Different View” is one of those tracks I feel blown away by each time. Not because it's the best song or anything like that either. It's a true reflection of some insane times happening at that moment. It's an explosion of feeling that is a relative to getting in a fight with someone you thought you could trust no matter what. It helped me move on from the situation I was in and is an epic song to boot.

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Can you please tell us something about each of these tracks?

The Music Years This is a track that spans who we are as musicians. We fell out of the music making times for quite a stretch and re acquainted ourselves to it by sitting in a basement and throwing out the vibes we were missing from all those years.

Duels A song that truly went back and forth, thus the name. We started this new vision and fell in love with it right away. It was something we never thought we'd be doing again, and we're more than happy to spread it out there again.

A Different View Just as I spoke of previously this is truly me finding that spark in myself to make a change for the better. It's me fighting with my own emotions through a very explosive electronic overtone. It's deep, dark but very relatable to some seriously horrifying conditions I was putting myself through.

Evolution And “Evolution� represents moving on. Turning on a light and becoming this new person/musician. It's a complicated world, and certainly a supremely difficult time to live in with all the madness going on, but looking off into the horizon things look much brighter. This song represents just that. Plus, we really gave this one a kick of electronic experimentation throughout.

Can't wait to do more...

To end this interview and thank you for this opportunity, I should ask what your plans are for 2019?

2019 has been potentially even more difficult for me not just on an emotional level, but also in my career. Midlife crisis I assume, but to combat it more music will be taking shape. I won't stop until I stop breathing and we indeed plan on more Brim Liski songs to take shape over the course of these days of 2019.

Thank you!

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[ Interview with I Am A Rocketship by Diego Centuriรณn.

Photographs: Sheila Derby, K Elisabeth and Gaya Ramachandran ]

I AM A ROCKETSHIP: FROM ATLANTA TO THE STRATOSPHERE

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This duo pleasantly surprised me when I first heard them. Elegant, in some electronic moments, in other trip-hop, sometimes rockers ... but always elegant. Formed by Swedish vocalist and keyboardist L. E. Kippner and American guitarist Eric Weissinger. And now I present you...

I Am A Rocketship.

Hi guys, thanks for agreeing to answer these questions.

To begin with, how and why did you initially come up with the idea of calling the band "I Am A Rocketship"?

It was something we heard a child say. Out of nowhere, she announced “I am a rocketship,” and we looked at each other and thought the same thing, Band name!

You released your debut album, called "Mission Control", in 2016.

What differences can you identify between this album and your new "Mind Grafitti" album?

On the first album we were trying a bit of everything. We had been playing together for several years, but had recently become a duo, with no bassist or drummer. This gave us a lot of freedom, but we were not sure of our new sound. On Mind Grafitti, we’ve become more confident. It’s closer to our live sound, and maybe closer to our true selves.

I think about your sonority and I try to imagine what your influences could be... but this is something I can´t put my finger on – what are they?

That’s a good question. We each

have different tastes: L E was really influenced by Bob Dylan, Beth Orton, Jeff Buckley, other songwriters. Eric is more influenced by Sigur Ros, My Bloody Valentine, Curve, bands with unusual textures. Our tastes meet with Massive Attack, Run the Jewels, A Tribe Called Quest, M.I.A., Portishead, things like that.

Why did you decide to do a Rammstein cover?

MostlybecauseweloveRammstein.

They have this pure vision, and a unique sound. They do not compromise, and we respect that.

Also, our sound is so different from theirs, we knew if we covered one of their songs something interesting would happen.

You’ve said that the album was recorded on a laptop in different places over the course of a year ...

Tell us about that please.

We spend a lot of time playing with song ideas, and usually try a song a few times live then go back and redo the recording. By not committing to making an album in a week, or a month, we can finish the songs when they seem finished, and let them mature. Also, our schedules can be challenging, so if we find four

hours to record, we can just do it, Atlanta, is always fun. and make decisions fast.

It has been a few weeks since I have read that you are going to you released "Mind Grafitti". How make some videos since you’re has your album been received by unable to do long tours due to the public and the press? your respective jobs. Is that true? We’re delighted that a lot of people Yes, when you only get a couple like the album. It’s interesting that of weeks of vacation each year it’s so many people say we are hard a real challenge. We’re planning to categorize, but not in a negative a short tour in autumn, and we’d way. It’s a great time to be a music love to play a show or two in new, fan, because there are so many interesting places. We’d love to go bloggers and podcasters and online to Argentina, for example. radio stations and websites that are created by people who love music.

In that case, do you plan to play Because they care about music, some local concerts in support of people trust them, and share their this new album? music discoveries.

Absolutely. Driving to cities in the southeastern US for a Friday or Some friends recommended we Saturday show, or playing around work with Shameless Promotion PR.

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Shauna McLarnon, who runs it, works with musicians she actually believes in, and that makes a real difference. It’s also funny that the bands and artists she promotes has lots of names we love and respect, and friends of friends. It’s a small world!

And to finish this interview ... Is there something that you would like to share with our readers?

Say hi to us! We’re online in the usual places. Music is about the relationship between the people making the music and the people listening to it. We’d love to learn more about the people listening, and hear what other bands and artists you like. Maybe we can come play in your town soon.

Thank you so much guys.

The13th U N A RE V I S TA I MA G I NA RI A