BOUNDARIES Exhibition

BOUNDARIES

2 6 - 2 7 THE

A P R I L 2016

FLYING DUTCHMAN LONDON

LOUIS SCOTT ZOE FORSTER YANTO CHEUNG

RHIANNON ROGERS REECE HIGHAM ZOE SIM

Louis Scott 07809281518 lscott4696@gmail.com

There is often an inevitable objectification in bodies drawn for art .

How many models and muses are left anonymous, hanging in galleries? Most of the faces and bodies immortalised in drawing are immortal only in their ties to the artist.

Why not imagine these people instead? People manifested in ones mind can be used without fear of objectification when they don’t exist as objects at all.

Lives for these people can be created by the creator and the viewer and no one would be right or wrong; they don’t exist in an objective world.

Zoe Forster 07702064054 zoeforster@ymail.com

My work explores ancient and female embodiment. I male was forgotten, when goddesses representative

symbolism as a reference of the solar, lunar explore times before the immensity of the fethe female was adorned and portrayed through of the oceans, the moon and the stars.

inaccurate. recognition faint or distorted selfseeks to

overcome

this , which takes a large approach to it’s subject A gay man otherwise comfortable with his sexuality, plagued by insecurity inclined voice, he identifies others as stereotypically homosexual Is there such a thing as natural or subconscious ? is it a bad thing to be identified tricky questions neutralising

speech views.

tones Gay

to broaden

perspective By framing a person doesn’t go homophobic. self-loathing. hopeful possibility searching investigation viewer’s part.

Reece James Higham

Zoe Sim

Yanto Cheung 07476698355 vipxyan@yahoo.com.hk

The contrasts within the sublime.

Pieces from wild, collected and reformed.

Exploring the beauty of nature and time by capturing the moment of whatever is left.

Rhiannon Rogers 07963099731 rhiannonrosa@gmail.com

In perceiving an object, one occupies a separate space; it is this detachment that I want to ‘interrupt’ within my work. Alternating the space of a room itself by the presence of an object, as is done in the everyday, playing upon creating structures that physically and almost aggressively disturb the environment in which the viewer is within. Forming boundaries that question the idea of an object having its own existence as well as its relationship to the four walls that surround it. Architectural in style, within my work I am creating something that is minimalist with geometrical abstraction that occupies multiple planes.

Zoe Sim

Zoe Forster

Reece James Higham

Read or download my zines for free @ issuu.com/reecejh reecehigham@gmail.com Collaging has become a means to detach, examine and re-group memories or recurrent moments in my life. Exploring the fragmented self with reminiscence of plasticity has led me to questioning around the value of entities that document memories. By using materials typically throw-away or considered less permanent, I am interested in exploring themes of preservation, sentiment and formality.

My displayed work shows memories and objects of varied significance to myself which transcribe narratives of fluidity in relationships and self identification. These have been archived into two forms: the wall of plaques and the display installation.

ZoĂŤ Sim

Artist alias Mz Pink 07747469791 Mzpinkartist@gmail.com Mzpinkartist.com Statement: Throughout my work I have transcendentally reclaimed pink. It has become a symbol of strength rather than the delicate stereotype that accompanies colours and gender politics. Recently I have explored graffiti and abstract expressionism. With my largescale abstract painting I intended to create a contrast between the derelict Brixton bloc and my art, juxtaposing the ideas of fine art and street art. Creating a powerful painting that is feminine, but not gentle and ladylike. I want to reclaim feminine, because I want words like strength and bold to represent me.

Rhiannon Rogers

Zoe Forster