London Heist.

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Foreword from Craig Fairbrass Executive Summary Synopsis Director’s Vision Cast Writer/ Director Producer & Executive Producer Production Companies & Companies Involved 24 - 25 Marketing 4 5 6 8-9 12 - 19 20 21 22 - 23

Foreword from Craig Fairbrass There is nowhere in the world that captures the Brit gangster glamour scene like Spain’s Costa del Sol, especially Marbella...I’ve been obsessed with the place since going there as a child and have met many faces over the years some famous, some not so, but the most interesting, were always the chaps, the gangsters on the run.

This was the most powerful influence and driving force on what made me write London Heist. I wanted to capture the essence, the danger and the seduction, after all, it was, what Mexico was to the cowboys a place to run and hide, while still living the high life. The women, the champagne and the drugs were all part of the lure of an underbelly that existed in a hedonistic fake paradise.

Now firmly positioned as an actor in genre films especially London hard hitting gangster movies, the timing has never been better and with such a ferocious appetite for these Films, the likes of Rise of the Footsoldier, St Georges Day, The Business, the Sweeny, make London Heist the definitive gangster movie of our time, a beautiful powerful blend of Heat meets Sexy Beast meets Point Blank-hitting action sequences, a gripping storyline the glamour of Marbella but with moral and principles that will resonate with audiences around the world, plus a stable of seasoned international actors that have become synonymous with these films.

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Breathtaking action set pieces and a script designed to set it amongst the great movies of the genre for fans all over the world...

Executive Summary In the tradition of St George’s Day, Vendetta and The Business, London Heist is an explosive new British revenge thriller due to start filming in January 2015 and will be released TBC. Conceived as a cut above standard genre fare and as an immaculately tailored vehicle for action movie icon Craig Fairbrass (Cliffhanger, Rise of the Footsoldier), London Heist boasts a heavyweight supporting cast, breathtaking action set pieces and a script designed to set it amongst the great movies of the genre for fans all over the world.

The producers – amongst the most respected, experienced and successful in London – have stripped production costs to the bone, with a budget of £1.5 million which will look like £5 million on screen.

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London Heist - is a slick action packed heist thriller, steeped in morality, it’s Point Blank meets Sexy Beast meets Heat.

Jack Cregan, career criminal, family man and vicious armed robber, is on a mission for revenge. When Jack’s father Alfie is brutally murdered and their money from the Heathrow airport heist stolen, Jack, his cousin Sammy and other gang members Eddie and Frank, realise there is more to the stolen money and Alfie’s murder than meets the eye - and once Jack begins to dig, he knows that his life will never be the same again.

Synopsis Bent London, detective Wickstead, had a personal vendetta against Alfie, Jacks father, but never managed to arrest him, he is now equipped with a dark family secret about Jack that was given to him by wanted fugitive Ray Dixon who is on the run and hiding in Spain’s crime underbelly the Costa del Sol. But Ray Dixon does a deal with Wickstead, no extradition rights from Spain in exchange for Jack, Alfie and his firm, plus a cut of the money from the Heathrow Job. Ray now gives the order for S.E London gangster Lenny Moore to murder Jack and his kids in the morning rush hour traffic.

Jack has no choice but for him and his family to escape London and run to Marbella, where he confides in father figure Ray. Along with being Alfie’s long time best friend and business 6

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associate, Ray is also a drug dealer, and above all an experienced draftsman (robbery-organiser). Ray also has his own dark secret, an unknown history with Jack’s mother Maureen Cregan.

Nicole and the kids have been snatched and Jack races back to Ray’s villa. A brutal confrontation takes place and Jack discovers that not only does Ray have the stolen money but also that he is Jack’s true father.

It’s in Marbella where Jack begins to unravel the mystery behind his father’s murder and the whereabouts of the stolen money. The shattering revelations that follow force Jack to return to London, not only to pull off one last robbery, but to kill the man who murdered his father – Lenny Moore.

The two men fight and Ray is killed. Jack snatches the security box key, but before he can get to the vault, he has to rescue Nicole and his children, despite Nicole pleading to her possessed husband to leave the money. Jack doesn’t listen - he wants to start a new life and he knows that the money can get him just that.

The robbery goes bad, and Jack’s gang are brutally shot dead. Back on the run, Jack returns to Spain not only with the knowledge that Ray was the man responsible for the set up, but with the absolutely devastating revelation that Alfie was not Jack’s real father.

A desperate phone call reveals

Inside the vault Wickstead awaits and this culminates in a climatic and bloodied violent fight to the death. Jack leaves the vault with not only the money but with full retribution but also badly wounded, his family waits and a new life beckons..or does it?

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Director’s Vision

The introductory scene will be highly visual, gripping the audience immediately, showing this isn’t just another low budget film, this is something different. A film where the details in the story are shown, a film with depth and meaning. The first scene will create intrigue not only leaving the audience wondering how Jack ends up like that, but also leaves them wanting to see more because of how the film looks.

MAN ON A MISSION This film is Jack’s story and I would want to play on giving the audience the impression we are seeing the world from Jack’s point of view. I would balance the toughness of Jack with his emotional side. He has fallen into a world and picked up the habits of his father, deep down though, it’s not what he wants. Even more so he desperately doesn’t want the same for his kids. He’s the type of father who will never show violence in front of them or condone swearing when they are around. Fiercely protective of them and what they are to be.

This is what drives him. Now his father has died, he has one last thing to do then he can escape from the world he knows. Jack is a complex character with layers that we will subtly portray without being too over the top. He’s not a man who will openly cry, but you can still feel the sadness by looking in his eyes. Subtlety is the key.

GENERAL I am a big fan of symmetry and artistic framing, this can be used for establishing shots and scenes where appropriate. With simple but creative framing and lighting a real “look” can be brought to the film, again, making it stand out from other similar films. I want it to look photographic, modern and slick. I want to move the genre on and show even that on a limited budget you can still apply high production values and style.

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GLOSS Marbella, Jack’s house and the clubs will look slick, glossy and aspirational. Framing will be well thought out and camera moves smooth. Here the colour palate will be warm and saturated.

It will subtly highlight the more welcoming world, the safer world that Jack wants him and his family to be in. This will be in contrast to the scenes outside of this world mentioned below.

REAL Scenes where the boys are at work/in action, in times of danger or pursuit, the camera will be with Jack, giving his view of the scene and the audience will feel it with him, seeing and hearing what he does.

This will enhance the connection with the character. These scene tones will be more muted which will add feeling of coldness, a world which Jack wishes to leave.

JACK Every scene with Jack in the camera will make us really feel like we are with Jack and it’s HIS story. Action in the scene will be seen from his viewpoint.

This will also become part of the style and look of the film even though at the same time it will be subtle and might not be obvious on first viewing. It will also help with the budget constraints as less coverage will be needed.

This will not however be detrimental to the story and will instead compliment it.

ACTION I aim to make the violence and action wincing to watch. A lot of people watching this genre will want graphic action. Scenes such as when Jack uses a baseball bat in the club need to feel like he’s really done it and not over edited or “Hollywoodised”. Gun shots and bullet hits should sound and feel realistic.

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FADE OUT The key to this film is getting the audience on Jack’s side. Feeling compassion and empathy for him and his situation. Playing on the fact that he is in a criminal world which he was born into and under pressure from his father to be in but desperately wants different for his own children.

If we care about Jack, we want to see him succeed in his goal. The ending will wrap up his mission and he dies content knowing that he has successfully broken the chain and his family will live on in a safe and crime free world.

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Cast: Craig Fairbrass British actor Craig Fairbrass (Cliffhanger, The bank Job, White Noise 2) is fast becoming a sought after name on the International/U.S indie action scene. Fairbrass’s profile rose dramatically after his powerful and violent portrayal of true-life gangster Pat Tate in the smash hit UK thriller Rise of the Footsoldier. After selling close to 1 million DVD units in the UK and earning over £400,000 on VOD Sky Box Office, critics and hardcore fans of the film singled out Fairbrass for his standout performance.

The same was said for his performance in St George’s Day - again critics and fans were unanimous on Fairbrass’s portrayal of sensitive London gangster Ray Collishaw. The film has completely reignited the dynamic of the DVD/ VOD London crime thriller, where it has remained in the top 10 Cinema films and DVD chart and most popular movie on Sky Box Office. This physically imposing burly Brit actor has a real point of difference.

London Heist is a tailor made project co-written by Fairbrass, that will showcase his true talent as an actor, who has the rare skills of being both physical and having real emotional range. This mixture combined with a high level of screen violence believability that is so realistic and brutal it is totally unmatched in the UK. Craig’s upcoming lead roles include heavyweight drama Let Me Survive for award winning Director Edwardo Rossoff (Helen Mirren’s The Debt) and the producers of The Girl With The Pearl Earring, to the lead in his first US action vehicle The Outsider, a Taken style thriller set in Los Angeles with James Caan and Jason Patric. Craig has also completed filming the lead role in uber stylish U.K action thriller Breakdown. Craig has also become an icon amongst video gamers in recent years, lending his voice to one of the most successful video game franchises of all time, Call of Duty: Modern Warfare 1, 2 and 3. Recent film credits include: White Noise 2, Devil’s Playground, Hijacked and Universal’s Get Lucky, adding internationally acclaimed films,The Outsider and St. George’s Day.

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Nick Moran Moran first hit the big screen in 1990 alongside Roger Daltrey and Chesney Hawkes, in Buddy’s Song (1990). He then went on to star with Britpack waifs Hans Matheson and Samantha Morton in a Coky Giedroyc short, The Future Lasts a Long Time (1996).

His most remembered role was Eddie in Lock, Stock, and Two Smoking Barrels (1998), in which he shared the screen with Jason Statham, Dexter Fletcher, Jason Flemyng, Vinnie Jones and British rocker Sting, the last of whom played the role of Eddy’s father, JD. Moran co-starred with John Hurt in New Blood (1999) and also starred with Joseph Fiennes, Sadie Frost and Tara Fitzgerald in Rancid Aluminium (2000). In 2001, he played the role of Aramis in The Musketeer, a film loosely based on Alexandre Dumas’ classic novel, The Three Musketeers. The film co-starred Catherine Deneuve, Tim Roth, Mena Suvari, Stephen Rea, and Bill Treacher, with Justin Chambers in the role of D’Artagnan.

Scabior in Harry Potter and the Deathly Hallows – Part 1 and Part 2 (2010), other film roles includes: The Proposal (2001), Prisoners of the Sun (2013). As well as Film, Moran has also starred in a number of TV roles: Heartbeat, Casualty, The Bill, Mr Selfridge and The Great Train Robbery. Moran has also had a number of stage appearances; his first job was understudying the lead in Blood Brothers in London’s West End. He was in the original cast of Nick Grosso’s Real Classy Affair at the Royal Court Theatre.

Subsequent appearances include Paul Webb’s Four Nights in Knaresborough, Look Back in Anger both in 2001, Alfie in 2003, The Countess in 2005, and from November 2013 until March 2014, as ‘Juror 7’ in Twelve Angry Men at the Garrick Theatre. Moran’s recent work includes TV series Death in Paradise, action film, Age of Kill.

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James Cosmo Scottish actor James Cosmo has been in the TV and film industry for over five decades. His extensive list of credentials spans over a hundred movies and TV shows, most of which he is seen playing “tough guy” characters.

James Cosmo was born in Clydebank, Scotland, the son of actor James Copeland, so he was a child of art being exposed to acting at a very early age making it a normal everyday thing, early in his career, one of his first television appearances was on Scottish Soap opera Take the High Road (1982) where he played Alex Geddes.

Outside of Britain, he is best known for his film roles as Angus MacLeod in Highlander, Campbell in Braveheart and as Father Christmas in the adaptation of The Chronicles of Narnia: The Lion, The Witch and the Wardrobe, the 55th highest grossing film of alltime worldwide grossing $745,013,115 and Donkeys, which earned him a BAFTA Scotland Award in 2011.

Over the years he has also had roles in other films such as Trainspotting, The Last Legion, 2081. He appeared in Troy with future Game of Thrones cast members Sean Bean and Julian Glover. His list of films is extraordinary, over 176 credits his name. He also appeared in Take the High Road as Alex Geddes from 1982 until 1983. He appeared as Lieutenant colonel Philip Drysdale in the 7th series of Soldier, Soldier. He recently portrayed Jeor Mormont, Lord Commander of the Night’s Watch, in the acclaimed HBO series Game of Thrones.

He was involved in the filming of the thriller Breakdown in which he appears alongside Craig Fairbrass, Bruce Payne, Emmett Scanlan, Olivia Grant and Tamer Hassan.

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Steven Berkoff Steven Berkoff is an actor and a noted playwright and theatre director, with a unique style of writing and performance. Berkoff was born Leslie Steven Berks in Stepney in the East End of London.

He is renowned for playing the villain such as the corrupt art dealer Victor Maitland in Beverly Hills Cop, gangster George Cornell in The Krays, the Soviet officer Colonel Podovsky in Rambo: First Blood Part II and General Orlov in the James Bond film Octopussy.

In 1991, Berkoff’s play Kvetch won the Evening Standard Theatre Award for Best Comedy.

Berkoff also played the main character voice in Expelling The Demon, a short animation with music by Nick Cave. The film received the award for Best Film at the Ukraine Film Festival.

In 1997, Berkoff won the first Total Theatre Lifetime Achievement Award and in 1998, he was nominated for The Society of London Theatre’s Laurence Olivier Award for Best Entertainment for his one-man show Shakespeare’s Villains.

In 1999, the 25th-anniversary revival of the play East, directed by Berkoff, received the Stage Award for Best Ensemble work at the Edinburgh Festival Fringe. In 2000, he won the LA Weekly Theater Award for Solo Performance, again for Shakespeare’s Villains.

In 2010 Berkoff appeared in the 2010 British gangster film The Big I Am alongside Michael Madsen and Leo Gregory. In the same year he played Reginald Shaw in romantic comedy thriller, The Tourist, starring Angelina Jolie and Johnny Depp. The film was nominated for three Golden Globes: Best Musical or Comedy, Depp for Actor Musical or Comedy and Jolie for Actress Musical or Comedy.

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Mem Ferda Mem Ferda, Impossibly charismatic and unnervingly intense with a visual presence that exudes hypnotic attraction Mem Ferda continues to deliver interpretation of characters that leave them burned into the viewer’s memory. The ruggedly handsome Mem was born October 1963 in Chelsea, South London. The son of a Turkish Agricultural Minister he became fascinated with the art of acting. Mem went on to audition and graduate with a Postgraduate Diploma in Classical Acting from the world renowned drama school LAMDA (The London Academy of Music and Dramatic Art) Mem is very dedicated to his craft as an actor.

He is bilingual, speaking English and Turkish fluently and is also a master of Eastern European accents as can be witnessed in his chilling performances as the Russian, Andrei, in the powerful drama A Good Murder (ITV 1) with Juliet Aubrey and the lead role of Andrei Beschastnykh in ITV’s popular drama Heartbeat, in which he plays a Russian trawlerman, once again delivering an emotional, sensitive and compelling performance.

H e has become notorious for playing the roles of villains. (The Crew), Hakeem (The Veteran), Vladimir (ill Manors), Andriy (Legacy), Egor (Emulsion), Kamel Hannah (The Devils Double), Hakan (Pusher) and recently as Ilir Duka (Dirty Money).

Mem’s versatility however, is limitless and by no means confined to aggressive personalities alone. In ITV’s popular drama ‘Heartbeat’, in which he plays the guest lead role, Andrei Beschastnykh, he can be seen delivering a very insightful and acutely perceptive performance of a softer, gentler type, which ultimately touches the hearts of viewers.

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Tony Denham Tony Denham is a British actor who is known for his roles in British crime films. He began his career with a part in the 1992 American drama film, The Power of One. He then went on to play the part of a detective in the 1993 biographical film, In the Nature of the Father.

The film was nominated for seven Academy Awards, including: Best Actor in a Leading Role for Daniel Day-Lewis, Best Actor in a Supporting Role for Pete Postlethwaite, and for Best Director.

Following on from this Denham starred in a number of British television series including: the 1994 Drama, Screen 2 and the 1997 drama Holding On. Denham is best known for his role as Harris, in the 2004 football drama, The Football Factory and for his role as Patrick in the 2005 crime drama, Revolver. Following on from this he went on to star in the 2005 comedy, Keeping Mum; the 2010 mini-series, This is England; the 2011 British crime drama, Turnaround and in 2012 Denham starred alongside Craig Fairbrass and Danny Dyer in the British gangster film, St George’s Day. His most recent work includes the 2013 action film, Vendetta alongside Vincent Regan and Danny Dyer and he has recently wrapped violent revenge thriller, The Guvnors. The Age of Kill, Principal photography has started on UK action-thriller Age Of Kill, from director Neil Jones and writer Simon Cluett.

Denham plays the role of Gaz in Jones’ sophomore film including Martin Kemp (The Krays) as a sniper forced to murder six random people in six hours to save his kidnapped daughter, played by Dani Dyer (Vendetta). He later realises the murders are part of a political coup and attempts to unmask the kidnappers. currently working on Bonded by Blood 2 (2015) in role of Tretton.

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Nathalie Cox Nathalie Cox is an English actress and model, best known for her appearance in the 2005 historic drama, Kingdom of Heaven, starring alongside Orlando Bloom.

Following on from this she made a cameo appearance in the 2008 American Sci-fi film, Jumper starring Samuel L. Jackson and Hayden Christensen, which lead to her role as Juno Eclipse in the video game Star Wars: An awesome performance in the Force Unleashed and its sequel. Cox then starred alongside Liam Neeson in the 2012 film Clash of the Titans.

Cox has starred in a number of thrillers over the years, including: Exam (2009), The Double (2013) A British black comedy thriller film written and directed by Richard Ayoade and starring Jesse Eisenberg and Mia Wasikowska.

The film is based on the novella The Double by Fyodor Dostoyevsky.

It is about a man driven to breakdown when he is usurped by a doppelgänger. The film was produced by Alcove Entertainment, with Michael Caine, Graeme Cox (Attercop), Tessa Ross (Film4), Scar Tissue also in 2013. As well as film she has also appeared in a number of TV series including: Crime drama, Waking The Dead (2005); British police crime drama, The Bill (2007); Mystery Drama, Midsomer Murders (2009) as Tallis Filby in the episode, The Creeper.

In her most recent TV roles she plays the part of DI Murray in BBC1 drama, Waterloo Road, and as Helen Grainger In Holby City: Estel. Cox recently completed one of the main roles as Eve in the film One Day in Hell, directed by Timothy Hart, One Day In Hell is a modern fable told in the style of a high concept thriller.

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Cast: Roland Manookian Roland Manookian is an English actor who is most notable for his role as Zebedee in the 2004 film The Football Factory, and as Craig Rolfe in Rise of the Footsoldier in 2007. He has also appeared in Nick Love’s Goodbye Charlie Bright (2001), The Business (2005), and Guy Richie’s Rocknrolla (2008).

George Russo George Russo is a London based actor/writer who trained at the Anna Scher Theatre School in Islington. Russo’s work includes TV series Doctor Who, Eastenders, Holby City and Silent Witness. His most recent film work includes Green Street 3: Never Back Down (2013); A Strange Kind (2013) and I am Soldier (2014).

Frankie Fairbrass Frankie is a cool, confident, fun actor with a mischievous sense of humour and bags of charisma and twinkly charm. A smooth, likeable, relaxed young actor. Frankie Fairbrass is known for Paranoia (2010), Half Time and Down (2014), and My Month with Mrs Potter (2015).

Charlotte Lewis Charlotte Lewis is known for Sket (2011), The Ice Cream Wars (2012), Shame the Devil (2013), and White Collar Hooligan 3 (2014).

Lewis is also in the new 2015 Dystopia-Sci Fi TV Show An incredible Apocalyptic style Series with an original & intriguing storyline.

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Writer: Craig Fairbrass London Heist is a film that Craig Fairbrass is very passionate about, and extremely proud of.

Craig originally came up with the concept for London Heist 10 years ago, and in 2010 began to put the wheels in motion for the film to be made.

However, with Craig’s career taking off in the USA, London Heist had to be put on the back burner for a while longer while he and his family bought a house in LA and commuted between there and London.

Despite busy times, London Heist was never far from Craig’s mind, with the film shooting in September 2014 Craig can now begin to see the vision he had for 10 years finally come to life.

Director: Mark McQueen BAFTA nominated director Mark McQueen has won many awards for his work including: Best Entertainment Programme at the Broadcast Awards 2013, The Virgin Media Award for TV Show of the Year, Best Film and Best Director at the British Horror Awards.

He made his feature film debut at the age of 29 with British Zombie horror, Devil’s Playground, Starring Danny Dyer (Human Traffic, The Business); Craig Fairbrass (Bank Job, Eastenders) and MyAnna Buring (The Twilight Saga, The Descent).

The film had its debut at Cannes Film Festival and sold worldwide, it charted at number 5 in the UK DVD chart, peaked at number 16 on the IMDB Movie Meter and won awards for Best Film and Best Director at the British Horror Film Festival.

McQueen’s other film work includes directing the 2nd unit on the film The Tournament starring Robert Carlyle, Ving Rhames, Ian Somerhalder and Kelly Hu. 20

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His impressive CV also includes television commercials for well known brands: Footlocker, Land Rover and Red Bull.

He has also worked on a number of television series including: motoring programme Fifth Gear, BAFTA Nominated Dynamo: Magician Impossible Series 2 and BAFTA winning show The Only Way Is Essex.

McQueen is a highly experienced and talented director who is confident on location and also

has the ability to self edit and shoot to an impressive standard.

He has a reputation for making the most of any budget providing high quality visuals, he takes extensive pride in his work and aims to capture every moment with the perfect blend of rhythm and style.

Producer: Luke Fairbrass After graduating from Royal Holloway with a degree in Economics, Luke worked closely with producer and Gold Circle Films president Paul Brooks, this was quickly followed by an internship at Revolver Entertainment where he gained valuable experience in the acquisition department.

Luke was a natural and it was after spending most of his time growing up on movie sets alongside his father, actor Craig Fairbrass, he decided to mix his economic business skills with his love of film.

He knew he needed to gain as much real experience as possible, which meant starting out in the industry at the bottom as a set runner and production assistant on Brit crime thriller St George’s Day and the Ray Winstone thriller Lords of London.

In 2011 Luke ambitiously incorporated Screen 360 PLC raising EIS equity finance for films. Soon after, Luke solely produced his first feature film, a stylish London thriller called Breakdown starring Craig Fairbrass, James Cosmo, Emmett Scanlan, Bruce Payne and Tamer Hassan. His second feature is Anchor Bay’s Age of Kill starring Martin Kemp, Phil Davis and Vince Regan. Luke has furthered his relationship with Gold Circle Films in Los Angeles, optioning the highly anticipated A Good Year For The Roses Luke is emerging as one of the most exciting new UK film producers in recent years, with a strong mix of quality London thrillers and commercial international product.

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Production Companies

Impact Entertainment is headed by Luke Fairbrass, Craig Fairbrass, and Jack Fairbrass the company comes to the table with a wealth of knowledge and first hand movie experience.

Craig has starred in over forty movies from low budget indie thrillers to Hollywood blockbusters, so the progression for him to move into production was a completely natural one with his star profile moving from strength to strength in independent films here and in the US. Together with Luke and Jack who bring a strong financial and economic edge to the company – Luke with a degree in economics from Royal Holloway and Jack with ten years under his belt in the city of London financial district, makes this a perfect blend of creative film mixed with a shrewd business angle for financing and marketing movies for a worldwide audience.

Lee & Thompson is the leading media and entertainment law firm who represent a variety of the world’s most highly acclaimed musicians, actors, directors, producers, television personalities and sports people, and the entrepreneurs and companies that work with them. What’s more, their extensive international contacts mean they can connect those looking to attract finance to suitable financiers, as well as structure an array of complex finance arrangements for our clients.

This includes their vast expertise in assembling and lending against international co-productions, and navigating the complex conditions imposed by different countries.

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Companies Involved

Prime Focus began in Mumbai over 15 years ago as a commercial post-production facility providing top-tier technology solutions to clients; the business quickly outgrew the family garage to become a multi-location, industry-leading, end-to-end digital services provider for Bollywood.

With the desire to grow the company’s services potential as its primary mission, Prime Focus headed west in 2007 - 2008, acquiring broadcast, film post-production and visual effects companies in London, Los Angeles, Vancouver and New York.

E A M. is a Specialist accounts practice offering services for artists, entertainers, sportsmen, creatives, and for the companies that employ and manage them. They help individuals and companies in media and sport with their accounts and taxation. Some of their clients are already household names - others are just starting out.

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Marketing

CMG

CINEMA MANAGEMENT GROUP

Cinema Management Group (CMG) is a full service international sales company located in Beverly Hills, California. The company was founded in 2003 by Edward Noeltner.

Since 2003, CMG has added over 100 titles to its line-up which includes quality feature films of all genres; 3-D animated features; television series as well as award winning feature length documentaries.

Cinema Management Group has distributed American, international and indie films. The company will form part of the distribution network for Gunned Down.

European Film Bonds (EFB) provides completion guarantees (Completion Bonds) to film and TV productions. A completion guarantee is a form of insurance offered by a completion bond guarantor company (EFB) to guarantee that the producer will complete and deliver the film.

European Film Bonds prides itself on having built a team of executives who have extensive contacts in the film industry worldwide, experience as producers and a deep understanding of the challenges of producing, particularly with complex co-production structures.

EFB will be worked with Gunned Down The Movie Limited on this project ensuring complete delivery of the film.

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Marketing Red Rock Entertainment is a film finance company, based at the world famous Elstree Studios in Borehamwood, home to some of the biggest TV shows on British television and the studio of choice for many successful British films.

Working in conjunction with a number of UK production companies to raise equity for film, TV programmes and film distribution, Red Rock Entertainment offer a number of tax efficient investment opportunities.

Red Rock Entertainment primarily works on projects which are at an advanced stage and are looking for the final amount of financing. Their sole focus is on film and TV projects that have a commercial appeal, an identifiable audience, moderately low and controllable costs and a sound financial structure.

As executive producers, Red Rock Entertainment can arrange for investors to visit the sets during filming, appear as extras, and attend private screenings. They also arrange film investment seminars at Elstree Studios with guest speakers from the different film companies, along with qualified accountants to discuss the various tax advantages of investing in the film industry.

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