Secrets Found Online, Shared Softly by William Robin The New York Times August 2, 2013 Opera and technology have long had an uneasy relationship. The one has always required the other — from the Baroque spectacle of 17thcentury operas, with their deusexmachina gimmickry, to the stagecraft required to mount any contemporary production of Wagner’s “Ring” cycle. Historically, though, opera tended to avoid confronting the technological headon. Composers stuck to timeworn subjects from literature, myth or history. Machines controlled the staging; they didn’t usually appear onstage. But we live with a different set of myths today, and contemporary opera has begun to reflect the age of Mark Zuckerberg and Edward Snowden. Thus, Nico Muhly’s “Two Boys,” a story of intrigue and murder in online chat rooms, which will arrive at the Metropolitan Opera in October; and Tod Machover’s 2010 “Death and the Powers,” a “robot pageant” featuring animatronic sets and a wealthy industrialist who downloads his own consciousness. And in David Lang’s “whisper opera” — which will have its New York premiere on Saturday at the Clark Studio Theater at Lincoln Center — the Internet takes center stage. Online communication forms the backbone of “the whisper opera,” which will run through Aug. 13 as part of the Mostly Mozart Festival. Mr. Lang, a Pulitzer Prizewinning composer and a founder of the Bang on a Can newmusic collective, has created a libretto out of what he calls Internet secrets. He typed short, personal phrases like “When I think of you I think of” into a search engine and cataloged the results. The opera consists of these poignant aphorisms, made anonymous by the omission of sources. A kind of oneman version of the Prism project, Mr. Lang trolls Internet data for clandestine truths. “It is about the difference between our live persons and our hidden persons,” Mr. Lang