SCENE June 2025

Oliver Beer

Compositions for Mouths, Face and Hands

Babak Golkar

When Sound Becomes Unsound

Caroline Monnet

Pizandawatc / The One Who Listens / Celui qui écoute

Curated by Mona Filip

Discover Contemporary Art

PROJECT SPACE:

Anna Semenoff

First Things First

Until 19 October

@eskerfoundation

Pizandawatc is a modified version of an exhibition originally presented at the Art Museum at the University of Toronto. Touring support for the exhibition provided by the Canada Council for the Arts. Babak Golkar, Scream Vessels, 2014. From the outdoor exhibition Time To Let Go... organised by Vancouver Art Gallery. Photo by: Rachel Topham.

16 COVER

Festival Check-in 2025. Summer festivals are adapting in Calgary, offering low-cost ways to party down this spring.

6 ACT 1, SCENE 1

What to do, see, and hear this month across the city.

12 ARTS SCENE

The Art Bus 2025 project brings a new fleet of mobile exhibits to the streets of Calgary.

13 Q&A

Meet Gavin John, a photojournalist with an eye towards capturing humanity.

14 THEATRE SCENE

In a hit to affordable arts spaces in Calgary, Evergreen Theatre is shutting its doors after 34 years.

22 FOOD SCENE

Fenyk Coffee & Social keeps it local and uplifts the surrounding community.

24 COMEDY SCENE

From Ratboys to Kinkonauts, the indie comedy scene in Cowtown is booming.

26 ROTARY CONVENTION

19 MUSIC SCENE

Meet some of the artists playing Sled Island and get the best tips for making the most of the week.

Cheer will perform at Sled Island 2025

We acknowledge the traditional territories and the value of the traditional and current oral practices of the Blackfoot Confederacy, the Tsuut’ina, the Iyarhe Nakoda Nations, the Otipemisiwak Métis Government of Alberta (Districts 5 and 6), and all people who make their homes in the Treaty 7 region of Southern Alberta.

Founding Editor Mike Bell

Designer Kris Twyman

Print/Digital Production Manager

Mike Matovich

Cover Photo

Michael Grondin

Publisher

Käthe Lemon, klemon@redpointmedia.ca

Editor Nathan Iles, niles@redpointmedia.ca

Editorial Intern

Catrina Bowles, cbowles@redpointmedia.ca

CONTRIBUTORS

Benjamin Heisler, Evelina Pak, Abbey Whitehead Pow, Lauren Kalinowski, Krista Sylvester, Cam Hayden, Mike Bell, Reid Blakley, Will Fisher,

Sarah Comber

Client Support Coordinator

Alice Meilleur

Senior Account Executive

Jocelyn Erhardt

Account Executives

Nadine Benoit, Vicki Braaten

Administrative and HR Manager

Tara Brand

CEO and co-owner Roger Jewett

President and co-owner

Käthe Lemon

Design Director Steve Collins

Nearly 30 years since it was last seen in Calgary, the Rotary International Convention commences this June.

27 STAMPEDE BOWL

For the first time, the Calgary Stampede and Stampeders are throwing one hell of a tailgate party.

28 VENUE SPOTLIGHT

A shipping container outside of City & Country Winery is becoming Manchester’s music and culture hub.

30 Cam Hayden

We gratefully acknowledge the financial support of the Government of Alberta and the Government of Canada

The Scene is a member of the Alberta Magazine Publishers’ Association and abides by its professional standards. redpointmedia.ca 1721 29 Avenue SW, Suite 375, Calgary, AB, T2T 6T7

9

PHOTO: NATHAN ILES

What to do in June

BY CATRINA BOWLES

ANCIENT ADVENTURES, FISHY FUN, COZY CONCERTS, AND MORE

LIFE CHRONICLES

Chinook Mall is evolving with a new immersive VR experience, Life Chronicles, opening June 3. Dive into the ancient world, all the way back to the Precambrian period, where life as we know it was millions of years away. PHI Studio worked with Muséum national d’Histoire France to make its simulation as historically accurate as possible. It’s one of the rare times where donning a VR headset will actually teach you something. Check out lifechronicles-experience. com to grab your tickets, $34.55 for adults and $24.35 for kids.

WILD AFTER HOURS: ZOO BREW

Trust me, the zoo is way more fun without kids around. And it’s even more fun with beer. Try it for yourself with the Wilder Institute and Calgary Zoo's next Wild After Hours event, Zoo Brew, on June 6. Sample craft beers and other boozy brews from local favourites including Annex and White Peaks, all while strolling the exhibits without a screaming child in sight. As the night wears on and the animals head off to bed, keep your own night going with the Zoo Brew after party for some late-night treats and live tunes. The $99 tickets covers the drinks, food and after-party access, plus a nifty keepsake tasting mug. Head over to calgaryzoo.com to secure your tickets.

THIRD ACTION FILM FESTIVAL

When looking at the big film stars of today, you may hear the echo of Taylor Swift’s 2022 hit song and think, “everybody is a sexy baby.” Third Action Film Festival is striving to change that, with films celebrating older adults. Check out the festival June 6 to 8 at The Confluence, or through video on demand June 11 to 15. Be moved by the short films in The Dementia Care Package or have a heartwarming laugh with dramedy The Penguin Lessons. You’re bound to find something you’ll like in the season’s lineup, as long as you’re okay seeing a few wrinkles. Grab tickets at thirdactfilmfestival.ca before it’s too late.

CALGARY WOMEN CAN PARK IT

Get disc-y with it this June 7 at the third annual CWE Calgary Women Can Park It disc golf tour-

nament. Watch as women and gender-diverse athletes duke it out at the Currie Reservoir disc golf course. Divisions range from young kids all the way to women 80 and older, with both pros and amateurs in the mix. Celebrate the winners at the end of the day with a scoop of Breakfast of Champions ice cream, just a short walk away at Village Ice Cream. The tournament is free to attend. Keep an eye out for volunteers who can help direct you to a prime viewing spot. Get more details at discgolfscene.com.

THE FEAST BOOK LAUNCH

Alycia Two Bears — a Two-Spirit, mixed-blood iskwew from Mistawasis Nêhiyawak First Nation — is launching her latest book of poetry on June 11 at Owl's Nest Books. The collection, The Feast, explores themes of love, grief, sex, motherhood, and sexuality through the format of a traditional sweat lodge ceremony and its associated feast foods. Grab a copy of The Feast at this free event, which starts at 7 p.m. Owl's Nest is located at 815A 49 Ave. S.W.

SPRUCE MEADOWS LIVE AND INTIMATE CONCERT SERIES

Tucked inside the Equi-Plex at Spruce Meadows, this series offers a cozy concert experience, with only 2,000 tickets available per show. See country artist Dean Brody on June 7; indie-folk star City and Colour on June 14 and 15; and indie rock band Metric on June 28. As a bonus, your concert ticket also grants you access to Spruce Meadows’ Epic Weekends. Before the show in the evening, hit up the beer gardens, watch some show jumping, or (if horses aren’t your thing) cheer on some absolutely adorable corgi races. Head to sprucemeadows.com to snag your tickets while you still can.

MY FRIEND DAVE PROJECT ART SHOW

On Maslow’s hierarchy of needs, creativity falls right at the top of the pyramid. But really, even if our most basic needs aren’t met, people still have stories to tell and art they want to make. See this in action at the My Friend Dave Project art show

on June 14. Founded by local art therapist Jenn Seniuk, the art showcase is created by and tells the stories of Calgary men battling homelessness, addiction, incarceration, and recovery. It brings these often-ignored men to the forefront and helps set them on a path to change their lives. View the inspiring art pieces at 4053, 4065 Glenpark Cr. S.W. from 12 to 4 p.m. There’s no cost to attend, but donations are welcome.

2025 K-POP DANCE COVER FESTIVAL

K-pop fans are scary in their dedication, but, it does result in some good dancing. See it for yourself on June 15 at the Southern Alberta Jubilee Auditorium, where 12 teams will compete for the chance to represent Canada at the K-pop dance cover finals in Seoul. Watch them dance their hearts out to win the judges' approval, including special guests H1-Key, a K-pop girl group. Tickets are only $3.50, and you can pick them up at jubileeauditorium.com.

RODNEY’S OYSTER FEST

Hope you’re in the mood for seafood, because you’ll find plenty of it at Rodney’s Oyster Fest on June 22. For $40, partake in mollusk madness, including a live DJ, prizes and giveaways, a silent auction, and the star of the show, the oystershucking contest. And, if you consider yourself something of a bivalve bon vivant, pay a little more on your entry ticket ($65) to enter the contest yourself. There’s $1,000 on the table for first place, or, if you’re just interested in eating a ridiculous amount of oysters, you could win $100 for the cleanest plate. Catch tickets at rodneysoysterhouse.com. Tickets also include one food and one drink ticket.

BOW AFTER HOURS: GETTIN' FISHY WITH IT

If feeding thousands of ravenous rainbow trout sounds like your idea of a fun night out, look no further than the Bow Habitat Station’s Bow After Hours adults-only event. No longer just a venue for junior high field trips, on June 26, the Bow Habitat Station becomes an 18+ getaway for folks looking for some fishy fun. Bring out your inner angler by crafting your fly fishing lure and casting a line at the trout pond no fishing li-

PHOTO: SERGEI BELSKI

Zoo Brew

cence required. Complete the night with a guided nature walk, a tour of the fish hatchery, and an info session on the Bow’s trout population. Catch yourself a ticket at bowhabitat.alberta.ca before they’re all gone.

EUROPA SUPER CIRCUS

Does anything say “summer in Calgary” like seeing a circus tent in the parking lot of Deerfoot Mall? Take a closer look this year and attend the Europa Super Circus, running from June 26 to July 6. Enjoy aerialists and BMX riders taking to the sky, hold your breath for the tight rope act, then let it all out laughing at the clown show. It’s childlike fun for all ages. Grab tickets at supercir-

cus.com. Tickets start at $35 for adults and $25 for kids.

RIVERDANCE 30

It’s the 30th anniversary of the sensational Riverdance, and it’s coming to the Jubilee from June 27 to 29 courtesy of Broadway Across Canada. What was once a small spectacle during the 1994 Eurovision Song Contest has transformed into a full-length show that blends international and traditional Irish music and dance. This year’s cast features several Albertan performers, including 2019 World Irish Dance Champion Londyn Nachtigal from Edmonton. Tickets start at $45.90, available at jubileeauditorium.com.

PHOTO: ABHANN PRODUCTIONS

Riverdance

PHOTO: RAY MUISE

My Friend Dave Project

SUN • JULY 6

THUR • JULY 3 SAT • JULY 5+12

ACT 1 SCENE 1

Onstage in June

DEATH METAL, POP COUNTRY, AND SWINGIN' JAZZ RINGS THROUGH CALGARY

BY NATHAN ILES

SHALISA W/ JONATHAN WILLIAMS

Start the Stampedin’ a month early with Shalisa’s irresistible take on pop-country. Check out her latest single, “Bad Hangover,” for an entry point! June 5, 7:30 p.m. at the King Eddy, 438 9 Ave. S.E., kingeddy.ca.

GHASTLY PRESENTS GHENHGAR

David Lee Crow produces dubstep bangers as Ghastly, but his GHENGAR sets take it to another level of metal-influenced, aggressive EDM. June 6, 9 p.m. at The Palace, 219 8 Ave. S.W., thepalacetheatre.ca.

MUSIC CALGARY PRESENTS: OUTER LIMITS

It’s easy to feel disconnected from the music scene if you’re out in the ‘burbs. Music Calgary aims to change that with this new music series that brings local bands like The Canadian Dispatch and Hip Hip Thursday to the outer edges of Calgary for all ager ragers. June6 , 6 p.m. at the Milligan Ogden Community Association; and June27,6 p.m. at the Montgomery Community Centre, musiccalgary.ca.

THE LEGENDARY LIFE OF TOM PETTY

Juno award-winning recording artist Clayton Bellamy (and his all-star band) is exploring the many, many highs of Tom Petty’s discography for this unforgettable night at the Jube. June 7, 7:30 p.m. at the Jubilee, 415 14 Ave. N.W., jubileeauditorium.com.

THE STORY OF TONIGHT: MUSIC OF STAGE & SCREEN

Performed by the New West Symphony & Chorus and New West Student Ensemble, this show brings classic movie songs to life with unique choral arrangements. June 7, 7:30 p.m. at the Jack Singer, 225 8 Ave. S.E., artscommons.ca.

A.N.

Local pop-punker A.N. (Ado Nkema) is going acoustic for this special afternoon performance, celebrating her new album, I’m Not Afraid to Die Anymore June8, 2 p.m. at Congress Coffee House, 215 36 Ave. N.E., congresscoffeeshop.com.

DIRECTOR’S CUTS & AFRICA SUITE

The Calgary Jazz Orchestra celebrates 20 years of shows with some of band director Johnny Summers’ favourite cuts and original works featuring guest African musicians. June 9, 7 p.m. at the Bella Concert Hall, 4825 Mount Royal Gate S.W., calgaryjazzorchestra.com.

WICKED WOODS: 2025 PRE-PARTY TOUR

Pre-game Wicked Woods (a four-day EDM festival in Fairmont Hot Springs at the end of August) with this local banger, featuring Australia’s Slynk headlining and support from Mr. Diggler, Donald Bump, and more. June 13, 9 p.m. at Sub Rosa, 200 8 Ave. S.W., subrosayyc.com.

COREY KENT

Hit up Calgary’s greatest honky tonk and get down to Kent’s red-dirt swagger and blue-collar country grit, presented by Country 105. June 13, 5 p.m. at Ranchmans, 9615 Macleod Tr. S, ranchmans.ca

WOODHAWK W/ DENIMACHINE AND RIFF RAT

Love Finds a Way is the latest album from local heavy rockers Woodhawk. Celebrate its release with an evening of riffage, brisket, and torn-up denim. June 14, 8 p.m. at the Palomino, 109 7 Ave. S.W., thepalomino.ca.

YOUNG FRIEND W/ FRANCES WHITNEY

JUNO Award-nominated artist-producer young friend is touring in support of his debut album, motorcycle sound effects, a 12-song ride of fuzzy indie rock and breathless intimacy that dropped back in April. June 17, 7 p.m. at Modern Love, 613 11 Ave. S.W., modern-love.ca

ASHES OF YGGDRASIL W/ GLASSCULT, WYCH, AND NYX THE SUN

It’s an all-ager rager at the BLOX. Ashes of Yggdrasil are bringing the melodic death metal heaviness, and heads will be banged all across the downtown core. June 28, 7 pm. at the BLOX Arts Centre, 834 11 Ave. S.W., bloxartscentre.ca

MODEST MOUSE

From landmark indie rock to post-punk revival and alternative slammers, Modest Mouse has travelled countless sonic highways over nearly three decades. The Jube is a perfectly intimate space to experience Isaac Brock’s heartfelt songwriting. July2, 8 p.m. at the Jubilee, 415 14 Ave. N.W., jubileeauditorium.com

SHANIA TWAIN

Kick the Stampede off with none other than the top-selling female country pop artist of all time. Let’s go, girls. July5, 7:30 p.m. at the Saddledome, 555 Saddledome Rise S.E., calgarystampede.com

PHOTO: OKANAGAN PORTRAITS

PHOTO: ZACHARY VAGUE

PHOTO: RICH MORELAND PHOTO

Shalisa

young friend

Ashes of Yggdrasil

BE HEARD

ARTS SCENE

IN THE GALLERIES THIS MONTH

Alberta Craft Gallery

Makers Dozen - Earring Edition

Until June 21

This exhibition showcases 65 pairs of earrings, each telling its own story, and highlights the technique and craftsmanship involved in jewelry making. Along with the jewelry, photos of the 13 artists at work in their studios offer a behindthe-scenes look.

Norberg Hall

Robin Arseneault: If I is a monster, so be it

Until June 21

Through sculpture and pastel

pieces, Robin Arseneault creates an exhibition full of shapes and impressions, barely legible enough to ground the audience. She invites the viewer on a journey of self discovery.

Esker Foundation

Erika DeFreitas: Stories are Stories are Stories

Until June 30

Guided by artist Erika DeFreitas in a one-day workshop, participants explored their relationship to their families beyond the familiar parent-child bond. The work remembers and celebrates

ART IN TRANSIT

COMMUTING IN CALGARY GETS A LITTLE MORE WHIMSICAL

BY BENJAMIN HEISLER

Rolling through streets this June, the Art Bus 2025 project brings a new fleet of mobile exhibits designed by regional artists. Catch any of the 14 new Art Buses featuring the work of seven artists circulating from June to November this year

These regular service Calgary Transit buses are vinyl-wrapped on the exterior with a new original art piece. The interior of each bus features panels with information about the artists and displays reproductions of their existing artworks.

This culture-rich addition to our roads includes seven new artist-created designs, each reproduced on two buses.

The Art Bus project is organized by the Calgary Arts Development Authority (CADA), which took over from the City as operator of Calgary’s public art program in 2024. Natasha Jensen and Tiffany Wollman co-lead the project.

“We are creating a public-art program that is engaging, relevant, and accountable,” said Jensen during an information session for Art Bus 2025 artists.

“Calgary Arts Development [Authority] has created a strategic framework that supports and nurtures di-

our elders, extended family, and chosen families.

The New Gallery

See you there // meet me here: echoes of eau claire

Until July 12

This exhibition pays homage to Eau Claire Market, which closed its doors for good last year. It features installation and found objects, as well as photos, videos, and sound captured in the mall’s final days.

Curator Jessica Szeto asks the question, “How do we collectively mourn an imperfect thing?”

The Confluence Halo Halo

Until July 27

verse art and artist-led city-building,” Wollman added.

“To foster not only a resilient and sustainable arts ecosystem, but also to achieve a truly equitable, inclusive and accessible city where everyone belongs.”

In announcing the Art Bus project, CADA shared that artists were asked to create original artwork for their bus in response to varying themes, including Indigenous stories and perspectives, public transportation as a social space, community stories, and bringing beauty, joy, whimsy, and hope.

Art Bus 2025 provides opportunities for artists of all levels to share their artwork and stories while bringing public art into communities with limited access to it.

The initiative celebrates Calgary’s cultures, communities, histories, geography, and diversity while adding beauty to Calgarians’ daily commutes.

It aims to create connections between different areas of our city and change perspectives on what public art can be and how it changes our landscape.

All seven new Art Bus exhibits will assemble for a launch celebration on June 11 on Stephen Avenue from 1 St. S.E. to 2 St. S.W. from 11 a.m. until 1:30 p.m.

From artists Jasmine Atay and Sam Mendoza, Halo Halo (meaning “mixed” in Tagalog) uses traditional and digital visuals to tell a story of identity and adaptation.

Nickle Galleries

Where We Gather, the Land Speaks

Until August 22

This exhibition explores how our Land shapes identity, culture, and belonging, through a multimedia presentation of sound, beadwork,

and quills. It is presented by Indigenous artists Lucas Hale, Lori Scalplock, and Elijah Wells.

Contemporary Calgary Presence

June 26 to November 9

This new exhibition at Contemporary Calgary asks what it means to occupy a space, and how that impacts a sense of community. Seven artists collaborated on this exhibition, all bringing their own unique experiences to the understanding of how we exist with one another.

THE ACTIVE WITNESS

CALGARY PHOTOGRAPHER

GAVIN JOHN DISCUSSES RESILIENCY, HUMANITY, AND THE FUTURE OF CANADIAN JOURNALISM

BY EVELINA PAK

ACalgary-based photojournalist and social documentary photographer, Gavin John’s work focuses on human resilience, Indigenous communities, and national security.

While he has covered major global conflicts like the Battle of Mosul in Iraq, his portfolio also includes projects such as The Blackfoot Shield Keepers, Securing the Northwest Passage, and Grassy Mountain Coal, reflecting his dedication to telling underrepresented stories.

John is a member of Indigenous Photograph and a mentor with Room Up Front, supporting the next generation of visual storytellers in Canada.

BIG MOMENTS

“I always wanted to be a journalist. I can tell you exactly when: I was six years old, and it was because of the Rwandan genocide. As I grew older, 9/11 became another defining moment. I realized there was an importance in storytelling — in understanding what people are going through.

“When it comes to photography, I travelled a lot in my youth. I found that telling stories through pictures gave me a lot of joy. I gravitated toward stories about people.”

CONFLICT ZONES

“Preparation starts months before I even leave. I research everything: historical, cultural, religious, and societal contexts.

“Then there's the softer side. I ask myself: ‘Is the risk I'm taking worth the story I'm telling?’ If I don't have a meaningful story, I don't go. I'm not a tourist. I'm not there for adrenaline.

“Conflict zones evoke every terrible emotion you can imagine: fear, disgust, anger, sorrow, despair. The key is being honest with yourself about that.

“What gives me courage is duty. [My] duty as a journalist means being part of something bigger than myself.

“My job is to ensure that people's stories aren’t forgotten — that events are documented honestly, and that the people living through them are seen as human beings, not just headlines.”

90/10

“I always tell young photojournalists [that] pressing the shutter is the last thing you do, not the first.

“You make sure people are comfortable. You respect their humanity, especially in horrific circumstances.

“Conflict is easy to sensationalize. But I don’t think what’s often portrayed truly represents war. There’s a saying: ‘War is 90 per cent waiting and 10 per cent pure terror.’ Most images focus on that 10 per cent.

“I DON’T BELIEVE IN THE IDEA OF THE INVISIBLE PHOTOGRAPHER.

THE MOMENT YOU'RE PRESENT, YOU CHANGE THE DYNAMIC. PEOPLE BEHAVE DIFFERENTLY WHEN THEY KNOW THEY'RE BEING WATCHED.”

“When I cover defence, I try to be very conscious of that. Instead of chasing explosions and gunfire, I focus on people. Soldiers waiting, joking, smoking, playing chess — the quiet moments in between chaos.

“To me, human-centred storytelling is more ethical, impactful, and truthful.”

ACTIVE WITNESS

“I don’t believe in the idea of the invisible photographer. The moment you're present, you change the dynamic. People behave differently when they know they're being watched.

“I’m always an active witness — not an active participant, but still part of the environment. Even by asking someone to tell their story, I’m influencing what they say and how they feel.

“My job is to acknowledge that influence — not pretend it isn’t there — and to build enough trust that people feel comfortable being themselves.”

COVERING CANADA

“The further I went in my career, the more I realized there are so many important stories at home. I’m working on my dream project right now: a long-term visual documentation of the Canadian Rangers.

“The Rangers are a fascinating, underrepre-

sented part of Canada’s North — an organization made up mostly of Indigenous people, living in some of the most remote places on Earth.

“I’ve spent years building trust with the Canadian Armed Forces to get access to their world. This February, I finally embedded with Rangers in Inuvik, Tuktoyaktuk, and northwestern Yukon. I spent a month with them in -50C weather, on snowmobiles, alongside the Air Force.

“The Arctic is visually stunning, and the Rangers’ story deserves to be told with respect, depth, and humanity.”

THE FUTURE OF JOURNALISM

“I believe journalism is defined by one thing: ethics. Ethical journalism requires rigour, humility, and respect for facts.

“More and more, we’re seeing people who call themselves journalists while spreading misinformation. That erodes public trust — and, sadly, our industry has given people good reasons for it.

“The only way forward is doubling down on ethics. It's essential if we want journalism — real journalism — to survive.”

This Q&A was created in collaboration with Werklund Centre (formerly Art Commons). To see Gavin John’s work, visit gavinbryanjohn.com or on Instagram: @gjohnjournalism.

PHOTO: GAVIN JOHN

End of Evergreen

A CALGARY ARTS AND CULTURE INSTITUTION IS SET TO CLOSE ITS DOORS AFTER 34 YEARS

BY SARAH COMBER

When Ishita Singla, founder and artistic director of Madhuban Performing Arts, first stepped into the Community Spaces chapter of the Evergreen Theatre Society, it was like being welcomed home.

“It felt so nice to be in a space where all you could hear was music and dance and feet tapping and joy,” says Singla, noting that her South Asian dance company struggled to secure stable space to rehearse and host public workshops before finding Evergreen.

“We're a community of dancers who like to share our culture, and we are a little raw,” adds Singla, explaining that Madhuban is not a professional dance company. “If you walk into a space and you feel intimidated, then you're not going to be able to create. But Evergreen provides a space which is open for all, and you see a lot of representation.”

FILLING A GAP

While many Calgarians may think of Evergreen Theatre’s educational musical theatre shows performed at schools around the city over the past 34 years, the organization has also provided purpose-built space for dancers, musicians, and other grassroots organizations, particularly in its present Mayland Heights location. In 2024, the organization reported to the Calgary Arts Development Authority almost 5,000 activities in the studio spaces, 800 of which were designated explicitly for youth.

Evergreen’s vast community was shocked when the organization announced that it would be closing its doors on June 30, 2025.

“It'll be a really impactful loss, not only for the constituency of Calgary-Klein, but also for the city,” says Lizette Tejada, Calgary-Klein MLA and shadow minister for Immigration and Multiculturalism. “Several of the cultural groups within Calgary depend on Evergreen as a space to practise, to gather their members, and to keep

their own traditions going.”

The decision is, “frankly, a devastating loss for the community. We strongly believe in the value of [Evergreen’s] Community Spaces,” says Melissa Tuplin, director of Community Investment and Impact at the Calgary Arts Development.

“The Evergreen Community Spaces is home to a number of cultural organizations that are dedicated to the preservation and advancement of their cultural forms. It's an incredibly important and vibrant environment.”

Tuplin adds that many of the organizations using Evergreen’s Community Spaces operate with little funding, whether from public sources or earned revenue.

“One of Evergreen’s mandates has always been to have accessible programming and space,” says Sean Fraser, executive director of the Evergreen Theatre Society. “We charged

rates that were well under market value in order to make sure that people had access.”

Indeed, Evergreen stayed true to its mandate.

Trevor Rueger, executive director of the Alberta Playwrights Network, is a long-term tenant at Evergreen. His monthly rent of $450 has not increased in the 10 years he’s leased at Community Spaces. When Rueger first heard the news of Evergreen’s impending closure, he “was struck by how hard the organization’s team worked to ensure their Mayland Heights space stayed financially accessible over the past 10 years.”

Adds Karen Pysyk, chair of Yalenka Ukrainian Dancers: “Having access to Evergreen community spaces allowed our organization to grow significantly over the past three years. The affordable nature of the space has allowed us to provide access to families with lower economic means.”

Pysyk says that, for Yalenka Ukrainian Dancers, which has operated in Calgary for 50 years, that meant supporting low-income families and families who fled violence in Ukraine.

FINANCIAL UPHILL BATTLE

However, providing financially accessible space came at a cost.

Ten years ago, Evergreen Theatre Society decided to move from its Currie Barracks location. Fraser contacted the Alberta Social Enterprise Fund (SEF) to discuss funding for a new space. Evergreen had previously secured and paid back a $40,000 loan from the fund in 2009. The negotiations were successful, and SEF loaned Evergreen Theatre Society roughly $4.9 million to purchase and renovate their current space in Mayland Heights. In January of this year, SEF notified the Evergreen Theatre Society that they had to repay

PHOTO: CHRISTINA CHASE-WARRIER

Evergreen Theatre

the loan by March 15. Fraser subsequently negotiated with the fund to give Evergreen until June 30 to continue operating, as, without securing $5.5 million — which includes the initial $4.9-million loan and around $600,000 in back-interest payments — the company will be forced to foreclose.

Fraser adds that Evergreen Theatre Society has paid around $1.2 million in interest, accrued monthly, since 2015. He notes that Evergreen never missed a payment.

“[SEF] were the ones that agreed to interest-only payments, and to not do a fully blended principal and interest payment. That is why the principal has not been touched at this point,” says Fraser.

While Ryan Young, director of SEF, was unavailable for an interview since SEF is still in discussions with Evergreen, he released a written statement that stated, “We recognize the role Evergreen holds in Calgary’s cultural community and that the completion of their 10year loan term impacts many artists, employees, and patrons.”

In the statement, Young also noted that, "when loans are not repaid, it affects our ability to support other impactful community initiatives that also need resources.”

FINDING FUNDING

The performance branch of the Evergreen Theatre Society has received provincial and civic government funding for many years. When the society purchased its Community Spaces, they received an annual average of $66,000 from the Alberta Foundation for the Arts (AFA) , totalling

“This is, frankly, a devastating loss for the community. We strongly believe in the value of [Evergreen’s] Community Spaces.”

MELISSA TUPLIN, DIRECTOR OF COMMUNITY INVESTMENT AND IMPACT AT THE CALGARY ARTS DEVELOPMENT

around $650,000 as of 2025. The Calgary Arts Development Authority (CADA) has provided the Community Spaces annual funding since 2019.

In the 2023-2024 funding year, CADA granted Evergreen $45,000.

However, grants from both organizations are specifically allocated for operational use — including day-to-day operations, as well as programming.

“Our funding is not intended for the purchase of land and buildings,” says Tuplin.

In a written statement, Juliana Rodriguez, press secretary for the Ministry of Arts, Culture and Status of Women, noted: “Alberta’s government is aware that the society has announced their closure due to ongoing challenges with outstanding debt. While we are committed to supporting the arts sector in Alberta, we do not provide funding for debt servicing.”

Says Fraser: “So, what's the difference whether you invest and pay off our mortgage after we open, as opposed to before we open?” Fraser adds that MLA Tanya Fir, minister of Arts, Culture, and the Status of Women, and Mayor Jyoti

Gondek have both toured the Community Spaces and acknowledged Evergreen’s impact.

While Mayor Gondek was unavailable for interview, a written statement says, “On January 31, my office received an email from Evergreen Programming asking for financial support from the City of Calgary to secure an extension with the SEF to continue operations. As mayor, I have no way of providing grants to organizations, so our Deputy Chief of Staff reached out to City Administration about this matter to see if anything could be done.”

Gondek’s statement continues that this information was shared with Evergreen, and that the company was referred to the CADA.

“The closure of Evergreen is disheartening, as small, grassroots community organizations like these provide critical arts and culture programming to our city," completes Gondek’s statement.

“CADA has been fighting this battle alongside us for arts and culture spaces in Calgary,” says Fraser. Indeed, CADA is the majority shareholder of cSPACE Projects, which runs a Space Pilot

project. The program offers “meanwhile leases” to small community and arts groups, enabling them to use vacant commercial space until a long-term tenant is found.

END OF AN ERA

While arts funding and policy continue to be a topic of discussion provincially and civically, it’s too little, too late for the Evergreen Theatre Society,

“As sad as it is, it's just another example of how our system doesn't really appreciate community, doesn't really appreciate culture, it doesn't really appreciate the arts,” says Fraser.

For Evergreen’s numerous long- and shortterm tenants, the Community Spaces closure makes for an uncertain future.

“I’ve invested in converting my home basement space into [a] dance studio as a temporary solution until we are able to afford our own commercial space, but I don't foresee that in the near future,” says Singla, adding that Madhuban Performing Arts will no longer be able to offer public workshops once they lose access to Evergreen’s Community Spaces.

Similarly, Pysyk notes that Yalenka Ukrainian Dancers may be forced to limit their community performances or have to increase tuition costs.

“We also may find that we're in a position where we're renting from many different places, which will have a huge impact on the culture and connection within our organization,” she says.

Evergreen’s closure leaves a hole in Calgary's ecosystem of affordable arts spaces. Time will tell if that void can ever be filled.

PHOTO: NEIL ZELLER

PHOTO: BORSELLINO PHOTOGRAPHY

Madhuban Performing Arts

Yalenka Ukrainian Dancers

SLED ISLAND MUSIC AND ARTS FESTIVAL

It’s time again to get weird and have fun because Sled Island is back. This indie music and arts bash brings a massive lineup with over 150 local and international artists taking to the stage, plus art and comedy shows over five days. This year’s curator, Otoboke Beaver, brings frantic Japanese punk rock to the Blue Sky City, joined by The Mummies, Tropical Fuck Storm, and so much more. June 18 to 22, multiple venues, sledisland.com

JAZZ YYC SUMMER FESTIVAL

Whether you like your jazz smooth or laced with funk and groove, to make you move, Jazz YYC provides. With jaw-dropping headliners like Molly Johnson and Mike Stern and plenty of local and international surprises, this week of jazz will be something to remember.

June 23 to 29, multiple venues, jazzyyc.com

Festival Check-In 2025

CALGARY’S FESTIVALS BRING BANG FOR YOUR BUCK

BY CATRINA BOWLES

With rising prices on housing and goods, and tariffs making even the price of orange juice shoot through the roof, for many of us, going on trips away for the summer just doesn’t seem like the thing to do.

“My anticipation is that there’ll be more people having a staycation in Calgary and [they] will be looking for something to do,” said Michele Gallant, executive director and producer of the Calgary Fringe Theatre Festival.

Summers are so often marked by trips down south for a frolic through Disneyland to a crazy weekend away in a Vegas casino. But between high costs and the worry about getting stuck at the US border, over 50 per cent of Canadians have cancelled or changed their US travel plans this year, according to a survey by Abacus Data.

But festivals like Gallant’s Fringe are here to fill the void of what to do, without breaking the bank.

“With the Canadian Fringe model, 100 per cent of the box office price … goes directly back to the artist,” said Gallant. “And because it’s their box office, [they] have a choice to offer pay-what-you-want pricing.”

Along with affordable and accessible pricing, Fringe is doing what it can

SOUND ATLAS FESTIVAL

Back for its third edition, Sound Atlas is taking over Contemporary Calgary with three days of experimental noise, original compositions, and chamber music. This year’s theme is “Sonic Playground” and promises tons of audio whimsy for those with curious ears.

June 27 to 29, Contemporary Calgary, 701 11 St. S.W., soundatlasfest.com

COWBOYS MUSIC FESTIVAL

Top 40 powerhouses are taking to the stage once more for the legendary Cowboys Music Festival. Beyond the bumpin’ tunes, the mayor of Flavourtown himself, Guy Fieri hosts the sixth annual Cowboys Cook-Off on the eighth day of the festival.

July 3 to 13, Cowboys Park, 1220 9 Ave. S.W., cowboysmusicfestival.com

BADLANDS MUSIC FESTIVAL

Get ready to party at the Badlands Music Festival. These 10 days are packed with EDM, hip-hop and pop hits to throw it back to. Radio heavy-hitter Zedd takes to the stage this year, and there's even a Boiler Room set planned.

July 3 to 13, 725 9 Ave. S.W., badlandsmusicfest.com

Molly Johnson

to make Calgarians feel like they’re going on a summer vacation — without going broke.

The festival is indulging in the “staycation” vibe with its Camp Fringe theme. Volunteers will dress up as rangers, offering walking tours of the Inglewood festival grounds, showing off the different venues to attendees along with tales of the festival’s past. While Calgary’s festivals are taking advantage of people choosing to stay at home this summer, that doesn’t mean that the US and Canada’s strained relationship isn’t taking a toll.

“For some US artists right now, there’s some anxiety about going across the borders,” said Gallant.

Gallant’s assured the three American acts set to perform at this year’s Fringe that she will hold their spots for them until next year if they aren’t confident they’ll be able to get back home if they cross the border for the festival. Fortunately, at this point, all three acts seem to be going ahead as planned.

Not every festival has been so lucky.

“We have had a few of our emerging performers who were coming in from the States have to cancel because they weren’t sure about the climate, in terms of them re-entering the States,” said Hemen Tor-Agbidye, Sled Island Music and Arts Festival manager. “It was just a risk they didn’t want to take.”

Sled Island is no stranger to the funding challenges of booking international acts — artist fees (and the exchange rates), hotels, flights — it

CALGARY FOLK MUSIC FESTIVAL

Summer classic Folk Fest is back for its 46th year. Whether you’re a fan of the artists performing or just looking for a way to enjoy the sun, Folk Fest always brings a great vibe.

July 24 to 27, Prince’s Island Park, calgaryfolkfest.com

“MY ANTICIPATION IS THAT THERE’LL BE MORE PEOPLE HAVING A STAYCATION ... AND [THEY] WILL BE LOOKING FOR SOMETHING TO DO.”

MICHELE GALLANT, EXECUTIVE DIRECTOR AND PRODUCER, CALGARY FRINGE

THEATRE FESTIVAL.

TERMINUS FESTIVAL

Experience the darker side of Calgary’s music festival offerings with Terminus. This year’s edition is entitled “Modulation” and brings in Twin Tribes and Front Line Assembly as headliners.

July 24 to 27, Dickens Pub, 1000 9 Ave. S.W., dickensyyc.com

CALGARY INTERNATIONAL BLUESFEST

Experience The Confluence (formerly Fort Calgary) in a way you never have before with Calgary Bluesfest. Enjoy both blues legends and rising stars against the historic backdrop, and hit up the arts market for some one-of-a-kind finds.

July 31 to August 3, The Confluence Historic Park, 750 9 Ave. S.E., calgarybluesfest.com

CALGARY FRINGE THEATRE FESTIVAL

Don your boots and cap and hike down to Camp Fringe. This year’s week of indie theatre embraces a camping theme, with volunteer “rangers” taking guests on a walking tour of the festival’s venues.

August 1 to 9, multiple venues, calgaryfringe.ca

all adds up. But not being able to keep them on the roster is a new one.

Luckily, the Sled Island 2025 lineup features plenty of American acts that have stayed on board and a healthy helping of international acts. In part thanks to selections from guest curator Otoboke Beaver, a Japanese four-piece punk rock band, the festival features acts from Japan and Taiwan like DMBQ and BB Bomb.

Sled Island does itself some favours by avoiding challenges that other festivals face. Beginning the festival planning process puts them well ahead of schedule, allowing them to see challenges and face them before they become a problem.

“Overall, in Calgary, I find we’re losing music venues,” said Tor-Agbidye. “We’re fortunate that our festival runs with some of the more long-standing venues, so we’re not too affected.”

Calgary International Bluesfest didn’t have the opportunity to think too far ahead before they were hit with the news earlier this year that their venue for the past 14 years, Cowboys Park (formerly Shaw Millennium Park), would be undergoing extensive renovations that would make it no longer a good location for the festival.

“It’s just giant patches of pavement,” said Cindy McLeod, Bluesfest founder and producer. “It’s not really suitable anymore for a family music event where people sit on the grass and listen [to music] all day.”

While the renovations to Cowboys Park include utilities upgrades that will make future events like the Cowboys Music Festival in July

EASTERN SLOPES MUSIC AND ARTS FESTIVAL

Eastern Slopes enters its second year in the music festival game, introducing an arts and market element this year. With a variety of musical genres and located right next to the playground, it’s a day out everyone will love.

August 23, Bridgeland-Riverside Community Association, 917 Centre Ave. S.W., easternslopesfest.com

REGGAEFEST

Calgary ReggaeFest makes its triumphant return to St.Patrick’s Island for two days packed with reggae, hip hop and R&B. The lineup includes Glen Washington, Ammoye, and the Canadian Ska Orchestra. August 29 to 30, The Rise on St. Patrick’s Island, reggaefest.ca

Calgary Fringe Festival

PHOTO: MARC J CHALIFOUX

run more smoothly, they don’t match the vibe of Bluesfest. Fortunately, McLeod looked elsewhere and found the new home for Bluesfest at The Confluence Historic Park.

Overall, McLeod estimates that production costs from the festival are up 35 per cent. She mostly works alone at the festival, so downsizing staff isn't an option. But she remains dedicated to keeping the first three days of Bluesfest completely free to attend.

“It’s really important to me personally that nobody is excluded from experiencing and enjoying the blues,” said McLeod. “If money is a barrier, they don’t have to worry.”

The only way Bluesfest could make its operation any leaner would be by pulling back on the free events. Unfortunately, that’s exactly the decision that Jazz YYC had to make for their festival this year.

For the past couple of years, TD Bank, a major sponsor of festivals across the country, has been pulling out of sponsorship deals. In 2025, Jazz YYC found itself in that position.

“Where we’ve had to step back is generally one of the big events we do in our festival,” said Kodi Hutchinson. “It’s a free outdoor stage show on the final day.”

It’s a blow to Jazz YYC to pull back on the outdoor stage show, but Hutchinson said that once the organization secures more sponsors, the free stage show should return for the following year.

It was a decision about whether or not to take the risk of doing the stage show and hoping that ticket sales would be enough to cover the cost, potentially operating at a hefty loss this year. Rather than take that risk, Jazz YYC opted to

add smaller-scale events to the lineup, including workshops and a kids' showcase on the final day of the festival.

“As everyone loves to say in the arts world, we pivoted,” said Hutchinson.

It’s what these festivals are fantastic at. None of these festivals would have survived COVID if they had not taken the challenges in stride and tried to adapt to the changing landscape. No other festival demonstrates the willingness to

the chance to perform. When it came time to plan the festival for the following year, Cripps and his team had to figure out not just how but if they were going to do it.

“If we’re going to come back and do it, let’s do it like we would do a regular festival,” Cripps said.

The two-day festival is back again this year, this time taking on the outdoor stage on St. Patrick’s Island. Cancelled acts from the previous year were invited back, along with some exciting new ones.

NONE OF THESE FESTIVALS WOULD HAVE SURVIVED COVID IF THEY HAD NOT TAKEN THE CHALLENGES IN STRIDE AND TRIED TO ADAPT TO THE CHANGING LANDSCAPE.

pivot quite like Calgary ReggaeFest.

After a few years of struggling post-COVID and dealing with volunteer fatigue, ReggaeFest scaled back in 2024 to a single day at Sunnyside’s ContainR Art Park, calling the event the “Sunny Soul Jam.” It was supposed to be the perfect way to reinvigorate ReggaeFest.

“It was beautiful,” said Leo Cripps, ReggaeFest producer. “The band played and did a full set, and as soon as they got off, it was lightning, thunder, rain.”

The torrential downpour washed out the rest of the festival, and the remaining acts never got

“Everything has been going so smoothly,” said Cripps. “I’m scared that something is going to drop that’s going to throw a wrench in it.”

It’s a tune that echoes across Calgary’s festivals. While there are certainly struggles, for the most part, operations are going to plan. Even for some of Calgary’s smaller, less established festivals.

The Eastern Slopes Music and Arts Festival is entering its second year and already expanding. While the first year was fully music-focused, Eastern Slopes is launching launching an arts market for locally made goods for its sophomore edition.

“It’s been a lot smoother this year because we know what to expect,” said Hannah Unterschultz, executive director of Eastern Slopes. “We’ve had one under our belts. We know people will come. We know people are interested.”

With a lineup of artists spanning genres from R&B to country, pop, to rock, Eastern Slopes is set up for another year of music that appeals to everyone. The festival also plans to introduce flexible ticket pricing offerings closer to the August festival date.

Meanwhile, Sound Atlas is in its third year of bringing contemporary classical music to Calgary. This year's theme, Sonic Playground, hopes to bring a playful and interactive element to the festival. The festival is introducing new multimedia elements, but that comes with an additional cost.

“We have a little more stability in knowing our audience and our financial stance,” said Jani Parsons, co-director of Sound Atlas and a founding member of the host ensemble, Latitude 49. “We’ve been able to be a little bit more adventurous with the stuff that we program.”

A big focus for Parsons this year has been ensuring the festival’s longevity. Part of that is working towards making Sound Atlas a charitable organization to help secure funding. This is an approach that Sled Island has also taken.

“Sound Atlas is like an organism,” said Parsons. “We want to keep it alive. We want it to thrive here in Calgary.”

Taking care of our festivals is how we keep them alive, even in those years when the dollar doesn’t go as far. After all, a festival pass is (usually) cheaper than a plane ticket.

PHOTO: ANNIE DA SILVA

PHOTO: SANDRINE LEE

PHOTO: CHRIS SANTOS

Calgary Folk Music Festival

Mike Stern Host ensemble Latitude 49 at Sound Atlas

How We Sled

TIPS, TRICKS, AND HACKS FOR AN OPTIMAL SLED ISLAND EXPERIENCE

BY REID BLAKLEY

With the Sled Island Music & Arts Festival presenting 200+ musical acts yearly in venues big and small, there are as many ways to Sled as there are Sledders. The Scene has some pointers to make the most of your experience and help your musical dreams come true.

PLANNING VS. SPONTANEITY

With the number of shows happening simultaneously, deciding where to be at a given time can be daunting. Traditionally, Sledders use the abundant and free official paper schedules, which usually end up looking like they were recovered from the scriptorium of an ancient monastery. Some prefer Sled’s online scheduling tool. “It provides a clear visual overview of set times and locations, helping users strategically plan their festival experience and make the most of every moment,” says festival director Hemen Tor-Agbidye. Users can click the heart symbols on the profile pages of their favourite acts, which will populate a personalized schedule grid.

DIFFICULT DECISIONS

If two highly anticipated sets overlap, ask yourself some questions: Which one will deliver a more fun and unique live experience? Which show will your friends be at? Is it feasible to see the start of one show and the end of another? Who’s more likely to tour through Calgary again in the future?

If you’re torn between your preferred show and that of your Sledding buddy, be flexible and willing to compromise; they might return the favour. Can you split off and see different bands? Can you — without being manipulative,

of course — convince them to come along with you instead? Or can they convince you to come with them?

In any case, resist FOMO; you may find you simply can’t see everything you want to see. Take my wife (and Sledding partner) Ash’s advice: “Don’t beat yourself up. If you can’t see a band you know you like, take a chance on one you’re not so familiar with, and you may be pleasantly surprised.”

GETTING AROUND

Calgary’s core is fairly easy to navigate, being mainly laid out on a grid of numbered streets and avenues. That said, you may need to get places faster than you can walk. Most streets downtown are one way, and parking is a tight squeeze, so a car is not ideal between venues, either.

“Venues are in close biking proximity to each other,” says CJSW music director Helen Young. “The inner city has great bike lanes, so take advantage of those, but please wear your helmet, and do not ride if you feel faded! Walk that bad boy home or keep it locked up on one of the venue bike racks until you are clear-headed. Don’t forget your lights and bell!”

WEATHER THE WEATHER

In late June, Calgary’s weather can range anywhere from cloudless 35°C heat to torrential thunderstorms. On sunny days, wear sunglasses, breathable clothing, and sunscreen, and know the signs of heatstroke. If it might rain, bring rain gear, even just one of those ponchos that can fold up and fit in your pocket. And as always, wear some comfy shoes!

STAY ALERT, STAY SAFE

“Rolling with a pal, especially in the evenings, is ideal,” says Young. “However, if you find yourself

alone at a show, try to identify a familiar person [like] someone in a Sled Island shirt or a bar staff member, in case you need support. If you ever feel uncomfortable in a situation, trust that gut feeling. And always watch your drinks!”

If you witness violence, harassment, bigotry, or any other harmful behaviour, she suggests you “make your presence known and check in with them if it makes sense in the circumstance. If you need additional support, find a Sled Island volunteer or venue staff member for assistance.”

LOOK AFTER YOUR BODY AND MIND

Zipping around town for five days can take a toll, especially if you’re no longer (physically) a teenager. Pace yourself, sleep and eat well, stay hydrated, and consume intoxicants within reasonable limits.

Those of us on the neurodiverse spectrum or

with certain disabilities may also be more easily overwhelmed by crowds, continuous loud noise, or having a long, activity-filled day. This makes us prone to exhaustion, anxiety attacks, and mood swings. Make sure you know and respect your own personal limits, and if you’re Sledding with a partner, make sure they know and respect them, too.

Last, but not least, wear earplugs! Foam ones, reusable rubber ones, special expensive ones made for musicians; give your ears reason to thank you. One concert that’s too loud (let alone many in a row) can lead to permanent hearing damage or lifelong cases of tinnitus. Even if you’ve been lucky thus far, you may regret not plugging up this time around! If you forget to bring them; CJSW distributes foam earplugs with carrying cases in vending machines and at merch tables in multiple venues.

PHOTO: MICHAEL GRONDIN

MUSIC SCENE

BY MIKE BELL

The Sled Island experience is one you never forget. And it goes without saying, the first time is a big time, a memorable time. No matter how long you’ve been around. That includes those performing at it.

Take veteran Taiwanese punk act BB BOMB, who play a Scene-sponsored showcase on Friday, June 20, at Pinbar (on top of two other performances: Saturday at The Palace, and Sunday for the Palomino’s closing-night pig roast).

Two decades in, the Taipei threesome will be venturing across the pond for their first-ever gig in the Western world and it will be at our lil’ old Sled, as one of the picks from this year’s guest curators and Japanese pals, Otoboke Beaver.

Then there’s Calgary’s Medusas, a teen trio who are part of the local nü riot grrrl movement, which also includes Toxic Fem and fellow Sledites Rebel Grrrlz. They’re on the other end of the spectrum than B3, haunting the all-ages scene for a dozen-plus months; enough to win an audience, produce the exceptional Beaches-esque dude diss, “Block Him!”, and get the Sled nod thanks to an impressive demo submission. They’ll be performing June 20 at Loophole Coffee Bar.

Two acts. Two very different journeys. One first Sled.

That Sled Experience

BB BOMB

FIRST-TIME ARTISTS FROM DIFFERENT REALMS REFLECT ON WHAT BEING PART OF SLED ISLAND MEANS

For translation purposes, the band — vocalist-guitarist Hsu Pei Hsing, bassist Iven Chang and drummer JiangBow Jiang — responded collectively in an email interview.

Hi from Calgary. Thanks very much for doing this. Will this be your first time in Canada, Calgary?

“Yes, this is BB BOMB’s first time in Canada.”

What do you know about the city?

“When our friends heard that we were going to Canada, they told us that it’s a very safe country and people are friendly. We also read online that Calgary is one of the cleanest cities in the world, and we’re really looking forward to experiencing what it’s like when the sky stays bright even at night.”

You’re playing the Sled Island festival. Are you familiar with it? What do you know about it?

“Inviting a guest curator is a really unique approach, and in 2016, the guest curator was Peaches, an artist we truly admire! In addition

to music performances, the festival also features comedy and art, making it an avantgarde and diverse celebration.”

You were picked by guest curators Otoboke Beaver. I know you’re friends with them and have played with them before, including at festivals. Please tell us about your relationship with them. And how grateful are you to them for introducing you to a wider audience, including one in Canada?

“We’re truly grateful to have been given the opportunity to perform in a Western country for the first time.

“Through the introduction of Otoboke Beaver, BB BOMB recorded our new album at a studio in Osaka that Otoboke Beaver recommended. During our time recording ... in Osaka, guitarist Yoshie would drive us around, and we’d hang out, share meals, chat, and go to shows together. When they visited Taiwan, we’d also go for walks, eat together, and hang

“WE’RE TRULY GRATEFUL TO HAVE BEEN GIVEN THE OPPORTUNITY TO PERFORM IN A WESTERN COUNTRY FOR THE FIRST TIME.”

out at our place.

“Although we don’t keep in constant contact, we’re the kind of close friends who make sure to meet up whenever we’re in each other’s countries. This will be our first time meeting in Canada, and we’re really looking forward to it.”

For those who haven’t seen you, what can audiences expect from a BB BOMB show?

“Sometimes on stage, we do things even we can’t predict — that’s the fun of a live show. We’re really looking forward to seeing what spontaneous moments might happen during our performance.”

Are there any artists you’re looking forward to playing with at Sled, or are there others attending that you plan on seeing?

“The Mummies, Glockabelle, Oddisee & Good Company, Mary Lattimore, Motherhood.

“There are already many bands performing, and we’re planning to add even more bands we want to see.”

PHOTO: ETANG CHEN

MEDUSAS

Is there a certain validation in it?

“I totally do. I feel validated as an artist. We’re not a novelty, just teenage girls playing; we’re actual musicians playing music. And we’re working on more nuanced songs, so that’s going to be a big part of our set at Sled Island, because we take this seriously.”

Who inspired you musically on a local level?

LOCALS TO CATCH AT SLED

THE RIFLE COUNTY PLAYERS

“IT’S ACTUALLY A REALLY BIG DEAL BECAUSE SLED ISLAND IS A MUSIC FESTIVAL OF ALL GENRES, AND IT BRINGS THE MUSIC SCENE TOGETHER IN CALGARY”

GRACE JOHNSTON, MEDUSAS FRONTWOMAN

Frontwoman Grace Johnston spoke for the band, which also features bassist Zenith Nigg and, for Sled Island purposes, Marie Overwater on drums.

This is your first time playing Sled Island. What does that mean to you?

“I think it’s actually a really big deal because Sled Island is a music festival of all genres, and it brings the music scene together in Calgary, in Canada, in a lot of ways. And it’s just really cool to be a part of that.”

When you started, was it an aspiration for you to play Sled Island?

“It absolutely has been an aspiration of mine and Zenith’s. I’ve gone to shows for Sled Island in the past years and seen the bands for the All Ager Ragers, and it’s just been like, 'Like, wow, that’s going to be me one day with my band.' … I’m so happy that I have the opportunity to play this.”

I think the fact that you’re playing the festival speaks to the fact that you guys mean business.

“I have to say my dad, obviously. [Her father and band ‘dadager,’ Colin Johnston, is a member of veteran Cowgary country punks Agriculture Club, along with Medusas temp drummer’s dad, Rick Overwater.] And Marie Overwater’s band Toxic Fem, because they’re just a couple of years older than me, they’re like 20, and when I was 12 years old and I first started going to all-ages shows and I saw them play, it was so empowering to watch them play.”

So, in this incarnation, does that mean you’re a nepo band?

“Yeah, kind of. It’s kind of cool, you interviewed my dad before and now you’re interviewing me, so it’s multigenerational … Actually, we’re playing an Agriculture Club cover for Sled Island, 'Evil Man' — it kind of goes with our vibe.”

Has your dad ever played Sled?

“No, he hasn’t, unfortunately.”

And are you holding it over him?

“I sure am!”

These interviews were condensed for space and clarity.

A bunch of Calgary punks have gone country and the results are juicier than you’d expect. TRCP’s potent blend of psych atmosphere and Western twang is downright irresistible.

CHEER

These local prog-rock wunderkinds specialize in epically long solos, soaring vocal harmonies, and more riffs than you can shake a finger at.

HIP HIP THURSDAY

Formed out of jam sessions at the Alcove Centre for the Arts, Hip Hip Thursday creates soulful indie jazz with an affirming, joyful vibe.

K-RIZ & THE FAMILY

This award-winning rapper/singer packs every syllable with meaning, every bar with soulful production, and every show with heart.

NO MORE MOMENTS

After waving the banner of Siksika hardcore punk for over a decade, No More Moments is back with a new lineup and renewed purpose.

The Scene’s Sled Island Showcase

Our editorial team has curated a jampacked afternoon of both local and international sonic talent to get your Sled weekend properly started. And what better place to spend a Sled Friday than at Calgary’s coolest dive, Pinbar?

Get to know the lineup!

PUPPET WIPES - 2:30 P.M.

The local connection, this Calgary collective specializes in avant-garde spontaneity. Expect lo-fi at high volumes, with experimental lyrics to spare.

ERASER - 3:20 P.M.

Wobbly Philly post-punk with earworm hooks. Check their debut video, “Simon Says," for a taste of their bite-sized, no-wave rhythms.

HATERS - 4:10 P.M.

Hailing from the land down under, this punky three-piece fuses indie sleaze with garagerock attitude. Get a taste of Aussie rules, right here, right now.

DEVOURS - 5 P.M.

Queer electropunk from the Canadian West Coast, guaranteed to get your moneymaker shakin’ and your heart stoppin’.

BB BOMB - 5:50 P.M.

These Taiwanese punk legends are handpicked by Sled Island ʼ25 curators Otoboke Beaver to bring the hardcore heat to Cowtown.

Check out The Scene’s Sled Showcase on Friday, June 20, at Pinbar (501 17 Ave. S.W.). Keep an eye out for our editors, and say hi! We give great high-fives

PHOTO: COLIN JOHNSTON

PHOTO: TAUN VOS

BY LAUREN KALINOWSKI

In the suburbs of northwest Calgary, amidst strip malls and big-box stores, you’ll find a tiny and bustling independent coffee shop: Fenyk Coffee & Social. I’ve chosen an herbal tea for the evening as the guy at the till launches into an excited story about the Sarjesa Tea that he stocks, and then tells me his own narrative.

"I studied biochemistry and now I’ve opened a coffee shop," says Pardeep Sooch during a busy evening rush. Steam rises from locally roasted coffee. The hum of conversation mingles with the rhythmic hiss of the espresso machine. This thriving independent coffee shop across from Winston Churchill High School and Northland Village Mall has evolved from concept to cornerstone in just one year.

Sooch's journey to café ownership follows an unexpected path. "I have a biochem degree, then shifted into project management, and then became an actor for almost seven years," he says, tracing the constellation of experiences that led him here. After years in the entertainment industry, he recognized the limits of his creative career. "I was at a bottleneck for work getting done. In order to scale, I cannot add three more hours to the day."

When a friend approached him about commercial space in the neighbourhood where Sooch grew up, the timing felt magical. The coffee chains in the area like Starbucks had been retreating one by one, leaving a void that called to him.

The name "Fenyk" whispers its own origin story. Stylized from "Fennec," it references the desert-dwelling fox known for its communityoriented nature. "Fennec foxes are very loyal, community driven animals," Sooch says. "They mate for life and find other family pods and burrow in the same den together."

This philosophy of interconnection defines every aspect of the business. "The store is my fox den, where every aspect is built by the community."

True to this vision, Fenyk sources everything locally. Rosso Coffee Roasters supplies the beans. Sarjesa provides the tea. Sweet Rice contributes gluten-free donuts. Korean-style

Community in a Cup

HOW FENYK COFFEE & SOCIAL IS TRANSFORMING NORTHWEST CALGARY

develop into whatever path you want to take."

Sarjesa Tea's Social Enterprise Journey

Sarjesa Tea represents something more profound than a comforting cup of tea. Each blend tells a story of social purpose borne from academic roots.

"It started as a school project," says Alexandra Daignaul, founder and owner of Sarjesa.. As a student at Mount Royal University, a class project sparked an idea that would evolve into a growing social enterprise. She began by wanting to address domestic violence against women. Now, through tea's international supply chain, she’s examining global patterns of violence against women.

“The store is my fox den, where every aspect is built by the community.”

PARDEEP SOOCH, OWNER

sandwiches arrive fresh from My Picnic, just down the street. Each item tells its own story of local craftsmanship in an area once dominated by corporate uniformity.

Most coffee shops struggle for years, but Fenyk defied expectations. "We're cash positive, where we hit a profit within 10 months," he says.

After just one year, Fenyk has already expanded to a second location near WinSport's Canada Olympic Park, which is set to open on June 2. It will feature a full kitchen serving artisanal bagel sandwiches, evening pizzas, and a three-season patio.

Sooch credits his team with Fenyk’s rapid success. "The staff actually care. They're taking ownership of it, too," he says. "How I tend to lead is, I'm that foundation for you to grow and

This approach has transformed what might have been just another transitional job into something meaningful. One staff member with a finance background who initially planned to stay only a few months is now Sooch's right hand in operations.

Sooch worked 12 to 15 hours a day for nearly 300 days straight until the first location opened. "Everyone glorifies running your own business, but they don't understand the amount of sacrifice it actually takes," he says.

Despite his ambitious plans — he's already eyeing a third location and hopes for five or six locations within a couple of years — Sooch remains hands on in a way that defies the usual trajectory of successful entrepreneurs.

"What I love about the coffee shop is I get to make someone's day just a little bit better, whether it's just having a conversation, getting to know them, helping them feel seen," he says. "It's fun to be a part of people's lives."

As Fenyk continues to grow, that community-first vision remains at its heart, a promise as warm and inviting as the perfect cup of locally roasted coffee on a cold Calgary morning. Just as Sooch transformed from biochemist to actor to entrepreneur, he's now transforming his community, one careful cup at a time.

Visit Fenyk at 110, 5049 Northland Dr. N.W. and online at fenykcoffee.com.

Starting initially by donating proceeds to charities that support women facing domestic violence, Sarjesa now works directly with farmers and empowers women with jobs and training through her supply chain.

Local experiments range from providing housing subsidies for women growing peppermint to creating educational workshops bridging regulatory gaps for smallscale producers.

"I'm definitely not an entrepreneur who has it all figured out," Daignaul admits, rejecting the glossy success narrative. Her company works with more than 50 farms, developing frameworks to ensure economic empowerment for women producers. Her vision carried Sarjesa from an Etsy shop to Sobeys shelves across Alberta.

"Even if you start with an imperfect model, keep working at it. Keep improving it," she advises younger entrepreneurs tackling complex issues.

Each Sarjesa purchase represents more than just tea. It's an investment in ongoing learning, in questioning existing models, and in the radical belief that business can actively confront generational injustice.

Sarjesa Tea is available at Fenyk Coffee & Social and online at sarjesa.com.

PHOTOS: COURTESY PARDEEP SOOCH

Celebrate trailblazing Indigenous voices in music. 2025 artists include Ray St. Germain, Harry Rusk, Kelly Fraser, Beatrice Deer, and Dakhk‡ Khw‡an Dancers GET TICKETS AT

Honouring

pop-punk icons.

Celebrate

Dan Hill, Glass Tiger, Ginette Reno, and Loreena McKennitt.

COMEDY SCENE

From open mics to mainstays

Exploring Calgary’s thriving indie comedy scene

BY KRISTA SYLVESTER

Every seasoned comedian starts somewhere and Cowtown’s stage is set for aspiring comics.

If you’ve got five minutes of material and an itch to make audiences laugh, there are plenty of microphones and stages to sharpen your comedic craft across the city.

Calgary may not be the first place that comes to mind when considering stand-up comedy. Still, its local indie scene is flourishing from grassroots open mics to massive comedy festivals, offering a unique blend of opportunities for comedians and audiences.

Our local indie stand-up comedy scene has no shortage of opportunities to test material and connect with the community, says Calgary standup comedian Victoria Banner, co-creator of Laugh Loft at the Attic.

“Calgary’s comedy scene has always been very strong for a city that isn't Vancouver or Toronto. We've produced a lot of talent and we’ve produced a lot of stars,” Banner says, adding that a lot of successful comedians got their start in Calgary.

She points to Calgary’s very own Brittany Lysing, who just won the 44th Seattle International Comedy Competition, and Malik Elassal, who claimed a spot on Vulture’s “Comedians You Should and Will Know” listing in 2024.

“A lot of those people started at the kind of bar shows that have been around and upheld by the Calgary comedy scene, and that's where they cut their teeth," Banner says.

A COMEDY SHOW ALMOST EVERY NIGHT OF THE WEEK

Ratboy Comedy hosts Zac Wiggins and Maxwell Xavier Land say the city’s level of talent is often underrated. “I think most people don’t realize that Calgary’s independent comedy scene is honestly fantastic,” Wiggins says. “We have some of the best comics in the country that are located here. Pretty much every night of the week, there is at least one show going on, sometimes two or three.

“The scene just keeps getting bigger and bigger. Even from when I started three years ago, it feels like the number of comics has doubled in size. I’m constantly meeting new comics [whom] I have never seen before.”

Land agrees, adding that professional comics are still part of the city’s local scene. Brittany Lysing, for example, often drops in to events like Ratboy to rock a quick five-minute set.

“You can catch them on TV or at a festival one night, and the next night, still working hard and hashing out new jokes at an open mic. It's great for comedy fans and comics, alike, to get exposed to the process and craft of stand-up,” Land says.

“I started comedy a couple of years ago, and it's been cool to see my peers from that time starting to find their voice and make their mark in the community. New comics pop up all the time now, as well, and it's a pleasure to see them grow.”

BREAKING INTO CALGARY’S INDIE COMEDY SCENE, ONE OPEN MIC AT A TIME

Calgary's open mic nights are the perfect starting point for those looking to dive into the comedy world. Comedy Monday Night, held every week at Modern Love – formerly Broken City –is Western Canada's longest-running open-mic show. This event has been a staple since 2005, offering newcomers and seasoned performers a platform.

Another popular open-mic option is Ratboy Comedy, hosted by Wiggins and Land every Wednesday at Vern's. The duo has been hosting Ratboy at Vern’s on Wednesday nights for the past year since they took over from its founder, Erin Wood, who moved to Toronto.

The name Ratboy pays homage to a show Wood used to do in Victoria called Ratfish, and is also a nod to a Simpsons episode in which Homer envisions Bart as a rat and calls him “Ratboy.”

Banner says open mic nights are a cornerstone for emerging comedians, providing a stage for them to test material, gain confidence, and receive immediate feedback.

Calgary's comedy scene is celebrated for its inclusivity and diversity. Shows like Ratboy Comedy and Laugh Loft are known for amplifying voices from various communities. Supporting these performers enriches the local culture and promotes a more inclusive and representative comedy scene.

“It also elevates a lot of trans voices, a lot of queer voices, a lot of femme voices,” Banner says, adding it’s important to break through the usual noise and create diversity.

Aspiring comedians can carve their path by

PHOTO: NATHAN ILES

Victoria Banner Zac Wiggins

taking advantage of open-mic nights, performing at established venues, and exploring alternative spaces.

“Every show has a different vibe. It’s nice to have the variety in the scene,” Land adds.

TIPS FOR ASPIRING STAND-UP COMEDIANS

According to Banner, the best thing a comedian can do if they want to get involved is to support the shows they want to participate in.

“Watch the show a couple of times and see the comedy culture before just deciding to get up there and try it,” she says. “Everyone always puts it in their head that they want to be a standup comic, and then they put too much effort just rehearsing alone in their room. They don't observe the culture, and they don't observe what other people are doing.”

Another tip: practise with a live audience.

“You never know if something's going to work until it works live, so stage time is quite the commodity,” Banner adds. “The only way you can generate stand-up is live in front of an audience.”

Banner also says it’s important to carry a notebook around to jot down ideas when they pop up.

Shows Around Town

“If you decide that you want to be a stand-up comedian, you don't just sit down and try to write everything all in one chunk," she says.

Wiggins recommends that new comics get as much stage time as possible during their first couple of years.

“Try and write at least a little bit every day and write what you think is funny, not what you think will make the audience laugh,” he says, adding it’s also beneficial to attend shows and learn from veteran comics.

Land says aspiring comedians should write as much material as they can.

“I'm a big quantity-over-quality guy. When you first start trying to write material, there's a good chance you will find large swaths of it ending up being garbage. You may have to write 30 minutes of jokes before you get a solid five minutes of jokes that do not make you feel queasy,” he says.

“Writing a lot also forces you to try as many things as possible, which will give you insight into how to fix your bad jokes. You can always return to the garbage you've tossed aside once you're older, wiser, and have stepped on many more blades of grass.”

THE KINKONAUTS

Known as Calgary’s improv lab, the Kinkonauts have been developing improvisers and building community for more than 15 years. This talented improv troupe presents every show as a unique, unscripted, creative, and spontaneous adventure. The Kinkonauts are hosting their Wuthering Frights Fundraising Show on June 27

LAUGH LOFT

This femme-curated stand-up comedy show is held at The Attic Bar & Stage in Inglewood on Sundays at 7:30 p.m. Known for its edgy-yet-inclusive atmosphere, the show is sponsored by Blindman Brewing and curated/hosted by comedian Victoria Banner and drag queen Karla Marx.

RATBOY COMEDY

Ratboy Comedy is a weekly stand-up comedy show held at Vern’s. Every Wednesday at 8 p.m., the show features a diverse lineup of local comics, first-timers, and professionals, creating a unique and unpredictable comedy experience.

RECKLESS COMEDY

This free comedy show runs every Thursday at 8 p.m. in Inglewood at The Dirty Duck pub. Attendees are sure to see plenty of up-andcomers and established comedians, too. Take some inspiration from the name!

FIRECRACKER DEPARTMENT COMEDY CAFÉ

Enjoy coffee and snacks while watching performances with fresh perspectives. The Firecracker Department Comedy Café is a monthly event that highlights female and non-binary comedians in a relaxed, community-focused setting. The group has also launched a podcast, with episodes dropping on June 4, June 18, and July 1

MODERN LOVE COMEDY MONDAY NIGHTS

Billed as Calgary’s longest-running open mic comedy night, amateurs and first-time comedians are invited to get on the stage and get a taste for comedy every Monday at MoLo starting at 8 p.m. The event just marked its 20th anniversary in April.

YUK YUK’S

A staple in the local comedy scene, Yuk Yuk’s is known for its variety of headliner performances. There is also an amateur night Thursday nights offering fresh talent on the big stage for just $5 admission. The shows can be good, bad, or so bad they’re great in their words, not ours!

THE LAUGH SHOP

Hotel Blackfoot’s The Laugh Shop is also now offering amateur nights every Wednesday at 8 p.m. Comedians just need five minutes of original material to hit the stage and can sign up online.

PHOTO: NATHAN ILES

PHOTO: KELSEY SCHOEN

Ratboy Comedy

The Kinkonauts

Rotary Rides Into Calgary

WITH WORLD-CLASS SPEAKERS AND GLOBAL IMPACT, THE CITY IS SET TO HOST A TRULY UNFORGETTABLE WEEK

BY ABBEY WHITEHEAD POW

Against the stunning backdrop of the Rocky Mountains and prairie skies, Calgary is set to welcome tens of thousands of visitors from around the globe for the 2025 Rotary International Convention. The event will energize the city with cultural showcases, humanitarian exhibits, and globally minded dialogue.

Rotary is a global network of service-minded individuals who work together to promote peace, support communities, and address pressing humanitarian issues. Founded in 1905, Rotary brings together professionals and leaders to exchange ideas, develop leadership skills, and take action through both local and international projects. Hosted in a different city each year, the Rotary International Convention is a gathering place for members to foster fellowship, share knowledge, and inspire meaningful change.

This year marks the convention's first return to Calgary since 1996, underscoring both Rotary’s global reach and Calgary’s growing profile as a world-class event destination. At the newly expanded BMO Centre, this convention will be a far larger affair than back in ‘96.

“I am thrilled to welcome my fellow Rotary members from around the world to Calgary and Alberta,” said Alberta Premier Danielle Smith in a press release. “Rotary members are fostering positive and lasting impact, and much-needed inspiration at this moment in time.”

For Calgary, being selected as the host city was no small feat. Competing against 13 major international cities — including Paris, London, and Boston — Calgary ultimately won the bid thanks to its Western hospitality and entrepreneurial spirit.

“Calgary is an amazing city,” says Craig Stokke, co-chair of the host organizing commitee.

“It is dynamic. It's forward-thinking. And it aligns perfectly with the values of Rotary.”

Rotary International President Stephanie Urchick echoed that sentiment in a press release. “We are delighted to be hosting the convention this year in Calgary, whose ‘Blue Sky City’ brand is a symbol of belonging and unity under the

same sky, something that resonates with our global network of volunteers and our common values rooted in service," Urchick writes.

The convention will transform the BMO Centre and the Scotiabank Saddledome into a dynamic cultural hub. It will feature keynote addresses, over 100 humanitarian project exhibits, and Western-themed celebrations reflecting Calgary’s rich heritage. The event also shines a spotlight on Calgary’s growing tech and creative sectors, highlighting the city’s innovation and global outlook.

Rotary’s local footprint is strong, with 13 clubs in Calgary and 42 in the surrounding district from Red Deer to the U.S. border and into Saskatchewan. “Rotary has been quietly making an impact in Calgary for over 110 years, contributing millions to community initiatives,” says Stokke. “This convention allows us to show Calgarians — and the world — what we’re about.”

Tourism Calgary estimates the event will generate more than 30,000 hotel stays and inject over $81 million into the local economy.

Organizers hope the event leaves a lasting legacy of connection and inspiration.

“Bringing conventions like Rotary to our city has many positive impacts for our tourism industry, economy, and community,” says Tourism Calgary CEO Alisha Reynolds. “We are excited to showcase all our city has to offer and to create lasting connections and impacts for years to come.”

As one of the biggest conventions in the world, Rotary puts Calgary in the international spotlight, with other cities watching closely to see how the event and the venue perform. And hosting the Rotary International Convention at the newly expanded BMO Centre positions Calgary as a premier destination for large-scale global events. By delivering a world-class experience, Calgary builds momentum for attracting future conventions, boosting its economy and global reputation.

“It's a really unique opportunity to showcase the culture, stimulate economic growth in the city, and strengthen our position on the international stage,” says Stokke. "I'm excited to share Calgary with the world. I'm very proud of this city.”

The Rotary Convention hits Calgary from June 21 to 25. To learn more, visit rotary.org.

WHAT NOT TO MISS

All events at the Stampede Grounds unless otherwise noted

GRANDSTAND

SPECTACULAR - June 21

Kick off the convention with an exciting night featuring marching bands, Indigenous hoop dancing, and horseback relay races.

ROCKIN’ THE BIG FOUR ROADHOUSE - June 22

Take a musical journey through Canada’s rich music history with high-energy performances.

NEW BLOOD WITH THE CALGARY CIVIC SYMPHONY - June 22

A powerful fusion of orchestral music and Indigenous storytelling you won’t want to miss.

BEYOND BORDERS AT THE CALGARY ZOO - June 23

Enjoy a lively evening with live music, barbecue dinner, and animal-inspired outfits at this unique celebration.

WESTERN RANCH SHOWCASE - June 24

Experience authentic Western culture with rodeo demos, cowboy poetry, and live entertainment.

EXPLORE THE HOUSE OF FRIENDSHIP - June 21 to 25

Explore Rotary’s global impact in this bustling marketplace. Network with fellow Rotarians, explore humanitarian projects, and find unique merchandise, all under one roof.

PHOTO: ROTARY INTERNATIONAL

The Greatest Outdoor Show on Turf

STAMPEDE BOWL IS A CFL GAME LIKE YOU’VE NEVER SEEN BEFORE

BY WILL FISHER

The Calgary Stampede and the Calgary Stampeders feel like a perfect match. Football and partying, tailgates and concerts — the two should blend seamlessly. But, for the last 80 years, they haven’t. The Stampeders actually schedule away games during the Stampede to avoid the rodeo and accompanying debauchery.

But, finally, both are working together. And their goal is to create something special for football fans and cowpokes, alike; the inaugural Stampede Bowl. As Calgary Stampeders President Jay McNeil puts it, “We’re kicking off The Greatest Outdoor Show on Earth with The Greatest Outdoor Show on Turf.”

On July 3, the night before Stampede, the Stampeders will play host to the Winnipeg Blue Bombers at McMahon Stadium. Winnipeg, which has gone to five straight Grey Cups, were specifically chosen to give the Stampeders their biggest test on the big night.

“To be the best, you have to beat the best,” says McNeil.

The winner will even get to take home a trophy fit for one of the biggest games of the CFL regular season.

But, even for those not-so-diehard football fans, the Stampede Bowl is a great way to start your festivities. The tailgating, atmosphere, and afterparties will be electric, with the two sides working together to put on a one-ofa-kind show.

“We want to see 30,000 cowboy hats filling McMahon Stadium,” says McNeil. “We do so much from a fan perspective for all our games, but we want to make this one even bigger and bolder.”

Even the players know the third of July is going to be crazy, whether they’re from Calgary or not. “They understand this is something bigger. On every level, we’re trying to make this special,” says McNeil.

Part of the “bigger and bolder” is the halftime show. Not often do you see a concert at a CFL regular season game, but this isn’t just any other Stampeders game in the middle of the summer. This is the Stampede Bowl.

“[THE PLAYERS] UNDERSTAND THIS IS SOMETHING BIGGER. ON EVERY LEVEL, WE’RE TRYING TO MAKE THIS SPECIAL,” CALGARY STAMPEDERS PRESIDENT JAY MCNEIL

“We talked about, ‘What do we want this whole game to feel like?’ and the song that kept coming to mind was [Poison’s] ‘Nothing But a Good Time,'” says McNeil. “And we went, ‘Could we actually do this?’ and next thing you know, we’ve got Bret Michaels.”

That’s right. The lead singer of the legendary band Poison — of “Every Rose Has Its Thorn” and “Talk Dirty To Me” fame — will let the good times roll at halftime at the Stampede Bowl.

The game will have something for everyone.

Fantastic football and atmosphere for the thousands of passionate Stampeders fans in attendance, and tailgates, beer, and music for people just looking to kick off their Stampede with a bang. It’s wild that this partnership has taken this long to happen, but it’ll be well worth the wait.

Speaking of tailgates, the pregame celebration might be the best part of the whole day. The Stampeders are known for their parking lot parties, but there’s more in store for Stampede Eve. While nothing is final yet, the Stampeders and Stampede are focused on making the afternoon before the big game remarkable.

“We have the best tailgating in the CFL already, but we want to make it that much better,” says McNeil. “We've got a whole bunch of ideas on the table right now, but no matter what, it’s going to be fun.”

A big part of the partnership between the Stampede and the Stampeders is ticket packages. As of now, you can get seats at the game and access to the Stampede Grounds together with one purchase. As we move closer to July 3, more packages will be announced, including bundles with rodeos, chuckwagons, and more. Cheapskates, take notice: this is a wicked way to save some cash at both events!

A game like this makes too much sense, and it’s wild that it’s taken so long for Stampede Bowl to happen. But better late than never.

The plan is for this to stick; for every Stampede to begin with a party at McMahon Stadium. Whether you’re into throwing the pigskin, tailgating with pals, classic rock music, cowboy hats, or anything Albertan, the Stampede Bowl has been a long time coming. And it’s finally here.

The Stampede Bowl kicks off July 3 at McMahon Stadium. Tickets are available at stampeders.com and calgarystampede.com.

PHOTOS: COURTESY CALGARY STAMPEDERS

The Rumblecan at City & Country Winery

WELCOME TO CALGARY’S NEW HUB FOR WINE, MUSIC, AND ART

BY EVELINA PAK

In the industrial landscape of Calgary's Manchester, where the streets feel quiet and rows of production companies stretch down the block, a small sign reading “Winery” stands out. White brick walls look neat and almost innocent against the gritty surroundings of old buildings covered with graffiti across the railroad.

“The artists don’t bring [the graffiti] over here,” says Chris Fodor, owner of City & Country Winery. “But I wouldn’t mind.”

When asked why he opened an urban winery in Calgary, Fodor answers, “I was crazy. It was ego.” Having worked in hospitality and B.C. wineries for years, he saw the rise of craft breweries and distilleries in Alberta. “I thought to myself, ‘I know the business well enough, I can have grapes shipped. Let’s go for it.’” He and his wife, Karen, launched City & Country in 2019, combining his passion for wine with her background in natural health.

Inside, the space is airy and industrial, but far from cold, thanks to installations of wine bottles and colorful art on the walls. The winemaking area is open, offering curious guests a behindthe-scenes look at how each bottle comes to life.

That openness extends beyond the wine tanks. “We’re doing direct marketing, putting a face on [the business],” says Fodor. “We’re walking around to businesses in the neighbourhood, just to say hi. We want them to know they can pop by anytime, have lunch, listen to music, see some art.”

City & Country sits in an area filled mostly with production businesses. But Fodor sees it as the kind of place where creativity naturally starts to thrive. “When you go to cities, there is always that industrial area where the artists are, or the funky restaurant is,” he says. “I think that's what's happening in the Manchester area. It's nice to be part of it.”

Art and music were always part of the vision.

“Wine is art,” Fodor says. “Everyone interprets it differently … the taste, the look, the feel. It’s the same with painting or music.” From the

beginning, the winery hosted local artists on its walls. But, since connecting with Steve Rogers, the collaboration evolved into something more ambitious.

An idea sparked when Rogers, a graphic designer and artist, hosted an exhibit inside the winery. “It’s a wonderful place to put your art,” he says. “And I really enjoy hanging with Chris. We’ve become friends.” That friendship — and a desire to showcase more local talent — led to a bold idea: taking a shipping container and turning it into an art and music hub. Initially,

PLAN YOUR VISIT

ART: Monthly exhibits are

DRINK TIP: Try the

flight — three wines handpicked by the winemaker.

EVENTS: May 31 opening (Honey Eyed, Sun Stokes John Rutherford Trio), June 7 show (Erin Ross Trio), June photo exhibit (Rebel Yell), July photo exhibit (Interpretation)

Rogers hoped to carry on the legacy of The Blues Can in Inglewood, which was closing its original Inglewood location at the time.

Now, the container sits on the patio of City & Country Winery, stamped with the name, “Rumblecan.” And it’s more spacious than you’d think, filled with patio tables and chairs just waiting for an audience.

The name “Rumblecan” is layered. Its most literal nod is to the train tracks — you can feel the low rattle of freight trains as they roll through Manchester. But it’s also an homage to Rumble, a 2017 documentary about Indigenous musicians who shaped rock history. “I learned so much about musicians who nobody really knew but who inspired all different genres of music,” says Rogers.

“I think people will be pleasantly surprised by the space. City & Country Winery is just a cool place to relax, hear some local music, explore the area, and take in some art.” Rogers says the goal is to create a venue that bridges gaps, feels accessible, and makes people want to return. All artists, young or old, experienced or emerging, are welcome.

The music lineup at Rumblecan is eclectic, with programming that ranges from bluegrass afternoons and reggae nights to guest DJ sets. “We want to open it up to whatever. If someone’s having fun out there, we’re going to have fun,” Rogers says.

Rumblecan is also open to emerging talent. “I like to give an 18 year-old a chance to show their stuff,” says Rogers. “People just need a little bit of confidence.” Booking is informal for artists and

curated by Steve Rogers, from concert photography to sculpture

PHOTOS: EVELINA PAK

Chris Fodor (L) and Steve Rogers

“I think weʼre both very fortunate that we can live our passions. Heʼs got wine, and Iʼve got art [and] music — and now we combine it.”

STEVE ROGERS, COLLABORATOR

musicians alike — just talk to Rogers. “You never know who's going to come through your door. It could be the next Bob Dylan," he says.

Rogers enthusiastically speaks about the upcoming summer program: concert photography, guitar-inspired sculptures, and artistic interpretations of iconic songs, and that’s just the beginning. “I’m really excited about the exhibit in July,” he says. “It’s going to be a big challenge. I’m creating interpretations of songs, some of them political. But it’s nice to rock it. It’s nice to make people question things.”

Fodor and Rogers hope to build on the spirit of local festivals like the East Town Get Down, where dozens of venues along International Avenue host live bands. Inspired by that model, they’re envisioning a walkable event that connects Rumblecan with nearby venues. “There are so many breweries around here,” Rogers says. “We’d love for people to grab a glass of wine here, then walk down the street to see another band.”

Adds Fodor: "It's an awakening. I had this vision … I'm calling it ‘City and Country Urban Winery 2.0.’ Yeah, we're finally there.”

Back to Rogers: “I think we're both very fortunate that we can live our passions. He's got wine, and I've got art [and] music — and now we combine it.”

It’s fascinating to see a shipping container transformed into a stage. Invented initially to move goods across oceans, containers revolutionized global trade. But here, in a quiet corner of Calgary’s industrial area, one now carries something far less tangible and more human: music, stories, and a sense of community. It’s a reminder that art can thrive anywhere, as long as someone dares to make space for it.

Visit the Rumblecan at 544 38A Ave. S.E. and online at cityandcountrywinery.com and rumblecan.com.

CJSW June Charts

Direct from your radio pals at 90.9 FM, here is a snapshot of the current artists & albums topping the charts at CJSW. Tune in, turn it up and enjoy.

1. Ricca Razor Sharp** - Gemini Jams (Self-Released)

2. Hermitess** - Death & The Fool (Self-Released)

3. Carter Felker** - Loser (Department Store)

4. ADOPTION** - You’re Adopted (Self-Released)

5. Jolie Laide** - Creatures (Victory Pool)

6. Bria Salmena* - Big Dog (Sub Pop)

7. L.A. Witch - DOGGOD (Suicide Squeeze)

8. Gloin* - All of your anger is actually shame (and I bet that makes you angry) (Mothland)

9. Ghost Cartridge** - Echo Chamber Made (30/30)

10. Tawni Bias** - Saddle Fawn (Self-Released)

11. Stella - Adagio (Sub Pop)

12. Devarrow* - Heart Shaped Rock (Paper Bag)

13. Various Artists - Brown Acid “The Twentieth Trip” (RidingEasy Records)

14. Dirty Projectors, David Longstreth, stargaze - Song Of The Earth (Nonesuch / New Amsterdam)

15. Leanne Lightfoot** - Still Knowing (Self-Released)

16. POSTNAMERS** - Lives of the Saints (Self-Released)

17. Montuno West** - Raices (Bent River Records)

18. The OBGMs* - SORRY, IT’S OVER (Burn Industry)

19. Motherhood* - Thunder Perfect Mind (Forward Music Group)

20. Battle River** - Battle River EP (Self-Released)

21. Japanese Breakfast - For Melancholy Brunettes (& sad women) (Dead Oceans)

22. Sunalta** - Bridge (Self-Released)

23. Anika - Abyss (Sacred Bones Records)

24. Destroyer* - Dan’s Boogie (Merge)

25. HotWax - Hot Shock (Marathon Artists)

26. Brock Geiger** - Some Nights (Self-Released)

27. Stucco** - LP1 (Self-Released)

28. PUP* - Who Will Look After The Dogs? (Rise)

29. SMOOCHER** - Loose Lips (Self-Released)

30. YHWH Nailgun - 45 Pounds (AD 93 / Many Hats Endeavors)

** Local

* Canadian

Design, Sarah Slaughter Art