Mangkurpa (3)

REDOT FINE ART GALLERY in collaboration with Tjungu Palya Arts presents

Mangkurpa (3)

17 th June - 1 st August 2015

For a high resolution, downloadable, PDF version of the this catalogue, with pricing, please send us an email to info@redotgallery.com Thank you.

c o n t e m p o r a r y

f i n e

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From left to right: Tjampawa Stevens, Beryl Jimmy and Maureen Baker Source: Š Photo Courtesy of Tjungu Palya Arts

Mangkurpa (3) The ReDot Fine Art Gallery is honoured and excited to be able to release a stunning new body of works from the heart of the Modern Contemporary Indigenous Art movement.

Tjungu Palya is an artist-run art centre, in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands in the far north west of South Australia and we will be re-opening our doors at our new site in the Old Hill Street Police Station with this stunning collection.

With many of their artists being ‘first contact’ bush people, they retain strong cultural knowledge and a willingness to share what is appropriate to people of other cultures.

Promoting traditional arts practices while also encouraging new forms of artistic expression in the re-telling of the Tjukurpa (‘Dreaming’ - Law), the stories virtually leap off each canvas, begging the viewer to look more deeply for meaning and consequence.

We will be hosting the first solo collaboration for three of their most collectable and exciting artists, in a show simply titled, Mangkurpa (3). Maureen Baker, Beryl Jimmy and Tjampawa Stevens will for the first time come together to explore their sacred stories in their own very unique yet complimentary styles.

As children, these now senior Tjungu Palya artists lived a traditional nomadic life travelling in

Nyapari Signage Source: © Photo Courtesy of Tjungu Palya Arts

small family groups. Their traditional lifestyle continued until the 1930s, when desert people were migrated to Ernabella and Warburton missions, initially as a result of the assimilation policy of the day but also due to terrible drought and the atomic testing at Maralinga.

The desire to return to their own country remained critical to the community elders throughout this time, and by the 1960s families began returning to their lands and establishing small remote settlements. In spite of the interruption, the extreme remoteness of this area and the continued connection to the land has contributed to the maintenance of an Indigenous lifestyle rich in ceremonies and traditional observances.

Tjungu Palya artists have powerful spiritual links to their country, and produce paintings that are exuberant and have highly individual compositions depicting their myth cycles embedded in the topography of the land. Join us to be mesmerised by this latest journey through the Australian outback as we look at works by highly collectable master of the Modern Indigenous Art movement. Artists who are carrying the torch of this art movement forward with vigor and positive expectations despite the challenging times that lie ahead for these nomadic, cultural warriors!

The exhibition begins on Wednesday, 17th June and runs until Saturday, 1st August 2015 by appointment only. It is a must-see for anyone interested in following the recent developments of Indigenous art in Australia.

Giorgio Pilla Director ReDot Fine Art Gallery

“We are the minyma mangkurpa (three women) from Nyapari (Tjampawa), Kanpi (Maureen) and Watarru (Beryl).We come together at Tjungu Palya art centre to paint.�

Maureen Baker Artist and Tjungu Palya Director

Maureen Digging for Maku Source: Š Photo Courtesy of Tjungu Palya Arts

Long Road on the APY Lands Source: Š Photo Courtesy of Tjungu Palya Arts

Maureen BAKER

Birth Date Language Place of Birth

circa 1962 Pitjantjatjara Warakurna

Maureen Baker is an Ngaanyatjarra woman. She was born in Warakurna, WA. Maureen’s father’s country is Kulkurda near Tjukurla in Western Australia. Her mother’s country is in Kiwirrkurra, in the Gibson Desert, also in Western Australia. Maureen’s mother passed away when she was very young and her father’s second wife raised her. Along with being an emerging artist, Maureen has worked closely with NPY Women’s Council in various capacities and is the current Chairperson of Tjungu Palya.

Maureen’s husband was the cousin of Jimmy Baker so Maureen has close ties to the Kanpi Community. Her husband was instrumental in the Land Rights movement and the establishment of the Kanpi Community. He won an Order of Australia medal for service to the community. Maureen was the local Store Manager for many years, also working at the local school as a teacher’s aide. Her husband has passed away but she remains in Kanpi with her children.

Awards 2013 Finalist, John Fries Memorial Art Prize.

Collections Collection of Will Owen & Harvey Wagner, North Carolina, United States of America.

Selected Group Exhibitions 2015 Mangkurpa (3) - ReDot Fine Art Gallery, Singapore.

2014 Desert and Coast: Contemporary paintings from South Australian art centres - Marshall Arts, Adelaide Airport, Adelaide, SA, Australia.

2013 New Works - Marshall Arts, Adelaide, SA, Australia.

Tjintu Kutjupa Tjintu Kutupa – Desert Days - ReDot Fine Art Gallery, Singapore.

Minymaku Ara – Women’s Way - Viven Anderson Gallery, Melbourne,VIC, Australia.

Rising Stars - Outstation Gallery, Darwin, NT, Australia.

New Paintings - Chapman Gallery, Canberra, ACT, Australia.

2012 Rising Stars - Outstation Gallery, Darwin, NT, Australia.

Kanpi Car Show - Salt Contemporary Art Gallery, Queenscliff,VIC, Australia.

Tjungu Palya 2012 - Outstation Gallery, Darwin, NT, Australia.

Paintings from the APY Lands of far northern South Australia - Metropolis Gallery, Geelong,VIC, Australia.

Maureen BAKER

Ngayuku Mamaku Ngura (My Father’s Country) Acrylic on Canvas 199 x 118cm 14-411

“This is my father’s country near Tjukurla and Kulkurdaare. There are many stories and many people have travelled across this country in the old times. There are waterholes, lakes, underground creeks and travelling tracks. It is an important place. I can’t say much more about it because it’s a sacred territory.”

Maureen BAKER

Ngayuku Mamaku Ngura (My Father’s Country) Acrylic on Belgian Linen 120 x 100cm 14-125

“This is my father’s country near Tjukurla and Kulkurdaare. There are many stories and many people have travelled across this country in the old times. There are waterholes, lakes, underground creeks and travelling tracks. It is an important place. I can’t say much more about it because it’s a sacred territory.”

Maureen BAKER

Ngayuku Mamaku Ngura (My Father’s Country) Acrylic on Belgian Linen 120 x 100cm 14-155

“This is my father’s country near Tjukurla and Kulkurdaare. There are many stories and many people have travelled across this country in the old times. There are waterholes, lakes, underground creeks and travelling tracks. It is an important place. I can’t say much more about it because it’s a sacred territory.”

Maureen BAKER

Ngayuku Mamaku Ngura (My Father’s Country) Acrylic on Canvas 121 x 100cm 14-402

“This is my father’s country near Tjukurla and Kulkurdaare. There are many stories and many people have travelled across this country in the old times. There are waterholes, lakes, underground creeks and travelling tracks. It is an important place. I can’t say much more about it because it’s a sacred territory.”

Maureen BAKER

Ngayuku Mamaku Ngura (My Father’s Country) Acrylic on Canvas 100 x 66cm 14-405

“This is my father’s country near Tjukurla and Kulkurdaare. There are many stories and many people have travelled across this country in the old times. There are waterholes, lakes, underground creeks and travelling tracks. It is an important place. I can’t say much more about it because it’s a sacred territory.”

Maureen BAKER

Ngayuku Mamaku Ngura (My Father’s Country) Acrylic on Canvas 100 x 66cm 15-142

“This is my father’s country near Tjukurla and Kulkurdaare. There are many stories and many people have travelled across this country in the old times. There are waterholes, lakes, underground creeks and travelling tracks. It is an important place. I can’t say much more about it because it’s a sacred territory.”

Maureen BAKER

Ngayuku Mamaku Ngura (My Father’s Country) Acrylic on Canvas 91 x 60cm 15-145

“This is my father’s country near Tjukurla and Kulkurdaare. There are many stories and many people have travelled across this country in the old times. There are waterholes, lakes, underground creeks and travelling tracks. It is an important place. I can’t say much more about it because it’s a sacred territory.”

Bush Trip with Tjampawa Stevens and Keith Stevens (Near Nyapari, Kunamata) Source: Š Photo Courtesy of Tjungu Palya Arts

Beryl JIMMY

Birth Date Language Place of Birth

circa 1970 Pitjantjatjara Fregon

Beryl Jimmy is a Pitjantjatjara woman living at the community settlement of Watarru in the far northwest of South Australia, part of an area referred to as the Western Desert.

Beryl’s work is inspired by a deep connection to country and her spiritual links to the desert are expressed with integrity, beauty and creativity. Traditional knowledge of food collection and water sources were vital for survival in this dynamic desert landscape and is a prominent theme in her work. This cultural knowledge is handed down orally in the retelling of the Tjukurrpa (traditional stories of the ancestors’ journeys), which not only sustains Anangu (Aboriginal people) physically, but socially and spiritually.

Tjukurrpa painting depicts a fragment of a larger story, a living history where an ancestor was involved in creating country. Individuals have authority and ownership of this land and the associated sites and stories. The maintenance of this country is paramount to artists of Watarru and they continue to care and manage the land with respect and responsibility.

Awards 2013 Finalist, 30th Telstra National Aboriginal and Torres Strait Islander Art Award.

2007 Drawing Together, Caring for Country Award, The Australian Public Service Commission in partnership with the National Archives of Australia and the National Museum of Australia, ‘Kuku Kanyini’ 2007.

Collections Art Gallery of New South Wales (AGNSW), Sydney, NSW, Australia.

Australian National University (ANU), Canberra, ACT, Australia.

Deakin University, Melbourne,VIC, Australia.

Department of Environment, Water and Natural Resources, Adelaide, SA, Australia.

Flinders University Art Museum (FUAM), Adelaide, SA, Australia.

National Gallery of Australia (NGA), Canberra, ACT, Australia.

Parliament of South Australia, Adelaide, SA, Australia.

Department of Primary Industry and Regions, Adelaide, SA, Australia.

The Beat Knoblauch Collection, Sydney, NSW, Australia.

The Lepley Collection, Perth, WA, Australia.

Parliament House Art Collection, Canberra, ACT, Australia.

University of Canberra, Canberra, ACT, Australia.

Selected Group Exhibitions 2015 Mangkurpa (3) - ReDot Fine Art Gallery, Singapore.

2014 The Women’s Show - Vivien Anderson Gallery, Melbourne,VIC, Australia.

Tjukutjuku walka walka walka walka walka pulka tjurkurpa - Outstation Gallery, Darwin, NT, Australia.

2013 APY Lands Survey Exhibition - Outstation Gallery, Darwin, NT, Australia.

Tjungu Palya - Marshall Arts, Adelaide, SA, Australia.

New Paintings - Chapman Gallery, Canberra, ACT, Australia.

Tjukurpa Wangka: Storytellers - Short St Gallery, Broome, WA, Australia.

Minymaku Ara – Women’s Way - Viven Anderson Gallery, Melbourne,VIC, Australia.

Tjintu Kutjupa Tjintu Kutupa – Desert Days - ReDot Fine Art Gallery, Singapore.

Shalom Gamarada Art Fair - Sydney, NSW, Australia.

Tjungu Palya: Pilltati and Other Stories - Elements Art Gallery, Perth, WA, Australia.

2012 Tjungu Palya Tjukurpa - Chapman Gallery, Canberra, ACT, Australia.

Tjungu Palya 2012 - Outstation Gallery, Darwin, NT, Australia.

Paintings from the APY Lands of far northern South Australia - Metropolis Gallery, Geelong,VIC, Australia.

2011 Desert Mob Show 2011 - Araluen Cultural Centre, Alice Springs, NT, Australia.

Wati Kalaya: Celebrating the work and life of Jimmy Baker - Raft Artspace, Alice Springs, NT, Australia.

Tjungu Palya Minymaku Tjukurpa - Vivien Anderson Gallery, Melbourne,VIC, Australia.

Our Mob: art by South Australian Aboriginal Artists - Adelaide Festival Centre, Adelaide, SA, Australia.

Tjukurpa Manta - Raft Artspace, Alice Springs, NT, Australia.

Tjungu Palya – Masterpieces - Chapman Gallery, Canberra, ACT, Australia.

Watarru Tjukurpa - Outstation Gallery, Darwin, NT, Australia.

2011 Tjungu Palya Tjukurpa - Aboriginal and Pacific Arts, Sydney, NSW, Australia.

2010 Tjungu Palya Survey Show - Short St Gallery, Broome, WA, Australia.

Tjukurpa - Outstation Gallery, Darwin, NT, Australia.

Inma Mantangka Ngarinyi – Song of the Land - Putipula Gallery, Noosa, QLD, Australia.

2009 Wanampiku Munu Kalayaku Ngura - Chapman Gallery, Canberra, ACT, Australia.

Kulini Ngura – Knowing Country - Short St Gallery, Broome, WA, Australia.

Tali Tjintiri - Tjintiri Munu Kapi Tjukula – Tjungu Palya Print Show - Nomad Gallery, Reflection Room, Holiday Inn, Darwin, NT, Australia.

2008 Generation Next - Randell Lane Fine Art, Perth, WA, Australia.

Tjungu Palyaku Warka Nyuwana (New Works from Tjungu Palya) - ReDot Fine Art Gallery, Singapore.

2007 Drawing Together - National Archives of Australia, Canberra, ACT, Australia.

Watarru Tjukurpa - Randell Lane Fine Art, Perth, WA, Australia.

2006 Anangu Backyard Exhibition - Adelaide Festival Centre, Adelaide, SA, Australia.

Desert Mob Show 2006 - Araluen Gallery, Alice Springs, NT, Australia.

Beryl JIMMY

Nyangatja Watarru Acrylic on Canvas 150 x 119cm 14-410

“Nyangatja Watarru (this is a place called Watarru). Watarru is my home. This is Anangu tjuta (many people). Anangu tjuta are moving around, moving between waterholes and creeks, and looking for food. They go out in the daytime, looking around the country and looking through the bush. They look for food and bring what they find back to the kids at the camp. When they finish the water at one site, they move on to look for the next waterhole. Knowing where to find water is a special knowledge. There is water in a lot of unlikely places. There are creeks, waterholes, rockholes, soakages and springs, and these sites hold kapi wiru (good water).�

Beryl JIMMY

Nyangatja Watarru Acrylic on Linen 150 x 100cm 13234

“Nyangatja Watarru (this is a place called Watarru). Watarru is my home. This is Anangu tjuta (many people). Anangu tjuta are moving around, moving between waterholes and creeks, and looking for food. They go out in the daytime, looking around the country and looking through the bush. They look for food and bring what they find back to the kids at the camp. When they finish the water at one site, they move on to look for the next waterhole. Knowing where to find water is a special knowledge. There is water in a lot of unlikely places. There are creeks, waterholes, rockholes, soakages and springs, and these sites hold kapi wiru (good water).�

Beryl JIMMY

Nyangatja Watarru Acrylic on Belgian Linen 150 x 100cm 14-243

“Nyangatja Watarru (this is a place called Watarru). Watarru is my home. This is Anangu tjuta (many people). Anangu tjuta are moving around, moving between waterholes and creeks, and looking for food. They go out in the daytime, looking around the country and looking through the bush. They look for food and bring what they find back to the kids at the camp. When they finish the water at one site, they move on to look for the next waterhole. Knowing where to find water is a special knowledge. There is water in a lot of unlikely places. There are creeks, waterholes, rockholes, soakages and springs, and these sites hold kapi wiru (good water).�

Beryl JIMMY

Kapi Tjukula Acrylic on Belgian Linen 100 x 100cm 14-196

“Kapi tjukula Watarru. Manta, puli, putipula, punu munu bushpa. Ngayuku ngura wirunya. Minyma tjuta tjala tjuta tjawanpai.�

These rockholes are from Watarru. Beryl describes her surrounding country, which is beautiful, diverse with sandy patches, rocky hills, bush flowers and trees. Women in this country would dig for honey ants here.

Beryl JIMMY

Nyangatja Watarru Acrylic on Belgian Linen 100 x 66cm 14-124

“Nyangatja Watarru (this is a place called Watarru). Watarru is my home. This is Anangu tjuta (many people). Anangu tjuta are moving around, moving between waterholes and creeks, and looking for food. They go out in the daytime, looking around the country and looking through the bush. They look for food and bring what they find back to the kids at the camp. When they finish the water at one site, they move on to look for the next waterhole. Knowing where to find water is a special knowledge. There is water in a lot of unlikely places. There are creeks, waterholes, rockholes, soakages and springs, and these sites hold kapi wiru (good water).�

Beryl JIMMY

Nyangatja Watarru Acrylic on Belgian Linen 100 x 66cm 14-142

“Nyangatja Watarru (this is a place called Watarru). Watarru is my home. This is Anangu tjuta (many people). Anangu tjuta are moving around, moving between waterholes and creeks, and looking for food. They go out in the daytime, looking around the country and looking through the bush. They look for food and bring what they find back to the kids at the camp. When they finish the water at one site, they move on to look for the next waterhole. Knowing where to find water is a special knowledge. There is water in a lot of unlikely places. There are creeks, waterholes, rockholes, soakages and springs, and these sites hold kapi wiru (good water).�

Beryl JIMMY

Kapi Tjuta Acrylic on Canvas 100 x 66cm 14-391

“Nyangatja tjukula tjuta munu tali tjuta. Irititja Anangu tjutangku ankupai kapi tjukula kutjupa kutjupa ka tjana maiku, kapiku, kukaku mantjupai. Ngayuku ngura Watarru.”

This is Beryl’s country, which is close to Watarru. There are many rockholes and sand dunes. In the early days, indigenous people would travel by foot from rock hole to rock hole, collecting food and water.

Beryl Jimmy’s Country (Watarru) Source: © Photo Courtesy of Tjungu Palya Arts

Tjampawa STEVENS

Birth Date Language Place of Birth

circa 1947 Pitjantjatjara Areyonga

Tjampawa Stevens was born in the Western Desert at Areyonga in the Northern Territory around 1947.

Areyonga is her father’s country and her mother’s place is Waltytjara and Arran at the intersection of the three borders of Western Australia, Northern Territory and South Australia. She came to Nyapari with her husband (Keith Stevens) and five children to establish a community on their traditional land.

Collections Harriett & Richard England Collection, Sydney, NSW, Australia.

Lagerberg-Swift Collection, Perth, WA, Australia.

The Arthur Roe Collection, Melbourne,VIC, Australia.

The Marshall Collection, Adelaide, SA, Australia.

W. & V. McGeoch Collection, Melbourne,VIC, Australia.

Selected Group Exhibitions 2015 Mangkurpa (3) - ReDot Fine Art Gallery, Singapore.

2014 Tjukutjuku walka walka walka walka walka pulka tjurkurpa - Outstation Gallery, Darwin, NT, Australia.

2013 A study of the Figurative in Desert painting - Short St Gallery, Broome, WA, Australia.

New Works - Marshall Arts, Adelaide, SA, Australia.

Tjungu Palya - Marshall Arts, Adelaide, SA, Australia.

Minymaku Ara – Women’s Way - Viven Anderson Gallery, Melbourne,VIC, Australia.

Tjintu Kutjupa Tjintu Kutupa – Desert Days - ReDot Fine Art Gallery, Singapore.

Tjungu Palya: Pilltati and Other Stories - Elements Art Gallery, Perth, WA, Australia.

2012 Tjungu Palya 2012 - Outstation Gallery, Darwin, NT, Australia.

Our Mob: art by South Australian Aboriginal Artists - Adelaide Festival Centre, Adelaide, SA, Australia.

2011 Ngura Tjukuritja – A Dreaming Place - Marshall Arts, Adelaide, SA, Australia.

Western APY Lands - Art Kelch, Freiburg, Baden-Württemberg, Germany.

Our Mob: art by South Australian Aboriginal Artists - Adelaide Festival Centre, Adelaide, SA, Australia.

2010 Tjukurpa - Outstation Gallery, Darwin, NT, Australia.

Tjungu Palya Survey Show - Short St Gallery, Broome, WA, Australia.

Etched in the Sun: Prints by Indigenous Australian Artists’ with Basil Hall Editions Kluge-Ruhe Aboriginal Art Collection of University of Virginia, Charlottesville,Virginia, USA. Inma Mantangka Ngarinyi – Song of the Land - Putipula Gallery, Noosa, QLD, Australia.

Fremantle Arts Centre Print Award - Fremantle, WA, Australia.

Our Mob: art by South Australian Aboriginal Artists - Adelaide Festival Centre, Adelaide, SA, Australia.

2009 Kulini Ngura – Knowing Country - Short St Gallery, Broome, WA, Australia.

Wanampiku Munu Kalayaku Ngura - Chapman Gallery, Canberra, ACT, Australia.

Alwara-wara – Side by Side - Outstation Gallery, Darwin, NT, Australia.

Etched in the Sun: London – with Basil Hall Editions - Rebecca Hossack Gallery, London, UK. 2008 Our Mob: art by South Australian Aboriginal Artists - Adelaide Festival Centre, Adelaide, SA, Australia.

Tjukurpa Kunpu - Marshall Arts, Adelaide, SA, Australia.

Anangu Backyard Exhibition - Stories for Children, Adelaide Festival Centre, Adelaide, SA, Australia.

South Australian Impressions - Adelaide Festival Centre, Adelaide, SA, Australia.

Iwara Mantangka – Land Lines - Randell Lane Fine Art, Perth, WA, Australia.

2007 Uwankara Ngura Palya - Randell Lane Fine Art, Perth, WA, Australia.

Our Mob: art by South Australian Aboriginal Artists, Adelaide Festival Centre, Adelaide, SA, Australia.

Piltati - Marshall Arts, Adelaide, SA, Australia.

Skin to Skin - Tuggeranong Art Centre, Canberra, ACT, Australia.

2006 Desert Mob Show 2006 - Araluen Gallery, Alice Springs, NT, Australia.

Art from the APY Lands - South Australian Museum, Adelaide, SA, Australia.

Tjukurpa Mantatja - Randell Lane Fine Art, Perth, WA, Australia.

Nganampa Tjukurpa Nganampa Ngura - Marshall Arts, Adelaide, SA, Australia.

Tjampawa STEVENS

Piltati Acrylic on Canvas 150 x 120cm 15-059

This is Piltati. Piltati has a very important story about the two wanampi (ancestoral serpents) and their two wives. The two women travelled everywhere digging for food. Each day they would dig for kuka upupilypa (tadpoles) or collect wild berries like kampurarpa. They always took food back to their two husbands. One day they got tired of working so hard and thought to themselves, “instead of bringing all these food to the men, maybe we’ll eat some first”. The men got angry with the women for taking so long to bring the food back and decided to trick them by turning into water snakes.

Tjampawa STEVENS

Piltati Acrylic on Linen 100 x 66cm 13319

This is Piltati. Piltati has a very important story about the two wanampi (ancestoral serpents) and their two wives. The two women travelled everywhere digging for food. Each day they would dig for kuka upupilypa (tadpoles) or collect wild berries like kampurarpa. They always took food back to their two husbands. One day they got tired of working so hard and thought to themselves, “instead of bringing all these food to the men, maybe we’ll eat some first”. The men got angry with the women for taking so long to bring the food back and decided to trick them by turning into water snakes.

Tjampawa STEVENS

Piltati Acrylic on Belgian Linen 100 x 66cm 14-046

This is Piltati. Piltati has a very important story about the two wanampi (ancestoral serpents) and their two wives. The two women travelled everywhere digging for food. Each day they would dig for kuka upupilypa (tadpoles) or collect wild berries like kampurarpa. They always took food back to their two husbands. One day they got tired of working so hard and thought to themselves, “instead of bringing all these food to the men, maybe we’ll eat some first”. The men got angry with the women for taking so long to bring the food back and decided to trick them by turning into water snakes.

Tjampawa STEVENS

Piltati Acrylic on Belgian Linen 100 x 66cm 14-067

This is Piltati. Piltati has a very important story about the two wanampi (ancestoral serpents) and their two wives. The two women travelled everywhere digging for food. Each day they would dig for kuka upupilypa (tadpoles) or collect wild berries like kampurarpa. They always took food back to their two husbands. One day they got tired of working so hard and thought to themselves, “instead of bringing all these food to the men, maybe we’ll eat some first”. The men got angry with the women for taking so long to bring the food back and decided to trick them by turning into water snakes.

Tjampawa STEVENS

Piltati Acrylic on Belgian Linen 100 x 66cm 14-132

This is Piltati. Piltati has a very important story about the two wanampi (ancestoral serpents) and their two wives. The two women travelled everywhere digging for food. Each day they would dig for kuka upupilypa (tadpoles) or collect wild berries like kampurarpa. They always took food back to their two husbands. One day they got tired of working so hard and thought to themselves, “instead of bringing all these food to the men, maybe we’ll eat some first”. The men got angry with the women for taking so long to bring the food back and decided to trick them by turning into water snakes.

Camp Dog Source: Š Photo Courtesy of Tjungu Palya Arts

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