以街頭作為暫時的住所,試想我們離它多近?台灣社會多數人似乎對街友尚存有負面的印象。根據《縣市政府遊民輔導辦法》,對街友定義為:「流落街頭孤苦無依且查無身分而必須收容輔導者;疑似罹患精神疾病、身心障礙而遊蕩需人照顧者;於街頭或公共場所棲宿、行乞者。」然而又有多少人真的了解他們且給予協助?大誌幫助他們找尋可能。在台北,身穿制服的他們出現在捷運出口販售著大誌,大誌期望讓有意願工作的街友或社會弱勢的人,能夠得到一個自營生計的機會,進而重建個人的信心與尊嚴。作者擔任大誌志工期間,與販售員有過多次接觸,發現多數人有其自信樂觀的一面,但是由於街友身份,在社會上面對陌生人時仍會產生自卑感,與遭異樣眼光看待。作者此次選擇手工濕版攝影作為創作手法,藉由客觀平視之角度以及緩慢細緻的產出過程,放慢互動,讓拍攝行為,猶如傾聽,彷如陪伴。-濕版攝影 起源於十九世紀英國的一種古典技法,因為其所使用的載體在最後水洗完成之前需要一直處於溼潤的狀態而得名,整個過程就像是從製作底片開始,去讓載體能夠感光進而去曝光、顯影,其中許多不確定的自然或人為因素,也使得每張作品都會有其與眾不同、迷人之處。- As the time of being a volunteer of The Big Issue, the author had contacted with these vendors several times. And found out that most of them were filled with confidence and happiness, however, because of the identity as homeless, they sometimes still felt so insecure as well as may be treated unusually when facing strangers in the society. Author chose wet plate photography to make the process of shooting as listening and accompany from an objective perspective as well as slowly, delicate out-put processes.