Dear congregation, dear friends, dear confirmands, it's been over fifty years since a rather inconspicuous fifteen-year-old girl from England landed a super hit in the charts. Her name was Peggy March and she performed the romantic love song "I will follow him". "I will follow him," she sang of her lover, "no matter where he goes. I will always be with him; nothing can separate me from him – he is my destiny. Since he touched my heart, I know that no ocean is too deep to separate me from him, and no mountain too high. Nothing can distance me from his love. I love him." "I will follow him" - whoever missed this hit at that time, certainly found the opportunity to get to know it later: in the movie "Sister Act". We meet a singer who has to hide because she is running for her life after having witnessed a crime scene. The police lieutenant, who wants to save her life, renames her as sister Mary Clarence and puts her in a monastery. And so, we experience Whoopy Goldberg – she plays the singer with a lot of talent and joy – as she proves herself – more or less exemplary – as a nun. She is forced by the Mother Superior to sing in the choir of the small religious community. This choir, one can honestly say, stands out mainly because it cannot sing at all. Sister Mary Clarence, however, soon brings this vocal ensemble to the point where it does great things and thus brings it to great fame. At the center of the film is a concert with the song "I will follow him" but this time it is a declaration of love to Jesus. Breathtakingly beautifully sung, rousingly performed and really heartfelt, the song of the nuns in "Sister Act" is given in such a way that it really works to touch people’s hearts. Anyone who hears and sees the choir of the nuns involuntarily feels like making such a declaration of love him or herself – to Jesus, and to say to him: “I want to follow you. Nothing should separate me from you.” Of course, Sister Mary Clarence alias Woopy Goldberg ploughs the rather conservative and old-fashioned religious life in the community thoroughly, and this is the second joy you feel when you see the film: how she breaks up encrusted structures so that something new can emerge. Anyone who perceives this involuntarily gets a deep desire for new things.