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July 2019 • Vol. 22, Number 11
THE OLDEST AND MOST READ ARTS & CULTURE MAGAZINE IN WNC
FINE ART PREVIEW Elizabeth Albright “defaces” classical art through reinvention of the past BY STAFF REPORTS • DOWNTOWN ASHEVILLE
In Greek mythology, Dionysus, worshipped as early as 1500 BCE, was the God of wine, fertility, ecstahistorical narratives in her oil paintsy, and all those other things that ings by “defacing” classic art. go along with frivolity and excess. Elizabeth’s last solo show, “Noble Dionysus’ sacred animals were the Beasts,” explored the symbolic conpanther, leopard, tiger, bull, horse, nections between historical figures goat, donkey, and serpent. and animals by transforming renaisRococo painting, which originated sance royalty into the animal that in early 18th century Paris, embest represented them. braced similar concepts. The artists Her next show, “The Children of “The Swing” focused on pastoral or boudoir Dionysus,” will focus on the more tableaus populated by carefree aristocrats, conceptual idea of how mythological themes performers, and farm folk who drink, sing, relate to concepts in classic art. and cavort. These characters live in a world of For this show, Albright will be transforming the figures in Rococo paintings into animals associat- romantic encounters and lighthearted youthful revelry, all idyllically portrayed using pastels and ed with the Greek God Dionysus. soft lines. Why Rococo? Why Dionysus? Since 2018 Elizabeth Albright has been reinventing mythological and
Although the myth of Dionysus and the Rococo art movement are separated by centuries, conceptually they are very similar. So why not marry the two and create a new narrative? Why not imagine what it would be like if the Dionysus myth were told in 18th century AD rather than 17th century BCE? In France, instead of Greece? Since the beginning of time, humans have been telling the same stories over and over again. With “The Children of Dionysus,” Elizabeth hopes to tell another old story in a new way. Elizabeth Albright Opening Reception for “The Children of Dionysus” in the ZaPow Gallery Taproom, August 9, from 7-9pm. Free drinks, music, masquerade ball, prizes, parlor games, and cake (let them eat cake!). The show runs from August 9-September 8. For more information, visit ElizabethAlbrightArt.com.
IF YOU GO
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ART SHOW Maggie Valley Annual Summer Arts and Crafts Show July 6-7
BY STAFF REPORTS • MAGGIE VALLEY
The Maggie Valley Summer Arts and Crafts Show returns July 6 & 7 to the Maggie Valley Festival Grounds. In its 28th year, the popularity continues to grow. “We have been receiving phone calls from visitors who plan their vacation around this event and want to double check the dates and make reservations,” says Teresa Smith, Maggie Chamber Executive Director. Seasonal items, yard art, paintings, photography, pottery, wooden bowls, furniture, jewelry, goat milk soaps, and more will be featured at the event. “There is something for everyone, from the most affordable handicrafts to the more expensive museum quality items,” says Smith. “Even if you don’t plan on buying anything, its fun just to walk around and see the amazing variety of unique items – but rarely do you see
anyone leaving without something in their hands.” In addition to a wide selection of unique arts and crafts, there will be a variety of mouth-watering festival foods. “Because of the holiday, we expect a record crowd to be in attendance this weekend,” says Smith. “The mountains are a great way to escape the heat and humidity of other areas, and with a spectacular 360 view of the mountains, the festival grounds provide a beautiful setting for this outdoor event,” says Smith. The event runs 9-4 pm both days. There is no admission; donations appreciated. Proceeds will benefit the Friends of the Haywood County Animal Shelter. Parking is free. For more information, contact the Maggie Valley Chamber at (828) 926-1686 or visit www.maggievalley.org. VOL. 22, NO. 11 — JULY 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 3 IF YOU GO
FINE ART NEWS ‘Icons in Transformation,’ by Ludmila Pawlowska, held over into August BY STAFF REPORTS • WAYNESVILLE
through Wednesday, June 26th. Beginning Saturday, national exhibition June 30th, visitors of paintings and may see the partial sculptural works by installation in the Russian-born artist, church and narthex Ludmila Pawlowska. entry space. These This show, intwo areas contain stalled at Grace the most significant Abstract work Church in the by Ludmila Pawlowska and most dramatic Mountains Waynesville, pieces. This section was initially set to close on June of the exhibit will continue to offer 16, is now extended into August. docent hours through Saturday, The complete exhibit, comprised August 10. . of 152 pieces, is open to visitors, Fifteen special events were held free of charge, on Wednesdays, from April-June to enrich the icons 1-3 pm, and on Saturdays, 2-5 pm, viewing experience. These includ‘Icons in Transformation’ is the inter-
ed lectures, concerts, workshops in art and sacred dance, an icon writing retreat, and special worship services of Evensong and Taizé. One remaining event open to the public will be “A Closing Conversation with the Artist,” on Sunday, August 11, 9:15. Response to the exhibit has been enthusiastic and grateful that the artwork is available for all to experience at no charge. Tours outside of regular docent hours may be arranged by contacting Rob Viau at (478) 456-2844, or Grace Church in the Mountains at (828) 456-6029
INFO
Abstract art at Mark Bettis Studio & Gallery
555 Merrimon Ave
• 828.424.7868
www.ashevilleravenandcrone.com Herbal Apothecary • Tea & Reading Room Essential Oil Blending Bar • Bath & Body Events & Workshops • Local Artisans Books • Jewelry • Unique Gifts
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Visit Us at Facebook: Asheville Raven & Crone
Mark Bettis Studio & Gallery • 123 Roberts St. Asheville www.markbettisart.com • www.markbettisgallery.com
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CONTENTS July 2019 • Volume 22, NO. 11
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Lisa Blackshear and Amy Brandenburg hold art opening of their newest work August 2 “Making successful pots with porcelain” workshop to take place July 22-26 What abstract art means to me by Jonas Gerard The NC Dance Festival’s 29th season is kicking off in October
310 Art: Lorelle Bacon – Four phases of my creative life
Art Classes Asheville Gallery of Art: “Abstract Art: Emancipating the Mind,” features the work of Sally Lordeon Cover: The Glory of God in the abstract — a conversation with artist Cindy Walton Downtown Asheville: Upcoming mosaic and picassiette classes with Carole Choucair Oueijan Waynesville: Inspired Art Ministry, Inc. art classes for all levels Health: What’s your greatest health worry?
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A call for artists for autumn 2019 Asheville Fine art Show ‘47th Annual Village Art &Craft Fair arrives with style this August 3&4 AmiciMusic presents “TUTTI FLUTTI,” with two flutes and piano
CONTACT US: Rapid River’s Arts and Culture Magazine is a monthly publication in WNC. Mail: 85 N. Main St. Canton NC 28716 Email: Info@rapidrivermagazine.com Phone: (828) 712-4752
www.rapidrivermagazine.com Online NOW
Art Show: Barbara Fisher exhibition ‘Memories of the Future’ this August
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Bill Walz: Egoism Summer Books: Four great books for summertime reading Books: New coffee table book announced from artist Alan Shuptrine, and new YA book “The Boy and Girl who Broke the World” Black Mountain: Swannanoa Valley Fine Arts League’s annual juried show Rapid River Magazine’s Comics Summer Fun: Montford Park Players presents ‘Robin Hood: Quest for Justice’ & Raven & Crone suggests getting outside for fun and art
*Red # Abstract Art in WNC Publisher/Layout and Design/Editor: Dennis Ray Poetry Editor: Carol Pearce Bjorlie
“Sea Glass,” 36x36, Oil and cold Wax on Panel, by Cindy Walton
47th Annual Village Art &Craft Fair
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ART AND MORE FEATURES COLUMNS / DEPARTMENTS
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Detail of the painting “Creation,” 36x36, oil and cold wax on panel by Cindy Walton Abstract art – What’s it all about?
ON OUR COVER
Distribution: Dennis Ray/Rick Hills Marketing: Dennis Ray/Rick Hills ADVERTISING SALES: Downtown Asheville and other areas — Dennis Ray (828) 712-4752 Dining Guide, Hendersonville, Waynesville — Rick Hills (828) 452-0228 rick@rapidrivermagazine.com
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AUGUST: THE ART OF NATURE IN WNC! ALSO: OUR ANNUAL 2019-2020 PERFORMING ARTS GUIDE! All Materials contained herein are owned and copyrighted © by Rapid River’s Arts & Culture Magazine and the individual contributors unless otherwise stated. Opinions expressed in this magazine do not necessarily reflect the opinions of Rapid River’s Arts and Culture Magazine or the advertisers herein. © ‘Rapid River’s Arts & Culture Magazine’ July 2019 • Vol. 22, No. 11
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ART Abstract art – What’s it all about? BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE
There is something mystical, mysterious, and magical about abstract art. Jackson Pollack, the famous abstract painter, said, “Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn’t have any beginning or any end. He didn’t mean it as a compliment, but it was.” While most think of painting when considering abstract art, it comes in many mediums and is done in many methods. Some of our local artists in the River Arts District of Asheville have a few words to say about their explorations into abstraction. Andrea Kulish/Studio A Pink Dog Creative, Suite 100 I love abstract art as everyone experiences it in their own way, whether it brings to mind non-abstract images, elicits emotions, or for the pure enjoyment of colors and textures. It’s a springboard for the imagination.
Erin Keane 310 ART at Riverview Station Abstract art captures the essence of mood and emotion through color, shape, and “Forest Bathing” 40x40 movement. “Forest encaustic, by Erin Keane Bathing” is more than just pictures of leaves; it makes one feel surrounded by lush greenery, vibrant energy, and life force. Deb Williams Mark Bettis Studio, Wedge Building
Occasionally, I venture out into the abstract world, which is quite fun and freeing when working in glass. Working with free flow forms Hand painted eggs by and shapes allows me to Andrea Kulish Fused Glass Urban play outside my typical glass Coral 28x12, by Deb Williams box. Peter Roux Riverview Station, Studio I enjoy moving between representational imagery and abstraction, as I see so much connection between the two. Both are made by marks on a surface, creating meaning. We tend to comprehend realism in abstract terms and find recognizable forms in abstraction. When working, “The way light falls” by Peter Roux the abstract images I create, push ideas my way about more representational work, and vice versa. It’s fun to push paint around and see what comes up.
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ART Sandy Lear Northlight Studios I love the intuitive nature of abstract art. It allows me the freedom to explore and assign “Beyond the Veil,” my meaning to the 49x 49, by Sandy Lear piece. I begin all paintings with a playful application of drawing, mark making and lots of paint with as little thought as possible just responding to what is appearing. It’s always fun to hear what people see in the paintings. Lynda Sondles Eco-Depot Marketplace For me, abstraction is more than just throwing paint on a surface randomly. It is a way of seeking and working with the divine, the world beyond the world we can see. “Transcendence,” quilt, by There also must be strong Lynda Sondles design elements, value differentiation, an intellectual “yes,” and emotional content to the piece. Pam Granger Gale Eco Depot Mar-
paint and canvas dictate where it is going and where it will end up. One of my favorite things is when the viewer interprets the painting, and then they tell me what they see in it.
“The Other Side” by
Dennis Mark Bettis DiAddezzio Foundation Studio, #14 Without a plan, everything happens with the background first, and then I “Snow Blind Compass” create a geometric form or by Dennis DiAddezzio shape and build on that to create the piece. One Juror commented, “He creates a puzzle he has never seen but knows where all the pieces go.” Cindy Walton Wedge Building, 2nd Floor My goal in creating abstract paintings is to merge emotion, shape, sounds, and color of landscape in a way Earth #4” that challenges the viewer to “SkyoilMeets and cold wax by Cindy Walton see something different than traditional forms. Perhaps the essence or soul of the landscape.
ketplace
I like the meditative quality of the process of mar“Cool Cows” by Patricia Cotterill bling. I can get lost in watching the paint expand and change when drawn through with combs and rakes.
Jane Molinelli 310 ART at Riverview Station
Everyone brings something to abstract painting. When there is no object or subject, the viewer is free to feel “Inner Map,” pastel, Mark Bettis the energy and emotional charcoal, graphite, and Mark Bettis Studio & Gallery, intent of the art. It is a way acrylic on canvas 36 x 26 by Jane Molinelli Wedge Building to share our humanity, the deep layers of being human, I love creating abstracts... When I create, I let the without words. VOL. 22, NO. 11 — JULY 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 7
FINE ART
“Veil I” by Elizabeth Henderson
“Veil II” by Elizabeth Henderson
Lisa Blackshear and Amy Brandenburg hold art opening of their newest work August 2 BY STAFF REPORTS • DOWNTOWN ASHEVILLE
In her body of work, Atmospheric Perspective: Paintings of Lake Lure and Chimney Rock, Lisa Blackshear uses the natural beauty of Lake Lure and Chimney Rock as a jumping off point to discover her artistic voice. The sharply rising shorelines of Lake Lure, the breathtaking granite outcroppings of Chimney Rock, and the misty atmosphere of the Smoky Mountains offer a unique opportunity to study the modulating effects of distance on color. Like most artists, Blackshear is continually exper-
imenting, trying out new ways to paint, and reaching for excellence. Although she has been influenced by the Impressionists, Monet, the Cape Cod School, Lois Griffel, Kevin Macpherson, and many other artists, in this series she tosses theory to the wind and goes for the direct approach—to paint what she sees. When on location immersed in the mood, she intuitively chooses opaque pigments to express translucent atmospheric effects. Stroke by stroke Blackshear composes a whole; her brushstrokes are
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FINE ART
“Veil III” by Elizabeth Henderson
“Veil IV” by Elizabeth Henderson
her voice. Growing up with single-sided hearing helped Blackshear identify early as an artist. Painting, drawing, knitting, and sewing were always an essential part of her childhood, as was hiking and swimming in the Minnesota wilderness. She graduated with a degree in Studio Arts from the University of Minnesota while illustrating for the college newspaper. Thrilled that she could make a living with art, she moved to New York City to illustrate for the New York Times, the Wall St. Journal, and Newsweek among other publications. She continued to study at the Art Students League, Pratt Institute, and School of Visual Arts and exhibited her art in galleries in New York and the east coast. A move to Asheville inspired her to create the Asheville Urban Landscape Project to bring emerging and professional artists together to paint outside “en plein air.” Her award-winning paintings are included in collections in Minneapolis, New York, and North Carolina. She has exhibited widely in local galleries including Asheville Area Arts Council, Black Mountain Center for the Arts, Weizenblatt Gallery in Mars Hill, and the A.B. Tech Conference Center Gallery. Her work can be seen at Woolworth Walk and online at www.lisablackshear.com. Lisa lives in Fairview, NC with her husband and son, and loves camping, hiking, and painting in the Smoky Mountains.
Amy Brandenburg Creating jewelry is Amy Brandenburg’s favorite means of self-expression, and sharing it with others gives it purpose and meaning. Personal adornment has always fascinated her, especially how it has evolved throughout history. Brandenburg’s jewelry is inspired by styles from the turn of the 20th century: predominantly Arts and Crafts focusing on handmade items and Art Nouveau which embodies flowing lines, nature, and an appreciation for beauty. Her pieces have also been influenced by her love of architecture and miniatures because she believes that objects altered from their original size provide a sense of magic and wonder. Made with a passion for design and detailed execution, the pieces are infused with the appeal of a rare treasure from the past. PMC (Precious Metal Clay) is Brandenburg’s material of choice because of its transformative properties. It starts as clay which allows her to use techniques like slab construction and carving, and after firing in a kiln, traditional metal techniques like hammering and soldering. The process of working with a material that goes through so many stages is challenging and allows Amy to have a very personal connection with each completed piece. Brandenburg’s first jewelry experience was enameling a piece of
‘Woolworth Walk’ continued on page 27
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310 ART
Jul y Se cond S at urday
The district will feature many special events and a free trolley on Saturday, July 13
Copper Bracelet by Lorelle Bacon
Lorelle Bacon – Four phases of my creative life
BY LORELLE BACON • RIVER ARTS DISTRICT, ASHEVILLE
I did lots of crafts as a child — paper machete, decorating eggs, creating Halloween costumes. These were my favorite hobbies. One Halloween I created for myself a mermaid with the tail-fin costume. Since I could not walk in this cleverly designed outfit, my brother, who I dressed as a pirate, pulled me in a wagon to school. Another year I went as a television set with an antenna. As a young mother of five, I used crafting to keep the kids occupied. I added sewing to my abilities out of necessity. Four girl’s proms were the catalyst for that. Once the children were grown, I took painting classes and loved 10 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 11 JULY 2019
them. But it took another ten years before I took it up in earnest. Within two years, I launched a new life as a full-time painter and art teacher, which I have enjoyed tremendously ever since. Over the years, I have painted hundreds of works, including many portrait commissions of loved ones and pets. Now I am in phase four of my creative journey. I still teach a variety of painting techniques and do portrait commissions; however, the joy I always had from painting has waned because of painful arthritis. I discovered making jewelry in 2017, using fine silver, sterling, and copper metal clays. That led me to take wire wrapping workshops
S h o p , L e a r n , E x p l o r e . . . E v e r y d a y , A l l Ye a r R o u n d Classes at 310 ART
(left-right) Silver Wire Wrapped Pendant, Silver Metal Clay Pendant, Copper Pendant, Stone and copper Pendant,
in WNC and Georgia. My love for creating continued in a new direction. I became fascinated that I could take a straight piece of wire and turn it into something of beauty. I’ll be 78 in a couple of months, and I learned a long time ago never to say “never.” I believe I will still be in love with the creative process as long as I live. I’m determined to make it to 100, so there’s still lots of time to feed my thirst for learning and creating. You, dear reader, are the first to know I have decided to make designing jewelry my primary focus. Today you will find me relaxing in my recliner, making earrings, bracelets, and pendants for others to enjoy wearing. I’m still using many things I learned along my creative path, like
design, balance and colors. These and so much more go into each one-of-a-kind piece that I now design. I share my decades of knowledge about painting, drawing, and now wire wrapping in workshops and studios at 310 ART. I would love to welcome you to one of my classes. 310 Art See the work of Lorelle Bacon, and learn from her at 310 ART in the River Arts District of Asheville, NC at Riverview Station, 191 Lyman St, #310 (ground floor north end) Opened Mon-Sat 11-5 pm and Sun 12-4 pm. 310art.com
IF YOU GO
310 ART AT RIVERVIEW STATION
Marvelous Mondays with Lorelle and Nadine
Beginner and Up! Open art studios Mondays with instructor to guide you - start and continue year round in our Monday classes, 9:30-12:30pm and 1-4pm. Come the dates that work for you! See 310art.com for schedule and sign up. Beginners welcomed!
Workshops: Coming Soon Beginning Acrylics with Lorelle - July 13, 14 Watercolor Print Magic with Denise - July 20 Ink and Light on Paper and Fabric with Bridget - July 27, 28 Wire Wrapping Jewelry with Lorelle - Aug 8 Nature Printing and Encaustic with Bridget Aug 10, 11 Taking the Fear out of Watercolor with Nadine - Aug 24
Most or all materials are provided in our workshops! 2019 Workshops now online at 310art.com Classes for adults at 310 ART, 191 Lyman Street, #310, Asheville, NC 28801
www.310art.com gallery@310art.com (828)776-2716 Adult classes, beginner and up, most materials provided. Register online or at the studio. VOL. 22, NO. 11 — JULY 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 11
RAD ART CLASSES “Making successful pots with porcelain” workshop to take place July 22-26 BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE
lunch to accommodate a short lunch break. The fee is $550. Participants will purchase clay at our facility as they need it, and bisque firing and shipping intensive workshop in their of bisque ware will be made new hands-on workshop available on request for an facility. additional charge. This intermediate to an David Voorhees’ parents advanced level workshop were both professional paintwill focus on working with ers, so it was natural for him porcelain, primarily on the to follow in their footsteps, potter’s wheel, and will pursuing art making as a life. cover many forming and Once he touched clay, he decorating aspects of hanfound his medium. Primarily dling this magical clay up self-taught, Voorhees has spent Feather carved porcelain bottle by David Voorhees to the bisque firing stage. years producing functional wares No firing is included with this and decorative pots in electric and gas kilns. The workshop, allowing all time to be dedicated to introduction of wood firing and the building of a exploring and improving form and finishing. wood/soda/salt kiln at his Western North CaroliThe workshop will take place Monday – Friday, na studio have given a new direction to his 30+ July 22-26, 9-3 pm each day (students will have year career in clay. Following his fascination for the option to work in the studio until 6 pm each surface variations revealed in atmospheric firings, day). Attendees should plan to bring a bag his current body of work focuses on altered, wheel-thrown stoneware and porcelain vessels. He celebrates the pursuit of strong forms and rich surfaces on well-made pots. The Village Potters are Sarah Wells Rolland, Judi Harwood, Melanie Robertson, Lori Theriault, Julia Mann, and Christine Henry. They comprise an intentional Collective of potters who share a commitment to inspire a passion for ceramic art and nurture creative exploration through education, experience, relationships, and community. The Village Potters Clay Center is excited to present David Voorhees in a weeklong, hands-on
The Village Potters Clay Center Located in Riverview Station, in Asheville’s historic River Arts District at 191 Lyman Street, #180. (828) 253-2424 IF YOU GO
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RAD ART
“Vortex I,” 48x60, by Jonas Gerard
Jonas Gerard
“Fluidity of Grace,” 56x72, by Jonas Gerard
What abstract art means to me BY JONAS GERARD • RIVER ARTS DISTRICT, ASHEVILLE
Abstract art is difficult to define but fascinating. After an extremely long progression stemming from the Impressionist movement beginning in mid-19th Century France, the “Abstract Expressionist Movement” as we call it today, came to fruition in 1940s New York City. Artists in that movement fully understood what the very act of painting was about. It was clear and simple, an expression of art that came directly from the creative energy of the universe and channeled through the artist onto canvas. They were strongly motivated to dive into the process of uncertainty and agreed singly, as well as collectively, not to use their intellect or reasoning for the purposes of creating art. It was a wild and never-before-attempted art form that shocked the art world. This is how I paint. The time it takes to create an abstract painting is irrelevant. Franz Kline finished a very large canvas within an hour; as do I (with music). This abstract action painting movement was so powerful that it offered complete painting freedom with no end in sight.
This is what my work is about. With a mesmercial concerns that would arise due to this drastic izing explosion of color, contrast, movement, and shift in style. This shift was a lifesaver to my true strong music, my paintings aim to bring new life self and my progression as an artist. to the tradition of the I finally gave abstract expressionup figurative ist movement of the painting and New York art scene dove in fully to as described above. the world of My abstract work abstract paintbegan in the 1970s ing and joyfully in the middle of a embracing the nationally-recogexcitement of nized portrait paintbeing faced ing career. It was an with uncertainhonored opportunity ty. The secret “Cool Man, Cool,” 42x84, by Jonas Gerard, to present a monumenof true abstract tal round canvas to President Ford, which was expressionism is to be able to let go — to the accepted as our nation’s bicentennial portrait. point of feeling what it would be like to be willing “We the People” remains part of the Smithsonian to jump off a cliff without a parachute — and Institution’s permanent collection. become very comfortable allowing uncertainty to My big challenge was to let go of the financial take over. You will not die! Instead, you will expesuccess of realism and portraits to pursue the rience a new way of doing life, acting, and being need to be true to myself regardless of any finan-
‘Jonas’ continued on page 23
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Asheville’s Longest Established Fine Art Gallery with 31 Regional Artists
Asheville Gallery of Art 's July Artist
“Abstract in Blue III” by Sally Lordeon
“Cheval III” by Sally Lordeon
Detail “Window on the World” by Sally Lordeon
“Abstract Art: Emancipating the Mind,” features the work of Sally Lordeon
BY STAFF REPORTS • DOWNTOWN ASHEVILLE
Asheville Gallery of Art’s July show, “Abstract Art: Emancipating the Mind,” features the work of Sally Lordeon, whose paintings capture her passion for abstract impressionism. “Abstract art emancipates the mind by allowing it to see what the eyes do not,” says the artist. Her unique interpretation of the world captures the rich textures, forms, and colors she observes in her powerful yet serene paintings. “Abstraction demands more of me than realism,” Sally says. “Rather than reproducing something I see, I have to go inward and create.” The artist combines her expressive brush-
strokes with the subtlety of veiled forms. She creates her paintings with acrylics on canvas. Using a muted, earth-toned palette, Sally juxtaposes heavy texture, soft, blended color, and the suggestion of a horizon line to mimic nature’s vistas. She similarly shows her love of abstraction with her figurative works. “Abstract art feeds the imagination, and I intend my art to trigger the viewer’s creative thought.” Sally studied fine arts at Chatham University in Pennsylvania. She moved to Asheville more than 30 years ago. After a successful career as a technical writer and college textbook author, the artist returned to her first passion, which she calls
the “divine pleasure of painting.” “I love to write,” she reveals, “but my heart has always been in my art.” Asheville Gallery of Art For further information about this show contact Asheville Gallery of Art at (828) 251-5796, visit the gallery website at www.ashevillegallery-of-art.com, or go to the gallery Facebook page. IF YOU GO
The show runs July 1-31 during gallery hours, 11-6 pm Monday through Saturday and 11-4 pm Sunday. A reception for the artist will be held July 5, 5-8 pm at the gallery, 82 Patton Avenue.
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J u l y ' s C ove r A r t i s t — C i n d y Wa l t o n The Glory of God in the abstract — a conversation with artist Cindy Walton BY DENNIS RAY • RIVER ARTS DISTRICT, ASHEVILLE
the first living female artist I can remember, and saying to myself, “If she can do this, so can I.” Now I was young, and the world is not that black Cindy Walton: In the past, and white, but it was I painted in a more realexciting for me. I saw her istic, still-life, or figurative work as really looking style. I have been to art beyond the apparent school twice, and I know landscape and looking the fundamentals. I found in deeper below the surface. time I wanted to say more Her influence is still with and speak to my audience me to the point I have at a more emotional level traveled to Ghost Ranch than a literal rendering. I’m in Northern New Mexico not saying there is anything “Garden view 2,” 24x24 oil and cold wax on panel by and led abstract workwrong with any style of Cindy Walton shops. painting, but I need to break deserts, and sea. There are others as the lines of realistic painting, “Creation,” 36x36, oil and cold wax on panel well: John Singer Sarto see and expose those by Cindy Walton RRM: Tell us a little about your working schedgent, Joan Mitchell, Willem bottom layers. I felt abstracule? DeKooning, Lucian Freud, tion was a way to progress Susan Rothenberg from where I was to where I wanted my work to CW: My work schedule might surprise and on and on. grow and mature. It was an obvious choice for many of your readers. As a profesThey are what I me, but there are a lot of challenges in painting sional artist, I spend a good part of my call some of the abstractly. time taking care of the communication “Rock Star” artists with others, such as writing this article, of their time. These RRM: What artists have had the most considas well as managing the business side. painters did someerable influence Early in my career, I seemed to have thing extraordinary over your work and painted a lot . 11 more than I do now. I with paint, and for career as an artist? RN paint 3-4 days a week and “communime, the paint is cate” with Pthe world two days a week. . the beginning of it CW: At different 21 My best advice to any creative person all: how to move stages in my life, is “you have to show up for something it to communicate there have been P . to happen.” 25 drama or emotion many artists, either “Flow 3,” 12x12, oil and cold wax on panel by of my subject, professors or art Cindy Walton RRM: Where do you find inspiration to which typically is masters, who have Cindy Walton be as productive as you have been? nature-based. I look influenced my work toward the wonderful, exciting environments I and career. My first inspiration in college was have experienced in my lifetime – mountains, Georgia O’Keeffe of the 20th century. She was ‘Walton’ continued on page 23 Rapid River Magazine: What has drawn (no pun intended) you to creating abstract art?
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More of what Makes Asheville Special: Dining • Shopping • Galleries • Music • Fun
Downtown Asheville
Upcoming mosaic and picassiette classes with Carole Choucair Oueijan BY STAFF REPORTS • DOWNTOWN ASHEVILLE
into a different terrain when she moved to California in 1990. By tallying her artistic creativity and her impressionisthe best instructors in the tic oil painting techniques, she began world to Asheville, and crafting extraordinary mosaics art this year is no exception. pieces with three-dimensional effects, Carole Choucair Oueusing stones such as marble-smalti (a ijan will be here for a piece of coloured glass used in mosathree-day immersion into ic) combination, bringing her mosaic Mosaic Drapery, suitable art pieces closer to the modern age for experienced mosaic Carole Choucair Oueijan and adding a layer of innovation and artists. This California artist captivating charm to her art pieces. Under learned the essential skills of classical mosaic her direction, you will be creating beautiful folds art at the hands of Greek clergymen devoted of clothing with watercolor and finishing it with to preserving the art of creating religious icons. glass. Join her this September 27-29. Carole took this exceptional art Local mosaic artist, Linda Pannullo, has been bringing
Keep the mountains with you always.
Popular mosaic artist Laura Rendlen returns October 26-27, with her new workshop, “Don’t Be Afraid of the Dark.” Open to all levels, this class discusses color theory, dimension, light and dark, all without using black. Traditional and contemporary Andamento in concert with color theory concepts is explored using glass or smalti. Discussions will cover what techniques work best for the emotion you are trying to articulate. Both workshops are at Majik Studios in downtown Asheville (207 Coxe Ave., Studio 13). Register at lindapannullomosaics.com and contact Linda Pannullo (828) 337-6749 for more information.
IF YOU GO
DEFINITION:
picassiette ( a french term -“stolen from plate”) – pieces of broken pottery, china, glass, buttons, figurines, and/ jewelry are cemented onto a base to create a new surface.
FINE JEWELRY & DESIGN STUDIO
828-254-5088 63 Haywood St. Downtown Asheville www.jewelsthatdance.com
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Downtow Asheville The NC Dance Festival’s 29th season is kicking off in October Each year, the NC Dance Festival, a program coordinated by Greensboro-based Dance Project, brings professional modern and contemporary dance choreography from NC artists to audiences across the state. To represent the variety of ways NC artists are expressing themselves, we will present NCDF shows in both traditional stage spaces and non-traditional spaces that can accommodate experimental dance work.
The Festival aims to support the creation of new choreography and the presentation of high-quality repertory, build and strengthen relationships between dance artists within the state, and provide access to and education about modern and contemporary dance to audiences and students. October 4-5, at the BeBe Theatre 20 Commerce St, Downtown Asheville • (828) 254-2621
INFO
VOL. 22, NO. 11 — JULY 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 17
WILD ABOUT WAYNESVILLE
Inspired Art Ministry, Inc. art classes for all levels
Spice it up for spring! Over 65 Seasonings, Rubs & Spices Largest selection of Olive Oils & Balsamic Vinegar in WNC 224 Branner Ave. Waynesville 828-246-6868 Mon - Sat 10-6
Inspired Art Ministry, Inc. Art Classes Drawing classes Mondays, 1- 4pm Painting classes Tuesdays, 1-4
materials for student check out • Annual Art Show (part of the Apple Festival) • field trips to galleries, museums, working artists studios • student discounts at frame shops and art supply stores. Classes held at First Baptist Church, 100 S. Main St., Waynesville.
All media taught — all levels of experience (or none). Includes: Library of books , DVD’S and other
Contact Char Avrunin to register or for more information at (828) 456-9197, charspaintings@msn.com or www.iamclasses.webs.com. INFO
Support Clean / recyclable Newsprint
Simple, delicious food with vegetarian options, Craft beer on draft, great wines, kids menu, to go menu, daily specials.
112374 7376 Firefly 18 01 17
We’re bringing brunch downtown! Sundays 10:30 til 2:00. Open daily except Wednesdays 11:30-9:00 454-5400 128 N Main Street, Downtown Waynesville
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ART EVENT A call for artists for autumn 2019 Asheville Fine art Show BY STAFF REPORTS • DOWNTOWN ASHEVILLE
— John Wayne & Paige Jackson, Sculpture, Black Mountain, NC
Hot Works produces the Asheville Fine Art Show. It’s a company that since 2003 has earned an outstanding national reputation for top-notch, high quality juried fine art and
Florida, Michigan, and North Carolina. fine craft shows in
Executive Producer Patty Narozny has 30+ years’ experience with special events and working with the media. Institute for the Arts & Education is the associated 501c3 non-profit organization that focuses on visual arts, cultural diversity, community enrichment and fostering art education among youth. As part of our commitment to bring art education into the community, a Youth Art Competition for grades 6-12 or ages 5-13 are integrated within the art show. Artist Testimonials: “I had done shows with Hot Works in Florida and was thrilled when they decided to add Asheville to their show schedule. I know to expect high-quality artists at Hot Works shows. But I wasn’t sure, as a local artist, if I should stay in my studio during peak tourist season. I did the show, and it was one of my best of the year! I did have one customer who lived in Asheville buy seven pieces. That doesn’t happen all that often but without the show, it wouldn’t have.” — Diane Dean, Painting, Hendersonville, NC “I’m glad we did Patty’s Asheville show. The perfect combination of locals and out-of-towners. Perfect timing for the fall leaf peepers. We’ll be back.”
“For me, the Asheville show was a turning point, proving that art shows can be full of sales and the right ones are worth the effort. Hotworks does it right, pulling together the best artists, marketing to the right type of patron, and Russ Schmidt, Wood choosing the best locations at the best time. They care about the artist as much if not more than the customers, ensuring we have everything we need to make our day successful. It’s not just about collecting a booth fee for them. Asheville was a great success for me helping me get my work into the hands of fellow North Carolinians as well as people from all over the country. There were many follow-up sales and word from the locals was that it was nice to see new and different work from the norm; they were pleasantly surprised. Being that many of them have stopped going to these types of shows because they are all the same and happen very frequently says a lot about the Hotworks commitment to quality.” —Sabrina Frey, Mixed Media, Mint Hill, NC
“Patty - thank you very much for creating a truly professional and lovely show. Your hard work, passion, experience, and personality are more than appreciated.” — John Mutch, Jewelry, Miller Place, NY NOTEWORTHY: • Premium location in downtown Asheville Asheville is, by far, North Carolina’s most affluent and sophisticated art-buying and art-loving audience • Limited to 165 Artists or Less – all art is original
‘Hot Works’ continued on page 29
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WHAT’S YOUR GREATEST HEALTH WORRY? A recent edition of a nationally-published “elder” magazine ran a series of articles on the health issues that “worry” those who are over 70 years of age. They polled 500 people over 70 and asked them to rate their overall health status – which was very good or excellent in over 40% of the respondents. But the majority were still concerned about their future health issues. You can probably guess – without the survey – what the concerns of the elderly are: losing mobility, getting dementia, cancer, visual loss, memory loss, suffering a stroke, falling (and can’t get up), chronic pain, developing heart disease, and getting diabetes. If you had participated in the survey, your list might have been in a different order, but the concerns would probably have been the same. As you might expect, specific suggestions were made for particular areas of health fears. For example, to lower the risk of developing heart disease or stroke risk, eat less red meat, decrease stressors in life, and reduce your salt intake. To lower mental health risks avoid higher cholesterol levels since they are related to increased psychological problems and the developing of Type II diabetes. So manage your
— Photo by Marisa Howenstine cholesterol levels carefully to reduce the risk of dementia. To lower the risk of cancer be aware of sun exposure and get cancer screenings faithfully if you have already had one or more brushes with
Your Health
By Max Hammonds, MD
cancer of any kind. Your body has already told you that it is not good at catching and killing cancer cells. To lower obesity and gut-related illnesses be mindful of what you are eating, cook at home (to lower salt and decrease extra calories), and eat a well-balanced diet for well-balanced nutrition – and gut biome health. However, several suggestions in these articles were applicable over the entire range of health concerns. 1) Genetics is only one of many factors in determining the risk of developing a health problem. While a strong family history of heart disease, mental health problems, obesity, diabetes, or cancer plays a role, multiple other factors are much more likely to set the stage for developing any of these disease processes. Your genetics does not doom you. Lifestyle interventions can overrule genetics almost every time. 2) Do not be frightened by mild symptoms or advertisements that play on your fears. Everyone gets short of breath climbing stairs at 70+ years of age. Everyone forgets where they left their car keys once in a while. Everyone struggles to keep off extra pounds in their elder years. Everyone gets the occasion unexplained abdominal pain or chest pain. These mild problems should not start
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‘Health’ continued on page 29
EGOISM
ZEN PHILOSOPHY WITH BILL WALZ
To study Buddhism is to study the self; to study the self is to forget the self. To forget the self is to be actualized by myriad things. — Dogen(13th century) In recent years, there has been a growing understanding that the basic problem with humanity is egocentricism or egoism, the placing of the idea of “me” and “mine” as the centerpoint of what is principally to exclusively significant in a person’s life. Egoism expresses itself in relationship with all that is not me and mine in a manner that ranges from appreciative consumption, to disregard, to exploitation, to outright hostility and wanton destruction. It is an approach to life that says happiness is achieved by maximizing what me and mine can get out of life without serious consideration or concern for the cost to all else, and it also makes us blind to seeing the patterns of interconnections and interdependence that actually make life work. Seeing egoism as a problem, however, is actually not new at all; it is at the heart of any true spiritual tradition, and Buddhism makes a very particular point of noting egoism as the source of human suffering, importantly not only for others, but for ourselves, and points out It is a very counterproductive strategy for life. In American culture, however, this notion of egoism as a problem is very new and very radical for we are a culture built on the celebration of the individual and the individual’s “pursuit of happiness,” a very egoistic notion (not that happiness is egoistic, but “pursuing” happiness creates an egoistic purpose to life that can become terribly distorted). After all, we are a nation built not only on many noble ideals and great industry, but on genocide of the native inhabitants, enslavement of an imported racial population, despoiling the environment and the extermination of many native species in our pursuit of happiness. Our economy is based in conspicuous consumption and exploitation of resources and labor, all to enhance status and wealth for those favorably positioned in this zero sum game. We seem to be unable to address seriously a growing climate-change crisis caused in significant part by our great industry and appetite for consumption because of what seems to be an addiction to this egoism. Egoism could well be considered the dark side of the American personality. Increasingly, however, there is growing understanding of the problems brought by this addiction and the counterproductivity of egoic consumerism as the way to sustainable well-being and happiness. There is a dawning awareness that while a certain level of material security is important in keeping us out of unhappiness, increasing amounts of ego-feeding materialism seems to have the opposite effect, and ancient spir-
itual traditions that offer this warning are being found to have much to say about our modern psychological health and even continued societal viability. Egoism blinds us to the realization that life really only has meaning and functions best in the experience of its interconnections, in appreciative loving and caring relationship, happiness best generated when we are free of self-centeredness, instead immersed in life with all its “myriad things,” including, of course, the people around us, focusing on their well-being and happiness. All the terrible things that humans do that can elicit the question, “Why do people do such things?” can be answered with the word egoism, the hopelessly small idea we have of a self that is always desperate to make more of itself, generally at the expense of the myriad things of the world including other people. Experiencing self in ego leaves us alone and small in the world and ego keeps attempting to build itself up by using, abusing, consuming, and tearing everything and everyone that is not “me” or “mine” down. Ego is, of course, quite blind to all of this, defending its right to self-interest, and is also quite paranoid in that it projects its own predatory and competitive nature onto everyone else and onto Nature, and since it is really only an idea of a person, it is hopelessly inadequate at realizing fulfillment. Zen, and all mystical spiritual traditions, instruct us that fulfillment can only be realized, as the word fulfillment suggests, through full-filling, but not a full-filling through the material aspects of life, but rather, the spiritual, and spiritual full-filling cannot happen when our minds are already filled with the story of the striving and anxious “me.” The sense of full-filled can only happen when we are empty of the egoic story of the dissatisfied “me” and rather, our sense of self is in the world, the myriad things, the morning sun, the wind in the trees, this simple household chore, the happiness of the person in front of us. To be happy is not in the using and consuming of the myriad things, but, as Dogen advises, by being actualized through them, that is, being filled by our sense of connection with the myriad things, self having been forgotten. This having been said, it is important to understand that ego in itself is not the problem, nor is ego bad. This is a mistake often made by those on the spiritual path. Ego certainly is not to be eradicated; it cannot be eradicated, for it is an essential capacity of any living organism. It is a necessary element of an organism functioning in the world, identifying and meeting its needs, of being a manifested object interacting with manifested objects. The squirrels and birds engaged in their squirrel and bird activities are fulfilling their needs as organisms and doing what is needed to fulfill their squirrel-ness and bird-ness. This is squirrel and bird ego in action. With human-beings, however, to fulfill our hu-
man-beingness is quite more complicated, for our human-beingness is not only in meeting biological needs, but psychological needs as well. To be writing these words and communicating to the reader is a very high-level function of the ego that creates these mind-objects called words and employs the invention of writing and word-processing with a computer, and fulfills the desire to communicate ideas to the reader who wants to experience these ideas. We are fulfilling an essential need of human-ness, to explore concepts and grow conceptually. This is all activity of ego that is healthy, necessary and good, even spiritual, for it is about connecting and valuing. Likewise, to have a sense of a spiritual journey and to make the choice to understand what that journey is and make the necessary commitments to engage and follow the spiritual path is human ego in its healthiest manifestation. After-all, no other creature needs to create a spiritual life. To pursue a spiritual path, however, motivated by the idea that it is attractive in its mysteriousness, and that its mystery makes me a “better” person, even a more interesting person to others, or because there may be intriguing rituals and philosophical ideas that somehow imbue me with some specialness, is a misapplication of ego. This is egoism, not fundamentally different from wanting to be a physician because of the status and wealth the profession offers, not because of the pull to healing, an important manifestation of selfless service. No, the problem is not ego; it is egoism, the misplacement of this natural psychological function into our identity, and placing ego expression and gratification as the purpose of life when egoism actually deprives life of meaning for it stands as an impediment to experiencing the connections and wonder of life, that which actually gives life meaning. Egoism sets humans upon a frantic and fruitless search for meaning in ever more egoic pursuits, seeking security through acquisitions, status, power and the diminishment of others, all in a fruitless attempt to acquire personal fulfillment. These are all impossible strategies for it is like drinking sea water to quench our thirst; it only makes us thirstier and sickens us. Egoism is what is behind racism, classism, sexism, nationalism, and religious and political tribalism, people finding identity and meaning in identification with collective egos that can function very destructively in the world. In its most malignant form, it is what drives criminality, sociopathy and psychopathy, the making more of “me” by victimizing others. In its most mundane expression, it is in everyday conversational gossip or holding judgmental opinions of others which when examined closely, are about elevating ourself through the diminishment of others. Egoism
‘Walz’ continued on page 23
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ART EVENT
CLOCKWISE: Annie Hall’s poster • Ana Barragan (Georgia) – Wooden Sunglasses (new to the show this year) • Lynn Hardesty (Florida) – Cloisonné enamel • Ira & Sue Lances (New York) – Handmade chenille (new to the show this year) • Deana Blanchard & Chuck Young (North Carolina) – Forged, fabricated & foraged steel, sand-carved glass, enamel, paint & patina (new to the show this year) • Michael Smith (Asheville) – Hand-dyed silk shibori
47th Annual Village Art &Craft Fair arrives with style this August 3 & 4 BY STAFF REPORTS • BILTMORE VILLAGE
On August 3-4, New Morning Gallery and Bellagio Art-to-Wear sponsor the Village Art and Craft Fair on the grounds of the Cathedral of all Souls in Biltmore Village. In its 47th year, the VACF continues a long tradition of bringing high-quality crafts to Historic Biltmore Village. The Fair hosts 110 artists from 20 states, representing the full spectrum of craft media jewelry, ceramic, wood, fiber, metals, two-dimensional art, and more. The craft fair is an excellent opportunity to
encounter new artists (25 are first-time exhibitors) and to talk with crafters one-on-one. Eighty-seven artists are from WNC. Thousands of shoppers from all over the southeast arrive to stroll through the Fair, discovering unique gifts for friends, family and themselves! Local Asheville artist Annie Hall has provided the artwork for this year’s poster and t-shirt design. Hall is a professional gardener who draws most of her inspiration from nature and her animal friends. This is Hall’s first time contributing her artistic vision to the Village Art & Craft
Fair, and it features her mother’s cats, Maggie Mae and Mickey. This adorable adaptation is sure to attract even more fans that collect the Fair’s yearly poster. Village Art and Craft Fair Fair hours are Saturday 10-7 pm and Sunday Noon-5 pm, rain or shine. There is no admission fee. Homemade refreshments are available at church-sponsored concession booths with proceeds benefiting the Cathedral’s Outreach program.
WHEN YOU GO
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ARTS ‘Walton’ continued from page 15 CW: I love painting. Don’t get me wrong it is not always easy, and I do get artist block, but I find if I show up to work consistently, things happen. This discipline to keep showing up at the studio, and my desire to paint are gifts from God. I know that someday I would stop if not for my faith. I know in my heart and mind that my paintings are for His glory; when I focus on why I am painting all the negative falls away, and I can move ahead.
RRM: At what point in your life did you decide to be an artist, and was that a difficult decision? CW: I have always wanted to be a professional artist. I was just not sure where to begin, and I did not have the confidence to call myself an artist. In my late 30’s, I went back to art school to develop more mature skills and gain the confidence to begin my career. I don’t think everyone
must follow this path. I found I needed the structure and confidence this time gave me to find my voice as a painter. I am an artist. Cindy Walton Wedge Studios • River Arts District,129 Roberts St, second-floor Thursday-Saturday 11-4pm. (828) 776-3034 • www.cindywalton.com
WHEN YOU GO
‘Walz’ continued from page 21 can even be expressed through the sincere study and practice of religion and religion’s rebellious cousin, spiritual practices, when such practices are about feeding into the need to be part of an exclusive community or for enhancing one’s aura of specialness. It is even in the diminishment of everyday experience into restlessness and boredom, elevating our own importance above the commonplace and ordinary. In a very important way, egoism represents what is metaphorically expressed as “The Devil” in Western religious culture. It is that which entices and seduces us into destructive behavior, in diminishing
the sacredness of life, all life, in favor of the elevation of me and mine. If the origin of sin is, as Jewish mystic Abraham Heschel describes, in “the denial of the sublime wonder of life,” it is egoism that whispers these denials, these diminishments in our ear. To find happiness, to find true sanity and fulfilment, it is quite clear, we must follow Dogen’s advice and forget ourselves. We must be actualized and filled wondrously by the myriad things, by Life in all its miraculous interconnections, complexity, perfection and balance.
Bill Walz has taught meditation and mindfulness in university and public forums and is a private-practice meditation teacher and guide for individuals in mindfulness, personal growth and consciousness. Information on classes, talks, personal growth and healing instruction, or phone consultations at (828)258-3241, e-mail at healing@billwalz.com Learn more, see past columns, video and audio programs at www. billwalz.com
‘Jonas’ continued from page 13 uncertain at the same time. That’s very exciting, to be sure about not being sure. Just think about it. In 1966 I met a great spiritual Master who transformed my life and taught me how to meditate. My life and my painting completely changed. I started to create from deep within me, learning to deal with the interference the mind can create with all its interruptions tricks and its various laws of duality. Now, after 52 years of meditation, my process is slowly becoming freer and involving less personal judgment. Another excellent resource for me has been Stuart Cubley’s Painting Experience workshop (www.processarts.com). After all these years, it’s like my soul is doing the painting and I allow it, much like the way a three or four-year-old paints — totally free of trying to look good. When I let go, the creative energy of the universe comes in at hurricane force, and I have no choice but to surrender to it without a goal or plan. Without it, paintings can
end up looking very lifeless and often predictable. Then there’s no juice! That state of letting go and allowing the energy to take over becomes a unique and magical experience as if my inner eye were looking into a reflection of itself. That’s the positive force that people, who set their eyes on it, become fascinated and are moved without knowing why. At its best, that’s how powerful abstract art can be. There’s nothing like it because it’s just pure energy without a subject, without a purpose, without a message — and it’s very appealing. The heart is touched. A comment I hear often is, “I just can’t relate to abstract art, but I just love this painting.” It becomes a heart experience, bypassing the logical mind and all the duality tricks we are all familiar with. For me that fascination with this process is very addictive, it’s a high, a state of pure bliss, and the wonderful thing about it is that it’s
always there ready to capture my attention, no matter what my mood. From the first stroke, it kicks in. Over the years, I found that the best thing I could do to relate to others what my experience is like is to do it in front of a crowd. Each second Saturday at my Riverview Station location, in the River Arts District, I feel as though I put my life on the line with full confidence as I paint like a madman and do what I call a Painting Performance with rhythmic music. Everyone is welcome. For the last 12 years, I have been, attracting other artists, visitors, clients, and folks from all walks of life to experience how fascinating life can be when you plan less, fearless, trust more, and feel comfortable with uncertainty. WHEN YOU GO
Jonas Gerard 240 Clingman Ave, Asheville (828) 350-7711 • www.jonasgerard.com
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BOOKS Four great books for summertime reading BY DENNIS RAY • DOWNTOWN ASHEVILLE
Here are three books I recommend for your summertime getaway or lazy afternoons in the shade with a cold lemonade or iced tea.
I read all four last month and found each one well worth the time. All four are also available on audiobooks through Penguin Random House Audio. Three of these books are relatively new, and the last one Educated came out in February of 2018, and are all exactly what I enjoy diving into this time of year. Have a great summer. Recursion by Blake Crouch From the bestselling author of Dark Matter and the Wayward Pines trilogy comes a relentless thriller about time, identity, and memory, and the inspiration for Shondaland’s upcoming Netflix film. Memory makes reality. That’s what New York City cop Barry Sutton is learning as he investigates the devastating phenomenon the media has dubbed False Memory Syndrome—a mysterious affliction that drives its victims mad with memories of a life they never lived. Neuroscientist Helena Smith already understands the power of memory. It’s why she’s dedicated her life to creating a technology that will let us preserve the most precious moments of our pasts. If she succeeds, anyone will be able to re-experience a first kiss, the birth of a child, the final moment with a dying parent. As Barry searches for the truth, he comes faceto-face with an opponent more terrifying than any disease—a force that attacks not just our minds but the very fabric of the past. And as its effects begin to unmake the world as we know it, only he and Helena, working together, will stand a chance at defeating it. But how can they make a stand when reality itself is shifting and crumbling all around them? Range: Why Generalists Triumph in a Specialized World by David Epstein
A compelling argument for how to succeed in any field: develop broad interests and skills while everyone around you is rushing to specialize. Plenty of experts argue that anyone who wants to develop a skill, play an instrument, or lead their field should start early, focus intensely, and rack up as many hours of deliberate practice as possible. If you dabble or delay, you’ll never catch up to the people who got a head start. But a closer look at research on the world’s top performers, from professional athletes to Nobel laureates, shows that early specialization is the exception, not the rule. David Epstein examined the world’s most successful athletes, artists, musicians, inventors, forecasters, and scientists. He discovered that in most fields—especially those that are complex and unpredictable—generalists, not specialists, are primed to excel. Generalists often find their path late, and they juggle many interests rather than focusing on one. They’re also more creative, more agile, and able to make connections their more specialized peers can’t see. Provocative, rigorous, and engaging, Range makes a compelling case for actively cultivating inefficiency. Failing a test is the best way to learn. Frequent quitters end up with the most fulfilling careers. The most impactful inventors cross domains rather than deepening their knowledge in a single area. As experts silo themselves further while computers master more of the skills once reserved for highly focused humans, people who think broadly and embrace diverse experiences and perspectives will increasingly thrive. Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee by Casey Cep Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members for insurance money in the 1970s. With the help of a savvy lawyer, he escaped justice for years
until a relative shot him dead at the funeral of his last victim. Despite hundreds of witnesses, Maxwell’s murderer was acquitted—thanks to the same attorney who had previously defended the Reverend. Sitting in the audience during the vigilante’s trial was Harper Lee, who had traveled from New York City to her native Alabama with the idea of writing her own In Cold Blood, the true-crime classic she had helped her friend Truman Capote research 17 years earlier. Lee spent a year in town reporting, and many more years working on her version of the case. Now Casey Cep brings this story to life, from the shocking murders to the courtroom drama to the racial politics of the Deep South. At the same time, she offers a profoundly moving portrait of one of the country’s most beloved writers and her struggle with fame, success, and the mystery of artistic creativity. Educated: A Memoir by Tara Westover An unforgettable memoir about a young girl who kept out of school leaves her survivalist family and goes on to earn a Ph.D. from Cambridge University Born to survivalists in the mountains of Idaho, Tara Westover was 17 the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education and no one to intervene when one of Tara’s older brother became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and Cambridge University. Only then would she wonder if she’d traveled too far if there was still a way home.
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BOOKS
New coffee table book announced from artist Alan Shuptrine, and new YA book “The Boy and Girl who Broke the World” BY STAFF REPORTS • DOWNTOWN ASHEVILLE I Come From A Place, by Alan Shuptrine and Jennifer Pharr Davis
Following his successful twoyear solo museum exhibition, Alan Shuptrine: Appalachian Watercolors of the Serpentine Chain, the artist is embarking on a new journey. Collaborating with Best-Selling author, avid hiker, and sought-after storyteller, Jennifer Pharr Davis, Alan Shuptrine’s first coffee table book is launching in September. Titled I Come From A Place, the thematic book will contain images of Shuptrine’s watercolors as well as Pharr Davis’ prose. Pharr Davis, an Asheville resident, holds the female world record for fastest supported hike on the Appalachian Trail, claiming an average of 47 miles per day. Pharr Davis is a National Geographic Adventurer of the Year and an Ambassador for the American Hiking Society. The Shuptrine-Davis collaborative book will share a spirited and soulful insight into what we know and love of Appalachia. History reveals that when the 18th Century settlers arrived on our eastern shores, they quickly moved inland to these mountains, where the rugged landscape looked somehow familiar. The concept of where one seeks comfort and what provides a sense of home is the premise for I Come From A Place. Whether it is from genetics or the possibility of living past lives, there is a location, a setting, in which everyone feels their most content; a
place that provides a sense of peace and contentment. This collection will highlight over 80 Appalachian-themed watercolors by Shuptrine, a nationally recognized artist. Shuptrine’s paintings resonate with the voice of the mountains written by Pharr Davis. The book tour for I Come From A Place will launch in September 2019, and pre-orders for the Limited Edition may be placed at www.alanshuptrine.com. The Boy and Girl who Broke the World, by Amy Reed
Billy Sloat and Lydia Lemon don’t have much in common unless you count growing up on the same (wrong) side of the tracks, the lack of a mother, and a persistent loneliness that has inspired creative coping mechanisms. When the lives of these two loners are thrust together, Lydia’s cynicism is met with Billy’s sincere optimism, and both begin to question their outlook on life. On top of that, weird happenings including an impossible tornado and an all-consuming fog are cropping up around them--maybe even because of them. And as the two grow closer and confront bigger truths about their pasts, they must also deal with such inconveniences as a narcissistic rock star, a war between unicorns and dragons, and eventually, of course, the apocalypse. With a unique mix of
raw emotion, humor, and heart, the surreal plotline pulls readers through an epic exploration of how caring for others makes us vulnerable — and how utterly pointless life would be if we didn’t. Amy Reed is the author of the contemporary young adult novels Beautiful, Clean, Crazy, Over You, Damaged, Invincible, Unforgivable, and The Nowhere Girls. She is also the editor of Our Stories, Our Voices. She is a feminist, mother, and quadruple Virgo who enjoys running, making lists, and wandering around the mountains of WNC where she lives. You can find her online at AmyReedFiction. com. Amy Reed will be joined at Malaprop’s by fellow young adult authors Jaye Robin Brown and Amber Smith. Brown’s latest novel is The Meaning of Birds. Smith’s newest release is Something Like Gravity. Malaprop’s Bookstore, 7/24, 6pm
Coming in August Miriam McNamara presents An Impossible Distance to Fall
JULY 2019
PARTIAL LISTING
We host numerous Readings & Book clubs, as well as Salons! Visit www.malaprops.com
READINGS & BOOK SIGNINGS
Lydia Fitzpatrick presents ‘Lights All Night Long’ 07/08 - 6pm Mirra Price presents ‘Tools to Change the World’ 07/10 - 6pm Jeanne Charters presents Lace Curtain (Daughters of Ireland #2 ) — 07/11 - 6pm Brent Martin presents ‘The Changing Blue Ridge Mountains: Essays on Journeys Past and Present’ 07/14 - 3pm Jennifer Pastiloff presents ‘On Being Human: A Memoir of Waking Up, Living Real, and Listening Hard’ — 07/16 - 6pm Dual Author Event with Ace Atkins and David Joy 07/18 - 6pm Julie Zuckerman presents ‘The Book of Jeremiah’ 07/23 - 6pm
55 Haywood St.
(828) 254-6734 • 800-441-9829 Monday-Saturday 9AM to 9PM Sunday 9AM to 7PM
It’s 1930, and Birdie William’s life has crashed along with the stock market. Her father’s bank has failed, and worse, he’s disappeared along with his Jenny biplane. Malaprops, 8/2, 6pm
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SWANNANOA VALLEY FINE ARTS LEAGUE’S ANNUAL JURIED SHOW BY STAFF REPORTS • BLACK MOUNTAIN
The countdown is beginning! Bring your artful eye and have a blast voting for People’s Choice at the Swannanoa Valley Fine Arts League’s Annual Juried Show. We the people, a colorful and exploding membership of league artists, will showcase our most dazzling works as chosen by esteemed Juror Sherry Masters, founder of Asheville’s Art Connection and
(Left-right) “Where’s the Party?” oil and acrylic, by Peggy King, “Twisted Vase” clay, by Maggie Jones, “Untitled” oil, by Martin Poole
formerly at the helm of the Grovewood Gallery. All mediums will be represented in this booming display which is being curated by Shelley Schenker. 2D and 3D works, including oils, fiber arts, metal, and graphite, will be on display. The opening reception will be held July 12, 2019, from 5-7pm at the Red House Studios and Gallery, 310 West State Street, Black Mountain,
NC. The show will be on display through September 9. The Swannanoa Valley Fine Arts League has been in existence for 51 years celebrating creative freedom. Membership is open to all. SVFAL The gallery hours are Monday thru Saturday, 10-5 pm and Sunday, 10-3 pm. For more information, call SVAL at (828) 669-0351. IF YOU GO
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PERFORMANCE AmiciMusic presents “TUTTI FLUTTI,” with two flutes and piano BY STAFF REPORTS • BLACK MOUNTAIN
AmiciMusic begins its summer season with an entertaining program entitled “TUTTI FLUTTI” featuring some virtuosic music for two flutes and piano with flutists Lea Kibler and Debby Heller along with pianist/Artistic Director Daniel Weiser. They will perform works by Debussy, Donizetti, Piazzolla, and Doppler along with a Mexican Fantasy by Zyman and three fun Dances by Schocker. It’s a great summer program that will make you smile and want to get up and dance.
Flutist Lea Kibler (above) joins flutist Debby Heller for a great summer program that will make you smile and want to get up and dance.
ganization, based in Asheville, dedicated to performing the highest quality music in intimate venues and non-traditional spaces. They also aim to break down the barriers between performers and audiences by establishing a very informal and relaxed atmosphere at all their concerts and through short talks about the composers before each piece to put the works in historical context. “This is genuine chamber music played the way it was meant to be heard,” says Weiser. AmiciMusic will return a week later from Aug. 2-4 for a program entitled “JAZZICAL:5” featuring the Claude Bolling Suite Pianist/Artistic Director Daniel Weiser for Violin and Jazz Trio with Tim Schwarz, violin, Daniel Weiser, piano, Craig Sandberg, There will be three different venues on the bass, and Justin Watt, percussion. Schwarz and weekend of July 26-28, including a House ConWeiser were the 1996 U.S. Artistic Ambassadors cert at a spectacular home in Hendersonville as and toured eleven different countries in the Midwell as a public performance at the very intimate dle East and Southeast Asia promoting American St. Giles Chapel on the grounds of Deerfield music. This is another excellent crossover proRetirement Community. For more information gram combining classical and jazz idioms. about the program and venues and to buy seats in advance, please visit www.amicimusic.org and IF AmiciMusic YOU click on the link to Asheville Concerts at the top GO For info about dates and venues, please visit of the page. www.amicimusic.org and click on the link to AmiciMusic is a non-profit chamber music orAsheville Concerts at the top of the page.
‘Woolworth Walk’ continued from page 9 metal at summer camp when she was about ten years old; she was immediately hooked. She went to a liberal arts college in Chicago, where she focused on jewelry, fashion, and costume design. It was there that she realized her passion for three-dimensional arts and personal adornment. Graduate school in New York offered her a background in the history of art. Introduced to
period styles through fashion and the decorative arts she embraced the Arts and Crafts and Art Nouveau styles, apparent in her work today. Living in those major cities as well as Washington, DC strengthened her love of architecture and realism, which can be seen in the miniature houses and castles she also creates. Several years ago, Brandenburg and her husband, moved to Asheville. Here she works as a full-time artist and part-
time teacher of Precious Metal Clay. Meet Lisa Blackshear and Amy Brandenburg and enjoy the opening reception on Friday, August 2, 5-7 pm. Woolworth Walk 25 Haywood St. Asheville (828) 254-9234 • Woolworthwalk.com Gallery Hours: Mon.-Thurs. 11–6 pm, Fri. 11–7 pm, Sat. 10–7 pm, Sun. 11–5 pm IF YOU GO
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AUGUST PREVIEW Barbara Fisher exhibition ‘Memories of the Future’ this August BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE
thoughts, dreams, and early life experiences. We intuit memories of what is yet to pass. The Some evoke being lost in a big city, challenge is to others feel like the brain trying to recall heed our intuition a distant memory or translate a twisted and try to navknot of thoughts into something coherent; igate the labystill, others evoke the ecotones of climate rinth, both within change. The “change in the weather” ourselves and out subseries came about as Fisher started to “Heat Wave, 2019,” acrylic on canvas, 36x36 in the world. see the cascading paint as a movement by Barbara Fisher After the Flood of micro-climates, water, ice and heat in the depicts the chaos following a significant climate tangled atmospheres. event - debris and organic matter fighting to All of these images presage the future while survive amid the rubble and uprooted ecosysalready being present in our consciousness, tems. At the edges, simple botanical forms begin through collective memory or our forgotten to appear. Aerial views, brain circuitry, weather patterns, lost memories, all of these narratives can be found in the intricate meanderings and devious spaces of the Tangled Mapping series.
Born in New York City, educated in Colorado and California, Barbara Fisher lived many years on the West coast before settling in Asheville in 1998. Her work, shown throughout the US, can be found in the collections of Bank of America, Capital One, Western Carolina University Fine Art Museum, the Asheville Art Museum, First Charter Bank, Bank of America, National Institutes of Health, Mission Hospital, The Community Foundation of WNC and many other corporations. Fisher has maintained a studio in the River Arts District since 1998. She was awarded a Pollock-Krasner grant of $17,000 in 2019. Tangled Mapping: Memories of the Future Pink Dog Gallery, 348 Depot St. August 23–September 22 • Opening Reception Friday, August 23, 5:30–7:30 pm
IF YOU GO
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CONTINUED ‘Health’ continued from page 20 you worrying about some horrible disease. If they continue over a protracted period (1-3 months), they should be checked out by your health care provider. But they are not the harbinger of a death knell. 3) Several lifestyle choices had a significant impact on every area of health worry. And you can easily guess what they were: eat healthily, maintain an ideal weight, exercise, and
be socially connected to a supportive community. The same lifestyle principles apply whether you are 30 years old or 70+ years old. (The specifics of these articles can be found in the April/May 2019 issue of AARP Magazine.)
—Albert Camus
‘Hot Works’ continued from page 19 and personally handmade by the artist present at the show • Friday Set-up • Event Hours Saturday and Sunday, 10-5pm • Convenient parking • Show Director and Staff onsite during all event hours • Booth Sitters • Comprehensive Marketing and PR campaign – we understand how to reach art buyers • Professional Artist Awards $1,500 • Youth Art Competition Awards $250 • Asheville Police onsite duration of the show More info at www.hotworks.org. Upon acceptance into the show, booth rent is: 10x10 $425 • 10x15 $650 • 10x20 $825
“Without freedom, no art; art lives only on the restraints it imposes on itself, and dies of all others.”
Asheville Fine Art Show™ October 26 & 27, 2019 • Pack Square Park Downtown Asheville • Outdoors Professional Artist Applications are at www.zapplication.org • Deadline July 15, 2019 Juried Fine Art & Fine Craft Show. All Categories of Discipline Are Open. (Please do not apply if you do not make your work) If your priority is sales, then Hot Works shows are for you. Are you interested in being a part of this show? Please contact Executive Producer Patty Narozny at patty@hotworks.org, (941) 755-3088. More info at www.hotworks.org
70 Main Street • Clyde, NC 28721
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JUly Comics www.brotherrock.net
Ratchet and Spin
By Jess and Russ Woods Ratchet and Spin © 2019
Corgi Tales
By Phil Hawkins
Best in Show
By Phil Juliano
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SUMMER THINGS TO DO
Miles Rice as Robin Hood; Clara Burrus as Maid Marian.
Montford Park Players presents ‘Robin Hood: Quest for Justice’ BY STAFF REPORTS • ASHEVILLE
Montford Park Players announces their upcoming production of the world-premiere adventure Robin Hood: Quest for Justice. In this sequel to last year’s smash hit, Robin Hood: The Legend of Sherwood, the evil Sheriff of Nottingham is stealing money and land from the people, as well as forcing the lovely Maid Marian to marry the despicable Gregory Gisborne to create a noble link for the Sheriff. It’s up to Robin Hood and his band of Merry Men to stop the wedding, save the people and put an end to the Sheriff’s nefarious deeds. With a plot right out of the classic legends of Robin Hood, this show will offer a good time for kids and adults. Although Montford Park Players stays grounded in the works of Shakespeare, classically inspired work, such as Robin Hood, has earned its place in the past few seasons. Family-ori-
ented shows like Robin Hood and Peter Pan have become a mainstay for MPP, similarly to how their A Christmas Carol has become a holiday tradition. This time around, the titular role will be played by Miles Rice, who recently garnered raves for his star turn in Ghost at HART. Maid Marian will be performed by Clara Burrus, and the venerable David Mycoff will return as the hated Sheriff of Nottingham. Montford Park Players All performances will be held at the Hazel Robinson Amphitheatre at 92 Gay Street in the heart of Asheville’s historic Montford District, from June 28th through July 27th on Friday, Saturday and Sunday evenings at 7:30 pm. This performance, like ALL of Montford Park Players’ shows, will be FREE to attend. For more information or to reserve seats, go to montfordparkplayers. org, or call at (828) 254-5146.
IF YOU GO
Raven & Crone suggests getting outside for fun and art BY STAFF REPORTS • NORTH ASHEVILLE
Art, nature, and festivals are significant to the staff of Asheville’s Raven & Crone. Many items are locally made, as it is personally relevant to owner Lisa Anderson. Oils, herbs, teas, soaps, incense, bath salts, smudge wands, and candles are made locally. Store manager Lisa Wagoner notes: “I love when someone buys an item and I can say I know the person who made it.” Summer is a beautiful time for festivals, and so much time is spent outdoors. Before you go, stop by the store for a few supplies. “We have our own Bug Banish spray, magical beard oil, and more! Candles to light your evenings, flags and altar cloths to decorate your tents, teas to ice and enjoy, as well as tarot decks and divination
tools to enhance your campfire time,” says Wagoner. Raven & Crone also provides over 200 herbs to make your herbal blends, as well as crystals to use as decoration or to use with herbs to create mojo bags for your use or a group setting. A local family recently created dream bags for a family reunion camping trip, with unique crystals and herbs to enhance sleeping and dreaming during their time together. If your festival rains out, go by the store for a respite; enjoy a cup of tea and browse. You will be sure to find something to add to your summer fun. Asheville Raven & Crone 555 Merrimon Ave, Asheville (828) 424-7868 www.ashevilleravenandcrone.com
IF YOU GO
“Summer is the annual permission-slip to be lazy. To do nothing, and have it count for something. To lie in the grass and count the stars. To sit on a branch and study the clouds. — Regina Brett
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