RAMY B. M. ARCHITECTURE PORTFOLIO

PORTFOLIO

RAMY MOUSLIM 2014-2017

ADDRESS: 3600 VAN HORNE AVENUE, APT.407, MONTREAL, QUEBEC, H3S 1R6 E-MAIL: ramymouslim@gmail.com CELL: (514) 691-1558

PERSONAL DETAILS

COMPUTER SKILLS

DATE OF BIRTH

1996

AUTODESK AUTOCAD

NATIONALITY

MOROCCAN

TONGUES

ENGLISH - FRENCH - ARABIC

SKETCHUP PRO RHINO GRASSHOPPER ADOBE PHOTOSHOP

EDUCATION 2014-2017 2010-2014

ADOBE ILLUSTRATOR ARCHITECTURE BACHELOR DEGREE, UNIVERSITÉ DE MONTRÉAL, MONTREAL, CANADA FRENCH BACCALAUREATE, AL JABR HIGHSCHOOL, CASABLANCA, MOROCCO

ADOBE INDESIGN MAXWELL STUDIO MICROSOFT OFFICE

PROFESSIONAL EXPERIENCE

INTERESTS

SEP - DEC 2017

TECHNICAL ASSISTANT AT HAL INGBERG ARCHITECT, MONTREAL, CANADA

READING

POLITICS - AUTOBIOGRAPHIES - HISTORICAL NOVELS

JUL - AUG 2017

INTERN AT ARCHIPULSE ARCHITECTS, CASABLANCA, MOROCCO

WRITING

PRESS ARTICLES - SHORT NOVELS

JUNE 2015

INTERN AT SARA INTERNATIONAL INC.

DRAWING

PORTRAITS - PAINTINGS - LANDSCAPES HISTORICAL SITES

MAY 2015

PRESS CONTEST ORGANISED BY LE MONDE DIPLOMATIQUE : SYRIAN REFUGEES IN LEBANON

CONTACT INFO

2015-2017

MEMBRE EXÉCUTIF DE MENA UDEM (MIDDLE EAST-NORTH AFRICA)

ADRESS

3600 VAN HORNE AVENUE, APT 407, H3S 1R6, MONTREAL, QUEBEC

2014 - PRESENT

EXECUTIVE MEMBER OF 3600 VAN HORNE AVENUE BUILDING’S SYNDICATE (MAINTENANCE, ACCOUNTING) INTERN AT GENERAL ELECTRIC, CASABLANCA, MOROCCO

EMAIL

ramymouslim@gmail.com

CELL

(514) 691-1558

APRIL 2011

HETEROTOPIA

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SECONDARY SCHOOL ON MACKAY STREET TUTOR: THOMAS BALABAN / FALL 2016

UNCANNY

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SECONDARY SCHOOL ON MACKAY STREET TUTOR: THOMAS BALABAN / FALL 2016

MOUVANCE

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SUNSHADE TUTOR: VINCENT CORAINI / WINTER 2016

MOUSHARABIEH

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PRIVATE HOUSE FOR COLLECTOR ON BAILE STREET TUTOR: LEA ZEPPETELLI / FALL 2015

PHARES (PROFESSIONAL PROJECT) MONUMENT PROJECT IN JETÉE-ALEXANDRA FOR MONTREAL’S 375TH BIRTHDAY HAL INGBERG ARCHITECT / FALL 2017

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BY: RAMY MOUSLIM/ MARCO QUIROZ UNIVERSITY OF MONTREAL TUTOR: ANNIE LEBEL WINTER 2017

HETEROTOPIA

PROGRAM: REHABILITATION OF A RAIL YARD LOCATION: MONTREAL, OUTREMONT

From the very start, this project was thought to be an opportunity to criticize contemporary architecture that was reduced to a consumer good, produced in chain. The economical systems that rule our societies restrain people’s personal freedoms by imposing ways of living and appropriating space that are economic growth-oriented. People thus are deprived from their prerogatives, creativity and reflection to name a few. As a consequence, the city, which represents the set for architectural expression, is reduced to a space where its exchange value – or monetary value - has the upper hand over its use value. Solving this issue would require the empowering of people; they should regain their willpower and free themselves from the tyranny of economic gain. In a nutshell, we aim to convey the idea of an alternative way of appropriating space, this time on people’s own initiative (also known as bottom-up), instead of undergoing the economical-oriented spatial prescriptions (top-down).

With the help of several books and essays, “Projet et utopie” by Tafuri, “Recombinant urbanism” by Graham Shane, “Terrain Vague” by Ignasie de Sola de Morales to name a few, we shed light on the issues that handicap our contemporary city and analyze the rail yard’s potential in formulating a solution that is keen to free people and make their creativity thrive.

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MODEL OF OUR VISION OF THE RAIL YARD: A HETEROTOPICAL SPACE SPARED FROM THE PRESCRIPTION OF THE CAPITALIST SYSTEM

THE RAIL YARD: AN EXTERIOR SPACE INSIDE THE CITY ALLOWING TO OBSERVE THE CITY FROM A CRITICAL POINT OF VIEW

1 1949: Industrial period I - Rotunda: used to divert trains from their path.

- Storage hut.

- Paths traced by workers.

2 1962: Industrial period II - Paths on Beaumont to access to containers

3 1990: Fin de la période industrielle - Longitudinal storage structure - Paths to access to the yard

Characteristicis of Outremont rail yard Several visits to the yard enabled us to appreciate its spatial qualities. On the one hand, it stands out by its immensity, which makes it a sort of exterior inside the city. It paradoxically allows to observe the city from the inside, leading to a retrospective analysis and a reflection over the more blatant issues of our era, namely the sacrificing of architecture in the sake of economical achievements. On the other hand, its difficulty of access - caused by the presence of train rails contributes to its aspect of ‘other space’. Thanks to the reading made of ‘Rcombinant Urbanism’ of Graham Shane, we could easily identify the heterotopical aspect of the rail yard (Heterotopia being a concept first tackled by Michel Foucault) Rhizome concept as a way to reach an alternative way of appropriating space The following proposition tackles the rail yard as well as the surrounding neighbourhoods, such as Parc-extension, Atlantic and Outremont. The whole idea is based on the rhizome concept which was dealt with in “Recombinant Urbanism” by Graham Shane, and that forms all the appropriations made by humans of a space.

In a word, we overlaid several maps of the yard, taken at different periods of the city’s history, and kept the elements that seemed the more relevant to us. Whether they are traced paths or industrial structures, these elements were incorporated to our proposition but after being diverted from their initial functions: the essence of heterotopia resides in its ability to mirror and use elements of some urban context, after distorting their meaning.

In the rail yard case, we talk about an industrial era which left behind mechanical vestiges. These latter were eventually cleansed and reused in a more virtuous way, symbolizing the triumph of human appropriation of space over the capitalist system. It also proves architecture’s resilience and its ability to adapt to the meaning we want it to hold.

4 2011: Abandonned yard - Water puddle due to rain stagnation on the surface of the ground.

- Public ground parcel being used for agriculture purposes

5 Vision for the future Heterotopic yard: - Rotunda - Seasonal market - Lake/ ice rink - University campus - University facilities - Residential area

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4 1

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1 UNIVERSITY CAMPUS 10

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2 TRAIN STATION 3 SEASONAL MARKET/ ACTIVITIES 4 LAKE/ ICE RINK 5 ROTUNDA 6 PROMENADE 7 STUDENT HOUSING/ MARKETS 8 RESIDENTIAL 9 LIBRARY/ SPORT CENTER

OUTREMONT RAIL YARD: AN ALTERNATIVE WAY OF APPROPRIATING SPACE

10 WALKWAY

1 UNIVERSITY CAMPUS AND WALK WAY AS SEEN FROM BEAUMONT The faculties of the new campus are shattered on Beaumont, which enables to revitalize this zone. In order to insure an easy access to the university, a train station has been placed in the old rail yard and is used by students as well as outsiders. As for the walkway, it eases students’ access to the campus facilities, namely the library and the sport center.

4 LAKE DURING WINTER We shall keep in mind that the project is located in Montreal, which brings up the weather issue. To stress on the rail yard’s versatility, the lake can be turned into an ice rink during winter, attracting lots of people, instead of being deserted for a major period of the year.

6 ENAHANCED AND VEGETALIZED PROMENADE ON SIDE OF THE TRAIN RAIL The alleys that walk along the train rails are widened, cleansed and finally turned into vegetalized promenades.

4 LAKE DURING SUMMER As shown in this fantasized picture of what the lake would look like, this latter can host several activities and adds more usage value to the rail yard.

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3 AERIAL VIEW OF THE RAIL YARD: THE LONGITUDINAL SHAPE OF THE STORAGE INTERACTS WITH THE WHOLE YARD

HORIZONTAL CIRCULATION

ROOF POLYMORPHIC SPACE POLYMORPHIC SPACE

VERTICAL CIRCULATION

STRUCTURE

FLOOR SLAB 3 USES MADE OF THE STORAGE No specific function was given to the old storage in order to set some marge to people’s freedom in choosing their activities. For instance, it can host a seasonal ethnic market for bio products, as a way to convey the idea of an alternative way of shopping, one that is warmful and that allows for human interactions, different from capitalist economies markets, where there’s no such thing as bargaining and where all the process of goods fabrication severely lacks of transparency. This structure as well is prompt to encourage various activities through its polymorphic spaces.

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WEB

ROOF

5 ROTUNDA AS SEEN FROM ATLANTIC VERTICAL CIRCULATION

STRUCTURE

ARENA

POLYMORPHIC SPACE 5 USES MADE OF THE ROTUNDA In the same vein, nor does the rotunda have specific functions. The strcuture comprises a central arena where people of the surrounding neighbourhoods would come to hold meetings and decide on whether what to do in the yard. This concept combines both desires to make a seizure from the abusive prescription of the urban space made by the city’s economical system, by empowering people (commonly known as a bottom-up relation, which means that the changings made on the smaller scale affects the bigger picture) and the one to set people on the same foot of equality by favouring everyone’s opinion.

The adjoining spaces are either loft spaces and host diverse activities (for instance interior agriculture as it benefited people, as shown on 2011 map) or polymorphic ones, built up with assembeled steel modules that can be taken apart, thus allowing for a more versatile use of space , more flexible to people’s constantly changing needs. This polymorphism combined with the loft concept encourages the emergence of a an ephemeral architecture.

LOFT SPACE

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BY: RAMY MOUSLIM/ MARCO QUIROZ UNIVERSITY OF MONTREAL TUTOR: THOMAS BALABAN FALL 2016

UNCANNY

PROGRAM: SECONDARY SCHOOL LOCATION: MONTREAL, MACKAY STREET

The task of this project was to design a secondary school on Mackay Street in Montreal. One of the challenges was to fit the program in a narrow site. We were compelled to use software programs only, such as Rhino and Grasshopper. The project process was atypical. Indeed, the search for the envelope followed an aleatory approach based on a computer-calculated average of different Montrealer buildings we have chosen. This was done twice: for the exterior shape as well as the inteior one. The exterior one looked like a crooked skeleton, while the interior had a narrow pipe-like aspect.

It is worth to mention that our very first intention for this project was to come up with a new kind of secondary school, by creating a microcosm within the building that would integrate the exterior context to the interior space, a place where pupils would cross path and socialize. Light would play an important role in creating this kind of interior atmosphere.

We eventually merged the two shapes together, the interior one being used as a glass atrium that would cross the envelope vertically and ease the light penetration. It also acts like a focal point since elements of the program are set around it. The interior space reflects the organic aspect of the envelope, with narrow stairways, height variations and holes, enriching the path by proposing interesting visual axis.

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THE SECONDARY SCHOOL AS SEEN FROM MACKAY STREET

1425

NATIONAL BANK

CAPITAL

MCGILL DENTAL SCHOOL

+

+

+

=

+

+

+

=

EXTERIOR

INTERIOR

PROCESS FOR OBTAINING THE EXTERIOR SHAPE In order to obtain the exterior shape, we followed a parametrical process; as we explained in the project description, light plays a crucial role in our secondary school concept. We started by selecting some buildings within Montreal city – by first making sure they would have approximately the same height – that possessed a trench (since it eases light access within the interior space), and we modeled them on Rhino. Their ‘physical average’ was then calculated thanks to a parameter created with Grasshopper, and was then converted into a physical shape on Rhino. On this same platform, we changed some surface parameters in order to vary the shape. Some of the explorations are shown above. We winded up choosing the first exploration since it suited the most with our school program; indeed, its continuous yet porous envelope allowed for lightening in some places within the interior space. As for the rest of the explorations, they were unrealistic because of the disintegrated envelope shape.

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GRASSHOPPER AVERAGE

CONVERSION TO SURFACE ON RHINO

EXPLORATION 1/

EXPLORATION 2/

EXPLORATION 3/

FINAL RESULT

FINAL RESULT

PROCESSUS D’OBTENTION DE LA FORME INTÉRIEURE We followed the same process in order to reach with the interior space. We winded up choosing the third exploration since it was the best way for satisfying our lighting needs. The pipe-shape of this exploration would allow to bring light vertically across the building, if used as an atrium, thanks to which school’s interior space would become an exterior one, yet protected from wintery weather, thus favoring interactions between pupils. The other explorations were not taken under consideration since they had a drapery-shape with no consistency.

PROGRAM The first intention of the project was to create a space were pupils would thrive. Classrooms were set in the highest floors, allowing to discover the city from another angle, and creating as well interesting visual axes.

On Mackay’s facade, the shape continuity of the facade is reflected inside the school by creating a vertical continuity between the elements of the educational program. The latter comprises as well an underground space used as a multimedia classroom. This verticality is strengthened by the staircases set in the voids generated by the intersection of the envelope with the interior space.

MAC 16

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SCALE 1:400 FIRST FLOOR 1- Office 2- Landing 3- Infirmary 4- W.C 5- Janitor

KAY

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1- Conference room 2- Office 3- Reading lounge 4- Janitor

1- Laboratory 2- Janitor

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1- Classroom 2- Janitor

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1 A-101 164.575 164.129 159.229

149.429

144.529

139.629

A. ROOF COMPOSITION - Finish elastomer membrane with granulated ceramic - Base elastomer membrane - Air barrier - Insulating wool 100 mm - Vapour barrier - Reinforced concrete - Steel metal roof deck - Steel beam 480 mm - Steel open web truss 480 mm - Mechanical vacuum 310 mm - Hanger - Gypsum finishing

B

A

134.729

129.829

124.929

1 A-102

B. PARAPET COMPOSITION - Steel panel 3mm - Air gap 120 mm - Galvanized steel folded sheet 100 x 60 x 2 mm - Galvanized steel frame work 120 x 100 x 4 mm - Z-clip - Base elastomer membrane - Finish elastomer membrane with granulated ceramic

SECTION DETAIL OF ROOF AND PARAPET 1 A-101 1:30

115.489 112.069 108.449 104.829

100.00 99.600

1 A-103

C. WALL COMPOSITION - Steel panel 3 mm - Z-clip - Air gap 100 mm - Galvanized steel framework 120 x 100 x 4 mm - Air-barrier - Insulating wool 100 mm - Vapour-barrier - Plywood panel 19 mm - C-profile 140 x 80 x 7 mm - Steel galvanized C-profile - Steel column 480 mm - Steel beam 480 mm - Air gap 40 mm - Galvanized steel folded sheet - Gypsum finishing 20 mm

D. FLOOR COMPOSITION - Polished concrete slab 15 mm - Reinforced concrete 150 mm - Steel beam 480 mm - Steel open web truss 480 mm - Mechanical vacuum 310 mm - Suspended ceiling

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SECTION DETAIL OF WALL-FLOOR JUNCTION 1 A-103 1:30 1 0

2m

E. GLAZING COMPOSITION - Reinforced exterior glass 20 mm - Air gap with argon insulation 15 mm - Simple interior glass 15 mm - Vertical steel mullion 200 mm - Horizontal steel mullion 150 mm E

SECTION DETAIL OF GLASS-WALL JUNCTION AND FLOOR 1 A-102 1:30 1 0

2m

B

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SECTION B-B

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SECTION C-C

STRUCTURE The building is composed of twelve floors and four underground levels. The two main challenges are its height and weight. In order to insure a good load transfer, we used a foundation slab of 19 inches thickness. This strategy is also efficient in preventing water flood in case of groundwater sheets and is used along with eccentric footings. As for the upper floors, they’re made of strutbraced slabs which is the best way to conceal them with the organic shape of the envelope: the concrete used in this case is prestressed in a 9 inches post-tension. It prevents as well foundation settlement problems by optimizing the building’s weight. Finally, the exterior envelope is carried on an exoskeleton structure: steel panels are fixed together on a mesh composed of steel columns intersecting with beams fixed on every 78 inches. Bracing bars insure the stability of the whole system. The glass atrium isn’t problematic since its steel profiles are fixed on each level’s floor.

VERTICAL SUPPORT COLUMN BRACING BAR BEAM

COLUMN

TRUSS

ANCHORS

Second floor: meeting and interaction space - interesting visual axis allowed by the vertical communication between floors The atrium facilitates light penetration

Third floor: vertical circulations are positionned near openings on the enveloppe in order to allow for an exploration of the city from another point of view

Fourth floor: panoramic view of the city and versatility of the atrium. It either acts as a mean for light penetration or as an observatory above the city

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MODEL OF A WALL SECTION

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BY: RAMY MOUSLIM/ LOUIS MURRAY LECLAIR/ BENOIT FAUCHER/ TATIANA COLOS UNIVERSITY OF MONTREAL TUTOR: VINCENT CORAINI WINTER 2016

DNA

PROGRAM: SUNSHADE

This system of sunshade is composed of twisted steel panels crossing path, evoking DNA sequences. Their shining surfaces prevent direct light penetration by deviating it and eventually diffuse it through the building. The exterior surfaces of the sunshade are painted in blue in order to stop part of the light, and acts as well as an urban signal. It could be perceived differently according to the view angle. These panels are fixed to four metal rods fixed as well to vertical poles. The model shown here is just a mock-up of a typical portion of this sunshade. The whole system would be fixed in front of a curtain wall. This concept manages to conceal lightness and heaviness. Indeed the panels have a quite slim aspect while they’re actually heavy and hard to twist.

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180°

1/ SHAPE PROCESS

2/ FULL/ EMPTY ALTERNATION

The obtention of the final shape is composed of three steps; two steel panels are twisted at 180 ° then are crossed together, which gives them the aspect of a DNA sequence.

The base module obtained previously can be derived into different shapes, which enrich the whole aspect of the sunshade, and gives it a movement illusion; the twists can be done at different heights and can be oriented at different angles, which creates an a full/empty alternation

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3/ ASSEMBLING The steel panels are fixed to four metal rods fixed as well to vertical poles that are placed at regular distance.

MOCK-UP 1:1

BY: RAMY MOUSLIM UNIVERSITY OF MONTREAL TUTOR: LEA ZEPPETELLI FALL 2015

MOUSHARABIEH

PROGRAM: PRIVATE HOUSE LOCATION: MONTREAL, BAILE STREET

The task was to design a house for a collector. The challenge was to deal with a narrow site and manage to get a good natural light access. Since my passion for Mediterranean-influenced architecture, the house was dedicated to a couple of aficionados of Andalusian architecture composed of a History teacher and a mosaic artist. Their dwelling reflects this passion through its central courtyard dividing between the front which is semi-public and the private part in the back. As a matter of fact, the public area is set for exhibitions and is accessible to outsiders by invitation. Therefore, the other challenge was to conceal between these two aspects of the project: private and public. Even if the patio seems to separate between the two, there are “buffer zones” which enable to go from one to another without compromising the family’s intimacy. These thresholds allow as well for interesting visual axes across the house and enrich the interior spatiality. At last, the sunshade on the Baile street facade emphasizes the oriental atmoshpere of the house and strikes walkers’ curiosity.

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HOUSE’S FACADE AS SEEN FROM BAILE STREET

BA IL

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1 VOLUME The volume first customize to the narrow site.

2 SEMI-PUBLIC/PRIVATE The initial volume is split vertically into two other volumes, one staying in front and the other one going back, creating a central void. The interior facades are mainly made of glazing.

3 LIGHTENING The two volumes are slope-cut to ease light penetration inside the void.

3 CONNECTION

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4 FINAL RESULT

A suspended hallway links the two volumes creating interested visual axis from the interior.

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SCALE 1:150 FIRST FLOOR 1 KITCHEN 2 SHOWROOM HOME ENTRANCE SHOWROOM ENTRANCE

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BAILE

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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SCALE 1:150 Second

Third

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1 Living room

1 Library

1 Bedroom

1 Master bedroom

2 Showroom

2 Reading space

2 Game room

2 Office 1 3 Office 2

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SCALE 1:150 SECTION A-A

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READING LOUNGE AND EXPOSITION SPACE

GAME ROOM

PATIO AS SEEN FROM THE BALCONY

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BY: RAMY MOUSLIM HAL INGBERG ARCHITECT FALL 2017

PHARES (PROFESSIONAL PROJECT)

PROGRAM: MEMORIAL FOR THE FOUNDING WOMEN OF MONTREAL LOCATION: JETEE-ALEXANDRA, OLD-MONTREAL

I was in charge of the technical side of this project and had to prepare all the drawings and update them every time structural issues came up and required the adoption of some other strategy, or the design needed to be modified.

Glass was a main component of the project, which familiarized me with different glass treatment ways and some of the structural strategies used in this material case. Rigor and rapidity were required during this project, since the least error could lead to a wrong estimation of the material costs and communication problems with the fabricants and the engineer. On the other hand, a special attention was given to lighting; one of my other tasks was to make render tests in order to study how light interacts with the whole, in order to refine it and create moments that are inherent to the monument’s concept. Another issue to which I was neophyte was structural; we had to conceal glass’s choice with a discrete structural strategy that didn’t compromise the expected artistic effect. We eventually chose a strategy that affected the least the visual effect of the glass and that had a reasonable budget. Thanks to my abilities in Illustrator and Photoshop, I was also in charge of the schematisation of the project and the way it interacts with its context. My bilingualism allowed me as well to translate from English to French texts written by the architect to explain his concept. The model pictures shown on the next page do not belong to me, but are put - with Hal Ingberg’s permission - for explanatory purposes.

Hal Ingberg explained his concept in the next statement: “Because of the unique panoramic qualities of the site, Phares’ foundational idea is to make Montreal an integral part of its configuration. Towards this end, conceptual vectors in the form of funnels are plotted so to connect the site to the larger context of the city. More specifically, three 5.5m high funnels create framed or ``borrowed`` views of the Royal Bank tower, Habitat 67and the Biosphere. A ``secondary entrance`` to the work also frames Grain silo number 5 on the Jetée Bickerdike. These decisions highlight the historic importance of these structures for the city and as such absorb the city within the work... 5.5m high crystalline dichroic glass structures then crown the funnels. Its glass plates are comprised of 2 layers of heat strengthened glass that are laminated around thin stripes of dichroic film. In effect, the glass plates are 50% dichroic and 50% transparent.” (Hal Ingberg)

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UHPC CONCRETE WALL WITH PERFORATIONS

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2 CONCRETE ROOF PLAN LEVEL 105.700 A-101 SCALE 1:30

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NOTE: ALL THE STEEL PLATES ARE 4" LONG EXCEPT ONE THAT IS 6" DE LONG

HSS 2" x 4" x 41 " BOLTED TO THE STEEL PLATE BELOW, THAT IS

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BUILT INTO THE CONCRETE

UHPC CONCRETE ROOF WITH PERFORATIONS

V-01

STEEL PLATE 1" THICKNESS BOLTED TO THE NEXT STEEL PLATE 3 STEEL T 8 " INSERTED AND WELDED TO THE TUBE (AND TO THE STIFFENER) 1/4 CIRCLE STIFFENER WITH RADIUS OF ± 80 MM LAMINATED AND BATHED GLASS

BRACING STEEL TUBE (2 1 " DIA. x 1") 4 2 STEEL ANGLE (2" x 2" x1 ") 8 CIRCLES = PERFORATIONS IN UHPC CONCRETE

V-10 V-05 4"

1 PLAN DETAIL: LEVEL 105.700 A-102 SCALE 1:20

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STEEL BRACKET (2" x 2" x 1 ") 8 SPACER WELDING STEEL HSS (2" x 4" x 1") 4 SPACER

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STRUCTURAL SILICONE STEEL T 3" INSERTED AND WELDED TO THE TUBE (AND TO THE STIFFENER) 8 STEEL STIFFENER 1 CIRCLE (80 MM x 3 ") WELDED TO THE HSS 8 4

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STEEL TUBE (2 1" DIA. x 1 ") 4 2

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STEEL PLATE 1" x 4" SEEN IN ELEVATION LAMINATED GLASS STEEL STIFFENER 1 CIRCLE (80 MM x 3 ") WELDED TO THE STEEL PLATE ( 3" x 4") 4 8 8 STEEL PLATE (10 MM (H) x 1 " THICK WELDED TO THE STEEL PLATE 3 ") 8 8 STEEL PLATE 3 " x 4" 8

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STEEL PLATE 1 " x 51 " 4 8 STEEL PLATE 3 " x 4" 8

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2 SECTION THROUGH GLAZING AND GLASS JUNCTION A-104 SCALE 1:5

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LAMINATED GLASS STEEL PLATE 1" x 4" SEEN IN ELEVATION

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STEEL STIFFENER 1 CIRCLE (80 MM x 3 ") 8 4 10,76

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STEEL HSS (2" x 4" x 1 ") MECANICALLY ATTACHED TO THE STEEL PLATE EMBEDDED IN CONCRETE 4 STEEL PLATE ( 3 " x 4") EMBEDDED IN UHPC CONCRETE SLAB 4

STEEL SPACER OF 6 MM MECHANICALLY ATTACHED TO THE BRACKET STEEL CRACKET (2" x 2" x 1 ") WELDED TO THE HSS 8 UHPC CONCRETE SLAB WITH PERFORATIONS (150 MM DEPTH)

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DOWELS WELDED TO THE STEEL PLATE AND INSERTED IN CONCRETE.

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CIRCLES = PERFORATIONS

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UHPC CONCRETE WALL WITH PERFORATIONS SEEN IN ELEVATION

1 SECTION A-103 SCALE 1:75

3 SECTION THROUGH GLAZING/ HSS/ SLAB A-104 SCALE 1:5

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STEEL TUBE(2 1/2" DIA. x 1/4") V-11

STEEL HSS (2" x 4" x 1/4")

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STEEL PLATE (1" x 4" x 6 M) STEEL T CONNECTION 3/8" INSERTED AND WELDED TO THE TUBE AND THE STIFFENERA STEEL PLATE 3/8" STEEL PLATE 1/8" LAMINATED GLASS SEEN IN ELEVATION

STEEL PLATE 3/8"

STEEL TUBE (2 1/2" x 1/4")

STEEL STIFFENER 1/4 CIRCLE (80 MM x 3/8") STEEL PLATE (1" x 4" x 6 M)

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1 DETAIL SEEN IN ELEVATION A-105 SCALE 1:5 1 A-105

V-01

V-02

STEEL HSS (2" x 4" x 1/8")

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1 (2) TYPICAL FRAMES A-104 SCALE 1:30

1234

46

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