Ragini Gandhi Architecture Internship Portfolio

architecture portfolio

ragini gandhi -

2016-2020

RAGINI GANDHI EDUCATION 2002 - 2007 - THE INDIAN HIGH SCHOOL, DUBAI

CBSE BOARD

2007 - 2016 - ATOMIC ENERGY CENTRAL SCHOOL , KAKARAPAR CBSE BOARD

2016 - RAMAN BHAKTA SCHOOL OF ARCHITECTURE, BARDOLI PURSUING

Achievements - Learnt 5 years of bharatnatyam dance form with distinction

Hosted 61st ZONAL NASA CONVENTION in my university

(Sponsorship Member )

interests

DANCING SKATING

Birth date – 28-2-1997 Phone – 9712780788 Email id – raginigandhi3@gmail.com Instagram- raginigandhi3 , thepanaromadesignstudio YOU TUBE Ragini gandhi Address Vyara, Gujarat Nationality – Indian Languages – English , Hindi , Gujarati

PAINTING

objective

COOKING

TRAVELING

YOUTUBER

PHOTOGRAPHY

ARCHITECTURE PAGE

MUSIC

WATCHING MOVIES

STAND UP

Seeking position as an intern architect in a firm which provides engaging, challenging, healthy and friendly work environment, where I can showcase my creativity and obtain knowledge and ideas at a professional level. I’m passionate and curious person, who is always ready to work hard and adapt new things.

CURRICULUM VITAE software skills

seminars attended Ar. Punita Mehta Ar. Veeram Shah Ar. Surya Kakani Soch Ar. Snehal Shah Ar. Sumesh Modi

related study program 1 - Dholka - Gujarat 2 - Udaipur - Rajasthan 3 - Rinchenpong - Sikkim 4 - Kutch-bhuj- hunnarshala - Gujarat

work experience 1- Ar. Axay patel (Vastukirti Architects) April-June 2019 Scope of work – A-Drafting floor plans B-Making 3ds and views C-Site studies

D-Participated in conceptualizing a farm house

2- Designed an outlet of honey cube ice cream parlor, for a friend

Ar. Rohan Shivkumar Ar. Riyaz Tayyibiji Hunnarshala , Bhuj Rahul Gajjar

ideology Curious Creative Interactive Speaker

Team work Leadership Good observation Helpful

workshops Nail hammering Photography 3d printing T-shirt painting Lighting workshop Copper enameling Acoustics

I was in my 7th grade when my father decided to refurnish the house that we bought couple of years ago. The house had basic furniture from the previous house that we brought along, and then it needed an upgradation.

I started enjoying the entire process of planing the furniture layout, explaining the carpenter, choosing paint colors, matching fabrics and going to different vendors , that too in a budget. This inspired me towards interior designing, later I came to know there is much more beyond that, ie Architecture, thats when I decided to become an ARCHITECT and I’ll design spaces and decorate it as well. Unlike my classmates in school I was firm with my career option, and it was consistent till I got admission into the university. My reason behind becoming an architect came from the experience of my own house and my father.

Hamesha jo antar aata hai , voh nirantar chalne se aata hai.

CONTENTS

PART 1 PART 2PART 3 PART 4 -

STUDIO WORK BASIC DESIGN RELATED STUDY PROGRAM MISCELLANEOUS

studio work

College Canteen

residence NOTES: ALL DIMENSIONS ARE IN MM ALL DIMENSIONS ARE GIVEN FROM UNFINISHED SURFACE

A

B

C

E

D

F

G

H

I

ALL DIMENSION TO BE READ NOT TO BE MEASURED

J

DO NOT SCALE THE DRAWING.

42520 4967

3418

5493

3569

2811

ANY DISCREPENCY IN THE DRAWING TO BE BROUGHT IN THE DESIGNER'S NOTICE BEFORE IMPLEMENTATION ON SITE.

10460

3422

5000

3380

11

11 C2 230x450

10

10

C5 230x450

C6 230x450 1920

C21 230x450

C22 230x450

C23 450x230

C13 450x230

C14 450x230

C15 450x230

C16 C17 450x230 450x230

PROJECT & ADDRESS:

C18 230x450

C19 230x450

C20 230x450

C24 450x230

C25 450x230

C26 450x230

C27 C28 230x450 230x450

C31 450x230

C32 230x450

C33 230x450

C34 230x450

3230

C12 450x230

C11 230x450

3000 1520 2630

3

7 6

3230

4

4930

C10 230x450

41220

C9 230x450

3000 1520 2630

5

9 8 REVISION:

3000

4930

C8 230x450

3000

41220

C7 230x450

6

KEY PLAN:

8460

C4 230x450

8460

C3 230x450

1920

9 8

7

LEGENDS

5150

5150

C1 230x450

2

RESIDENCE VK . FARM , DUMAS ROAD, SURAT

5 4

DESCRIPTION:

3 FACE LINE

2

7380

C30 230x450

C35 450x230

1

C38 230x450 3418

5493

4967

C39 450x230

2811

3569

C40 450x230

3422

N

C37 C36 450x230 230x450

DRAWN BY: NORTH

1

B

C

D

E

F

NTS RAGINI GANDHI

FACULTY AR. ADITYA VYAS AR. KUMAR KAPADIA

5000

3380

BY- RAGINI GANDHI EN. ROLL NO. - 82/ 2016

42520 A

04/11/2019

DRG. NO.:

RECIEVER'S' SIGNATURE

C41 450x230 10460

DATE: SCALE:

7380

C29 450x230

SEMESTER-

H

I

J

RAMAN BHAKTA SCHOOL OF ARCHITECTURE MALIBA CAMPUS,GOPAL VIDYANAGAR BARDOLI ,MAHUVA ROAD , TARSADI,SURAT-394350

affordable housing

V

SUBJECT. - ARCHITECTURAL DESIGN STUDIO-V

G

working drawing

01

Brief

college canteen

To design a canteen for the university with more varities of cuisines available at the same place, and having different type of seating arrangements for students and teachers according to their timings and mood.It serves as a take away or sit there options available and an arrangement for after function lunch or dinner in college.

SITE PLAN site

site map of UKA TARSADIA UNIVERSITY

The site is located in UKA TRSADIA UNIVERSITY, BARDOLI. The campus is huge and has many canteens, but all of them sells different food items, and none of them had a proper seating area which would justify the breaks for students. The idea of designing a new CANTEEN was to ensure all the menu gets at same place, there is a variety os spaces to sit and spend break time depending upon the time ans mood of the students and teachers, whether you are in hurry or have time to sit and eat. Thera are 4 places to sit ans eat- 1- inside the hall, 2- under the shade, 3- roof top terrace and 4- stairs

utility

outdoor seating in garden seating on roof

kitchen

cash counter

dining area

floor plan

terrace plan

site selection

The site is selected on the basis of accessebility of all the departments of university, hence it is sitauted in the central area of the campus. The site context has college blocks, office and it touches the main circular road of the campus. internal scene of canteen front elevation

shaded sitting area backside

02

residence

NORTH - EAST VIEW

Brief

Client being a fashion designer , have to design a residence for a family of 6 members, consisting of 5bedrooms with all other luxurious amenties, into a humungus site of 6561 sqmts facing north side river.

Site - Vk farm, Vanta village Magdalla port, Surat

CONCEPT A

B

C

D

SITE PLAN

GROUND FLOOR PLAN

FIRST FLOOR PLAN

3D VIEWS

SOUTH WEST VIEW

SITE SECTION SOUTH SIDE

The site is located with beautiful river flowing and cool breezing throughout the day.

SITE SECTION EAST SIDE

The landscape includes gazebo, swimming pool, kitchen garden, jogging track and a buddha statue in the entrance, which makes the whole experience of luxury beatiful.

Every bedroom has an amazing view throughout the site.

03 affordable housing

Brief

To design an affordable housing society targeting nuclear families and bachelors in an urban city who look upto better lifestyle and job opportunities. Requirement is of 100 housing units with site comprising of 3000 sqmtrs , keeping in mind the affordablity concerns in terms of construction, planning and material.

concerns 1- COMBINE SERVICES 2- Compact planning: 3- Have sharing wall wherever possible 4- Optimization of space is well defined.

The site and its shape is hypothetical, the main purpose of the project is to form cluster planing. In which you incorporate different types of unit plans and also the planning has to be compact but livable.

SITE PLAN

typical 1bhk and studio apartment floor plan typical 2 bhk and studio apartment floor plan

balcony

st.balc

st.balc

bath

bed 2

bath

sleeping

wash

kitchen

bath bedroom

st.balc

2 bhk unit plan

living

living

c.mon bath

balcony

wash

kitchen

cooking

bed 1

studio unit plan

1 bhk unit plan

studio unit view

balcony

living

1 bhk unit view

2 bhk unit view

site sectionS

north east side view

south west side view

04

working drawing

1920

C15 450x230

SECTION A-A'

C24 450x230

C31 450x230

C25 450x230

C16 C17 450x230 450x230

C19 230x450

C20 230x450

C26 450x230

C27 C28 230x450 230x450

A

C32 230x450

7380

C30 230x450

C38 230x450

B

3418

C

6 5

100 955 600

575

4 3 2 1

C39 450x230

B

C33 230x450

2811

3569

C40 450x230

3422

D

E

F

8 7

41220

6 5 3 2 1

W3 6

PROJECT & ADDRESS: RESIDENCE

VK . FARM , DUMAS ROAD, SURAT

5 4

D3

FACE LINE

C N

C34 230x450

5080 1

C41 450x230

3" X 6" SUBWAY TILE FOR BACKSPLASH

DESCRIPTION:

3

C37 C36 450x230 230x450

10460

4

7

2

NORTH

7

SCALE:

D

DRAWN BY:

RAGINI GANDHI

DATE:

DRG. NO.:

RECIEVER'S' SIGNATURE

5000

3380

04/11/2019

6

NTS

5

3 2 1

UP

FACULTY

EN. ROLL NO. - 82/ 2016

SEMESTER-

V

SUBJECT. - ARCHITECTURAL DESIGN STUDIO-V

H

4

4500

BY- RAGINI GANDHI

W3 G

8

SECTION C-C'

AR. ADITYA VYAS AR. KUMAR KAPADIA

42520 A

7

PLATFORM SECTION

SECTION

SECTION B-B'

450x230

5493

8

8

2400

C14 450x230

4500 C35

4967

9

30mm THICK CEASAR STONE

I

J

D3

RAMAN BHAKTA SCHOOL OF ARCHITECTURE MALIBA CAMPUS,GOPAL VIDYANAGAR BARDOLI ,MAHUVA ROAD , TARSADI,SURAT-394350

FOLDED ELEVATION

3600

C23 450x230

2

1

300

12mm THICK SUBWAY TILE FOR BACKSPLASH

4930

C22 230x450 C29 450x230

100

850

100

3230

C13 450x230

C18 230x450 C21 230x450

700

KEY PLAN:

3000 1520 2630

C12 450x230

C11 230x450

7380

3000 1520 2630

3000

C10 230x450

C9 230x450

12

12mmBACKSPLASH FOR THICK SUBWAY TILE

REVISION:

C8 230x450

C7 230x450

1300 900

850

B

PLAN

500

720

2000 1800

ELEVATION

3230

6

3

C

C6 230x450

LEGENDS

GRANITE COMPOSITE SINK

10

8460

2400

FGHGHHH

400

700

1920 3000

41220

4930

8

4

700

100

C5 230x450

9

1200

12mmBACKSPLASH FOR THICK SUBWAY TILE

UNDERMOUNT SINK

ISLAND KITCHEN PLAN 11

4380

C4 230x450

8460

C3 230x450

5

1300

GGGGGGGG

GGGGGGGG

2000

700

10

7

1330

3380

475

100

550

800

5150

C2 230x450

33"

DO NOT SCALE THE DRAWING. 838

ANY DISCREPENCY IN THE DRAWING TO BE BROUGHT IN THE DESIGNER'S NOTICE BEFORE IMPLEMENTATION ON SITE. SILICONE SEALANT

348

5000

DFGTHTGF

3600

10460

9"

ALL DIMENSION TO BE READ NOT TO BE MEASURED

J

5150

3422

11 C1 230x450

ALL DIMENSIONS ARE GIVEN FROM UNFINISHED SURFACE

I

710

H

42520

3569

2811

G

ALL DIMENSIONS ARE IN MM

1300

F

REF

3800

3418

5493

E

D

2000

4967

C

2500

B

O/M

A

A

NOTES: 229

D

18"

457

KITCHEN DETAIL

3000

25mm THICK WOODEN PLANK

100

3m HEAD ROOM

D2

3mm THICK ARALDITE GLUE 150mm THICK CONCRETE SLAB 12mm THICK PLASTER

DETAIL A

TERRACE FLOOR LEVEL LVL +8100

24 23 22 21 20 19 18 17 16 15

325

13 12 11 10

150

3600

14

300

62.5mm LONG SCREW RAWL PLUG

9

23

D

DETAIL B

FIRST FLOOR LEVEL LVL +4500

24

C

22

E

21 20 19 18 17 16

B

15 14

3600

11 10

F

9

50mm SS SCREW

8 7 5 4 3

10149

SECTION A-A'

12

13

15

14

16

17

18

19

20

21

22

23

9

24

10

11

12

13

14

15

16

17

DETAIL C

18

19

20

21

22

23

24

100

8

50

11

STUCK WITH ARALDITE GLUE

7 6

850

10

1

SECTION B-B'

1200

9

2

3300

GROUND FLOOR LEVEL LVL +900

25mm GROOVE (MORTISE & TENON JOINT)

1178

1200

6

5

GROUND FLOOR PLAN

4

FIRST FLOOR PLAN

3 2 1

UP 50mm X 50mm WOODEN RAILING STUCK WITH ARALDITE GLUE 25mm GROOVE (MORTISE & TENON JOINT) 35mm X 35mm IRON HOLLOW BALUSTER

100mm X 100mmWOODEN NEWEL POST 50mm SS SCREW

IRON BALUSTER BALUSTER SHOE 100mm IRON SCREW

STUCK WITH ARALDITE

VELDED

75mm ANCHOR BOLT DETAIL E

DETAIL D

STAIRCASE DETAIL

DETAIL F

1000

A

13 12

NOTES: ALL DIMENSIONS ARE IN MM ALL DIMENSIONS ARE GIVEN FROM UNFINISHED SURFACE

B

C

E

D

F

G

H

I

J

42520 4967

3418

5493

3569

2811

ALL DIMENSION TO BE READ NOT TO BE MEASURED

FACE LINE DETAIL

DO NOT SCALE THE DRAWING.

ANY DISCREPENCY IN THE DRAWING TO BE BROUGHT IN THE DESIGNER'S NOTICE BEFORE IMPLEMENTATION ON SITE.

10460

3422

5000

3380 LVL + 9.1 MT

C2 230x450

15 MM WIDE DRIP MOLD 230 MM THICK PARAPET 1O MM THICK PLASTER 100 x 100 MM VATTA

CERAMIC FLOOR T

LVL +1125

5150

40 MM THICK MOR 100 MM THICK BRI 50 MM THICK WATE 150 MM THICK R.C.

SECOND FLOORLVL + 8.1 MT 450

5150

C1 230x450

100 MM THICK R.C.C COPING

100

11

950

11

LEGENDS

850

A

10

C21 230x450

C22 230x450

C23 450x230

C24 450x230

C19 230x450

C25 450x230

C20 230x450

C26 450x230

C27 C28 230x450 230x450

2

750 450 600

RESIDENCE

1200

VK . FARM , DUMAS ROAD, SURAT 10 MM THICK GLASS

5

70 MM THICK WOODEN FRAME

4 3

C33 230x450

7380

C32 230x450

C35 450x230

1

C38 230x450 3418

5493

4967

C39 450x230

2811

3569

C40 450x230

3422

C37 C36 450x230 230x450

C41 450x230 10460

B

C

D

E

F

10 MM THICK VITRIFIED TI

FACE LINE

150 MM THICK S B.B.C.C.

GRAVELLS

DATE: SCALE: DRAWN BY:

NORTH

04/11/2019 NTS

SOIL

RAGINI GANDHI

DRG. NO.:

RECIEVER'S' SIGNATURE

1

5000

3380

FACULTY

BY- RAGINI GANDHI EN. ROLL NO. - 82/ 2016

SEMESTER-

V

SUBJECT. - ARCHITECTURAL DESIGN STUDIO-V

G

H

I

J

CEMENT SLURY

65 MM THICK MO

PLINTH LVL + 1.5 MT

AR. ADITYA VYAS AR. KUMAR KAPADIA

42520 A

SKIRTING

LVL +1.578

N

C34 230x450 7380

C31 450x230

C30 230x450

150 MM THICK SILL LEVEL

DESCRIPTION:

2 C29 450x230

150 3300 1200

C18 230x450

C16 C17 450x230 450x230

150 MM THICK LINTEL LEVEL

150

C15 450x230

450

C14 450x230

150 MM THICK SL 450 X 230 MM THICK R.C.C BEAM

PROJECT & ADDRESS:

3230

C13 450x230

3000 1520 2630

3

C12 450x230

C11 230x450

CEMENT SLURY

65 MM THICK MO

7 6

3230

4

3000 1520 2630

5

10 MM THICK VITRIFIED TI LVL +4.878

150

C10 230x450

SKIRTING

FIRST FLOOR LVL + 4.8 MT

41220

C9 230x450

150

1920 C8 230x450

70 MM THICK WOODEN FRAME

8

4930

C7 230x450

6

9

REVISION:

3000

4930

7

41220

8

3000

1920

9

10 MM THICK GLASS

3300

C6 230x450

150 MM THICK LINTEL LEVEL

750

C5 230x450

KEY PLAN:

8460

C4 230x450

8460

C3 230x450

600

10

RAMAN BHAKTA SCHOOL OF ARCHITECTURE MALIBA CAMPUS,GOPAL VIDYANAGAR BARDOLI ,MAHUVA ROAD , TARSADI,SURAT-394350

basic design- installations

3d tessellation

illusionism

human interactive display

This is the final outcome when I simplified the massing of ROSE flower into surface structure, then surface structure into wireframe structure into clean lines. Thats when I achieved 5 cleans line in one spiral of petals.

Using the 5 lines i converted them again to massing which gave me pentagonal pyramid.

01 Brief

3d tessellation

By abstracting characteristics of a flora ROSE, forming a 3D TESSELLATION .

Taken 5 petals of a rose flower in every circle, turned it into a shape of a PENTAGONAL PYRAMID, and arranged into a frame showing infinity.

FALSE 3D PERSPECTIVE

FALSE 2D PERSPECTIVE

PAINTINGS BY PABLO PICCASO & GEAORGE BRAQUES

• Cubism theory was pioneered by two painters PABLO PICCASO & GEORGE BRAQUES in 20th century.

• The idea behind cubism is to show the essence of an object by displaying it from many angles and point if view at the same time.

02 illusionism - installation

Brief

This ADVANCED BASIC DESIGN subject frames the assignment to understand the theory of cubism and abstract the characteristics into a form of an installation.

Cubism is all about fracturing surfaces. Its paintings doesn’t have foreground and background and the subject seems to spill out the frame. They are of two types: Analytical & Synthetic ANALYTICAL

• • • • • •

Objects analysed from many perspective.

Lasted till 1912.

All perspectives are incorporated in the paintings.

Limited color palette , mostly greys and browns.

Reduced natural forms to basic geometric parts, then trying 3d out of it Composition became abstract.

• • • • •

SYNTHETIC

Objects analysed from many perspective.

Began around 1912.

Construction system bought new material and texture.

More bright colors.

No longer exploring anatomy of nature, but exploring anatomy of perception

Porcupine Fish Porcupine fish is a very smart fish found in aquatic animals. It has a normal shape like other fish but whenever any bigger approaches to eat her, she blows up her body with water and becomes like a balloon and also by erecting her spines, this helps to protect herself in sea, as the spines will hurt the bigger fishes.Her body is very elastic

03 human interactive display - installation

Brief

This advanced basic design subject frames the assignment to select any fauna of your choice, understand its body movements, organs, adaptation, habitat and colors, then abstract those characteristics and form an installation which justifies the animal.

01

02

03

04

related study programe

Dholka (Gujarat) 2016-17

Udaipur (Rajasthan) 2017-18 Rinchenpong (Sikkim) 2019-20

01

dholka - 2016-17

Dholka was part of the Kheda district until surrendered by the Gaekwad Maratha dynasty in order to retrieve some of their territory, then later incorporated into the Ahmedabad district during the British era. Regarded as the oldest municipality in Gujarat, the city has majestic ruined mosques featuring tracery work, carvings and designs. The city has so many underground water tanks, lakes and even underground walk ways too.

We documented KHAN MASJID and MALAV TALAV

VIEW OF DOME FROM INSIDE

1-khan masjid BROKEN JAALIS OF MOSQUE KHAN MOSQUE

ENTRANCE GATE

THE EXPANSION AND DEVELOPMENT OF GEOMETRY THROUGH ISLAMIC ART AND ARCHITECTURE CAN BE RELATED TO THE SIGNIFICANT GROWTH OF SCIENCE AND TECHNOLOGY IN THE MIDDLEEAST,IRAN, AND CENTRAL ASIA DURING THE 8TH AND 9TH CENTURIES;SUCH PROGRESS WAS PROMPTED BY TRANSLATIONS OF ANCIENT TEXTS FROM LANGUAGES SUCH AS GREEK AND SANSKRIT

HISTORY

·

ALSO, REFERRED AS ALKIF KHAN BHUKAI OR ALIF KHAN MOSQUE. IT IS A MASSIVE BRICK BUILDING

BY ALIF KHAN BHUKAI. THE ORIGINAL STRUCTURE CONSISTED OF TWO SQUARE MINARETS, ONE ON EACH END OF THE FACADE.

SAHN(COURTYARD)

HISTORY OF GEOMETRICAL PATTERN 6-POINT

8-POINT

10-POINT

HEXAGONE

OCTAGONE

DECAGONE

6-POINT STAR

8-POINT STAR

10-POINT STAR

8-POINT ROSETTE

10-POINT ROSETTE

LIWAN(PRAYER HALL)

0mm

300mm

1000mm

0mm

300mm

QUIBLA WALL

1000mm

MIHRAB(PRAYER NICHE)

100mm

500mm

100mm

500mm

THE SYMMETRICAL COMPOSITION IS NOT ONLY IN THE PLAN BUT ALSO IN THE ELEVATION AND SECTIONS, THE ELEMENTS OF WHICH ARE DERIVED FROM THE STRUCTURAL COMPOSITION OF MOSQUE.

·

C:\Users\pritamm\AppData\Local\Temp\A$C5C8D0314.dib

PLAN

0M 1M

3M

5M

MINAR(MINARET)

MINAR(MINARET)

C:\Users\pritamm\AppData\Local\Temp\A$C68032B6A.dib

KHAN MOSQUE

·

10M

·

0mm

300mm

100mm

EAST SIDE ELEVATION

0M 1M

3M

5M

1000mm

500mm

MINARS ARE USED AS WATCH TOWER IN MOSQUE.THE MINARS IN KHAN MOSQUE ARE A REPRESENTATION OF EARLY ISLAMIC STYLE OF SQUARE FORM. EVENTUALLY THE FORMS OF THE MINARS CHANGED OVER TIME.

S

N ORIENTATION

FRONT ELEVATION

AXIS

E

=2 L=3W

KHAN MOSQUE

·

DOOR OF MOSQUE

· QUIBLA WALL

REPETATION OF MODULE

10M

SYMMETRY

WITHIN THE MODULE OF LIWAN THE ARIED COMPONENTS OF THE STRUCTURE ARE DISPOSSED ALONG A VERTICAL CLARITYTO THE WHOLE CONFIGURATION.

DISPOSITION OF COMPONENTS

SECTION AA'

0M 1M

5M

DOCUMENTATION OF :

10M

0M 1M

JETTY

3M

5M

10M

0mm

300mm

100mm

0mm

1000mm

GATE

TOMB

Khan Talav POND AREA :- 581.00 Sq.m.

CANAL

KHAN MOSQUE

LVL -0.2

LVL -1.64

LVL + /- 0.0

KHAN TALAV

300mm

100mm

500mm

LVL - 1.69

MALAV TALAV

SECTION BB'

LVL -2.59

DHOLKA RSP:2016-17

3M

ENTRANCE GATE

GATE

500mm

1000mm

0mm

300mm

100mm

WEST SIDE ELEVATION

1000mm

0mm

KHAN MOSQUE

300mm

100mm

500mm

TOMB

FACULTY :

1000mm

0M 1M

3M

5M

10M

PROPORTION

500mm

Ar. Sumesh Modi Ar. Aditi Joshi Ar. Priyanka Patel Mr. Atul Bhavsar

RAMAN BHAKTA SCHOOL OF ARCHITECTURE, UKA TARSADIA UNIVERSITY , BARDOLI.

MOSQUE SECTION

C:\Users\pritamm\Desktop\POOJA\RBSA.jpg

ENTRY SECTION

C:\Users\pritamm\Desktop\POOJA\logo.png

JETTY

JETTY PLAN AND SECTIONAL DETAILS

MALAV TALAV

2-malav talav MALAV TALAV PLAN AND CIRCULAR SECTION INTRODUCTION OF DHOLKA

1

B

ABOUT DHOLKA · DHOLKA IS A CITY AND MUNICIPALITY IN THE AHMEDABAD DISTRICT OF THE INDIAN STATE OF GUJARAT. · DHOLKA HAS INHABITED IN THE MIDDLE STONE AGE AND THE TOWNS BEGINNING FROM THE 11TH CENTURY. · INITIALLY, IT WAS RULED BY THE SOLANKI'S WHERE DHOLKA WAS BELIEVED TO BE IN VASSAL STATE. · THE VILLAGE GOT IMPORTANCE DURING THE VAGHELA KINGS. (13TH CENTURY).

18

17

A

19 20

16 15

24

25

26

27

23

21

22

20

22

13

· 1299AD- KING KARNADEVA WAS DEFEATED BY ALAUDDIN KHILJI. THEN THE AREA WENT UNDER DELHI SULTANATE.

28

21

14

DHOLKA UNDER MUSLIM RULE

29

30

· THE TALAVS ARE THE THIRD TYPE OF WATER BODIES IN A POLYGONAL SHAPE AND OFTEN UPGRADED FROM OLDER IRRIGATION TANKS BY ADDING MASONRY STEPS, ELABORATED SLUICES, RAMPS AND SOME DECORATIVE ELEMENTS.

23

12 24

· 1736- MARATHAS CONQUERED OVER DHOLKA. · 1757- GEAKWADS STARTED RULING.

11

· 1831- THE BRITISH TOOK CONTROL OVER DHOLKA TILL THE INDIAN INDEPENDENCE. (15TH AUGUST, 1947).

25

10

26

19

9

0M 2M

SECTION AA'

6M

10M

20M

27 8

28

18 7

29

6 30

A

HISTORY

5 4 3

2

1

· MALAV TALAV WAS BUILT BY MINALDEVI, WIDOW OF KARANDEV I, IN THE 11TH CENTURY.

PLAN OF MALAV TALAV

0M 2M

6M

10M

20M

17

GOVERNMENT HAS CONDUCTED RENOVATIONS AND CONSTRUCTIONS AROUND THE LAKE AND MADE THE WALKWAY.

N

· AREA OF TALAV: 93646 Sq. meter · AREA OF CENTER JETTY

B' 0M 2M 6M

1

SECTION BB'

· IT IS KNOWN AS ONE OF THE MAJOR PLACE OF DHOLKA.

2

10M

56 Sq. meter 20M

40M

3

4

5

6

7

8

9

10

11

12

13

14

15

0M 2M

6M

10M

20M

16

02

udaipur - 2017-18

lake pichola

view from city palace The documentation of the “UNSEEN HERITAGE OF UDAIPUR” began at the “Jagdish Chowk”, the quintessential junction that helps relate the people with the city’s rich cultural backdrop. The primary intent was to map the various spines that originate at the Jagdish Chowk and meander through the old city to connect with the new development. The Street taken up for documentation this year connects Jagdish Chowk with the previous year’s documented street, traversing through the “Kasaro ki Ole” right up to the “Madan Mohan Temple” and meandering further North into the “Ghanerao ki Ghati”, eventually leading one to the “Kotra ki Haveli”. The South-bound upward slope from the Madan Mohan Temple connects this street to the previous year’s “Bhadesar ki Chowk”, consequently encompassing a total documented street length of nearly half a kilometre

03

RINCHENPONG - 2019-20

TIBETAN FLAGS

RINCHENPONG MONASTERY

TIBETAN FLAGS

Sikkim the northeastern state of India. It borders China in its north and east, Bhutan in its east, Nepal in its west and the Indian state of West Bengal in its south and Gangtok as it’s capital. It has a tremendous history attached to it in terms of politics, culture and architecture. It has 11 official languages.There are mainly four tribes in Sikkim state named BHUTIA , LEPCHA, NAPALESE and LIMBU. These tribes were nature and evil worshippers later on BHUTIA & LEPCHAS were converted into Buddhist religion and they started following Buddhism. Rinchenpong has the 2nd largest monastery in the state.

INTRODUCTION TO RINCHENPONG Sikkim the northeastern state of India, which comprises of area of

7096sq km and population of 607688 . It borders China in its north and east, Bhutan in its east, Nepal in its west and the Indian state of West Bengal in its south and Gangtok as it’s capital.

It has a tremendous history attached to it in terms of politics, culture and architecture. It has 11 official languages: Nepali, Sikkimese, Lepcha, Tamang, Limbu, Newari, Rai, Gurung, Magar, Sunwar and English.

There are mainly four tribes in Sikkim state named BHUTIA , LEPCHA, NAPALESE and LIMBU. These tribes were nature and evil worshippers later on BHUTIA & LEPCHAS were converted into Buddhist religion and they started following Buddhism. Which is why these tribes started incorporating prayer halls in their houses, and other tribes didn’t .

People offer water and alcohol in 7 copper bowls to the god. And a dish called CHAMPA made of different grains grown in their local area to god.

Sometimes 7 different things like water for drinking & bathing, food, perfume, flowers, light, & incense is offered to justify human senses.

Buddhism says water is offered to god as it should be affordable for everyone in this religion.

It has white, yellow, red, blue and green colors which reprsents elements like air , water, fire & earth

TIBETAN PRAYER WHEELS

As per the Buddhist calendar, the Sikkim

festivals are celebrated with a lot of pomp and show, throughout all these festivals the citizens of Sikkim indulge in vibrant and with its lively dances and music.

1-Losoong Harvest Festival 2-Saga Dawa 3-Phang Lhabsol 4-Bumchu 5-Durga Puja 6-Tharpu 7-Lhabab Duchen 8-Newar

We basically documented 5 projects in Rinchengpong•Rinchenpong monastery •House of the MLA (Lepcha tribe) •House of a Bhutia tribe •House of Limbu tribe •The main street of the village

House of a Bhutia tribe PEOPLE IN THESE FESTIVALS WEAR MASKS AND DANCES ON THE STREET AND IN THE PLAZZA OF THE MONASTERY, THESE IS TO CELEBRATE HARVESTING, BUDDHIST NEW YEAR & WORSHIPING DURGA MAA

•Due to its location ZONE IV, The entire state is vulnerable to earthquakes. Due to low height and good horizontal spread, ground shaking of these structures is minimum. The low self weight of the single storeyed structure is less vulnerable to damages in earthquakes.

As bamboo is very flexible material and also light weight ductile material, the seismic force in bamboo system is very less compared to modern housing systems. A secure and strong under-structure comprised of a RCC foundation and plinth beams is laid . This not only ensures strong structural support against earthquakes and landslide threats, but will also support all future modifications and additions to the shelter.

It is a village located in west Sikkim region of the state. The great KANCHANJUNGA mountain range is been seen through this village. It has the 2nd largest monastery in the state, also the MLA of the state lives here. It is also the tourist attraction place.

Rinchenpong Monastery

Flags of different colors are hung here at every important buildings, monasteries, along the trees and also in the houses scripted with Buddhist chants on every piece of a cloth. Every color has a meaning for its existence in the flag. The reason they put colorful flags is to spread good vibes in the area and it is kept at the wind direction.

House of the MLA (Lepcha tribe)

House of a Limbu tribe

The main street of the village

The main aim to visit the village Rinchenpong is because it is the smallest village of Sikkim and still has the old traditional houses. And reason behind documenting these houses was to cover lifestyle of every tribe in their houses and the street which incorporates old and new buildings together.

•The type of construction is called IKRA HOUSING or ASSAM TYPE HOUSING •These are load bearing and prefabricated structures.

•Ikra houses are single-storey structures consisting of brick or stone masonry walls up to about 1 m above the plinth.

•This masonry supports the walls consisting of split bamboo woven together with a wooden frame, and plastered with cement or mud plaster.

•The roof generally consists of GI sheets supported on wood/bamboo trusses, which laterally connect the parallel walls. Bamboo superstructure is connected to the masonry foundation walls using steel angles, and flats with bolts and nails.

This type of housing was actually adapted due to its practical use, i.e , transporation of new generation materials is difficult in these areas so they build the house using the surrounding local materials such as BAMBOO, STONES, MUD & WOOD ansd very is cost – effective . Not only did it have a low carbon footprint, but also the thermal comfort indoors is high.

2010

2012

A

B

C

D E

F

G

H

A’

B’

C’

D’ E’

F’

G’

H’

THE STREET IS LOCATED IN THE HEART OF RICHENPONG COMPRISING OF THE MAIN MARKET AREA OF THE TOWN OVER THE YEARS THE LOCALITY HAS SEEN A LOT OF CHANGES AND DEVELOPMENTS THE MAIN SOURCE OF INCOME CHANGES FROM FARMING TO TOURISM BRINGING ABOUT SIGNIFICANT CHANGES IN THE ARCHITECTURE OF THE AREA AND IN TURN AFFECTING THE LIFESTYLE OF THE RESIDENTS THE CONTEXT OF THE STREET INCLUDES VARIOSUS GROCERY STORES, TAILOR’S ALTERATION SHOP LIQUOR STORE SMALL INBUILT RESTAURANTS GOVERNMENT FINANCE OFFICE TOY STORES EMULSION STORE PARLOURS BOOK STORES AND SOME RESIDENCES THE STREET SHOWS THE DAILY LIFE OF THE PEOPLE ALONG WITH A CONVERSATION BETWEEN THE PRIVATE AND PUBLIC AREAS OF THE LOCALITY ANALYSING THE DEVELOPMENT OF THE STREET IN THE LAST DECADE GIVES US AN INSIGHT OF THE DEVELOPMENT OFF THE COMMERCIAL SPACES WITH SIGNIFICANT CHANGES IN THE RESIDENTIAL AREAS THE FIRST PLAN SHOWS ONLY A FEW RESIDENTIAL HOUSES THAT WERE PRESENT IN THE AREA THE MAIN SOURCE OF INCOME BEING FARMING

WITH THE PASSAGE OF TIME AND INCREASE IN POPULATION THE STREET SEES MORE RESIDENTIAL AREAS DEVELOPING IMPROVING THE SOCIAL LIFESTYLE OF THE PEOPLE ALONG WITH MORE COMMERCIAL AREAS DEVELOPING AROUND THEM FULFILLING THE EVER-INCREASING DAILY NEEDS OF THE RESIDENTS 2014

AS THE ECONOMY OF THE AREA BLOOMS IN TOURISM OWING TO ITS PANORAMIC VIEW OF THE KANCHENJUNGA MOUNTAIN THE STREET SEES THE EMERGENCE OF MORE HOTELS BARS AND RESTAURANTS THE LOCALITY ALSO SEES INCREASED DEVELOPMENT IN TERMS OF AESTHETICS AS A RESULT OF THE INCREASED TOURIST ACTIVITIES THE MARKET BECOMES MORE ACTIVE AND HELPS BOOST THE ECONOMY WITH THE HELP OF TOURISM

THE AVERAGE NUMBER OF FLOORS IN A BUILDING CONSTRUCTED IN SIKKIM IS 2-5 STOREY. THE GROUND FLOOR OF THE BUILDINGS ARE MAJORLY OCCUPIED FOR COMMERCIAL PURPOSES. THE UPPER FLOORS ARE USED AS PRIVATE SECTORS FOR FAMILY OR A NUMBER OF FAMILIES

AS THEY HAVE TILT ROOF THERE IS NO TERRACE PROVIDED IN MANY BUILDINGS SO THE TOPMOST FLOOR OF THE BUILDING SERVES AS A SEMI- PUBLIC SPACE FOR PUBLIC GATHERINGS,MEETINGS, SMALL PARTIES ETC., WHEREAS IN SOME CASES THEY ARE USED AS RESIDENCE FOR FAMILY. SMALL BALCONIES ARE PROVIDED FACING THE STREET WHICH IS MAJORLY SERVING AS A MEANS OF COMMUNICATION AND OTHER NECESSASITIES LIKE DRYING CLOTHES.

COMMERCIAL + RESIDENTIAL 2019

RESIDENTIAL

HOSPITALITY

PUBLIC BUILDING

CONTOUR LEVEL

FACULTY : AR. MANAN GANDHI AR. ADITYA VYAS AR. UMESH PATHAK PROF. DINJAL WADIWALA

2019-2020

SECTION D AND SECTION F SECTION G & H

SECTION D CUTS THROUGH A RESIDENTIAL BUILDING, WHOSE OPPOSITE SIDE IS HAS A GAZEBO FOR SOCIALISATION AND ALSO SERVES AS A SEATING OUTSIDE A SMALL TEMPLE RIGHT BEHIND THE GAZEBO A FEW METERS ABOVE. SECTION F SHOWS US THE TINY TEMPLE WHICH IS PRESENT ACROSS THE RESIDENTIAL BUILDING. WHICH ALSO ACTS AS A MERGER FOR ROAD LEADING TO SCHOOL AND MONASTERY. SECTION D

SECTION H IS SHOWCASE US THE DIVISION OF STREET AS PER ITS UTILITY. THE BUILDING ON THE LEFT IS HAVING COMMERCIAL STORE AND RESIDENCE IN THE BASEMENT FLOOR AND UPPER FLOORS. THEREBY ON CROSSING THE STREET PARKING FOR VEHICLES IS PROVIDED FOR THE VEHICLES WHICH ARE OF TRAVELLERS, TRANSPORTERS ETC., EVE ABOVE WHICH THERE SETTLES BAZAAR EVERY WEEKEND NEAR THE GAZEBO TYPE STRUCTURE WHICH SELLS DIFFERENT VARIETY OF GOODS AS WELL SHOES, CLOTHES, JACKETS, UTENSILS, ETC., ALONG WITH VEGETABLE AND FRUIT SELLERS SELLING VEGETABLES.

THIS AREA WILL REMAIN BUSY DURING THE EVENINGS AND THE MORNINGS AS THAT WILL ME THE PRIOR TIME FOR CHILDREN GOING TO SCHOOLS AND PLAYTIME. ALSO SERVES AS A GATHERING PLACE FOR THE SENIOR CITIZENS, IT BECOMES CONVENIENT FOR THEM TO LOOK OUT FOR THEIR CHILDREN WHILE WORSHIPPING

DUE TO THE PERKING AREA SITUATED SOME LEVEL BELOW THE MARKET HELPS THE DISTRIBUTERS AND SELLERS TO CARRY AND SHIFT THE GOODS VERY EASILY AS WELL AS WIND UP ON TIME AS IT GETS DARK VERY EARLY.

SECTION F

+00 LVL

+435 LVL

+630 LVL

+815 LVL

+1095 LVL

+1250 LVL

+1685 LVL

+1990 LVL

+2070 LVL

+2220 LVL

+2260 LVL

+2300 LVL

+2550 LVL

+2660 LVL

+1650 LVL

+1200 LVL

SECTION-C IT CUTS THROUGH THE CENTRE OF ATTRACTION OF THE STREET HAVING A FOUNTAIN IN THE MIDDLE WHICH IS SURROUNDED BY PLINTH WHICH ACTS AS A SITTING FOR THE PEOPLE. IT ALSO HAVE HOTELS AND RESTAURANTS ON BOTH SIDE OF THE STREET WHICH ACTS AS QUITE AN INTERACTIVE AND BUSY SPACE.

SECTION A &B SECTION- E IT SHOWS THE NORMAL WORKING OF THE STREET IN TERMS OF TRAFFIC DISTRIBUTION, SMALL PORTION FOR CHILDREN TO PLAY AND A MEANS OF SOCIAL INTERACTION AND DAILY ACTIVITIES TAKING PLACE.

+2220 LVL

+1250 LVL

+2070 LVL

+1095 LVL

+815 LVL

+630 LVL

+435 LVL

+00 LVL

FACULTY : AR. MANAN GANDHI AR. ADITYA VYAS AR. UMESH PATHAK PROF. DINJAL WADIWALA

2019-2020

BHUTIA HOUSE

RICHENPONG

Rinchenpong is a town in West Sikkim, India.

It is situated in West Sikkim, about 40 km west of Gangtok, 10 km due south of Gyalshing, close to the village of Kaluk. It sits at an altitude of 5576 feet (1,700m). It is known for the Rigsum Monastery and trekking routes.

Near the town is the site of a historical battle between the forces of the then Chogyal (King) of Sikkim and the invading British forces.

The Lepcha tribesmen used a concoction of unidentified herbs to poison the only water source, a lake (local term : pokhri). As a result, more than half of the British forces were killed, which stopped the British invasion and resulted in an accord.

KITCHEN

STORE

ROOM

TOILET

BATHROOM

LIVING

ROOM BED ROOM

SHOP 2 SHOP 1 SHOP 2 SHOP 1

2 CHILDREN

ROOM

SHOP

OPEN

1 SHOP

POARCH

2

SHOP

1 SHOP

SHOP 2

1

SHOP

SHOP 1

2

SHOP

1

SHOP

1

SHOP

SHOP 1

2

SHOP 2

UP UP UP

UP

SHOP 1

SHOP 1 SHOP 1

SHOP 2

lvl +2500

lvl +5500

lvl +4500

lvl +4000

lvl +3000

lvl +2070

shop

UP

1

DOWN

shop

UP

+2260 LVL

UP

+2300 LVL

SHOP 1

+2550 LVL

UP

+2660 LVL

UP

+2950 LVL

DOWN

+3270 LVL

IT SHOWCASES HOW THE STREET WORKS. THE CENTRAL PORTION IS UTILIZED BY VEHICLES WHICH IS SURROUNDED BY LEVELLED LANES FOR WALKING PURPOSES AND THE SHOPS FOR COMMERCIAL UTILITY. IT ALSO SHOWS HOW THEIR DRAINAGE SYSTEM WORKS.

C

I

I

C

D

B

C

I

D

D

B

B

A

A

A H

KITCHEN

TOILET

H

G

STORAGE ROOM

TOILET

H

H

BED ROOM

COMMON TOILET 50MM LVL @

LVL @ 50MM

LVL @ 200MM LVL @ 350 MM

2212 MM

2412 MM

LVL @

F

LVL @

1112 MM

1292 MM

1472 MM

1652 MM

1832 MM

LVL @

2012 MM

LVL @

LVL @

LVL @

LVL @

G

LVL @

MM

MM

MM

752 MM

932 MM

LVL @212

LVL @ 392

LVL @

G

LVL @

LVL @ MM

LVL @ 572

BATHROOM

LVL @ MM

F

G

H

H

BED ROOM

F

TOILET

G

LVL @ MM

F

E

G

BED ROOM

LIVING ROOM

PRAYER ROOM

E

F LVL @

E

LVL @

F

STORAGE

LVL @

BED ROOM

LVL @

LVL @ LVL @ LVL @

STORAGE

LVL @

LVL @

LVL @ 2485 LVL @ 2274

LVL @

E

MM

MM MM

LVL @

MM

LVL @ 825

MM

LVL @ 0

411 MM

207 MM 0 MM

BALCONY CHILDREN ROOM

MM

LVL @ 411 MM LVL @ 207 MM

LVL @ -1590 MM

LVL @

E

BED ROOM

MM

MM

LVL @ 1032

LVL @ 604

LVL @

MM

2067 MM

LVL @ 1860 LVL @ 1653

LVL @ 1446

LVL @ 1239

E

1032 MM

825 MM

618 MM

LVL @

MM

-1590

LVL @ LVL @ LVL @ LVL @ -1490 MM

LVL @

LVL @ -1320 MM

LVL @

MM

-1490

-1320

-1180

D

MM

MM

C

MM

B

-980 MM

-810 MM

LVL @ -1180 MM

LVL @ LVL @ -980 MM

LVL @ LVL @ -810 MM

LVL @

I

BED ROOM

LVL @

2485 MM

2274 MM

2067 MM

1860 MM

1653 MM

1446 MM

1239 MM

A

-610 MM

-430 MM

-250 MM

LVL @ -610 MM

OPEN PORCH

LVL @ -430 MM

LVL @ -250 MM

C

B

I

C

I

D

D

FIRST FLOOR PLAN

A

B A

GROUND PLAN

BASEMENT PLAN

ROOF @ 7300MM

FIRST FLOOR @ 5230MM

GROUND FLOOR @2600M

ROAD LEVEL 0.00M

BASEMENT LEVEL @ -2845MM

EAST ELEVATION SLOPING ROOFS ARE SEEN IN SUCH HILLY AREAS BECAUSE THEY RECIEVE HEAVY RAINFALL AND SNOWFALL SO THE WATER EASILY .

FLOWS DOWN RATHER THEN GETTIN NG ACCUMULATED ON THE ROOF. ALSO DUE TO HEAVY SNOWFALL IF FLAT ROOFS ARE GIVEN THEN THE SNOW WILL GET ACCUMULTED ON THE ROOF THEREBY INCREASING THE WEIGHT ON THE SLAB WHICH CAN OVERLOAD THE WEIGHT ON THE ROOF AND MAY HAVE CHANCES OF FALL. THAT IS WHY SLOPING ROOFS IS PROVIDED ON THE TOP. BASEMENT IS ALSO PROVIDED IN THE BOTTOM.

SECTION A ROOF @ 7300MM

FIRST FLOOR @ 5230MM

GROUND FLOOR @2600M

ROAD LEVEL 0.00M

BASEMENT LEVEL @ -2845MM

WEST ELEVATION

SECTION B

ROOF @ 7300MM

ROOF @ 6500MM

FIRST FLOOR @ 5230MM FIRST FLOOR @ 5230MM

GROUND FLOOR @2600M GROUND FLOOR @2600M

ROAD LEVEL 0.00M ROAD LEVEL 0.00M

BASEMENT LEVEL @ -2845MM BASEMENT LEVEL @ -2845MM

SECTION C

SECTION E

ROOF @ 7300MM

ROOF @ 6500MM

FIRST FLOOR @ 5230MM FIRST FLOOR @ 5230MM

GROUND FLOOR @2600M GROUND FLOOR @2600M

ROAD LEVEL 0.00M ROAD LEVEL 0.00M

BASEMENT LEVEL @ -2845MM BASEMENT LEVEL @ -2845MM

SECTION F

SECTION D

ROOF @ 6500MM ROOF @ 6500MM

FIRST FLOOR @ 5230MM FIRST FLOOR @ 5230MM

GROUND FLOOR @2600M

GROUND FLOOR @2600M

ROAD LEVEL 0.00M ROAD LEVEL 0.00M

BASEMENT LEVEL @ -2845MM

BASEMENT LEVEL @ -2845MM

SECTION G

SECTION I

FIRST FLOOR @ 6500MM

FIRST FLOOR @ 5230MM

GROUND FLOOR @2600M

WATTLE AND DAUB ROAD LEVEL 0.00M

WOVEN BAMBOO WALL

BASEMENT LEVEL @ -2845MM

SECTION H

WALL SECTION

WALL SECTION

miscellaneous

sociology & psychology

ANDC 2017-18

MODEL/ WORKSHOP

PHOTOGRAPHY

WORK EXPERIENCE

SKETCHES

sociology & psychology

3D PLAN

Brief This subject frames the assignment to understand the Architecure in a different language, which is directly proportional to the human being, when you change the anthropometry and ergonomics of the space.This is just a small experiment in the project, in which I designed a small 1bhk house for a couple with given all basic amenities, but both of them should gets a different experience in the house based on functionality of the architecture.

Shower placed in corner, can’t be accessed

Living room opens to bathroom

Useless tub & wash basin lowered with taps up

Slanting walls seperates vision from sofa to TV

living

bath balcony

Jet spray placed higher than WC

Slanted shelves

bedroom

kitchen

grand entrance

TYPICAL FLOOR PLAN Platform on steps Grand entrance, but when you enter the door, it gets narrow and also has a slope which makes the person tends to fall.

Only one can sleep fully

Chairs lower than table

II pq II

Annual NASA Design Competition (2017-18) GIVEN SKETCH SHOWS THE FIRST SKETCH OF AN IDEA IN AN ABSTRACT MANNER.

M PL EDI GA AN CIN R D T AL EN

SITE ADDRESS : UKA TARSADIA UNIVERSITY, MAHUA ROAD, BARDOLI, SURAT,GUJARAT.

R BO

"PATH" IS A SPACE WHICH IS PROVIDED AS A PROJECT TO THIS LOCATION WHICH WAS EARLIER USED AS A DUMP YARD. IDEA WAS TO PROVIDE A SEPARATE PEDESTRAL MOVEMENT TO DECREASE THE EXSISTING VEHICULAR TRAFFIC.

WHERE IT SHOWS THE RED LINE IS LONG AND LINER PATH BUT WITHOUT ANY VEHICLE OBSTACLES.

EN

RD

GA

DURING THIS MOVEMENT A REFLECTION IS SHOWN USING MAN MADE MATERIAL TOWARDS NATURAL MATERIAL. CONCEPT IS SHOWING "MAN MADE MATERIALS ARE GETTING OVER THE NATURALLY AVAILABLE MATERIALS". BUT ULTIMATELY THE NATURAL MATERIALS ARE THERE TO HELP US AS THEY'RE THE MAIN SUPPORT.

46

DUMP YARD

ALONG WITH THIS PATH THERE'RE ELEMENTS PROVIDED LIKE WALLS, SEMI COVERED SPACE AND SEATING MADE OF WASTAGE.

PROVIDED PATH IS HAVING POCKET IT'S INTERACTIVE SPACE WHERE SEATINGS AND GATHERING SPACE ARE PROVIDED WITH ELEMENTS USING BAMBOO,BRICKS,ROPES AND PLANTS.

WALL 1

WALL 2

P.O.P. WALL 1

2

CEMENT PIPES

GATHERING AREA

MARBLE PIECES FLOOR P.O.P. WALL 1

WALL 3

EXIT

ENTRY

GATE NO. 2

ENTRANCE GATE

9m WIDE ROAD GATE NO. 3

PARKING

DUMP YARD

WALL 1

WALL 2

P.O.P. WALL 1

GATHERING AREA

X

X

X

X

X

CEMENT PIPES

X

X

X

X

X

X

X

X

X

X

X

X

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X

X

X

X

X

X

X

X

X

MARBLE PIECES FLOOR

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

WALL 3

X

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X

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X

X

X

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X

X

X

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P.O.P. WALL 1

X

X

X

X

X

X

X

X

X

X

X

X

X

X

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X

X

X

X

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EXIT

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

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X

X

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X

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X

X

X

X

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X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

X

9m WIDE ROAD

X

X

X

X

X

ENTRANCE GATE

X

ENTRY

WALL 2 WALL IS SHOWING THE TRANFORMATION FROM PLASTER WALL TO BRICK JALI WHERE BAMBOO IS GETTING AWAY AND EVENTUALLY THOSE BAMBOO ARE MAKING THE 3RD WALL. WALLS ARE REPRESENTING THE ASPACTS TOWARDS NATURE OF HUMAN.

WALL 1

WALL IS MADE OUT OF SYPOREX,BRICK AND PLANTS. WHERE WALL STARTS WITH SYPOREX BLOCK IN FRONT AND BRICK WALL IN BACKGROUND. BRICK WALL IS LOOSING ITS STRENGTH IN BRICK JALI WHERE PLANTS ARE THERE FOR IT'S HELP.

WALL 3 HERE THE WALL IS FULLY MADE OF BAMBOO AND THREAD SHOWS THE FULL TRANSFORMATION OF THE WALL 1,2 AND 3.

STARTED WITH SYPOREX AND BRICK WALL THEN PLASTERED WALL TO BAMBOO WALL.

X X

X X X X X X

X X X X X X

X X X X X X

X X

X X X

X X

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X X X X X X

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II pq II

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BRIEF - REIMAGINING ALTERNATIVE URBAN SPACES SHEET 2 AFTER

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BEFORE

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ANDC 2017 A.M.A.C.E.517

vastukirti architects WORK EXPEREINCE

WASH 12'-1012"X4'-714"

BED

STORAGE

BEDROOM 13'-314"X13'-1043"

WD

TV UNIT

KITCHEN 12'-543"X13'-0"

C.TOILET 12'-8"X5'-0"

ATT.BATH 12'-8"X5'-0" DINING AREA 10'-6"X12'-414"

TV UNIT

BEDROOM 16'-5"X14'-1143"

DINING TAB.

TV UNIT

WD

OUTDOOR AREA 16'-9"X14'-1112"

LIVING ROOM 12'-543"X19'-3"

ALT - 1.- FINAL PLAN SPECIFICATIONS

REMARKS

REVISION DATES: CHANGES

DATE

DATE :

30 / 01 / 2019

PROJECT NAME : SANDIPBHAI. DRAWING NAME :

PROPOSED FIRST FLOOR PLAN

S

N

N

V

THIS DRAWING IS THE PROPERTY OF

AG

ANY CHANGES DONE SHOULD BE DISCUSS WITH THE ARCHITECT OR PERSON INCHARGE

ES

ALL DIMENSIONS TO BE READ NOT TO BE MEASURED

E

ALL DIMINSIONS ARE IN FEET & INCH ALL DIMINSIONS ARE GIVEN FROM UNFINISHED SURFACE

DRG NO.

DRAWN BY: C.V.GAMIT

model|workshop

photography

sketches

Ragini Gandhi email id - raginigandhi3@gmail.com THANK YOU