Portfolio

Rafael Trujillo Quispe Architect & Designer

PROJECT FOR THE BICENTENNIAL OF THE INDEPENDENCE OF PERU THE FLAG SQUARE

REMODELING OF A LANDMARK IN THE CITY

The flag square is located in Peru, department of Lima and borders 3 important districts. The square will be intervened for the celebration of the bicentennial of the independence of Peru. It is a monumental space wasted by the municipality that has a monumental, cultural and tourist character. For this reason, the restoration of the square, intervention of the avenues and the direct connection with the pre-Hispanic huaca are proposed.

Tourist attraction to generate trade and social relations.

It is a historic area located near to a Pre-Hispanic huaca.

Events such as marches and dances are currently held.

Lack of a design adapted to the needs of the place.

Lack of connection between the square and the people. There is no relationship between the huaca and the plaza. Lack of adequate vegetation and comfort in the square.

NECESITY OF USERS SOLUTIONS TO THE PROBLEM

There is a pre-Hispanic huaca adjacent to the Plaza de la Bandera, it has tourist potential. This does not have a direct access between the square due to the vehicular route.

Vehicular congestion is generated in the Pantoja Castillo jiron, San Martin Avenue and Paso de los Andes Avenue. This increased at 8 am and 6 pm.

Because the flag square is surrounded by a vehicular oval, an urban edge has been created, generating little access and interaction with the square by citizens.

The flag square has five entrances that come together in an oval. Only San Martín Avenue has a pedestrian path, the othershave a central berm.

The flag square is a point of the city that is the center of union of three important districts of Lima. The architecture does not demonstrate the importance of the square.

The flag square has a vertical solar impact and high temperatures at 12pm. The winds come from east to west and have little percentage of rainfall throughout the year.

CURRENT STATE OF THE INFRASTRUCTURE

COMFORT

COMFORT

DYNAMISM

DYNAMISM

SPACES SPACES ACCESIBLE ACCESIBLE

Huaca Pre- Hispanic Typical dance

Vehicular oval Av Paso de los andes

Flag square Av. San Martin

How is a huaca perceived in Lima for the citizens

PATERNS SQUARES STRAIN

How does a huaca behave in a current city?

Like a cement block with no use or benefit to the city. This thought is due to the little diffusion of culture in Lima.

01 - GROUND

The total area of the land (18,250.00 m2) is highlighted, the accesses are analyzed and the direct relationship it has with the pre-Hispanic huaca is observed.

03 - PEDESTRIAN ROAD AND EMPTY

The pedestrian road are designed based on bioclimatic criteria and the concept. The stairs that connect with the lower floor and the huaca are generated. The area of the platforms is highlighted.

02 - EXCAVATION AND ACCESS

A direct connection is generated through the subsoil with the pre-Hispanic huaca. A lower floor is generated in the square, which houses public space, food outlets, sculptures and monuments.

04- PLATFORMS

The platforms are designed based on the concept. Intersecting volumes that generate tension between them. Green area is added and the main entrance is highlighted.

People can learn that it is a historical landmark in the city as a culture. It offers us knowledge and beauty

SINOUS FLUENCY LINES

Flag square is proposed with the virtues of the pre-Hispanic huaca and at the same time dialogue with the fluidity and sinuosity of the contemporary city.

BIOCLIMATIC CONSIDERATION

Lima is a city in constant movement. It gives us the perception of being fluid and sinuous and we see it from a skyscraper.

Lima consumes the cinder block and has no interaction with it. Ideally, they should talk to each other and get along.

AXONOMETRY

05 - DEFINITION AND BRIDGE

The bridges that connect the road malls with the raised platforms are created, suggesting the union of the old with the old. The square is designed using the concept of the pre-Hispanic huaca.

06 - PARAMETRIC COVER

The parametric coverage that enhances the concept of union between the new and the old is created. It also has the characteristic of sun protection and reinforces the center with the flag.

A platform is designed that, together with the vegetation, covers the vertical radiation at all hours of the day.

A platform is designed that, together with the vegetation, covers the vertical radiation at certain hours of the day.

Because it is a curved pedestrian mall, a protection that changes according to solar orientation is designed.

STRUCTURAL SYSTEM

The flag square has a structural system based on porticos. Steel is used as the main element for bridges and platforms and complex reinforcements are created to structure the different elements of the roof and bridge. The geometric coverage is anchored to the portico structure. The triangle is used as the base geometric figure due to the structural properties it possesses. Collaborative slab, columns and steel beams are used. As a high-traffic wood and porcelain tile coating.

VIEW OF AV. PASO DE LOS ANDES

CROSS SECTION OF THE BRIDGE OF AV. PASO DE LOS ANDES

EXPLODED AXONOMETRY OF THE FLAG SQUARE

LONGITUDINAL SECTION OF THE PLATFORM OF AV. PASO DE LOS ANDES

LONGITUDINAL SECTION OF THE FLAG SQUARE

MINIMALIST MODEL OF THE PLAZA DE LA BANDERA

GRAPHIC REPRESENTATION OF MAIN INCOME

GRAPHIC REPRESENTATION OF MAIN INCOME

MINIMALIST MODEL OF THE PLAZA DE LA BANDERA

VIEW OF AV. MARIANO H. CORNEJO AND AV. JOSE DE SAN MARTIN.

STRUCTURE

Platforms are created so that users can sit and watch the marches or dances that take place in the flag square. These will be in comfort due to the incorporation of vegetation and the parametric coverage. Bridges are created to generate direct access to the plaza in the avenues with the greatest vehicular influx.

A basement is created that directly joins the Plaza de la Bandera and the pre-Hispanic huaca. It creates an exhibition area, restrooms, sales and a food court. Also a double height in the center, where the flag is raised.

VIEW OF HE FLAG

INTERNAL VIEW OF THE BRIDGE PARAMETRIC

INTERNAL VIEW OF THE BRIDGE

DESING PROCESS

APPLYING DESING PARAMETRIC

Delimitation of land

Structural composition

The total area of the land is highlighted (8277.30 m2) and the frontal retreat (11 ml) and the lateral retreats (4 ml) are generated. It is a space area where you can build.

An 8.25 ml grid is generated to organize the spaces and the structural mesh. It is made up of angles of 90 °, 60 ° and 30 °. The topography of the land will be taken into account when designing.

Design strategies

Fragmentation

2 entries are generated in the corners and two voids that will help us to organize the spaces. The faces that have a greater solar impact are highlighted. There is an environmental criterion in the facades.

The concept

Pedestrian circulation is generated. It is noted that it will have a maximum of three floors and the area of the main mall, where the parametric furniture will be found.

Parametric design

The concept of contour lines is applied, generating offsets and sinuous curves. The whereabouts of the taxis that will be received by an entrance and the entrance to the parking lot are highlighted.

Parametric design is applied. On the façade that has a greater solar impact, eaves are generated. A central parametric structure is generated that covers the food court to shade the environment.

CONCEPT

The project area was analyzed in order to choose an element that identifies the place, which Olivenses citizens can recognize and relate to their environment. In order to choose the correct one, the observation of the district was used both in physical aspects. A person who is on a street or avenue in the district will usually be able to see a hill in their visual range or a part of the slope. For this reason, this element was chosen since it is in the daily life of citizens. The use of the concept in the design of the project: A study of this element has been carried out in order to conceptualize it for the project. The level curves have been taken as a reference and how this can influence the shape of the project.

+4 FOUR LEVEL +12.25

+4 FOUR LEVEL +12.25

Parametric coverage

MYOPORUM SP (ARBUSTO) LAGERSTROEMIA INDICAT (ARBOL DE JUPITER)

+3 THIRD LEVEL +8.25 Department store and gym

+3 THIRD LEVEL +8.25

Department store and gym

to. A study of this element has been carried out in order to conceptualize it for the project. The contour lines have been taken as a reference and how this can influence the shape of the project. At the same time, the sinuous curve of its slopes has been taken into account to be able to capture it on the roof. The movement of the slopes has been used in the parametric coverage of the façade, as well as in the parametric furnishings, which are born from the ground and generate small hills.

The Los Olivos district has a moderate climate, with fairly warm summer days and slightly cold winter nights. The seasonal differences are not very marked, around 7° and the thermal oscillation is quite low at 5°.

Design strategies: In the hours close to noon in summer, the suggested strategies are sun protection and ventilation. For this reason, horizontal parasols will be considered due to the inclination of the sun. Cross ventilation will also be generated in the environments.

The project is taken to rhinocheros then it begins to generate 2 flat roofs as a guide, to be able to generate the curved roofs by means of commands. Afterwards, surfaces began to be generated on the facades and the food court. Finally, the sinuous movement is given to the surfaces, creating a similarity with

+2 SECOND LEVEL +4.25 Store retail, department store, food court store fast food, management and green area.

+2 SECOND LEVEL +4.25

Store retail, department store, food court store fast food, management and green area.

+1 FIRST LEVEL 0.25 m

+1 FIRST LEVEL 0.25 m

Store retail, mall, department store, bank, health topic, coffe shop and green area.

Store retail, mall, department store, bank, health topic, coffe shop and green area.

-1 BASEMENT -3.75 m

-1 BASEMENT -3.75 m

Parking spaces and deposits

Parking spaces and deposits

NATURAL (RYE GRASS) SANTOLINA (Cubresuelo)

PROJECT FOR USERS RELATED TO THE SCHOOL OF FINE ARTS OF PERU

HOUSING FOR ARTISTS

RESTORATION UNDER THE CANONS OF CAMILLO BOITO

The project consists of the intervention of 2 buildings that are not in use: a historic house and a school. A restoration of the infrastructure of the house is carried out and the school infrastructure is fully intervened. The parameters given by Camillo Boito are followed. The ornamental elements that can still be used will be restored and the rest will be replaced with new ones. The new and old will be differentiated.

The project is located in the historic center of Lima-Peru, which is a cultural heritage.

The project is aimed at users who study or teach at the National School of Fine Arts in Lima.

The main elements that will be intervened and restored will be the viceroyalty windows and gates.

USER ANALYSIS BIOCLIMATIC ANALYSIS

This user will stay for academic periods, has few financial resources and needs a workshop to create his art.

This user will stay for long periods, has moderate financial resources, needs a workshop and privacy.

This user will continuously stay with his partner, has high economic resources and needs a workshop and

The horizontal eaves will be used to prevent the entry of vertical sunlight (According to solar study). Sun temperatures are controlled with vegetation.

Drizzle is controlled in Lima using gutters on the roofs to direct the water and not settle in unwanted places.

The building itself is used as a protective mass from the winds and windows with windbreaks. Cross ventilation is used to renew the in-

Native vegetation of the area (xerophytes) will be used since Lima is a desert and does not have much water.

01 - RESTORED

First, the house that will be restored is delimited. The painting is repaired to the initial color and the elements that can no longer be restored (window frames) are separated.

- PATIO AND VOIDS

Patios are generated where activities will be carried out and users will interact. . The concept is applied and the house is blurred to create an idea of unity.

02 - DELIMITATION

The internal area is delimited to create the housing modules and generate ventilation and lighting. A structural grid is created and adapted to the restored house.

- DEFINITION

The number of floors of the project is defined. Resulting in the restored house 2 levels and in the modern area 3 levels. In addition, the solar impact is indicated.

What characterizes the users?

CONCEPT

The concept is the fluides and freedom that we find in painting. In the variety of colors and the freedom of the strokes. This applies to the materiality and shape of the roofs.

The house that is being restored is taken as a base point. It is light blue in color and it is about blending to create the adjacent building. Both have different language but are similar in colors. On the façade we can find a set of colors to create a unit.

How

Social spaces are created for each type of user where the 3 types can be brought together through festivities or activities.

The gaps in the facades are highlighted, in such a way that a pattern is kept between the gaps in the windows of the house and the modern facade.

A model is created in the windows where we find wooden, glass parasols and a play of colors in metallic elements. The concept of colors is applied to unify the façade.

STUDENT

The window frame, the glass and the ornamental elements are analyzed. The decision is made to only restore the frame due to the deteriorated state of the glass.

A reinterpretation of the glass cloth is proposed, sectioning it and adding parasols where required.

STUDENT AREA VIEW

ARTIST AREA VIEW

ARTIST AREA VIEW

TEACHERS AREA VIEW

TEACHERS AREA VIEW

INTERPRETATION OF AN ANCESTRAL ARCHITECTURE OF THE ANCIENT INHABITANTS OF PERÚ

PREHISPANIC HUACA

A GAME OF FULL AND EMPTY VOLUMES

An analysis of the pre-Hispanic huaca of the old town in Lima-Peru is carried out. The game of full and empty volumes, light and shadow, tension between volumes and different patterns was observed in this ancestral architecture. For this reason, the exercise of reinterpreting an architecture based on all the characteristics mentioned is proposed.

PARALLELEPIPED VOLUME ASSEMBLY

In a space of 27 m x 9 m, a volume is created that has paths, spaces and tension between volumes. The solar impact is taken into consideration and how it will benefit the spaces.

Two complex volumes are created on a long plot: a parallelepiped and a cube. Both have patterns in common, which is why a public space must be generated that responds to this complex union. A series of roads and squares are proposed based on the characteristics of the Pre-Hispanic huaca.

PREHISPANIC

This reinterpretation of a pre-Hispanic citadel is located in a complex topography. The volume adapts to the curves of the terrain to blend in with it. The citadel has a set of volumes that generate tension between them. A series of patterns is proposed based on trails, closed roads, full and empty volumes.

METAPHOR

POST-APOCALYPTIC FUTURE

A possible human and his vehicle are created. Having as a characteristic that they must survive in a hostile world, for this reason they have a fierce and aggressive design. They have parts made from scrap and remnants of current objects that have been repurposed into their new world.

A utopia is created where in a post-apocalyptic future there are predators and humans have adapted in clothing, vehicles and architecture in order to survive. As a starting point, a sculpture of a predator is created, for this reason different current predators were analyzed to create this new being.

The architecture in this new world must be aggressive against the new predators, for which pointed elements are proposed to serve as protection. It must also blend in with the new world, which is why it is made of metal to reflect the environment.

SKETCH-POST-APOCALYPTIC USER

´´The most personal is the most creatrive´´ M. Scorsese