Academic Design Work 2013

Page 1

Rachel Peterson Academic Portfolio of Work 2008-2013


Rachel Peterson University of Oregon Master of Architecture Candidate University of Minnesota Bachelor of Science in Architecture 515 NW 17th Avenue Apt. 2 Portland, OR 97209 rpeterso@uoregon.edu 920.471.5415


ACADEMIC DESIGN WORK La Plaza de Soledad Adaptive Reuse Urban Pathway Mixed-Use Terraces Slabtown Plaza Hand-Drawing Explorations Social Urban Networks


LA PLAZA DE SOLEDAD REDESIGNING A PUBLIC PLAZA Spring 2011 | Oaxaca, Mexico | Prof. Lance LaVine

For a period of 8 weeks, Justin Petersen and I iteratively created program-driven holistic redesigns for an existing public square in the city of Oaxaca, Mexico. This was done through large scale physical modelling and ink on mylar hand drawing. In the investigation of redesigning the Plaza of Soledad, the idea of giving all users a genuine human experience was a critical consideration in our design. We sought to respect the tradition and culture of Oaxaca while also seeking to provide easier access through the site (especially in terms of disability accessibility), offer more shade for protection from the hot Mexican sun, and collect rainwater in large underground basins for present and future use. Top: Performance space slopes into the topography Center: Stairway with light wells for spaces below Bottom: View of two plaza spaces on the site


Images of Oaxaca, Mexico (Rachel Peterson, 2011)


INK HAND-DRAWING OF PROPOSAL

Top: Photographic view of the series of three plaza spaces Bottom: House of the librarian, with outer walls removed


Exhibition Hall

Urban Room (gathering, performance, socializing)

Ramp entry into site wraps around Urban Room

URBAN ROOM For the people of Oaxaca, a significant public space is one with sufficient area for parades, festivals, and celebrations for large groups. Therefore, it was necessary to open up the new design to include easy access to the large gathering areas (with more stairways and ramps) and provide shade for coolness and comfort during the many celebrations throughout the year. One way we accomplished this was by creating an ‘urban room’ with a pergola of engineered wood that ‘grew’ into a tree-like structure covered in a common and beautiful local vegetation: the bugambila vine.



Above: Process Models as the Urban Room evolved Below: Site Section showing Soledad as a focal point on the site, both visually and culturally

Avenida Morelos City Hall The Church of Soledad

Avenida Independencia

Urban Room

Water basin below Plaza de las Danzas

Exhibition Hall (below) Garden (above) Water basin below Plaza de la Iglesia


WHS ADAPTIVE RE-USE SUSTAINABLE DESIGN FOR HISTORIC PRESERVATION Winter 2013 | Portland, OR | Prof. Amy Miller-Dowell

The concept of this project is to reuse a historic 1924 Portland high school as a mixed-use building - with apartment housing set in the old classroom spaces, and an entertainment “core” in the existing auditorium at the center of the “donut-shaped” structure. With the insertion of a large brewpub/restaurant, the architecture of the core reflects this more extreme programmatic change as floors are replaced and/or removed, and seismic upgrades are applied. In contrast to the interior changes, the exterior of WHS would have a light touch, especially on the west (main) facade. Removable features, such as a wooden boardwalk and overhangs supported by columns, would be applied to the live/work units. Existing window openings would be used to create new doorways and signage would delicately attach to the existing brick facade.

NORTH BUCKMAN NEIGHBORHOOD

Washington High School, located in southeast Portland, is significant for its historical association to the changing views of education present as Portland was growing in the early 20th century. It is currently designated as a local historic landmark, and could potentially be named to the National Register of Historic Places.

Washington High School Block


RAMP LIVE/WORK UNITS

RESIDENT MAILROOM/ LOUNGE BREWERY

KITCHEN

PUBLIC PLAZA BREWPUB

4

7

FARMER’S MARKET SPACE

13

12

11

2

5

MECHANICAL

6

RESIDENT COMPACT CAR PARKING

10

3

RESIDENT BIKE PARKING

8 9

16

1

OUTDOOR PATIO

15 14

GROUND FLOOR + SITE


SUSTAINABLE PRESERVATION: PRIVATE ROOFTOP TERRACES

SLOPED TO CENTER (RAINWATER COLLECTION)

6

2 ADDITIONAL SKYLIGHT OPENING 5

SITE:

1

ADDITIONAL ROOF STRUCTURE

4

7

13

12

11

16

10

3

Covered bike parking Permeable paving on public plaza space Stormwater management: bioswales + pond Shared community garden

8

BUILDING:

Additional daylighting provided via central light-filled atrium Rooftop Rainwater Harvesting and Underground Cistern Eco-Roof with solar arrray (photovoltaics) Re-use existing built-in cabinetry + some classroom walls Compact car indoor parking Electric vehicle charging stations Energy retrofits: plumbing fixtures, insulation, window repair

9

EXISTING SKYLIGHT STRUCTURE

ECOROOF + 15 SOLAR ARRAY 14

OWNED LOFT UNITS

SHARED RESIDENT ROOFTOP TERRACE

ROOF PLAN

SOUTH ELEVATION: Brew Pub Entrance

NORTH ELEVATION: Live/Work Units


“EXPLODED” MODEL

ECOROOF + ACCESSIBLE ROOF TERRACE

OPERABLE WINDOWS SOLAR ARRAY

LOFT APARTMENT APARTMENT

APARTMENT

MAIN WEST ENTRY

BALCONY SEATING

APARTMENT

CORRIDORS OPEN TO ATRIUM

BALLROOM

BREWPUB

14th Ave LIVE/WORK

WEST-EAST SECTION (LOOKING NORTH)


URBAN PATHWAY MASS AND VOID SHAPE A SITE Fall 2010 | Minneapolis, MN | Profs. Dan Clark, Martha McQuade + Craig Roberts Through a process of material-changing iterations, I created a design for a bus shelter and community gathering-space on a currently empty lot in the Cedar-Riverside neighborhood of Minneapolis, MN. Using a variety of materials (which included MDF, plaster, and paper) to explore ideas, I discovered a newfound respect and admiration for the beauty of heavy mass in architecture. With punches of light to accentuate and contrast its heaviness, material such as concrete creates spaces that feel not only protected, but also compelling for users.

Diagram of movement and pauses forming among the masses and vegetation

Paper process models begin shaping the gathering spaces within the site


MDF study models explore voids that are created in the empty space between masses


Above: The bus shelter and restrooms anchor the site on the end facing Cedar Avenue with a protective knee wall and roof covering (it contains only a punch opening for light) Below: This glass-encased gathering space reaches out into the community with its structural beams extending into a pergola


Process site model demonstrates a heaviness that may become too overbearing

Transformation into a less massive form with basic structural elements


MIXED-USE TERRACES DESIGN FOR DAYTON’S BLUFF COMMUNITY Fall 2011 | St. Paul, MN | Prof. Julia Robinson, PhD

For this project, my group (which included Holly Engle, Sarah Noska, and Nic Holzhauer) was asked to come up with proposals for a dense, mixed-use housing complex for a site in the Dayton’s Bluff neighborhood. After considering site research, discussions with the neighbors, and typological studies, we began individually designing units and buildings, and collaborating with the team on the site as a whole. After many iterations, the Dutch idea of a woonerf (‘living street’) became the driving force of our scheme, along with the low terraces that create boundaries and layers of public and private space on the site. This territorial gradient includes many elements, such as balconies/porches, steps, walkways between terraces, and vegetation buffers.

Final Site Massing Model

View from 7th and Maple St.

Community Center

Stepped-Block View from Maple Street Apartments

Senior Housing Indoor Courtyard (Apartment Atrium)

Co-Housing Childcare Center Rowhouses

University of Minnesota Architecture B.S. Studio 3


h 7t

t

e re

St

Topography N

unique. In a fairly short distance, the elevation drops from 900ft above sea level on the edge of the Swede Hollow Ravine to only 688ft on the Mississippi River. The more level and small businesses. The areas with a steeper grade are used for industry that runs parallel to the river, such as the freeway and rail lines.

In the context of the neighborhood, the site the is located near a variety of historic residential buildings, Metro State University, and the bluffs of St. Paul. 900’ Hospital Linen 860’-884’

Mississippi

L

Freeway, Rail, + Open Space

Residential + Small Businesses

Mississippi River 688’

Vertical Exaggeration : 4x

6

Natural Forces and Sustainability

Physical Systems


STEPPED-BLOCK APARTMENTS (Gateway to Dayton’s Bluff Neighborhood) This building has a facade on 7th Street that is more traditional, historic, and not overwhelming to conservative neighbors. There is also a ‘tower’ at the corner, with its roof drawing influence from Swede Hollow Cafe across the street, and also nearby Metro State University. Contained within the first floor is a restaurant/pub and deli, meant to draw people from all over the neighborhood. As the apartment units step down into the woonerf, the style is more eclectic, playful, and light. It is meant to open the door to new design ideas in the neighborhood. It also incorporates sustainable ideas, such as an intensive green roof, which can be used as shared space for apartment residents.


UNIT PLANS: Stepping back apartments to allow for natural daylight

Ground Floor

SITE ELEVATION

Second Floor

Third Floor

Fourth Floor

Fifth Floor


SLABTOWN PLAZA COMMUNITY CENTER WITHIN A PLAZA PROPOSAL Fall 2012 | Portland, OR | Profs. Don Genasci + Sean Cho

Slabtown is currently an under-used industrial district in Northwest Portland that is in the process of becoming a vibrant mixed-use neighborhood supporting housing (both rented and owned), employment, public space, and community resources. According to the Conway Master Plan, an urban plaza and its encompassing mixed-use buildings are to be developed at the intersection of 21st Avenue and Pettygrove Street. A multi-purpose community center is proposed to be made available to the neighborhood, since that amenity is presently lacking in this area of the city. The design of the square’s iconic civic building utilizes its unique location between the plaza and park with the use intersecting grids, based off of the street grid and the line of the nearby Williamette River. The converging forms of the building interrupts the proposed pedestrian walkway to create a visual connection to the neighborhood, yet allow for easy access through the block. This project will serve as a design stimulus for future neighborhood development to aid in a new image of Slabtown as an appealing place to live and work in Portland.

Early Plaza Concept Sketches

Plaza Design (Above) Conway Master Plan (Outlined Below)


DUAL-GRID SYSTEM

21st Avenue

Quimby Street

Pettygrove Street

SITE SECTION (CUT FACING NORTH)

21ST AVE

MIXED USE BUILDINGS

PLAZA

GRAND STAIR

COMMUNITY CENTER

PARK + PLAY FIELD



ICONIC BUILDING ON THE PLAZA: Addressing both plaza and park

Women’s Locker Room

Reception Reception Women’s Women’s Women’s Locker Room Locker Locker Room Room

Reception Reception

Second Floor (Main)

Third Floor

Fourth Floor (+ Roof Terrace)

Administration Administration Administration Administration Childcare Area Childcare Childcare Area Area

Childcare Area Men’s Locker Room

Men’s Locker Room

Cafe

Men’sMen’s Locker Room Locker Room

Cafe

Cafe Cafe

Reservable Reservable Reservable Reservable Meeting Room Meeting Room Meeting Meeting Room Room

Rooftop Terrace/ Rooftop Terrace/Rooftop Rooftop Terrace/ Terrace/ Community Garden Community Garden Community Garden Community Garden

Administration Administration Administration Administration Aerobics Studio Aerobics Studio Aerobics Aerobics Studio Studio Lap Pool

Bleacher Seating

Bleacher Seating

Lap Pool

Lap Pool Lap Pool

Multi-Purpose Room Multi-Purpose Room Multi-Purpose Room Multi-Purpose Room

Fitness/Weight Fitness/Weight Fitness/Weight Fitness/Weight Room Room Room Room

Community SpaceExhibition Community Exhibition Space Exhibition Community Exhibition Space Community Space Small Theatre Small Theatre SmallSmall Theatre Theatre (Performance/Meeting Space) (Performance/Meeting Space) (Performance/Meeting Space) (Performance/Meeting Space)

Bleacher Bleacher Seating Seating

(OPEN TO BELOW)(OPEN TO BELOW) (OPEN TO BELOW) (OPEN TO BELOW)

Administration Administration Administration Administration Whirlpool

Whirlpool

Whirlpool Whirlpool

First Floor (Ground)

NORTH ELEVATION

PARK ELEVATION

SOUTH ELEVATION


HAND-DRAWING EXPLORATIONS VALUE DRAWING: LIGHT AND SHADOW Fall 2009 | Prof. Matt Finn The sketches exhibited here are a comparison of Christian Kerez’s Forsterstrasse Apartments in Zurich, Switzerland with Herzog & de Meuron’s expansion of the Walker Art Center in Minneapolis, MN. Using the technique of value- drawing, I realized the immense complexities light has on a variety of materials and places. The focus of these drawings is the way that light illuminates a single door on the wall. The Christian Kerez design is lit from below and from the visible horizontal windows, while the Herzog & de Meuron space has light coming from a window in front of the opening.


HYBRID-DRAWING OF RAPSON HALL STAIRWAY Spring 2010 | Prof. Benjamin Ibarra With Sarah Noska, I created a drawing using a variety of analytical techniques to uncover relationships in a stairway in Rapson Hall of the University of Minnesota. Within the space of the East Stairs, there is a fascinating air of geometric shapes becoming something new as the light changes from morning to night on Steven Holl’s carefully chosen set of materials. The interconnetedness of the various drawings represents how the space uses tree-like branches of light, material, and geometry to create a whole: one untraditional, but captivating space.


SOCIAL URBAN NETWORKS PEDESTRIAN CIRCUITS WITH PROGRAMMED SPACES Spring 2012 | Valparaiso, Chile | Prof. Dan Clark

This project, in collaboration with Brianna Bruening, has a site located in the port city of Valparaiso, Chile. Throughout the course of both an intensive site analysis and the design process, the city’s unique topography played a direct influence. Valparaiso’s flat plain area contains clearly programmed and large public spaces such as cleared civic squares, tree-covered social plazas, extensions of religious space, and meetings at street intersections. In the hills, there is an overall lack of space. Streets, alleyways, and lookouts serve as public spaces in the hills. The heaviest tourist traffic in Valparaiso is concentrated in the historic district near the port. Popular sites include museums, art galleries, and significant historic buildings. Very few tourists venture up into Valparaiso’s hills. The experience that tourists have in Valparaiso results in a limited view of the city in which their time and money is spent in a concentrated area. It was this problem that we sought to address with our proposal. A network of tourist and residential paths with small program insertions was designed as an urban-scale strategy. These thoroughfares reach from the currently limited tourist realm up into the hills by utilizing a bright color palette reflecting the city’s vibrant local street art. The color also acts as a visual beacon with the aid of small programmatic elements such as bathrooms, tourist kiosks, pocket parks, benches, and street vendor stands. Additionally, larger programmed space, such as a soccer field, are created to be a specific interactive destination for both tourists and Valparaiso’s residents.

Street Concept Strategy: Combining wedge form and overhead plane

TOPOGRAPHICAL LIMITATIONS IN VALPARAISO


STREET NETWORK IN THE CITY

EXPANDING THE TOURISTIC REALM: FOCUS AREA

1 2

5

3

WEALTH DISPARITY & POPULATION DENSITY 6

4

EXISTING TOURIST CIRCUITS & PROGRAM NEW TOURIST CIRCUITS & PROGRAM (1.26 MILES) RESIDENT CIRCUITS & PROGRAM (1.19 MILES)

INSUFFICIENT CONNECTIVITY & DILAPIDATION GREATEST AMOUNT OF INCOME LEAST AMOUNT OF INCOME

THE HIGHEST POPULATION DENSITY LIVES IN THE POOREST AREAS OF THE HILLS



SHAPING A DEFINED STREETSCAPE: SYSTEM STRATEGY

COLOR, MATERIALITY, & TEXTURE Street Brick pavers that extend from building facade to building facade will contrast with the existing asphalt streets of the city.

Organizing vegetative elements within the street context

Vegetation Trees, small plants, and flowers will be organized in planters to provide shade and reflect the existing growth of vegetation within the streets.

Filling voids between buildings as an extension of the street Structural Elements Colored ceramic panels will side new structures to compliment the city’s existing color and street art. Corrugated metal roofs will also reflect materiality found within the city. Overhead lights will call out small program integrated into the streetscape.

INSPIRATION: EXISTING PASEOS + STREET ART


STRENGTHENING EXISTING SITE CONDITIONS + EXTENDING THE STREET NETWORK

Existing, empty sites were selected for the larger programs of the marketplace and the soccer field. Since Valparaiso’s topography acts as a natural amphitheater, both sites are clearly visible from the streets below. The structural form that composes the space for each program works with the topography to reshape existing site conditions. Each structure opens up views of the surrounding landscape and creates a strong presence in the topography.

Expanding the wedge concept to shape the form of larger programmatic elements

MARKETPLACE

N

SOCCER FIELD


REVITALIZED SOCCER FIELD: DESIGN COMPONENTS The revitalized soccer field provides residents with an improved environment for soccer games while it also invites tourists to travel up further into the hills. The design of the stadium opens up views of the port and creates public space.

OVERHEAD COLORED LIGHTS

LIGHT STRUCTURAL ELEMENTS

TERRACED GROUND PLANES

PLATFORMS ABOVE THE SOCCER FIELD OPEN UP VIEWS OF THE CITY

A NEW ASCENSOR (FUNICULAR) IS PLACED AT THE FAR END OF THE DESIGN FOR EASY ACCESS TO HILLS’ RESIDENTS



Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.