Lint & Lens PhotoBoltonUni

LINT LENS

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LINT & LENS

LETTER FROM THE EDITOR

In between the World Wars, Bolton had 200 textile mills. Imagine what that was like – the chimneys, soot, the noise. Because of the town’s location at the heart of the cotton industry, a team of employees all working together to achieve targets and keep the country functioning. Meanwhile in Bolton today, a team of creative arts students came together for a week of producing their very own magazine. Lint & Lens, the production of an artistic magazine. Created within a former cotton mill, building the future of photography.

As a collective, students from all three year groups came together channelling their own interests, writing about something they’re passionate about. This magazine demonstrates a variety of topics from photography, lifestyle, upcoming talent, sport, fashion, travel and in-depth interviews.

With designated roles and great communication between teams, our magazine has evolved before our eyes. While the editing team has perfected dozens of articles, the photodesk has been carefully selecting what photos to send through for the final print, and the graphics team has been finetuning the final vision.

The centre fold is all about the final graduate exhibition for our third years. BOUND, the 12 students have considered how they’re tied to specific, disparate things – including grief, the Gaze, love for cars, and invisible disabilities.

In the space of a week, we have managed to design an entire magazine from scratch. The name, the design, the articles and images. It was a great experience communicating our ideas and supporting each other with empathy and kindness, to produce something we are all proud of. Despite it being an intense week, we all enjoyed the experience and are all extremely happy with the results.

On behalf of everybody who put time into this magazine, we appreciate you for making time to read it.

The Editors

CREDITS

PICTURE

Alfie Mottershead

Freya Murphy

Rian Murray

Jamie Marriott

Ben Midlane

Jane Barker

Martin Cubbin

Cerys Lawson

Abi Markisz

Daisy Wheeler

Brian Coletrup

Mai Hem

Patricia Janek

Sindija Malakovska

NEW STORIES

Amelia Antoszczyk

Georgia Crocker

Mia Davy

Tyler Duncan

Summer Fishwick

Emily Hazelton

Musa Jallow

Matty McDonnell

India Sutherland

Jesse Cruse

Nishan Dangol

Jude Stanbury - Hall

Mia Sueres

Jeffery Yu

Rhys Preston

Grace Schofield

Alicia Withington

Heidi Jones

EDITING

Liam Benson

Tali-Mae McCreedy

Finlay Nairn-White

Shayla Thompson

Kayla Ward

Jessica White

Ivy Sellers

J.M Laurent

Levitt Parkes

CENTRE-FOLD STAFF

Nikola Bobwik

Bethany Castle

Rachael Murray

Roxana Allison

Tyrone Anderson

David Digby

Rachel McHaffie

Tom McMahom

Mario Popham

Laura Robertson

Steve Speed

AJ Wilkinson

08 Antoszczyk, Amelia VinylRecordsaremakingacomeback,Why?

10 Benson, Liam DiscoveringCheshire

12 Crocker, Georgia MusicAndMelancholy

14 Cubbin, Martin The Effectiveness of Wind Turbines

16 Davy, Mia & Sueres, Mia Mohammed FASHION FAUX PAS

18 Duncan, Tyler D-DayRemembrance

20 Fishwick, Summer PeopleandtheirMusic

22 Hazelton, Emily What Makes Us Love

24 Jallow, Musa TenHagisadamantthatManchesterUnited willnotgetridofRashfordinthesummer.

26 Lawson, Cerys Graeme Norris The interview

28 Markisz, Abi Pull Out Poncho

30 McCreedy, Tali-Mae Books For Books

32 McDonnell, Matty Veterans remember the fallen

34 Mottershead, Alfie Veteran

36 Murray, Rian RockitUnplugged

38 Nairn-White, Finlay ThreeSistersDriftDay

40 Sutherland, India Photographyinmylife

42 Thompson, Shayla Bad Education

44 Ward, Kayla Cosplay

46 Murphy, Freya Devils,TangosandChurches

48 Wheeler, Daisy BehindBeestrong

50 Cruise, Jesse & Dangol, Nishan & Withington, Alicia Studentslivingalone

52 Bobowik, Nikola ChallengingtheMaleGaze

54 Castle, Bethany ThePrecinctCommunitybyDay+Night

56 Coletrup, Brian BrusselsbyDay

58 Sutherland, India & Fishwick, Summer Interview with Roxana

60 Marriott, Jamie Freedom

62 Midlane, Ben For the Love Of Cars

64 Murray, Rachael Close to Home

66 Stanbury-Hall, Jude TheArtofDragThroughtheLensofaBlackAFABDragQueen

68 Duncan, Tyler & McDonnell, Matty Interview with Tom

70 White, Jessica HollingworthLake

72 Yu, Jeffrey LOST AND FOUND

74 Laurent, J.M Moral Dilemma

76 Hem, Mai EONIAN PORTRAITS

78 Janek, Patricia Echoes of Gaze

80 Malakovska, Sindija Connected Hearts

82 Preston,Rhys StrangeEden.InterviewwithmarioPopham

84 Jones, Heidi & Preston, Rhys & Schofield, Grace InterviewwithFashionDesigner

86 Sellers, Ivy Mother’sDay

88 Crocker, Georgia OnDsylexia

90 Parkes, Levitt ‘What are Comic con’s and who attends them’?

92 Barker, Jane Warwick Stevenson Guitars

94 Jones, Heidi ExploringAnoemoia

Amelia Antoszczyk

We are living in an age right now, where most music is easily accessible through streaming platforms, yet vinyl’s which were once known as the thing of the past are now making a comeback. Last year, ‘Industry figures show that vinyl LP purchases in the UK rose for the 16th consecutive year in 2023, hitting their fastest rate of growth this decade with an 11.7% year-on-year increase to 5.9 million units.’ (Yahoo News, Dorsey, 2024). Vinyls are becoming popular again. But why? In today’s age where we are surrounded by digital technology, I thought that streaming was the future, however ‘vinyl records have returned to the UK’s ‘inflation basket’ for the first time in 30 years.’ (Rollingstone, Richards, 2024).

What is it that made people fall back in love with vinyl records? Is it the experience of listening to vinyl? Does it bring people a feeling of nostalgia? I think the first factor that contributes to vinyl records becoming popular again is the sound quality. Vinyl records provide warmer, richer sounds resulting in a more immersive listening experience which is something that just can’t be replicated with our easily accessible streaming platforms and CDs. Moreover, vinyl’s evoke a feeling of nostalgia. A lot of people like to reminisce about their past times, listening to a vinyl for many is like going into a time machine. The physicality of it as well, the action of flipping through the vinyls and finding your favourite and then placing it on the record player. Vinyl records take people back to a time when music was a tangible experience.

In addition, in the past few years vinyl collecting has become more popular. I think that’s because many modern artists nowadays release vinyl’s that are often made in a variety of colours, designs or even shapes, which makes collecting your favourite music even more exciting. Vinyl records are a physical product, something that music fans enjoy displaying. The large album artwork and unique packaging appeal to collectors and fans who appreciate the aesthetics of vinyl records.

Vinyl Records are making a comeback, Why?

Discovering Cheshire

I have always loved looking at different types of photographs, even before I had a camera. However, within my foundation year at university I discovered a passion for landscape photography. I have pursued this passion within my project “Discovering Cheshire” where the images encapsulate time - merging day and night into a single frame.

The two images within this article are a snapshot into the project. One image displaying Liverpool’s architecture in various light. The composition captures the iconic ‘Liver Building’ which is a prominent landmark of Liverpool, iconically being known as the tallest building within the United Kingdom for fifty years after its completion. The second image shows the M62 going through Widnes with leading lines guiding your eye to the contrasting lights within the sky.

Both images allow you, the viewer, to witness multiple time frames within a singular moment. Take in the day,

take in the night and view the world in a new light

Liam Benson

Murray

Music and Melancholy

Music has the power to hold our broken souls with its tender arms. There is a certain solace which can be found in music’s moody and blue grooves. Music’s aching vulnerability often speaks to our soul and resonates deep in our hearts. A special connection and understanding that’s hard to find, can be found in the warm embrace of song.

I have asked four individuals to name songs that they have gravitated to in hard times to illustrate the power of music and how it can bare our emotions with us.

Jess named Crop Circles, an acoustic narrative about coming of age, adorned with cosy folk influences, by Odie Leigh, as a song she was drawn to. She comments on its ability to express her emotions. It’s easy to see how the songs mellow and cathartic melodies and delicate lyricism connected with Jess. The song was taped in the ambient wilderness of rural Tennessee and opens with atmospheric echoes of crickets humming, reflecting the sentimental, introspective mood of the song.

Summer shared her candid connection to Blackbird by the Beatles. During the pandemic, her father passed away and she listens to this whimsical folk record, which he played to her as a child, to connect with him. Despite Blackbird showing McCartney’s support of the civil rights movement, the wistful cooing of birds and playful, naïve instrumentation wash over you and take you back to a simpler time, immersed in the fantastical, nostalgic world of the song.

Jude relates to 27 Club’s exploration into anxiety and dealing with the pressures of mental health. The lyrics in the rap intimately reflect the experience of self-doubt and amalgamate as a vulnerable confession of being overwhelmed with one’s emotions. The connotation of the 27 Club reflects the dark battle artist Raleigh Ritchie has had with his mental health. Ultimately however, the song ends on a hopeful and optimistic note, reminding us that we need to be more patient and kind to ourselves.

Cancer is a heart-wrenching reminder of the fragility of life, unveiled by downhearted piano instrumentation, interlaced with melancholic guitar throughout and the sting of Gerard Way’s sensitive and delicate vocal display. The song follows a cancer patient ruminating in the inevitability of his death and the things cancer has stolen from him. Cancer has struck a chord with Callum throughout hard times he has faced and connected him to loved ones who have passed on. The deep message of the song repositions his perspective on his life and allows him to feel thankful for his health. Such introspection and reflection has allowed him to see the light in the dark.

In my own journey with my mental health, music has always guided me through the dark walls of my mind. 26 emerges from After Laughter, Paramore’s divisive fifth studio album. While the rest of the album is embellished with bouncy, sleek, new-wave inspired melodies that contradict the pessimistic lyrics. For example in Rose-colored boy and Hard times, 26 is vulnerable, graceful and slow. It is a song that I am particularly drawn to. Between the cascading, ethereal instrumentation, and angelic, sombre vocals from frontwoman Hayley Williams, 26 is a moment of raw fragility and emotion, laced with heartache. The song is structured like a letter to Williams’ younger self, advancing with a soul-stirring crescendo. The song weeps with longing and loneliness and Williams’ gentle deliverance of the lyrics expresses the sadness and tiredness she is feeling. It is an acoustic ballad placed in the heart of a vibrant, quirky nostalgia-trip of a record; deeply emotionally evocative and tender.

It has been interesting, and heart-warming to see the different songs people drift to and the significance those songs have in their personal journeys and lives. Interviewing four people with different backgrounds and social circumstances, such as gender and race, was insightful in exploring the impacts these factors might have on the songs that resonate with them, in comparison to the songs that I find myself going back to.

Rian

The Effectiveness of Wind Turbines

Martin Cubbin

When I was at college in 2022, I created a zine about wind turbines for my final major project in my first year. My idea behind photographing wind turbines was to address renewable energy, as from my experience, when people address pollution, they focus on the negatives: Photos of landfills, beaches covered in litter, and skies filled with smog. Everybody already knows pollution is terrible, and Earth is covered in it. So why do we constantly feel the need to spread awareness? I find it to be pointless. I think people aren’t entirely aware of how effective our efforts to prevent waste actually are. Hence, wind turbines.

Some might think that wind turbines aren’t particularly effective because they have to be windy to even work. However, they produce electricity around 80% of the year, making them an efficient renewable energy source. A significant advantage of them is that wind has no fuel costs, and we get plenty of it in the UK. In fact, the United Kingdom is the most effective place in Europe for wind turbines due to our long coastlines, shallow water and strong wind.

To me, the most effective way to present this information to people was a short zine that not only included captivating photographs of wind turbines, showcasing their aesthetic appeal but also provided detailed information about their efficiency and the reasons why we should embrace the m

FASHION FAUX PAS

Text

Mia Mohammed Sueres

Images

Mia Davy

What is a fashion faux pas?

This can vary depending on cultural norms, social expectations, and personal style preferences. What may be considered a faux pas in one context or culture may be perfectly acceptable in another. However, in general, it’s a good idea to be mindful of fashion etiquette and dress properly for different occasions, to avoid inadvertently committing a fashion faux pas. Should red and green never be seen, or should they? Here are our tips to make a real style statement:

Pushing Boundaries:

Sometimes, a fashion faux pas can be a way to challenge norms. Fashion is subjective, and what one person might see as a faux pas, another might view as innovative, daring, and stylish. Pushing the boundaries of fashion can lead to creativity and new trends.

Personal Expression:

Fashion is ultimately about self-expression; an authentic reflection of style. Experimentation can allow individuals to express their uniqueness and individuality without sticking to social expectations.

Start of Trends:

Some fashion faux pas have eventually become popular trends. For example, wearing trainers with formal attire was once considered a no-no, but has since become a mainstream fashion statement. Trying something new can lead to discovering new styles and trends.

Breaking Stereotypes:

Embracing fashion can also be a way to challenge stereotypes and promote inclusivity in the fashion industry. What is considered wrong or inappropriate for one body type, gender, or age group may be perfectly acceptable and stylish for another. Celebrating diversity in fashion can help break down traditional beauty standards and support acceptance of all personal styles.

D-Day Remembrance

Tyler Duncan

On D-day (the 6th of June 1944) ally forces fought against Germany on the beaches of Normandy. Unfortunately, thousands lost their lives. This year marks the 80th anniversary. To commemorate the date the British Normandy Memorial Service collaborated with the Royal British Legion and Ministry of Defence to host a number of events.

The memorial covers 409,000 square feet with 160 installations of pillars which are engraved with 22,442 fallen servicemen and women under British command. Walking through the engraved pillars creates an intense visualisation which is further enhanced with the new addition of 1475 metal silhouettes, each representing soldiers under British command.All these people sadly lost their lives on D-Day their names are on the centre wall all the rest are on the pillars are on that surround in date. Physically seeing the memorial puts into a startling proportion the number of the lives lost within D-day. There are many memorials and museums within a reasonable distance of the British Normandy memorial. Some examples are visiting the underground German bunkers at the Canadian Juno centre, the many commonwealth war graves which are surrounded in peaceful and calming fields. It’s a stunning coastline contrary to how horrible and dangerous it was 80 years prior.

The royal British legion is collaborating with the Normandy memorial to open an education facility called Winston Churchill centre. This space will hold an exhibition of images given to the memorial charity by current family members. This gives personal stories a chance to be shared and respected by the public.

The story of Mary and John Holland was a very touching one as it involved two brothers, Robert Casson, 25 and Joseph Casson, 18. They both unfortunately died whilst serving under British commands. Robert Casson died on D-day and was buried to sea with honour, later washing up on the beach and getting re buried at a nearby graveyard. With contacts and letters the body was then relocated to be at the side of his brother who was buried at another graveyard which is now their final resting place in ryes.

People and their Music

Summer Fishwic k

For as long as I can remember I have been surrounded by music, from my dad playing the Beatles to me on his guitar to constantly hearing the crackling of vinyls spinning. Now being older, going to gigs and collecting my own vinyls, music personally helps me to connect with people that have passed away or people that I don’t see anymore.

When my dad passed away, I didn’t have much to remember him by because I hadn’t seen him for 6 years. However, when I listen to ‘Blackbird’ by The Beatles I am transformed back to simpler times. When I was a little girl dressing up in my princess dresses, as my dad beautifully played and sang it on his guitar for me to dance around to. At the time that was one of my favourite things to do I felt like it was just for me and my dad, our time.

From having my own songs that remind me of special people, I find it interesting to find out what songs people have connections to that remind them of important people in their life. So, I have decided to ask my family and friends.

Mick (Foster Dad)

Mick’s song takes him back to his younger days with his brother and sister, his brother showed him the song ‘A world without love’ by Peter and Gordon. When Mick first heard it he just sat there and let the melodies fill his ears. He was the eldest sibling and he was normally the one showing his siblings songs, so he was glad to have new recommendations from his little brother. All of his siblings moved to London when they were younger, so he doesn’t get to see them often. This song just brings back memories of his childhood.

Wendy (Foster Mum)

Whenever Wendy hears the song ‘Yellow Submarine’ by The Beatles she is quickly transformed back to her walks with her Dad, reminding her of the times they would walk hand in hand singing it. She said “as much as her dad couldn’t sing” it is one of her favourite memories of him, as it was just him and her and she didn’t have to share him with all of her siblings.

Amelia (Friend)

Whenever Amelia listens to ‘Can’t Stop’ by The Red Hot Chilli Peppers, she is taken back to when her dad first cooked for her when she came to England, when she was reunited with him after a long year, the fresh smell of ingredients filling the kitchen. He was playing lots of music from an old speaker, but ‘Can’t stop’ was one that stuck with her that she still listens to remind her of her Dad

I find it fascinating how music can work as a time machine, how listening to just one song can remind you of a special person, bringing back vivid memories of them. It was comforting to find that the people that I am surrounded by also have songs that remind them of their closest people in their life.

What Makes Us Love

Emily Hazelton

In the realm of relationships, many of us are navigating without a map. We may feel excited during the initial phases of love, but as we transition it into our routine of daily life, our personal challenges can surface. cause us to struggle with hurt emotions, emotional distance, rising tensions, and coping strategies.

Admitting it is important to try and develop and sustain a fulfilling relationship requires effort and resilience. Being able to completely and unapologetically be yourself around someone is rare to find and if you do come across it, it’s something you should fulfill.

When seeking a relationship, what do we tend to look for?

I did some research with my followers on social media and the qualities all tended to be along the lines of being kind, caring and funny.

“Someone who understands you and will take into consideration your struggles.“ - Millie Pitt

“To be caring and to listen, I think compromising is important and to always listen to each other.“ - Tilly Beresford

“They have to be funny, humor is more attractive than looks , they should be your best friend“ Albert

Do you believe in the right person, wrong time? 67% of people did and 33% didn’t. The question is why? “Love is complicated,and unfortunately timing isn’t always on your side. The concept of “right person wrong time“ is a common dilemma that people face when they meet someone who seems to be a perfect match for them, but the circumstances are not favorable for the relationship“ says LeMeita smith, PHD relationship therapist. I think that if you have undying love for someone, you always try and make it work no matter the circumstances, but if you are moving to the other side of the world that could be difficult.If we’re focused on one individual throughout our lifetime, and circumstances have the power to separate us, then that individual might not be the right one for us. The ideal partner would align with us and the circumstances, leading to a long love.

Love often feels unexplainable, the strangest of forces that has taken control of centuries of philosophy, poetry and literature. However in reality, love is a science. Beneath the stomach butterflies ,physical heart ache and flushed cheeks, there is a series of complex chemical reactions taking place between the brain and the body. Dopamine, serotonin and norepinephrine help determine if you are initially attracted to someone. Oxytocin and other chemicals help you form bonds, and reshape your brain when you are in love. What is interesting about these chemicals is that the stress hormone can erode these chemicals, so making your partner stressed won’t help your love! Be kind and always listen.

Ten Hag is adamant that Manchester United will not get rid of Rashford in the summer.

The forward has been rumoured to go to Paris Saint-Germain “We didn’t re-sign him for five years to sell him”, says Ten Hag

Injury-hit Manchester United are currently sixth in the league having played 31 out of 38 games and are desperate to gain qualification to the UEFA Champions League next season.

They are currently in the FA Cup semi-final stage and even though they have a chance to win some silverware it has been a massively underwhelming season for the reds and Marcus Rashford himself. Having conceded a total of 308 shots in their previous 14 matches although goal stats show that openness is difficult for opponents to deal with.

Rashford was linked with a move to Paris SaintGermain again this week, which could provide United with huge ramifications at a time of Premier League profit and sustainability because he is a homegrown player but Ten hag says that the financial benefits are

outweighed by the player’s importance to the future of the club.

We didn’t re-sign him last season for five years with the intention to sell him”, Ten Hag said. “He should be a part of this project, so that is not a subject we talk about”.

Ten Hag spoke before Sunday’s FA Cup quarter-final at home to Liverpool which  would have an impact on whether he would be a part of the INEOS-led project at United.

Actually we never got to turn around so far”, Ten Hag stated. “We’ve had our opportunities, but we missed the opportunities. Sunday we have another good opportunity to build momentum”.

United were massive underdogs but somehow managed to beat their regional rivals in a pulsating affair 4-3 and were boosted by the return of players such as Rasmus Hojlund, Harry Maguire and Aaron Wan-Bissaka. He also gave a positive report on Mason Mount, who was injured for four months with a calf problem. Ten Hag said “Mason Mount trained the whole week with us. First part of the week also partly but then he had some full sessions with us, so it’s looking good”.

In the league fixture, Manchester United engaged with Liverpool again at Old Trafford, this time the score ending at a 2-2 draw. On Sunday 7th of April Liverpool, surprisingly, fell victim to the trick of not being ruthless against an inconsistent Man United for the second time, in the same place, in the space of three weeks.

The first time it knocked them out of the FA Cup; the second, although a draw rather than a defeat, cost them leadership of the league.

It really didn’t make sense, but football sometimes doesn’t. The Manchester United equaliser was the perfect representation for this. Bruno Fernandes scored from 45 yards out, lobbing Liverpool Keeper Caoimhin Kelleher with United’s first, I repeat United’s first shot of the game!

But Ten Hag stated that he wasn’t bothered about the number of shots his side conceded as long as they get results. It is really astounding that a coach so focused on the process stated such a thing. Liverpool have had 87 shots in three games against United but they have not won any of these games.

Liverpool had 17 chances on goal before that, yet the score was 1-1 at the time.

Musa Jallow

Graeme Norris

The interview

How did you get into bikes and what age?

My dad has always been into motorsports ever since I can remember. When I was 3 years old, I started riding a quad and from that I learnt on a rev and go motocross bike. Me and my brother started on a quad that we shared whilst my dad continued to race and trial land rovers. Being around petrol heads all my life, it was inevitable that I went down the same path.

What is Supermoto?

Supermoto usually consists of off-road motorcycles with road racing wheels. The bikes are heavily modified because the circuits usually consist of 70% tarmac and 30% off-road.

What tracks have you competed at?

I have travelled all over the country from Fife,Scotland all the way down south to Kent. Some of these tracks include Silverstone, Cadwell Park, Pembury Raceway, Snetterton, also karting tracks in between and cannot forget my home circuit - Three Sisters Race Circuit in Ashton-In-Makerfield, Wigan.

What is your favourite track and why?

My favourite track has got to be my home circuit because I always seem to do quite well. I think this is because all my family and friends attending to support me builds up all the adrenalin and intensity.

Has it just been the UK you have raced in?

No, I used to go to Belgium once a year in October to compete at Super Biker in Mettet. This consisted of some of the world’s best riders from all types of motorcycling disciplines including world champions.

Which did you prefer racing in the UK or Belgium?

It’s very difficult to compare the two, as good as the British championships are, I’d I’d have to say racing

abroad due to the fact of competitors from all over the world. The races and lap times were much more competitive. Racing abroad also gave me the chance to race with some of the all-time greats in motorsports such as, Stefan Everts who is a 10-time world champion at Motocross and being on the grid with Troy Corser a multiple world superbike champion.

Have you won any championships?

Since starting in 2004 I have competed at national level in the Supermoto British Championship. In 2010, I managed to come 2nd in the 450 National Championship, after coming 2nd I moved up into the faster group which was the elite class in the British Championship. Since I moved up the classes I managed to finish the years consistently in the top 10.

In 2020, I decided to compete in a full championship in the British 2 Stroke Championship. This was a special year because I managed to win the championship by 2 points at the end of the year.

What did it mean to you to win the 2 Stroke British Championship in 2020?

It meant a massive amount knowing that you have finally achieved your goal and the sacrifices from family and friends was all worth it. It’s more of a personal achievement knowing that I have achieved the goal more for myself than anyone else because through any race season there are highs and lows so it’s not just riding the bike it’s also the whole team behind the scenes that also help achieve this.

Cerys Lawson

Pull Out Poncho

Collaboration with the BA Fashion Degree

These images are from a photoshoot for a fashion student who created a gilet in the style of a life jacket for people who live on boats, it’s a multi-functional coat that people can wear day to day and the gilet also turns into a poncho with a hood for when it rains.

Abi Markisz

Books For Books

Are you not making the most of your used books?

Do you have shelves full of books you are yet to read? Want to help others gain access to reading materials?

Here we are going to look into the different affordable and accessible places where you can donate books, purchase them for a cheaper price or by giving a small amount to a charity.  Many places supply a book swopping system or a charitable donation from as little as a pound. It’s important to note that it’s okay to keep a good number of books that you will or have read. However, there are many who do not have access to books and or literary resources.

Queens Park (Bolton)

Queens Park in Bolton has a book swopping system, in the small café available all week from 10AM4PM. Here you can bring in your old or new books you are willing to swop for a variety of different ones. Even if you don’t have any books to swop, you are still able to browse and take as you please. You are always welcome to come back with something for others in future as it always helps the book swopping cycle, keeping the selection fresh for others.

Why not enjoy a read in the park, with your new book you received from your book swop?

Shopping Centres

Are bigger bookstores like Waterstones out of your budget?

We have all been there!

Wandering around Waterstones, coming across an eye-catching thriller and to your surprise the price is jaw dropping. If you want something more affordable, why not try Oxfam or a local charity shop near you? Personally, I have found many affordable classics in my local charity shops around Bolton. There will be a shop near you where you can spend a small fortune on loved books. This will save you loads.

Supermarkets

Tesco has a charity table where you can donate to charity and gain a book in return. They are supporting

The Christie using book swopping as an incentive to donate books and donate to charities, helping others. Using charities and more affordable places to get your books, not only helps others but also helps you.

Bought a new book and struggling to get into the rhythm of it?

Here is a list of a few places we recommend for you to visit to read.

Fancy a coffee, hot chocolate, or a pot of tea while you read? Why not try your local costa coffee?

Want somewhere quieter? Why not try your local library? The library in Manchester is perfect for silent reading!

You could also try going to the park on a sunny morning or afternoon and read on a picnic blanket or a bench next to the new spring flowers with birds chirping around you. Visit your local charity shop or supermarket today and see if you can find a novel that speaks to you. Feel good about yourself when you donate a book or even book swop. Tell us about your book shopping experiences, we’d love to hear them!

Locations

Queens Park: Chorley New Rd, Bolton BL1 4RU

Tesco: Ellesmere Shopping centre, Bolton Rd, Walkden, Worsley, Manchester M28 3BT

Oxfam: Bolton town centre.

Manchester Central Library: St Peter’s Square, Manchester M2 5PD

For the 80th anniversary of the D Day landing I interviewed members of the royal British legion, which is a national charity to help veterans and their families. The RBL is made up of branches across the UK. Most cities and towns have a branch that raises millions each year to help veteran’s families, mental health, homeless and settling into civilian life. The group has a meeting every Tuesday where they talk about their time in the forces and what they can do for veterans, they also have social evenings where they have entertainment, as some members still work during the week. For some of the members the RBL is one of the only sources of socialising, as they have family problems or friends from their time in the forces scattered across the country. Making the group important for these people.

My family is a big part of the Blackburn branch, volunteering along with the other veterans who work hard year in year out to raise money for charity. Last year they raised 60 thousand pounds for the poppy appeal. I asked them their opinion on the new generation not caring about remembrance, and why they think they don’t care for those who fought for their freedom. I have massive respect for those who have signed up and risked their life to fight for the country. I also hope to

educate everyone who reads this article about these great people. I feel as if I must write this article as my sign of respect to the RBL for doing great acts for little thanks back, I also hope by the end of this article you found respect for these people.

When asking some of the members, “Do you think young people don’t care about the lives lost through the war?” the County Vice Chairman John Southworth said “ it’s not ignorance on the behalf it’s because they haven’t been taught about it or seen it enough,”  leading on from this he also said “personally id like to see it brought into the education system and for everybody talk about and learn English history” his belief to keep the memory alive is to start with education, another member Andrew Frost agreed with this saying “ there not enough information out there about the RBL”. When asked about the upcoming 80th anniversary of D Day, a member of the group Ian Clark told me that in the next 2 years the D Day veterans could all die, making the memory become more important than ever. One member I interviewed Adrien Page told me about his grandad’s experience on D Day telling me “he saw his mate’s head blow off” and that he hid behind a seawall being pushed by the sea to go forward, showing the thing these heroes did for their freedom.

Veterans remember the fallen

Matty Mcdonnell

Veteran

ALFIE MOTTERSHEAD

Portrait photography had never been an area of interest for me. I had decided to take my interest in Landscape and Transport photography and work on this during my Level 3 photography course in college. At the time, I never thought portraiture would inspire and influence me and my work so much.

My main photographic focus would either be something with an engine or any abstract architecture, which would draw my attention. Being able to work with and photograph new people I had never met before felt like a breath of fresh air and was not something I had much experience with at the time. This shoot completely changed my views on portraiture, and the deeper meanings surrounding identity which become present when photographing people in different environments.

The photoshoot took place at the Stockport Produce Hall in March 2023. The brief was to photograph the veterans and interview them about their service, creating a “snapshot of time” visualising their accomplishments in the process.

The work would later be displayed in the local art gallery in Stockport, with the aim of raising awareness and appreciation of the incredible accomplishments they and many other veterans have made.

I photographed the veterans one by one, prioritising their comfort during the shoot. Many of them had disabilities which impaired their mobility, so slowing down to match their pace, I felt was essential in making them feel welcome and relaxed. Shooting with an assistant, who was a regular that I had met during the veteran meetups in the Produce Hall, keeping track of who had been photographed and keeping things organised.

I thoroughly enjoyed capturing these veterans and felt honoured in playing a significant role in bringing them the acknowledgement they deserve. The extraordinary work they have carried out throughout their lives was displayed in their medals, badges, and attire. These acted as insights into their time, recognising the effort they had made to serve our country.

The exhibition ran for two months between May and July 2023, and the portraits were given to the veterans themselves after it had finished, which acted as a thank you to them and their families. Although it has been over a year since this shoot, the effect it has had on my photography and perspective of portraiture has been extremely profound.This shoot was one of my favourite shoots to produce and brings me joy to look back on.  It was a valuable learning experience, which helped sharpen my

communication skills when working with strangers. It helped me see how effectively identity can be conveyed through portraits.

Amplifying the Youth in Bolton

Rockit Unplugged:

Rian Murray

Rian Murray

While the world awakens to the gentle hum of routine, a different kind of awakening is happening in the town of Horwich, Bolton. As the sun peeks over the horizon, casting its golden rays each Saturday morning, the doors of Rockit Bolton CIC swing open to welcome a chorus of young voices and creative inclusivity.

There stands visionary leadership, backed by a team of mentors and volunteers, all striving to empower young people. I had the opportunity to sit down with the band Flipside and with Julie Crompton, one of the five founders behind the project, to learn everything there is to know about what Rockit is, its beginnings and where it is headed.

Rian Murray: So, the birth of Rockit. How did it all begin?

Julie Crompton: Rockit in its current format, we started five years ago, but it already existed under different owners as a music project called Rockit Collective that was being discontinued. We took control of it, along with their volunteers, paid staff and the seventeen members, rebranding it, and setting it up as a new company called Rockit Bolton CIC.

So, you rebuilt it from the ground up?

Fern: (Guitar) I heard about it on a leaflet at the Horwich Summer Fair!

Max: (Drums and Vocals) Oh yeah, I remember that – I went to an open mic night and a mentor was there who suggested I come to Rockit. Then there was the festival (Right to Roam) that really made me want to do it.

So, did you join with a love for music already? If so, who are your favourite artists?

Zach: I watch live music and I’m a big fan of Oasis and Stone Roses who are great inspiration.

Tom: I’ve been working with the Bolton Music Service for a while, and my favourite bands are Green Day and Gas Light Anthem, and Bon Jovi.

Fern: Mine are Riskee and the Ridicule, and The Idols.

Max: I really like My Chemical Romance, and Green Day!

And Julie, you mentioned fundraising. Where does the money come from?

Julie: It’s growing as we speak. We have introduced a nominal fee per session for the children, but this only covers around 30% of the costs to run the sessions, so we rely heavily on external support. We’ve won funding this week from the National Lottery Community Fund, which is a contribution and as we now have our own space, we can apply to Children in Need to help pay for things like staffing and the building.

Greater Manchester Police have also previously donated around £10,000 that comes from seized criminal activity, and the Oglesby Trust, too.

I guess leading on from that, do you include any other creative disciplines each week?

Julie: We don’t have specific lessons like we did in lockdown, but we do help the bands with social media; what photos are relevant; logo design; t-shirt design and fashion too.

So it’s more like a holistic approach?

Julie: It’s a creative organisation and although I’m not creative myself, the staff we have bring a variety of skills, like Wes, who is a videographer.

What does the future look like for Rockit?

Julie: Now that we have got the funding, we can have full time staff so that means we’re going to be opening up the rehearsal rooms that young people in the community can use. We’ve got the Right to Roam festival again which is growing. We also have a holiday club starting in Easter that will roll into summer and that involves all things creative –not just music.

If you could sum up Rockit in just three words?

Julie: Inspiring; Creative and Community.

Flipside, can you sum Rockit up in a song title?

Max: Simply the Best!

Fern: Nosedive by Faintest Idea!

Zach: Rock and Roll Star!

Tom: Welcome to Paradise!

Rockit stands as a beacon of inspiration and opportunity for the young musicians who call it home.

India Sutherland

Julie: Yeah, we had to! Although we kept the same name for continuity, we used several venues around Bolton to deliver the project before moving into our current home at The Ramp on Hampson Street in November 2023. We felt it was an ideal location, and along with a new team of directors, we liaised with the previous owners to gather the fundraising information, and we grew from there really. It was already a brilliant existence, so it needed just a bit more development.

And now to Flipside, one of Rockits in-house bands. Zach, Tom, Fern and Max, I’d love to know how you heard about Rockit?

Zach: (Guitar) I heard about it from my mum. To be honest, I didn’t know about it before, but I was learning guitar and my mum suggested I join a band – she’d seen it on Facebook.

Tom: (Guitar) One of my friends had joined – he was a drummer for a band and it’s the community that keeps me coming back...and the pasties!

We have also set up a Patreons programme that the directors are organising an event to sell a brick from the building to raise money whilst having a fun, community event at the same time. As we are also part of the cultural strategy, we get help with our annual Right to Roam festival. Then there is help from our private sponsors like Carrs Pasties and Bolton Gin Company for example.

How did you operate in Covid?

Julie: We worked with the University of Bolton and had ten teachers run remote lessons on Zoom where we did things like music, song writing, photography, creative arts and more – it was massively successful, and we may bring it back in the future.

To stay connected with Rockit and the band Flipside, be sure to follow them.

Flipside.

Facebook: @Flipside Bolton

YouTube: @Flipside_Bolton

TikTok: @Flipside.1

Rockit.

Website : www.rockitbolton.co.uk

Facebook @rockitbolton

Instagram @rockitbolton

Three Sisters Drift Day

Known as the North West’s most challenging outdoor racetrack, Three Sisters Circuit in Wigan offers a wide range of different car and go karting events for both participants and spectators to enjoy. For me as a photographer, it is perfect for both my own enjoyment and the ability to get close to the action and take some photos.

As well as offering services for Go-Karting and Car Track Days, they also have dedicated days for what they call ‘Novice Drift Days’ where car owners can take their personal car onto the track and one by one drift around the challenging bends. This is the event I went to enjoy.

As an aspiring car/motorsports photographer, attending as many events as I can is vital to build up an industry appreciated portfolio and to be able to have the required skills when it comes to fast action photography. I find track days to be perfect for that and it has heavily improved my photography in this area. My main aims for this event were to further improve my panning photography as well as capturing some smoke coming from the cars while they’re drifting.

Finlay Nairn-White

Given the circuit’s popularity, I expected it to be swarmed with car enthusiasts and other photographers. While having this kind of audience there, it wasn’t swarmed and there was plenty of room to move around to watch and take photos.

As I arrived at the track, I decided to scope the area and find a good spot to capture the action. Due to attending events here before, I was able to find a spot I liked quite quickly and set up there. It was nice to be quite close to the track, giving me more photo opportunities. There was only a small fence and some grass separating me from the track. With nothing obstructing my view, this was perfect for trackside photos.

Media Passes were available on the day, however I wanted to attend as a spectator and enjoy the event without any additional responsibilities. There was only one photographer who chose to use  media access.

After a while, I started to gather a lot of the same photos and I felt more comfortable with this panning at this speed.

I decided to move behind the scenes and see some of the cars that had come off the track for some maintenance. It was interesting to see the work that goes on behind the scenes on these cars that make them track ready. The work they were doing captured my attention, so I decided to photograph it.

After the event, I realised why people attend events at Three Sisters. For a track that is tucked away at the back of an Industrial estate, it does a lot of events that makes the community engaged with their events. This event was better than what I expected because it wasn’t overcrowded and I had the ability to take clear photos.

For anyone who is thinking of attending this event or ones like this, I would highly recommend it. Whether you be a photographer or car enthusiast – you won’t be disappointed.

Photography in my life

For years photography has been a part of my life, starting from GCSE, to where I am today, planning to make a career with it.

When I was in high school I had the choice of what to do, there was an opportunity for me to choose photography. I didn’t think much of it at the time but now looking back I made the decision that would determine the rest of my life. When I originally started photography I never took it seriously, I saw it as a way to pass time and get a grade “just taking photos”, which for the most part is exactly what I did. I wasn’t the best at editing since I couldn’t wrap my head around Photoshop but I could manage a camera and knew some basic composition rules so everything was fine, in the end, I passed and discovered I love taking photos in the process. After passing my GCSEs, I decided to continue with photography going into college, I was trying to decide what genre I wanted to focus on.

At first, I was determined that I wanted to focus on crime scene photography and photographing gruesome things. But then I started the course and realised the thought of that was absolutely horrid to me. I wanted

colour and creativity and just everything opposite of crime scene photography, I was still undecided on what other routes I decided to go down with my work, so I just focused on learning as much as I could and improving on my composition and editing skills. And overall I’d say from GCSE to college my work overall had improved significantly. I finally understood Photoshop and I had great ideas for photos which I like to the current day.

My experience with photography in college was overall very positive and made me realise that photography was going to be a must in my future. Whether that being a hobby or career, it was my decision to go to university and further my knowledge and experience so that whatever I decided to do I’d be prepared. And I didn’t expect my work to grow the way it has. I was expecting to gain new knowledge and perfect editing skills but after nearly a year I have noticed a drastic improvement and I have a whole new level of confidence in my work.

Bad Education

Pitfalls in the education system seem to be inevitable in this day and age. As of now, I am currently studying BA Photography at the University of Bolton. The experience has been good – I love analogue photography and particularly learning to work in a darkroom.

However, in my first year of college, when I was 16, I was nearly put off studying the arts for good.

I got to experience what it was like being in a studio setting for the first time, and safe to say it didn’t turn out well; I kept on making mistakes and I was struggling to use the college camera. Both of my art and photography teachers were terrible - my art teacher would force me to stand for hours in ceramics lessons, not allowing me to sit down, until I was on the verge of fainting.

Making students feel confident, and ready to learn, is so important. I really appreciate receiving clear instructions and being able to ask questions. At college, I was often given no prior information on the studio equipment, so I was clueless. My photography teacher would hand us cameras and walk off, without letting anyone know what we were meant to be doing. During a shoot, I kept on accidentally getting the studio lights in frame, which were too heavy to move. Realising that the lights were an issue, I decided that Photoshop editing would help sort the problem. As I uploaded my images to my PC, the teacher returned with a barrage of questions – such as “ did you even think of moving the lights?” and “why didn’t you think?” – and as I’m about to explain the situation he cuts me off and says the classic line: “ I’m not mad, just disappointed.” This hit 16-year old me hard, and as a result, affected my view on photography and the creative arts in general.

I started to think that there was no point in doing it if it wasn’t going to turn out good, which made me put less effort into my work. I started to feel ashamed when I had to go to photography class, and I had no encouragement to change this.

Fortunately, my family, especially my mum, encouraged me to get back into the creative arts and I’m so glad she did. If it wasn’t for her, I doubt I would’ve ever made it to university. I have the photographic ability now that I always wanted, and the love for photography and the creative arts to continue on this wonderful journey.

If you’ve ever felt disheartened, I have some advice for you. Find someone who will be willing to teach you – someone who will be there to support you. Words of encouragement go a long way. I now try to give kind and positive words of feedback and motivation whenever I can at university. Seek and fight for the proper education you deserve.

Shayla Thompson

Cosplay

Why is it so popular?

Kayla Ward

“Icosplayformyloveforthecharacter andformyownself-confidence,ithas taughtmesomuchaboutdifferent cultures,makeupskills,craftingand I’vemetthemostinterestingpeople thatIwouldprobablynevermeetin anyotherenvironment”. (Instagram Handle @shortcake.cosplay_ (Her) 30+).

This cosplayer wished to only reveal their Instagram handle as this is where they are most active as a cosplayer, but they want to protect their normal identity as they have a child.

Cosplayers are known to invest large amounts of time, money and passion into their craft, most are also passionate about their costumes with the end  results being phenomenal.

Cosplay is also very accepting and open to people of all ages.As a photographer I can appreciate the detail in most cosplays, the intricate little gems, flares, colour coordination and detail that goes into props so they can match the outfit themselves. Some cosplayers spend months on end perfecting their cosplays, aiming to represent their favourite characters.

“I love cosplay because it provides an escape from the real world. In costume, you can be whoever you want to be. I have met some amazing people through cosplay, and even though I am older than most, it doesn’t matter; people still appreciate the time and effort you put into your cosplay, and it makes me feel younger. I enjoy making the costumes. Completing costumes and making new friends has improved my mental health. Cosplay brings people together who otherwise wouldn’t meet, I’d recommend it to anyone”. (Jo Usher (Her) (49).

As a cosplayer myself, I appreciate the freedom it has given me to express who I am without being judged for doing what I love. I’m surrounded by people who understand me, making new friends and meeting new people. It enables me to embrace my fandoms, expressing my love for my favourite characters. Yes, people in my life have questioned why I do it, why I “waste” my money spending sometimes hundreds of pounds at a time on something that they see as “childish”. My answer to that is simple, because I can, because I love what I do.

both socially and occupationally, and I’ve had the pleasure of meeting so many incredibly talented people during my cosplay journey, I never want it to end”. (Eleni

(Him) (18))

Cosplayers get into cosplay either through family, fandom or in my own case photography.  Some people, like myself, use cosplay to escape from the real world, even if it’s just for a short period of time, enabling us to become whoever we want to be. Cosplay has often been referred to as ‘nerdy’ or ‘Geeky’, this is usually because it is misunderstood, or perhaps because it’s only over recent years that it has become popular, not just in the UK but worldwide.

To those who love it, it’s a community like no other. It is very accepting of new people, if anything they always support new cosplayers and will help you whenever you need it. If it was given an official description, it would be described as the activity of dressing up as a fictional character that is from a film, book, tv series, video game or anime.

To those of us who are a part of the community it is a way for us to express ourselves, to show our love for characters we adore, to bond with and meet like-minded people. I love cosplaying, I enjoy photographing cosplay, talking about it and cosplaying myself. It truly has become a huge part of my life and through my photos I like to show that.

Comic Conventions are popular destinations for cosplayers, naturally used to attract people using different retail stalls, and well-known celebrity guests ranging from voice actors to live action actors. For cosplayers it can also be a place to meet up with friends and attend group meets for the same subjects.

For me it’s worth it because I get to do what I feel is the best way to express myself, next to photography of course.  As for what I cosplay, it varies, from Star Wars characters such as Bo Katan, which will debut hopefully by the end of the year, to some of my favourite anime characters, such as Yamato from One Piece and Winry from FullMetal Alchemist Brotherhood.

“I took up cosplaying as a hobby mostly due to its likeness to drag culture, from wig styling and makeup artistry to lip syncing and gender bending. The cosplay community is a wonderfully comfortable space to break through gender norms and express yourself to your heart’s content, it’s a world with endless possibilities, fandoms and fun. This hobby has opened me up to so many new opportunities,

I believe that this may reflect how many of the new generation feel, transgender cosplayers are very normal, they use cosplay as a way of showing who they are inside, who they really want to be.

It is clear to see that what all the quotes can agree on is that cosplay has changed their lives in some way, making it easier for them to make friends  while doing what they love. It also shows that cosplay really is for all age groups. I hope that at some point the world will stop judging people who are different and allow people to be themselves without prejudice.

In our community we don’t label people, we don’t judge people for being different,  if one group of people can get along and not be judgemental then maybe that’s a start. Perhaps at some point in the future people will learn from us and take a step in the right direction.

Chrissie

Devils , Tango and Churches

Freya Murphy

From a young age I’ve always known where I want to take my interest in fashion photography and how to make a career out of it. I find a lot of inspiration on Pinterest and magazines such as BRICKS, and DAZED. I also look at designers such as Vivian Westwood. As an alternative dresser myself I tend to move towards dark, strange, and fashionable styles.

The Devils Tango photoshoot started off by me being asked for help creating a demonic creature, luring in something angelic. Upcoming artist Marshall Church is a new Musician in the UK, creating alternative, rock and pop music. He needed something that would be eye catching, mysterious, alluring, and slightly domineering.

When working to come up with ideas for the results, we used Pinterest and his song as the inspiration. Knowing him when he only had 3 chords has some perks. Watching him develop this beautiful creation and give it more life as the weeks flew by, gave me the passion and creativity to not want to disappoint him. Seeing someone close to you succeeding makes you also want to succeed, gives you passion and pushes you to also dream bigger.

Studio makeup! It is so much more than just regular everyday makeup; it is an art form. A way to show off the models features and enhance their beautiful looks. Before you apply any type of makeup your face needs to be prepped.

To start you need to cleanse your face, next you need a good hydrating moisturizer that makes your face not look dry and cracked which can be unpleasant to the eye in the studio. I recommend using Byoma’s cleanser and moisturizer as I found they give me the best results and won’t make you break out.

Your skin is now prepped for the main event, the base! When picking out your primer, foundation, and concealer they all need to have one thing in common. They are either silicone based, or water based. This is extremely important because silicone and water just don’t mix! If using a water-based primer but a silicone foundation, the foundation won’t stay it will go patchy. Once your base is complete spray it with setting spray then wait for it to dry, apply a translucent setting powder with a triangle powderpuff under the eyes, forehead, and chin. Flash photography can wash away a lot of definition from your face so a little bit of shading with bronzer with a matte finish will help you look more defined. Apply this under your cheekbones, along the temples and under the jawline. For blush I never apply to the apples of your cheek as it tends to pull the face down. Finally set it with setting spray, apply some to a beauty blender and dab it under your eyes to make the setting powder look less bright white with flash, now you are camera ready!

Behind Beestrong

Daisy Wheeler

Beestrong is a clothing company which specializes in sweatshirts, hoodies and  many more. The owner Sarah loves to empower women and produce new designs to accomplish this.

Daisy: How would you describe your business to someone who does not know your work?

Sarah: “I am a one-woman business I design, and hand print each design to keep sustainable and not fast fashion. I create a lot of designs to promote training, strong women, and fitness. I only use small independent British businesses as my suppliers. I also like to create custom kits for teams.”

How did you start your business and why?

“I started my business in September 2018 after suggesting the idea to the new owner of the CrossFit box I went to who had just taken it over. I said that she should create a new logo to make it her own and to sell some T-shirts etc as members love them. Well, she said no so I thought I would do it myself with an art and illustration background, I thought of lots of ideas and produced my logo and Beestrong was born. I started with 20 T-shirts and the rest is history.”

What or who is your inspiration?

“My inspiration is strong girls and strong women. I want girls to know they can do anything, try anything and not to let anything hold them back. I encourage girls to lift heavy weights, have fun and not to be controlled by old stereotypes and images of pin thin girls.”

How is your business different now from when you started?

“Well, I started with 20 T-shirts. I researched the correct type of fabric needed to train in. I wanted to fund the printer and took a leap of faith. I then learned how to do it myself. I have watched lots of YouTube videos. I wanted a heat press and cricket machine for my birthday in 2019 and never looked back. I started printing on the kitchen worktop and took over the kitchen table for a few years. Then my partner built me a workhouse in the garden, so I moved in there for a year which was amazing. I started doing pop-up shops at CrossFit events with a couple of rails of stock to get my name out there and to be seen by more people. Well, as these events have grown, I now have a big gazebo, lights and numerous rails and displays. I am attending the biggest CrossFit competitions in the country, and I love doing this. As I get to see my customers, put Faces two names that order off me, and meet new people. I have moved into the new workshop / shop in Altrincham. I have been there for 18 months now and love it. It was a massive gamble as it’s a lot of money to find each month, a big responsibility but one that had to be made to grow more and be more creative.”

For the burger sauce

2 tbsp mayonnaise

1 tbsp tomato ketchupW

2 tsp English mustard

1 tsp Worcestershire sauce

½ tsp smoked paprika

2 tbsp finely chopped sliced gherkins

2 tsp pickle juice

For the burgers

A little sunflower oil, for cooking

4 Tesco Finest Ultimate Brisket and Chuck Burgers (veg options are available)

1 onion, finely sliced

8 slices Tesco Double Gloucester

Onion & Chives

4 brioche buns, split in half

4 Tesco sliced gherkins

1 little gem lettuce, leaves separated

2 large vine tomatoes, sliced

3 tablespoons butter, divided

2 large eggs, whisked

2 medium carrots, peeled and diced

1 small white onion, diced

1/2 cup frozen peas

3 cloves garlic, minced salt and black pepper

4 cups cooked and chilled rice (1 prefer short-grain white rice)

3 green onions, thinly sliced

3-4 tablespoons soy sauce, or more to taste

2 teaspoons oyster sauce (optional)

1/2 teaspoons toasted sesame oil

For most students living alone, homemade meals have become the thing of the past. Trust me, I know. The new found independence that University life brings makes you forget about eating healthy homemade meals because of the thought that you won’t have the time or money. But what if I told you, there are healthy, tasty meals you can cook which are both affordable and don’t take too long to make. Plus, it’s a good way to impress your friends.

Supermarkets such as Asda, Aldi and Tesco are great places to find ingredients at an affordable price. Follow this article and learn how to cook three meals for any occasion, lunch, tea or just as a snack.

There’re many apps and websites that compare prices of food products from supermarkets to help you save money. The website I personally use is called Trolley.

Methods

Smash Burgers

1. Mix everything together for the burger sauce until smooth, then set aside.

2. Place a large, heavy-based frying pan or skillet over a high heat, then cut 4 squares of baking paper to about 15 x 15cm. Next, use your hands to gently divide each of the burgers into two and, using a light touch, form the rough edges into a patty shape (they don’t need to be smooth), to make four burgers.

3. Brush the frying pan with a little oil and, once smoking hot, add two of the burgers. Working quickly, sprinkle half the onion over the burgers, top each with a square of parchment and use a spatula to press down hard on each burger for 1 min, so that the burgers increase in diameter and form a deep, golden crust. Remove the paper and continue to cook for a further 2 mins.

4. Using your spatula, carefully flip the burgers, ensuring that you scrape up the crust from the pan. Lay the cheese slices over the flipped patties and cook for a further 2 mins until just cooked through but still juicy. Remove the burgers from the pan and keep warm. Add the buns to the pan, cut side down, for the final min. Repeat with the remaining burgers and buns.

5. To assemble, spread 1/4 of the burger sauce over the base of each bun. Top with a lettuce leaf, tomato, patty, and gherkin before finishing with the bun lid.

Egg Fried Rice

1. Heat 1/2 tablespoon of butter in a large sauté pan? over medium-high heat until melted. Add egg, and cook until scrambled, stirring occasionally. Remove egg, and transfer to a separate plate.

2. Add an additional 1 tablespoon butter to the pan and heat until melted. Add carrots, onion, peas, garlic, and season with a generous pinch of salt and pepper. Sauté for about 5 minutes or until the onion and carrots are soft. Increase heat to high, add in the remaining 1 1/2 tablespoons of butter, and stir until melted. Immediately add the rice, green onions, soy sauce and oyster sauce (if using), and stir until combined. Continue sautéing for an additional 3 minutes to fry the rice, stirring occasionally. (I like to let the rice rest for a bit between stirs so that it can crisp up on the bottom.) Then add in the eggs and stir to combine. Remove from heat, and stir in the sesame oil until combined. Taste and season with extra soy sauce, if needed.

3. Serve immediately or refrigerate in a sealed container for up to 3 days.

Cheesy Bacon Flatbreads

1. Cook the bacon according to pack instructions. I fried ours in a little oil for 3-4 minutes, turning the rashers half-way through.

2. When the bacon has nearly finished cooking, pop the flatbread in the toaster to lightly toast.

3. Once warmed through, open up the flatbread and immediately add a cheese slice to one half. Quickly pop the bacon rashers on top of the cheese and close the flatbread, to allow the cheese to melt a little.

Challenging the Male Gaze

Nikola Bobowik

Throughout history the feminist forward theory known as the ‘Male Gaze’ gives light to the struggles many women face. It depicts how women are objectified within literature, visual arts, entertainment and more, all for the pleasure of men. In response to this theory, many female creators take ownership of how they’re perceived - this action is the foundation of my work. I use mystery, performativity and the environment to control the gaze, a Female Gaze. Combining the uncanny into my images to access a new found power is how I, a woman in a male-dominated society, never loses sight of who I truly am.

The Precinct Community

by Day + Night

Bethany Castle

This is a collection of photographs of Prestwich community precinct, taken by day and night. A contrast of familiar hustle & bustle, juxtaposed against a lonely, unnerving silence. The precinct is simultaneously in decline, yet also in redevelopment. There are still grubby signs of that 1970’s façade, which is now making way for a twenty-first century face lift called gentrification, that great leviathan that consumes the old and replaces it with coffee shops.

Brussels by Day

Brian Coletrup

I’m inspired by Brassaï (Gyula Halász), who would roam the streets of Paris at night and take photographs of anything interesting he saw. “My ambition,” he once said, “has always been to show the everyday city as if we were discovering it for the first time.”

I traveled to Brussels in Belgium to document the people: tourists and those that call Brussels home. I wanted to find out what Brussels is known for, and how the public respond to the places that are well known.

I have been interested in street photography for most of my photographic career – I love nothing more than

to explore a new place I’ve never been to before and document everything I see, and show the world the images I’ve created.

The theory of the ‘Flâneur’ is important to me. As imagined by the poet Charles Baudelaire, a Flâneur is usually a man of leisure, who would walk around a place observing urban modern life. The idea of the Flâneur has been a big part in the creation of this project and the creation of street photography in general..

“Change is possible, and anyone can do it”

- An Interview with Roxana Allison

India Sutherland and Summer Fishwick

When talking with Roxana about her project “Hope to Spare Miracles” we were looking for the context behind the work, why she did it, and what she was hoping to achieve. As well as if there were any photos she loved more than others?

When we spoke to her, she was very passionate about her work. Roxana has a message she wants to share and that is “change is possible, and anyone can do it”. The goal is to help people help the community, to find comfort in the people you’re around. When visiting the exhibition in Sale, we found the photos to be very appealing and the exhibition very well thought through. The layout of it allowed a story to be told about pigeons on a tree and their impact on the community, this was interesting on its own as a photo because it was deceiving. You look at the photo and your first thought is that the artist creating the photo probably loves the birds, but after talking to Roxana you discover that she can’t stand the “rats”. Another photo showing a scattered loaf of bread, which shows the infestation of the birds, as well as the effects on the community because of the litter and other factors.

This project was one of the first proper times that she was able to work with people to take their portraits, so she had to accommodate people’s needs and be flexible. She found it slightly frustrating, as her schedule would have to accommodate theirs. When covid struck she said that she needed to change the route of her project, so instead of the portraits, she had to think outside of the box. She then decided to take photographs of the environment around where she lives. It was during lockdown, she managed to “capture it in a very clear and defined” way. When it came to her exhibition, it was a yearlong process, she had other people that had no connection to her work to help her, to give her feedback and advice. Roxana was closely working with the project manager, who helped her to focus on all the aspects of the show. She put her thoughts into each piece and where it would go, so that it all made sense and flowed well through the exhibition.

“Hope to spare miracles” by Roxana Allison Waterside Arts’ Lauriston Gallery from Saturday 27th January to 13th April 2024

Freedom

Jamie Marriot

What change do you ask?

A huge one. With a backpack stuffed with essentials and a skateboard strapped to his back, Dylan set out on his adventure. He didn’t have a destination in mind—just a longing for the open road and the promise of freedom that lay beyond.

As he skated through the suburban streets, the weight of expectation lifted from his shoulders, replaced by a sense of exhilaration that he had never known before. The wind whipped through his hair as he rode, the rhythm of his wheels on the pavement a symphony of liberation.

Along the way, Dylan encountered fellow travelers—other teens like him who were searching for meaning amidst the chaos of adolescence. They shared stories of rebellion and defiance, of dreams too big for the confines of their small town existence.

Together, they explored abandoned buildings and hidden nooks, their laughter echoing through the empty spaces like a beacon of youthful defiance. They spray-painted walls with messages of hope and rebellion, leaving their mark on the world in vibrant bursts of colour.

But it wasn’t just about the thrill of rebellion—it was about the freedom to be themselves, unapologetically and without restraint. It was about finding solace in each other’s company, forging bonds that transcended the boundaries of age and circumstance.

As the days turned into nights and the nights turned into days, Dylan felt himself growing bolder, more confident in his ability to carve out his own path in life. He realized that freedom wasn’t just about escaping the rules—it was about rewriting them, creating a world where anything was possible. And so, as he skated into the sunset, his heart soaring with the promise of endless possibility, Dylan knew that he was no longer just a caged bird—he was a soaring eagle, free to roam the skies and chase his dreams wherever they may lead.

He was tired of being alone and stuck. So he made a change

For the Love Of Cars

Ben Midlane

The wind rattles the garage doors with gale force, the highpitched whistle as bitter evening chill tries to make its way under the slowly closing shutter. It’s almost as if the closing garage door is foreshadowing the end of another car season, the dark nights rolling in and the sound of the dreaded gritter starting its shift. This is the time of year petrolheads hate, the lack of social events and the removal of the ability to head out and simply drive the open road.

The garage door in question belongs to Matt Hamlet, cars run through his blood and even his family DNA. His father’s collection may eclipse many but his love for cars is just as great as you and me. Tucked away in an obscure back garage in North England is where Matt calls home this time of year. Restricted to the confines of 4 walls, hibernating until the coming spring, Matt doesn’t miss a day where he isn’t visiting or maintaining the cars. As I enter his garage (as I have on many occasions) it’s hard for your eyes not to wander to the pair of iconic Fast Fords bearing the Cosworth, the unicorn that is the Porsche 993 Turbo S, or the achingly beautiful Maserati Gran Turismo. However they’re not what we are here for.

Unsurprisingly squeezed inches from the garage door is Matt’s pride and joy, a Mitsubishi Evolution 9. The slight sparkle of the carbon fibre splitter, glinting off the garage spotlight as it hides under its cover. Most probably the least valuable car in the garage but the only one sat comfortably protected in cloth. As Matt pulls the cover back, the flat blue of the fabric is displaced by the pearlescent fleck of the Ruri Blue paint as the car is revealed in all its glory. It soon didn’t seem the cheapest car in the unit. As Matt carefully placed the cover onto the spoiler of the car, it gave me time to stand back and admire it. The almost perfect Evo platform sprinkled tastefully with a series of subtle modifications from front to back, giving the car its own unique personality.

As a photographer myself I don’t often get the time to sit back and admire the subject car, it’s often a mad rush of setting up, meeting a brief, and finishing up all within a set time frame. Having seen Matt’s Evo on a multitude of occasions, this was the first time I got the chance to properly look round and embrace its signature JDM styling cues. The sleek flowing lines of the arches, perfectly clean, leading you along the car to the huge rear wing, the silhouette of which is outlined from the reflections off the garage doors. I soon understood why this was Matt’s car, why this one stood out to him even in a garage full of the automotive world’s finest creations.

“CARS ARE A HUGE HOBBY FOR ME, LOTS OF MY FRIENDS I HAVE MET THROUGH CARS. MY WEEKENDS REVOLVE AROUND THEM”

Close to Home

Rachael Murray

These images are from my 2022 photo book, entitled Close to Home, which was a social documentary project about my neighbuorhood in Salford, Greater Manchester.

We all live on a noisy, friendly crescent, and I asked them how long they’d lived here, and what they liked about it?

It was a way for me to become closer to my community; to bond with people who I thought I knew, but could know better.

The Art of Drag Through the Lens of a Black AFAB Drag Queen

Jude Stanbury-Hall aka Ivy Groove

Drag is an artform that extends the passage of time, possibly dating back to Shakespeare. It is testament to struggle, to the oppression of diversity and gender identity.

William Dorsey Swann is recorded as the very first drag queen, born into slavery in the state of Maryland, USA in 1860. Swann organised a series of drag balls during the 1880s to 90s, and with most of the attendees being former slaves who dressed in silk dresses, this group would be recognised as the ‘House of Swan.’ A risky business, Swann was arrested multiple times, gaining the first documented charge of female impersonation in 1888.

Today, drag has been popularised, with the breakthrough of RuPaul’s Drag Race premiering in 2009 and gaining international critical acclaim. Drag is now seen on mainstream TV; it’s on the West End; on beauty adverts and Fashion Week catwalks. Drag today is worlds apart from its original roots, from the slaves hidden in club houses. In recent times, efforts to restrict drag performances and limit free speech within the southern states of the USA feels reminiscent of its early roots.

A brand new development, and welcome change, is AFAB, meaning, assigned female at birth. Different from Drag Kings, who usually perform masculine drag, women are now moving into a once male-only queer space to perform as their female alter-egos. My alter-ego is Ivy Groove: a Southern gal, living the Northern dream in Manchester. Ivy lights up the stage at Bar Pop, living a Bratz Doll fantasy!

As a cisgender black woman working as a Drag Queen in the gay village on Canal Street, I feel I’m really making an impact - creatively, with my make-up, costume design and concepts. However, I have noticed a lack of diversity.

I am the only black Queen working at a preeminent club on the strip, and there are only a handful of black Queens that frequent the village - and even fewer POC (people of colour) Queens and AFAB Queens.

There is still a way to go in terms of representation, but I would like to think I am paving the way for future artists.

My experience over two months working as Ivy Groove has been incredible and I look forward to what the future holds. But I will leave you with this one last image: Pocafabcis, meaning, a weird creature to be found on Canal St at Bar Pop on a Saturday night!

See Ivy Groove’s Churchgate Bar, Bolton, Thursday 25 April 2024, for a night full of camp eurovision entertainment. open at 7PM. FREE ENTRY!

“People with dyslexia are creative.”

Interview with Tom McMahon

Interview: Tyler Duncan

Images: Matty McDonnell

Tyler Duncan: Congratulations on your exhibition, Alchemy & Light. How did you develop your idea for these highly unusual photographs?

Tom McMahon: The idea originally came from my dyslexia diagnosis [...] at the end of my second year of uni, and it kind of really messed me up a little bit, because even though I got the diagnosis, I started to overthink stuff from it. All the stuff that was floating in the background over the years was kind of strange. I was getting mixed up with left and right, struggling with my reading and writing, and I never really understood why.

When I got the diagnosis it gave me the answer to those questions, but I started overthinking things [...] fell down a spiral, and really affected my mental health. I decided to learn about dyslexia and about myself, through my third year project, that’s where it started from sort of like understanding dyslexia and understanding the condition. I realized a part of that is that people with dyslexia are creative, so I wanted to represent dyslexia [...] I wanted to make it positive and get people to understand.

Tyler Duncan: The images use Intentional Camera Movement (ICM); what was that meant to signify?

Tom McMahon: Very early on within the project, I cottoned on to the notion of invisible light and invisible disabilities, dyslexia is one of those disabilities that has no physical signs [...] On the spectrum of light, photography means light drawing; when you look at the spectrum you have three ends, infrared (which you can’t see), plus visible light, plus ultraviolet (which again is invisible). [I was] inspired by Richard Mosse, who did a lot of work with infrared filters on film.

Then I wanted to move it one stage further [...] I realized as well that I actually zone out and have a very short attention span, so I wanted to mimic that within my photography [to make] it more abstract, making the recognizable unrecognizable; to mimic dream worlds I would zone out into.

Hollingworth Lake

Jessica White

Rowing boats gracefully glide, painting ripples on the lake’s canvas which is embraced within the rolling hills.

LOST AND FOUND:

IMMIGRANT LIFE FROM HONG KONG TO BRITAIN

JEFFREY YU

A year and a half ago, many Hong Kong residents left their well-developed international home and moved to the United Kingdom. The promise of new life and opportunities beckoned, but soon a strange feeling set in of the clash of cultures between the two cities, Manchester and Hong Kong.. Sundays that were once full of wonderful everyday life and family stories, now take on a silence that we are not used to.

The Cantopop playlist on our phones reminds us of the good old days and the reason why we left. Some people could not embrace the change and returned to Hong Kong while others adapted and accepted British culture.

Eighteen months later, I still wander through a cultural maze, sometimes feeling lost between two cities. Homesickness remains, but it is linked to a growing sense of not belonging.

British culture may not only change me by a small amount, but it also represents a new chapter in my story. The music may be different, but it connects me to my new community. The education I have gone through has helped to shape me into a more independent spirit.

The UK, with its culture and traditions has slowly woven itself into who I am. Maybe one day I won’t feel lost and I will find myself - a mixture of both a Hongkonger and British. Maybe at some point we can all finally go back to Hong Kong without living in fear of Chinese rule.

“Formless is not only an adjective having a given meaning, but a term that serves to bring things down in the world.” - Georges Bataille

Inspired by the Japanese traditional colours, “Personality Diversity” emerges as a visual exploration that impliedly reflects the diversity within everyone. As a human being, Jeffrey understands everyone has a different complex background and life experience which makes us unique.

Throughout the experiment, Jeffrey captures his conceptual portrait without uncovering the model’s face with a long exposure to create an abstract that outlines the connection between colours and complex diversity, to contemplate the diverse facets of human personality and characters.

Moral Dilemma

For over a year and a half studying in Bolton, I have created many different images, experimenting with many different techniques and in different settings, such as: studio, nature, street, analogue, digital and darkroom.  The piece you see before you today was shot in a studio multiple times, including elements of self-portrait.  I was heavily inspired by American Photographer and Artist, “Duane Michals” and his interesting approach to various taboo topics, such as Religion, Morality and Homosexuality. However, I did more research on Andres Serrera, a very controversial figure in the world of Art and Photography.  What gave me the most inspiration would have to be American cartoonists William Hanna and Joseph Barbera, more commonly known for the Animation company Hanna-Barbera creators of “The Flintstones”, “Tom and Jerry” and “Huckleberry Hound”. What they have popularised into the genuine cultural conscience is the shoulder Angel and Devil as used in “The Flintstones”. I used this as inspiration within my own photograph, but with a different approach, humanising the Devil and Angel within us. I want to make a statement with this photograph, a deep philosophical and moral statement, about the Duality within all human beings. We all have our light and dark side, we all must make Decisions, and we also need to face the consequences of what happens when we make those decisions- whether good or bad. I want to touch the minds and souls of all who read and gaze upon my work.

Laurent

J.M.

EONIAN PORTRAITS

There is no tick-tock of the clock, just the simultaneous beginning and end of both a loud and silent vibration of time, where existence warps and wraps itself into a non-linear stretched and condensed experience.

MAI HEM

Echoes of Gaze

Patricia Janek

Echoes of Gaze is a project that delves into emotions, exploring and expressing them in unconventional ways. It is an artistic experiment that challenges societal norms and amplifies marginalised voices.

In my Echoes of Gaze project, I embark on a profoundly personal journey, inviting you to join me in challenging social perceptions. Inspired by the courageous spirit of feminist pioneers, I infuse each self-portrait with my own experiences and emotions. With every brushstroke and manipulation, I navigate the intricate balance between empowerment and vulnerability, confronting the impact of the male gaze on women’s identities head-on.

This project is more than just art; it’s a testament to my journey of self-discovery and empowerment. It’s a rallying cry, a call to action for you to stand with me in challenging stereotypes and shaping a more inclusive future for all.

Connected Hearts

Sindija Malakovska

Strange Eden

An interview with Mario Popham by Heidi Jones and Rhys Preston

Exhibitions were first introduced in the 1850s, where the aim was to bring together the best products from around the world under one roof. Throughout the past twohundred years, they have gained popularity within several industries, from vehicle showings to various mediums of artistry. Exhibiting your work is highly important in the artistic world. It can open doors to new opportunities and bring a larger audience to appreciate your talents.

To get more of an insight on exhibitions, we looked to interviewing Mario Popham, a photographic artist, curator, and educator.His recent exhibition, ‘Strange Eden’, took place in the Open Eye Gallery in Liverpool with other talented artists.

We asked him a series of questions about the ideas behind Strange Eden and how he started as a curator. He explained that it was based on a combination of a few years of working in a space in Wigan that is now a nature reserve but was once a site of coal extraction up until the 1990s. The nature reserve has only been recently open to the public and so you can still see remains of the coal mines. Popham initially wanted to document the area and how nature has taken back this area. As he explored this site, he extended this project on looking at the area’s past and how it led to the present.

He began working on this project in 2021. He expressed that he usually harvests photographs so he can go back to the site several times, in different seasons, over a course of a few years. Once he has those photos, he will then think about how he wants to present them.

His advice on curating shows is to find little opportunities to get yourself started and to use that to your best advantage.Popham used this opportunity to suggest his own ideas and become proactive from there.

Popham stated that he started out with documentary style photography as he is really interested in capturing reality. He does not typically stage his images and so he looks for natural beauty.

To conclude, we asked him what advice he would give to those who are exhibiting their work for the first time. He replied by saying that it’s good to really think about exploring several avenues and how your work can fit into your space.

Marni Brooker

Interview with a Fashion Designer

Heidi Jones, Rhys Preston and Grace Schofield

We had the opportunity to interview Marni Brooker, a third year undergraduate from BA Fashion at the University of Bolton. We got her opinion on fashion faux pas:

What is your inspiration?

My inspiration started in Fashion after studying Art and Design in college. I found myself becoming more interested in street wear styles and this led me to apply for the Fashion course at the University of Bolton.

Also another little inspiration that kept me going was when I was moving out of home. I kept my primary school leavers’ book and in that was the question, “What do you want to be when you’re older?” I wrote at the age of 11 that I wanted to be a Fashion Designer. That pushed me to keep going because I had forgotten I had ever written that.

How can fashion faux pas be prevented?

People fail all the time and they learn from it, that’s what takes you further than constantly succeeding.

What fashion failures have you made?

When coming up with designs, it can go the complete opposite way when creating the garments. For example, I have cut out the wrong section of my fabric when making a reversible jacket.

How many incidents have you had of a fashion faux pas?

It goes day by day, we make mistakes until we figure out how things can technically work!

Mother’s Day

Ivy Sellers

Trigger warning: mentions abuse and violent language.

I have stepped out of my comfort zone to create this very personal photographic series to help myself deal with my trauma, and also help others. The work is full of vulnerability and fear of the past.

Featuring self-portraiture and diary extracts, this is a snapshot of 22 years of emotional and physical abuse at the hands of my mother, which caused me to develop complex ptsd, anxiety, depression alongside body dystopia.

10th March

Today was the hardest, I just did not want to get out of bed. I miss her so much. This is my first Mother’s Day without my nana. The one person to keep me going, to keep me grounded to why I wanted to stay and carry on with life.

I used to hate this day as a child. When it was my mother’s turn, all I saw was hands connecting to my flesh and telling me I ruined her life and she wished she never had me. The day she stopped me with malice in her voice, “do you know I wished I pulled you out of me with a coat hanger.’ No emotion on her face.

The days I got to have with my nana were the most beautiful and full of love. We would do all the things she loved and spend time shopping or going out into the garden to have food and enjoy the sun if it was out. Then, we would then come back in to watch cowboy movies with John Wayne.

The last thing she said to me before she passed was “I can’t wait to see you graduating. You will look so beautiful and be the first in the family. You don’t understand how proud I am of you.”

On Dyslexia

An interview with Thomas McMahon

Rian Murray

Georgia: As a young neurodivergent person myself, I appreciate how much thought you put into your exhibition on invisible disabilities, such as dyslexia. I am curious, when did you start to realise you had dyslexia?

Tom: So, in my second year, we had to do an essay and I remember it being the first time I’ve really done one. I remember starting to write it, I’ve never been great with books, I always thought some people were good at reading, some people weren’t. I never thought anything beyond that. I had to do a lot of research for the essay, and I had to read things over and over until it sunk in. I thought one way or another, I will finish this. I then reached a point, about a week before hand in, and I needed feedback on my draft and there were delays for one reason or another; I just had a complete meltdown in class and had to leave, which has never happened to me before. The stress was built up and I spoke to Laura in an unpleasant way, I felt crappy about it reflecting on it. I got everything submitted on time, and then Laura pulled me to one side and said, Tom, I think you might have dyslexia. You might relate to this, but with my dyslexia I had coping mechanisms. I had always gone through life finding a way around this problem, but it never really crossed my mind that it was dyslexia.

You find yourself masking without realising, you just kind of have to adapt. Neurodivergence isn’t recognised in girls like it is with boys, so I relate to you, because for me, I had no choice but to develop a thick skin and learn to navigate life with all these struggles in any way I could.

Yeah, and when Laura flagged it up, she said I could get a test with the uni here for £50, compared to like £300, so for peace of mind I thought I’d get it done anyway.

Yeah, that diagnosis can be so important to you, it can give you closure on why you struggle with certain things. Like all the jigsaw pieces connect.

Yeah exactly, I understand my condition more now. Because this journey has had a major impact on me, what I want to try and do is destigmatize dyslexia, and neurodivergence in general, and normalise it.

Well, this leads me onto my next question, has this project helped you understand yourself more and how has your dyslexia shaped the project?

My diagnosis made me feel more comfortable embracing the more creative aspect of my photography. Without it, I would have never produced this work. Photography’s

always been a kind of therapy for me but now I can express myself more passionately. It has given me confidence. The project was originally about me but then I wanted to raise awareness because people don’t talk about it so that’s how it kind of developed and moved on. I learnt more about dyslexia and wanted to raise awareness. There’s a lot of stigma behind it, and I want to normalise it. I’m dyslexic, but it doesn’t define me as a person, it enhances me. I feel that this project is something I need to keep going with.

People often put neurodivergent people in a box. There’s a lot of stereotypes and misconceptions and I can relate to you. Similarly to you I imagine, I don’t know if I would have such a creative outlook on life if it wasn’t for my neurodivergent traits. It makes me stronger in so many ways, and we need to challenge the stigma that it holds people back. At the same time it’s important to acknowledge that certain things are harder and need supporting and accommodating.

Yeah, I always wanted people to understand me but treat me as normal. Understand my condition, understand why I struggle right but don’t treat me any differently. That’s the bottom line. When I got my diagnosis, right I hated the label you are dyslexic. It took me three or four months to accept it. People don’t understand it because there’s so many misconceptions. This is why for me everything that I do now right you know is all about raising awareness. Start a conversation right and this is the power of photography, you can do that.

Your exhibition will strike a chord with people. Some people will just pass it, but someone might look at it and learn about dyslexia, spread the word and that will help people get the support they need. You have created a real safe space, and you should be proud of that. Being neurodivergent is isolating, and you’ve brought together a community of people and shed light on an issue that we need more open conversations about. I saw first hand how the message of your work inspired the general public and it is heartwarming to have seen that moment.

When somebody really connects and understands your work right and it has an impact on them that’s an amazing moment. I remember talking to one girl who was on another course and I was explaining the project and we were just talking openly about dyslexia. She sat down with me, she said this is the first time I’ve spoken with someone that fully understands my condition and I thought well that’s amazing.

Georgia Crocker

‘What

are Comic cons

and who attends them’?

Levitt Parkes

Comicons originated in Japan during the late 1970s early 1980s, where the culture behind the genre was first associated with costume play, the Japanese gave a name to it which was “Kosopure”.

This translates to English as “Costume Play” and meetings or gatherings became known as comic conventions; this has now evolved into the term Comicon, this is how people now describe a meeting or convention based on role play dedicated to fictional characters.

Comicons are very family orientated, which is why they appeal to so many people. They have become a very popular way for people to express their love for a specific character, while in a safe environment with other likeminded people.

Cosplay originally revolved around Anime or Comic book based characters but it now encompasses video games, films and TV series such as Dr Who, X Men and Star Wars.

It should be noted that role playing or dressing up as a specific character actually goes back much further in history and functions, like a themed masked ball and even court jesters were based around a role or character and included dressing up in a costume, so they were technically a form of Costume Play in the loosest sense of the word.

Participation is not restricted to any age group; you will find people from all walks of life get involved. There is no snobbery involved and most cosplayers really are nice people who tend to encourage new people, freely share their knowledge, and generally take new people under their wing.

Some of the groups that have formed on the back of the genre are like extended families, supporting each other both in real life and while doing costume play. They will also lend a hand to others while creating their costumes, and work together on bigger projects, such as some of the Star Wars groups who now have elaborate sets that they take to the conventions.

You do not need to spend a lot of money on a costume, it can be made at home on a budget, but be warned over time. The bug will bite if you like the freedom of expression you get from costume play, and that can lead to bigger and better costumes, which do come at a price but it is up to the individual as to how much they invest.Star Wars characters for instance can spend large amounts of money on their costumes.

There are lots of online groups dedicated to specialist cosplay, such as Project Dalek on Facebook, where people can find plans and help with building life size Daleks from the Dr Who series.

You will also find a lot of groups actively working to generate funds for charities or to support them in other ways which is excellent. These include groups such as The 501st, Garrison and Mos Eisley Misfits Star Wars Groups. Cosplay itself truly is a form of escapism, freeing yourself of the day to day routine and meeting like-minded people while having some fun.

So that’s a brief view on what Comicons and Cosplay are. It is certainly worth looking at as are other forms of reenactment, just pick something you have an interest in and the sky as they say is the limit.

Warwick Stevenson Guitars

Jane Barker

I was invited into a converted red brick mill just on the edge of Macclesfield town centre to spend a few hours in the company of a self-taught Master Luthier in his dusty well used, cluttered, interesting workshop at the rear of Trackside Studio’s. Warwick Stevenson is well past the official retirement age. He is still making his bespoke handmade stringed instruments, carrying out repairs and offering advice. To be honest if it contains strings then he is the go-to person.

Warwick originally comes from Derby, he studied for his pre-diploma in Art at Derby College before moving on to University in Nottingham to study three-dimensional design. Upon the completion of his degree Warwick went on to do several jobs including being a bus driver. It was a chance conversation that led him into quitting being a bus driver and start his journey to building guitars and other instruments. The chance conversation in town saw going into partnership and starting the company Northworthy, which was a garage-based business to start with. He started off with repairs and neck carving and in time built up to building stringed instruments. During this period, he carried out several repairs to ukuleles owned by George Harrison, including a metal one Ringo had dented several times using it as a drum at a party. Although they never met in person Warwick built George a bespoke ukulele and still has the emails they exchanged. The actual instrument featured in one of the Anthology programs made about the Beatles, George is not playing it, but it is on the rug next to him. Warwick reflected on who might own his instruments now, “hopefully it is someone who loved them

as much as George did”. After 10 years this business was dissolved, and Warwick took a break to reflect on what he really wanted out of his life for him and his long-term partner Lindsay Williams. Which came down to playing music (Warwick has been in several bands over the years), travel and being his own boss again. Warwick went on to become a sole trader forming Warwick Stevenson Guitars. Which was once again, having a chance conversation with a couple of friends who encouraged him to return to it as they valued the talent he has. Warwick not only has his business in Trackside Studios, but he is also their resident Bass teacher.

Warwick loves his craft, he has always had a passion for building things, music and working with wood. It seemed a natural choice for this artist to combine his passion for music from being a sound engineer, playing in several bands, building his own speakers and so on to combine it all into becoming a luthier.

Although Warwick finds repairs can be tiresome as customers expectations can be beyond what is possible. If it can be repaired, it is. However, miracles just do not happen. One of the biggest questions asked is how he can let his creations go? He has built himself several instruments over the years, he did build his first guitar when he was sixteen. Warwick is not precious about letting them go, after all he is running a business. Customers place an order for an instrument from him, are having it tailored to their requirements, with each one he builds, he likes to improve on the next one, as that is how he learns, even after all these years, Warwick loves learning and trying new techniques, he feels when this stops for him life will stop. Warwick has no family to pass his trade onto however he is training a couple of people to be able to carry on his legacy. As he is self-taught, I get the impression he feels if he can do it being self-taught, then anyone with a real interest can do what he did.

the wood is already split for instrument making and just picks what speaks to him on the day. It could be an interesting grain, depth of colour or simply just feels right when he runs his hand over it. Most woods can be used, he advises me that oak is usually best avoided as it tends to split and needs a lot of care to keep it from splitting. Nothing is wasted either if trimmings are suitable, they can be inlayed into headstocks to give it detail. A recent completion saw him put an image of a giraffe made from boxwood inlayed into the neck of a guitar, it was a memorial to the customers friend who had passed away. Usually, he will use abalone inlayed into necks to create vines climbing up it or birds. He also uses mother of pearl but that is really at special request. Each of his creations contain his inlayed logo WS in abalone on the head stock. I don’t think Warwick will ever retire, true creatives never do, I suspect one day he just won’t be found in his workshop, and he will be traveling on a different journey.

Warwick is noticing that people are now striving to own one of his guitars, often you hear the pupils at the studio say they want to own a Fender or Les Paul or a Gibson and so on. An off the shelf one style fits the rock star image they see in the media. When they dig a little deeper, they realise that quite a few of these iconic rockers have had guitars made for them or taken several and rejigged the parts to have one built to what feels right for them. Although his guitars cost several thousands to own, they never stay on the shelf for long, when he does make a generic one for general sale. He attracts customers from all over not just through the rock school based in the studios. He has his own social media sites to advertise his creations for sale. Warwick still attracts famous musicians as customers including members from New Order, Gordon Giltrap, Neil Costello and so on.

I asked Warwick how he chooses the wood for the next creation? I got the impression unless a customer specifies what wood they would like, he travels to his favourite place in Leek, where

Exploring Anemoia

For my exhibition, I wanted to explore the feeling of Anemoia - The feeling of nostalgia for a time I never lived. I’ve had this feeling for as long as I can remember. I have a sort of yearning towards the past, a feeling that I missed out on something years before I was born. To express this, I wanted to create a body of work that relates to ‘travelling back in time’ and living in these eras through my camera, particularly through the 1940’s. To do this, I took a 35mm camera and visited historical places such as Beamish Museum, an area where many people like me experience a simulation of what life was like back then. I also used medium format to produce still life images to create this uncanny simulation too.

Heidi Jones