Rabab Al-Ali Architecture Portfolio

RABAB AL-ALI

PORTFOLIO E

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RABAB AL-ALI

RABAB AL-ALI

RABAB AL-ALI

RABAB AL-ALI

SELECTED WORK: 2021 - 2024

RABAB AL-ALI

RABAB AL-ALI

RABAB ABDULLA AL-ALI ARCHI TE CT

CO NTACT D u b a i , Un i ted A ra b E mi rate s ( U.A.E.) + 9 7 1 5 0 55 4 3 3 3 0 r a b a b . a bd u l l a .a l al i @ g ma i l .c om r a l a l i . a rc h

ED UC AT I O N

ACHIEVEM ENTS

AM E R I C A N U N I V E R SIT Y OF SHARJ AH

MER IT S C H OLA R SH IP

BA ARCHITE CTURE 2019-2 0 2 4

AMERICAN UNIVERSITY OF SHARJAH

D EA N LIS T AMERICAN UNIVERSITY OF SHARJAH

H ON OR A RY MEN TION S R E - H O U S I N G T H E C AV E D W E L L E R S O F B A M I YA N C O M P E T I T I O N

EXPERIENCE DUB A I M U N I C I PA L I TY AGRICULTURE DE PA RTMENT

SKILLS D IGITA L AUTODESK AUTOCAD

ENSCAPE

ADOBE ILLUSTRATOR

LUMION

LO C I A R C H I T E C T U RE + DESIGN

ADOBE INDESIGN

MICROSOFT OFFICE

AR C HITE CTURE DE PA RTME NT

ADOBE PHOTOSHOP

RHINOCEROS 3D

ADOBE PREMEIRE RUSH

VRAY

2017 - J U N E TO AU GU S T

2022 - J U N E TO J U LY

VO L UN T EE R I N G

ANALOGUE

E DU C H O I C E

LASER CUTTING SKETCHING

EVENT MA NA GE R

MODEL MAKING

- O P ER AT IN G AN D OR GAN IZ IN G E V E N TS C ON C E R N IN G LA U N N C H OF N E W P R OD-

CASTING DIAGRAMING

UCT - A RRA N GIN G T H E H A L L A N D G R E E TIN G A LL TH E N E W C OS TU ME R S A N D P OS S IBLE I NV E S TOR S OF T H E P R OD U C T

`

DRAWING

01

02

03

04

SHARJAH CENTER FOR FILM AND MEDIA

REVI VI NG AG RI CULTURE I N BEI RUT

GULF FU T I RI S M AN D I N HAB I TABLE I N FR AS TRUCTURES

F U R R O W VA L L E Y: R EH OU SIN G T H E C AV E D WELLER S OF B A M I YA N D WEL

ARC 402 | PROF. IGOR PERAZA

A RC 5 0 1 | P RO F. MA RCUS FA RR

A R C 5 0 2 | P R O F. G E O R G E K ATO D RY T I S

A R C 4 0 1 | P R O F. G E ORGE NEWLANDS

05

06

07

08

TE A CH ON THE BEACH AR CHITECTURE C O M PETITION

CAAD DESI G N BUI LD H U B

M O DUL AR ACOUS T I C I N SUL AT I O N FURN I TURE SYS TEM

P OS T- D IGITA L A R TISA N S: TOOLS A S EX TEN SION S OF A R TIS TIC P R OD U C TION

A RCHITECTURE COMP E TITION

A RC 3 0 2 | P RO F. G RE G O RY S PAW

A R C 4 3 7 | P R O F. TA N I A U R S O M A R Z O

A R C 2 3 3 | P R O F. M ARCUS FARR

01

SH A RJAH CENTER FOR FI LM AND M EDI A T EA M M EM B E R : R A Z A N A L MA JID A R C 402 | PRO F. IGOR P E RA ZA

IN THE PROJECT, THE MAIN FOCUS WAS ON INTEGRATING THE SITE›S SOUND DYNAMICS AND CIRCULATION PATTERNS INTO THE DESIGN. THIS LED TO THE CONCEPTUALIZATION OF A PINWHEEL LAYOUT, EMPHASIZING THE BUILDING›S CONNECTION WITH ITS SURROUNDINGS. INCORPORATING THE TRADITIONAL SHAMAGH PATTERN AS A MODERN MASHRABIYA DESIGN FURTHER REINFORCED THE BUILDING›S CULTURAL ROOTS. THIS APPROACH AIMED TO BLEND TRADITION AND MODERNITY SEAMLE SSLY WITHIN THE ARCHITECTURAL CONTEXT OF THE THEATER IN SHARJAH.

6 5 4 3 2 1

SITE COLLAGE

A

B

C

D

E

F

G

H

FIRM

DESIGNER NAMES

6

Rabab Al-Ali g00084976@aus.edu Razan Almajid g00081319@aus.edu

DISCLAIMER / COPYRIGHT

FIRM

THIS DRAWING IS PROVIDED FOR INFORMATIONAL PURPOSES ONLY PRODUCED BY STUDENTS. IF USED FOR CONSTRUCTION, THE CONTRACTOR ASSUMES ALL RESPONSIBILITY FOR LOCAL CODE COMPLIANCE. ALL DRAWINGS, PLANS, SKETCHES ETC. ARE PROVIDED TO CLIENTS BASED UPON INFORMATION PROVIDED BY THE CLIENT AND DRAWN IN ACCORDANCE WITH THE COMMON BUILDING PRACTICES AND LOCAL CODE. NONE OF THE EMPLOYEES OF THE DESIGN STUDIO ARE REGISTERED ARCHITECTS, ENGINEERS OR LAND SURVEYORS. ALL DIMENSIONS AND SPECIFICATIONS SHOULD BE VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS. IF DIMENSIONS AND SPECIFICATIONS ARE NOT VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS THE DESIGN STUDIO WILL BE HELD HARMLESS AND ASSUMES NO LIABILITY FOR CHANGES FOR CHANGES AND/OR REVISIONS MADE TO PLANS

BY CLIENT AND/OR CONTRACTOR.

DESIGNER NAMES

Rabab Alg0008497

Razan Alm g0008131

SEAL / SIGNATURE

DISCLAIMER / COPYRIGHT

5

THIS DRAWING IS P PRODUCED BY ST ASSUMES ALL RES DRAWINGS, PLANS INFORMATION PRO THE COMMON BUIL EMPLOYEES OF TH ENGINEERS OR LA SHOULD BE VERIFI CONSTRUCTION BE VERIFIED BY CLIEN BEGINS THE DESIG LIABILITY FOR CHA

BY CLIENT AND/OR

SEAL / SIGNATURE

NOT FOR CONSTRUCTION. FOR DESIGN ONLY. DATE:

4

NUMBER/ REVISION

ISSUE FOR:

6

05-03-2023

5

05-03-2023

B1: WALL SECTION DETAILS

4

05-03-2023

A4: MEP REVIEW

3

03-23-2023

A3: 50% DESIGN DEVELOPMENT

2

02-23-2023

A2: 100% SCHEMATIC DESIGN

6

0

1

A1: PRE-DESIGN

5

0

02-01-2023

4

0

3

0

A5: 100% DESIGN DEVELOPMENT

NOT FOR FOR DESI NUMBER/ REVISION

CLIENT

ARC402: Comprehensive Studio Professor Igor Peraza American University Sharjah College of Architecture, Art & Design

0

1

0

CLIENT

Com Pro Americ College of

PROJECT LOCATION

Vehicle Sound Diagram V ETimings: HICLE SOUND DIAGRAM

Sound Diagram M OSQU Mosque E SOU N D D IA GR A M Timings:

T IM IN - GS7:00 - 10:00 am - 10:00 -4:00 7:00 AMpm - 7:00 - 7:00 - 4:00 PM

3

2

TI MI N G S - 5:40 AM - 12:30 AM - 3:30 PM - 5:55 PM - 7:25 PM

Decibels ofBELS All SoundOSources Around DESCI F ALL SOThe U NSite D SOURCES AROUND THE SI TE GOOGLE COORDINATES

TI MI N G S - 7:30 AM - 10:30 AM - 12:30 PM - 3:00 PM

5:40 am 12:30 pm 3:30 pm 5:55 pm 7:25 pm

From The Site FR OM TH E SITE LLive I VSound E S OWaves UND WAVES Traffic Sound Waves

Diagram SC H OOL School SOUSound ND D IA GR A M Timings: -

7:30 am 10:30 am 12:30 pm 3:00 pm

PROJECT LOCATION

Sound From Vehicles SOUExerted N D EXER TED FR OM VEH IC LES

Mosque Sound Waves GOOGLE COORDINATES

In Motion

Still

120PROJECT

2

PROJECT

100

SHARJAH CENTRE FOR FILM AND MEDIA

80

SH FOR

Car Distance:40

Al R

Al Riqa Neighborhood Sharjah United Arab Emirates

60

Unit

40

Sound Source

Decibles

Distance

Mosque

90-100

20 Meters

School

60

10 Meters

Traffic

80

15 Meters

DRAWING

20

1

SITE ANALYSIS

DRAWING

SITE Truck Distance:70

SHEET NUMBER

SHEET NUMBER

Mosque

A-004

A1

School

Traffic DATE:

Spring 2

SITE ANALYSIS SCALE:

DATE:

A

N/A

JOB NUMBER:

Spring 2023

Arc402_Sec03

B

C

D

E

F

G

H

B

C

D

E

F

G

H

6

A

FIRM

DESIGNER NAMES

Rabab Al-Ali g00084976@aus.edu Razan Almajid g00081319@aus.edu

DISCLAIMER / COPYRIGHT

5

THIS DRAWING IS PROVIDED FOR INFORMATIONAL PURPOSES ONLY PRODUCED BY STUDENTS. IF USED FOR CONSTRUCTION, THE CONTRACTOR ASSUMES ALL RESPONSIBILITY FOR LOCAL CODE COMPLIANCE. ALL DRAWINGS, PLANS, SKETCHES ETC. ARE PROVIDED TO CLIENTS BASED UPON INFORMATION PROVIDED BY THE CLIENT AND DRAWN IN ACCORDANCE WITH THE COMMON BUILDING PRACTICES AND LOCAL CODE. NONE OF THE EMPLOYEES OF THE DESIGN STUDIO ARE REGISTERED ARCHITECTS, ENGINEERS OR LAND SURVEYORS. ALL DIMENSIONS AND SPECIFICATIONS SHOULD BE VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS. IF DIMENSIONS AND SPECIFICATIONS ARE NOT VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS THE DESIGN STUDIO WILL BE HELD HARMLESS AND ASSUMES NO LIABILITY FOR CHANGES FOR CHANGES AND/OR REVISIONS MADE TO PLANS

BY CLIENT AND/OR CONTRACTOR.

SEAL / SIGNATURE

1 . INITIAL I N I T I AMASSING. L MASSING 1.

2 . D IVID IN G TH E M A SSIN IN TO FOU R DIVIDING MASSING FOUR B2.

LOC K S THTHE AT C R EATESINTO A PIN WH EEL BLOCKS THAT CREATES A PINWHEEL FORM RESULTING IN A CENTRAL.

4

NOT FOR CONSTRUCTION. FOR DESIGN ONLY. NUMBER/ REVISION

DATE:

6

05-03-2023

5

05-03-2023

B1: WALL SECTION DETAILS

4

05-03-2023

A4: MEP REVIEW

3

03-23-2023

A3: 50% DESIGN DEVELOPMENT

2

02-23-2023

A2: 100% SCHEMATIC DESIGN

1

02-01-2023

A1: PRE-DESIGN

ISSUE FOR:

A5: 100% DESIGN DEVELOPMENT

CLIENT

3

ARC402: Comprehensive Studio Professor Igor Peraza American University Sharjah College of Architecture, Art & Design PROJECT LOCATION

3. 3SHIFTING BLOCKS TO CREATE . S H I F T ITHE NG T HE BLO CK S TO C R E ATE FOU R FOUR TO THE D I F FDIFFERENT E R E N T E NENTRIES T R I E S TO T H E B U I L DIN G BUILDING.

4. THE ADDITION OF A BRIDGE THAT ALL FOUR 4 .CONNECTS B R ID GE TH AT C ONBLOCKS N EC TS AT A LL FOU R BTHE LOCFIRST K S FLOOR.

GOOGLE COORDINATES

2

PROJECT

SHARJAH CENTRE FOR FILM AND MEDIA Al Riqa Neighborhood Sharjah United Arab Emirates

DRAWING

GENERATIVE DIAGRAM

SHEET NUMBER

1

A-007

5 . 5.

FIN A L FOR M FINAL FORM.

JOB NUMBER:

DATE:

A1

Spring 2023

GENERATIVE DIAGRAM SCALE:

NA

A

B

C

D

E

F

G

H

Arc402_Sec03 DRAWN BY:

Razan

6

1

3

2 10.10 m

5

4

5.00 m

4.20 m

10.75 m

A

7

6 2.05 m

5.65 m

9 10

8 8.68 m

3.25 m

11

2.00 m

12.14 m

2.50 m

FIRM

B

Storage

Kitchen/Storage

012 7 sqm

014 15 sqm

DESIGNER NAMES

Rabab Al g0008497

1.0

1.04 0.90m 1.60m

0.80m

1.12

1.0

1.13

1.04

UP

Gift Shop

Cafe/Lounge

011 17 sqm

013 110 sqm

Razan Alm g0008131

1.0

5

6.33 m

1.0

DISCLAIMER / COPYRIGHT

THIS DRAWING IS PRODUCED BY S ASSUMES ALL RE DRAWINGS, PLAN INFORMATION PR THE COMMON BU EMPLOYEES OF T ENGINEERS OR L SHOULD BE VERI CONSTRUCTION B VERIFIED BY CLIE BEGINS THE DES LIABILITY FOR CH

BY CLIENT AND/O

1.0 1.00m

1.05

1.00m

1.10

1.10

3.90m

+0.10 m

+1.80 m

C

1.0

1.4

1.80m

1.08

1.4

1.4

1.4

1.4

1.06

4.30m

4.60 m

SEAL / SIGNATURE

4

1.07

008 200 sqm

Reception

1.07

UP

001 76 sqm

NOT FOR FOR DES

BB 302

3.60m

Lobby/Exhibition

3.60m

4.60m

D NUMBER/ REVISION

E

6 5

Storage 1.11

4

4.60 m

0.70m

1.3

1 452

004 14 sqm

1.3

+0.20 m

+0.10 m

CLIENT

Co Pro Amer College o

+0.20 m

Lounge

Storage 009 34 sqm

1

Projection Room

AA 301

F

2 450

UP

1.80m

5.60 m

3 2

1.03

3

-3.60 m

005 5.70 sqm

1.11

0.70m

002 74 sqm

1.3

1.11

0.70m

UP

1.11

0.70m

PROJECT LOCATION

1.3

Office +2.70 m

G

003 3.75 sqm

1.2

1.80m

1.02

3.00m

3.20 m

1.03

UP

H

1.1

1.1

1.1

1.09

1.09

2.77m

2.77m

-4.45 m

Lounge 007 74 sqm

3.50 m

Open To Below GOOGLE COORDINATES

+0.20 m

5.40m

1.00

5.17 m

Loading Dock

1.00m

PROJECT

1.10

1.00m

2

I

1.10

+1.80 m

SH FOR 6.13 m

Exhibition 010 134 sqm

Al R

Un

J

1.04 2.65m

2.65m

2.65m

2.65m

2.65m

1.01

1.01

1.01

1.01

1.01

0.90m

UP

K

0.90m

1.04

DRAWING

GRO

DD 301

SHEET NUMBER

1

CC 302

DATE:

A1

GROUND FLOOR PLAN

GROUND F L OOR PL AN

SCALE 1:150

A

Spring 2 SCALE:

1:150

B

C

D

E

F

G

H

B

C

D

E

F

G

H

6

A

A

B

C

D

E

F

G

H

FIRM

DESIGNER NAMES

6

Rabab Al-Ali g00084976@aus.edu Razan Almajid g00081319@aus.edu

DISCLAIMER / COPYRIGHT

5

THIS DRAWING IS PROVIDED FOR INFORMATIONAL PURPOSES ONLY PRODUCED BY STUDENTS. IF USED FOR CONSTRUCTION, THE CONTRACTOR ASSUMES ALL RESPONSIBILITY FOR LOCAL CODE COMPLIANCE. ALL DRAWINGS, PLANS, SKETCHES ETC. ARE PROVIDED TO CLIENTS BASED UPON INFORMATION PROVIDED BY THE CLIENT AND DRAWN IN ACCORDANCE WITH THE COMMON BUILDING PRACTICES AND LOCAL CODE. NONE OF THE EMPLOYEES OF THE DESIGN STUDIO ARE REGISTERED ARCHITECTS, ENGINEERS OR LAND SURVEYORS. ALL DIMENSIONS AND SPECIFICATIONS SHOULD BE VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS. IF DIMENSIONS AND SPECIFICATIONS ARE NOT VERIFIED BY CLIENT AND/OR CONTRACTOR BEFORE ACTUAL CONSTRUCTION BEGINS THE DESIGN STUDIO WILL BE HELD HARMLESS AND ASSUMES NO LIABILITY FOR CHANGES FOR CHANGES AND/OR REVISIONS MADE TO PLANS

BY CLIENT AND/OR CONTRACTOR.

FIRM

DESIGNER NAMES

Rabab Al-Ali g00084976@aus.edu Razan Almajid g00081319@aus.edu

SEAL / SIGNATURE

DISCLAIMER / COPYRIGHT

5

THIS DRAWING IS PROVIDED FOR INFORMAT PRODUCED BY STUDENTS. IF USED FOR CO ASSUMES ALL RESPONSIBILITY FOR LOCAL DRAWINGS, PLANS, SKETCHES ETC. ARE PR INFORMATION PROVIDED BY THE CLIENT AN THE COMMON BUILDING PRACTICES AND LO EMPLOYEES OF THE DESIGN STUDIO ARE RE ENGINEERS OR LAND SURVEYORS. ALL DIME SHOULD BE VERIFIED BY CLIENT AND/OR CO CONSTRUCTION BEGINS. IF DIMENSIONS AN VERIFIED BY CLIENT AND/OR CONTRACTOR BEGINS THE DESIGN STUDIO WILL BE HELD H LIABILITY FOR CHANGES FOR CHANGES AND

BY CLIENT AND/OR CONTRACTOR.

SEAL / SIGNATURE

4

NOT FOR CONSTRUCTION. FOR DESIGN ONLY. DATE:

4

NUMBER/ REVISION

ISSUE FOR:

6

05-03-2023

5

05-03-2023

B1: WALL SECTION DETAILS

4

05-03-2023

A4: MEP REVIEW

3

03-23-2023

A3: 50% DESIGN DEVELOPMENT

2

02-23-2023

A2: 100% SCHEMATIC DESIGN

1

02-01-2023

A1: PRE-DESIGN

A5: 100% DESIGN DEVELOPMENT

NOT FOR CONSTRUC FOR DESIGN ONLY. NUMBER/ REVISION

DATE:

CLIENT

3

ARC402: Comprehensive Studio Professor Igor Peraza American University Sharjah College of Architecture, Art & Design PROJECT LOCATION

6

05-03-2023

5

05-03-2023

B1: WALL S

4

05-03-2023

A4: MEP RE

3

03-23-2023

A3: 50% DE

2

02-23-2023

A2: 100% S

1

02-01-2023

A1: PRE-DE

A5: 100% D

CLIENT

3

ARC402: Comprehensive Professor Igor P American Universit College of Architecture PROJECT LOCATION

GOOGLE COORDINATES

2

PROJECT

GOOGLE COORDINATES

SHARJAH CENTRE FOR FILM AND MEDIA PROJECT

2

Al Riqa Neighborhood Sharjah United Arab Emirates

SHARJAH CEN FOR FILM AND M

Al Riqa Neighbor Sharjah United Arab Emi

DRAWING

RENDER DRAWING

RENDER

SHEET NUMBER

1

1

A-015 DATE:

JOB NUMBER:

SHEET NUMBER

A-01

3

2

5

4

6

8

7

9 10

11

6

1

5.00 m

4.20 m

10.75 m

2.50 m

A B

2.05 m

5.65 m

Office #3

Office #4

112 10.5 sqm

113 17 sqm

0.75m

+1.80 m

3.25 m

2.00 m

12.14 m

FIRM

DESIGNER NAMES

0.75m

2.05

Office #2

8.68 m

2.05

Meeting Room

111 10.5 sqm

2.06

114 22 sqm

1.50m

10.10 m

Rabab Al g0008497

2.0

0.75m

Open To Below

6.33 m

Area of Refuge

2.05

Office #1

+5.55 m

110 10.5 sqm 1.00m

DISCLAIMER / COPYRIGHT

2.05

1.70m

Storage

Projection Room

Office

108 9 sqm

107 20 sqm

106 7.54 sqm

0.75m

2.07

0.75m

4.60 m

2.04

2.03

0.75m

2.07

G

D

D

THIS DRAWING IS PRODUCED BY S ASSUMES ALL RE DRAWINGS, PLAN INFORMATION PR THE COMMON BU EMPLOYEES OF T ENGINEERS OR L SHOULD BE VERI CONSTRUCTION B VERIFIED BY CLIE BEGINS THE DES LIABILITY FOR CH

BY CLIENT AND/O

2.0 0.75m

0.90m

DN

0.90m

2.07

0.75m

2.3

2.0

2.0

2.0

2.0

2.0

2.6

2.6

2.6

2.6

2.5

2.5

G

SEAL / SIGNATURE

2.3

+5.55 m

Entry/Reception

2.06

101 38 sqm

E

2.3

2.0

2.0

2.0

2.0

2.0

2.00

UP

NOT FOR FOR DES

2.3

D

DN

2.9

1.30m

1.50m

4.60m

+5.55 m

BB 302

+5.55 m

2.00m

NUMBER/ REVISION

2.7

2.01

6

A

105 108 sqm

2.0

Open To Below

DN

Lounge 2.0

2.0

Multi-Purpose Room

102 108 sqm

103 80 sqm

1 452

F

5

2.0

E

C

2.8

Library

B

104 75 sqm

2

2.0

+5.55 m

4 3

AA 301

4.60 m

Reception/Lounge

2 450

5

2.02 2.03

2.07

4

2.0

1.00m

2.02

C

Razan Alm g0008131

2.0

+4.65 m

1

Main Theatre

CLIENT

5.60 m

109 280 sqm

+3.76 m

2.8

2.0

2.0

Co Pro Amer College o

B

UP

UP

2.0

2.0

DN

G

2.0

2.4

2.06

2.8

D

+2.70 m

PROJECT LOCATION

B

3.20 m

2.2

2.3

2.0

2.0

2.0

2.0

2.0

2.3

+5.55 m 2.7 0.75m

0.75m

Backstage Room 2.07

H

A

2.07 2.0

2.0

2.0

2.0

2.0

2.0

2.0

2.0

2.0

2.0

2.1

2.0

2.0

2.0

F

3.50 m

Open To Below

I

2.02

Loading Dock

2.03

0.90m

1.00m

2.02

1.00m

GOOGLE COORDINATES

DN

5.17 m

PROJECT

2.03

0.90m

6.13 m

2

1.50m

3

+4.27 m

SH FOR

Area of Refuge

J

Al R +1.80 m

K

Un

DRAWING

CC 302

FIRS

DD 301

1

SHEET NUMBER

F IRST F L OOR PL AN DATE:

A1

Spring 2

FIRST FLOOR PLAN SCALE:

A

B

C

J

D

I 5.17 m

H

E

G 3.20 m

E

5.60 m

C

D

4.60 m

4.60 m

G

B

4.60 m

H

A

6.33 m

2.50 m

6

3.50 m

F

F

FIRM

+10.10 m DESIGNER NAMES

+8.25 m

Rabab Al g0008497

Reception/Lounge 2.06

Exhibition

105 108 sqm

2.06

2.06

2.06

Razan Alm g0008131

1.04

010 134 sqm

+5.45 m

5

DISCLAIMER / COPYRIGHT

THIS DRAWING IS PRODUCED BY S ASSUMES ALL RE DRAWINGS, PLAN INFORMATION PR THE COMMON BU EMPLOYEES OF T ENGINEERS OR L SHOULD BE VERI CONSTRUCTION VERIFIED BY CLIE BEGINS THE DES LIABILITY FOR CH

BY CLIENT AND/O

+3.80 m

1.3 1.3 1.3 1.3 1.01

1.09

1.2

1.07

1.07

1.07

1.07 1.04

+0.20 m

1.04

+0.20 m

SEAL / SIGNATURE

4

NOT FOR FOR DES NUMBER/ REVISION

6 5 4

A4

SECT ION DD

SECTION DD

3 2

SCALE 1:150

1

1 10.10 m

5

4

5.00 m

6

4.20 m

10.75 m

7 2.05 m

5.65 m

8 8.70 m

9 3.25 m

10

CLIENT

11

2.00 m

Co Pro Amer College o

12.14 m

3

+13.30 m

3

2

PROJECT LOCATION

+10.10 m

Main Theatre 109 280 sqm

Reception/Lounge

Entry/Reception

Lounge

105 108 sqm

101 38 sqm

102 108 sqm

2.02

D

2.03

2.4

2.0

2.0

2.0

2.0

2.0

Multi-Purpose Room 103 80 sqm

Library 104 75 sqm

2.4

GOOGLE COORDINATES

+4.55 m +3.50 m

PROJECT

2

Lobby/Exhibition Storage 009 34 sqm 1.03

+0.10 m

1.03

008 200 sqm

Courtyard 1.05

1.08

1.08

+1.50 m

Lounge 002 74 sqm Projection Room

SH FOR

+0.00 m

004 14 sqm

Al R

Un Additional Theatre 008 160 sqm DRAWING

LON TRA

-4.45 m

1

SHEET NUMBER

A1

SECTION AA SCALE 1:150

SECT ION AA

DATE:

Spring 2 SCALE:

2

2

3

3

4

4

5

5

6

T HE ATE R - R C P

A

B

C

D

2

E

F

3

G

4

5

6

H

Metal Cap Flashing Fully Adhered Roof Membrane

A1

D ETAI L DAW I N G S WALL S E CT I O N

1

Steel Bolt Pigmented Concrete

6

Fully Adhered Roof Membrane Thermal Insulation Concrete Slab

A

A

+13.30m

Sealant

+11.85m

SCALE 1:30

WALL SECTION 1

FIRM

DESIGNER NAMES

Exterior B

B

Rabab g00084

Razan g00081

Pigmented Concrete Thermal Insulation Concrete Slab

DISCLAIMER / COPYRI

5

Steel Cable

THIS DRAWI PRODUCED ASSUMES A DRAWINGS, INFORMATIO THE COMMO EMPLOYEES ENGINEERS SHOULD BE CONSTRUCT VERIFIED BY BEGINS THE LIABILITY FO

BY CLIENT A

Ceiling Grid Panels C

C

Textile

SEAL / SIGNATURE

Reception/Lounge

Main Theatre

NOT FO FOR DE

4

Pigmented Concrete D

D

Impact Sound Insulation Concrete

NUMBER/ REVISION

Air Gap

6

Batt Insulation

5 4

Gypsum Board

3

Perforated Fibre Finish

2

Porcelain Stoneware Tiles

1 CLIENT

Separating Layer E

E

Impact Sound Insulation

3

Am College PROJECT LOCATION

Cork Flooring

Lobby/Exhibition

Air Gap

Interior

+3.54m

Rigid Insulation Concrete Slab F

F

Dry wall

Stucco Finish Concrete

GOOGLE COORDINATE

Thermal Insulation Pigmented Concrete

2

Storage

PROJECT

Interior

F G

G

A

Seamless Plaster

U

Porcelain Stoneware Tiles Steel Rebar

+0.20m

Batt Insulation DRAWING

DPM

W

Steel Rebar Concrete Foundation SHEET NUMBER

1

H

H

Gravel Concrete Footing Earth

DATE:

Sprin

FIRM

Rabab Al-Ali g00084976@a

DESIGNER NAMES

Razan Almajid g00081319@a

DISCLAIMER / COPYRIGHT

DATE:

05-03-2023

05-03-2023

05-03-2023

03-23-2023

02-23-2023

02-01-2023

THIS DRAWING IS PROVIDE PRODUCED BY STUDENTS. ASSUMES ALL RESPONSIBIL DRAWINGS, PLANS, SKETCH INFORMATION PROVIDED BY THE COMMON BUILDING PR EMPLOYEES OF THE DESIG ENGINEERS OR LAND SURV SHOULD BE VERIFIED BY CL CONSTRUCTION BEGINS. IF VERIFIED BY CLIENT AND/O BEGINS THE DESIGN STUDI LIABILITY FOR CHANGES FO

BY CLIENT AND/OR CONTRA

SEAL / SIGNATURE

NUMBER/ REVISION

6

5

4

3

2

1

NOT FOR CON FOR DESIGN O

WALL SECTION RENDER 2

CLIENT

F1

A Compre Profess American U College of Arch

PROJECT LOCATION

SHARJ FOR FIL

Al Riqa N S United A

A

WALL SE

GOOGLE COORDINATES

PROJECT

DRAWING

1:30

Spring 2023

SHEET NUMBER

DATE:

SCALE:

A1

WALL SECTION RENDER 1

SCALE:

NA

15

14

17

16

15

14

13

12

11

10

09

08

07

06

05

04

03

02

01

10

09

08

07

06

05

04

03

02

01

PERFORATED METAL SHEET

5

+2.70 m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

20

21

22

23

24

25

26

27

28

29

30

31

32

33

0.03m

CONCRETE SLAB

0.02m 0.03m

D03

CONCRETE SLAB STEEL REBAR LEDREBAR LIGHT STEEL

D03

CONCRETE STAIR LED LIGHT CONCRETE STAIR

34

5

19

0.02m

0.15m

+0.00 m

18

0.30m

0.02m

0.30m

0.15m

0.30m

5.00m

+2.70 m

0.30m

0.02m

5.00m

4.25m 4.25m

2.15m

2.15m

0.30m

DN

D4 D4

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

0.30m

AA 101

DN

AA 101

+0.00 m

MAIN STAIR DETAIL D01 SCALE 1:10 MAIN STAIR DETAIL D01 SCALE 1:10

0.02m

INDENT FOR LED LIGHT

FIRM

FIRM DESIGNER NAMES

EXPOSED CONCRETE STAIR EXPOSED CONCRETE STAIR

A4 A4

Razan g0008

GALVANIZED STEEL HANDRAIL GALVANIZED STEEL HANDRAIL CONCRETE SLAB 0.09m

ALUMINUM MULLION CONCRETE SLAB

0.09m

PERFORATED ALUMINUM MULLION METAL SHEET

LED LIGHT INDENT FOR LED LIGHT

0.02m

0.03m 0.08m

0.15m

0.03m 0.03m

A1 101 A1 101

4 4

BB 101

6.80m

0.03m

0.03m 0.08m

LED LIGHT

Razan Rabab g0008

DISCLAIMER / COPY

6.80m

BB 101

Rabab g0008

DESIGNER NAMES

0.03m

STEEL PLATE PERFORATED METAL BOLTS SHEET

0.05m

16

PERFORATED METAL SHEET

0.05m

6

17

7.00m 13 12 11

25 25 24 24 23 23 22 22 21 21 20 20 19 19 18 18

0.15m

6

7.00m

STEEL PLATE

0.06m0.03m

BOLTS

THIS DRAW PRODUCE ASSUMES DRAWING INFORMAT DISCLAIMER COPY THE/ COMM EMPLOYE THIS DRAW ENGINEER PRODUCE SHOULD B ASSUMES CONSTRU DRAWING VERIFIED INFORMAT BEGINS TH THE COMM LIABILITY EMPLOYE

BY CLIENT ENGINEER SHOULD B CONSTRU SEAL / SIGNATURE VERIFIED BEGINS TH LIABILITY

BY CLIENT

SEAL / SIGNATURE

NOT F FOR D

NOT F FOR D NUMBER/ REVISION

0.06m0.03m

6

STAIR PLAN

D5 D5

SCALE 1:50

S TA ISTAIR R P LPLAN AN

SCALE 1:50

F4 F4

MAIN STAIR DETAIL D03 SCALE 1:5

M A IN STA IR STAIR D ETA IL DD03 03 MAIN DETAIL SCALE 1:5

MAIN STAIR DETAIL D02

NUMBER/ REVISION

5

SCALE 1:50

6 4

MAIN STAIR DETAIL M A IN STAIR DETAIL DD02 02

5 3

SCALE 1:50

4 2 13 CLIENT

2 1

CLIENT

Am Colleg

3

Am Colleg

PROJECT LOCATION

2.80m

2.15m

5.40m

2.80m

2.15m

3

5.40m

4.80m

0.03m

0.02m

1.00m

1.00m

PROJECT LOCATION

4.80m

0.03m

0.02m

D01

2

1.60m

D01

GOOGLE COORDINA

0.03m

2.15m

0.40m

PROJECT GOOGLE COORDINA

0.03m

2.15m

0.40m

PROJECT

5.00m

1.00m

2

1.00m

1.60m

5.00m

D02

DRAWING

2.50m

2.50m

D02

M

2.50m

2.50m

DRAWING

M

1

SHEET NUMBER

SHEET NUMBER

1.35m

1.35m

1.35m

1.35m

1.35m

1.35m

1.35m

1.35m

1.35m

1

1.35m

A1 A1

E L EELEVATION VAT I O N SCALE 1:50

ELEVATION

A

B

SCALE 1:50

C

D1 D1

SEC SECTION TION AAA A SCALE 1:50

SECTION AA

D

E

SCALE 1:50

F

F1 F1

BB SECTSECTION ION BB SCALE 1:50

DATE:

Spri SCALE: DATE:

SECTION BB

G

SCALE 1:50

H

SCALE:

As Spri

02

R EV I V IN G AGRICULTURE I N BEI RUT T EA M M EM B E R : R A Z A N A L MA JID A R C 501 | PRO F. MA RCUS FA RR

THE PROJECT AIMS TO ESTABLISH A MARKET IN BEIRUT WITH THE OBJECTIVE OF REVIVING AGRICULTURE

IN

THE

CITY.

AGRICULTURAL ACTIVITIES.

IT

EXPLORES

FURTHERMORE,

THE

FUSION

OF

IT ADDRESSES

URBAN WATER

COMMERCE SHORTAGE

WITH

ISSUES

THROUGH RAINWATER-COLLECTING COLUMNS IN ORDER TO SUPPORT ON-SITE FARMING WHILE PROMOTING SUSTAINABLE AGRICULTURE, IMPROVING FOOD SECURITY, AND ENHANCING URBAN SUSTAINABILITY IN BEIRUT.

GR EEN LA N D IN LEB A N ON

2 5 % OF THE CIT YS AREA TAKEN BY ROAD N ETWOR K

WOR LD H EA LTH OR GA N IZATION GR EEN SPA C E PER C A PITA R EQU IR M EN TS

H OR SH PARK, BEIRUT

VEGITATION TO U R BAN SPAC E 1 9 6 0

1900 S GREEN SPAC E

B E I R U T H A S O N LY 0 . 8 S Q U A R E ME TE R S (8 . 6 S Q U A R E FE E T) O F G R E E N S PA C E P E R C A P I TA

H O R S H B E I R UT, T HE CI T Y S LA RG E S T PA RK , I S CLO S E D TO TH E P U B L IC A ND A CCO UNT S F O R 75% O F T HE CI T Y ›S G R E E N A R E A , 0. 3K M^2 W O R L D H E A LTH O R G A N I ZATI O N R E C O MME N D S A MI NI MU M O F 9 S Q U A R E ME TE R S (9 7 S Q U A R E FE E T) P E R C A P I TA .

WATER SU PPLY TO B U ILD IN GS TH R OU GH OU T LEB A N ON

E X I S TING GREEN SPACE

VEGITATION TO U R BAN SPAC E 2 0 1 8

WATER SOURCES EXPLOITED IN LEBANON

F U T URE GREEN SPACE ESTI M ATI O N

D AM S

PERCENT OF BUILDINGS CONNECT ED TO WAT ER SUPPLY

IL L EGAL PU BL IC WEL L S

LESS T HAN 40%

L EGAL PU BL IC WEL L S

61%-70%

PU BL IC WEL L S

80%-91%

SU R FAC E WATER

91%-100%

S I T E GRID

C I R C U LATI ON D I A GR A M

CRO PS DIAG RAM

R E S TA U R A N T S TA LL

MARKET STALL S E AT IN G #1

SEATING #4

S I T E GRID MESH

CANOPY

S E AT IN G #3

S E AT IN G #2

EXTERIOR MARKET

C I R C U LATI ON D I A GR A M

S I T E GRID MESH

C R OPS D I A GR A M

R E S TA U R A N T S TA LL

H O L L O W E D C O L U MN S FO U R C O L U MN P R O TO TY P E :

PEPPER

- S I N G U L A R C O L U MN

PURSLANE

GRAPE

- M ADR KOE TUSBTALLLE H E A D C O L U MN - C O L U MN FO L L O W I N G TH E

S E AT IN G #1

CANOPY OPENING

CUCUMBER

- E X TE R I O R C O L U MN S S E AT IN G #4

PA RT I DIAGRAM

LEGEND FURROWS SHADED SPACE CIRCULATION

CONDITIONED SPAC E CONDITIONED SPACE SOLID SOLID

LEGEND

FURROW S FURROWS

CONDITIONED SPACE

SHADED SPACE SHADED SPACE

SOLID

CIRCULATION CIRCULATION

M IN T

S E AT IN G #3

A P P LE T R E E S E AT IN G #2

OLIVE TREE

LANDSCAPE E X T E R IO R M A R K E T

TOMATOES

NORTH ELEVATI ON

WEST ELEVATI ON

1

2

3

4

5

6

7

8

DN

9

10

11

12

A

DN

+10

.80

13

14

m

DN +10

.80

15

16

17

m

DN

1

2

DN

3 4

5

+10

.80

6

7

8

DN

9

DN

A

+10

.80

10

11

A

12

13

m

+10

14

+10.8

0m

m

DN

.80

15

16

m

B

17

+10.8

0m

DN

C

DN

+10.8

0m

A

+10.8

0m

D

+10.8

0m

B

C D

B

E

B

E

F

F

G H

G H

I J

I

J

B

B

A

A

SITE PLAN SCALE 1:1000

PLAN SCALE 1:350

17

16

15

14

13

12

11

10

9

8

8

7

6

5

4

3

2

03

GULF FU T I RI S M AN D I N HAB I TABLE I N T EA M M EM B E R : R A Z A N A L MA JID A R C 502 | PRO F. GE ORGE K ATODRYT I S

THE BEDOUIN PEOPLE ARE RENOWNED FOR THEIR ADEPTNESS IN TRAVERSING THE EXPANSIVE DESERT LANDSCAPE WITH MINIMAL ENVIRONMENTAL IMPACT, SHOWCASING A NOTABLE ABILITY TO INTEGRATE SEAMLESSLY WITH THEIR SURROUNDINGS. THIS DISCERNMENT HAS SPURRED AN INQUIRY INTO THE CULTURAL SIGNIFICANCE OF DUNES, REVEALING A PROFOUND SYMBOLIC ASSOCIATION BETWEEN THESE IMPOSING SAND FORMATIONS AND THE BEDOUIN ETHOS OF ADAPTATION AND SURVIVAL. IN ADDITION TO THEIR SYMBOLIC RESONANCE, THE PRACTICAL IMPORTANCE OF DUNES TO THE BEDOUIN WAY OF LIFE EXTENDS TO ESSENTIAL CONSIDERATIONS. ACTING AS CRUCIAL LANDMARKS ALONG NOMADIC ROUTES, THE DUNES PROVIDE INDISPENSABLE RESTING POINTS AMIDST THE CHALLENGES OF DESERT TRAVERSAL. HOWEVER, THE PURSUIT OF SUITABLE RESTING PLACES OFTEN POSES CHALLENGES. RECOGNIZING THIS INHERENT STRUGGLE, ENDEAVORS HAVE BEEN UNDERTAK EN TO CAPITALIZE ON THE POTENTIAL OF DUNES, ESTABLISHING MULTIFUNCTIONAL SPACES FOR REST, REJUVENATION, AND PRODUCTIVITY WITHIN THE BEDOUINS’ MIGRATORY LANDSCAPE. THESE INNOVATIVE SPACES NOT ONLY OFFER SHELTER AND SUSTENANCE BUT ALSO FOSTER CULTURAL EXCHANGE AND SOCIAL COHESION, SERVING AS TRANSIENT BASTIONS OF CIVILIZATION AMID THE EXPANSIVE DESERT TERRAIN. WE ARE EMPLOYING GRID SYSTEMS FOR AREAS DESIGNATED FOR AGRICULTURAL PRODUCTION WITH THE OBJECTIVE OF TRANSFORMING THE DESERT INTO FERTILE TERRAIN. THE RESULTING PRODUCE WILL BE UTILIZED TO SUSTAIN THE OPERATIONS OF THE OASIS AND SPA FACILITIES.

RES E ARCH - T H E E M P T Y Q U ART ER

D I RE CTIONS OF AEO LI AN SAND M O VEM ENT

ME TAL STRUCUTRE

ME RGING STRUCUTR E AND G RI D

DUNES

GR OU N D WATER R ESOU R C ES

PHY S I CAL M O D E L S

04

FU RR O W VALLEY: REHOUSI NG THE CAVE DW ELLERS O F B A M I YA N T EA M M EM B E R : R A Z A N A L MA JID, ZAINAB GAW HARI, AHM ED AM M AR, R A N YA ATAYA A R C 401 | PRO F. GE ORGE NE WLA NDS

THE

HAZARA CAVE

DWELLERS

IN

BAMIYAN,

HAVE

FACED

PROLONGED

DISCRIMINATION AND

CURRENTLY LIVE IN THE CAVES ONCE OCCUPIED BY ANCIENT MONKS. THESE CAVES PROVIDE POOR SHELTER, ESPECIALLY DURING HARSH WINTERS, PROMPTING THE NEED FOR A REHOUSING PROJECT. THE

PROJECT

AIMS

TO

DESIGN

MODEST

COMMUNITY

HOUSING

AND

PUBLIC

AMENITIES

USING PASSIVE ENERGY. TO COMBAT HARSH WEATHER, THE HOUSING UNITS ARE ORIENTED WESTWARD TO

MAXIMIZE

SUNLIGHT.

LOCAL MATERIALS

LIKE

CLAY,

STONE, AND

HANDMADE

BRICKS ARE USED FOR THEIR THERMAL PROPERTIES. WALLS UP TO A METER THICK OFFER NATURAL THE EARTH

INSULATION,

HOUSING FOR

DESIGN

STRUCTURAL

AND

PRIMARILY

TRADITIONAL

HEATING

FOR

BASED AND

IN

PARTIALLY

INSULATION

INTEGRATES

INTEGRITY

WARMTH

INCLUDES

ADDITIONAL

NEIGHBORHOODS

LIFESTYLE,

MAINTAINING

AND

WITH

THE

FARMING

COOKING

AND

COOLNESS

UNDERGROUND

WIND

UNDERGROUND ON

WINTER

PROTECTION.

UNITS THIS

LANDSCAPE.

VAULTED

CONDITIONS.

THE

IN

SUMMER.

COVERED CREATES

MICRO-

ROOFS

ENHANCE

COMMUNITY’S

AND

TRADING,

INFORMED

METHODS,

CENTERED

AROUND

THE

THE

WITH

SIMPLE

INCLUSION

TANDOOR

OF

OVEN.

THE PROJECT PLANS TO HOUSE 150 FAMILIES IN UNITS RANGING FROM 40 TO 80 SQUARE METERS. PUBLIC AMENITIES INCLUDE A MOSQUE, SCHOOL, CLINIC, COMMUNITY CENTER, AND MARKETPLACE, ENSURING SELF-SUFFICIENCY. SURROUNDING FARMLANDS SUPPORT SEASONAL CROP CULTIVATION. GIVEN THE REGION’S SCARCE WATER RESOURCES, MECHANICAL WELLS WILL ACCESS THE WATER TABLE TO MITIGATE THE SEASONAL VARIABILITY OF THE NEARBY RIVER. THIS HOLISTIC APPROACH AIMS TO IMPROVE THE LIVING CONDITIONS AND RESILIENCE OF BAMIYAN›S HAZARA COMMUNITY

SIT E PL AN

RES E ARCH

MOSQUE SOUND TRANSFER R OSE A P R I C O T

SUN ACCESS G A R D E N WA L L S HARD + SOFTSCAPE

V E G I TAT I O N

BUILDINGS

GRASS JUJUBE (S TI PA PA E V I FL R A )

PINE

WILLOW

A L MO N N D

APPLE

G O O S E B E R RY

S E P TE MB E R

O C TO B E R

OAK

H 0 WT HRO NE

P O P LA R

WAT E R L E V E L S

WE T S E A S O N

J AN U ARY

D RY SEASON

F EBR U ARY

MA R C H

APRIL

MAY

JUNE

J U LY

AUGUST

NO V E MB E R

DE CE MB E R

EL EVAT ION

Exterior, Semi Private Courtyard

SECT ION

Exterior, Semi Private Courtyard

FOUNDATION PLAN

80 SQM

60 SQM

40 SQM

SECT ION AA

B

UP

UP

DN

UP

UP

DN

UP

DN

DN

DN

UP

A

UP

DN

UP

UP

UP

UP

UP

DN

UP

UP

DN

UP

DN

DN

UP

DN

UP

DN

GROUND F L OOR PL AN B

A

UP

SECT ION BB

05

TE ACH O N THE BEACH A RCHI TECTURE CO M PETI TI O N T EA M M EM B E R : R A Z A N A L MA JID

THROUGHOUT THIS PROJECT, WE AIMED TO CREATE A BUILDING THAT IS SUSTAINABLE AND LONG LASTING, AS WELL AS A BUILDING THAT IS EASILY BUILT AND IS ABLE TO CONNECT WITH THE SURROUND ING ENVIRONMENT AND THE SCHOOL UNDER CONSTRUCTION. AS A RESULT, WE CREATED A BUILDING THAT EVOKES MOVEMENT AND CIRCULATION WITHIN IT THROUGH FOUR DIFFERENT CURVED RAMMED EARTH WALLS THAT MIMIC THE CURVATURE FOUND IN THE SCHOOL, BUT THE FOUR CURVATURES DIFFER IN SIZE TO ACCOMMODATE THE DIFFERENT PROGRAMS AS WELL AS CREAT E HIERARCHY. AS THE VISITOR WALKS IN, THEY ARE ENCOURAGED TO FOLLOW THE PATH THAT LEADS FROM THE CLASSROOM TO MORE SOCIAL SPACES SUCH AS THE LEISURE SPACE, LIVING SPACE, DINING, AND KITCHEN, WHICH THEN LEADS TO THE OPEN COURTYARD, WHERE THE VISITOR HAS THE OPTION OF EITHER ENTERING THE PRIVATE BEDROOMS OR THE OUTDOOR KITCHEN, WHICH CONTAINS A CENTRALIZED COOKING SPACE SURROUNDED BY BAMBOO COLUMNS IN ORDER TO SEPARATE IT FROM THE OTHER SOCIAL SPACES AND PREVENTS THE SMOKE FROM TRAVELING INTO THE INTERIOR CREATING A CONTROLLED SPACE. THE BAMBOO COLUMNS THAT WRAP THE WTRUCTURE FROM THE OUTSIDE, IMITATING THE SURROUNDING LUSH FOREST, ALSO PROVIDE A PASSAGE BETWEEN THE RAMMED EARTH AND THE EXTERIOR, PROVIDING AN IN-BETWEEN SPACE WITH SEATING FOR PEOPLE TO LOUNGE IN. THE CEILING IS ALSO COMPOSED OF -1.5 DEGREE-ROTATING BAMBOO BEAMS, WHICH ASSISTS IN AIR CIRCULATION AND PROTECTS AGAINST RAIN WATER SINCE IT SLIDES DIRECTLY OFF THE ROOF, PREVENTING WATER FROM COLLECTING ON THE ROOF AND LIMITING LEAKAGE INTO THE STRUCUTRE.

INITIAL FOUR MASSINGS

SHIFTING

INTERLOCKING

FINAL FORM

SITE PLAN

BAMBOO

COURTYARD BAMBOO BEAMS

BAMBOO COLUMNS RAMMED E A RT H S TO N E F O U N D AT I O N

L AT E R I T E BRICK SMOOTH L AT E R I T E

CLASSROOM

B

A

A

B

GROUND F L OOR PL AN

+4.10 m

+3.40 m +3.00 m

+3.00 m

BAMBOO CORRIDOR

+4.10 m

+3.40 m +3.00 m

+3.00 m

SECTION AA

+4.40 m +3.90 m +3.60 m

+3.00 m

+3.00 m

+4.40 m +3.90 m +3.60 m

+3.00 m

+3.00 m

SECTION BB

06

C A AD D E SIGN BUILD HU B A R C 302 | PRO F. GRE GORY S PAW

THE CAAD DESIGN BUILD HUB IS AN EXPANSION TO CAAD THAT IS DISTINCT FROM EXISTING FACILITIES AND FOSTERS A VIBRANT A CADEMIC ATMOSPHERE. THE DESIGN TRANSCENDS THE CONVENTIONAL EDUCATIONAL ENVIRONMENT BY ENRICHING THE LEARNING EXPERIENCES OF BOTH STUDENTS AND FACULTY. THIS PROJECT JUXTAPOSES THE EXISTING CAAD BUILDING, WRAPPING IT IN POLYCARBONATE CHAINMAIL TO PROTECT THE FACADE. THE POLYCARBONAT E CHAINMAIL PROVIDES EFFECTIVE SHADING FROM THE SUN, REDUCING HEAT GAIN AND GLARE INSIDE THE BUILDING. THIS HELPS MAINTAIN COMFORTABLE INDOOR TEMPERATURES AND REDUCES THE NEED FOR AIR CONDITIONING, MAKING THE BUILDING ENERGY-EFFICIENT. ADDITIONALLY, ENHANCING

THE

OVERALL

THE

METAL

PERFORMANCE

MESH

AND

IS

DURABLE AND

LONGEVITY

OF

THE

SUSTAINABLE, STRUCTURE.

CA

AD

De

sig

nB

uil

dH

ub

|

Hu

b|

A3

Intial Massing

INITIAL MASSING

Division of space based

D IVISION OF SPA C E B A SED ON on PR OGR A M porgram

SH IFTIN G of the massing Shifting

Parti Diagram

Top floor pushed forward

SHIFTING

EXTRExtrusion U SION

FACADE Facade

EXC EPT FOR TH E SERVIC E BL OC K, TH E TWO M ASSIN GS AR E

Except for the service court, the two D R APED BY POLYC AR BON ATE C H AIN M AIL massings are draped by polycarbonate chainmail

SECT IONAL PRESPECT IVE

G R OU N D FLOOR PLA N

F IRST F L OOR PL AN

SECT ION BB

SECT ION AA

07

M O DUL AR ACOUS T I C I N SUL AT I O N FURN I TURE SYS TEM T EA M M EM B E R : R A Z A N A L MA JID A R C 302 | PRO F.TA NIA URS OMA RZO

OUR OBJECTIVE IS TO DESIGN A FLEXIBLE, MOVABLE, AND REBUILDABLE STRUCTURE TO ADDRESS PREVALENT NOISE ISSUES , ENSURING ADAPTABILITY AND IMPROVED ACOUSTIC MANAGEMENT IN VARIOUS CAAD AREAS WE SELECTED CORK AS THE PRIMARY MATERIAL FOR OUR PROJECT DUE TO ITS EXCELLENT SOUND ABSORPTION PROPERTIES, LIGHTWEIGHT DURABILITY, AND ENVIRONMENTAL SUSTAINABILITY. CORK EFFECTIVELY REDUCES NOISE LEVELS AND MINIMIZES SOUND TRANSMISSION WHILE ALLOWING EASY CONSTRUCTION, DECONSTRUCTION, AND RELOCATIO.

E XP E R I M E N T IN G WIT H B E N D ING T H E S O U N D IN S U L AT IN G WA L L P R O TO T Y P E

10 100 mm

2100 mm

100 mm

100 mm

2200 mm

2100 mm

2200 mm

2100 mm

GREEN WALL TOP VIEW

X 99

X 198

X 396

X 0

FR ON T VIEW

SID E VIEW

BENCH + WALL + TABLE

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08

P OST-D IGITA L A R TISA N S : TOOLS A S E X TE N S ION S OF A R TISTIC PR OD U C TION T EA M M E M B E R : R A Z A N A L MA JID AND DHABIA ALSHAM SI A R C 233 | PRO F. MA RCUS FA RR

NAGSH, THE ART OF CREATING INTRICATE PATTERNS ON THE HAND USING HENNA, IS DEEPLY ROOTED IN UAE CULTURE, DATING BACK TO ANCIENT TIMES. TRADITIONALLY, UAE WOMEN ADORN THEIR BODIES WITH HENNA FOR BOTH PRIVATE AND PUBLIC CELEBRATIONS, INCLUDING EID, NATIONAL DAY, AND WEDDINGS. HISTORICALLY, WIVES APPLIED HENNA TO WELCOME THEIR HUSBANDS RETURNING FROM PEARL DIVING SEASONS, SIGNIFYING BEAUTY AND ELEGANCE. A SIGNIFICANT TRADITION IS THE HENNA NIGHT, HELD BEFORE A

WEDDING,

WHERE

THE

BRIDE

AND

HER

LOVED

ONES

APPLY

HENNA

TOGETHER.

THE PROJECT AIMS TO INTRODUCE A TOOL THAT SIMPLIFIES AND EXPEDITES THE CREATION OF TRADITIONAL HENNA PATTERNS. THIS TOOL FEATURES TWO VERSATILE PATTERNS: A MAIN FLOWER SHAPE AND A SECONDARY CONNECTING SHAPE, ENSURING CONTROLLED AND MESSFREE APPLICATION. DURING TESTING, USERS FOUND THE TOOL EFFECTIVE ON THE PALM BUT ENCOUNTERED CHALLENGES ON CURVED HAND SURFACES. THIS INNOVATION PROMISES TO PRESERVE THE TRADITION OF HENNA ART WHILE MAKING IT ACCESSIBLE AND EFFICIENT.

3D Pr inted Model

A L SH IR A A : TR IAN GU L AR SH APES

A L R OBEYA: A CIRCLE ON T HE M ID D L E OF T HE PALM

Pattern #1

Handle

Pattern #2

Elevations 20mm

50mm

96.44mm

10mm 10mm

17mm

20mm 30mm

60mm

45mm

100mm

Front

96.44mm

75.4mm

20mm

Pattern #1

10mm 10mm

10mm 10mm

82mm

96.44mm

rohis nd to to dind me is are a gn nd. hat bly nd

A L B AYA R EJ : TH R EE FAC IN G TR IAN GL ES AT TH E L OWER PAL M TH AT C ON N EC T TO TH E FIN GER S AN D R AWAYEB

AL GESAH: LINES COMING FROM A L L F I N G E R A N D C E AT I N G A T R I A N G L E I N T H E PA L M .

76.44mm

odel

A L TILAH: TIL AH SHAPES O N T H E CENRE OF TH E PALM .

10mm 10mm

E’s ent as ate lly, rnme ey nd is tea eded nd he ed to fluhe ate as For of ky lar mlym. ent of caasow ng in

Back

100mm

Digital Artisans: Tools as Extensions of Artistic Production

90mm

Bottom

82mm

QUES IN DIGITAL FABRICATION | DHABIA ALSHAMSI & RABAB AL-ALI & RAZAN ALMAJID | 81319 & 84976 & 82273 | FALL 2022 | FARR

Top

Handle

Left

20mm

Right

70mm

associated with beauty and exquisiteness. For brides it’s a ritual to have a Henna night, one night before the wedding. The bride gathers with her loved ones and they sit for long hours and apply henna together. Throughout the years henna developed and it changed from basic/traditional/easy designs, to sophisticated designs that were influenced by Indian henna patterns. In the past they didn’t have tools to create patterns so the applying of henna was mainly molded by the hand. For instance, they apply a small blob of henna on the palm and join their pinky and thumb together to create a triangular pattern called Al Gesah. Another example is Al Robeya and it’s formed by applying a circle on the middle of the palm.

This of course changed in our current times and after the introduction of smoother henna from India, the application of henna became an art that is mastered by specific people. Henna is now contained in a cone and is applied using a cone by mostly Indian designers in henna salons.

3 D P r i n te d Mo d e l

Pattern #1 PATTER N 0 1

Handle

H AN D EL

Pattern #2 PATTER N 0 2

E l e va ti o n s 20mm

96.44mm

50mm

96.44mm

75.4mm

20mm 96.44mm

17mm

20mm

10mm 10mm

76.44mm

30mm

60mm

45mm

100mm

Front

10mm 10mm

10mm 10mm

82mm

10mm 10mm

Our main focus of this project is to introduce a tool that helps in creating this sophisticated pattern but faster and easier. Usually, it takes a lot of time to create henna patterns so this tool aims to create beautiful designs that are still traditional but instead is portable and controlled in terms of the final outcome and design of henna. The design is based on two simple patterns that are versatile, a main flower shape and a secondary shape that ties the design together when printed on the hand.

Between the two stamps is a handle that is designed to hold the tool comfortably when printing the henna on the hand without creating a mess.

Back

100mm

Digital Fabrication | Post-Digital Artisans: Tools as Extensions of Artistic Production

90mm

Bottom

82mm

A1 | ARC233: INTRODUCTORY TECHNIQUES IN DIGITAL FABRICATION | DHABIA ALSHAMSI & RABAB AL-ALI & RAZAN ALMAJID | 81319 & 84976 & 82273 | FALL 2022 | FARR

Top

Left

20mm

Right

70mm

RABAB AL-ALI

A

PORTFOLIO R

C H I T E C T U R E

RABAB AL-ALI

RABAB AL-ALI

RABAB AL-ALI

RABAB AL-ALI

RABAB AL-ALI

RABAB AL-ALI