the
Queen’s University
journal
Vol. 144, Issue 24
F r i day , M a r c h 1 0 , 2 0 1 7
ARTS
CINEMATIC MAGIC IN KINGSTON
SUPPLIED BY KINGSTON CANADIAN FILM FESTIVAL
Senate celebrates 175 years of meetings, acknowledges Indigenous history March 7 will now be known as “First Class Day” at Queen’s This Tuesday, a procession of Senators donned in historic academic robes entered the special 175th Senate meeting in Wallace Hall, while the sound of bagpipes carried throughout the JDUC. On March 7, 1842, exactly 175 years ago this Tuesday, the first Queen’s students arrived at a house at 67 Colborne St. to begin their studies. That same day, the first meeting of the Senate granted them their admission.
This week’s special meeting of the Senate set out both to celebrate 175 years of Queen’s classes and Senate meetings, as well to “provide the opportunity to take an important step in building good relations with our partners in the Indigneous communities,” Principal Daniel Woolf told those in attendance. Nathan Brinklow, a Queen’s Languages, Literature and Cultures professor specializing in Mohawk language and culture, delivered the opening address in Kanyen’kéha (Mohawk).
1873
The Kingston Canadian Film Festival features a diversity of films in a variety of genres Journal Staff
Opening night at Kingston Canadian Film Festival in Theological Hall.
Maureen O’Reilly Assistant News Editor
since
The Mohawk clan mothers of Kingston then presented Queen’s with a friendship wampum. A wampum, Brinklow explained, is a type of belt traditionally used to solidify and strengthen an agreement between two parties. In this case, the wampum represents a mutual commitment between Queen’s and its Indigenous communities to “recognize and revitalize a relationship that hasn’t always been healthy or beneficial,” Brinklow said. According to Woolf, the
wampum will now be present at every Senate meeting as a reminder of their agreement and of the fact that these meetings take place on traditional Indigenous lands. The presentation of the wampum was followed by a performance by the Whispering Wind Drum Group. After the drum performance, Woolf made a statement acknowledging the University’s role in perpetuating the suffering of Indigenous people by
INSIDE THIS ISSUE
See Senate on page 4
For the past 16 years, the Kingston Canadian Film Festival (KCFF) has been showcasing a dynamic program of Canadian films. This year was no different as the festival screened a robust lineup of the year’s favourite feature films and shorts, not to mention being hosted by Canadian rockers, Mother Mother. Since 2001, KCFF has screened over 500 feature films and 750 shorts, highlighting a diversity of work from Kingston and beyond. The festival works to support Canadian film and recognize young emerging artists in Canada. In addition to the screenings, KCFF hosts free workshops, networking and industry events, as well as talks, receptions, music, comedy and awards. The Journal’s Arts team selected their favourite films to review below, ranging from an animated investigation of identity and heritage to an investigative political exposé. Window Horses: The Poetic Persian Epiphany of Rosie Ming Alex Palermo, Assistant Arts Editor
Window Horses, directed by Ann Marie Fleming, is the first full-length animated film to be recognized by the KCFF. The moment the lights dimmed and the familiar voice of Sandra Oh came from the mouth of the adorable, stick-figure Rosie Ming, I knew I was in for a treat. The film follows the story of a young Canadian poet of Persian and Chinese descent as she dreams of travelling abroad to perform her song-like poems. I found myself strangely enthralled by the animation, it seemed that every character was drawn in a slightly different style. Notably, Rosie was the only stick-figured, round-faced character. When Rosie receives a mysterious letter inviting her
See Kingston on page 9
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