Applause Magazine, May 30-June 18, 2017

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VOLUME XXVIII • NUMBER 7 • APR - JUN 2017

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Adam Langdon and company in the touring production of The Curious Incident of the Dog in the Night-Time. Photo by Joan Marcus.

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THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Also Playing: The Illusionists — Live from Broadway The Secret Garden MAMMA MIA! Farewell Tour

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OPERA IN A SETTING LIKE NO OTHER

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THE (R)EVOLUTION OF STEVE JOBS Music by Mason Bates

Libretto by Mark Campbell

DIE FLEDERMAUS Johann Strauss Jr.

LUCIA DI LAMMERMOOR Gaetano Donizetti

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VO LU M E X XV I I I • N U M B E R 7 • A P R – J U N 2 0 1 7

EDITOR: Suzanne Yoe CREATIVE DIRECTOR: Rob Silk ASSOCIATE EDITOR: John Moore SENIOR ART DIRECTOR: Adam Obendorf ART DIRECTOR: Kyle Malone DESIGNERS: Casey Eickhoff, Brenda Elliott CONTRIBUTING WRITERS: Heidi Bosk, Hope Grandon, Cassie McHale

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Wow! That about sums up spring at the DCPA. There’s so much going on and it’s exhilarating.

First, our Board of Trustees just named Martin Semple as its next Chairman. Martin will succeed Dan Ritchie who vacates the seat at the end of June. Martin has been a Trustee for 10 years, and his love for the DCPA is as rich as his Irish accent!

Second, just as the current season nears its end, we are delighted to share our Broadway and Theatre Company lineup for 2017/18.

Touring titles include Waitress, Hamilton and Disney's Aladdin, while our locally-produced plays include Macbeth, four new plays and The Who’s Tommy. Subscriptions are at a record high thanks in part to the success of our current season including sold-out houses at The Book of Will and anticipation for the pre-Broadway debut of Frozen, which is on public sale May 1.

Third, we just wrapped up our most successful Saturday Night Alive, netting a whopping $1 million to support theatre education programs, which include two new opportunities for young audiences. We are one of three markets nationally to host In a Pickle, an immersive play for Pre-K students by England’s Oily Cart Company. Also on tap is a new Theatre for Young Audiences program for Pre-K through second graders. Set to launch this fall, we will greet 18,000 students at The Snowy Day and Other Stories by Ezra Jack Keats, half of whom will attend on scholarship.

Fourth, we have just concluded another extremely successful Colorado New Play Summit featuring five new play readings and a 15% increase in attendance. One ingredient essential to the Summit’s success is our Women’s Voices Fund, a first-of-its-kind endowment to support women playwrights. The Fund gets a boost annually at our Women with Hattitude luncheon, which is coming up on May 4.

Don your hat, grab a friend and get ready to strut your stuff at this fun luncheon and spontaneous fashion show.

And fifth, we’ve just announced a new partnership. Off-Center will co-produce Mixed Taste, the 14-year-lecture series developed

by Museum of Contemporary Art Denver that pairs two completely unrelated topics followed by engaging and unscripted dialogue. The move will feature eight Wednesday evening events July 5-August 23 in the Seawell Ballroom.

How lucky am I to be here and share the excitement of our recent successes plus the announcement of even more great things in store? With new leadership, new programs and new seasons all made possible by you, we hope to widen our appeal so that we’re relevant, engaging and vital to our community for seasons to come.

JANICE SINDEN, President & CEO Denver Center for the Performing Arts P.S. Don’t miss the 33rd annual DPS Shakespeare Festival on April 28. Nearly 4,000 youth will transform the Arts Complex into a stage to perform the best of the Bard. We’ll see you then!

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

Applause is published seven times a year by Denver Center for the Performing Arts in conjunction with The Publishing House, Westminster, CO. All rights reserved.

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BOARD OF TRUSTEES Daniel L. Ritchie, Chairman Martin Semple, Chairman Elect William Dean Singleton, Sec’y/Treasurer Robert Slosky, First Vice Chair Margot Gilbert Frank, Second Vice Chair Dr. Patricia Baca Joy S. Burns Isabelle Clark Navin Dimond L. Roger Hutson Mary Pat Link Robert C. Newman Hassan Salem Richard M. Sapkin Tara Smith Ken Tuchman Tina Walls Lester L. Ward Dr. Reginald L. Washington Judi Wolf Sylvia Young

HELEN G. BONFILS FOUNDATION BOARD OF TRUSTEES Martin Semple, President William Dean Singleton, Vice President Judi Wolf, Sec’y/Treasurer Lester L. Ward, President Emeritus David Miller Robert C. Newman Daniel L. Ritchie Robert Slosky Dr. Reginald L. Washington

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UPCOMING SHOWS Tickets for some shows are currently unavailable.

MAMMA MIA! Farewell Tour Now – Apr 16 Travelers of the Lost Dimension Now – May 21 Disgraced Now – May 7 Beth Malone: So Far Apr 15 The Secret Garden Apr 21 – May 28

Jason Bowen • Photo by Adams VisCom

STICK AROUND AFTER THE SHOW. FOR FIFTEEN YEARS.

Cult Following Apr 28 – 29, May 12 – 13 The Illusionists — Live from Broadway May 19 – 21 The Last Five Years in Concert Starring Adam Kantor and Betsy Wolfe May 22 The Curious Incident of the Dog in the Night-Time May 30 – Jun 18 DragOn Jun 1 – 25 Mixed Taste Jul 5 – Aug 23 Dixie’s Tupperware Party Jul 19 – Aug 6 Men are from Mars, Women are from Venus LIVE! Aug 9 – 27 Frozen Aug 17 – Oct 1 Macbeth Sep 15 – Oct 29 Girls Only – The Secret Comedy of Women Sep 21 – Oct 22 The Snowy Day and Other Stories by Ezra Jack Keats Sep 25 – Nov 19 The Wild Party Oct 12 – 31

NAME A SEAT IN OUR NEW SPACE THEATRE You can be a part of our brand new Space Theatre opening in the fall of 2017.

Name a seat after your loved ones, your company or yourself with a simple $1,500 donation payable over time. It’s a once-in-a-lifetime opportunity for fans who wish they never had to leave.

For more information, contact Marc Ravenhill at mravenhill@dcpa.org, 303.572.4594 or denvercenter.org/nameaseat

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

Smart People Oct 13 – Nov 19 Something Rotten!

Oct 17 – 29 First Date Nov 11, 2017 – Apr 22, 2018 RENT 20th Anniversary Tour Nov 14 – 19 A Christmas Carol Nov 24 – Dec 24 The SantaLand Diaries Nov 24 – Dec 24 Chicago Nov 28 – Dec 3 Mannheim Steamroller Christmas by Chip Davis Dec 9 – 10 ELF The Musical Dec 13 – 17 Waitress Dec 19 – 31

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Andrew Basso - The Escapologist of The Illusionists. © 2014 Joan Marcus

SUSPEND YOUR DISBELIEF AT THE ILLUSIONISTS

BY JOHN MOORE

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The Illusionists — Live From Broadway is a sophisticated variety show that gives seven of the greatest magicians in the world 10 minutes each to blow your mind. And then, on to the next. “Most of our audiences love all seven of them,” says Director Neil Dorward. But should you not care for one, just blink and another will appear before your very eyes. The ensemble includes an escape artist, a mentalist, a daredevil and a deductionist.

The Illusionists is brought to you by the same creative team that just surprised Denver with the thrilling aerial spectacle Circus 1903 – The Golden Age of Circus. The Illusionists was (and remains) a simple performance concept that Dorward and Creative Producer Simon Painter modestly launched five years ago as a two-week run at the Sydney Opera House. It has since grown into a worldwide phenomenon that has played on Broadway and now has three current touring productions traveling the world, with stops including Canada and Russia.

There is just something we humans universally love about being fooled, Painter said. “That goes back to childhood,” he said, “that lovely age of innocence.”

But why do we so love to be fooled? That’s a bit like saying, “Why does a kid like Christmas?” Painter said. Both require a certain suspension of disbelief — and a healthy belief in magic.

“Our show is not really about figuring out, ‘Is it real or not real?’” he said. “It’s magic as an entertainment piece, as opposed to magic to move the Statue of Liberty from

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

one place to another. There are things that people do in our show that are unbelievably remarkable. You won’t believe what you are seeing on stage.”

You might not realize this, Dorward said, but magic — much like the circus — started to go out of fashion in the 1980s and ’90s. “But magic is back,” Dorward said, “and I think we were a big part of bringing it back and making it cool again.”

They achieved that, he said, by not taking magic too seriously.

“This show has got lots of humor,” Dorward said.

“We have some hysterically funny magicians, and some beautiful magicians.”

While the Denver lineup is subject to change, Dorward called out South Korea’s World Magic Champion An Ha Lim, otherwise known as “The Manipulator,” and Dan Sperry, who is described as Marilyn Manson meets David Copperfield.

“I would just bring your whole family out to the show,” Painter said. “It is highly entertaining. It’s lots of fun, lots of laughter and lots of astonishing ‘wows.’ You will be definitely fooled. So come along.”

THE ILLUSIONISTS — LIVE FROM BROADWAY MAY 19 – 21 • THE ELLIE ASL, AUDIO-DESCRIBED & OPEN CAPTIONED PERFORMANCE: MAY 20, 2PM

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THE SECRET GARDEN

UNLOCKING THE SECRETS OF LIFE B Y S Y LV I E D R A K E

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Illustration by Kyle Malone

T

There was nothing quite so appealing to the Victorians as tales of tragedy, gloom and redemption. Think Charles Dickens. But a less well-remembered though equally prolific writer by the name of Frances Hodgson Burnett, who grew up in England on a diet of Dickens, Walter Scott and Thackeray before emigrating to the United States, used that formula as the inspiration for much of her own literary work.

With a twist. She is mostly remembered today for three children’s books: Little Lord Fauntleroy (1885-6), which became a worldwide sensation that put her on the map; A Little Princess (1905), and The Secret Garden, serialized in 1909 when Burnett was already 60 and published as a book in 1911.

Unlike the previous two works, The Secret Garden was tepidly received when it emerged and almost forgotten by the time Burnett died in 1924. So credit Marsha Norman (book and lyrics) and Lucy Simon (music) with rescuing the novel by using it as the basis for their 1989 musical of the same name.

The book deserved the rescue. It tells of the transformation of a selfish little girl, Mary Lennox, growing up overprivileged in India, who loses her uncaring parents to cholera and is sent back to England to live on the estate of a hunchbacked uncle, Archibald Craven. Craven is too involved mourning the loss of his wife to pay much attention to his son Colin, let alone the unexpected arrival of this niece. So Mary, once again, finds herself left to her own devices. But when she befriends her maid Martha, and Martha’s brother Dickon, Mary starts to see the world through different eyes.

When Mary discovers a sealed and dying garden that once belonged to Colin’s mother and decides to bring it back to life, other things begin to change as well. With Dickon’s help, she finds a path not only to her salvation, but also to her cousin Colin who, unfairly treated as an invalid since birth, is in even greater need of rescuing. Thanks to the shared experience of bringing a garden back to life, they discover all the good that awaits them in theirs: the joy of friendship, the value of the caring and kindness of others, and nature’s singular restorative power.

It is a sweet and hopeful story. Burnett’s novel focused on Mary, Colin and Dickon — and a little red robin that points the way.

But the musical, which added a chorus of ghosts and a complex musical score, evolved into a kind of chamber opera with a thriller backdrop. Its technical intricacy requires many skills. So where does the emphasis land?

“For me the emphasis has always been to keep it accessible,” replied Jenn Thompson, charged with staging this Denver Center production. “I haven’t done this show before, but I’ve done other technically complicated and large scale musicals. [The Secret Garden] could easily feel rather weighted down, and while I have no intention of dodging any of its darker themes — grief, death, abandonment — I’ve approached all aspects with an eye to letting the audience in. The theatre space is a great help. We perform on a thrust stage. That automatically pushes the actors into the audience’s orbit.” And, she added, the experience will be enhanced by “a big, beautiful live orchestra.”

“It’s a powerful story about rebirth and renewal, about creating a space to heal and grow. It’s also about forging family ties — found and biological. I wish to honor this message of reinvention.”

— JENN THOMPSON, DIRECTOR “This is a show that may be a little hard to penetrate,” she explained. “Some of the characters are in deep mourning, but anyone who has been through grieving knows that there are many colors to bereavement. It’s a lot more complicated than just being perpetually sad. These characters are looking to connect and they can only change by making themselves vulnerable to one another.

“It’s a powerful story about rebirth and renewal, about creating a space to heal and grow. It’s also about forging family ties — found and biological.

I wish to honor this message of reinvention. I’d love for the audience to see itself in these characters and be inspired by their fortitude in the face of great loss.

“My aim is to make a clear lane for the audience to go on this ride, for us to try and live inside these beloved and familiar characters and not present them but inhabit them. And, of course,” she underscored, “be entertained.”

SYLVIE DRAKE is a translator and contributing writer to culturalweekly.com, American Theatre magazine, and is a former theatre critic and columnist for the Los Angeles Times.

THE SECRET GARDEN

APR 21 – MAY 28 • STAGE THEATRE ASL, AUDIO-DESCRIBED & OPEN CAPTIONED PERFORMANCE: MAY 21, 1:30PM

Costume renderings of “Dreamers” for The secret Garden.

Casting, which started in November, was an arduous process. “It’s far and away the most important thing I do,” Thompson explained. “Much of the success of the show rests on those decisions. Do-overs in casting are rare and can be very disruptive, so it’s crucial to get it right. I look for talent and skill, but also for people who inspire me to want to spend six weeks with them under close and sometimes stressful circumstances.

“I vet every actor I hire if I don’t already know them. Enthusiasm, professionalism, directability and a sense of humor always turn my head.

The same applies to the kids — though I might inquire about their parents as well, since they’ll be part of the company.”

Thompson critically chose Patricia Wilcox as choreographer, saying, “We’ve worked together on multiple projects. She’s a great partner as well as choreographer. My favorite designers, musical directors and choreographers always bow to story first. It’s great to have a team around you that shares your taste and whose opinions you trust, even when [these don’t] necessarily pertain to their area of expertise.”

But Thompson’s choices go beyond shared enthusiasms. The structure of The Secret Garden demands precision and shovelfuls of collaboration.

Colleagues she’s used to can provide it.

COSTUME COLUMN In The Secret Garden, spirits, or “dreamers,” narrate the story through songs. Traditionally, the dreamers are costumed in stark white. This is an important storytelling tool that helps the audience differentiate between the living characters in the piece and those who have passed on but are still present, helping young Mary as she acclimates into her uncle’s household after the death of her parents.

When Secret Garden is staged in proscenium that bright white design reads beautifully. However, costume designer David Toser quickly realized that stark white costumes in the DCPA’s Stage Theatre, in which the audience surrounds the stage in a semicircle, would have created a lighting nightmare for his colleague, lighting designer Phillip Rosenberg and a distraction for the audience.

“Our eyes would go to them immediately, regardless of if they were the true focal point of the scene,” said Toser.

The solution? Gorgeous layered costumes that will evolve when the character passes away. Party guests will start in colorful gowns overlaid with jewels. As they pass away throughout the course of the story, the layer will be removed to show a reflection of the first dress in a sepia tone. Take a careful look at the first iteration of each costume and see if you can find those moments of connection to their dreamer look.

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YOUR GENEROSITY IS A HOLE-IN-ONE FOR STUDENTS DCPA’s annual fundraiser supports arts in education experiences that inspire, entertain and excite. Help us support over 105,000 students of all ages that participate in programs on our stages, in our classrooms and at schools across Colorado.

TO REGISTER OR FOR MORE INFO: 303.446.4815 or ccanales@dcpa.org

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A DEEP DIVE INTO A CURIOUS MIND

BY JOHN MOORE

I

It’s not often you hear people talk about a play with the same kind of visceral enthusiasm normally reserved for, say, a big Broadway musical. But Colorado native Gene Gillette promises The Curious Incident of the Dog in the Night-Time “is going to blow you out of your seat, man.”

Curious Incident, winner of Best Play and four other 2015 Tony Awards, is one of the most widely praised and technically complex plays, well, ever — and one of the few to tour the country. A traveling production is the rare opportunity for heartland audiences to see a play staged to its full Broadway standards.

Gillette, who was born in Evergreen and grew up in Franktown, plays Ed, father to a 15-year-old boy named Christopher who is exceptionally intelligent but illequipped to interpret everyday life.

“Christopher has an extraordinary set of abilities, and this play is a fully immersive, deep dive inside his brain,” said Gillette. “Just seeing what that magical world looks like on a stage is pretty awe-inspiring. There are some amazing technical elements with the set and the sound and the lighting, but it’s really how they all physically interact with the actors that is so remarkable.”

The play, written by Simon Stephens and adapted from Mark Haddon’s best-selling 2003 novel, begins with Christopher falling under suspicion for killing his neighbor’s dog. He then sets out to identify the true culprit, which leads to an earth-shattering discovery and a journey that will change the boy’s life forever.

A renowned British company called Frantic Assembly is responsible for integrating the human and technical

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

elements that make it possible for Christopher to fly or to stand in the middle of a bustling London train station.

Some sequences take place entirely in Christopher’s head.

“This is something that only theatre can do,” Gillette said.

Tony Award-winner Marianne Elliott directed the play for the National Theatre in London and then on Broadway, where it ran for almost two years. That’s an extraordinary achievement for a non-musical, although the expansive and fluid show functions in some ways like a musical.

“The secret weapon of this show is, to my mind, pretty simple,” wrote Chicago Tribune theatre critic Chris Jones.

“There is a fearless, laser-like focus on telling the entire story from Christopher’s point of view.”

Christopher’s dissociative disorder is never given a label.

“He is very good with math. He loves Sherlock Holmes.

And he loves his clinical, detached way of looking at the world,” Gillette said. “Solving the mystery of who killed the neighbor’s dog is very thrilling to him. But he also doesn’t like to be touched, which is very difficult for me, playing his father. He doesn’t have any friends. He enjoys being alone and he talks about how amazing it would be to be an astronaut and see the Milky Way. So he has a kind of bittersweet outlook on life.”

Elliott says Christopher is very much aware of how he, “as a tiny human, fits into the vast universe.” And that’s exactly why audiences so easily identify with him — even if they can’t fully understand how his brain works.

“This is a show about a boy enduring in spite of himself,” Elliott said.

Gillette understands his stage son better than most.

“Christopher has an extraordinary set of abilities, and this play is a fully immersive, deep dive inside his brain.”

— GENE GILLETTE, COLORADO NATIVE WHO PLAYS ED To play the role, Gillette looked primarily to his own father, who had his hands full with a teen Gene. He said performing back in Colorado, at the Ellie, is going to be a dream realized. “That’s the place, man,” he said.

“That’s the crown jewel, in my head. I cannot wait.”

Still, he thinks it will mean even more to his dad.

“I think I have heard my dad cry maybe two or three times in my life, and one of them was when I called him after I woke up from three weeks in a coma from cancer,” Gillette said. “This might be the next time. I think it’s going to mean a lot to him to be there.”

Some reporting for this story was by Chris Jones of the Chicago Tribune.

To read the full story of Gene Gillette’s odyssey, go to denvercenter.org/news-center.

Adam Langdon, Maria Elena Ramirez in the touring production of The Curious Incident of the Dog in the Night-Time. Photo by Joan Marcus.

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME MAY 30 – JUN 18 THE ELLIE ASL, AUDIO-DESCRIBED & OPEN CAPTIONED PERFORMANCE: JUN 11, 2PM

© DISNEY

Gene Gillette, Adam Langdon in the touring production of The Curious Incident of the Dog in the Night-Time. Photo by Joan Marcus.

At age 13, Christopher learned that his mother died. Gillette lost his mother to cancer when he was five, which led to a troubled adolescence. He credits theatre for helping him make it to adulthood at all. He said it was watching theatre at The Buell Theatre, located right next to The Ellie, where he will be performing in Curious Incident, that he found his direction in life.

“The first play I ever saw was the national tour of Biloxi Blues in 1986 at The Buell Theatre, and that changed everything,” Gillette said.

His seminal performances on Colorado stages included playing Hamlet at the Denver Civic Theatre, John Proctor in the Arvada Center’s The Crucible and a particularly chilling turn as a child killer in Curious Theatre’s death-row drama Coyote on a Fence. He won The Denver Post Ovation Award in 2008 for his darkly funny turn in Curious’ The Lieutenant of Inishmore as an alternately savage and sweet Irish madman.

Gillette’s biggest break came two years ago when he joined the national touring production of the National Theatre’s War Horse, also directed by Elliott. Gillette was recovering from his own near-death battle with cancer when he landed the role of Ed in Curious Incident. Gillette said if Ed were a real person, the two would probably be good friends.

“Ed is a guy you would want to watch a football game with,” Gillette said. “He’s a good dude. He runs his own company. But he has all kinds of challenges in his family. He’s got a lot of weight on his shoulders, but he’s doing the best he can.”

COMING UP FROM BROADWAY:

FROZEN

The DCPA welcomes the preBroadway engagement of Disney Theatrical Production’s Frozen (Aug 17Oct 1), a new musical based on Disney’s Academy Award®-winning musical film. This Broadway-bound Frozen, a full-length stage work told in two acts, is the first and only incarnation of the tale that expands and deepens the indelible plot and themes through new songs and story material from the film’s creators.

Written by a trio of Oscar® winners, Frozen features music and lyrics by the creators of the film score Kristen Anderson-Lopez (In Transit, Up Here) and Robert Lopez (Avenue Q, The Book of Mormon, Up Here) and a book by Jennifer Lee (Wreck-It Ralph).

Frozen’s director is Michael Grandage, a Tony Award® winner and director of three Olivier-winning Outstanding Musicals (Merrily We Roll Along, Grand Hotel, Guys & Dolls). Tony winner Christopher Gattelli (Newsies, South Pacific, The King and I) is choreographer and Tony winner Stephen Oremus (Avenue Q, Wicked, The Book of Mormon) is music supervisor.

The design team includes scenic and costume design by Tony and Olivier winner Christopher Oram (Evita), lighting design by six-time Tony winner Natasha Katz (Aladdin, An American in Paris, once) and sound design by four-time Tony nominee Peter Hylenski (The Scottsboro Boys, Motown The Musical, After Midnight).

Don’t miss Frozen debuting in our own Buell Theatre before it joins Disney hits Aladdin and The Lion King on Broadway in spring 2018 at the St. James Theatre.

A PROUD PARTNER OF DENVER CENTER FOR THE PERFORMING ARTS

T “The work of our member theatres, including DCPA, is a testament to the unique collaborative approach which drives Theatre Forward.”

— BRUCE E. WHITACRE, EXECUTIVE DIRECTOR OF THEATRE FORWARD

22

Theatre Forward is pleased to partner with its member organization, the Denver Center for the Performing Arts (DCPA), as part of the Staging Success initiative supported by AT&T. The two-year program, started in 2016, will study four programs across the country to measure and evaluate the impact of theatre education on school engagement and participation.

The Staging Success program exposes Title 1 students to 21st century skills and tracks participation, school engagement, and students’ beliefs and attitudes over time.

The DCPA’s Education program will be in residence in Westminster High School’s intermediate and advanced theatre classes. The DCPA was selected to be part of this program because it provides enriching opportunities for students both to work with theatre professionals as well as to identify how artistic involvement and expression connect with academic and vocational engagement, which are vital for improving students’ critical thinking and communication skills. The Theatre Forward staff is eager to work with DCPA’s Dramatic Learning program on this project as it connects analytical and creative thinking, directing students to the pathway of higher-order thinking.

“Through AT&T Aspire, we are committed to finding creative solutions like these that blend the arts and our local community. We are honored to bring the artistic talents of DCPA to students and teachers to spark interest, creativity and success in the classroom,” said Roberta Robinette, PresidentAT&T Colorado.

“Theatre Forward is honored to have the support of AT&T to help demonstrate the impact of theatre education on at-risk high school students’ engagement in school. The work of our member theatres, including DCPA, is a testament to the unique collaborative approach which drives Theatre Forward,” said Bruce E. Whitacre, Executive Director of Theatre Forward.

Based in New York City, Theatre Forward’s mission is to advance American theatre and its communities by providing funding and other resources to the country’s leading nonprofit theatres, including the Denver Center for the Performing Arts. Theatre Forward aims to increase access and opportunity for all to experience theatre that builds community and sets the stage for individual achievement.

Theatre Forward supports educational access and opportunities throughout its network of 19 theatres at every grade level and beyond. It supports the development of 21st-century workforce skills, social emotional learning competencies and individual cultural/global competencies, and measurement and assessment design for programs with an emphasis on underserved and underrepresented youth and adults. Please visit www.theatreforward.org to learn more.

APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

STUART THOMPSON TIM LEVY FOR NT AMERICA WARNER BROS. THEATRE VENTURES LISA BURGER FOR NT PRODUCTIONS BOB BOYETT ROGER & WILLIAM BERLIND SCOTT M. DELMAN ROY FURMAN GLASS HALF FULL PRODUCTIONS RUTH HENDEL JFLT TLP PARTNERSHIP JON B. PLATT SCOTT RUDIN TRIPLE PLAY BROADWAY and THE SHUBERT ORGANIZATION

PRESENT

THE NATIONAL THEATRE PRODUCTION OF

A NEW PLAY BY

BASED ON THE NOVEL BY

SIMON STEPHENS

MARK HADDON STARRING

ADAM LANGDON BENJAMIN WHEELWRIGHT MARIA ELENA RAMIREZ GENE GILLETTE FELICITY JONES LATTA

AMELIA WHITE KATHY McCAFFERTY JOHN HEMPHILL BRIAN ROBERT BURNS FRANCESCA CHOY-KEE GEOFFREY WADE JOSEPHINE HALL ROBYN KERR TIM McKIERNAN J. PAUL NICHOLAS TIM WRIGHT SCENIC & COSTUME DESIGN

LIGHTING DESIGN

BUNNY CHRISTIE

CHOREOGRAPHY

SCOTT GRAHAM & STEVEN HOGGETT FOR FRANTIC ASSEMBLY CASTING

DANIEL SWEE, C.S.A. CINDY TOLAN, C.S.A.

MUSIC BY

ASSOCIATE DIRECTOR

BOND THEATRICAL GROUP

FINN ROSS

SOUND DESIGN

ADRIAN SUTTON

BENJAMIN E. KLEIN

MARKETING & PUBLICITY DIRECTION

VIDEO DESIGN

PAULE CONSTABLE IAN DICKINSON FOR AUTOGRAPH

ASSOCIATE CHOREOGRAPHERS

YASMINE LEE (US) JESS WILLIAMS (UK)

PRODUCTION MANAGEMENT

AURORA PRODUCTIONS

HAIR DESIGN

DAVID BRIAN BROWN

PRODUCTION STAGE MANAGER

ASSOCIATE PRODUCERS

KATHLEEN E. PURVIS FRANKI DE LA VEGA KEVIN EMRICK

TOUR BOOKING AGENCY

THE BOOKING GROUP MEREDITH BLAIR

GENERAL MANAGEMENT

BESPOKE THEATRICALS

DIRECTED BY

MARIANNE ELLIOTT

Support for the work of the National Theatre in the United States is led by the American Associates of the National Theatre

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

AND SEASON SPONSORS

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

CAST

Adam Langdon

Benjamin Wheelwright

Maria Elena Ramirez

Gene Gillette

Felicity Jones Latta

Amelia White

Kathy McCafferty

John Hemphill

Brian Robert Burns

Francesca Choy-Kee

Geoffrey Wade

Josephine Hall

Robyn Kerr

Tim McKiernan

J. Paul Nicholas

Tim Wright

Christopher Boone........................................................................................................ADAM LANGDON At the following performances, the role of Christopher will be played by BENJAMIN WHEELWRIGHT Thursday Evenings: 6/1 & 6/8, Thursday Matinee 6/15 Saturday Matinees 6/3 & 6/10, Saturday Evening 6/17 Sunday Evenings 6/4 & 6/11, Sunday Matinee 6/18 Mrs. Shears/Mrs. Gascoyne/Woman on Train/ Shopkeeper/Voice One/Ensemble.......................................................... KATHY McCAFFERTY Siobhan/Ensemble.........................................................................................MARIA ELENA RAMIREZ Mr. Thompson/Policeman 1/Drunk Two/Man with Socks/ London Policeman/Voice Three/Ensemble.....................................BRIAN ROBERT BURNS Roger Shears/Duty Sergeant/Mr. Wise/Man Behind the Counter/ Drunk One/Voice Two/Ensemble......................................................................JOHN HEMPHILL Ed/Ensemble..................................................................................................................... GENE GILLETTE Reverend Peters/Uncle Terry/Station Policeman/ Station Guard/Voice Four/Ensemble........................................................... GEOFFREY WADE No. 37/Lady in Street/Information/Punk Girl/ Voice Five/Ensemble.............................................................................. FRANCESCA CHOY-KEE Mrs. Alexander/Posh Woman/Voice Six/Ensemble.............................................AMELIA WHITE Judy/Ensemble................................................................................................. FELICITY JONES LATTA Ensemble........................................................................................ROBYN KERR, J. PAUL NICHOLAS

THERE WILL BE ONE 15-MINUTE INTERMISSION. UNDERSTUDIES Understudies never substitute for players unless a specific announcement for the appearance is made at the time of the performance.

For Siobhan, Judy, Mrs. Alexander, Posh Woman, Voice Six, Mrs. Shears, Mrs. Gascoyne, Woman on Train, Shopkeeper: JOSEPHINE HALL; for Mrs. Shears, Mrs. Gascoyne, Woman on Train, Shopkeeper, Siobhan, Judy, No. 37, Voice Five, Lady in Street, Information, Punk Girl: ROBYN KERR; for Christopher, Mr. Thompson, Voice Three, Drunk Two, Man With Socks, London Policeman: TIM McKIERNAN; for Ed, Roger Shears, Duty Sergeant, Voice Three, Mr. Wise, Man Behind Counter, Drunk 1, Policeman 1, Mr. Thompson, Voice Two, Drunk Two, Man with Socks, London Policeman: J. PAUL NICHOLAS; for Ed, Roger Shears, Duty Sergeant, Voice, Mr. Wise, Man Behind Counter, Drunk One, Reverend Peters, Uncle Terry, Voice Four, Station Policeman, Station Guard: TIM WRIGHT. Dance and Fight Captain: TIM WRIGHT

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

Please turn off all electronic devices such as cellular phones, beepers and watches. The use of cell phones in the theatre is prohibited.

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

CAST

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

WHO’S WHO IN THE CAST ADAM LANGDON (Christopher). A 2015 graduate of The Juilliard Drama Division. Regional: Kimberly Akimbo (Barrington), I Saw My Neighbor on the Train and I Didn’t Even Smile (BTG), Hapgood (Williamstown), Robin Hood (WTF). Select Juilliard credits: The Goat, or Who is Sylvia; Rabbit Hole. TV/Film: “Red Oaks,” “The Good Wife,” “Great News,” “The Path,” among others.

Adam is the co-star, co-creator and co-writer of the web series “Moe and Jerryweather.” Love to Mom, Dad and G44!

B E N JA M I N W H E E LW R I G H T (Christopher at certain performances).

Broadway: The Curious Incident of the Dog in the Night-Time. Select credits include: Lion in the Streets, Our Country’s Good, The Changeling, The Seagull, A Midsummer Night’s Dream, King Lear (National Theatre School), The Pillowman, Julius Caesar (Citadel Theatre), Skylight, Caucasian Chalk Circle (University of Alberta), Like Mother Like Daughter (Assistant, Complicité). Graduate of the National Theatre School of Canada. For more info visit benjaminwheelwright.com MARIA ELENA RAMIREZ (Siobhan).

Broadway: Fish in the Dark with Larry David, Bloody Bloody Andrew Jackson (Rachel Jackson). National Tour: War Horse (Rose Naracott, National Theatre). Off-Broadway: The Public/NYSF, Manhattan Theatre Club, Second Stage, Vineyard. Regional: A.R.T., Guthrie, Berkeley Rep, Seattle Rep. Film: Wonderstruck, St. Vincent, Happythankyoumoreplease, The Women, among others. Television: “Limitless,” “Odd Mom Out,” “Person of Interest,” “Unforgettable,” “Army Wives,” “Law & Order,” “The Sopranos.”

MFA: NYU Graduate Acting Program.

GENE GILLETTE (Ed). War Horse (National Tour, National Theatre), Macbeth (with Frances McDormand, Berkeley Rep), Two Gentlemen of Verona (Shakespeare Theatre Company), Streetcar Named Desire (Theatreworks), The Lieutenant of Inishmore and Coyote on a Fence (Curious Theatre), Burn This (Shakespeare Santa Cruz), Columbinus (Round House/Perseverance), among others. TV: “The Good Wife,” “Person of Interest,” “Elementary,” “Law & Order: SVU.” MFA from STC’s Academy for Classical Acting.

FELICITY JONES LATTA (Judy).

Broadway: Metamorphoses. Off Broadway: The Captain’s Tiger with Athol Fugard (MTC), Measure for Measure (NYSF), As You Like It (The Acting Company). Regional: ACT,

Berkeley Rep, Centerstage, Goodman, Hartford Stage, Huntington, LaJolla Playhouse, McCarter, Seattle Repertory, Westport Country Playhouse, Yale Repertory. Artistic Associate with Theatre de la Jeune Lune: 1985-1995.

Associate Director at Lattawork Productions: ME PLURIBUS UNUM. Film and Television: Signs, Julie & Julia, “The Carrie Diaries,” “Wonderland,” “Deadline,” “Ed,” “Law & Order.” Felicity is a 2014 Lunt-Fontanne Fellow.

Premiere). Regional: Agnes Under the Big Top (Long Wharf, CCC Award); Good People (Arena Stage); Winter’s Tale, Arabian Nights (Hudson Valley Shakespeare Festival); As You Like It (Cincinnati Playhouse); Luck of the Irish (The Huntington); among others.

TV: “Elementary.” NYU Graduate Acting Program (MFA), Royal Academy of Dramatic Arts (London). Gratitude to Phoenix Artists and love to my husband and dearest family.

AMELIA WHITE (Ensemble). Broadway credits include Crazy for You and The Heiress. Off-Broadway at the Atlantic Theater Company, receiving a Theatre World Award for her work in The Accrington Pals at the Hudson Guild.

Proud member of AEA, she continues to work in Regional Theatre all over the USA, resides in Los Angeles, born in Nottingham, GB.

GEOFFREY WADE (Ensemble) has worked on Broadway and off-Broadway, National Tours and Regionally at Old Globe, Center Stage, GeVa, Guthrie, Denver Center, South Coast Rep, La Jolla, La Mirada, Cincinnati Playhouse, Weston Playhouse, among others.

TV: “NCIS,” “Mad Men,” “Mentalist,” “Numb3rs,” “ER,” and more. Films include City Hall, Steven Spielberg’s BFG and Perry King’s The Divide. Directed acclaimed productions of A Walk In The Woods and The Crucible.

KATHY McCAFFERTY (Ensemble).

Off-Broadway: Dada Woof Papa Hot (Lincoln Center). Regional Premieres of Fata Morgana and Last Gas. Huntington Theatre, Williamstown (six seasons), Portland Stage, Boise Contemporary, Cincinnati Playhouse in the Park, Rep. Theatre of St. Louis, Palm Beach Dramaworks, Arkansas Rep. Bay Street, Human Race, etc. TV/Film: “House of Cards,” “30 Rock,” “Law & Order: SVU,” “Dates Like This,” “Law & Order: CI,” “The Onion News.”

JOHN HEMPHILL (Ensemble). Hello America. Broadway: School of Rock, Mamma Mia!. National Tour: Mamma Mia!. Film: David Fincher’s Zodiac.

TV: “Billions,” “Show Me A Hero,” “Mr. Robot,” “The Blacklist,” “Boardwalk Empire,” “Castle.” Special thanks to my parents, my golden retriever Norman and cat Birdie and especially to my beautiful wife Jenn without whom none of this would be possible. Also John loves to golf.

BRIAN ROBERT BURNS (Ensemble).

First National Tour: War Horse.

Regional: Romeo and Juliet and Richard III (Yale Rep); Becky Shaw (San Francisco Playhouse); Cider House Rules I/II (Cal Rep). New York: Abingdon Theatre Company, HERE Arts Center, ARS Nova, Richmond Shepard Theatre. TV/Film: Daredevil, “Bear Trap.” Tiger Schulmann’s MMA: Kickboxing Champion (2015, 201 6), G rappling Champion (2015). MFA Yale School of Drama. brianrobertburns.com. #teamparkerjoe FRANCESCA CHOY-KEE (Ensemble).

Broadway: Disgraced. Off-Broadway: Out of the Mouths of Babes (World

JOSEPHINE HALL (Ensemble, Understudy). Regional Theatre: Les Liaisons Dangereuses (American Shakespeare Center); Richard III, Midsummer Night’s Dream (Illinois Shakespeare Festival); Vanya & Sonia & Masha & Spike, Other Desert Cities (Actors Theatre of Charlotte); Doubt (New Stage Theatre); Beauty Queen of Leenane (Barter Theatre); Twelfth Night, Othello (Shakespeare in the Park, TX); Macbeth (Kentucky Shakespeare Festival). Head of Acting and Voice, Greensboro College, NC. RO BY N K E R R (Ensemble, Understudy). Theater: Dark Vanilla Jungle (The Shop, HERE Arts), Love’s Labour ’s Lost (G reat Lakes Theater), Uncle Vanya (The Pearl Theatre Company), Spine (Theatre Uncut, Clurman Theatre), As You Like It (Sprite Productions, UK), Round 2 (The Factory, UK). TV: “Murphy’s Law” (ITV), “Casualty” (BBC), “MI5” ( BBC). Film: Stud Life, Scoop, Hank and Asha. Training: Royal Scottish Academy of Music and Drama.

TIM McKIERNAN (Ensemble, u/s Christopher, u/s Mr. Thompson) is thrilled to join this production. He was last seen in the First National Tour of War Horse. He would like to dedicate his performance to his mother, Maria McKiernan, who taught special education for 33 years and helped hundreds of children to believe they could do anything.

J. PAUL NICHOLAS (Ensemble, Understudy). Off-Broadway: Blood

Beware Women, All’s Well That Ends Well, War Horse (Tony), Harper Regan, Saint Joan (Olivier, South Bank Show Award), Thérése Raquin, Pillars of the Community (Evening Standard Award). Associate Director at the Royal Court: Stoning Mary, Notes on Falling Leaves, The Sugar Syndrome.

Artistic Director of the Royal Exchange Theatre: Port, Design for Living, Les Blancs, As You Like It, A Woman of No Importance, Nude with Violin. Other: Sweet Bird of Youth (Old Vic), Much Ado About Nothing (RSC), The Little Foxes (Donmar). Film: Alice.

TIM WRIGHT (Ensemble, Understudy, Dance Captain). Broadway: The Curious Incident of the Dog in the Night-Time, The Bridges of Madison County. OffBroadway: 3 Kinds of Exile (Atlantic Theater Co.) International: Sydney Theatre Company, Melbourne Theatre Company. Regional: Williamstown. TV: “SMASH,” “Do No Harm,” “Blue Bloods,” “A Gifted Man.” Film: My Man is a Loser, Ned Kelly, Two Hands Training (Western Australian Academy of Performing Arts). For Emma, Lachlan and Harrison.

BUNNY CHRISTIE (Scenic and Costume Design). Recent: People Places and Things (National Theatre and West End), If You Kiss Me Kiss Me (Young Vic London), Made in Dagenham (West End). Other credits include: The Curious Incident of the Dog in the Night-Time (NT, London West End, Olivier Award, Barrymore Theatre NY, Tony Award); The Red Barn, Emil and the Detectives, Blurred Lines, The Comedy of Errors, Elmina’s Kitchen (BBCTV), The Cherry Orchard (all NT); Julius Caesar and Henry V (Donmar Warehouse, St. Ann’s Warehouse, NY, Donmar at Kings Cross); The White Guard (Olivier Award); A Streetcar Named Desire (Olivier Award); Baby Doll (Evening Standard Award).

Film: Swansong (Oscar nomination, Best Short Film). Opera: Medea (ENO), Brief Encounter, Tosca (Houston and L.A. Opera).

MARK HADDON (Book). Mark Haddon’s The Curious Incident of the Dog in the Night-Time was published in 2003. It was the winner of more than 17 literary awards, including prizes in Japan, Holland and Italy, and was translated into 44 languages. A spot of Bother, published in 2006, was also an international bestseller. His first work for the theatre, Polar Bears, was produced by the Donmar Warehouse in 2010.

He has written 15 books for children, published a first collection of poetry in 2005 and is an illustrator and awardwinning screenwriter. Mark Haddon’s latest novel, The Red House, was published in 2012.

SIMON STEPHENS’ (Playwright) plays have been produced in many languages throughout the world. His plays Harper Regan and Bluebird were staged in New York at the Atlantic Theatre Company.

His play Punk Rock was staged by MCC. His version of A Doll’s House for the young Vic transferred to New York in 2014. His adaptation of Mark Haddon’s novel The Curious Incident of the Dog in the Nighttime ran for two years on Broadway and won the Tony Award for Best New Play in 2015.

His play Heisenberg was produced by MTC in 2015 and is revived by them this Autumn. Simon is an associate at the Lyric, Hammersmith and the Royal Court, London.

MARIANNE ELLIOTT (Director). For the National Theatre: Angels in America, Husbands & Sons, The Light Princess, The Curious Incident... (Olivier, Tony), Port, Season’s Greetings, Women

PAULE CONSTABLE (Lighting Design). Recent: the opening season for the Michael Grandage Company, Threepenny Opera and Warhorse (National Theatre) and Les Misérables (Broadway). Recipient of four Oliviers, two Tony Awards, the Helpmann Award, L.A. Critics Circle and New York Drama Desk Awards. Operas: The Marriage of Figaro, Cunning Little Vixen, Die Meistersinger, Billy Budd (Glyndebourne); Anna Bolena, Don Giovanni, Satyagraha, Giulio Cesare (Met). Dance: Sleeping Beauty and Dorian Gray for Matthew Bourne.

FINN ROSS (Video Design). Theatre: The Curious Incident of the Dog in the NightTime (NT, West End, Olivier & Tony Award), Chimerica (Almeida, West End, Olivier Award). Broadway: All My Sons, Betrayal, American Psycho (Drama Desk Award). Opera (Met, ENO, DNO, ROH, La Scala et al.): Benvenuto Cellini, The Death of Klinghoffer Eugene Onegin, Simon Boccanegra, Damnation of Faust, A Dog’s Heart, Don Giovanni, American Lulu, Das Portrait, La Clemenza di Tito, The Adventures of Mr. Broucek, Les Pecheurs de Perles, Béatrice et Bénédict, The Turn of the Screw, Sunset Boulevard.

SCOTT GRAHAM (Choreography) is Artistic Director and co-founder of Frantic Assembly. He has directed/ co-directed all of Frantic’s work, including Things I Know To Be True, The Believers, Lovesong, Beautiful Burnout (Drama Desk Nomination), Othello (TMA Award, Best Direction), Stockholm (UK and Sydney Theatre Company). He has worked with the Royal National Theatre and National Theatres of Scotland and Wales. He received Olivier and Tony Award nominations for his work on Curious Incident, and, with Steven Hoggett, has written The Frantic Assembly Book of Devising Theatre. He is Visiting Professor in Theatre Practice at Coventry University.

STEVEN HOGGETT (Choreography).

Credits: Let the Right One In (West End); Rocky (Broadway, Tony nomination); The Light Princess (National Theatre); What’s It All About (NYTW); The Glass Menagerie (Broadway); Once (Broadway and West End; Obie, Lortel and Callaway Awards); Rigoletto (Met Opera); Peter and the Starcatcher (Broadway and NYTW, Lortel Award); American Idiot (Broadway and NYTW) Black Watch (National Theatre of Scotland, Olivier Award); Little Dogs, Lovesong, Beautiful Burnout, Othello (Frantic Assembly, co-founder). Film includes How to Train Your Dragon 2 (Dreamworks).

ADRIAN SUTTON (Music) works in orchestral and electronic genres. The Curious Incident of the Dog in the Night-Time (National Theatre) won an Olivier for Sound Design; Coram Boy (Broadway) and War Horse (Broadway) won Olivier noms. His 25-minute orchestral work War Horse Suite was the centerpiece of the War Horse Prom, 2014 BBC Proms season in London.

His children’s concert opera The Griffin and the Grail premiered in 2013. Other theatre: Nation, The Revenger’s Tragedy (National Theatre). www.adriansutton.com IAN DICKINSON (FOR AUTOGRAPH) (Sound Design). Ian’s previous US shows include The Curious Incident of the Dog in the Nigh-Time (Drama Desk Award), Rock ‘n’ Roll (Tony nomination), The Seagull, Jerusalem (Tony nomination), John Gabriel Borkman (Drama Desk nomination) and The River. He has extensive sound design credits to his name throughout the UK and was fortunate enough to win an Olivier Award for his work on The Curious Incident. He has been a member of the Autograph design team since 2009.

DAVID BRIAN BROWN (Wig and Hair Design). Broadway-Highlights: War Paint, She Loves Me, If/Then, Bridges

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

& Gifts (LCT); Rosmersholm (59E59).

Regional: Othello, Oedipus, Hamlet, Romeo & Juliet, The Duchess of Malfi, Two Gentlemen of Verona, The Little Foxes (Shakespeare Theater); The Invisible Hand, Winter’s Tale, Ciphers, The English Bride, Lidless, Scorched, Language Rooms (Various Philadelphia Theaters); Cymbeline, Romeo & Juliet, The Count of Monte Cristo (Alabama Shakespeare); Yellowman (Everyman); Stuff Happens (Olney); The Butcher (Gulfshore Playhouse); The Underpants (Geva Theater). www.JPaulNicholas.com

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

of Madison County, Macbeth, The Nance, Death of a Salesman, Follies, Sister Act, Shrek, The Little Mermaid, Legally Blonde, Spamalot, Dirty Rotten Scoundrels, Fiddler on the Roof, Nine, Gypsy, Sweet Smell of Success, The Invention Of Love, Aida, The Iceman Cometh, Chicago, Sideshow, Steel Pier.

Film credits: Peter Pan–Live, Sound of Music-Live NBC, It’s Complicated, Angels in America (Emmy Nominated), Too Wong Foo… BEN FUREY (Voice and Dialect Coach).

Broadway: includes Curious Incident…, King Charles III, The Last Ship, Billy Elliot, Spamalot, Matilda. Off-Broadway: productions at Lincoln Center, Atlantic Theatre, Manhattan Theatre Club, Roundabout, Signature Theatre, National Tours include: A Gentleman’s Guide To Love and Murder, Billy Elliot, Spamalot, Mamma Mia. Regional/ international includes: Williamstown Theatre Festival, Guthrie Theater, Gate Theatre (Ireland), Two River Theater, Palm Beach DramaWorks, Colorado Shakespeare Festival. Film includes: Lost City of Z, Treasure Buddies, Pete’s Meteor. TV: “Elementary,” “Vine Talk” (PBS). Teaching: Juilliard, UNCSA. DANIEL SWEE (Casting). As casting director for Lincoln Center Theater, more than 80 productions including Act One, The Nance, Golden Boy, War Horse. Additional recent Broadway: The Realistic Jonses, Cat on a Hot Tin Roof, God of Carnage. Films include The Hours, The Crucible.

CINDY TOLAN (Casting). Broadway: Betrayal, Macbeth, Cinderella, The Performers, Lysistrata Jones, Relatively Speaking, That Championship Season, A View From The Bridge, All My Sons, Xanadu, Avenue Q. Film: Beasts of the Southern Wild, The Place Beyond the Pines, Blue Valentine, The Namesake, The Private Lives of Pippa Lee. BENJAMIN ENDSLEY KLEIN (Associate Director) Director of Ann starring Tony Nominated Holland Taylor as Governor Ann Richards. Before playing Broadway’s Vivian Beaumont Theatre at Lincoln Center, the production played Chicago and The Kennedy Center in Washington, D.C. Selected credits as Director include First Date at Pittsburgh CLO, Bend in the Road at New York Musical Theatre Festival, Hello Out There at The Adirondack Theatre Festival, Sick

by Zayd Dohrn at New Jersey Repertory, Hairspray at Charlottetown Festival (Prince Edward Island, Canada), Notes to MariAnne at the Eugene O’Neill Musical Theatre Conference, and Dr. Seuss’ How the Grinch Stole Christmas at The Old Globe. Selected credits as Resident, Associate, or Assistant Director, include The Curious Incident of the Dog in the Night-Time on Broadway, War Horse at

Lincoln Center Theatre, Love Never Dies in the West End, Hairspray in the West End, the UK tour of Hairspray, Lincoln Center Theater’s The Coast of Utopia, and Broadway and 1st National US Tour Dirty Rotten Scoundrels.

TAYLOR HAVEN HOLT (Assistant Director). Credits include My Only Friend is Jesse... (EST), Factory Girls (54 Below), Balloon Boy (NYMF). Recent Associate/Assistant: Cirque du Soleil’s Paramour (Broadway), Hand to God (Broadway & MCC). NYU, BA/MA. For my Mom. YA S M I N E L E E (A s so c iate Choreographer) has worked as performer/choreographer/movement director in over 25 countries in theater, dance, film, television, and video. Select credits include: The Crucible (2016 Broadway), The Curious Incident...(Broadway), Once (A.R.T., NYTW, Broadway, all subsequent productions), RENT (Broadway, National Tours), Pearl (world premiere Lincoln Center) Opening Ceremonies XXII Winter Olympic Games (Sochi), Tender Napalm, Across the Universe, Momix.

J E SS WI LLIAM S ( A s sociate Choreographer) is trained at the London Contemporary Dance School. On graduating she joined ‘Transitions Dance Company’ at the Laban Centre. Jess began working for Frantic Assembly in 2012. She toured the UK with The Curious Incident of the Dog in the NightTime in 2014\15. Other work includes: co direction for National Youth Theatre Wales, assistant movement director National Theatre Wales, movement direction for Neontopia Theatre and Sherman Cymru.

KATHLEEN E. PURVIS (Production Stage Manager). Some credits include: Finding Neverland, Spider-Man Turn Off The Dark, Mary Poppins, Wicked, The Pirate Queen, The Lion King, Ragtime, Show Boat, The Scarlet Pimpernel, CATS, The Good Body, The Vagina Monologues, & Barbra Streisand’s Timeless Concert.

JAY CAREY (Stage Manager).

Broadway/Off-Broadway: Jersey Boys, Finding Neverland, Kinky Boots, Exit Strategy. Tours: Jersey Boys (1st & 2nd Natl.). Regional: Unexpected Joy (WHAT), God of Carnage (Virginia Stage Company). Very happy to be a part of this important show. Thanks to my family. Love to Chris.

KRISTIN NEWHOUSE (Stage Manager).

Credits include: The Lion King, Kinky Boots, Mary Poppins, RENT, Madame Butterfly, Grease!, How to Succeed..., “Kids Choice Awards,” DevCon. Directing: “Easter Bonnets” and “Gypsy of the Year” for BC/EFA.

ELIZABETH M. TALMADGE (Company Manager). Broadway: The Curious Incident of the Dog in the Night-Time, Love Letters, The Trip To Bountiful, The Performers, One Man Two Guvnors, Chinglish, Once, The Scottsboro Boys, Wicked, Cat On A Hot Tin Roof, The Color Purple, The Drowsy Chaperone, The Pirate Queen. National Tours: Wicked, Dr. Seuss’ How The Grinch Stole Christmas, Dr. Dolittle, The King & I. Thank you Eric.

BOND THEATRICAL GROUP (Marketing & Publicity Direction) is a fully independent Booking, Marketing and Publicity company for live entertainment productions. Current tour booking and marketing projects include Blue Man Group; CATS; Natasha, Pierre and the Great Comet of 1812. Current marketing and publicity projects include Anastasia; Amélie; Cabaret; The Color Purple; Dear Evan Hansen; Dirty Dancing; Escape to Margaritaville; Fiddler on the Roof; Half Time; Dr. Seuss’ How the Grinch Stole Christmas! The Musical and marketing services for The Phantom of the Opera on Broadway.

AURORA PRODUCTIONS (Production Management). Current Shows: Amelie, Anastasia, Book of Mormon (Broadway and Tour), Cats, Groundhog Day, Hedwig and the Angry Inch (Tour), Hello Dolly!, Matilda (Tour), School of Rock, Significant Other, The Present, The Glass Menagerie, If I Forget, On the Exhale, Sweat, The Price, Six Degrees Of Separation and A Doll’s House: Part 2. Aurora has been providing technical supervision and production management to the entertainment industry since 1989. www.auroraprod.com THE BOOKING GROUP (Tour Booking Agency) has represented more than 20 Tony Award® winning Best Musicals and Plays since its inception in 1996.

In addition to The Curious Incident of the Dog in the Night-Time, TBG also currently represents the touring productions of: An American in Paris, The Book of Mormon, The Bodyguard, Cabaret, The Color Purple, Finding Neverland, Fun Home, The Humans, Motown The Musical, On Your Feet!, School of Rock, Something Rotten!, the 20th Anniversary tour of RENT, Waitress and Hamilton.

BESPOKE THEATRICALS (General Manager). Partners Amy Jacobs & Devin Keudell manage Broadway musicals, plays & tours. Current/recent productions include: Cats, Cirque du Soleil’s Paramour, School of Rock, The Color Purple, The Curious Incident of the Dog in the Night-Time (Broadway), Something Rotten!, Motown the Musical and Mamma Mia!. General Managers in the firm include Nathan Gehan, David Roth and Danielle Saks.

TIM LEVY (Producer) is director of NT America, overseeing the transfer of National Theatre shows to America and fostering transatlantic exchange.

As producer, productions include The Curious Incident of the Dog in the Nighttime (Broadway); The Light Princess; One Man, Two Guvn ors; Sleep No More; War Horse; The Pitmen Painters; South Pacific; Boeing-Boeing; The 39 Steps; The Seagull; 13; Sunday in the Park with George and The History Boys. Tim was the producer for Boyett Theatricals and previously worked at the National and Donmar in London.

WARNER BROS. THEATRE VENTURES INC. (Producer) is the live stage entity of Warner Bros. Entertainment. Critically acclaimed productions include Charlie and the Chocolate Factory (currently in London’s West End), the Broadway holiday hit Elf, the original musical Secondhand Lions and the Tony Awardwinning The Bridges of Madison County.

Upcoming productions include Misery.

Licensed productions include Hairspray, Singin’ in the Rain, The Bodyguard, The Wizard of Oz and the upcoming Diner and Honeymoon in Vegas.

LISA BURGER (Producer) has been Executive Director of the National Theatre since 2014, working alongside Rufus Norris. Lisa’s interest is in widening audience access and she played a vital role in making NT Live cinema broadcasts available, broadcasting to over 50 countries. She also led the strategic partnership with the National Theatre of China resulting in the Mandarin production of War Horse, opening in 2015. As a Director of NT Productions she has played a key role in the NT’s commercial productions.

BOB BOYETT (Producer). Tony Awards: War Horse; South Pacific; Journey’s End; The Coast of Utopia; The History Boys; Spamalot; Glengarry Glen Ross and The Goat, or Who is Sylvia? Extremely proud of his ten-year association with both the National Theatre (Nicholas Hytner and Nick Starr) and Lincoln Center Theater (Bernard Gersten, André Bishop).

ROGER & WILLIAM BERLIND (Producer). Recent plays include Copenhagen; Proof; Medea; Doubt; The History Boys; Equus; Arcadia; Jerusalem; Death of a Salesman; One Man, Two Guvnors; Clybourne Park; Lucky Guy; Betrayal; Twelfth Night/ Richard III; A Raisin in the Sun. SCOTT M. DELMAN (Producer) is an occasional private-equity investor and an inveterate theatre enthusiast.

Scott has co-produced more than 40 Broadway and West End productions, and he thanks Tim, Stuart and the National for including him on the Curious Incident team.

ROY FURMAN (Producer). Currently: The Book of Mormon (Tony), Cinderella, It’s Only a Play, This is our Youth.

Upcoming: The Last Ship, A Delicate Balance, The Elephant Man, An American in Paris. Best Musical/Play Tony: A Raisin in the Sun, In the Heights, The History Boys, Spamalot, Fosse, War Horse.

GLASS HALF FULL PRODUCTIONS (Producer). Managing members: Gareth Lake and Adam Blanshay. Broadway: Twelfth Night/Richard III. U.S. tour: Evita.

London: Made in Dagenham, Sunny Afternoon, Forbidden Broadway, The Importance of Being Earnest, 1984, Dirty Rotten Scoundrels, Ghost Stories, Ghosts (Olivier Award), Mojo. UK tour: Shrek. www.glasshalfullproductions. co.uk RUTH HENDEL (Producer). Broadway: This is Our Youth, Hedwig and the Angry Inch (Tony), A Gentleman’s Guide (Tony), A Raisin in the Sun (Tony), Fela!, Clybourne Park (Tony), Death of a Salesman (Tony), Red (Tony). Upcoming: A Delicate Balance, Honeymoon in Vegas. Film: Finding Fela.

JFLT TLP PARTNERSHIP (Producers).

Tanya Link Productions: Twelfth Night/ Richard III; UK: Ghosts, Mojo, Chimerica, A Choris Line, Merrily We Roll Along, Abigail’s Party, Sunny Afternoon, Forbidden Broadway. Just for Laughs Theatricals: Adam Blanshay (CEO), Gilbert Rozon (Chairman). www.hahaha.com. Philip Hagemann & Murray Rosenthal: Red (Tony), Sweeney Todd (Olivier), Pippin (Tony), The Pajama Game.

JON B. PLATT (Producer). Credits: Angels in America: Millennium Approaches and Perestroika, Copenhagen, Clybourne Park, God of Carnage, The Book of Mormon, Death of a Salesman, A Raisin in the Sun, A View from the Bridge, Wicked, Venus in Fur, Jerusalem, Exit the King, Cyrano de Bergerac, I’ll Eat You Last, Driving Miss Daisy, The Heiress, Betrayal, Waiting for Godot, No Man’s Land, Forbidden Broadway. 2012 Robert Whitehead Award for Distinguished Producing.

SCOTT RUDIN (Producer). Films include: Steve Jobs, The Grand Budapest Hotel, Inside Llewyn Davis, Moonrise Kingdom, Moneyball, The Social Network, There Will Be Blood, School of Rock, The Hours, The Royal Tenenbaums, Clueless.

Theatre includes: A Funny Thing…, Who’s Afraid of Virginia Woolf?, Gypsy, God of Carnage, Fences, The Book of Mormon, The Motherf**ker With the Hat, Death of a Salesman, A Raisin in the Sun, A View From the Bridge, The Humans, The Crucible, Blackbird, Shuffle Along.

TRIPLE PLAY BROADWAY (Producers).

Carl Moellenberg: six Tony Awards, 43 productions, chairman of Dominion Pictures. Wendy Federman: three Tonys, four Drama Desks, 40 productions, VP Dominion Pictures. Ricardo Hornos: Film and theatre producer on Broadway, West End and Buenos Aires.

THE SHUBERT ORGANIZATION (Co-Producer) has produced or coproduced hundreds of shows. Under the leadership of Philip J. Smith, Chairman, and Robert E. Wankel, President, the Shubert Organization owns and operates 17 Broadway theatres. Since 1983, the Shubert Ticketing and Telecharge divisions have provided superior ticketing and marketing services to the entertainment industry.

THE NATIONAL THEATRE, founded in 1963, is dedicated to the revitalization of the great traditions of the British stage, to expanding the horizons of audiences and artists and to opening up the theatre to new audiences and practitioners. Around 25 new productions each year are staged in its three theatres on the south bank of the Thames in London; shows also transfer to the West End, tour in the UK and internationally and are broadcast to cinemas via National Theatre Live. In 2013, the National’s work was seen by 4.3 million people. www.nationatheatre. org.uk NATIONAL THEATRE PRODUCTIONS, part of the National Theatre, is responsible for non-subsidized productions in London’s West End, throughout the UK and around the world.

AMERICAN ASSOCIATES OF THE NATIONAL THEATRE (AANT) is a New York based 501(c)(3) non-profit organization that supports the work of the Natinal Theatre in the United Kingdom and in the United States. To become a member and enjoy National Theatre productions and events in the U.S. year-round, visit www.aarnt.org.

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

STUART THOMPSON (Producer).

Select Broadway Credits: The Present (previews begin in December), The Curious Incident of the Dog in the Night-Time, King Charles III, The Book of Mormon (executive producer for U.S. companies), Skylight, The River, No Man’s Land/Waiting for Godot, The Testament of Mary, Cat on a Hot Tin Roof, Death of a Salesman, Jerusalem, The Motherf**ker With the Hat, A View From the Bridge, God of Carnage, Exit the King. West End Credits: No Man’s Land, King Charles III.

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

Opening Night: September 27, 2016 AUDITORIUM THEATRE, ROCHESTER, NY STAFF FOR THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME GENERAL MANAGEMENT BESPOKE THEATRICALS Amy Jacobs Devin Keudell Nathan Gehan David Roth Danielle Saks COMPANY MANAGER Elizabeth M. Talmadge Assistant Company Manager . . . . . . . . . . . . Mike Salonia TOUR BOOKING AGENCY THE BOOKING GROUP Meredith Blair, Kara Gebhart www.thebookinggroup.com MARKETING AND PUBLICITY DIRECTION BOND THEATRICAL GROUP DJ Martin Temah Higgins Marc Viscardi Mahaley Jacobs Nicholas Jaech PRODUCTION MANAGEMENT AURORA PRODUCTIONS, INC. Ben Heller, Chris Minnick, Geoff Quart, Ryan Murphy, Anthony Jusino, Liza Luxenberg, Isaac Katzanek, Eric Casanova, Luke Ricca, Steven Dalton, Allison Queen, Serena Montsma, Justin Bell, Cori Gardner, and Gene O’Donovan CASTING Daniel Swee, C.S.A Camille Hickman, Casting Associate Cindy Tolan, C.S.A Nicholas Petrovich, Casting Associate Production Stage Manager . . . . . . . . . Kathleen E. Purvis Stage Managers . . . . . . . . . . Jay Carey, Kristin Newhouse Assistant Director . . . . . . . . . . . . . . . . . . Taylor Haven Holt Director’s Assistant . . . . . . . . . . . . . . . . . . . . . . Holly Henry US Associate Choreographer . . . . . . . . . . . . Yasmine Lee UK Associate Choreographer . . . . . . . . . . . . Jess Williams Associate Set Designer . . . . . . . . . . . . . . . Evan Adamson Associate Costume Designer . . . . . . . . . . . . . . . China Lee US Associate Lighting Designer . . . . . . . . . . .Gina Scherr UK Associate Lighting Designer . . . . . . . . . . . .Rob Casey Associate Video Designer . . . . . . . . . . . . . . . Shawn Duan Dialect & Vocal Coach . . . . . . . . . . . . . . . . . . . . . Ben Furey Moving Light Programmer . . . . . . . . . . . . . . . .Zach Peletz US Video Programmer . . . . . . . . . . . . . . Matthew Houstle UK Video Programmer . . . . . . . . . . . . . . . . . Jonathon Lyle US Associate Sound Desiger . . . . . Joanna Lynne Staub UK Associate Sound Designer . . . . . . . . . Luke Swaffield Head Carpenter . . . . . . . . . . . . . . . . . . . . . . . Jon Wildesen Production Sound . . . . . . . . . Phil Lojo, Simon Matthews Head Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . Todd Higgins Assistant Sound . . . . . . . . . . . . . . . . . . . . . . . . . Chris Powell Production Electrician Michael Cornell, Greg Husinko Head Electrician . . . . . . . . . . . . . . . . . . . . . Matthew Rocha Assistant Electrician . . . . . . . . . . . . . . . . . . . . . . . . Jada Cox Deck Electrician . . . . . . . . . . . . . . . . . . . . . . . . Jesse Sutten Production Props . . . . . . . . . . . . . . . . . . . . . . . James Cariot Head Props . . . . . . . . . . . . . . . . . . . . . . . . . . . .Vera Pizzarelli Wardrobe Supervisor . . . . . . . . . . . . . Jocelyn Cartwright Hair and Makeup Supervisor . . . . . . . . . . . Patty LaRocco Flyman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sean Hulbert Animal Wrangler . . . . . . . . . . . . . . . . . . . . . . . . . Cara Kilduff Show Veterinarian . . . . . . . . . . . . . . Dr. Amy Kantor, DMV Puppy provided by . . . . . . . . . . . . . . River Valley Doodles Rats provided by . . . . . . . . . . . . . . Totes for Realz Rattery Physical Therapy . . NEURO TOUR Physical Therapy, Inc Physical Therapist . . . . . . . . . . . . . . . Annie J. Hadley, DPT Medical Director . . . . . . . . . . . . . . . . . . . Dr. Craig Weil, MD Production Assistants Olivia Gunderson, Dane Urban General Management Associate . . . . . .Michael Demniak Lisa Jaeger General Management Intern . . . . . . . . . . . . . Morgan Hoit US Legal Counsel . . . . . . . . . . . . . Davis Wright Tremaine/ M. Graham Coleman, Robert Driscoll UK Legal Counsel. . . . . . Harbottle & Lewis LLP/ Neil Adelman Visa Consultant.Wiskoff Law, PLLC/Carly Wiskoff, David King Re-Production/Hannah Black Accountant. . . . . . . . . . . . . . . . . Withumsmith and Brown/ Robert Fried, CPA; Karen Kowgios, CPA and Anthony Moore, CPA Controller. . . . . . . . . . . . . . . . . Galbraith & Co./Kenny Noth

Banking . . . . . . . . . . City National Bank/Michele Gibbons Insurance . . . . . AON Albert G. Ruben/Claudia Kaufman Payroll Services . . . Checks and Balances/Anthony Walker Travel Agent . . . . . Tzell Travel/The “A” Team, Andi Henig Housing Services . . . . . . . . . . . . . . . . . . . . . . . . Road Rebel Merchandising . . . . . Creative Goods Merchandise LLC/ Peter Milano

DENVER CENTER FOR THE PERFORMING ARTS GRATEFULLY ACKNOWLEDGES THE FOLLOWING SUPPORT IN ITS 2016/17 BROADWAY SEASON

FOR THE NATIONAL THEATRE Chairman of the NT Board . . . . . . . . . . . . . Damon Buffini Director of the National Theatre . . . . . . . . . . Rufus Norris Executive Director . . . . . . . . . . . . . . . . . . . . . . . . Lisa Burger Chief Operating Officer . . . . . . . . . . . . . . . . . . Liz Fosbury General Counsel . . . . . . . . . . . . . . . . . . . . . . . . . Peter Taylor FOR NT PRODUCTIONS Managing Director . . . . . . . . . . . . . . . . . . . . . Kash Bennett Director of Marketing . . . . . . . . . . . . . . . . . . Heather Epple Head of Press and Communications . . . . . . Nada Zakula Production Accountant . . . . . . . . . . . . Akosua Koranteng CREDITS Scenery built by Showmotion. Lighting equipment by PRG. Sound and video equipment by Sound Associates.

Properties sourcing by Peter Sarafin. Special thanks to Bra*Tenders for their hoisery and undergarments.

The Curious Incident of the Dog in the Night-Time rehearsed at the New 42nd Street Studios

THE ELLIE CAULKINS OPERA HOUSE is part of the Denver Performing Arts Complex, owned and operated by the City and County of Denver, Arts and Venues.

CITY & COUNTY OF DENVER Michael Hancock, Mayor ARTS AND VENUES Kent Rice, Director For information call: 720.865.4220

No animals were harmed in this Production.

SPECIAL THANKS Special thanks to the staff of the National Theatre.

Members of Denver Theatrical Wardrobe, Wigs, Hair and Make-up, Union 719 Linda Ackerschott Carrie Breidenbach Vonnie Clough Janel Clough Craig Cory Cyndie Cory Laura Cotugno Steve Davies Anne Davis Carolyn Dore Deborah Guess

AnnSue Gunter Judy Holabird Leslie Lambert Sharon Millikan-Hale Callie Morrow Yolanda Pollock Dave Poole Liz Spadi Amy Tepel Marybeth Tscherpel Barb Wilson

DPAC House Crew Mark Anthony Perry Elliot James R. Gralian John Kendrick

Randy Mitchell Tanya M. Rist Albert Sainz, Sr David A. Wilson

PLEASE BE ADVISED • LATECOMERS and those exiting the theatre are seated at predetermined breaks in designated areas.

• PHOTOS, RECORDING & CELL PHONE USE are prohibited.

• CHILDREN 4+ are welcome in our theatres and must be ticketed.

• DRINKS are allowed in provided containers.

• ASSISTIVE LISTENING DEVICES, LARGE PRINT PROGRAMS & BOOSTER SEATS are available in most theatres. Ask an usher to direct you.

• BRAILLE PROGRAMS are available with 2 weeks’ notice to ckrueger@dcpa.org or 303.893.4836.

AUG 9 - 27

GARNER GALLERIA THEATRE

A PROUD SPONSOR OF DENVER CENTER FOR THE PERFORMING ARTS

WITHOUT THE ARTS, WHERE WOULD WE BE?

We believe creativity and expression must begin within our schools and spread throughout the community and the world.

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At Cadillac, our sculptors, designers and craftsmen take pride in perfecting everything we do. We dare greatly. Push boundaries. And continually look for innovative ideas and solutions in creating the world’s finest automobiles.

But without the arts, our company might have a completely different story. That’s why your local Colorado Cadillac Dealers are a proud sponsor of the Denver Center for the Performing Arts (DCPA). We believe creativity and expression must begin within our schools and spread throughout the community and the world.

By offering world-class performances, the DCPA is inspiring our city to learn, grow and explore. These performances and the DCPA’s commitment to theatre education encourage us to approach life with a spirit of creativity that drives great ideas to the forefront. Ideas that can evolve from a dream and later appear on a stage. Or inspire someone to dance, sing, play music or design world-class automobiles.

Just as we are a group of Cadillac dealers with a common goal, we must all work together to ensure that the arts are strong in Colorado. To keep creativity and inspiration alive. So that no matter what industry we are in, we can continue to dare, dream and drive the world forward.

Thank you for your patronage of the DCPA. Visit your local Colorado Cadillac dealer today.

Colorado Cadillac Dealers Dellenbach Motors 970.226.2438 Ghent Motors 970.673.7952 Hudson Auto Source 970.368.4511 John Elway Cadillac of Park Meadows 303.799.1110 McCaddon Cadillac 303.442.3160 Medved Cadillac 303.421.0100 Rickenbaugh Cadillac 303.573.7773

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

Member FINRA · SIPC

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First through fourth graders, who love to sing and perform, should

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ChildrensChorale.org/Audition or 303.892.5600

SINCE 2000 PROVIDING

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coloradofsc.com | 303-962-7267 304 Inverness Way S, Ste 355, Centennial, CO 80112

Getting to Know You Workshop Monday, May 15 4:15-5:15 pm

Calvary Baptist Church • 6500 East Girard Avenue • Denver Join the Chorale for this FREE workshop designed for first through fourth graders (and their parents) who have an interest in auditioning for the Colorado Children’s Chorale!

BETTER BY THE DOZEN

BY JOHN MOORE

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The twelfth annual Colorado New Play Summit went global in its storytelling while also becoming an intimate, heartfelt celebration of departing founder Kent Thompson (see sidebar).

The Summit has grown into one of the nation’s premier showcases of new plays. Under Thompson, the Summit has workshopped 50 new plays, leading to 29 fully produced world premieres as part of the DCPA Theatre Company’s mainstage season. Thompson has commissioned 44 new plays, almost half written by women.

“I feel like for the past 12 years, I’ve had a great opportunity to present many different windows on the world, from many different peoples’ viewpoints,” Thompson said.

This year’s Summit featured readings of five plays that spanned in time from 1931 to present day and traveled

the world from Brooklyn to Berlin to Beijing to Geneva to Georgia to a suburban Ohio fertility clinic.

Every year, two or more readings from the previous Summit go on to become fully staged plays on the Theatre Company’s mainstage season. This year’s featured productions were Tira Palmquist’s Two Degrees and Lauren Gunderson’s The Book of Will.

The annual late-night Playwrights’ Slam drew an eclectic group of writers sampling their developing works in a fun and supportive atmosphere while the third annual Local Playwrights’ Slam, held a week earlier, was curated by the Colorado chapter of the Dramatists Guild.

For the fourth year, winners of DCPA Education’s Regional High School Playwriting Workshop and Competition had their plays presented at the Summit.

This year a record four writers were showcased.

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PHOTOS: 1. Actor Jason Delane Lee (Two Degrees) and commissioned playwright Kemp Powers (One Night in Miami). 2. Curtain call for the cast of the featured play Last Night and the Night Before. (l-r): Tresha Farris, Jasmine Hughes, Valeka Holt, Olivia Sullivent and Brynn Tucker. 3. Playwright Eric Pfeffinger in rehearsal for the featured play Human Error. 4. Actors Brian Keane and Francis Jue in the featured play Manford at the Line, or The Great Leap. 5. Commissioned playwright Tony Meneses performs at the Playwrights’ Slam.

6. Actors Victor Slezak, Liam Craig and Rodney Lizcano rehearse Rogelio Martinez’s featured play, Blind Date. 7. The annual gathering of playwrights and supporters of the $1.3 million Women’s Voices Fund. Photos by John Moore (1, 2, 4, 5, 6, 7) and Adams VisCom (3).

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

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This year’s Summit drew more local audiences and national industry leaders than ever before, with 44 playwrights and 36 theatre organizations attending from at least 16 states. Visitors represented companies ranging from the Public Theatre in New York to the Oregon Shakespeare Festival to the Banff Centre in Ontario to the Dorset Theatre Festival in Vermont.

Closer to home, guests included the Creede Repertory Theatre, Curious Theatre, The Catamounts, Athena Festival Project, Lake Dillon Theatre Company and more.

The five featured Summit readings: • D onnetta Lavinia Grays’ Last Night and the Night Before opens with a Georgia woman on her sister’s doorstep in Brooklyn, with her 10-year-old daughter in tow. The mystery for both the characters and the audience to solve is what trauma took place in Georgia that brought them here.

• R ogelio Martinez’s Blind Date centers on Ronald Reagan and Mikhail Gorbachev’s first meeting at the Geneva Summit in 1985 to try to open up channels between the US and the Soviet Union.

• I n Eric Pfeffinger’s comedy Human Error, a couple goes to what they think is a routine appointment at their fertility clinic only to discover that their fertilized embryo has been mistakenly implanted into another couple. And it turns out they are polar opposites.

• R obert Schenkkan’s Hanussen is set in 1931 Berlin and introduces us to the brilliant mentalist Erik Jan Hanussen who captivates German audiences with his ability to read minds and his uncanny predictions of the future.

His reputation brings him to the attention of avid occultist Adolf Hitler, who does not realize he is a Jew. • L auren Yee’s Manford at the Line, or The Great Leap follows an American college basketball team as it travels to Beijing for a “friendship” game during the politically charged Cultural Revolution in 1989.

Audiences will be delighted to see American Mariachi (2016 Summit), The Great Leap and Human Error (2017 Summit), which have been selected for full development as part of the Theatre Company’s 2017/18 season.

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THANK YOU TO OUR SUMMIT SPONSORS: Producing Partners: Joy S. Burns, Terry & Noel Hefty, Karolynn Lestrud, Robert & Carole Slosky and Daniel L. Ritchie.

All 2017 readings sponsored by Sheri & Lee Archer in memory of Bob Davidson.

Contributing Partners: Jeremy & Susan Shamos.

A TRIBUTE TO KENT THOMPSON PRODUCING ARTISTIC DIRECTOR, DCPA THEATRE COMPANY When Kent Thompson took over the helm at the DCPA Theatre Company, he staked claim to three issues that he felt needed to be urgently addressed: creating a vibrant new works program, achieving better gender parity, and commissioning and producing work by playwrights of color.

Right away he resurrected the company’s new works program, at the center of which were four to five commissions per season. He created the Colorado New Play Summit, a new play festival that has grown in stature to be one of the best in the country. He created the singular Women’s Voices Fund, which has generously supported the work of women playwrights and directors. And he has brought greater diversity to our stages, which have featured more work by Latino and African-American writers.

He also welcomed a number of large-scale musicals to the Theatre Company, including Sweeney Todd, The Unsinkable Molly Brown and Sense & Sensibility The Musical. He fed us a steady stream of thoughtful plays, comedies, dramas, classics, new plays, and plays for youth and families.

Most of all, his assured leadership and expansive artistic vision have made the Theatre Company a relevant and vital part of so many lives here in Denver. We wish him the best and will miss him.

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MAMMA MIA! — A TRULY ORIGINAL MUSICAL

The Company of the MAMMA MIA! Farewell Tour. Photo by Kevin Thomas Garcia, 2016

B Y J U D Y C R AY M E R , C R E A T I V E P R O D U C E R

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As Creative Producer of MAMMA MIA!, my job started long before any script had been written. The story begins more than 25 years ago when I first met Björn Ulvaeus and Benny Andersson, the songwriting geniuses behind ABBA. I was working for Sir Tim Rice at the time, who was collaborating with Benny and Björn on his musical, Chess, and I was immediately smitten — after all, these were the men who had written “Dancing Queen,” one of the greatest pop songs of all time — but it was another of their songs, “The Winner Takes It All,” that first suggested to me the potential of an original musical using their compositions.

The lyrics revealed a roller coaster story of love and loss that struck me as extraordinarily theatrical, but how was I to bring this to life?

First I had to approach Benny and Björn, who were a little unsure of my intentions. I explained that the project I had in mind would focus on a new and exciting story; it wouldn’t be a tribute show or the “ABBA Story” but a truly original “book” musical. They weren’t 100% convinced.

So I sat on the floor of my apartment listening to ABBA late into the night. I may have driven my neighbors to despair but as time passed I became more and more certain of my idea. In 1995 my tenacity finally paid off.

Björn said, “If you can find the right writer and story, well... let’s see what happens….”

A year later I was on location with a film I was producing when the director mentioned Catherine Johnson. I was aware of her work as a playwright. We met in January 1997

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

and soon I was confidently telling Björn that we had found our writer.

My brief to Catherine was that no lyrics could change, the story should be a contemporary, ironic, romantic comedy and that if she listened carefully to ABBA’s songs, she’d notice how they fell into two different generations: the slightly younger, playful songs like “Honey, Honey” and “Dancing Queen” and the more mature, emotional songs such as “The Winner Takes It All” and “Knowing Me, Knowing You”...and so the idea of a cross-generational love story was devised.

By the end of that year Catherine had finished the first draft of the script and I persuaded Phyllida Lloyd to come on board as our director. Her background was serious, legit theatre and opera, and her secret weapon was her “Dry Martini wit.”

It was unusual, if not unheard of, for three women to be the collaborative creative force. I think it readdressed the balance and had a great nurturing effect on the production. Appropriately, MAMMA MIA! features three strong women in the story. Their characters are completely different — slightly bossy, a bit chaotic, extremely practical, and very high maintenance! We have a lot of laughs about who is who in real life.

Suddenly it was time to give up my day job as a TV and film producer and prepare for the white-knuckle ride of making the dream a reality: money to raise, a theatre to find, artwork to create, ticket agents to seduce, deadlines

“The Winner Takes It All”…revealed a roller coaster story of love and loss that struck me as extraordinarily theatrical…

— JUDY CRAYMER, CREATIVE PRODUCER Our very first North American premiere was in Canada where we were booked for six months and stayed for five years. The first US tour opened in 2000 at San Francisco’s Orpheum Theatre. Having celebrated over 12 years and 5,000 performances at the Winter Garden Theatre, MAMMA MIA! transferred to the Broadhurst Theatre on Broadway in late 2013. As of its final performance in September 2015, it was the eighth longest-running show in Broadway history.

And let’s not forget MAMMA MIA! – The Movie, which had had its worldwide premiere in London on June 30, 2008, rapidly making history as the highest-grossing movie of all time at the UK and Irish box offices.

One thing I’ve learned from 17 fun and frantic years of overseeing and coordinating the many productions of MAMMA MIA! is that the potential and possibilities are continuously exciting and seem to be limitless. Enjoy the show!

Dustin Harris Smith, Lizzie Markson MAMMA MIA! Farewell Tour.

Photo by Kevin Thomas Garcia, 2016

MAMMA MIA!

APRIL 11 – 16 BUELL THEATRE ASL, AUDIO-DESCRIBED & OPEN CAPTIONED PERFORMANCE: APR 15, 2PM

Photo by Bradford Rogne

The Company of the MAMMA MIA! Farewell Tour. Photo by Kevin Thomas Garcia, 2016

to meet. It was the summer of 1998 and we had to open by April 7, 1999 or we’d lose Phyllida, who’d been booked to direct an opera in London. April 6 happened to be the anniversary, to the day, of ABBA winning the Eurovision Song Contest with “Waterloo” 25 years before. It seemed a good omen.

Although Björn was enthusiastic and shared the vision for the musical, Benny was a little more cautious and at any time both could have put an end to the project. It was a tense time, as their emotional backing as well as their creative input was very important. If they were going to trust me with their fabulous songs, I didn’t want to let them down. Benny and I agreed that on our opening night one of us would be able to tell the other “I told you so.”

By now we had a date for opening but we had no theatre. We’d been looking at smaller venues when suddenly the rather large and prestigious Prince Edward Theatre in London’s West End became available. But its sheer size meant that the scale of the production had to expand dramatically too, with cast, crew, set and budget all having to be reworked.

A lot of fingers were crossed for the big night.

And so...April 6, 1999, a night I will never forget — the world premiere of MAMMA MIA! The audience was charmed and one British critic wrote, “MAMMA MIA! could put Prozac out of business.”

Benny heartily accepted his defeat: with the entire theatre dancing in the aisles, he turned to me and said, “You can say it now.” I flashed back, “I told you so!”

COMING UP FROM CABARET:

DIXIE’S TUPPERWARE PARTY Brownie Wise, the American saleswoman who put the “social” in “networking” and revolutionized Tupperware sales with her “party plan” marketing system, would be impressed with Dixie Longate — a member of the illustrious “#1 Tupperware Seller in the World” Club.

Dixie, the fast-talking Tupperware Lady, found all-new uses for the household standby, packed up her catalogues, left her children in an Alabama trailer park and is taking the world by storm. After taking the party down under to Australia, Dixie finally returns to her second home at The Garner Galleria Theatre (Jul 19-Aug 6).

Join Dixie for her unique take on a good ol’ fashioned Tupperware party filled with outrageously funny tales, heartfelt accounts, FREE giveaways, audience participation and the most fabulous assortment of Tupperware ever sold on a theatre stage. Loaded with laughs and the most up-to-date products available for purchase, audiences will be regaled as Dixie educates her guests on the many alternative uses she has discovered for her plastic products.

Who knows? One day she may just follow in the footsteps of Brownie Wise and become Vice President of Tupperware — described as a simple and delicious system of gadgets with a dash of sassitude. Sounds just a little bit like Dixie to us.

A PROUD SPONSOR OF MAMMA MIA! FAREWELL TOUR

T “We are honored to support the performing arts and its vital role in making play possible for all those in the Denver community.”

— HASSAN SALEM, PRESIDENT OF U.S. BANK IN COLORADO & DCPA TRUSTEE

The arts help make Denver an amazing place to live and work by inspiring and motivating us and by creating a vibrant sense of community. The people at U.S. Bank value the power of the arts, and are committed to supporting the magnificent programs and spectacular performances at the Denver Center for the Performing Arts (DCPA).

The arts educate, promote understanding, broaden our perspectives, enable us to share rich cultural experiences and provide an escape when needed. We are fortunate that the Denver arts community is a strong resource and is home to some of the nation’s finest theatres, museums and artists.

“At U.S. Bank, we invest our time, resources and passion to help build and support vibrant communities that allow every person to work toward their potential,” said Hassan Salem, President of U.S. Bank in Colorado and DCPA Trustee. “Our corporate giving and volunteer program is called Community Possible, focused on community investments centered on work, home and play. We are honored to support the performing arts and its vital role in making play possible for all those in the Denver community. We applaud DCPA for providing amazing performances, programs and outstanding arts education — whether it’s playwriting, acting, providing resources for teachers and classrooms, musical theatre or corporate training.”

Employee community involvement and guidance from community leaders weave U.S. Bank into the fabric of Denver’s neighborhoods. Every year employees volunteer their time to help local nonprofit groups, and members of the U.S. Bank board in Denver provide regular feedback on the bank’s current activities that helps crystallize the bank’s vision for the future.

U.S. Bank also is committed to providing consumers and businesses with a comprehensive range of financial tools and services to help them work toward their goals. For clients with more complex financial needs, U.S. Bank offers wealth management strategies and services. From investment management services to trust and estate administration, U.S. Bank offers clients sophisticated plans, sound advice and customized service.

“One of the key attributes of the growth in Denver is the rich investment in arts and culture made over many years. The DCPA is a perfect example of the value of how a first-class theatre that draws some of Broadway’s biggest hits adds to our community.” said Darren Markley, Managing Director of The Private Client Reserve of U.S. Bank in Colorado. “We are privileged to host clients and prospects at the DCPA’s wonderful shows throughout the year and we always leave with a first-class experience of which we all feel proud. “ Let’s all continue to celebrate the Denver Center for the Performing Arts.

It helps make Denver an even more colorful and delightful place to live for all people.

Credit products offered by U.S. Bank National Association.

Deposit products offered by U.S. Bank National Association. Member FDIC. Investment products and services are: Not A Deposit

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Not FDIC Insured

APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

Not Bank Guaranteed

May Lose Value

Not Insured By Any Federal Government Agency

At PAA, it’s not just about putting on a great show – although we do that too! It’s about taking it beyond the stage to help our students grow in every way possible.

Summer registration is now open!

We offer 2 week intenstives for grades K-12 and 1 week summer camps for ages 3-K Visit stlukesPAA.org to learn more

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DCPA DCPA

2017 ALIVE

THE 37TH ANNUAL GALA BENEFITING DCPA EDUCATION

SATURDAY

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NIGHT

DRIVEN BY

Tony-winning choreographer Savion Glover mesmerizes a sold-out crowd of 800 guests.

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

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Our 37th annual Saturday Night Alive, driven by BMW of Denver Downtown, was one for the record books â&#x20AC;&#x201D; $1 million raised to support theatre education. The 800 guests were amazed at the fantastic fast-moving footwork of Tony-winning choreographer, Savion Glover, who not only wowed the audience, but also led an afternoon Master Class with 40 students.

Among the highpoints was an announcement by DCPA President & CEO Janice Sinden of a new Theatre for Young Audiences program for PreKsecond grade students. A Snowy Day will welcome 18,000 tiny guests this fall, made possible by proceeds from the fundraiser.

Complete with a surprise box sale, dinner by Epicurean Group, post-show entertainment by Wash Park and a silent auction valued at $400,000, the evening was a tremendous success. A special thanks to our dedicated committee (see photo #10), the Denver Center Alliance, our many sponsors and our generous guests.

Special thanks to the 2017 Leadership Committee and Major Sponsors EVENT CHAIRS:

L. Roger & Meredith Hutson

EVENT VICE CHAIRS: Lyn

& Dr. Michael Schaffer

CORPORATE CO-CHAIRS: David Young, MD, & Sylvia Young, President and CEO, HealthONE; Faye & Reginald Washington, MD, Chief Medical Officer, Rocky Mountain Hospital for Children SILENT AUCTION CHAIRS: Susan PATRON CHAIR:

& Steve Struna

Stephen Edmonds

PRESENTING SPONSOR:

BMW of Denver Downtown

PLATINUM SPONSORS: Salah

Foundation and United Airlines

EMERALD SPONSORS: Colorado Oil and Gas Industry, HealthOne and Westin Denver Downtown GOLD SPONSORS: Always Best Care Senior Services, Epicurean Catering Group, Kathie and Keith Finger, U.S. Bank, Colorado State Bank and Trust (Silent Auction Sponsor), and Triptky Studios and Tuchman Family Foundation (Entertainment Sponsors)

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Photos by John Moore and Amanda Tipton Photography

1. DCPA President & CEO Janice Sinden and DCPA Trustee and Silver Sponsor Margot Gilbert Frank. 2. Saturday Night Alive headliner Savion Glover teaches a tap Master Class to 40 students. 3. Incoming DCPA Chairman Martin Semple and wife Jo Ann with Platinum Patrons Kristin and Blair Richardson. 4. DCPA Trustee Roger Hutson and his wife Meredith (l), Director of Education Allison Watrous, DCPA Education students and DCPA President & CEO Janice Sinden (r) greet entertainer Savion Glover (far right). 5. Chip Horne with Corporate Co-Chairs Dr. David and Sylvia Young and Dr. Jan Kennaugh. 6. Edward Freehart, General Manager of Presenting Sponsor BMW of Denver Downtown and Gretchen Estes. 7. 2016 Saturday Night Alive Chair Claudia Miller, DCPA Chief Development Officer Deanna Haas and Jim Miller, Silver Sponsor with Polsinelli. 8. Event chairs, Roger & Meredith Hutson 9. Saturday Night Alive Gold Sponsor Kathie Finger mingles during the pre-show cocktail party. 10. (l-r) Saturday Night Alive netted $1 million in large thanks to its planning committee: Daniel Kopnisky and Stephen Edmonds, Patron Chair; DCPA President & CEO Janice Sinden; Steve and Susan Struna, Silent Auction Chairs; Dr. Reginald and Faye Washington, Corporate co-chairs; Meredith and Roger Hutson, Event Chairs; Sylvia and Dr. David Young, Corporate co-chairs; Lyn and Dr. Michael Schaffer, Vice Chairs. 11. Local band Wash Park keeps late-night guests dancing.

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A PROUD GOLD SPONSOR OF THE 2017 SATURDAY NIGHT ALIVE FOR DCPA EDUCATION

A “It is important to us to maintain a connection to the community and to be culturally engaged. The Denver Center truly enriches the lives of our clients, their families and our staff.”

— ERIN NICHOLS, OWNER & PRESIDENT, ALWAYS BEST CARE SENIOR SERVICES

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Always Best Care Senior Services is committed to supporting the vibrant cultural environment created through the programs at the Denver Center for the Performing Arts (DCPA).

Always Best Care’s comprehensive client assessment and care planning process focuses on the personal interests of each individual client. Its compassionate staff provides safe transportation, transfer assistance and companionship services that allow clients to maintain their independence. Customized outings to events at the DCPA, museum visits, art classes and other social engagements are important to preserve the quality of life that clients so enjoy.

“We feel that we share common goals and objectives with the DCPA and are proud to support their events and education programs,” says Erin Nichols, owner and president of Always Best Care Senior Services.

“It is important to us to maintain a connection to the community and to be culturally engaged. The Denver Center truly enriches the lives of our clients, their families and our staff.”

It is Always Best Care’s mission to provide high quality, clientcentered home care and to go beyond what is expected. The company wants to help families make informed decisions about senior care and guide them through the complexities of options to design solutions that are specific to their unique needs.

“Our caregivers are carefully screened and trained to provide professional and compassionate care,” says Nichols. “There is a lot of trust involved when you invite a stranger into your home to take care of you or your family member. We understand this and make every effort to let our clients know that they’re in good hands and receive the very best care.”

Over the recent years, Always Best Care Senior Services has expanded its network and is one of the largest and fastest growing senior care franchises in the Denver area. Three locations with more than 250 employees are serving Denver’s Front Range communities, including Denver, Englewood, Littleton, Lakewood, Boulder, Castle Rock, Broomfield, and surrounding areas. It also is one of the nation’s leading providers of non-medical home care and senior housing placement services.

In addition to the DCPA, Always Best Care is a proud supporter of the ALS Association, Central City Opera and Colorado Ballet.

LIFE IS A STAGE…. Enhance your next act with outstanding care from Always Best Care Senior Services.

For more information on how Always Best Care can support you or your loved ones, please contact us at 303.952.3060 or at www.alwaysbestcare.com/denverwest.

APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

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DCPA TEAM DCPA Janice Sinden......................................................President & CEO Maggie Lamb.......................Executive Assistant to the CEO

BROADWAY & CABARET John Ekeberg........................... Executive Director Broadway Alicia Bruce......................................................... General Manager Alyssa Chacon............. Operations Business Administrator Abel Becerra.................................. Technical Director, Cabaret

DEVELOPMENT Deanna Haas................................. Chief Development Officer Shawn Bayer.................................................... Associate Director Chelley Canales...................................Development Associate Megan Fevurly........................................ Annual Fund Manager Melissa Olson........................................Development Assistant Marc Ravenhill................................................. Associate Director Valerie Taron.................................................... Associate Director David Zupancic.................................Director of Development

EDUCATION Allison Watrous........................................Director of Education Patrick Elkins-Zeglarski.........................Associate Director of Education and Curriculum Manager Jessica Austgen................................................ Teaching Artist & Shakespeare Coordinator Stuart Barr.................................. Education Technical Director Claudia Carson...... Bobby G and Playwriting Coordinator Leslie Channell................................................. Business Manager Melissa Doherty...........................Office Manager & Registrar Linda Eller..............................................................................Librarian Tim McCracken..................................................... Head of Acting Michelle Patrick...................Corporate Training Coordinator Natalie Rice.......................................Evening Point Person and Assistant Registrar David Saphier.......... Teaching Artist & School Coordinator Rachel Taylor...........Teaching Artist & At-Risk Coordinator Chloe McCleod, Heather Hughes, Justin Walvoord, Robyn Yamada.................................................... Teaching Artists

FACILITIES & EVENT SERVICES Clay Courter.....Vice President, Facilities & Event Services Dwight Barela, Clint Flinchpaugh, Michael Kimbrough........................................................ Engineers Quentin Crump...............................................Security Specialist Tom Duffin.....................................Manager, Event Technology Caitlin Glasgo................................................ Events Coordinator Stori Heleen.................................Event Technology Specialist Jaymes Kimbrough..................Event Technology Specialist Clint King.........................................................Security Supervisor Brian McClain............................................. Custodial Supervisor Tara Miller, Danielle Kelley, Brittany Schoede............................................. Events Managers Brook Nichols................................Director, Event Technology Will Stowe.....................................Event Technology Specialist Tara Wenger....Facilities/Event Services Business Manager Dawn Williams.....................................Director, Event Services Juan Loya, Carmen Molina, Blanca Primero, Judith Primero, Angeles Reyes Soto, Francisco Trujillo............................................................Custodians

MARKETING, SALES & PATRON SERVICES Jennifer Nealson..................................Chief Marketing Officer Eric Boone...................................................Front End Developer Heidi Bosk......................... Senior PR & Promotions Manager Nathan Brunetti...................................................Digital Manager Flora Jane DiRienzo...............Director of Strategic Projects Casey Eickhoff....................................Senior Graphic Designer Brenda Elliott......................................Senior Graphic Designer Brianna Firestone............Director of Customer Experience Simone Gordon...................................................Project Manager Hope Grandon..........................................PR & Events Manager Jeff Hovorka............................. Director of Sales & Marketing Jennifer Kemps........................................Group Sales Manager Emily Kent..................................................Director of Marketing David Lenk............................................................. Video Producer

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Emily Lozow........................................... Marketing Coordinator Adam Lundeen....................................Marketing Technologist Kyle Malone.................................................................... Art Director Cassie McHale......................... Communications Coordinator Carolyn Michaels...........................................................Copywriter Cheyenne Michaels............................. Marketing Coordinator John Moore................................................Senior Arts Journalist Adam Obendorf........................................... Senior Art Director Allison Barber Pasternak..... Executive Assistant to the CMO Joseph Schurwonn......................................... Financial Analyst Jill Schwager.................. Audience Development Associate Rob Silk.........................................Director of Creative Services Suzanne Yoe............................... Director of Communications & Cultural Affairs THEATRE SERVICES Carol Krueger.................................. Theatre Services Manager Adam Alberti, Ethan Aumann, Nora Caley, Samantha Egle, Hadley Kamminga-Peck, LeiLani Lynch, Aaron McMullen, Gregory Melton, Douglas Murphey, Joyce Murphey, Margaret Ohlander, Valerie Schaefer, Mica Ward..................... Theatre Company House Managers TICKETING SERVICES Jennifer Lopez.........................Director of Ticketing Services Kirk Petersen...........................................Assoc. Dir. of Ticketing Services – Patron Relations David Smith.............................................Assoc. Dir. of Ticketing Services – Subscription Services Micah White..............................................Subscription Manager Jessica Bergin, Vincent Bridgers, Katie Clow-Pollard, Tristan Jungferman ................................Box Office Managers Billy Dutton..............................................VIP Ticketing Manager Malcolm Brown, DJ Dennis, Kevin Dykstra, Molly Dougherty, Amanda Gomez, Edmund Gurule............................................................Show Leads Kirsten Anderson, Rebecca Hibbert, Scott Lix, Gregory Swan........................Subscription Agents Román Anaya, Rena Bugg, Jennifer Gray, Roger Haak, Shari Hansen, Noah Jungferman, Alia Kempton, Daniel Lindsey, Gustavo Márquez, Cora Marsh, Lisa McClellan, Noah McDermott, Gunnar Reinig, Taylor Schulze, Jason Scoggins, Liz Sieroslawski, Hayley Solano, Jon Squire, Brad Steinmeyer, Tomas Waples, Cindy Yeast............................... Ticket Agents

SHARED SERVICES Vicky Miles................................................ Chief Financial Officer Jennifer Jeffrey.......................................... Director of Financial

Planning & Analysis Julie Schumaker.................Executive Assistant to the CFO ACCOUNTING Jennifer Siemers...................................Director of Accounting Michaele Davidson.......................................Senior Accountant Juliette Hidahl....................................................Accounting Clerk Kim Stewart........................................................ Staff Accountant HUMAN RESOURCES Regina Matthews......................... Director Human Resources Aubrey Antonsen.....................................................HR Generalist Brian Carter...................................Human Resources Manager Jamie Hawkins...................................................... HR Coordinator Jill Martinez..........................................................Payroll Specialist Monica Robles............................................Mailroom Supervisor INFORMATION TECHNOLOGY Yovani Pina.................................... Associate Vice President of Information Technology Rick Bennett............................................................... Director of IT Jim Hipp................................................. Associate Director of IT Christopher Hoge.......................VoIP/System Administrator Paul Howell........................................................Help Desk Analyst Bobby Jiminez.........................Senior AudienceView Analyst David Tschan.............................................................. Director of IT John H. Voorheis............................ Manager of Infrastructure

THEATRE COMPANY ADMINISTRATION Charles Varin...................................................Managing Director Ryan Meisheid...........................Associate Managing Director Allison Taylor..................................................Company Manager

APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

Angela Schwiethale........................... Business Administrator Alie Quistberg...........................Assistant Company Manager ARTISTIC Nataki Garrett.................................Associate Artistic Director Charlie I. Miller................................Associate Artistic Director

Strategy & Innovation Douglas Langworthy..................................... Literary Director/

Director of New Play Development Chad Henry....................................................... Literary Associate Grady Soapes................................................... Artistic Associate PRODUCTION Jeff Gifford...............................................Director of Production Melissa Cashion....................Associate Production Manager Matthew Campbell.............. Assistant Production Manager Julie Brou...................Production & Artistic Office Manager Scenic Design Lisa M. Orzolek................................ Director of Scenic Design Matthew Plamp, Nicholas Renaud..............................Scenic Design Assistants Lighting Design Charles R. MacLeod...................................Director of Lighting Lily Bradford.....................................Lighting Design Assistant Reid Tennis............................................... Production Electrician Multimedia Topher Blair................................................ Multimedia Specialist Sound Design Craig Breitenbach...........................................Director of Sound Tyler Nelson.......................................................... Sound Designer Alex Billman, Frank Haas..............................Sound Operators Stage Management Christopher C. Ewing................ Production Stage Manager Rachel Ducat, Corin Ferris, Kristen O’Connor, D. Lynn Reiland, Kurt Van Raden...............Stage Managers Scene Shop Robert L. Orzolek, Josh Prues.................................Associate Technical Directors Albert “Stub” Allison, Louis Fernandez III.......................................... Lead Technicians Justin Hicks, Brian “Marco” Markiewicz, Wynn Pastor, Kyle Simpson Mike VanAartsen...........................................Scenic Technicians Prop Shop Robin Lu Payne.............................................Properties Director Eileen S. Garcia......................... Assistant Properties Director Jamie Stewart Curl, David Hoth, Georgina Kayes, Katie Webster..........................................................Props Artisans Paint Shop Jana L. Mitchell...........................................Charge Scenic Artist Melanie Rentschler........................................Lead Scenic Artist Kristin Hamer MacFarlane.....................................Scenic Artist Costume Shop Janet S. MacLeod..........................................Costume Director/ Costume Design Associate Meghan Anderson Doyle........ Costume Design Associate Carolyn Plemitscher, Louise Powers, Jackie Scott............................................................................Drapers Cathie Gagnon.................................................................First Hand Sheila P. Morris........................................................................... Tailor Kelly Jones.................................................................................Stitcher Costume Crafts Kevin Copenhaver............................Costume Crafts Director Chris Campbell.................................Costume Crafts Assistant Wigs Diana Ben-Kiki............................................................... Wig Master House Crew Doug Taylor*..........................................Supervising Stagehand Jim Berman*, Jennifer Guethlein*, Stephen D. Mazzeno*, Kyle Moore, Miles Stasica*, Tyler Stauffer*, Matt Wagner* (*IATSE Local 7 Stagehands)................................ Stagehands Wardrobe Brenda Lawson........................................Director of Wardrobe Maria Y. Davis, Taylor Malott............................Wig Assistants Robin Appleton, Amber Donner, Anthony Mattivi, Tim Nelson, Lisa Parsons Wagner, Alan Richards....................................................................... Dressers

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ACROSS Clues relate to MAMMA MIA! Farewell Tour, 5 Country where Mary Lennox was born The Secret Garden, The Illusionists – Live from 6 Pioneering escape artist whose nickname was “Handcuff” March 2017 8 Author of The Secret Garden novel Broadway and The Curious Incident of the Dog in e Secretthe Garden, Mamma Mia, The Illusionsts and The Curious Incident of 9 Tanya probably loves salt, but she doesn’t go for _______ Night-Time, and the subjects that inspired them.

ACROSS

the Dog in the Night-Time

10 In the 1970s, this trio was known as Donna and the _______ 12 Mark _______ is the author of the best-selling Curious Incident source novel

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13 Name of the fictional, fabulous Greek island

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14 The normally silent half of the magic duo Penn & _______

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16 City where Christopher runs away in search of his mother 18 Name of the neighbor’s poor, done-in dog

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19 The makers of The Illusionists recently brought “_______ 1903” to Denver

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20 ABBA song that invokes Napoleon 10

21 Someone who lives in solitude like Uncle Archibald

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22 Curious Incident’s 15-year-old detective is a genius in this subject

13

DOWN

1 “Super Trouper beams are gonna _______ me” 14

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16

17

2 Not the “Gimme, Gimme, Gimme” song, but the “_______ , _______ , _______” song 3 Lily is “The Girl in the _______”

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4 The Curious Incident title actually quotes this famous fictional sleuth (two words) 7 MAMMA MIA! begins with Sophie holding three of these

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8 He claimed to have caught a bullet in his mouth for his 2016 TV special 11 Mary sings of being “The Girl I _______ To Be”

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15 Someone who can read your thoughts 17 Secret Garden role John Cameron Mitchell originated on Broadway

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APPLAUSE • Apr – Jun 2017 • 303.893.4100 • denvercenter.org

5 Country where Mary Lennox was born

21 Someone who lives in solitude like Uncle Archibald 22 Curious Incident's 15-year-old detective is

For answers please visit denvercenter.org/news-center

w

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