After the construction, modifications were made to the Founders Room exterior; while most of the building’s exterior was designed with stainless steel given a matte finish, the Founders Room and Children’s Amphitheater were designed with highly polished mirror-like panels. The reflective qualities of the surface were amplified by the concave sections of the Founders Room walls. Some residents of the neighboring condominiums suffered glare caused by sunlight that was reflected off these surfaces and concentrated in a manner similar to a parabolic mirror. The resulting heat made some rooms of nearby condominiums unbearably warm, caused the air-conditioning costs of these residents to skyrocket and created hot spots on adjacent sidewalks of as much as 140 °F. After complaints from neighboring buildings and residents, the owners asked Gehry Partners to come up with a solution. Their response was a computer analysis of the building’s surfaces identifying the offending panels. In 2005 these were dulled by lightly sanding the panels to eliminate unwanted glare. The design of the hall included a large concert organ, completed in 2004, which was used in a special concert for the July 2004 National Convention of the American Guild of Organists. The organ had its public debut in a non-subscription recital performed by Frederick Swann on September 30, 2004, and its first public performance with the Philharmonic two days later in a concert featuring Todd Wilson. The organ’s façade was designed by architect Frank Gehry in consultation with organ consultant and sound designer Manuel Rosales. Gehry wanted a distinctive, unique design for the organ. He would submit design concepts to Rosales, who would then provide feedback. Many of Gehry’s early designs were fanciful, but impractical: Rosales said in an interview with Timothy Mangan of The Orange County Register, “His [Gehry’s] earliest input would have created very bizarre musical results in the organ. Just as a taste, some of them would have had the console at the top and pipes upside down. There was another in which the pipes were in layers of arrays like fans. Very fascinating. Couldn’t be built. The pipes would have had to be made out of materials that wouldn’t work for pipes. We had our moments where we realized we were not going anywhere. As the design became more practical for me, it also became more boring for him.” Then, Gehry came up with the curved wooden
LIFE OF A JET SETTER.