Amy Kaye Taylor Landscape Architecture

AMY KAYE TAYLOR

industry with conservation GREAT LAKES LANDSCAPE TYPOLOGY 4

runway park

COLUMBUS COLLEGE OF ART AND DESIGN 16

terra mutare

THE LAND MACHINE 22

tension and boundaries

ELUSINA LAZENBY EXPERIMENTAL FOREST 26

conceptualizing landscape MODEL MAKING/ MARK MAKING 30

prefiguring manufacturing AEP MUSKINGUM RIVER POWER PLANT 38

landscape inspiration

PAINTINGS OF THE AMERICAN LANDSCAPE 48

AMY KAYE TAYLOR 3 title of project

industry with conservation GREAT LAKES LANDSCAPE TYPOLOGY

PROJECT TYPE Studio | Spring 2016 | 11 weeks | individual study REVIEWERS Kris Lucius, SmithGroup JJR Chicago | Paula Meijerink, OSU | Sarah Cowles, OSU CRITIC Jason Kentner

4 AMY KAYE TAYLOR

Situated in the Great Lakes Region, this studio explores the agency of landscape and how it can be positioned in response to current and anticipated urban conditions. Two of the area’s greatest commodities are its unique natural resources and industry. The survival of the region relies greatly on the preservation of these perceptibly opposing land uses. The speculative landscape typology developed in this project looks at connecting

industry and conservation at multiple scales through the lens of accessibility.

In the urban context, both industry and conservation are purposively inaccessible to the community.

However new questions can address how industry can maximize conservation, how conservation can be productive for industry and how the community can participate in this alternative industrial park typology.

INDUSTRY I N D U S T R YWITH W I T HCONSERVATION CONSERVATION

+ INDUSTRY - BARRIERS

+ CONSERVATION + COMMUNITY

current relationship

new landscape typology

ideal relationship

TRENTON, MI Marsh What type of conservation can be incorporated in this brownfield situation?

What is the type or function of the landscape in the nearby conservation condition?

Board Walk

- remediation of sludge ponds - mimics marshes in neighboring Wildlife Refuge

- connection - recreation - observation of both industry and conservation - passive interaction

Roadside Flora - buffer - naturally occurring - local identity

People

- walking - observing - caring

lW

na ti o

6 AMY KAYE TAYLOR

De

it R tro

ive

r

na er t In

ild

life

ge fu e R

Ferrolux Metals Co.

- formerly Steel Rolling Holdings Inc. - idle for over a decade - plans are set to remediate soil and water, retrofit building and reopen steel annealing manufacturing

How can the human experience be incorporated safely while interacting with the factory and conservation?

How can industry contribute to clean up efforts and environmental stewardship?

What is the function of the landscape in the factory condition?

it

| on t n Tre

n

J st e W

e

rso ff e

tro De

TYPOLOGY TESTING The first test of the landscape typology, INDUSTRY WITH CONSERVATION, explored the role of the barriers and boundaries between industry and conservation how those to blur the boundaries through an intermediate brown field landscape in Trenton, Michigan. Once a speculative image of that landscape was envisioned, questions were asked to further develop the typology.

7 industry with conservation

SPECULATIVE FUTURES & THE AGENCY OF SCALE

Aims, mechanisms for achieving those aims and landscape function were speculated for each scale; habitat, regional, network, and context.

Habitat Scale

8 AMY KAYE TAYLOR

Regional Scale

Network Scale

Context Scale

9 industry with conservation

SITE INVENTORY & ANALYSIS

DETROIT RIVER INTERNATIONAL WILDLIFE REFUGE ACQUISITIONS BOUNDARY

TYPOLOGICA OPERATIONAL

Mud Island Unit

Grassy Island

INDUSTRY IS IN T Calf Island unit Humbug Marsh Unit Gilbratar Bay Unit

PUBLIC LIMITED

INVITATION FOR

Gilbraltar Wetlands Unit Sugar Island Unit Lake Erie Metro Park

Strong unit

INDUSTRY IS FUN Brancheau Unit

PUBLIC LIMITED Fix unit

Laguna Beach

INDUSTRY AND C

Ford Marsh Unit

Plum Creek Bay Unit

Lady of the Lake

INDUSTRY IS DEC

Holloway Unit Erie Marsh Preserve

ALL PUBLIC

INTERMEDIATE L Gard Island

10 AMY KAYE TAYLOR

CONDITIONS OF PUBLIC ACCESSIBILITY

ADJACENCY: NEXT DOOR NEIGHBORS Industry - CLOSED to public Conservation - OPEN to public

8 OF 9 UNITS CLOSED

ADJACENCY: NEARBY Industry - CLOSED to public Conservation - OPEN to hunting only

ADJACENCY: NEIGHBORS

OPEN & ACTIVE

Industry - CLOSED to public Conservation - CLOSED to public *Partners in Conservation Efforts

E INVENTORY & ANALYSIS

ADJACENCY: NEXT DOOR NEIGHBORS Industry - CLOSED to public Conservation - CLOSED to public

ALL UNITS CLOSED APR 2016

Industry Federal Wildlife Service Cooperative Management Unit

RIVER INTERNATIONAL WILDLIFE ACQUISITIONS BOUNDARY

TYPOLOGICAL STRATEGIES DEPENDENT ON OPERATIONAL STATUS OF INDUSTRY

Mud Island Unit

Grassy Island

INDUSTRY IS IN TRANSITION Calf Island unit

ACCESSIBILITY The Detroit River International Wildlife Refuge Acquisitions Boundary was the site chosen to examine accessibility of conservation and industry. The coastline presented opportunities to question and make legible the types of spaces and program possible dependent on the operational status of industries and restriction of conservation.

Humbug Marsh Unit

Gilbratar Bay Unit

PUBLIC LIMITED OR CONDITIONAL INVITATION FOR NEW CONSERVATION INDUSTRY

8 OF 9 UNITS CLOSE

Gilbraltar Wetlands Unit

Sugar Island Unit

Lake Erie Metro Park

Strong unit

INDUSTRY IS FUNCTIONING AT FULL CAPACITY

Brancheau Unit

Fix unit

Laguna Beach

PUBLIC LIMITED TO NO ACCESS INDUSTRY AND CONSERVATION LANDSCAPE SHARING

OPEN & ACTIVE

Ford Marsh Unit

Plum Creek Bay Unit

Lady of the Lake

INDUSTRY IS DECOMMISSIONED

Holloway Unit Erie Marsh Preserve

ALL PUBLIC

ALL UNITS CLOSED APR 2016

INTERMEDIATE LANDSCAPE FOR FUTURE DEVELOPMENT Gard Island

11 industry with conservation

INDUSTRY WITH CONSERVATION TYPOLOGIES

active industry typologies

industry and conservation do their own jobs on same site

industry and conservation exchange research, ideas, services

conservation occupies areas not active industry

conservation occupies areas not active industry

- physical access - employees only - visual access - public

- physical access - employees only - visual access - public

- physical access - employees only - visual access - public

- physical access - some public access

conservation industry is introduced

conservation industry

- visual access - public

- physical access - public

closed industry typologies

industry and conservation exchange research, ideas, services - visual access - public

conservation industry and public interact with each other - physical access to industry employees only - visual and physical access - public

NORTH CAPE, MI

PUBLIC CONNECTIONS Public connections are fostered with a change in industrial park typology, as well as linking to current trail systems; paved non-vehicular and waterway. Employees would have safe systems to bike or canoe to work.

GRAND VIEW, MI

- physical access to industry employees only - visual access - public

LUNA BEACH, MI

conservation industry is introduced

MONROE TRAILS

transitional industry typologies

JR WHITING POWER PLANT

GERDAU AMERISTEEL

12 AMY KAYE TAYLOR

ERIE MARSH PRESERVE

OHIO

MONROE POWER PLANT

LAKE ERIE

STONECO

STRONG UNIT

BRANCHEAU UNIT

LAGOONA BEACH UNIT

FIX UNIT

FERMI II NUCLEAR POWER PLANT

LAGOONA BEACH UNIT

STERLING STATE PARK

FORD MARSH UNIT

MCLOUTH STEEL PRODUCTS DETROIT R.

MICHIGAN

GRASSY ISLAND UNIT

TRENTON CHANNEL POWER PLANT

GIBRALTAR BAY UNIT CALF ISLAND UNIT

HUMBUG MARSH

FERROLUX METALS CO.

GIBRALTAR MARSH UNIT

STONYPOINT, MI

WOODLAND BEACH, MI

DETROIT BEACH, MI

DET ROIT

GROSSE ILE RIV ER

ONTARIO

TRAILS BUILT

TRAILS PLANNED

INDUSTRIAL

CONSERVATION COOPERATIVE MANAGEMENT UNIT

CONSERVATION FWS LAND

COMMUNITY

13 industry with conservation

NORTH - SOUTH CONNECTOR

ELIZABETH PARK

TRENTON, MI

HUMBUG MARINA

GIBRALTAR , MI

LAKE ERIE METROPARK

GIBRALTAR HIGH SCHOOL

POINTE MOUILLEE STATE GAME AREA

BERLIN TOWNSHIP, MI

DETROIT RIVER HERITAGE WATER TRAIL

HCMA EAST-WEST CONNECTOR

I-275 TRAIL

SITE DESIGN - phase i

DESIGN UTILIZING SITE CURRENT RESOURCES | COMPOST FACILITY & POLLINATOR HABITAT CREATION FIRST 1-5 YEARS

pollinator habitat

wind barrier

clean water source

wheel wash system

multi-use path

odor / weather protection water runoff diversion

pollinator habitat

multi-use path

wind barrier

odor / weather protection

wheel wash system

material pickup

clean water source

material drop off

water runoff diversion

14 AMY KAYE TAYLOR

material drop off and pick up

concrete building foundations for compost piles

SITE DESIGN - phase ii

DESIGN CREATED UTILIZING SOIL FROM COMPOST FACILITY - NEW INDUSTRIAL PARK FOLLOWING 5-10 YEARS

CONSERVATION INDUSTRIAL PARK A dismantled phosphate manufacturing site between the Trenton Channel Electric Power Plant and Humbug Marsh of the Detroit River International Wildlife Refuge in Trenton, Michigan became the location to design a new conservation industrial park. Opportunities for this space included the linkage of the Detroit River Heritage Water Trail and the Michigan Downriver Linked Greenways, extending Trenton Channel’s wildflower fields, and continuing Humbug Marsh’s conservation education initiatives. The abundance of concrete slabs, access to fresh water and multiple entrances to the site are ideal for a composting facility, creating a new industry for the area. Additionally, opportunities for researching contaminated soils and new soil formation from a brown field becomes an exciting potential as well. Layered recreational trails and additional conservation growing areas could be built with the revenues generated from the production of new soils.

FRESH WATER POND Back up during drought

WHEEL CLEANING SYSTEM Redu ces co m po st contamination off site

COMPOST RUNOFF FILTRATION

WEATHER | ODOR PROTECTION Buffers wind to protect compost piles and reduces odor

15 industry with conservation

runway park

COLUMBUS COLLEGE OF ART AND DESIGN PROJECT TYPE Studio | Spring 2015 | 7 weeks | individual study REVIEWERS Paula Meijerink, WANTED landscape | Jason Kentner, OSU | Dorothée Imbert, OSU CRITIC Karen Lutsky

16 AMY KAYE TAYLOR

Situating the Columbus College of Art and Design (CCAD) within the city of Columbus, this studio project examines how the landscape of CCAD’s campus might better support the activities of this creative student body, help establish a campus identity, and serve as a vibrant interface between the school and the city.

This studio project considered the entire campus and it’s surroundings focusing on the corner of Cleveland Avenue and

Broad Street, both critical axial streets within and reaching beyond downtown Columbus, Ohio. The core of the project investigates and designs in response to the relationships between landscape, architecture and people.

THE SITE The design space was a parking lot situated in a prominent location for both the school and the city. The space had the potential to be a great connection point between CCAD, The Columbus Museum of Art, and the greater Columbus community. In general, the area lacked green space, safe and directing pathways and an outdoor place to display art. Directly across the street was the fashion design studio overlooking the space. With this creative inspiration in mind, the solution became a Runway Promenade and Plaza. A place to see and be seen.

CAMPUS IDENTITY PIECES “ART”

Canzani Center

MURAL

CCAD Design Studios on Broad

CLEVELAND

AVENUE

Columbus Museum of Art

To Franklin “DESIGN”

rvatory

Park Conse

T

EE BROAD STR n To Downtow

CAMPUS BUILDINGS

NON-CAMPUS BUILDINGS

0

100 10

200

50

SCALE 1” = 100’

Model depicting the spacial qualities of the space

18 AMY KAYE TAYLOR

Runway promenade and meadow buffer

19 runway park

PLAZA

20 AMY KAYE TAYLOR

FOOD TRUCKS EATING MEETING CLASSES

SITE LAYOUT AND PROGRAM The Runway is situated as if it is coming out of the fashion design studio. The runway is flanked by a plaza and seating area on the side facing campus and a meadow on the side facing the heavy traffic of Broad Street. The meadow creates a buffer to traffic, includes walkways into the space and adds much needed green to the area. The plaza can accommodate food trucks and the stage offers vast opportunities for campus and community program.

FASHION SHOW ART DISPLAY MOVIE PROJECTION CONCERT

RUNWAY

21 runway park

terra mutare THE LAND MACHINE

PROJECT TYPE Studio | Autumn 2014 | 6 weeks | individual study REVIEWERS Dorothée Imbert, OSU | Sarah Cowles, OSU CRITIC Kristi Cheramie

22 AMY KAYE TAYLOR

Defining ground as a fluctuating system of materials and spaces, Terra Mutare was an evolving exploration of tracking change, creating site drawings recording that change and using those drawings as blue prints to build a terrain machine. Critical throughout the diagrammatic exploration was the development of an individual visual language. A specific notational language spoke to the site’s conditional phenomena. The translation of this precise

visual language guided the construction of a kinetic site model faithful to the identified fluctuating systematic qualities.

Materials, joints, connections and systems of operation were further guided by a verb (weave, pleat or tessellate) to facilitate the process of developing a language of making for the terrain machine.

23 title of project

LAND MACHINE The inspiring micro terrain for this exploration was a 1� x 1� square on the FOOT. The foot was observed and recorded in 6 stages of movement. Interpreting the functionality of the bone (structure), the skin (pliable surface) and the tendon (force motion activator), a visual language was formed as a plan and dynamic sections.

Using the word PLEAT as the means for tectonics and the plans and sections as blue prints, a machine was built forming a new landscape that moves through similar motions inspired by the initial micro terrain. This land machine built with wood, PVC pipe, hooks and eyes, metal dowels, grommets, linen, thread and string.

24 AMY KAYE TAYLOR

25 terra mutare

tension and boundaries ELUSINA LAZENBY EXPERIMENTAL FOREST

PROJECT TYPE Seminar and Gallery Exhibit | Spring 2016 | 7 weeks | Diorama Team and individual study VENUE Knowlton School’s Banvard Gallery, OSU CRITIC Sarah Cowles

26 AMY KAYE TAYLOR

The Elusina Lazenby Experimental Forest is an installation that draws attention to the conceptual spaces between landscapes and landscape interpretation. Dioramas represent gardens in scaled space through their tactile and spatial qualities and through the immersive experience of gazing. The historical scenarios of the Forest and State, focusing on how various countries dealt with the consumption and availability of timber, were depicted in this

diorama. This Illustrates the segregation and conflict in the Franche-ComtÊ region between peasant forest inhabitant’s subsistent needs for wood and the strategic lumber needs of the 16th and 17th century French crown.

27 title of project

Materials used to build the diorama included sticks, plaster, foam, burlap, sandpaper and cardboard

Stamp tests for mark making (above) evolved into tree templates for digital plans and sections (right)

28 AMY KAYE TAYLOR

ROYAL FOREST PATH

29 tension and boundaries

conceptualizing landscape MODEL MAKING/ MARK MAKING

PROJECT TYPES Workshop | 2015 &2016 | individual study CRITICS Jason Kentner | Kristi Cheramie | Michael Baumberger | Troy Malmstrom | Sarah Cowles

30 AMY KAYE TAYLOR

While design is a heavily weighed component in landscape architecture at OSU, an emphasis on making is also cultivated. The same rigor in design for innovation and critique is encouraged in creating an individual visual language through drawing and modeling.

Representation in both digital format and hand work conveys research interpretation, concept development, design intent, and the interplay of dynamic systems.

Additionally, understanding the conditions of site and the function of natural systems

as they relate to and influence site planning, design and construction come to play in representation and mark making.

This presentation of work displays a range of digital, hand and hybrid examples of developing a personal visual language.

31 title of project

INTERLOCKING MOVEMENT stained wood, acrylic, 3D print Digital Modeling | Rhino This exploration of space began as an interpretation of a closeup image of a wood grain. This wood grain became the aerial plan where sections were cut and the thickness, mass, voided space, movement and interlocking of layers of this form were investigated, redrawn in Rhino and reconstructed.

32 AMY KAYE TAYLOR

EGG TO BIRDHOUSE UPPER RIGHT 3D Prints LOWER RIGHT CNC routed Digital Modeling | Rhino Two birdhouse designs came from the prompt to create a birdhouse from the origin of a simple egg shape. As part of the design, decisions were made on how to gracefully open the egg without interrupting the flow of the design.

The desire to actually use the birdhouse when complete led to the second design that became more practical and carved from cedar for longevity outdoors.

33 conceptualizing landscape

GORGE STUDY The gorge land form was studied and reinterpreted in layers of hand-cut card stock highlighting the understanding of how water cuts through layers of stone

MARK MAKING Texture exploration using stamping, stitching, burning, cutting and gluing techniques

34 AMY KAYE TAYLOR

35 conceptualizing landscape

ILLUSTRATED PLANTING SECTION This hybrid drawing infuses hand drawn construction textures into a digital technical drawing exploring natural communities in a park setting.

Buteo platypterus (Broad Winded Hawk)

Poecila atricapillus (Black capped chickadee)

Quercus bicolor (Swamp white oak)

Odocoileus virginanus (White Tailed Deer)

Calamagrostis cana (Blue-joint

Homo sapiens (human)

Tamias striatus (chipmunk)

Euphydryas phaeton (Baltimore checkerspot butterfly) Stylurus plagiatus (Russet tipped clubtail) Juncus spp. (Rushes) Lemna minor (Small duckweed)

MINERAL SOILS COMPACTED SUB-GRADE

Amynthas sp. (Earthworm)

DEAD LEAVES AND INTERWOV CLAY LAYER MINERAL SOILS

STAIRS 6’-0”

Garden of Planes | Planting Section | Great Lakes Wooded Marsh Plant and Animal Community Scale 1” = 1’ -0”

36 AMY KAYE TAYLOR

“VERNAL POND” RAIN GARDEN 13’-0”

Acer Rubrum (Red Maple)

Homo sapiens (human)

adensis t grass)

RED BRICK PAVER 4x 2 1/4 x 8” HAND TIGHT, SAND SWEPT JOINTS

FINE CRUSHED GRAVEL AND SAND invitation for ruderal growth

1/8 - 1/4” GRAVEL

COMPACT GRAVEL BASE COMPACT SUBGRADE

VEN ROOTS

Ambystoma maculatum (Spotted salamander) GARDEN WALL 1’-0” MULTI-USE TRAIL 10’-0”

Drawn By: Amy Kaye Taylor LARCH 6440 SP_2016

37 conceptualizing landscape

prefiguring manufacturing AEP MUSKINGUM RIVER POWER PLANT

PROJECT TYPE Studio | Autumn 2015 | 16 weeks | individual study REVIEWERS Forbes Lipschits, LSU | Phoebe Lickwar, U 0f Arkansas | Kenneth Francis, Surroundings Landscape | Jason Kentner, OSU CRITIC Jacob Boswell

38 AMY KAYE TAYLOR

The closing of AEP Muskingum River Electric Power Plant in Beverly, Ohio was the spur for alternative approaches to the land left behind. Seated in the Appalachian region of rural Southeast Ohio, this area historically has flourished from mining, heavy industry and manufacturing, which sustains their local economy. The closing of this plant leaves a void of employment and tax revenue to the area. This proposal would reintroduce manufacturing into the

space following restoration. The site has several amenities that would attract new manufacturing to the area, including a railroad spur, proximity to State Route 60 (linked to US Interstate 70), a developed infrastructure to meet the demand of industry for electric power and natural gas, as well as a water purification station that is fed from the Muskingum River.

39 title of project

40 AMY KAYE TAYLOR

CHALLENGE How can the land recover from years of pollution while also support the function of new environmentally-conscious industries? Key strategies to this proposal include REUSE of existing materials and REFORESTATION. Building upon the culture of environmental stewardship established by AEP’s Tree Farms, where more than 63 million trees have been planted on AEP properties, this proposal outlines a dynamic planting plan that will prefigure a flexible manufacturing campus. While old infrastructure needs to come down, some can remain intact, while materials from others can be stored and reused in future construction.

LOCATION LEFT Expanded industrial site organized in relation to the Muskingum River RIGHT Beverly, OH Appalachian region BELOW The crossroads of Morgan, Noble, and Washington counties including park lands, trails and historical markers

Zanesville

Recreation & Tourism in Washington, Morgan and Noble Counties Washington County.

Et fugiam aut mint audis aborem quid ut ma evel ium quibus et latest unditiu ntiorerumet vendis is di coreceatecus rescium aut ese sin et omnim laut labo. Ullaut pedit landis eaquat.

Net harci ut ressed molum cum am quis ellautat alit, santia dolorepel ipienitiunti tem quod eum hiligenim essit erorror autem enia aboritionet essim andis mo consed et utatestes magnati orehend istiam, iunt expero et quiae dolut re nis ditionsequis millo etur am, ut andusdae cum fugitas simus ut et assed

Marietta Area Events Shakespear Festival River Front Roar Inland Waterways Festival

Beverly

Marietta Sweet Corn Festival Ohio River Sternwheel Fair Elite Fishing Tournament Wolf Creek Corn Maze

Marietta

Fall Foliage Driving Tour Hunting Season Christmas Parade

AEP Muskingum River Power Plant AEP ReCreation Lands Park Areas Trail Ways Historical Markers Camping

41 prefiguring manufacturing

STRATEGY | four phases

42 AMY KAYE TAYLOR

concrete brick

asphalt

concrete slabs

Reduce the concrete and asphlat into multiple sized pieces and place into piles to be used as a building materials at a later date.

gravel

phase phase ii II ACCUMULATE ACCUMULATE

units one - four

water purification building

miscellaneous buildings warehouse railroad depot

railroad spur substation part of road

asphalt

scrubber foundations

unit five

DISMANTLE

phase I Dismantle Unit 5, the cooling tower, run down buildings and the asphalt roads surrounding Unit 5.

Keep Units 1-4, the nearby warehouse, the water purification building, the railway building, the railroad, part of the road infrastructure and the substations.

cooling tower

phase i DISMANTLE

phase iii PREFIGURE

retrofit for incubator industry

30’ wide bar building

silver maple

shortleaf pine

80’ width building (2 x 40’ bar)

Welcome manufacturing to build in predetermined areas. Harvest trees for lumber. Use the piled materials for paving and construction.

50’ wide bar building

phase phase iv IV ASSEMBLE ASSEMBLE

local seed bank

hillside blueberry virginia pine

PREFIGURE

phase Grade andIIIbuild terraces that prefigure manufacturing space.

Plant Silver Maple trees to define blocks. Plant Virginia Pine to place hold industrial lots.

Plant Hillside Blueberry and Little Blue Stem communities to create a river buffer. Plant Shortleaf Pine to prefigure parking.

43 prefiguring manufacturing

CUT LINES

Cutting into concrete and compacted soil in radial lines to plant trees.

PILES Multiple sizes of concrete and asphalt arranged in radial configuration toward the river STRUCTURE FLEXIBILITY

TREE PLANTINGS / BLOCK PLAN Silver maples and Virginia pine prefigure manufacturing blocks and lots.

GRADING PLAN

BUILDING STRUCTURE: bar building. grouped bar. large warehouse. existing building.

LOCATION PREFERENCE: road proximity. private set back. interdisiplinary.

PREFIGURE industrial buffer area and future programing of manufactoring campus Bolded contours 20’

BUILDINGS Flexible building footprints for multiple manufacturing sizes including incubator size.

TERRACES / GRADING Terraces provide hierarchy for building placement and river buffer.

section tree planting, existing river edge, pile and building - year 25

44 AMY KAYE TAYLOR

plan tree planting and canopy | year 25

45 prefiguring manufacturing

Remaining forest and piles open for hiking - 30-50 years

Model details the radial layout of the new manufacturing park from the rail spur out toward the river

MODEL The view into the manufactoring park.

46 AMY KAYE TAYLOR

47 prefiguring manufacturing

landscape inspiration

PAINTINGS OF THE AMERICAN LANDSCAPE PROJECT TYPE Oil on Canvas | “Deep Woods Escape” | 2011

48 AMY KAYE TAYLOR

AMY KAYE TAYLOR education

1675 Demaret Lane | Columbus, Ohio 43228 taylor.2733@osu.edu 614.596.5131

The Ohio State University Columbus, OH MLA3 (current student) MASTER OF LANDSCAPE ARCHITECTURE

Bowling Green State University Bowling Green, OH December 1999 BACHELOR OF FINE ARTS IN CERAMICS/ ART TEACHER PREPARATION (K-12)

experience

The Ohio State University Columbus, OH 2015- Present TEACHER ASSISTANT / RECITATION TEACHER Outlines of the Built Environment

Amy Kaye Taylor Art, LLC Columbus, OH 2005- Present PAINTER, FINE ART SALES | AKT Studios GALLERY OWNER & CURATOR 2012 – 2014 FrontRunner, Inc. Columbus, OH 2009 – Present SALES | MEDIA GRAPHICS | TEAM PACE LEADER - MARATHON TRAINING GROUP

Ponca City Public Schools Ponca City, OK September 2002 – June 2004 ART TEACHER PRE-K – 5, PASS Objectives & Integrated Curriculum

Kayenta Primary School Kayenta, AZ. January 2000 – June 2002 ART TEACHER K- 2, “Art to Art” and “Painted Ponies” mural project professional development

gallery exhibitions

ASLA Annual Meeting Chicago 2015 |ASLA MEMBER 2014 - PRESENT Gardens that Heal: A Prescription for Wellness Seminar Chicago 2016 LABASH Columbus 2016 THIS IS A TEST Symposium Knowlton School of Architecture 2016 The International Art Business Symposium Grand Rapids MI 2013 National and State Art Education Associations member 2000 – 2004 Gallery Zella COLLECTIONS DEEP WOODS |THE SMOKIES Bryson City, NC 2016 Fine Art Festivals Chicago, Columbus, Cleveland 2005-present (list upon request) The International Art Business Symposium Grand Rapids, MI 2013 Solo Art Shows Columbus | Cleveland OH | Stillwater OK Ohio Art Annual ZANESVILLE ART CENTER BEST OF SHOW Zanesville, OH 2006 Undergraduate Art Exhibition DOROTHY UBER BRYAN GALLERY FIRST PLACE CERAMICS AND FIRST PLACE FIBERS Bowling Green, OH 1999

honors

software skills

Outstanding Senior Award in Art Education April 1999 James W. Strong Community Service Award April 1999 ADOBE PHOTOSHOP, AUTOCAD, ILLUSTRATOR, INDESIGN, RHINO