Boldness Too Tempered

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MUSIC NOTES J.D. BUHL

Boldness Too Tempered It started with the music. Before I knew anything about the sold-out performances at South by Southwest, the featured song placement on television and in 500 Days of Summer, the Album and Song of the Year awards from Sydney’s Drum Media, the mounting hype — before I even knew if that captivating voice belonged to a boy or a girl — there was the rippling bass, the neat drumming, that bit of real trumpet in “Down River,” those startling seconds of ripping lead guitar in “Fader,” and a string of other sounds I knew I needed to hear again. My relationship with the Australian band The Temper Trap and its debut album Conditions began with good oldfashioned in-store play in an independent record store (Fingerprints in Long Beach, Calif., to be exact). As rare as that experience is anymore, it is rarer still to find booklet notes in a rock CD that give thanks to “Yahweh” and “the Almighty.” Bassist Jonathon Aherne, guitarist/keyboardist Lorenzo Sillitto, drummer Toby Dundas, and vocalist extraordinaire Abby Rai Chrisna“Dougy” Mandagi also give thanks to their many praying friends in YWAM. Isn’t that …? Yes. Youth With A Mission is a missions-focused Christian movement operating in over 1,000 locations in 149 countries. It offers discipleship training schools and other opportunities for young people to serve those in need and “know God on a deeper level.” Aherne’s father, Steve, is national director of YWAM-Australia, which offers a “School of Music in Missions” twice a year. It does not appear that the band (with auxiliary guitarist Joseph Greer)

sees itself as a music ministry of YWAM; there is not even a link to the organization at its official website. The Temper Trap is not an outreach but an outgrowth, sharing roots with a global community of lives defined by Jesus and obedience thereto. In this association lies the possibility of musicians finding meaning and purpose beyond rock ‘n’ roll itself, that there could be more to making music than making girls. One of YWAM’s foundational values is to function in teams, because “a combination of complementary gifts … provides wisdom and safety.” The tight cohesion of these five musicians similarly inspires “ownership of the vision.”

A kind of pulse rock, with antecedents in the ’80s throb of PiL, New Order, and the Psychedelic Furs, the music on Conditions goes from light blue — a color of hope — to a darker hue, suggesting but never settling on black. It sighs, cries out, Mandagi’s falsetto used for emotional precision but not leaving one feeling wrung out after each listen. As he sings of how unchecked thoughts can take you downriver, one can imagine YWAMAustralia’s healthcare ship forging toward Papua New Guinea full of spectacles and medicine (see the video at ywamships.org/) as he declares triumphantly: But we will sing wash the blood off our knees ’cause our love breaks through PRISM 2010

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rough seas our ship will sail and I don’t understand how this world would work … Not how this world works, but how this world would work, implying that it does not and that some kids have yet to be sold on the idea that it will. It is a matter of investment: “Those fools don’t get my dreams,” Mandagi sings. Seeing through one old adage — “time will tell us nothing”—The Temper Trap goes for the larger illusion, that enough faith heaped upon the world and its mysterious ways will result not only in answers but also in security: “Well, this side of mortality is scaring me to death.” “Fear has to do with punishment,” wrote John, “and whoever fears has not reached perfection in love” (1 John 4:18). Throughout Conditions, trepidation is addressed with references to inhibited or thwarted movement until Mandagi finally sings, “There’s a science to fear… and it keeps us right here.” Perturbation is imposed from without, and while most trials come to an end (such as “the cracking whip that howled and scarred”), he utters softly, “Soldier on, keep your heart close to the ground.” Mandagi and his bandmates may be keeping their hearts a bit too close to the ground. The clarity and directness of the music on Conditions is not always matched by the words, so increased lucidity could set The Temper Trap apart from the other vaguely “spiritual” bands with “faintly religious connotations” to their lyrics. YWAM-Australia says, “We care about transforming our generation … to see you find God’s huge, wild, crazy, bodacious dream for your life and grab hold of your destiny to impact nations and use your gifts, abilities, and interests for the great commission.” While The Temper Trap’s sound is said to resonate with the arena rock of U2 or Coldplay, this kind of Big Music — God’s crazy


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