Ecodraft - A RIBA Project

PRINCE ROSALES

CONCEPT STATEMENT 22

CONCEPT BOARD 23

117

CAFE COUNTER PERSPECTIVE

118

ACCOMODATION SCHEDULE

RIBA & PROCESSES 26

DESIGN MATERIALITY 27

BRAND DEVELOPMENT 28

BUBBLE LAYOUTS 30

DRAFT LAYOUTS 33

FINALISED LAYOUTS 34

SECTIONAL ELEVATIONS 35

24 38

25 43

LIGHTING MAPS 37

MOOD BOARD SIGNAGE & WAYFINDING MAPS

SPATIAL SKETCHES

BOOK 1 - INVESTIGATION BOOK 2 - DESIGN

CAFE

STAIRCASE PERSPECTIVE

119

62 72

RESOURCES CENTRE PERSPECTIVE

120

63 73

CENTRAL ZONE PERSPECTIVE

121

64 74

WORK PODS PERSPECTIVE

65 75

STATIONARY & SERVICES PERSPECTIVE

122

CONFERENCE ROOM PERSPECTIVE 68

66 76

135

SMALL OFFICES PERSPECTIVE 69

67 77

136

DIGITAL DESIGN HUB EXTERIOR PERSPECTIVE 70

DIGITAL DESIGN HUB PERSPECTIVE 71

TECH & DESIGN PERSPECTIVE

RECYCLING POINT PERSPECTIVE

HOTDESK SPACE PERSPECTIVE

HOTDESK SPACE EXTERIOR PERSPECTIVE

COLOUR PALETTE & SAMPLE BOARD

BRANDING PACK

BOOK 3 - CONSTRUCTION

SITE PLAN - 001 82

EXISTING PLAN - 100 83

DEMOLITION PLAN - 110 86

RECEPTION DESK SECTIONS & ELEVATIONS - 811 - 812 104

CONSTRUCTION PLAN - 200 88

FIRE ESCAPE PLAN - 210 91

RECEPTION DESK DETAILS - 813 105

ASSEMBLY POINT PLAN 94

ELECTRICAL PLAN - 220 95

SIGNAGE DETAILS - 840 -841 106

CIRCULATION PLAN - 230 96

DRAINAGE PLAN - 240 99

DOOR AND HARDWARE SCHEDULE - 900 107

WAYFINDING PLAN - 250 101

REFLECTED CEILING PLAN - 300

WINDOW SCHEDULE - 910 108

LIGHTING PLAN - 310

WALL FINISH PLAN - 400

FFE SPECIFICATION DOCUMENT 109

FLOOR FINISH PLAN - 410

FURNITURE PLAN - 500

CONCLUSION 110

EXTERIOR ELEVATION - 600

SECTIONAL ELEVATION - 700

FIGURES / BIBLIOGRAPHY / REFERENCES 112

STAIRCASE CONSTRUTION & ELEVATION - 800 - 801

STAIRCASE DETAILS - 802 115

RECEPTION DESK CONSTRUCTION - 810 116

PRINCE ROSALES

CONTENTS

HISTORICAL CONTEXT 9 7 | CONTENTS

8 AIM OF STUDY & INTENT

ACCOMODATION SCHEDULE SPATIAL SKETCHES 25 43

THE VISION 11

RIBA & PROCESSES 26

RESEARCH STATEMENTS 12

DESIGN MATERIALITY 27

LITERATURE REVIEW 13

BRAND DEVELOPMENT 28

PRECEDENT STUDIES 14

BUBBLE LAYOUTS 30

SITE ANALYSIS 17

DRAFT LAYOUTS 33

INITIAL CONCEPT DEVELOPMENT 21

FINALISED LAYOUTS 34

CONCEPT STATEMENT 22

MOOD BOARD SIGNAGE & WAYFINDING MAPS 24 38 CONCEPT BOARD 23

LIGHTING MAPS 37

THE PROBLEM

“The greatest threat to our planet is the belief that someone else will save it.” (Robert Swan, 1988)

There are various environmental problems that are relevant today and have been over the last decades. Water wastage, Material waste and Energy consumption are the main three problems in which I am focused on. The facts and figures shows:

“The UK receives a large amount of water rainfall, however there are limited natural or man-made methods for water storage. This means that there is a relatively small volume of water available per person in the UK” (Hoffman, 2009).

“Due to the demolition of old construction, a large amount of non-industrial waste is thrown in landfills. Re-using these materials for new projects will cut down costs but also reduce greenhouse gas emissions (Bahadursingh, 2019).

“Renewable energy creates three times more jobs than the fossil fuel industry” (The Green Age, 2017).

In brief, these sources show that we have an environmental issue that exists. By design, we can contribute towards helping these problems. A public space that welcomes the community with the focus on educating and crafting design solutions that meets the environments needs is what I plan to accomplish with Ecodraft.

FIGURE 1: SUMMARY DIAGRAM (MS CLIPART, 2021)

PROJECT STATEMENT

“An innovative design hub that enables Interior Designers and Architects to explore and craft sustainable / regenerative design solutions in the form of small projects in order to demonstrate the power of design and how it can help contribute towards the environment . The space offers social areas such as a Cafe and a the Mini Regenrative Intervention. Small offices for designers to rent on a short term basis will also be integrated within the space as well as resource facilities.”

HISTORICAL CONTEXT OF THE EXISTING SITE

The site I have chosen is located within Derby city centre. The building is called Unit 1 situated at Albion Street and the area’s postcode is DE1 2PR. The exoskeleton of the architecture features Victorian elements such as its stone exterior, decorative trims and beams above the glass windows. I have chosen this building and the site due to the high traffic area and footfall as well as its historical context and significance.

One reason the street is a high traffic zone is because of the Derby Ram statue. For a long time, Derby has adopted the ram as the symbol of its city as well as the football club’s crest. In order to pay homage, a stone statue of a ram was built in conjunction of East street and Exchange street. Sculpted by Michael Pegler, it was unveiled by the current Mayor of Derby in 1995, Councillor John McGiven - as a gift to the city and people of Derby. The statue has been listed as one of the few sights to see in Derby thus resulting in more high traffic within the area.

Another reason is because along Alboin Street is one of a few entrances to Derby’s popular shopping centre, Intu. Being a place to shop and enjoy various food and drinks, Intu Derby can be considered as a place for everyone to gather, meet and purchase any necessary goods. Having a main entrance situated along Albion Street, it means that various people walk in and out around the surrounding area therefore resulting in more traffic.

A high traffic area is ideal for my site as it means that my regenerative intervention and general renovation of the building is exposed to as many individuals as possible. This is a benefit as a number of people of all ages are more likely to explore the building and what my intended use for it is – to help educate designers and the general public about the importance of sustainability and regeneration. Therefore, it could potentially have long lasting impacts as individuals gather this information and help contribute towards a better, brighter and more sustainable future.

One key characteristic of the building are the materials. At glance, the façade offers load bearing grey brick columns, which offers fundamental support for the building. Large clear windows fill up the spaces in between these columns, in return providing the interior with west facing sunlight. A temporary banner consisting of timber and vinyl wraps the exterior and offers plenty of space for signage placement. Floors one and two as well as the roof are all visible from the exterior. Made out of an off-white stone, it boasts Victorian style architecture through its decorative elements.

Another key element would be its function. Throughout history, the building has been used for various shops and restaurants. This would mean that the building offers a generous amount of space to hold a decent number of individuals and elements. Unit 1 Albion Street has four different floor levels; The basement being 189.74 m2, the ground floor being 340.71m, the first floor being 328.40m2 and lastly the second floor being 341.23m2. The whole interior space in total comes to 1,200.08m2. Having this much square metreage provides many opportunities and ideas as to how each floor (excluding the basement) can be utilised.

The third key element would be where the building is situated upon. As discussed, the building is situated at Albion Street, a high traffic area near Intu Derby shopping centre. “The street measures approximately 86 metres long. The average elevation of Albion Street is roughly 48.80 metres above sea level. with the highest point being 49.60 and the lowest point being 48.40. A change of 1.20 metres.” (Streetlist, 2020).

The building also has its own historical and commercial context. Over the last 100 years, Albion street has seen a lot of changes. The unit 1 building is a worthy example and a reflection of how Derby has made use of the buildings as a way to interact with its people. The earliest example of the building serving its function would be in 1928 when Unit 1 was converted into a new Co-Operative supermarket. According to sources, the store even gained enough attention in which it prompted a response from Elaine Dean, a society president. She had this to say “I remember the shop well as it originally had overhead Lamsons which took payments to the cash office. The hall above this shop was called the Merchant Hall and could hold and cater for very large numbers of people. It was named after a Mr Emmanuel Merchant JP who was the general manager” (Goddard, 2019).

During a period between 1950’s and 60’s. The first and second floors became a popular restaurant in which held cabaret dinners as well as breakfast, lunch and afternoon tea. (Goddard, 2018).

FIGURE 2: DERBY RAM IMAGE (VISITORUK, 2021)

Overall, it can be considered that the building and the street has some form of significance. In order to respect its rich history and background, there are various site constraints that have been listed.

One such constraint is that the building is Grade 2 listed. A Grade 2 listed building is defined as a UK building or structure that is "of special interest, warranting every effort to preserve it" (Bidwells, 2018). Due to this label, Unit 1 Albion Street has setbacks in terms of what alterations and renovations can be put forward. For instance, existing interior walls cannot be demolished, and a notice must be put in place if an extension or certain long-lasting renovation is to be done. For my regenerative project, this means that strategic and careful spatial planning is required, as well as circulation and zoning plans. This would enable me to place areas into certain designated zones in order to maximise the function, focal points and purpose.

FIGURE 3: UNIT 1 ALBION STREET EXTERIOR (FHP, 2021)

FIGURE 4: UNIT 1 ALBION STREET EXTERIOR OLD PHOTOGRAPH (WW WINTER, 1928)

SELLING PITCH

“A regenerative design intervention featuring interactive mini-ecosystems using harvested rainwater along with resources and information on sustainability”

REGENERATIVE AGENDA

My chosen site is Unit 1 Albion Street. For my regenerative intervention, I have utilized the façade and the corner section of the ground floor. In terms of my regenerative agenda, my aim was to construct a unique interactive exhibit that ties together the exterior and interior. I managed to achieve this by creating a rainwater harvesting system integrated within the façade with the use of water barrels and a gutter to catch and harvest the rainwater. Within the ground floor, mini-ecosystems hang down from a tree like structure which then can be watered by individuals with the use of the harvested rainwater. Leaflets and information on sustainability is also integrated within the intervention. This regenerative design will be improved upon through concept development and will be implemented in Ecodraft.

PURPOSE

I want to offer the Derby community an interactive way of learning about how we can reuse and regenerate everyday elements into something more beneficial for our earth. Through understanding design, we can better educate ourselves on regenerative strategies and sustainability approach.

BRAND CHANGES

This intervention project had the intention of branding the idea / space as "Green Hub". However, due to having looked further into brand names and values, Green Hub will transition into "Ecodraft" or "Ecodraft Design Hub" with a new slowgan"Explore, Creat, Outshine." This transition will further be discussed during the brand development stage.

FIGURE 6: GREEN HUB EXTERIOR VIEW (ROSALES, 2020) FIGURE 7: GREEN HUB MINI INTERVENTION (ROSALES, 2020) FIGURE 5: GREEN HUB MINI INTERVENTION FLOOR PLAN (ROSALES, 2020)

THE ROLE

The role that my space will play for the Derby community would be to create a social and working space that is mostly aimed at sustainability in designs. Interior design and Architecture is the key focus when it comes to creating new ideas. Workshop and small offices will be implemented for designers to book spaces short term. This will help generate new ideas every month as well as bring in income for the brand.

REGENERATIVE CRITERIA

The goal is to further develop the existing design intervention into a more appealing and efficient system. The community will be more aware of how environmental problems can be tackled. The intervention area is one of the main focal points within the space. Therefore, how individuals interact with the space is how it reaches the regenerative agenda.

AESTHETICS

The existing site has its history and has been converted into various functions over the last decades. As it is listed as a Grade 2 building, existing walls will not be demolished. Therefore, experimentation will be required as to where each function is located. A clear, professional and sustainable space is what I envision Ecodraft to be. Timber elements, recycled products will be used in an elegant manner in order to attract the public – thus a new aesthetic will be built around the existing site.

SPATIAL DEVELOPMENT

Each functional space will be developed using 3D hand sketches. These developments will help me enable to create the most appropriate space that speaks the design language as well as making it consistent with the rest of the space. However, not every function will be thoroughly designed i.e., toilet. Only more important functions i.e, Café, Reception etc.

SPATIAL CONCEPT

The concept and overall experience of the project is what is the most important. This is because the more visitors the site attracts, the more funding and success this project will have. Consistency is key within the design language; therefore, I plan on having a fluid space that connects each area seamlessly. Materials and color schemes will be clearly visible as per mood and concept board. The target market is aimed at professionals with an age range of 18 - 65 but mostly those who are passionate about design.

FIGURE 8: COMMUNITY (MS CLIPART, 2021)

FIGURE 9: TARGET (MS CLIPART, 2021)

FIGURE 10: BLUEPRINT (MS CLIPART, 2021)

FIGURE 11: RECYCLE (MS CLIPART, 2021)

FIGURE 12: THINKING (MS CLIPART, 2021)

THE ENVIRONMENTAL BRIEF: PATHWAYS FOR NEW DESIGN

This book outlines various case studies involving the naturally built environment and helps aid architects in writing the brief around the aspects of sustainability. It looks at environmental problems involving greenhouse gas emissions and talks through the processes behind them. It’s a thorough analysis on how green design is what it is today along with detailed examples. It has been helpful in giving an insight on the processes of sustainable buildings.

DESIGNING FOR HOPE: PATHWAYS TO REGENERATIVE SUSTAINABILITY

Focusing on the existing problems as well as the solutions through regenerative design and design development. It aims to move away from using ”less” in sustainability and more on how we can reuse, recycle and gain insight on biomimicry and biophilic designs. It features various examples of live studies and extracts elements from them into how we can build more positive spaces for our environment. This book helped me gain an understanding of various regenerative strategies within design and inspired me to develop my own strategies.

“At present, there is little measurable evidence of anything constituting sustainable development. A best there is a debate around the nature of sustainable development and an assortment of principles and initiatives to assist designers.” (Hyde,Watson,Cheshire & Thompson 2007).

BIOPHILLIC DESIGN: THE THEORY, SCIENCE, AND PRACTICE OF

With focus on Biophillic design, This book is determined to go in depth with how it can shape the spaces and the environment that surrounds it. It goes into three main parts, the theory, the science and the practice. It talks about various subcategories such as Light and space as well as our relationship towards them. This resources has helped me with my project into understanding the science and concept behind the need for green design. It is more than just a pretty concept, but one that is practical and helps us understand how we interact with the world around us.

“Central to this book is the idea that the problems of climate change, biodiversity loss and dysfunctional ecosystem services are not the real problem but merely symptoms.” (Hes & Plessis 2015)

FIGURE 14: DESIGNING FOR HOPE FRONT COVER (ROUTLEDGE, 2014)

“Contact with nature has been linked to cognitive functioning on tasks requiring concentration and memory”. (Kellert, Stephen R. 2011)

FIGURE 15: BIOPHILLIC DESIGN FRONT COVER (WILEY, 2008)

FIGURE 13: THE ENVIRONMENTAL BRIEF FRONT COVER (TAYLOR & FRANCIS, 2005)

CONTEXTUAL STUDY

WOW LIEVEN CULTURAL HUB

Architects: Atelier Carloalberto

Area: 250 m2

2020

The aim of this study is to gain an insight on the functions / spaces as well as how individuals interact with them. A brand-new cultural hub names WOW LIEVEN is in Amsterdam with the aim of connecting the residents through design and ideas.

There are.2 levels inside the building – the ground floor, a vibrant open space – first floor – a more reserved area with office spaces.

Each area is color coded in order to designate certain functions i.e., blue area for exhibitions, red area for dining and yellow area for bar and desk spaces.

As a contextual study, I am drawn to the fact at how a tiny space makes room for various social and private functions. The idea of a public open space as the ground floor and the first-floor functioning as office spaces / private areas is more practical.

This type of innovation hub is one that brings everyone in the community together. Whilst it also has an eye-catching design, the functions provided is ideal in educating and sharing views and values.

The implementation of an exhibition space, private spaces and social spaces is what I want to take away from this precedent study.

FIGURE 16: DINING AREA CULTURAL HUB (TIJHUIS, 2020)

FIGURE 17: DINING AREA CULTURAL HUB (TIJHUIS, 2020)

FIGURE 18: FLOOR PLAN (CARLOALBERTO, 2020)

FIGURE 19: CAFE CULTURAL HUB (TIJHUIS, 2020)

FIGURE 20: CAFE CULTURAL HUB (TIJHUIS, 2020)

STYLISTIC STUDY

SMART DUBAI OFFICE

Architects: Design Worldwide Partnership Area: 1800 m2

2017

The aim of this study is to gain an insight on various materials and color schemes integrated within the space. Inspired by the city’s desert landscape, SMART DUBAI OFFICE stands for sustainable, minimal, artistic and relevant to technology. With efforts undertaken by the Sheikh in order to make Dubai the happiest city on earth, The SMART OFFICE was created in order to promote an efficient, seamless and impactful city experience.

The designers ensured that the space is LEED certified. Light sensors are added and only turn on when certain spaces are being used. There are also Co2 sensors to help monitor air flow levels.

The concept is based on the organic shapes of the dunes and emphasizes fluidity throughout the whole space.

The workspace is influenced by creating a cozy and productive environment. There are artificial tress implemented made out of dried bark as well as planter pods for each staff to nurture.

A specific plant called spathiphyllum lilies is scattered in order to act as an air purifier.

Organic timber slats help create acoustic performances. Circular and fluid shapes are consistent throughout the design elements – furniture, tables, seating etc.

Flooring is designated to each function. Warm oak flooring is the primary flooring with grey carpet being added for more functional areas.

Hints of various colors are used as accent – red, blue, yellow etc. Rough textures such as chipboard is seen through the seating.

The use of organic shapes and textures is what I want to take away from this precedent study. The use of subtle colors for the accent is also effective. Using a main flooring to tie in the space with a secondary flooring for offices / other functions is also effective.

FIGURE 21: LOUNGE DUBAI OFFICE (YASSER, 2017)

FIGURE 22: SEATING DUBAI OFFICE (YASSER, 2017)

FIGURE 23: CONFERENCE DUBAI OFFICE (YASSER, 2017)

FIGURE 23: SEATING DUBAI OFFICE (YASSER, 2017)

CONSTRUCTION STUDY

BANQ RESTAURANT

Architects: office dA Area: 446 m2

2008

The aim of this study is to gain insight on 3D constructed elements within the space. A restaurant in Boston has a unique and eye-catching design. More specifically its slatted timber panels that weaves throughout the whole space.

FIGURE 25: BANQ RESTAURANT TECHNICAL DETAILS (OFFICE DA, 2008)

FIGURE 24: BANQ RESTAURANT (HORNER, 2008)

The geometry of the wood slats conform to each equipment above but are also radiused in order to smoothen the relationship between other adjoining equipment, creating a seamless landscape.

Each slat is made from veneer plywood and each one having its own unique shape that fits in like a puzzle.

The exposed timber slats create a fluid space and ties in the whole restaurant by implementing dips acting as columns to separate the space and create interesting transitions.

FIGURE 26: BANQ RESTAURANT (OFFICE DA, 2008)

FIGURE 27: BANQ RESTAURANT STRUCTURE DRAWING (OFFICE DA, 2008)

FIGURE 28: BANQ RESTAURANT(OFFICE DA, 2008)

FIGURE 29: BANQ RESTAURANT(OFFICE DA, 2008)

To create a purposeful contrast, the ceiling and ground has opposing functions. The ground space is flexible due to activities and events whilst the ceiling houses fixed programs that blends in with the infrastructure. The drainage, mechanical equipment, sprinkler system, lighting and other acoustic elements are built within the ceiling pane.

From this precedent study, I want to take away the construction behind these acoustic panels and design unique transitional spaces with them. It will also serve as a focal point for my space.

DERBYSHIRE IN CONTEXT TO ENGLAND, UNITED KINGDOM

The county of Derbyshire is in the East Midlands of England. The majority of Derbyshire consists of hills and uplands. Various hills extend from the North of Derby and through the Peak District. In general, the UK has Building regulations set and was introduced in 1965. There are around 17 different regulations, and a few include – structure, fire safety, ventilation, sanitation, electrical safety and conservation of fuel and power.

DERBY IN CONTEXT TO DERBYSHIRE

The city of Derby is a unitary authority area within its county –Derbyshire. It is also its county town and held its city status in 1977. As of the 2011 census, Derby currently has a population of 248,700 people. In terms of manufacturing, Derby is well known for housing Rolls-Royce. Places of interest within Derby are – Derby cathedral, Derby City Centre, Derby museum and Derby Gaol.

ALBION ST. IN CONTEXT TO DERBY

Albion Street is at the heart of the city Centre. The postcode is DE1 2PR. The street measures at around 86 meters. The average elevation is 48.80 meters above sea level. It also provides as an intersection to other paths. Nearby streets include Albert street, East street and St. Peters street.

UNIT 1 BUILDING IN CONTEXT TO ALBION ST.

Unit 1 is a prominent corner unit in in Derby city Centre. There are 3 floors including a basement, basement (190m2, 2,042ft2) The ground floor (341m2, 3,667ft2), first floor (328m2, 3,535ft2), second floor (341m2, 3,673ft2). The site is in the same vicinity as the entrance of Intu Derby, The Derby Ram, TK Maxx, Poundland, Millets and Greggs.

CLIMACTIC INFLUENCES & URBAN ANLYSIS

URBAN FABRIC

FIGURE 38: CLIMACTIC ANALYSIS (ROSALES, 2020)

PUBLIC TRAFFIC

FIGURE 39: URBAN FABRIC (ROSALES, 2020)

FIGURE 40: PUBLIC TRAFFIC (ROSALES, 2020)

SIGNIFICANCE OF ALBION STREET

This area within the Derby City Centre has a classical architecture style compared to the traditional brick and glass.

Designed by Alexander Macpherson, the building work began in 1912 and was finished in 1917.

The Ram statue is also a big part of the view from the shopfront. This is considered as an attraction and thus has many cultural and historical significance.

Over the years, the building saw itself become the Co-Operative supermarket, a Café and a retail store.

PEOPLE & ENVIRONMENT

SOCIAL INTEREST

Social Interest “a feeling of community, an orientation to live cooperatively with others, and a lifestyle that values the common good above one’s own interests and desires”. The Derby community would appreciate a space in which is open for everyone – a space that would inspire the youth and the future. Sustainability is always a topic worth discussing for designers especially. An Innovation Hub with social aspects would work well within the Derby city centre. It is a unique idea and one that would greatly benefit not just the Derby community but the whole world.

ENVIRONMENT

FIGURE 41: BUILDING (MS CLIPART, 2020) FIGURE 42: SOCIETY (MS CLIPART, 2020) FIGURE 43: SUSTAINABILITY (MS CLIPART, 2020)

ENVIRONMENT

The current building at Albion Street simply maintains itself. It has been there for almost a century and saw itself transform into various functions. My proposal would be for the building to house a Green Innovation Hub. The architecture would reflect the focus of what I want to create for future designers – sustainability and regenerative design. This way, the building would help become more environmentally friendly through the functions I intend to put into the space.

POPULATION DEMOGRAPHICS

FIGURE 44: DEMOGRAPHICS PIE CHART (ROSALES, 2020)

SERVICES CIRCULATION HEIRARCHY AND ACCESS

FIGURE 45: SERVICES PLAN (ROSALES, 2020) FIGURE 46: CIRCULATION PLAN (ROSALES, 2020)

FIGURE 47: HEIRARCHY PLAN (ROSALES, 2020)

INITIAL CONCEPT SKETCHES / IDEAS

Having researched and identified my vision for this project. I want to demonstrate it by applying it on paper. Experimenting with organic forms and various elements for the space is what I wanted to achieve at this stage.

Forms, textures and light were my primary focus along with how individuals can interact and create a meaning relationship with the spatial experience.

FIGURE 48: CONCEPT SKETCHES (ROSALES, 2021)

FIGURE 49: CONCEPT SKETCHES (ROSALES, 2021)

FIGURE 50: CONCEPT SKETCHES (ROSALES, 2020)

CONCEPT STATEMENT

The initial sketches helped me go forward with certain concepts and ideas in mind for the space. It vaguely informs what I will continue to develop and aim for in the spatial experience.

FIGURE 51: CONCEPT STATEMENT SKETCHES (ROSALES, 2021)

ACCOMODATION SCHEDULE

GROUND FLOOR

ENTRANCE AREA

Main wayfinding sign & Logo Information stand

RECEPTION & WAITING AREA

Reception desk / counter with open storage

X1 Glass tables

X2 Fabric chairs

X1 Fabric Sofa

Main logo on back wall

X2 Desktop

X2 Desktop Chairs Wayfinding sign

CAFÉ AREA

Service counter

Utilities – Coffee machine, Sink, Storage, Fridge, Small Oven, Toaster, Cash register, Waste bin Integrated seating for eating Bar stools

Circular tables Dining chairs Wayfinding sign

INTERVENTION AREA

X2 Mini-Eco system Interventions Wayfinding sign Information Stand

BACK ENTRANCE / FIRE EXIT

Fire Exit sign

Wayfinding sign Fire Exit sign

DISABLED W/C

x1 Disabled Toiolet pack including toilet, handle bars etc.

x1 hand dryer

x1 wash basin

x1 full length mirror

TRANSITIONAL ZONES

X1 L-Shaped staircase to First Floor

X1 Disabled Lift

X1 U-Shaped staircase to second floor

X1 Disabled Lift

FIRST FLOOR

RESOURCES CENTRE / MATERIALS LIBRARY

Wayfinding sign

X3 Bespoke Integrated shelving unit

X6 Bespoke Materials shelving unit X1 Worktable X6 Chairs

X1 iPad Mounted Catalogue System

CENTRAL ZONE  Way finding sign

X2 Designed Pods for working space

STATIONARY & SERVICES

Bespoke Counter unit X1 Office chair

Integrated Shelving units Bespoke Materials shelving unit Postage / Mailing box Postage self serving Kiosk

SMALL OFFICES

Wayfinding sign Desktop Storage

Floating shelves

Bespoke L-shaped desk with open shelving x1 office chair

MALE W/C

X1 Cubicle X1 Toilet

X2 Urinal X2 Wash Basin x2 Hand dryer

FEMALE W/C

X3 Cubicle

X3 Toilet X2 Wash Basin

X2 Hand Dryer

CONFERENCE ROOM

X2 Large timber desks wth charging sockets X12 Chairs

X1 Shelving Unit X1 Plasma TV

SECOND FLOOR

SMALL OFFICES

Wayfinding sign Desktop Storage

Floating shelves

Bespoke L-shaped desk with open shelving x1 office chair

TECH & DESIGN

X1 Large table with charging sockets. X8 Chairs

X1 Shelving Unit X1 Plasma TV X1 Large Printer

DIGITAL DESIGN HUB

X2 3D Printers

X1 Large Printer

X3 Bespoke Desks with Open shelving X18 Steel Bar stools

X2 Shelving Units

X1 Large table with charging sockets X8 Chairs

HOTDESK AREA

X2 Bespoke Desks with charging sockets

X12 Desktop / iMac set with keyboard and mouse X12 Office chairs

X2 Large Printers X1 Plotter

RECYCLING POINT

Bespoke Recycling Unit/ Till Catalogue System Storage room for recycled materials

SCOPE OF WORKS

The design process consists of a brand identity, along with its signage and profile, As well as an appropriate re design of the interior space. A technical pack will be added to fully understand the construction and construction methods of various units. A suitable material schedule to understand the “look and feel” of the space will be added. Lastly, a furniture, fittings and equipment schedule will be added in order to convey items that are not permanently integrated.

PLAN OF WORKS:

FIGURE 67: RIBA STAGES (RIBA, 2020)

BASIC REQUIREMENTS:

TO COMPLY WITH HERITAGE REQUIREMENTS AND LISTING INFORMATION TO BE ERGONOMICALLY AND ANTHROPETRICALLY SOUND TO COMMUNICATE THE BRAND THROUGHOUT THE SPACE TYING IT INTO THE OVERALL NARRATIVE

FIGURE 68: RIBA STAGES CHART (RIBA, 2020)

PRIMARY MATERIALS

SECONDARY MATERIALS

The light oak and dark grey wall would create an interesting contrast in both texture and shade. The construction for the custom-made seating area will be a darker brown oak to separate it from the whole space. I wanted to implement a living wall ; hence moss will be introduced within the space. There are numerous benefits such as purifying the air, productivity and a general sense of well being. The dark flooring helps create a contrast with other lighter elements. I think its also important to differentiate

it has

put in place for both café and reception counter.

EXPERIMENTATION

The evolution of producing a suitable logo was conceived by various hand drawings featuring many different shapes and sizes. The final logo is simple and respresents what ecodraft's values of thinking through sustainability.

ROUGH SKETCHES

DIGITAL MARKETING

In order to spread and promote the brand. I have proposed creating a website and app for IOS and Android. Both the website and app will be user friendly, and its main purpose is to book the office / workshops for creatives interested in making their ideas come to life.

There will also be other features such as:

- Booking equipment within the Digital Design Hub

- Online registration Scheme to recycle used products i.e., wood, glass, plastic etc. In order to use / purchase.

- Showcasing works and projects by creatives

Ordering Merchandise

A system / unit will be implemented within both the Resources Centre and Recycling Point such as a self-service tablet that displays the website / app. This will enable the users to interact with the Ecodraft Online features.

OFF-SITE RECYCLING WAREHOUSE

WEBSITE

FIGURE 92: BW WAREHOUSE EXAMPLE (TURBOSQUID, 2021)

Ecodraft will store an area where visitors can recycle materials and joinery such as wood, metal sheets, old door knobs etc. However, I proposed there to be a small warehouse that is offsite located within Derby where larger unwanted materials, furniture and joinery are to be stored. There will be an online catalogue found via the website where visitors can view listed recycled pieces.

IOS APP

FIGURE 94: ECODRAFT APP (ROSALES, 2021)

FIGURE 93: ECODRAFT WEBSITE (ROSALES, 2021)

KEY:

GROUND FLOOR BUBBLE DIAGRAM

FIGURE 95-97: GF BUBBLE DIAGRAM (ROSALES, 2021)

FIRST FLOOR BUBBLE DIAGRAM

FIGURE 98-100: FF BUBBLE DIAGRAM (ROSALES, 2021)

The secod floor is the last and final floor. Semi-private facilities such as the Digital design Hub and Hotdesk areas will be located here. It is almost an extension of the first floor as more small offices can be found. This floor offers a feeling of being in a community of designers as they can collaborate within the Digital Design Hub and book spaces in the Hotdesk area. The recycling point with a storage room will enable visitors to recycle smaller materials and joinery.

This stage of the design process involves creating a very rough draft floor plan of each floor. I have taken into consideration the most appropriate bubble diagram and converted it into a rough sketch of the spatial arrangement including what furniture to innclude in each space as well as the floor finish. These are not the final layout proposal but it enables me to generate what features to include for the next stage. Shapes and sizes may not be accurate and to scale. The original scale of the drawings are 1:100 @ A3.

These floor layouts are the final resolved spatial arrangement between each floors. Each drawing is what I will use as reference going forward with my design as well as making use of it for the various technical drawings to be done on AutoCAD. Each floor indicates the floor finish I intend on using and what is included in each area of the space. Shapes and sizes may not be entirely accurate. Original scale of the drawings are 1:100 @A3.

FIGURE 106-108: FINAL LAYOUTS (ROSALES, 2021)

FIGURE 109: SECTIONAL ELEVATION AA (ROSALES, 2021)

This handrawn section shows the transversal elevation of the building. It enabled me to present the heights and sizes of different elements. It also shows how the space connects within one another and what to expect out of each area. This view shows the bespoke cafe seating, a section of the staircase, the digital design hub and hotdesk area. The original drawing scale is 1:100 @ A4.

SECTIONAL

ELEVATION BB

FIGURE 110: SECTIONAL ELEVATION BB (ROSALES, 2021)

This handrawn section shows the longitudinal elevation of the building. This view shows the bespoke cafe seating,staircase, resources centre, stationary and services, small offices and the digital design hub. The original drawing scale is 1:100 @ A4.

GROUND FLOOR LIGHTING MAP FIRST FLOOR LIGHTING MAP

SECOND FLOOR LIGHTING MAP

FIGURE 111-113: LIGHTING MAPS (ROSALES, 2021)

A lighting map is drawn in order to give me an idea on where to roughly place lighting fixtures and what effect it will have on the visitors. This is shown by the focal guiding points in which where each light fixture could navigate a visitor. The main light fixture I will use are recessed ceiling lights, various pendant lights will be used for counters such as reception and cafe. The original scale of the drawing is 1:100 @ A3.

KEY:

GROUND FLOOR SIGNAGE & WAYFINDING MAP

FIRST FLOOR SIGNAGE & WAYFINDING MAP

SECOND FLOOR SIGNAGE & WAYFINDING MAP

FIGURE 114-116: SIGNAGE & WAYFINDING MAPS (ROSALES, 2021)

The signage and wayfinding map shows where each of the various signage types will be placed around the building. The concept sketches of the signage can be found during the conceptual development page. The original scale of the drawing is 1:100 @ A3.

FIGURE 117-118: 3D SKETCHES AND TECHNICAL DRAFTS (ROSALES, 2021)

3D DEVELOPMENT & DRAFT CONSTRUCTION

FIGURE 119-120: 3D SKETCHES AND TECHNICAL DRAFTS (ROSALES, 2021)

3D DEVELOPMENT & DRAFT CONSTRUCTION FIGURE 121-122: 3D SKETCHES AND TECHNICAL DRAFTS (ROSALES, 2021)

GROUND FLOOR ENTRANCE SKETCH GROUND FLOOR CAFE SKETCH

FIGURE 124: ENTRANCE SKETCH (ROSALES, 2021)

FIGURE 125: CAFE SKETCH (ROSALES, 2021)

FIRST FLOOR RESOURCES CENTRE SKETCH

FIRST FLOOR POD WORKING SPACE SKETCH

FIGURE 126: RESOURCES CENTRE SKETCH (ROSALES, 2021)

FIGURE 127: POD SKETCH (ROSALES, 2021)

FIRST FLOOR STATIONARY & SERVICE SKETCH

FIRST FLOOR CONFERENCE ROOM SKETCH

FIGURE 128: STATIONARY & SERVICES SKETCH (ROSALES, 2021)

FIGURE 129: CONFERENCE ROOM SKETCH (ROSALES, 2021)

FIRST FLOOR SMALL OFFICES SKETCH

SECOND FLOOR DIGITAL DESIGN HUB SKETCH

FIGURE 130: SMALL OFFICES SKETCH (ROSALES, 2021)

FIGURE 131: DIGITAL DESIGN HUB SKETCH (ROSALES, 2021)

SECOND FLOOR RECYCLING POINT SKETCH SECOND FLOOR HOTDESK AREA SKETCH

FIGURE 132: RECYCLING POINT SKETCH (ROSALES, 2021)

FIGURE 133: HOTDESK AREA SKETCH (ROSALES, 2021)

PRINCE ROSALES BA (HONS) INTERIOR DESIGN FINAL YEAR PROJECT 2020 -2021 BOOK 2 DESIGN

CONTENTS

52

RENDERED GROUND FLOOR PLAN

RENDERED SECOND FLOOR PLAN 54

RENDERED TRANSVERSAL SECTION 55

RENDERED LONGITUDINAL SECTION 56

ENTRANCE PERSPECTIVE 57

RECEPTION PERSPECTIVE 58

INTERVENTION EXHIBIT PERSPECTIVE 59

CAFE PERSPECTIVE 60

CAFE 2 PERSPECTIVE 61

CAFE COUNTER PERSPECTIVE

TECH & DESIGN PERSPECTIVE 62 72

STAIRCASE PERSPECTIVE

RECYCLING POINT PERSPECTIVE 63 73

HOTDESK SPACE PERSPECTIVE 64 74

RESOURCES CENTRE PERSPECTIVE

HOTDESK SPACE EXTERIOR PERSPECTIVE 65 75

CENTRAL ZONE PERSPECTIVE

COLOUR PALETTE & SAMPLE BOARD 66 76

WORK PODS PERSPECTIVE

BRANDING PACK 67 77

STATIONARY & SERVICES PERSPECTIVE

CONFERENCE ROOM PERSPECTIVE 68

SMALL OFFICES PERSPECTIVE 69

DIGITAL DESIGN HUB EXTERIOR PERSPECTIVE 70

DIGITAL DESIGN HUB PERSPECTIVE 71

ENTRANCE

This perspective shows how visitors are greeted by the space. The timber acoustic panels serve as not ony to absorb sound but make for an eye catching ceiling design that leads them towards the entire area. Moss walls are integrated to purify the air and timber slats create an interesting texture that relates back to my concept of creating vertical elements.

RECEPTION

This perspective shows the reception desk design featuring recycled metal sheet and thin timber panels. An indoor artificial grass carpet intertwines with the wood flooring and vinyl concrete floor. I chose these materials to reflect nature - bringing the outside in. Glass pendants compliment the reception area and also helps light up the counter where one can be assisted.

INTERVENTION EXHIBIT

This perspective shows the mini-intervention project - where visistors can interact with hanging mini-ecosystems and reading through informational sustanability books. Chars and glass tables have been provided to create a comfortable environment. I have included a sign that is visisble to inform the public what the exhibit is about - harvested water to create a life form.

CAFE

This perspective shows how visitors interacts with the cafe. A curved design was the basis of the bespoke seating - utilizing timber elements and hanging ivy plants which almost resembles a jungle. With plenty of seating and food service - I want each guest to feel special and enjoy their dinign experience - I chose to have a simple pendant lighting and concrete vinyl flooring.

FIGURE 154: CAFE RENDER (ROSALES, 2021)

CAFE

Anoher perspective that shows the cafe from a different angle. The bespoke seating features a grey cotton upholstery that matches the concrete vinyl flooring. simple black round tables and timber chairs accompany the dining area. The fire exit can be found just by the end of the ground floor ont he right hand side. The acoustic panels still surround the space and is consistent throughout all three floors.

CAFE COUNTER

This area shows a customers point of view when they order food and drinks. The counter features a similar design to the reception desk in order to stay in line with the concept. Geometric pendant lighting hang from the cieling and a large menu sigage can be found on top of the timber wall slats. A gap towards the back follows a small kitchen to prepare delicious meals.

STAIRCASE

The staircase shows an elegant design that features timber treads, steel details and glass balustrades. The construction shows a central stringer to offer structural support. A wide opening above ensures that there is enough headroom for visitors to conviniently navigate up and down each floors.

RESOURCES CENTRE

An imporant area inside the whole space. Designers can take out books, resources and material swatches out of these bespoke shelving units. Constructed out of OSB fibre boards, the biophilic design took inspiration from nature itself with a curved form supported by steel posts. A self-checkout kiosk featuring an iPad is how designers can borrow books and materials - similar to how libraries work.

CENTRAL ZONE

To make use of this central zone where offices can be located - I decided to design and install two pod working spaces. This encourages the designers to be productive in a small private space. The exterior features a grey colour with steel 3D lettering indicating the pod number. Each pod has space for one individual only and can be accessed by the glass swinging door.

WORK PODS

A closer look at the work pods show a glass partition which is insppired by a modern design. A 18mm solid oak counter is installed inside the space - supported by steel black powder coated legs. Recycled polyseter fabric is integrated as the flooring and wall finish - creating a snug work place. For privacy - two blinds can be pulled down from either side.

STATIONARY & SERVICES

A statioary shop along with postage service can is located at the first floor. The space features floating shelves made out of OSB boards which stores various stationary and supplies. Here, designers can purchase much needed stationary supplies to help with their drafting and can also post their finished drafts via self-serving postage checkout. This is one of the ways Ecodraft brings in income.

CONFERENCE ROOM

This visual shows 1/2 conference room. It is a place where meetings can be held as well as presentations. The design features large timber desks with charging ports. Here, the same pendant lights from the cafe is also used as well as a bespoke shelving unit made out of OSB boards - this is a consistent theme used throughout the whole space as OSB boards feture fiber that is grown in sustainable forests.

SMALL OFFICES

The interior of the office spaces is kept simple and free from distraction. The L-shaped desk is designed with purpose of storing important documents and files as well as to convinently layout large floor plans and other drafts. To the right, floating shelves can be used to place books, ornaments and other things. Designers can book these small offices on a rent / short term basis in order to bring income.

DIGITAL DESIGN HUB EXTERIOR

A view looking into the Digital Design Hub which captures the productive environment of Ecodraft. I wanted each space to get plenty of natural light and in order to achieve that I designed glass wall partitions with thin black steel frames. This gives the space a refreshing modern appearance. Vinyl lettering is places on the glass wall which references Ecodraft’s slogan.

DIGITAL DESIGN HUB

Another way to bring in income is to create a Digital Design Hub - a place where designers can book slots to use high end machinery and devices such as 3D printers and engage in a collaborative working environment. Large desks with storage spaces area placed along the right hand side with shelving units located at the back. Smooth steel finish stools provide a contrast in texture to the desks.

TECH & DESIGN

This is a special room reserved for talented 3D designers and visual artists. Here, they can finish up the final visuals of each project. A similar look and feel to the conference room - this space includes desks with charging ports, a shelving unit, large printer and comfortable grey chairs. The main wall is painted in a matte black paint.

RECYCLING POINT

Visitors and guests are free and are encouraged to recycle old materials and joinery in this room. For much bigger materials - Ecodraft has a dedicated warehouse outside of the building but for more smaller pieces 0 this is where they can throw them away which can be used by designers for their projects. This is a way to help promote reuse.

HOTDESK SPACE

This is a bookable space where designers can use desktops for their work / projects. Desks with charging ports are placed in the middle with an interesting wood siding design feature behind. The illuminated 3D lettering is displayed to convey an uplifting message for creatives to express themselves through their design.

HOTDESK SPACE EXTERIOR

Integrating a glass partition wall, this view captures the ceiling detail - resembling a wave as well as what the hotdesk space offers. The wall feature helps accentuates the horizontal form of the space. This area also stores a plotter and two large printers. The hotdesk space can also be booked via the website / iPad.

COLOUR PALETTE

SAMPLE BOARD

FIGURE 230: SAMPLE BOARD (ROSALES, 2021)

The colour palette reflects the overall spatial narrative and concept. Natural and earthy shadesn with darker accents. I believe this palette works well together and they compliment very well. A sample board has been compiled in order to get a feel of how these materials and colour interact within one another as well as their purpose, hence the various shapes and sizes.

100 %ORGANIC COTTON T-SHIRT 100 %ORGANIC COTTON HOODIE RECYCLED SUSTAINABLE TOTE BAG

FIGURE 231: ECODRAFT T-SHIRT (ROSALES,2021)

FIGURE 232: ECODRAFT HOODIE (ROSALES,2021) FIGURE 233: ECODRAFT TOTE BAG (ROSALES,2021)

BIODEGRADABLE / REUSABLE CUP BIODEGRADABLE / REUSABLE CUP RECYCLED MATERIAL PHONE CASE

FIGURE 234: ECODRAFT CUP (ROSALES,2021)

FIGURE 235: ECODRAFT NOTEBOOK (ROSALES,2021)

FIGURE 236: ECODRAFT PHONECASE (ROSALES,2021)

As part of developing the brand - these are mockups of what merchandise Ecodraft has to offer - All these items can be viewed and purchsed within the website - online store. Members that have signed up for the weekly online newsletter can expect to recieve a 15% off discount at the item shop. From each purchase - 10% of the money will go into the Greenpeace Environmental Trust Charity UK - Help combat plastic waste.

CONTENTS

SITE PLAN - 001 82

EXISTING PLAN - 100 83

DEMOLITION PLAN - 110 86

CONSTRUCTION PLAN - 200 88

FIRE ESCAPE PLAN - 210 91

ASSEMBLY POINT PLAN 94

ELECTRICAL PLAN - 220 95

CIRCULATION PLAN - 230 96

DRAINAGE PLAN - 240 99

WAYFINDING PLAN - 250 101

REFLECTED CEILING PLAN - 300

RECEPTION DESK SECTIONS & ELEVATIONS - 811 - 812 104 117

LIGHTING PLAN - 310

RECEPTION DESK DETAILS - 813 105 118

WALL FINISH PLAN - 400

SIGNAGE DETAILS - 840 -841 106 119

FLOOR FINISH PLAN - 410

DOOR AND HARDWARE SCHEDULE - 900 107 120

WINDOW SCHEDULE - 910 108 121

FURNITURE PLAN - 500

EXTERIOR ELEVATION - 600

FFE SPECIFICATION DOCUMENT 109 122

SECTIONAL ELEVATION - 700 CONCLUSION 110 135

FIGURES / BIBLIOGRAPHY / REFERENCES 112 136

STAIRCASE CONSTRUTION & ELEVATION - 800 - 801

STAIRCASE DETAILS - 802 115

RECEPTION DESK CONSTRUCTION - 810 116

1.THE COPYRIGHT OF THIS DRAWING IS VESTED IN YourFirmName AND IT MAY NOT BE REPRODUCED IN WHOLE OR PART OR USED FOR THE MANUFACTURE OF ANY ARTICLE WITHOUT THE EXPRESS PERMISSION OF THE COPYRIGHT HOLDERS.

2. ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

3. FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING.

4. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATION FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING.

5. ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

6. ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

7. DESIGNER TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANIFACTURE.

SITE BOUNDARY ADJOINING LAND

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

LEGEND:

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

LEGEND:

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

LEGEND:

fire exit LIFT 1 700 1 700 2 700 2 700 PRIVATE ACCESS / FIRE ESCAPE up 1206 505 901 2641 1001 3228 2749 620 2612 2239 1246 930 1240 15789 15683 17778 15281 3298 8276 4109 9023 2239 6516 110 FIRST FLOOR DEMOLITION PLAN SCALE 1:100 1

GENERAL NOTES:

2. ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

3. FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING.

4. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATION FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING.

5. ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

6. ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

GROUND FLOOR TO REMAIN AS EXISTING EXISTING WC TO BE FULLY REMOVED

CERTAIN DRYWALLS TO BE REMOVED (SEE LEGEND FOR REFERENCE) EXISTING FLOORING TO BE REMOVED EXISTING PLUMBING CONFIGURATION TO BE ALTERED FOR DIFFERENT SOURCE OF LOCATION. (SEE CONSTRUCTION PLAN REFERENCING PLUMBING & DRAINAGE)

EXISTING BRICKWORK TO REMAIN EXISTING DRYWALL TO REMAIN ISSUED FOR INFORMATION PURPOSES ONLY 18.02.21 /

REVISION RECORD FIRST ISSUE

LIFT VOID fire exit 1 700 1 700 2 700 2 700 PRIVATE ACCESS / FIRE ESCAPE up 110 SECOND FLOOR DEMOLITION PLAN SCALE 1:100 982 11726 768 1001 6088 7857 620 2611 3665 3652 1875 1172 2674 705 1000 1723 3380 1101 2096 1101 279 1101 1100 780 3402 15763 17784 15183 15274 11976 3786 9029 3665 5089 3964 5721 5498 2

GENERAL NOTES:

2. ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

3. FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING.

4. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATION FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING.

5. ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

6. ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

GROUND FLOOR TO REMAIN AS EXISTING EXISTING WC TO BE FULLY REMOVED

CERTAIN DRYWALLS TO BE REMOVED (SEE LEGEND FOR REFERENCE) EXISTING FLOORING TO BE REMOVED EXISTING PLUMBING CONFIGURATION TO BE ALTERED FOR DIFFERENT SOURCE OF LOCATION. (SEE CONSTRUCTION PLAN REFERENCING PLUMBING & DRAINAGE)

EXISTING BRICKWORK TO REMAIN EXISTING DRYWALL TO REMAIN

ISSUED FOR INFORMATION PURPOSES ONLY 18.02.21 / REVISION

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

FOR DOORS AND HARDWARE SCHEDULE SEE DRAWING 900 FOR DETAILS

FOR WINDOW SCHEDULE SEE DRAWING 910 FOR DETAILS

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

FOR DOORS AND HARDWARE SCHEDULE SEE DRAWING 900 FOR DETAILS

FOR WINDOW SCHEDULE SEE DRAWING 910 FOR DETAILS

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

FOR DOORS AND HARDWARE SCHEDULE SEE DRAWING 900 FOR DETAILS

FOR WINDOW SCHEDULE SEE DRAWING 910 FOR DETAILS

CONSTRUCTION

GENERAL NOTES:

BUILDING

INTERNAL AREA: GROUND FLOOR: 340.71M2

FIRST FLOOR: 328.40M2

SECOND FLOOR: 341.23M

USE CATEGORY: B1(a) (OFFICES)

OCCUPANCY: 250 PEOPLE MAX

EXITS:

ISSUE

CONSTRUCTION

GENERAL NOTES:

BUILDING CODE ANALYSIS FOR ECODRAFT DESIGN HUB - UNIT 1 ALBION STREET, DERBY.

INTERNAL AREA: GROUND FLOOR: 340.71M2

FIRST FLOOR: 328.40M2

SECOND FLOOR: 341.23M

USE CATEGORY: B1(a) (OFFICES)

OCCUPANCY: 250 PEOPLE MAX

OF EXITS:

CONSTRUCTION

GENERAL NOTES:

ISSUE

BUILDING CODE ANALYSIS FOR ECODRAFT DESIGN HUB - UNIT 1 ALBION STREET, DERBY.

INTERNAL AREA: GROUND FLOOR: 340.71M2

FIRST FLOOR: 328.40M2

SECOND FLOOR: 341.23M

USE CATEGORY: B1(a) (OFFICES)

OCCUPANCY: 250 PEOPLE MAX

EXITS:

CONSTRUCTION

GENERAL NOTES:

ISSUE

BUILDING CODE ANALYSIS FOR ECODRAFT DESIGN HUB - UNIT 1 ALBION STREET, DERBY.

INTERNAL AREA: GROUND FLOOR: 340.71M2

FIRST FLOOR: 328.40M2

SECOND FLOOR: 341.23M

USE CATEGORY: B1(a) (OFFICES)

OCCUPANCY: 250 PEOPLE MAX

NUMBER OF EXITS: 3

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

BUILDING REGULATIONS NOTES FOR ELECTRICAL WORKS

ALL ELECTRICS WORK TO BE COMPLETED IN COMPLIANCE WITH UK BUILDING REGULATIONS AND ALL ELECTRICAL WORK SHOULD FOLLOW THE SAFETY STANDARDS IN BS 7671 (THE WIRING REGULATIONS)

DISTRIBUTION BOARD TO BE LOCATED IN GROUND FLOOR STORAGE ROOM.

ELECTRICAL WIRING CURRENTLY RUNS THROUGH THE BUILDINGS ENTIRETY - TO BE SAFELY RECONFIGURED TO MEET NEW ELECTRICAL LAYOUT DESIGN.

FOR DETAILS ON LIGHTING INFORMATION AND CEILING (LUMINARIES, LIGHT SWITCHES, BULKHEAD ETC.) SEE LIGHTING PLAN 310 AND REFLECTED CEILING PLAN 300.

LEGEND:

SINGLE SWITCHED WALL SOCKET RS PRO GREY 1G PLUG SOCKET, 1 POLE, 13A, TYPE G, 86X86MM, PR CODE: 768-3504. INSTALLED PER HEIGHT REFFERED ON PLAN.

2

EXISTING BRICK WALL DRYWALL ELECTRICAL SCHEDULE: 2

DOUBLE SWITCHED WALL SOCKET

MK ELECTRIC MK WHITE 2G PLUG SOCKET, 2 POLES, 13A, TYPE G BRITISH - PR CODE: 222-7910. 86X146MM. INSTALLED PER HEIGH REFFERED ON PLAN.

SINGLE SWITCHED WALL SOCKET + 1200 AFFL DOUBLE SWITCHED WALL SOCKET + 1200 AFFL

86X146MM. INSTALLED PER HEIGH REFFERED ON PLAN.

DOUBLE SWITCHED FLOOR SOCKETS

MK ELECTRIC SILVER 2G PLUG SOCKET,

1.THE COPYRIGHT OF THIS DRAWING IS VESTED IN YourFirmName AND IT MAY NOT BE REPRODUCED IN WHOLE OR PART OR USED FOR THE MANUFACTURE OF ANY ARTICLE WITHOUT THE EXPRESS PERMISSION OF THE COPYRIGHT HOLDERS.

2. ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

3. FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING.

4. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATION FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING.

5. ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

6. ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

7. DESIGNER TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANIFACTURE.

1.THE COPYRIGHT OF THIS DRAWING IS VESTED IN YourFirmName AND IT MAY NOT BE REPRODUCED IN WHOLE OR PART OR USED FOR THE MANUFACTURE OF ANY ARTICLE WITHOUT THE EXPRESS PERMISSION OF THE COPYRIGHT HOLDERS.

2. ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

3. FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING.

4. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATION FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING.

5. ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

6. ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

7. DESIGNER TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANIFACTURE.

1.THE COPYRIGHT OF THIS DRAWING IS VESTED IN YourFirmName AND IT MAY NOT BE REPRODUCED IN WHOLE OR PART OR USED FOR THE MANUFACTURE OF ANY ARTICLE WITHOUT THE EXPRESS PERMISSION OF THE COPYRIGHT HOLDERS.

2. ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

3. FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING.

4. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATION FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING.

5. ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

6. ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

7. DESIGNER TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANIFACTURE.

CONSTRUCTION

GENERAL NOTES:

ISSUE

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

BOILER IS LOCATED IN THE BASEMENT - BELOW THE GROUND FLOORCONNECTS THE HOT WATER PIPE

PIPING SIZE TO BE VERIFIED WITH PLUMBER TO ACHIEVE CORRECT WATER PRESSURE

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

BOILER IS LOCATED IN THE BASEMENT - BELOW THE GROUND FLOORCONNECTS THE HOT WATER PIPE

PIPING SIZE TO BE VERIFIED WITH PLUMBER TO ACHIEVE CORRECT WATER PRESSURE

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

CONSTRUCTION

GENERAL NOTES:

ISSUE

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

FOR DETAILS ON LIGHTING SYMBOLS - SEE LIGHTING SCHEDULE FOR MORE INFORMATION REGARDING TYPES OF LIGHT FIXTURES

LEGEND:

CONSTRUCTION

GENERAL NOTES:

ISSUE

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

LEGEND:

CONSTRUCTION

GENERAL NOTES:

ISSUE

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

LEGEND:

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

CONTRACTOR MUST SUBMIT A RECYCLING PLAN REDUCE, REUSE, RECYCLE WASTE FROM FROM SHIPPING AND INSTALLING OF FURNITURE.

FURNITURE MATERIALS AND UPHOLSTERY FABRICS MUST BE TREATED FRO FIRE RETARDANT SPRAY AND MUST COMPLY TO UK FIRE SAFETY APPROVED DOCUMENT.

CONTRACTOR TO BE RESPONSIBLE FOR UNPACKING (TRASH REMOVAL) AND INSTALLING FURNITURE AT DESIGNATED LOCATIONS .

CONTRACTOR IS RESPONSIBLE FOR SCHEDULING AND COORDINATION WITH ALL BUILDING TRADES AND MOVERS

SCRATCHES AND NICKS TO BE TOUCHED UP DURING INSTALLATION.

FURNITURE CONTRACTOR MUST PRODUCE A PUNCH LIST IDENTIFYING DAMAGE OR MISSING PRODUCTS SCHEDULE COMPILED FOR PUNCH LIST COMPLETION.

CONSTRUCTION

GENERAL NOTES:

ISSUE

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

REFER TO OTHER CONSTRUCTION DRAWING FOR DETAILS

LEGEND:

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

REFER TO OTHER CONSTRUCTION DRAWING FOR DETAILS

LEGEND:

CONSTRUCTION

GENERAL NOTES:

ISSUE

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

REFER TO OTHER CONSTRUCTION DRAWING FOR DETAILS

LEGEND:

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

ABBREVIATIONS: GF GROUND FLOOR, FF - FIRST FLOOR, SF SECOND FLOOR

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

ABBREVIATIONS: GF GROUND FLOOR, FF - FIRST FLOOR, SF SECOND FLOOR

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

ABBREVIATIONS: GF GROUND FLOOR, FF - FIRST FLOOR, SF SECOND FLOOR

CONSTRUCTION

GENERAL NOTES:

ISSUE

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

ISSUED FOR INFORMATION PURPOSES ONLY

CONSTRUCTION

GENERAL NOTES:

ISSUE

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

LEGEND:

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE. ISSUED FOR INFORMATION PURPOSES

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

ALL SIGNAGE IS IN REFERENCE TO THE WAYFINDING & SIGNAGE PLANSEE DRAWING 205 FOR DETAILS

ALL SIGNAGE FONT TO BE CONSISTENT THROUGHOUT THE SPACEUSING "FUTURA" AS THE MAIN FONT MATERIALITY TO BE CONSISTENT AND TIE IN WITH THE SPACE - USING BLACK POWDER ALUINIUM COAT LEGEND:

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

DOOR AND WINDOW CODES ARE IN REFERENCE TO THE GROUND FLOOR CONSTRUCTION PLAN - SEE DRAWING 200 FOR DETAILS

CONSTRUCTION ISSUE

GENERAL NOTES:

ALL DIMENSIONS AND LEVELS TO BE CHECKED AND VERIFIED ON SITE BY THE CONTRACTOR, AND DISCREPANCIES TO BE REPORTED PRIOR TO COMMENCING ANY WORKS.

FIGURED DIMENSIONS ARE TO TAKE PREFERENCE TO SCALING. ALL DISCREPANCIES ON DRAWINGS OR INTENDED VARIATIONS FROM DRAWINGS ARE TO BE CLEARED WITH THE PROJECT MANAGER BEFORE COMMENCING

ALL WORKS TO BE CARRIED OUT IN STRICT ACCORDANCE WITH REGULATIONS AS LAID DOWN IN THE NATIONAL BUILDING REGULATIONS.

ALL EXISTING MATERIAL REMAINS THE PROPERTY OF THE OWNER UNLESS OTHERWISE STATED.

'DESIGNER' TO APPROVE ALL FINISHES SAMPLES AND SHOP DRAWINGS PRIOR TO MANUFACTURE.

DOOR AND WINDOW CODES ARE IN REFERENCE TO GROUND FLOOR CONSTRUCTION PLAN - SEE DRAWING 200 FOR DETAILS

ECODRAFT SPECIFICATION DOCUMENT FITTINGS, FURNITURE, EQUIPMENT (FFE)

Wall and Floor Finishes

Location

Ground Floor / Interventio n Area

WF1 MOSS WALL PANEL

MOSS WALL PANEL 300MMX 300MM 3 Dowsing & Reynoldshttps://www.dowsinga ndreynolds.com/shop/ moss-wallpanel/?attribute_pa_co lour=mossgreen&gclid=Cj0KCQj w1PSDBhDbARIsAPeT qrdUzPQWORmMrsfm d3Uz73gui3FENXUBW 8usUXzbXryBi4p4IM4r zi0aAonIEALw_wcB

Moss Wall Panel SKU:MOSSMGR Green £74.99

Ground Floor Reception Area / Café Area

WF2

Timber – Oak 30MM Various Sizes

Slats

Ground Floor WF3 Chalk white silk emulsion paint

130 LoveSkirtinghttps://www.loveskirtin g.co.uk/beadingmouldings-c16/all-oakproducts-c245/oakplaned-timberc425/solid-oak-partimber-30mm-varioussizesp4498/s153703?utm_m edium=organic&utm_t erm=solid-oak-partimber-30mm-varioussizes-finish-unfinishedthicknes-finishunfinished-thickness9mm-length-1-0metre-oak-par30mmunfinished9mm 1-0metre&utm_campaign =froogle&cid=GBP

Paint 5L 3 Wilkohttps://www.wilko.com /en-uk/wilko-wallsceilings-chalk-whitesilk-emulsion-paint5l/p/0477902

Solid

£8.99

Wilko Walls & Ceiling Chalk white silk emulsion paint 5L

4779025 Silk Paint £15

Code Item Material Size Quantity Manufacturer Detail / Website

Manufacturer Item name Manufacturer Code Finish / Colour Price Image

Oak Timber Solid Wood

Oak PAR Timber N/A Unfinish ed

Ground Floor / Disabled Toilet

WF4 Metro White Ceramic Wall Tiles

Glossy Tile 200MMX1 00MM 5 Wickeshttps://www.google.co m/search?q=WICKES+ METRO+WHITE+CERA MIC+TILE&prmd=sinm &sxsrf=ALeKk00Eo1jSH ufYq-Uk1KMOXNPNzFhbA:161884 1898052&source=lnms &tbm=isch&sa=X&ved= 2ahUKEwimlJCwIrwAhWauKQKHYr 0DGAQ_AUoAnoECAE QAg&biw=1536&bih=69 8#imgrc=lRPk1VnRDl0 nSM

Wickes Metro White Ceramic Wall Tile

166211 White Glossy £10

Ground Floor /

FF1

Espresso Oak Wood Flooring

Solid Wood Flooring 300MMX 700 210 DWF Flooringhttps://www.directwoo dflooring.co.uk/espress o-oak-brushedlacquered-solid-woodflooring.html?utm_sou rce=google_shopping

Espresso Oak Brushed & Lacquered

N/A Brushed & Lacquer ed

£55.99

Ground Floor / Waiting Area / Interventio n Area

Ground Floor / Café Area / Reception Area

FF2 Indoor Carpet / Artificial Grass

FF3 Vinyl Flooring

Artificial Grass 500MMX 500MM Approx 80 Royal Grasshttps://www.royalgrass .com/products/royalgrass-ecosense

Cushioned Vinyl 2000MM X1000M M

Ground Floor / Kitchen / Disabled Toilet

FF4 Ceramic Tile Flooring

Royal Grass Ecosense

N/A Green Request a Quote

Approx 40 Best4Flooringhttps://www.best4floor ing.co.uk/metallicstone-effect-sheetvinyl-flooringconcrete-nickel

Ceramic 333MMX3 33MM 15 B&Qhttps://www.diy.com/d epartments/cirqueblack-matt-plainstone-effect-ceramicfloor-tile-pack-of-9-l333mm-w333mm/161765_BQ.prd ?storeId=1328

Lighting Fixtures

Metallic Stone Effect Cushioned Vinyl Flooring Sheet Concrete Nickel

Cirque Black Matt Plain Stone Effect Ceramic Floor Tile

CU-793D-CN Metallic Finish £11.99

5052931152360 Matt £6

Ground Floor /

LF1 Recessed Ceiling Lighting

LED Plastic Downlight 107MM CUTOUT 125MM DIAMETE R

22 ToolStationhttps://www.too lstation.com/enl ite-slim-fitround-lowprofile-leddownlight/p565 73?store=K5&ut m_source=goog leshopping&ut m_medium=fee d&utm_campai gn=googleshop pingfeed

Enlite slim fit round low profile LED Downlight 6W Warm White 300lm

56573 White £13.71

Ground Floor / Café Area

LF2 Black Round Circle Pendant Lighting

Black Steel LED Pendant Lamp Dimmable

43mm in Diameter 8 Connox / Umagehttps://www.co nnox.co.uk/cate gories/lamps/pe ndantluminaires/uma ge-pendantasterialight.html?itm= 180634&p=10110 9

Umage – Asteria Pendant Lamp –1500lm

180634 Black Steel / Alumini um

£200.84

Ground Floor / Reception Area

LF3 Glass Pendant Lighting –Hanging Ceiling

Clear Glass LED Pendant Light 139MM 4 Litfadhttps://www.litf ad.com/modern ist-cylinderpendantsmoke-grayglass-1-lightliving-roomhangingceiling-lamp55-wide-s151032.html

Modernist Cylinder Pendant Clear Glass –E27 Bulb – 420lm

4779025 Clear glass / Black plastic

£80.58

Ground Floor / Café Counter

LF4 Black Geometric Pendant Lighting

Matte Metal – LED Pendant Lighting 38MM in Diameter 4 Dunelmhttps://www.du nelm.com/prod uct/lily-greygeometriceasy-fitpendant-38cm1000165046?def aultSkuId=3068 1810&ds_c=Light ing_Lamp+Sha des_%5BGOOPLA-LIGHTINGSHADES%5D&g clid=Cj0KCQjw1 PSDBhDbARIsA

Lily Geometric Easy Fit Pendant Grey –E27 Bulb – 420lm

N/A Matte £28

Location Code Item Material / Lighting Type Size Quantity Manufacturer Detail / Website Manufacturer Item name / Bulb Type + Lumens

Manufacturer Code Finish / Colour Price Image

PeTqrclxB2bKa Zdu6qE4DDVQ ddwS4abWYtD Vs58Ge1qEXPp wryllkBxzLgaAjr 4EALw_wcB&gc lsrc=aw.ds

Furniture & Equipment / Sanitary

Ground

ie-3-seater-sofachalk-grey

Ground Floor / Waiting Area / Interventio n Area

20MM – Beech Wooden Base

X900MM – 400MM HEIGHT

3 Stone Butterfly Interiorshttps://www.pa shclassics.com/no guchi-tribecacoffee-tableoak.html?gclid= Cj0KCQjw4ImE BhDFARIsAGOT Mj4oCx03mQE_eE aKdMHU80_YB VZx3XUdLAd1Y KFD6wbNUMR F3oubYUaAsITE ALw_wcB

Ground Floor / Waiting Area / Interventio n Area

Bearsoft

810

Sofologyhttps://www.sof ology.co.uk/sofa s/nest?category =fabric&code=S KU000681146&s oshp=true&gcli d=Cj0KCQjw4I mEBhDFARIsA GOTMj9DalrdO KNQz3ZHYFvP1 Q7F9jlqekzwud JcvRRwC69bUS -

The Sofology Nest In Malham Dove Grey N/A Off White £499

Lottie 3-seater sofa, Chalk grey SOFLTT010G RY-UK Chalk Grey £449

Noguchi Coffee Table SKU#NoguchiCo ffeeTable Clear Glass £273

Ground Floor / Reception Area

Ground Floor / Café

MrMnBXoEaAlA _EALw_wcB&gc lsrc=aw.ds

F4 Grey Office Chair Light Grey Fabric 500MMX 500MM 2 Lakeland Furniturehttps://www.lak elandfurniture.co.uk/ oblek-officegrey

Oblek Office Chair Light Grey Fabric SKUOC5079 Grey Fabric –Chrome Frame Finish

£139.99

Ground Floor / Café

F5 Black Round Table

MDF 1000MM X1000M M

–

F6

Solid

5 Wayfairhttps://www.wa yfair.co.uk/furnit ure/pdp/zipcod e-designaustrale-diningtablevtdg1312.html?p iid=40630733

Australe Dining Table N/A Black Laminat e

£193.99

450x500 mm 10 Wayfairhttps://www.go ogle.com/searc h?q=wooden+di ning+chair&biw =1536&bih=754& tbm=shop&sxsrf =ALeKk00mFVl n6nfREW98cas EkbBtbRHoeQ %3A16191859624 94&ei=KtGCYOX VHZGbgQaC1a GgDw&oq=woo den+dining+ch air&gs_lcp=Cgt wcm9kdWN0cy 1jYxADUABYAG BLaABwAHgAg AEAiAEAkgEA mAEA&sclient= productscc&ved=0ahUK EwjlkvrgwZTwA hWRTcAKHYJq CPQQ4dUDCA w&uact=5#spd= 15535553830212 027786

Norte Solid Wood Dining Chair N/A Oak Brushed & Lacquer ed

£169.99

Wood Dining Chair

Wood

Oak

Ground Floor / Café

F7

Ground

F8

Ground

F9

420MMX 420MM 3 La Maison Chichttps://www.lamaisonchic.co.uk/item/ metalindustrial-largesteelstool/?dTribesI D=ed958c8047 0f00b19980d85 eb24094d5%7C adtribes%7C249 41&utm_source =Google%20Sh opping&utm_ca mpaign=Copy% 20google%20ad s&utm_mediu m=cpc&utm_te rm=24941

UKhttps://www.dis abled-toiletsuk.co.uk/dtuk14 -pro-closecoupleddisabled-toiletdoc-m-pack149p.asp?_=&varian tid=348

230MMX 99MM 1 Blow Motionhttps://www.blo wmotion.co.uk/ product/jetbladeelite/?gclid=Cj0 KCQjw4ImEBh DFARIsAGOTMj _Zp3TZLD4uMf svmvzXjtJgtTId gTO_5WnALqh ePCTzEZoxOC mefnoaAlyjEAL w_wcB

Jet Blade Super Pro, UV-C High Speed Dryer

N/A Brushed

Metal Steel Bar Stool Steel

Industrial Style Metal Large steel bar stool 24941 Top layer lacquere d

£48.99

Floor / Disabled Toilet

Disabled toilet pack Stainless Steel N/A 1 Disabled Toilets

DTUK14 PRO CLOSED COUPLED DISABLED TOILET DOC M PACK

DTUK14 Brushed Stainless Steel

£495

Floor / Disabled Toilet

Hand Dryer Steel

Steel £264

Ground Floor / Kitchen

F10

Manufactured Wood & Steel 1780MMX 340MM 1 Wayfairhttps://www.wa yfair.co.uk/furnit ure/pdp/willisto n-forgewenlockbookcaseu001749274.ht ml?piid=

Wenlock Bookcase U001749274 Brushed

£142.99

Ground

F11

Stainless Steel 995MMX 600MM 1 John Lewis and Partnershttps://www.joh nlewis.com/joh n-lewispartnersjlrcss120-dualfuel-rangecookerstainlesssteel/p4151413?s ku=238121381&

F12

Stainless Steel 950MMX1 50MM 1 VictoriaPlumhttps://victoriap lum.com/produ ct/leisureeurolinereversiblestainless-steel15-bowlkitchen-sinkand-schonburgh-tap

Leisure Euroline Reversible Stainless Steel 1.5 bowl kitchen sink and schon burgh tap

Ground

F13

Stainless Steel 600MMX 675MM 1 Curryshttps://www.cur rys.co.uk/gbuk/ householdappliances/refri geration/fridgefreezers/kenwo od-knf60x19-6040-fridgefreezer-silver10189500pdt.html?istCo mpanyId=bec25 c7e-cbcd-460d81d5-

Open Shelving Unit

Steel and Lacquer ed Wood

Floor / Kitchen

Stainless Steel Oven Cooker

Dual Fuel Range Cooker Stainless Steel

N/A Brushed Stainless Steel

£1,999

Ground Floor / Kitchen

Stainless Steel Sink Set

LEISNKTPK0 08 Stainless Steel £99.99

Floor / Kitchen

Fridge Freezer

Kenwood Fridge Freezer Silver 260751 Stainless Steel £279

Signage Elements

Ground Floor / First Floor / Second Floor

SG1 Black steel aluminium sheet

Black steel aluminium 600MMX 600MM3MM THICKNE SS

a25372d2e3d7&i stFeedId=2f489 429-2329-4fcd941aa6a497a10e1d&i stItemId=watxt aamp&istBid=t

Ground Floor / First Floor / Second Floor

SG2 Green LED Strip Dimmable

20 RS Onlinehttps://uk.rsonline.com/web /p/metalsheets/7781692/

Black aluminium sheet Suitable for cladding Fascia Panels

778-1692 Black £21.79

Ground Floor / First Floor / Second Floor

SG3 40MM SET OF METAL STENCILS LETTERS

PVC 18MMX11 MM 25 Ledkiahttps://www.led kia.com/uk/buy -flexible-ledneon-toscale/68801green-220v-ac120-ledm-neonled-stripdimmable.html ?

Steel 40MM 2 Zorohttps://www.zor o.co.uk/shop/ha ndtools/stencils/4 0mm-set-of-26steel-stencilletters/p/ZT1003 164X?utm_sour ce=google&utm _campaign=pla %2B%7C%2BHa nd%20Tools&ut m_term=ZT1003 164X&utm_med ium=pla_css_1&t argetid=pla-

Green 220V neon LED Strip Dimmable 68801 Green £17.99

40MM STEEL STENCIL LETTERS ZT1003164X Metal £16.99

Location Code Item Material Size Quantity

Manufacturer Detail / Website Manufacturer Item name

Manufacturer Code Finish / Colour Price Image

392537479666&l oc_physical_ms =1007247&dev= c&gclid=Cj0KC Qjw4ImEBhDF ARIsAGOTMj80 d0HwuqVebVio NluB0_3Etuh4hbqYd2v LWqCW8ECEo YIj85lhm8aAstb EALw_wcB Ground

ay.co.uk/itm/231 971571060?chn= ps&mkevt=1&m kcid=28

Illuminated 3D Acrylic

Joinery

https://www.wic kes.co.uk/Wicke s-GeneralPurpose-OSB-3Board 18mmx-606mm-x1220mm/p/1834

First Floor J2 Heavy duty Chrome Post

Ground Floor / First Floor / Second Floor

Steel 1800MM 10 Direct shop fittingshttps://www.dir ectshopfittings. co.uk/r914-72heavy-dutychrome-posth1830mm/

J3 MDF Boards MDF 2440MM X 1220MM 18MM THICKNE SS

30 Wickeshttps://www.wic kes.co.uk/Wicke s-GeneralPurpose-MDFBoard 9mmx-1220mm-x2440mm/p/1108 20?utm_source =google&utm_ medium=cpc&a dpos=&scid=scp lp110820&sc_inti d=110820

Heavy duty chrome pole 505366127353 0

Chrome £9.56

General purpose MDF Board 110820 Unfinish ed £18.50

Ground Floor / First Floor /

J4 Solid Oak Counterto p

Oak 2000MM X620MM – 40MM THICKNE SS

2 Worktop Expresshttps://www.wo rktopexpress.co.uk/w ood_worktops/o ak_worktops.ht ml

Oak worktops N/A Primed £135

Ground Floor / First Floor

J5 Hardwood Plywood Plywood 2400MM X 1220MM –18MM THICKNE SS

8 Builders Marketplacehttps://www.bui ldersmerchant. com/product/15 mm-wbphardwoodplywood/?attrib ute_pa_sheetsize=4ft-x-4ft1220mm-x1220mm

Hardwood

Ground Floor / First Floor

J6 Flexible Plywood Plywood Birch 610MMX6 10MM –5MM THICKNE SS

12 Builders Marketplacehttps://www.bui ldersmerchant. com/product/fl exible-plywoodlong-grain5mm/?attribute _pa_sheetsize=8ft-x-4ft2440mm-x1220mm

Flexible Plywood Long grain 5MM

FLPLG5MM8X 4 Unfinish ed £5.36

Plywood –18MM HPW18MM8X 4 Unfinish ed £36.44

CONCLUSION

The design and construction phase has now finished - does the intervention of creating an innovative design hub with social and working spaces benefit the adaptive reuse of the site as well as contributing towards the environment?

Unit 1 Albion Street has become unoccupied for a while and through my initial research on sustainability with the helps of books such as "The Environmental Brief", "Designing for hope" and Biophillic Design" - I have gained a deeper understanding of how design affects all of us. I thought to myself what better way to contrubute to the environment and society if I propose a space where the design community and sustainability meet together and form as Ecodraft. It will benefit the cause as new ideas and concepts in tackling issues such as water wastage, material waste and energy consumption.

Solutions include - A recycling point that encourages reuse for projects, sourcing materials from eco friendly companies such as Egger and a intervention exhibit that showcases how harvested rainwater can be used in a positive way.

I also proposed additional ideas in order to push this agenda of helping the environment. This includes creating an eco friendly branding pack that donates a percentage of its purchase to charities that help tackle environmental problems as well as planting vegetation on the exterior of the building.

The interior space also reflects green design as detailed from the material selection and various influences from the nature's shape, texture and form.

A summary of what interventions were implemented:

1. A social and working space for design creatives specialising in Architecture and Interior Design

2.Use and inspiration from green / sustainable design

3.Include recycling point to encourage reuse

4.Create an income by installing short term rented offices and a Digital Design Hub

To conclude, this project enabled me to conceptualise, design and construct an interior space by creating a brand that helps contribute towards the environment by implementing sustainable design strategies. Through the space a design community has formed that crafts projects with sustainability in mind.

INITIAL PROJECT STATEMENT

“An innovative design hub that enables Interior Designers and Architects to explore and craft sustainable / regenerative design solutions in the form of small projects in order to demonstrate the power of design and how it can help contribute towards the environment . The space offers social areas such as a Cafe and a the Mini Regenrative Intervention. Small offices for designers to rent on a short term basis will also be integrated within the space as well as resource facilities.”

FIGURE 237: ECODRAFT ENTRANCE (ROSALES,2021)

FIGURE 238: ECODRAFT RESOURCES CENTRE (ROSALES,2021)

FIGURE 239: ECODRAFT DIGITAL DESIGN HUB (ROSALES,2021)

DOES THE PROPOSED INTERVENTION - WITH ITS USE OF SUSTAINABLE AND REGENRATIVE STRATEGIES HELP MAKE AN IMPACT ON THE ENVIRONMENT THROUGH THE USE OF DESIGN?

FIGURES / BIBLIOGRAPHY

F - REFERS TO FIGURE # - REFERS TO FIGURE NUMBER E.G F1 = FIGURE

F1: DIAGRAM - MADE USING MICROSOFT WORD [IMAGE]

F2: http://www.visitoruk.com/Derby/derby-ram-statue-I2176.html [IMAGE]

F3: https://www.fhp.co.uk/properties/unit-1-albion-street [IMAGE]

F4: https://www.derbytelegraph.co.uk/news/nostalgia/you-remember-derby-town-centre-2344824 [IMAGE]

F5: IMAGE MADE BY ROSALES, 2021 [IMAGE]

F6: IMAGE MADE BY ROSALES, 2021 [IMAGE]

F7: IMAGE MADE BY ROSALES, 2021 [IMAGE]

F8: DIAGRAM - MADE USING MICROSOFT WORD [IMAGE]

F9: DIAGRAM - MADE USING MICROSOFT WORD [IMAGE]

F10:DIAGRAM - MADE USING MICROSOFT WORD [IMAGE]

F11: DIAGRAM - MADE USING MICROSOFT WORD [IMAGE]

F12: DIAGRAM - MADE USING MICROSOFT WORD [IMAGE]

F13: https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1347346980l/3283333.jpg [IMAGE]

F14: https://www.goodreads.com/book/show/22576313-designing-for-hope?ac=1&from_search=true&qid=AbzdDMXe1D&rank=1 [IMAGE]

F15: https://www.goodreads.com/book/show/2699577-biophilic-design [IMAGE]

F16: https://www.archdaily.com/952664/wow-lieven-cultural-hub-atelier-carloalberto [IMAGE]

F17-20: https://www.archdaily.com/952664/wow-lieven-cultural-hub-atelier-carloalberto [IMAGE]

F21-23: https://officesnapshots.com/2019/03/04/smart-dubai-offices-dubai/ [IMAGE]

F24-F29: https://www.archdaily.com/42581/banq-office-da [IMAGE]

F30-F33: https://www.google.com/maps [IMAGE]

F34-37: IMAGE TAKEN BY ROSALES, 2021

F38-F40: IMAGE MADE BY ROSALES, 2021

F41-F43: DIAGRAM - MADE USING MICROSOFT WORD [IMAGE]

F44: PIE CHART MADE BY ROSALES, 2021

F45-F51: IMAGE MADE BY ROSALES, 2021

F52: https://www.contemporist.com/dramatic-sculptural-art-installation-travels-from-inside-to-outside-at-this-restaurant/ [IMAGE]

F53: https://www.hollowaysofludlow.com/shop/lighting/bathroom-lighting/recessed_bathroom_spotlights/Trimless_round_recessed_bathroom_ceiling_light [IMAGE]

F54: https://i.pinimg.com/564x/6e/07/d0/6e07d0e8e27ba9590f3c0b93635f215f.jpg [IMAGE]

F55: https://www.archdaily.com/914346/hayball-sydney-studio-hayball-plus-bettina-steffens/5ca501a2284dd1386f000003-hayball-sydney-studio-hayball-plus-bettina-steffens-image?next_project=no [IMAGE]

F56: https://www.architonic.com/en/product/jo-a-curve-wood-and-steel-a-livre-ouvert/1487480 [IMAGE]

F57: https://cloudberryliving.co.uk/?___SID=U [IMAGE]

F58: https://frustratedgardener.com/category/planting-design/ [IMAGE]

F59: https://dfordesign.style/blog/how-to-bring-biophilic-design-into-restaurants [IMAGE]

F60: https://naturalesmentes.tumblr.com/image/70912780500 [IMAGE]

F62: https://www.artfulhome.com/product/Color-Photograph/Hosta-Leaves-11/73342 [IMAGE]

F61: https://www.flickr.com/photos/cleverkey/sets/72157620900641443/ [IMAGE]

F63: https://www.pinterest.co.uk/princerrrr/pins/ [IMAGE]

F64: https://www.dreamstime.com/texture-osb-oriented-strand-board-background-image195856664 [IMAGE]

F65: https://www.pinterest.co.uk/pin/347621664971690026/ [IMAGE]

F66: https://www.indmetalstrap.com/recycled-steel-mill-waste-power-jet-fuel/scratched-metal-texture-3/ [IMAGE]

F67-68: https://www.architecture.com/knowledge-and-resources/resources-landing-page/riba-plan-of-work [IMAGE]

F69 - https://www.egger.com/shop/en_IE/interior/decor-detail/H3368_9 [IMAGE]

F70 - https://www.pantone.com/uk/en/color-finder/18-0601-TPX [IMAGE]

F71 - https://www.sciencedaily.com/releases/2016/08/160815185610.htm [IMAGE]

F72 - https://www.victorianplumbing.co.uk/victoria-beveled-edge-metro-gloss-white-wall-tiles-20-x-10cm-pack-of-50?campaign=googlebase&pagetype=shopping [IMAGE]

F73 - https://www.pinterest.co.kr/pin/392798398740962711/ [IMAGE]

F74 - https://in.pinterest.com/pin/105693922494148900/ [IMAGE]

F75 - https://www.directwoodflooring.co.uk/espresso-oak-brushed-lacquered-solid-wood-flooring.html?utm_source=google_shopping&gclid=CjwKCAjw7diEBhB-EiwAskVi140QXkozCi7UQg9ui0ahQodfFY0-0FrmXX66Pgqhjv5QeUqCqns5ohoCBy0QAvD_BwE [IMAGE]

F76 - https://www.dctuk.com/carpet-tiles/heckmondwike/supacord/steel-grey [IMAGE]

F77 - https://www.findmeafloor.co.uk/kronoswiss-grand-selection-oak-camel-d4194 [IMAGE]

F78 - https://www.royalgrass.com/products/royal-grass-ecosense [IMAGE]

F79 - https://www.diy.com/departments/cirque-black-matt-plain-stone-effect-ceramic-floor-tile-pack-of-9-l-333mm-w-333mm/161765_BQ.prd?storeId=1354 [IMAGE]

F80 - https://www.best4flooring.co.uk/metallic-stone-effect-sheet-vinyl-flooring-concrete-nickel [IMAGE]

F81 - https://arktura.com/product/atmosphera-analog-3d/ [IMAGE]

F82 - https://www.ostermann.eu/en_GB/product/egger-h3766-st29-dark-brown-cape-elm-ostermann-wooden-structure [IMAGE]

F83 - https://www.worktop-express.co.uk/wood_worktops/oak_worktops.html?gclid=CjwKCAjw7diEBhB-EiwAskVi1zISS5WbP6Gm5jvqDpoOwLKmoiYn5xZGqxfY3Zpen27buOX6DLe57xoClR0QAvD_BwE [IMAGE]

F84 - https://www.myfabrics.co.uk/170-dilja-18_upholstery-fabric-dilja-dark-grey.html [IMAGE]

F85 - https://www.building-supplies-online.co.uk/sterling-osb-3-board-9mm-x-2440mm-x-1220mm.html [IMAGE]

F86 - https://www.istockphoto.com/photo/brushed-metal-texture-gm183803298-16144316 [IMAGE]

F87 - F90: IMAGE MADE BY ROSALES, 2021

F91 - https://webaim.org/ [IMAGE]

F92 - https://www.turbosquid.com/3d-models/3d-old-warehouse-model/669009 [IMAGE]

F93 - F140: IMAGE MADE BY ROSALES, 2021

F141 - https://www.behance.net/gallery/14432447/DELL-Cork-Ireland [IMAGE]

F142 - https://www.homedit.com/nature-materials-for-interiors/ [IMAGE]

F143 - https://bcltimberprojects.co.uk/ [IMAGE]

F144-145: IMAGE MADE BY ROSALES, 2021

F146 - https://allprorev.com/artificial-grass-carpets/ [IMAGE]

F147 - https://www.dabusarquitetura.com.br/site/arquitetura-corporativa/planik-190320140305.html [IMAGE]

F148 - https://www.iconiclights.co.uk/sheridan-steampunk-electric-pendant-with-clear-glass-shade [IMAGE]

F149-150: IMAGE MADE BY ROSALES, 2021

F151- https://www.furniturechoice.co.uk/modern-vs-country/?epik=dj0yjnu9tupuzjkwzuvrv01vy0nsohvju1jqn3nvd2hyckzzqnqmcd0wjm49dfdddv9imfpvm0dzbhi4rhozbtnqzyz0pufbqufbr0nxcdg0 [IMAGE]

F152 - https://www.next125.com/de/entdecken/verstauen-sortieren/#c3606 [IMAGE]

F153 - https://www.pinterest.co.uk/princerrrr/pins/ [IMAGE]

F154-155 - IMAGE MADE BY ROSALES, 2021

F156 - https://dfordesign.style/blog/how-to-bring-biophilic-design-into-restaurants [IMAGE]

F157 - https://www.wayfair.com/decor-pillows/sb0/faux-plants-c477259.html?redir_sku=CHRL1397&utm_source=pinterest&utm_medium=social [IMAGE]

F158 - https://www.pinterest.co.uk/princerrrr/pins/ [IMAGE]

F159-160 - IMAGE MADE BY ROSALES, 2021

F161 - https://www.pinterest.co.uk/princerrrr/pins/ [IMAGE]

F162 - https://www.trendhunter.com/trends/montreal-bakery [IMAGE]

F163 - https://www.westelm.co.uk/finley-low-back-dining-chair-h2915?quantity=1&attribute_1=Distressed+Velvet%2C+Light+Taupe&attribute_2=Light+Bronze+Legs [IMAGE]

F164-166 - IMAGE MADE BY ROSALES, 2021

F167 - https://i.pinimg.com/originals/6b/c0/a1/6bc0a13ced37fb413848b194dbd9e6dd.jpg [IMAGE]

F168 - https://www.behance.net/gallery/10876375/North-Audley-Bespoke-Staircase [IMAGE]

F169 - https://www.rimlarstaircases.com.au/online-showroom/glass [IMAGE]

F170-171 - IMAGE MADE BY ROSALES, 2021

F172 - https://www.shutterstock.com/search/curly+fern [IMAGE]

F173 - https://materialconnexion.com/ [IMAGE]

F174 - https://i.pinimg.com/750x/cd/57/7f/cd577f5c86eea5d4c1d06f584f2243f4.jpg [IMAGE]

F175-176:IMAGE MADE BY ROSALES, 2021

F177 - https://www.dezeen.com/2018/01/29/vank-wall-boxes-soundproof-pods-private-workspaces-open-plan-offices/ [IMAGE]

F178 - https://www.stainlesssteelletters.co.uk/3d-letters/ [IMAGE]

F179 - https://www.pinterest.co.uk/pin/536209899391542512/ [IMAGE]

F180-181: IMAGE MADE BY ROSALES, 2021 [IMAGE]

F182 - http://nomadesign.co/third-love [IMAGE]

F183 - https://www.mooredesign.fr/produit/cabine-acoustique-framery-q/ [IMAGE]

F184 - https://www.etsy.com/uk/listing/570437785/monkey-pod-slab-table-top-with-art-metal?epik=dj0yJnU9S0tfUHMyTk5yUXBqc2VjeTlSUkp2ZnJnSUZYT1FZZkkmcD0wJm49N1d-

3TENKMktKNTdQVnIwY3BPNnBJUSZ0PUFBQUFBR0NXdDhN [IMAGE]

F187 - https://thelovelydrawer.com/boutique-hotel-escape-for-my-30th/#_a5y_p=6447556

F188 - https://www.pinterest.co.uk/princerrrr/pins/

F189 - https://www.thelightlab.com/project/bespoke-office-glowform-shapes/

F90-91 - IMAGE MADE BY ROSALES, 2021

F192 - https://www.oeelectrics.co.uk/2018/02/podium/

F193 - https://www.beddeleem.be/producten/jb-4000-steel-line

F194 - https://www.pinterest.co.uk/pin/536209899391542584/

F195-196 - IMAGE MADE BY ROSALES, 2021

F197 - https://www.thedesignchaser.com/2020/02/stockholm-design-week-sculptors.html

F198 - https://www.christeneholderhome.com/home-tour-office/

F199 - https://www.vivadecora.com.br/revista/escritorio-planejado/amp/

F200-201 - IMAGE MADE BY ROSALES, 2021

F202 - http://www.dcwdesign.com/gap/

F203 - https://www.dezeen.com/2018/10/05/work-co-portland-office-collaborative-workspace-casework/ F204 - https://i.pinimg.com/originals/8b/ef/dc/8befdc797737da3195e80eaf6457778f.jpg

F205 - 206: IMAGE MADE BY ROSALES, 2021

F207 - https://appadvice.com/appnn/2010/06/ipad-wall-mount-designer-treatment

F208 - https://www.pinterest.co.uk/pin/536209899391542701/

F209 - https://www.theglobeandmail.com/business/industry-news/property-report/article-what-happens-when-architects-design-their-own-studio/#c-image-8

F210-211 - IMAGE MADE BY ROSALES, 2021

F212 - https://www.stocksy.com/251652/business-desk

F213 - https://www.archdaily.com/914346/hayball-sydney-studio-hayball-plus-bettina-steffens/5ca501a2284dd1386f000003-hayball-sydney-studio-hayball-plus-bettina-steffens-image?next_project=no

F214 - https://i.pinimg.com/originals/75/bb/7a/75bb7ad43a5ce65090276c92d976f863.jpg

F215-216 - IMAGE MADE BY ROSALES, 2021

F217 - https://www.apartmenttherapy.com/how-to-turn-old-door-knobs-int-160894

F218 - https://www.pinterest.co.uk/princerrrr/pins/ F219 - https://www.poubelledirect.com/shop/kuokio-multi-stream-recycling-bin-exterior-areas

F220-F221 - IMAGE MADE BY ROSALES, 2021

F222- https://www.behance.net/gallery/79723147/Stylish-Paris-office?tracking_source=for_you_activity F223 - https://www.holmrisb8.com/

F224 - https://www.pinterest.co.uk/princerrrr/pins/

F225-226- IMAGE MADE BY ROSALES, 2021

F227 - https://lsleofskye.tumblr.com/image/169672838007

F228 - http://www.sign-here.co.uk/sign-makers-metal-illuminated-sign/ F229 - https://georgiareclaimed.com/barnwood-accent-wall/ F230-F239 - IMAGE MADE BY ROSALES, 2021

REFERENCES

Hyde,Watson,Cheshire.(2007) The Environmental Brief: Pathways for Green Design, Taylor & Francis

Hes, Plessis.(2014) Designing for Hope: Pathways to Regenerative Sustainability, Routledge

Kellert, Heerwagen, Mador(2008) Biophilic Design: The Theory, Science and Practice of Brining Buildings to Life, Wiley

Archdaily(2020)WOWLievenCulturalHub Available at: https://www.archdaily.com/952664/wow-lieven-cultural-hub-atelier-carloalberto(Accessed 09/05/2021)

Officesnapshots(2017)SmartDubaiOffices Available at: https://officesnapshots.com/2019/03/04/smart-dubai-offices-dubai/ (Accessed 09/05/2021)

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