PORTFOLIO
PRANAV VOHRA
FURNITURE AND INTERIOR DESIGN
AHMEDABAD, INDIA
GLS INSTITUTE OF DESIGN 2020-2024
My name is Pranav Vohra and I am a 21-year-old student of furniture and interior design at GLS Institute of Design Ahmedabad Gujarat. I am currently in my third year.
Working across the domains of industrial design, and interior design has helped me understand objects, spaces, and people from multiple scales, allowing me to place those ideologies within my design thinking.
I would like to develop my knowledge further with the help of this opportunity in your company. I would like to immerse myself more deeply in this profession and concentrate on the implementation of the projects. I work best in creative areas, which makes me motivated, ambitious, and hard-working. My broad and multifaceted design education and open mindset make me ideal to work in an intercultural environment. I hope my achievements fit the company’s expectations.
Please see my projects on the following pages.
EDUCATION
2020-2024
B. Des ( Enviroment & Space Design)
GLS Institute of Design, Ahmedabad, India
Pranav Vohra
Furniture & Interior Designer
I’m an designer who love to work with different dimensions and keen in exploring the limits of a material and achieve what best is possible.
Working across the domains of industrial design, and interior design has helped me understand objects, spaces, and people from multiple scales, allowing me to place those ideologies within my design thinking.
Contact Vohrapranav123@gmail.com
+919328265074
Instagram.in/ prannavvohra26
Address Shillalekh, Shahibaugh 380004, Ahmedabad, Gujarat
DESIGN SKILLS
01 Computer
Autodesk AutoCAD
MY SPECIALITIES
02 Knowledge
Material Experimentation
2019
CBSE
Udgam School for Children, Ahmedabad, India
OTHER INFORMATION
01 Language skills
02 Other
Sketchup
Rhinoceros
Grasshopper
Lumion
Adobe Photoshop
Adobe inDesign
Photography, Music
Football, Movies
Metal Working
Basic Woodworking
Prototypi
Human-centric Studies
Design Thinking
Emotional, Critical Reserch
Photo-documentation
WORK EXPERIENCE
2023 Furniture Design ( Self intiative )
Furniture Design Concept Creation Visual Design
Hindi
Mother language English Natural proficiency
Cuisine, Cooking ,Travels
Puzzles and challanges
Client: Bhavna Thakkar, Ahmedabad
Beena Sharma, Mumbai
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PROJECT INFO
MADE
PROJECT MATERIALS
DIMENSIONS
SURFACE TREATEMENT
indhi
2021. GLSID
Folding Glasswood chair
Teak wood & Fluted glass
554x480x780
Walnut stain, Melamine polish
A classic design project where had to consider a traditional technology and folding chair-type. In this case the focous was on the practice orinted towards designing and constructing. had to prepare the chair on my own at the workshop of the university, so i had to observe all the details according to my opportunities of production. it was a very instructive, complex and motivating project for me, which deepen the respect and honor for manual constructing in me.
PROJECT ABOUT
The Indhi collection is a combination between two traditional materials, wood and glass, which together create simple yet elegant and sophisticated design products. The first piece of furniture produced was the Glasswood Chair, but today the family also includes a table. The combination of the two materials is not new, but still innovative. The structural framework of all Glasswood products is formed by teak wood stained in walnut color, while the supporting function is given by fluted glass elements. The respective role of the components is visible and results in a coherent overall picture.
PROJECT INFO
MADE
PROJECT
MATERIALS
DIMENSIONS
SURFACE TREATEMENT
indhi
2023.
Folding Glasswood table
Teak wood & Fluted glass
414x406x406
Walnut stain, Melamine polish
ABOUT
Glasswood table was created to provide the ideal companion for Indhi Glasswood chair, and shares their same inspiration and material: it features a fluted glass as the top and a walnut stain framework, hinged and screw for folding.
PRODUCT CARE
We recommend using a soft rag, either dry or wet when needed and using ph-balanced especially formulated for wood, diluted in water. Do not use abrasive sponges, as they leave scratches. Avoid using acidic products, solvents and products containing ammonia.
WARNING Do not use different cleaning products from the ones mentioned above. Do not improperly use the product. Do not place hot objects on it, sit on the back, or use the product as a ladder. Once disused, please make sure this product is disposed of in an environment-friendly way.
LIGHT DESIGN
PROJECT INFO
MADE
PROJECT
MATERIALS
DIMENSIONS
SURFACE TREATEMENT
2021. GLSID
Light design
MDF, Ms sheet
200x200x200
Honey pink autopaint, Paint sealer
The main purpose of my project was to design a form that should be made solely of MDF and metal sheets. Our group wanted to create something volumetric for which we were inspired by the archimedean solids we took in the form of a truncated octahedron.
In the pattern for modern textile motifs, given the material parameter here MDF is used as square and metal as hexagon, and so to give both materials the same properties it was coated with Matelic auto paint.
ABOUT
FINISH PROCESS
2 layers of honey-pink autocoat paint.
Esdee autocoat polyerethane coating white color
Motif pattern made with diffrent head size beats.
PROJECT INFO
MADE
PROJECT
MATERIALS
TEAM WORK
PAVILLION
2022. GLSID
Our objective throughout this project was to develop a double curved structure that could be built on a 1:1 scale. In our experiments we tried various iterations i.e. , change in resin size change in resin distance and change in resin placement and Lycra form .
The experiments carried out in the project have several areas of success and failure. However, the project identified many interesting areas for further development and provided new skills. To work on such feature it is important to do detailed study and this project has given us the opportunity to develop new skills regarding form finding.
Form Generative Design
Lycra, Clear resin
ABOUT
Pranav Vohra, Shrey Patel, Rashmi Patil, Chaitanya Soni
EXPLORATIONS
CONSTANT : Shape of geometry, Thiknesss of resin.
VARIABLE : Pattern geometry, Size of material ( varying according to force applied.)
Number of circles : 10
CONSTANT : Shape of geometry, Thiknesss of resin.
VARIABLE : Pattern geometry, Size of material ( varying according to force applied.)
Repetition of arcs : 10
CONSTANT : Shape of geometry, Thiknesss of resin.
VARIABLE : Pattern geometry, Size of material ( varying according to force applied.)
Number of repetitions : 3
CONSTANT : Shape of geometry, Thiknesss of resin.
VARIABLE : Shape of geometry, Size of material ( varying according to force applied.)
Number of ellipse , offsets : 2
CONSTANT : Shape of geometry, Thiknesss of resin.
VARIABLE : Patternof geometry, Size of material ( varying according to force applied.)
Number of repetiton : 4
CONSTANT : Shape of geometry, Thiknesss of resin.
VARIABLE : Pattern geometry, Size of material ( varying according to force applied.)
Number of circles : 10
Front view Side view
Front view Side view
Front view Side view
Front view Side view
Front view Side view
Front view Side view
MODEL ASSEMBLY
CONSTANT : Shape of geometry, Thiknesss of resin.
VARIABLE : Size of material ( varying according to force applied.
Number of circles : 8
Size of the circles :
On frame size : module scale is 1: 50
Height achived : 12 cm max
Side height : 9cm and minimum height is 6 cm
On scale 1:1
Front height : 6m
Side height : 4.5m minimum side height is 3m
RADIATION ANALYSIS
Month: May
Date: May 1- May 31
Time: 10-18
Average: 3200
Month: Dec
Date: Dec 1-Dec31
Time: 10-18
Average: 2140
TOP VIEW FRONT VIEW SIDE VIEW PRESPECTIVE VIEW
FRONT ELEVATION
PLAN VIEW
TECHNICAL DRAWING
PROJECT INFO
MADE
PROJECT
MATERIALS DIMENSIONS
2022, 2023
Indhi
ABOUT:
Technical drawing of-an chair and table which is still under order base production.
WHAT I HAVE LEARNT FROM IT:
1. Patience. Even the exercises which seem less thrilling at the first glance can have challenge and excitement in their details.
2. It does not worth skipping the post-production, because that shapes it into one piece and that is how it can become a whole and enjoyable.
3. I realized that the measuring method that I was using during the drawing I can transfer it into the 3D application I can also use it during the designing.
4. Reconsidering the standard sizes, ergonomic experiments can be implemented into the own works.
Indhi Glasswood chair
Technical Drawing
( Glasswood Chair & Table M 1:1
FURNITURE AND INTERIOR DESIGN GLS INSTITUTE OF DESIGN AHMEDABAD, INDIA CONTACT: +919328265074
vohrapranav123@gmail.com Instagram.com/ pranavvohra26
PRANAV VOHRA
