Digital Portfolio

Page 1

P O R T F O L I O
FINE ART BATH SCHOOL OF ART, FILM AND MEDIA PRACHHI PATEL 451571 J U N E –S E P T ‘ 2 3
MA

Video link:

Prachhi final.mp4

My practice has developed by using the space around me to construct imaginary places of interferences, entanglements, deep voids, debris, delays, alienation, distance, and intimacy through performance. My current focus is on creating art that uses performative film as a methodology to develop a series of participatory and intersubjective engagements probing the boundary between past/present, and real/imaginary. I’m looking at the entanglement of an entity in the form of a female body from the past, creating a conversation using cultural elements like a sari and black braided hair. These ritualistic materials call for lost or absent bodies that become a block of memory in the soil. With this work, I’m also trying to talk about the ancestral memory and experiences that have been disremembered and decomposed, yet leave traces as muscle memory in our bodies.

Performative film with live performance; 8:50mins body, sari, landscape, audio, live narration, words.

Visual work shot on Nikon D850

Soundscapes were collected from archives from my grandfather’s radio and soundtracks online.

Audio was also collected from my grandmother speaking her tongue.

Sunday, August 30, 12.35 am I dreamt of her again.

She appears from a place that reminds her of the Ganga Tonight she and I sit at the ghat as a silent audience to the crackling pyre of her past From where I sit, I see the mirage of her life from the surface

Just like you

She sits there as a living archive I think she is time-traveling through you

Attached to her, is her long braid locking her presence

A sari wrapped tightly around her body

The body has now been d I s c a r d e d d e c o n s t r u c t e d into

nutrients that contain the blocks of her memory.

Golden glitches remain. gleetiches remain

G L I T C H E S
She likes F l o a t I n g in deep space through Columns dead building crevices on the shore Looking for other (B-O-D-I-E-S) to transfuse||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||merge To come back to life to tell her stories.

Her tongue sounds slow|opaque

DIS

-remembered

-imagined a secret language

DECOMPOSING into matter that will feed history to another body DECAYING

bodymakingbreaking integrating.

She listens to the songs from my grandfather’s radio Can she Still, hear the echoes of her presence?????

C-L-O-G-G-I-N-G

AMPLIFYINGAMPLIFYINGAMPLIF YINGAMLIFYINGAMPLIFYING in circles circles

She is moving through lost time, to recover the present ToReincarnate Demonstrate Transform her non-determined past

Your past, my past, our past

she keeps disappearing into two worlds, several places trying to contact you, I, me, us, them with her jelly-like cells trying to become another body your body, my body our bodies

Wet collective bodies

B – O – D – I – E – S intertwined

Interdependent \ dependent \ independent

She finally speaks in her post-humous voice, ancient feminine knowledge

“Hold me close, because my absence is yours, theirs, our fictional presence.”

A cosmic end.

end.

Audio link: audio body.mp4

my muted tongue attached to my absent body.

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