PORTFOLIO.
ANGELIKA
SELECTED WORKS. 2023
Curriculum Vitae
Hello, I am
Angelika Welcome to my curated collection of journeys into understanding and creating meaningful architectural spaces that inspire and enhance human experience. Lived in Jakarta and started my architecture journey by applying bachelor’s degree in Architecture at Binus University. During my studies, I had a deep passion for innovative experimental design in tropical architecture. Through the experience gained from numerous competitions and internship programs, I developed my creative thinking and problem-solving skills as a team player. As a recent architecture graduate who is eager to learn and improve, I look forward to bringing my creativity and experience to the teams.
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2023
Information
Publication and Speaker
Born Address
11 December 2000 Jakarta, Indonesia
2023
Email Phone
angelikariyanto@gmail.com +628111751597
Final Projects TGA 45 curated by Binus University Architecture Department on Youtube and Official website Athnasious: Mourning Facility SSEARCH Episode 13: The Mind Behind 4 Star Resort Hotel by HIMARS Binus University as Event Speaker.
2022
Instagram angelikariyanto Linkedin angelika angelika
Education
Organisation Experience
Bachelor of Architecture Binus University, Indonesia
2019 - 2023
Had Minor in Interior Design with GPA 3.67/4.00.
Designed and publication.
Got Certificated of Completion Autodesk Certified Professional Revit for Architectural Design Exam Prep by Coursera and Autodesk. Issued date Dec 2021.
2022 - 2023 (1 yrs)
Involved in various private/ public residential project by assisted senior architect in the preparation of architectural drawings from proposal design phase to construction phase. Directly involved in discussion meeting with multidisciplinary teams, pitching ideas with potential client, and monitoring on-built design project progress on-field.
(2 mo)
2020 - now
Expert in SketchUp, Autodesk Autocad, Enscape, Adobe Photoshop, and Microsoft Tools. Proficient in Autodesk Revit, Lumion, Adobe Indesign, and Adobe Premiere. in
Archicad
and
Adobe
Language Indonesian English Chinese
2020 - 2021
Inventory Staff Klifonara, Indonesia
(11 mo)
Designed organisation merchandise design and handled the packaging process.
Design Division Staff Klifonara NARASI: The Language of The Soul 2020, Indonesia
2021 (2 mo)
2020 (7 mo)
Collaborated with the technical team in designing online exhibition space arrangements. Designed event social publications and event merchandise.
Achievement Outstanding Design on Retreat 2021 - Now for The Blind Iceland International Competition by Larsen Liverpool. 1st Place of ‘SPASIAL 2022’ Interior Design Competition by Universitas ITS
Skill
Intermediate Illustrator.
2021
(11 mo)
Led the games event introduction and closing process with the team division.
Assisted intructor in conducting pre-employment design training for public, including giving training introduction closing and documenting training process or QnA session.
Designed and proposed residential project ideas from interior and exterior private house. Collaborated and coordinated with contractors in developing design.
social
Event Division Staff Klifonara Outing 2021, Indonesia
2020
Architectural Designer Freelance
(7 mo)
organisation
Planned and handled cooperation letters for external competition jury and open judging competition process. Designed the Competitions TOR about temporary natural disaster shelters.
Professional Experience
Instructor Assistant Binus Center, Indonesia
arranged
2021 - 2022
Competition Division Staff HIMARS Binus University, Indonesia
Got Certificate of Completion Archicad Basic Skills by GRAPHISOFT. Issued date on Dec 2020.
Intern Architect RAD+ar, Indonesia
Design Staff Help A Hand, Indonesia
Native profeciency Professonal profeciency Beginner profeciency
2nd Place of ‘AKSitektur 2022 Competition: Along The Seaside’ Design Competition by Universitas Trisakti. Finalist Design of ‘Vastufest Architectural Competition 2022: The Shape of Nature’ Design Competition by Universitas AMIKOM Yogyakarta SIWA Performing Competition Entry Community.
Oasis International by Young Architect
+6 others architecture competitions
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List of Contents
List of Contents
Curriculum Vitae
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List of Selected Projects
pg.
The Sanctuary Garden
Professional Project
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6
The Water’s Edge
pg.
Competition Project
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pg.
Marianne: Kamal Muara
Competition Project
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2023
pg.46 26 pg.36 pg.42 Athnasious: Tropical Sakeena Paddington Mourning Sea Apartment Apartment Facility Hotel pg.
Academic Project
Academic Project
Competition Project
Freelance Project
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The Sanctuary Garden
The Sanctuary Garden Internship Project // RAD+ar
Team project - Antonius Richard R., Partogi Pandiangan, Martha Paramitha M., and Angelika I was actively involved in concept design, design development, tender design, technical drawings, and render visualization process. In this project, I utilized Sketchup, Autodesk Autocad, Enscape, Lumion, Adobe Photoshop, and Microsoft Powerpoint.
Building Information Type Private Residential Building, Private Villa Site Bogor Cigombong, West Java, Indonesia Area ±1000 sqm Year 2022 - 2023 (on-going construction)
An everchanging experience that involves nature as the true key player in whole architecture, one-of-akind architecture that can bring up a sense of solace and peace to the users. Exploring the tranquil retreat landscape of Bogor Cigombong, where private villas seamlessly blend with nature’s beauty. A harmonious coexistence with the natural landscape and its various greenery creates a perfect escape from bustling urban life. Maintaining a delicate balance between urban expansion and preserving the most essential natural environment, the architectural space is encapsulated within a row of arched gates. The design preserves the building’s aesthetics while addressing the delicate balance. The repetition and strategic spacing between arched gates create an array of elemental yet restful and modest spaces, inviting users to explore each available space one by one.
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2022 - 2023
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The Sanctuary Garden
Background of
Bogor Cigombong Embraced by the tranquil natural landscape of Bogor Cigombong, the majority of areas serve as retreat spaces, featuring private villas or retreat houses. This locale holds great potential for a wellestablished private villa harmoniously coexisting with the natural landscape and its greenery. A perfect escape from the bustling urban life. However, with Bogor Cigombong’s unique characteristics, such as a higher percentage of rainfall and steeper terrain compared to Jakarta, have raised concerns among the local government. The topographical challenges increase the risk of frequent landslides, which emphasizes the importance of urban expansion development and its natural environment balance as primary rainfall absorption zones.
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2022 - 2023
Space connector Adding some arched gates between two separated building masses on each side of the site creates a new spatial unity and continuity within the buildings themselves.
Permeable repetition The row of arched gates not only function as a repeating spatial form and illusion, but also create an effect of architectural continuity with the surrounding landscape environment.
Landscape pattern All paths and landscape patterns are designed to penetrate the building and form thematic outdoor spaces with differenct functions and experiences according to the client preferences.
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The Sanctuary Garden
In response to the site’s limited building space allowed, introduced the idea of creating permeable building arched gates and transparent building walls to seamlessly integrate with the surrounding pine trees. The design unfolds as a dynamic interaction where nature is the true key player in shaping architecture. These arched gates serve a dual purpose, not just for aesthetic needs but also as the building’s structural elements, creating a new spatial unity. The intentional spacing between each arch creates an essential yet tranquil and modest sense of space.
Building
Longitudinal Section 10
2022 - 2023
Our design approach emphasizes simplicity and a solace ambiance, creating a spiritual experience throughout the whole area. The continuous arc-shaped roof ceiling gives a sacred atmosphere with the focal point being the Jesus Christ statue within the private chapel. The strategic combination of irregular and regular arrangements, featuring water feature stairs and natural surroundings, complements seamlessly to address the spiritual dimension of our humanity. The Grotto Virgin Mary statue stands as a focal point unifying both building masses.
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The Sanctuary Garden
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2022 - 2023
RAD+ar
Construction Progress Documentation by December 2023
Jl. Jalur 20 No.Blok 30/19, RT.8/RW.10, Meruya Utara, Kec. Kembangan, Kota Jakarta Barat, Daerah Kh u sus Ib uko ta Ja ka rta 1 1 6 2 0 telp.+62 81297266584 www.radarchitecture.net
NOTES NOTE : ON NO ACCOUNT MAY THIS DRAWING BE SCALED. ANY DISCREPANCIES IN FIGURED DIMENSIONS IS TO BE REPORTED IMMEDIATELY TO ALL PARTIES CONCERNED BEFORE COMMENCEMENT OF WORK. ALL DIMENSIONS MUST BE VERIFIED ON SITE PRIOR TO F A B R I C A T I O N .
PROJECT NAME
sanctuary garden REVISION
NOTES
OWNER
DATE
SIGN
MRS. SANDI RAHAJU
ARCHITECT
RAD+ar
Jl. Jalur 20 No.Blok 30/19, RT.8/RW.10, Meruya Utara, Kec. Kembangan, Kota Jakarta Barat, Daerah Kh u sus Ib uko ta Ja ka rta 1 1 6 2 0 telp.+62 81297266584 www.radarchitecture.net
CONTRACTOR
CIVIL & STRUCTURE
PRISCA AND TEAM MECHANICAL & ELECTRICAL
BUDI AND TEAM DRAWING PHASE
CONSTRUCTION PHASE DRAWING TYPE
TENDER DRAWING SCALE
DRAWING TITLE
MAIN DRAWINGS GROUND FLOOR PLAN PRINCIPLE
ARR
DRAWN BY
MAR
1:400
ARCHITECT
CHECKED BY
PROJECT NO.
PAR, MAR, ANG
APPROVED BY
DATE
DWG AMOUNT
REVISION NO.
RAD-001 DRAWING NO.
AR02-02
A3
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The Water’s Edge
The Water’s Edge
Retreat for The Blind Iceland Competition // Outstanding Design Team project - Angelika, Christeven Cohen, and Michael Steven I was actively involved in concept design, design development, technical drawings, and render visualization process. In this project, I utilized Sketchup, Autodesk Autocad, Enscape, Adobe Photoshop, and Adobe Illustrator.
Building Information Type Lodging, Public Space, Place-Making Site Reynisfjara Beach, Iceland Area ±9000 sqm Year 2023
Standing on the shore of the black beach of Reynisfjara, the project is part of a territorial strategy focused on the shaping of resorts for the blind. Through this mindset, the advantage of the geographical, landscape, and majestic characteristics of the beach were all intended to become a climatic project that can accommodate the needs of a resort while maintaining the special needs. Combining strong imagination with the underneath of our anthropized poetic black soils, the design harmonizes with the Reynisfjara view, blurring the boundaries between terranean and subterranean for the blind. The project prioritizes coexistence with the natural environment, juxtaposing the serene landscape with the glorious raging sea in the contrasting spatial interplay of dark and light, earth and sea, silence and rage, clarity, and obscurity, landscape and manscape, horizon and foreground at the water’s edge.
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2023
15
The Water’s Edge
Background of
Reynisfjara Beach Iceland’s distinctive geography, featuring volcanic mountain peaks, glaciers, picturesque fjords, and black sands, is depicted at Reynisfjara Beach as Iceland’s most famous and visited black volcanic beach. Located in the southern region near the small village of Vik, this iconic black volcanic beach draws visitors with its black sands, striking contrast with winter’s white snow and ice, powerful waves, and remarkable basalt formations. Despite its natural allure, Reynisfjara Beach’s extraordinary beauty remains inaccessible to those who experience vision loss.
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2023
In response to these challenges, introduced The Water’s Edge, a retreat space designed to bridge the accessibility gap allowing those with visual impairments to fully experience the sensory beauty of Reynisfjara Beach and find serenity in its unique environment. This project provides both leisure and accommodation, seamlessly connecting visitors with nature while immersing them in a world of contrast: dark and light, earth and sea, silence and fury, clarity and mystery, landscape, and architecture, horizon and foreground. Legend 1. Entry gate 2. Receptionist area 3. Beach landscape area 4. Pool deck 5. Heated swimming pool 6. Shoreline 7. Accommodation room 8. Sea viewing ramp 8 7 6
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Longitudinal Section
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The Water’s Edge
The building’s spatial layout spans along Reynisjkara Beach, thoughtfully organized to align with the sequence of activities and space programs within the retreat accommodation facility. This thoughtful layout ensures easy navigation for guests with visual impairments which allows them to fully immerse in the surrounding atmosphere.
Legend 1. Entry gate 2. Receptionist area 3. Massage area 4. Art room 5. Spa 6. Yoga 7. Heated swimming pool 8. Accommodation room Building
Ground Floor
The building is divided into two floors. The ground floor fully features with private leisure facility which exclusively accessible to prebooked guests. The upper floor features a few food and beverage refreshment areas that are accessible publicly by sea-viewing ramps, allowing visitors to enjoy the captivating panorama of Reynisjkara Beach’s seascape. Legend 1. Sea viewing ramp 2. Receptionist area 3. Massage area 4. Art room 5. Spa 6. Yoga 7. Heated swimming pool 8. FnB outdoor refreshment area Building
Upper Floor
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2023
Overall, the building is intentionally designed to offer both public and private accessibility to enjoying the natural landscape. The unique architectural structures seamlessly merge with the shoreline yet accentuate the beauty of Iceland’s iconic black beach sands. Another additional design feature added to the design is to deliberate contrast between material textures. The tractile transition from the rough black sands to the smooth and natural surfaces of materials like wooden decking or concrete and stone slabs, provides the visitor with visual impairments a clear mental map and enhances their spatial awareness. Legend 1. Spa 2. Yoga 3. Circulation area 4. Beach landscape area 5. Sea viewing ramp 6. Accommodation room 5 6
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Cross Section
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Marianne: Kamal Muara
Marianne: Kamal Muara
Along The Seaside Architecture Competition // 2nd Place Team project - Angelika and Kelvin Andrean I was actively involved in concept design, design development, technical drawings, and diagram visualization process. In this project, I utilized Sketchup, Autodesk Autocad, Lumion, Adobe Photoshop, and Adobe Illustrator.
Building Information Type Market, Public Space, Place-Making Site Kamal Muara, Jakarta, Indonesia Area ±24000 sqm Year 2022
Nature in design serves a multitude of purposes, one of which is that it provides citizens with opportunities to recover from stressful daily urban life. Architecture in the humid tropics is a form of collaboration with nature to establish a new order in which human beings may live in harmony with their surroundings. Through urban greenscape, the stress-recovering effect from nature itself can be experienced by the user Thus along the seaside, introducing brand new Kamal Muara: Tropical Fish Market as Marianne to the locals as an urban and economic generator that treats every possibility on the site as a potential iteration back to the locals. The design strategically utilizes growing aspects on both views from the waterfront and landscape to promote sustainable tropical architecture on the site. Apart from functioning as an economic generator, the added communal area in the design allures respectively local community as the part of Kamal Muara landmark, where the design surely enhances economic, cultural, and sustainable value to the local user and visitor.
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2022
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Marianne: Kamal Muara
L BUI
DIN
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Background of
Kamal Muara, Jakarta Within the dynamic and bustling urban landscape of Jakarta, Kamal Muara Fisherman’s Village stands out as a densely populated community on the North Jakarta coast. This area holds significant potential as a model of a thriving and well-developed waterfront city in the future. The majority of Kamal Muara residents are dedicated fishermen and fish sellers, whose livelihoods are deeply rooted in the traditions of their local fish market along the main roads. Their primary income depends on the nighttime fishing expeditions and the daytime sale of their catches. However, the persistent issue of Jakarta’s annual land subsidence causes increasing concern that it will threaten the long-term well-being and prosperity of the Kamal Muara community.
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2022
In response to these challenges, introduced the idea of creating a tropical fish market, Marianne, in Kamal Muara. This market acts as a catalyst for future urban coast development and economic growth to harness the hidden potential of the site as a chance to empower the local community along the North Jakarta coast. Our design approach emphasizes simplicity without distributing the existing system around the area. This building provides improved facilities for all local fish sellers while preserving their cherished or well-known traditional fishselling practices along the main roads. Legend 1. Green buffer area 2. Amphitheater 3. Stairs area 4. Dry market 5. Wet market 6. Circulation area 7. Main building access 8. Culinary stand area 9. Culinary dining area 10. Rooftop seating area 11. Rooftop garden 12. Fishermen harbour
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Building
Cross Section
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Marianne: Kamal Muara
The building’s spatial design is organized across different floor levels, blending horizontal and vertical building composition to create a less massive impression both for locals and visitors.
Rooftop area
On the ground floor, the dry and wet markets are strategically located slightly below the existing main road level, which creates a contrast to visitors’ spatial experience while buying fish and eases the fish preparation process before the sale. On the second floor, local culinary space is provided as an additional source of income for the residents of Kamal Muara. On the rooftop area, beautifully integrated greenery serves as a communal space for various activities benefiting both the locals and visitors.
Second floor
Ground floor
Overall, the building is designed intentionally to be open, seamlessly blending with the seaside and green landscape, promoting sustainable tropical architecture to the local community. Legend 1. Praying room 2. Transition area 3. Second floor entrance 4. Food stall 5. Indoor dining 6. Kitchen dining 7. Outdoor ramp 8. Wet market 9. Market indoor ramp 10. Garden 11. Garbage area 11 12. Rootop seating 13. Parking area
Building
Longitudinal Section
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2022
Not only that, the design passively encourage the local to actively use and expand the building’s potential further according to their needs. This kind of approach has become a defining characteristic of the design, where the locals themselves are the true facade and characteristic of the landmark of the Kama Muara. Another design feature added is the incorporation of green buffers to ensure a connection between the building and harbor and a strong emphasis on local identity through locally sourced material near the site. The integration of natural and warm-toned materials plays an important role in enhancing the visual allure of the Marianne, Kamal Muara fish market.
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Athnasious: Mourning Facility
Athnasious: Mourning Facility Academic Project // Final Architecture Thesis Project
Lecturer - Ar. Albertus Galih Prawata, S.T., M.Arch and Dr. Ir. Nina Nurdiani, S.T., M.T. In this project, I utilized Sketchup, Autodesk Autocad, Enscape, Adobe Photoshop, and Microsoft Powerpoint.
Building Information Type Mourning Facility, Place-Making Site Kebon Jeruk, Jakarta, Indonesia Area ±38000 sqm Year 2023
As one of the important infrastructures for the community in carrying out religious funeral rituals, mourning facilities have a complex circulation system because various types of activities occur in one place. However, the quality of circulation of bereavement facilities in the city of Jakarta is still considered poor due to the unclear orientation of circulation and this is a major problem that needs to be resolved. Experience a transformative mourning experience at the Athnasious Mourning Facility in West Jakarta. Designed to overcome the challenges of complex circulation systems with prioritizes effective and seamless wayfinding system. Situated strategically in an office zone, this 8180 sqm facility provides convenience and accessibility. With asymmetrically and symmetrically spatially floorplan awareness optimizes the visitor movement. The signage design system is located throughout the building to enhance visitor orientation. Additionally, the landmark, color scheme, and lighting design contribute to a comforting ambiance, ensuring a serene environment for all ceremonial activities.
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2023
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Athnasious: Mourning Facility
Background of
Wayfinding in Jakarta Mourning Facility
Jakarta’s mourning facilities, which include funeral houses, crematoriums, and columbariums, have been shaped by Hindu Buddhist, Catholic, Christian, and Confucian traditions that vary regions. These facilities hold a special place in the community, where mourning rituals are conducted to honor the departed. The challenge lies in the complex circulation systems within these facilities, given the multitude of activities taking place in one place. Unfortunately, the existing mourning facilities in Jakarta suffer from suboptimal circulation due to a lack of clear orientation within the premises. Even some of the well-known mourning facilities in Jakarta do not fully meet all three criteria for effective circulation, as shown in the table below.
Krematorium dan Rumah Abu Cilincing
Kolumbarium Wihara Ekayana Arama
Rumah Duka Husada Tabithaa
Rumah Duka Sentosa
Rumah Duka Jabar Agung Jelambar
Circulation Dimension
Clarity of Orientation
Usage of Circulation Elements
The lack of orientation clarity within mourning facilities can lead to intersecting paths for individuals, deceased individuals, and vehicles, which also lead to suboptimal user experience, hindering the ability to engage in mourning rituals effectively. This highlights the critical need for enhancing mourning facilities’ circulation clarity to ensure that users feel comfortable navigating themself without confusion. Previous research has revealed that wayfinding elements play an important role in simplifying complex circulation systems within mourning facility designs, acting as guiding aids to assist users and enhance orientation clarity. Based on an observational study of three mourning facilities in Jakarta, a comprehensive analysis of data related to wayfinding supporting elements was conducted. The findings reveal that, on average, four out of six wayfinding supporting factors are implemented, as shown in the table below. Wayfinding Supporting Factors - Spatial - Landmark - Color - Lighting - Signage Grand Heaven Jakarta
Wayfinding Supporting Factors - Spatial - Color - Lighting - Signage Rumah Duka Jabar Agung Jelambar
Wayfinding Supporting Factors - Spatial - Landmark - Color - Signage Heaven Columbarium
Notably, maps, one of these six factors, were consistently underutilized and had no significant impact on the user wayfinding process. In several instances, landmarks and lighting were not effectively used. However, it was concluded that both factors do influence the user wayfinding process but not to the same degree as spatial arrangement, color, and signage.
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2023
Building
Site Analysis
In response to the challenge of circulation clarity, presented the Athnasious Mourning Facility, a groundbreaking concept located at Jl. Arjuna Sel., Kebon Jeruk, West Jakarta. This facility introduces a fresh approach to mourning experiences by incorporating a comprehensive wayfinding design that simplifies orientation for users. Occupying approximately 8180 square meters, this facility is strategically located within an office zone area, conveniently close to healthcare facilities within a 4-kilometer radius. Furthermore, it has various accessibility, with proximity to major highways, bus stations, and main roads to optimize the building’s potential.
BUILDING SITE
HOSPITAL
Building site index
Wind
The initial building mass is formed because of the GSB limit from the main road and surrounding existing buildings as well as the floor maximum limit, which is 9 floors.
To maximize the natural air circulation, the building mass is divided into two masses. Therefore, the middle area between the masses will become the green voids.
Accessibility
Sunpath
The building mass is focussed located in the back area and vehicle circulation is located in the front area to maximize the site accessibility with one the entrance.
To minimize the sun heat during the day on the east and west sides of the building, the building mass will be covered with a facade which also gives additional aesthetic value.
Noise source
View to site
To respond to the main road noise, the columbarium and funeral rooms that require quiet are placed on the upper floor, and those that are not on the ground level.
To maximize the harmony between the site with the surrounding environment, the front area will be arranged as a garden area to give a connected impression with the existing park.
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Athnasious: Mourning Facility
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Ground Floorplan Legend 1. Drop-off lobby 2. Receptionist area 3. Lounge room 4. Public lift lobby 5. Public lift 6. Management special access lift
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7. Firefighting lobby 8. Emergency stair 9. Emergency lift 10. Service lift 11. Sub panel area 12. Garbage room
13. Public toilet room 14. Administration office area 15. Business lounge room 16. Funeral equipment store 17. Coffin showroom 18. Management staff office room
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19. Staff toilet room 20. Meeting room 21. Fire command room 22. Corpse preparation room 23. Corpse dressing make-up room 24. Corpse freezer room
25. Corpse loading area 26. Hearse/ Ambulance parking area 27. Goods storage room 28. Flower board storage room 29. Goods loading area 30. Loading truck parking area
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31. Main garbage disposal area 32. Generator room 33. Main control and CCTV room 34. Main panel room 35. Fuel room 36. Cremation oven machine room 37. Green area
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Athnasious: Mourning Facility
Navigating through funeral homes, crematoriums, and columbariums can be challenging, but our design prioritizes effective wayfinding, especially for the mourning family and visitors who came to mourn. The floorplans strategically enhance the user’s spatial awareness, with an asymmetrical layout on the 1st floor aiding spatial distinction between the mourning facility, mourning family, administration, and service area. A symmetrical layout on the typical floor aids spatial remembrance between the same function rooms, such as funeral rooms and columbarium rooms. Continuous public corridors facilitate seamless visitor movement from one area to another, using a single-loaded system for efficiency.
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Our landmark design approach, emphasize simplicity yet prominent architectural elements, creating a good wayfinding design throughout the whole area. The landmark elements are strategically placed in reception and lift lobby areas, which serve as visual cues for all visitors to differentiate between the two building masses. With different tone color schemes and unique types of lighting features used between the lift lobby and another, visitors easily distinguish both areas. The warm color scheme featuring brown, white, and gray colors in both areas a comforting ambiance. Lighting elements, combining decorative table lamps and task lighting ensure a well-lit area and welcoming atmosphere for everyone. Legend 1. Green area 2. Drop-off lobby 3. Receptionist area 4. Business lounge room 5. Administration office area 6. Funeral equipment store 7. Management staff office room 8. Restaurant 9. Standard funeral room (80 pax) 10. Columbarium room (72 pax) 11. Premium family room (2 pax) 12. Staff changing room 13. Staff rest and prayer room 14. Staff parking area 15. Public parking area
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Athnasious: Mourning Facility
Not only spatial and landmark design, but also emphasize the usage of signage systems, such as identification signs, orientation signs, and directional signs to guide visitors seamlessly throughout the building. Complementing this, our color and lighting design approach can be seen throughout the corridors and main funeral facilities. The different color schemes, grey-brown for the columbarium room and white-brown for the funeral and crematorium room give a clear differentiation cue for the visitor. Furthermore, the unique ceiling shapes and type of lighting usage can contribute to creating a serene environment, ensuring a comfortable space for all ceremonial activities held within each room.
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2023
Building
Ventilation Mechanical Our building prioritizes comfort and a functional HVAC system. Each floor has an AHU room to ensure all Central AC unit gives comfortable ventilation in funeral facilities. The chiller is discreetly located on the roof and the central control room is located on the 1st floor to ensure the entire AHU system. For the family rooms on the 9th floor, Spilt AC units are placed hidden behind the building’s roof to maintain the exterior aesthetics. For the corpse cremation process is carried out in the cremation ovens on the 1st floor, which environmental responsibility is still prioritized with ashes and smoke safely processed and released through the green roof on the 2nd floor.
Rootop Green roof
9th floor Standard family room Premium family room Columbarium room Garden
3rd - 8th floor Standard funeral room Premium funeral room Columbarium room
2nd floor Crematorium room Restaurant Urn packaging room BOH
Ground floor Corpse Preparation area Lobby and lounge Cremation oven Admin office Parking area Garden BOH
Basement1 floor Parking area Staff rest & prayer room Staff changing room Driver waiting area BOH
Basement2 floor Parking area Driver waiting area BOH
Basement3 floor Parking area Driver waiting area BOH
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Tropical Sea Hotel
Tropical Sea Hotel
Academic Project // Architectural Design 4 Lecturer - Ar. Albertus Galih Prawata, S.T., M.Arch and Ir. Sigit Wijaksono, M.Si, IPM In this project, I utilized Autodesk Revit, Autodesk Autocad, Sketchup, Enscape, Adobe Photoshop, and Microsoft Powerpoint.
Building Information Type Hospitality, Commercial, Place-Making Site Ancol, Jakarta, Indonesia Area ±27000 sqm Year 2021
Indonesia’s rising status as a premier destination in Southeast Asia has set the stage for an increased demand for accommodation options. The hotel industry in this country is on an upward trajectory, fueled by shifting investor perspectives and optimistic market growth projections, which has maintained its momentum over the years. Moreover, Jakarta, as a major gateway nation, receives 64% of total arrivals, underscoring the need for accommodation in Jakarta and its vicinity to cater to both leisure and business activities in this bustling urban environment. Located in Ancol, North Jakarta, Indonesia, the 4-star Tropical Sea Hotels draws inspiration from its lush tropical setting, particularly the captivating Ancol Beach with its diverse flora. The hotel’s architectural design seamlessly integrates the coastal landscape, especially the captivating sea and beach views. Furthermore, the hotel prioritizes sustainability movement through its rainwater harvesting system as a key component of its water management initiatives.
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2021
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Tropical Sea Hotel
B U IL D
IN G
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BORD
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Background of
Ancol, Jakarta The rising popularity of Indonesia as a destination in Southeast Asia is propelling the demand for accommodation facilities, changing investor sentiment and good market growth prospects are fueling the ascent of the hotel industry in the country. The changing investor outlook is backed by the unceasing growth of the tourism industry, which has maintained its momentum over the years. Furthermore, Jakarta remains one of the leading ports of entry to the country which accounts for 64% of the total arrivals in the country. Therefore, the a need for accommodation in Jakarta, especially on the North coast of Jakarta, Ancol’s surrounding areas that can give leisure and do business activities in a busy urban environment.
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2021
Building
Site Analysis
In response to these challenges, introduced the idea of creating a tropical leisure facility called Tropical Sea Hotel in Ancol, which acts as a new experience for visitors to spend their holiday alongside the tropical environment on the North Jakarta coast.
Sun and temperature The site faces the main road on the East side of the building with average temperature around 28-29 degrees Celsius. As a response, the building use secondary skins and the building’s east and west sides are smaller than the building’s south and north sides. Legend 1. Coffee shop 2. Retail store 3. Souvenir store 4. Banking and ATM 5. Drug store 6. Bar lounge 7. Lobby and lounge 8. Emergency shaft 9. Lift lobby 10. Concierge area 11. Reception area
Wind Due to the site being located near the coast, the site is affected by the sea wind and land wind with average wind speeds around 14-22 km/h. To maximize wind circulation, there will be garden and void area added around the building.
View from the site The best view from the site is towards the coast view and another good potential view is the cityscape view. To maximize the coast view, the building tower block is slightly tilted so most of the hotel rooms can see the scenery from inside.
12. Office room 13. Emergency stair 14. Prayer room 15. Toilet room 16. Staff toilet room 17. Generator and fuel room 18. Genset room 19. Waste room 20. Loading dock 21. Main panel room
Building
Ground Floor
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2.5
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Our design approach emphasizes how the tropical environment which is depicted through a small garden can integrated into a leisure and hospitality building. Not only that, this building uses an irregularly shaped floor plan as a response to site potential, and the irregularity helps the building to have various good potential views.
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Tropical Sea Hotel The building’s spatial design is organized across different floor levels, blending private facilities and public facilities vertically to create a smooth transition between both private and public facilities for visitors. The building is divided into 2 areas, namely the podium area and the typical area. Most public, retail, and service activity facility are located in the podium area, but all private activity facility is located in the typical area. Overall, the building is designed intentionally to be open, seamlessly blending with the tropical seaside environment through small green landscapes, which indirectly promotes sustainable tropical architecture in Indonesia to all visitors.
20th floor Rootop garden
18th - 19th floor Presidential suite Suite room 13th - 17th floor Suite room Standard room 6th - 12th floor Standard room
5th floor Jogging track Roof garden
4th floor Swimming pool Pool deck and bar Kids playground BOH
3rd floor All day dining restaurant Japanese cuisine restaurant Spa and sauna Fitness room Salon BOH
2nd floor Ballroom Function room Meeting room Admin office BOH
Ground floor Lobby and lounge Indoor garden Retail area Parking area Admin office BOH
Basement1 floor Parking area Driver waiting area BOH
Basement2 floor Parking area BOH
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2021
Building
Water Distribution
Another design feature added is the implementation of rainwater management within the building’s plumbing system. This innovative approach involves collecting and filtering rainwater for use in the building’s plant watering and flushing systems, which ensures a significant amount of water savings throughout the month. While most of the clean water supply is provided by the Indonesia regional water utility company, PDAM, strategically located water tanks on the B2 floor, 4th floor, and 20th floor facilitate water distribution upfeed system for podium floors and downfeed system for typical floors. Additionally, the grey and black water pipes within each room’s hotel shaft later converge into the main utility shaft.
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Sakeena Apartment
Sakeena Apartment
Platinum Architectural Design Competition 2022 // Entry Work Solo project - Angelika I was actively involved in concept design, design development, technical drawings, and render visualization process. In this project, I utilized Sketchup, Autodesk Autocad, Enscape, Adobe Photoshop, and Microsoft Powerpoint.
Building Information Type Private Apartment Area Site Imaginary Apartment Unit, Jakarta Area ±50 sqm Year 2022
Currently, design work is a job with high demand in the creative industry world, so it makes the number of competitors competing and the requirements quite strict. This causes design work to be one of the most difficult jobs because freelancer designers are led to think and produce creative work amid a stressful and uncertain life. Natural elements as key to a serenity space design in the apartment. Thus, a Sakeena Apartment presents a calm and safe space design, where all potential design elements are maximized to accommodate the user’s life. This design makes use of the floorplan potential both in the arrangement of space functions and the form of furniture design to strengthen the impression of spaciousness in the room. The use of natural material types and warm material colors in the design increases the feeling of security and calm. With the dry garden and large window openings, users can also be less stressed while doing their daily work activities.
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2022
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Sakeena Apartment
In response to the limited home-office space function at the apartment unit, our design emphasizes space and types of furniture flexibility and arrangement to strengthen the impression of room spaciousness. Additionally, the design incorporated a floor-level difference to clearly distinguish each space function - the more private the space, the higher its position. The thoughtful use of warm colors and natural materials, such as wood veneer and natural stone, enhances a sense of warmth, security, and calmness for users. Furthermore, incorporating a dry garden with expansive window openings as one of the essential space functions in the apartment, allows users to connect with nature, fostering a stress-free environment during their daily work activities.
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9
8
5
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9
3
5
4
6
3
6
10
7 2
Apartment
Ground Floorplan Legend 1. Foyer 2. Bathroom 3. Kitchen 4. Dining area
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5. 6. 7. 8.
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1
Living room Working area Bedroom Dry garden
Apartment
Mezzanine Floorplan 9. Book and collection area 10. Storage area
2022
Mezzanine floor All the space that categorizes as private space located up here, which it allows to maintain the user privacy and tranquility.
Ground floor All the space that categorized as public and semi-public located down here, which it allows user and other visitor to access and circulated with ease between the space.
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Paddington Apartment
Paddington Apartment Freelance Project // Personal Solo project - Angelika I was actively involved in concept design, design development, technical drawings, and render visualization process. In this project, I utilized Sketchup, Autodesk Autocad, Enscape, and Adobe Photoshop.
Building Information Type Private Apartment Area Site Paddington Apartment Unit, Tangerang Area ±20 sqm Year 2022
In the current urban landscape, living spaces are becoming increasingly scarce due to the growing human population. This has led to the need for apartment units to provide not only a comfortable living space but also productive workspaces, particularly in the era of the pandemic. The design challenge is to create a serene and spacious space that can bring users closer to a minimalist lifestyle. Thus, the Paddington Apartment is a tranquillity and compact space design, that works and rest activities, tailored to the user’s life. The form of furniture design is arranged functionally to increase the spaciousness of the room.
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2022
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Paddington Apartment
In response to the limited home-office space function at the apartment unit, our design emphasizes space and types of built-in furniture design to strengthen the impression of room spaciousness. Additionally, the design incorporated a floor-level difference to clearly distinguish each space function with more private rooms being placed higher up. The thoughtful use of warm color schemes such as white, brown, and cream, enhances a sense of warmth and and calmness for users. Furthermore, by reducing design decorations and moveable furniture, allows users to connect with a minimalist lifestyle, fostering a stress-free environment while maintaining the cleanliness of the space.
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7 9
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1
5 6
Apartment
Ground Floorplan Legend 1. Kitchen and dining area 2. Living room 3. Balcony 4. Foyer
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0
5. 6. 7. 8.
Service and storage room Service bathroom Guest bedroom Bathroom
9. Main bedroom 10. Main bathroom
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2
4
2022
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Angelika angelikariyanto@gmail.com +628111751597