Performed in English with English captions. Audio description available at matinées.
THE CAST
(in order of vocal appearance)
Nemorino JIETONG FU
Adina STACEE FIRESTONE
Belcore WAYNE ARTHUR
Dr. Dulcamara EDWARD TAVALIN
CREATIVE TEAM
Directed by KRISTINE MCINTYRE
Collaborative Pianist CHLOE JIHEE KIM
Set Design POLLY ROBBINS
Costume Design CAROLYN CARR
Lighting Design CARL FABER
Supertext by ALEXIS HAMILTON
Tour Manager STEPHEN GARDNER
Supertext Operator JESSICA CRAWFORD
ABOUT PORTLAND OPERA TO GO
For 25 years, Portland Opera to Go has been bringing inclusive arts experiences to schools and communities around the region.
Portland Opera to Go (POGO to our friends!) presents shortened English or English/Spanish versions of classic operas as well as commissioned works in the Our Oregon series about unsung women in Oregon history. Each opera is fully staged with sets, costumes, and piano accompaniment, all of which pack up neatly for efficient travel throughout the region.
Every year, we traverse the Northwest, reaching thousands of students, staging more than 60 performances a season. Half of the schools visited are in rural communities or are Title 1 schools. In addition, each production comes with an extensive Teacher’s Guide that includes cross-curricular, multimedia lesson plans closely aligned to state standards.
Contact Alexis Hamilton, Associate Director of Education Outreach at ahamilton@portlandopera.org to bring POGO to your school or community center.
SYNOPSIS
Nemorino, a farmhand, is madly in love with Adina, a wealthy rancher. As he goes about his chores, he sees her reading and laments that she doesn’t seem interested in him. Adina, meanwhile, is engrossed in her article, when she bursts out laughing at the absurdity of the movie it reviews. Nemorino asks her what she is laughing about, and Adina tells him the story. In the movie, Tristan is in love with Isolde, who is not in love with him. A sorcerer gives Tristan the famous elixir of love, and after Tristan drinks the potion, Isolde falls in love with him.
Nemorino immediately sees that Tristan’s situation and his own are similar and wishes that he could find some magic elixir of love to make Adina fall in love with him.
Adina and Nemorino are suddenly interrupted by the sound of a spluttering engine and quickly see a plane that’s in trouble. Lower and lower it flies until suddenly it crash lands right into the big tree in Adina’s front yard. Fortunately, the pilot Belcore is not hurt, but he is stuck at the farm until his plane is repaired. Belcore immediately notices the pretty Adina and begins to flatter and woo her. After a few minutes, Belcore, much to everyone’s surprise, asks Adina to marry him and demands an immediate answer.
Nemorino is horrified but secretly wishes that he had Belcore’s confidence. Adina laughs off the proposal but offers Belcore a cold lemonade. Nemorino tries to stop Adina, but gets tongue-tied, and Adina rejects him unkindly and joins Belcore in the house.
Nemorino, devastated, leaves. Suddenly, a trumpet call is heard in the distance and Dr. Dulcamara, purveyor of dubious, medicinal compounds, (which he claims can cure measles, mumps, malaria, warts, aches and pains, chicken pox, and pretty much anything that ails you) arrives on the scene. Nemorino, hearing the doctor’s claims immediately thinks that perhaps Dr. Dulcamara might have the elixir of love that will make Adina fall in love with him.
After some initial confusion, Dulcamara realizes that he has an opportunity to make some money off Nemorino and claims that, “Yes, indeed, I have the amazing elixir of love!” Then he secretly puts some cheap wine into a medicine bottle and sells it to the eager Nemorino.
Dulcamara takes his leave and Nemorino decides to try the “elixir of love” at once. He takes an extra dose and becomes tipsy. Adina enters and expects that Nemorino will pay attention to her as he always has before, but instead he just ignores her. This strange behavior makes Adina angry. She decides to teach Nemorino a lesson and when Belcore comes out of the house, she immediately agrees to marry him. At once.
Nemorino begs Adina to wait until tomorrow, but she insists. Nemorino is now desperate and seeks out Dr. Dulcamara again for another dose of the elixir of love. Unfortunately, he does not have enough money and Dulcamara turns him down. Belcore overhears that Nemorino is short of cash and tells the desperate youth that if he joins the air force, he will receive an enlistment bonus. Nemorino agrees and instantly takes his money to Dulcamara for another dose of the “elixir” which Dulcamara happily sells him. Nemorino thinks he has it made. Adina seeing him confident and happy, realizes that she loves him herself.
Dulcamara sees Adina uncharacteristically sad and tells her that Nemorino has joined the air force just to purchase some elixir of love to make a girl fall in love with him. Adina realizes that the girl is her and knows what she must do.
Adina finds Nemorino and tells him that she has bought back his contract so that he doesn’t have to join the air force. Eventually, she confesses that she loves him and doesn’t want him to go. All ends happily with the new couple thanking Dr. Dulcamara and Belcore contenting himself with the fact that there are plenty of other girls out there in the wild blue yonder.
CAST & CREW BIOS
KRISTINE MCINTYRE
Pronouns: she/her
Role: Director
Portland Opera Debut: Assistant Director, The Cunning Little Vixen , 1998 Kristine McIntyre has directed more than 100 operas with a focus on 20th and 21st century works. Recent productions include the world premier of A Thousand Acres ; immersive productions of The Cunning Little Vixen and Bluebeard’s Castle ; many revivals of her film-noir-inspired Don Giovanni ; Emmyaward winning productions of Billy Budd and Manon with Iowa PBS; Enchanted Woods at Portland Opera as well as Moby Dick, Flight, Wozzeck, Dark Sisters, Sweeney Todd, Trouble in Tahiti, and The Seven Deadly Sins . Kristine teaches in the studio artist programs at Houston Grand Opera, Chicago Lyric Opera and Pittsburgh Opera and also adapts and directs for education and community opera programs throughout the US.
EDWARD TAVALIN
Pronouns: he/him
Role: Dr. Dulcamara
Portland Opera Debut: Alidoro, POGO Cinderella , 2023
Edward Tavalin is a baritone from Ben Lomond, California. This is his third consecutive POGO tour! Recent mainstage roles include Enrico in Lucia di Lammermoor (Independent Opera), Marcello in La Bohème (Chebeague Island Festival), The Father in Hansel and Gretel , Angelotti in Tosca , and Schaunard in La Bohème (Opera Modesto), Sharpless [cover] in Madama Butterfly and Alfio [cover] in Cavalleria Rusticana (Lakeland Opera), and multiple productions as the Pirate King in Pirates of Penzance (Cabrillo Stage Festival, Ventura County G&S, Pacific Opera Project [cover])
JIETONG FU
Pronouns: he/him
Role: Nemorino
Portland Opera Debut: Kamegoro, POGO Shizue: An American Story , 2024 Jietong Fu, lyric tenor, has appeared on major stages across Asia and the U.S., including the China National Centre for the Performing Arts, Singapore’s Esplanade, the Malaysian Philharmonic Hall, the Kennedy Center, and Portland Opera, where he debuted as Kamegoro in Shizue: An American Story . His roles include Tamino ( The Magic Flute ), Ernesto ( Don Pasquale ),
and Alfred ( Die Fledermaus ). He has also appeared as soloist in Mozart’s Requiem , Handel’s Messiah , and Rachmaninoff’s Vespers . He holds a DMA from Texas Tech University and a Graduate Performance Diploma from the Peabody Conservatory. jietongfutenor.com
STACEE FIRESTONE
Pronouns: she/her
Role: Adina
Portland Opera Debut
Stacee Firestone, soprano, is thrilled to be joining Portland Opera to Go as Adina in The Elixir of Love . In 2022, Stacee made her professional debut at Lincoln Center with Teatro Nuovo where she covered Annetta in Crispino e la Comare and sang in the ensemble. This spring, she graduated from the San Francisco Conservatory of Music (SFCM) with a bachelor’s degree in Vocal Performance. During her time at SFCM, she has performed as the Queen of the Night in Die Zauberflöte and La Fée in Viardot’s Cendrillon . Other performances include: Suor Infermiera in Suor Angelica (Bel Canto in Tuscany), Galatea in Acis and Galatea (Hawaii Performing Arts) and La Virtu/Mercurio in L’incoranazione di Poppea (Hawaii Performing Arts).
WAYNE ARTHUR
Pronouns: he/him
Role: Belcore
Portland Opera Debut
Wayne Arthur is a Belizean-American opera singer, actor and performance artist. Wayne has appeared at The Metropolitan Opera House, Seattle Opera, Orchestra NOVA Northwest, and Resonance Ensemble. An exponent of contemporary music, recent credits include Cinqué, Amistad (Davis); John Brooke, Little Women (Adamo); Cotton (Geter); X: The Life and Times of Malcolm X (Davis); Fire Shut Up in My Bones (Blanchard); and Lincoln in the Bardo (Mazzoli).
Wayne was a member of the 2025 Opera Conservatory at Chautauqua Institution. Wayne won 3rd Place and Spirituals prize at the 2024 George Shirley Vocal Competition. Visit www.waynearthur.me and follow @waynethur on Instagram.
CHLOE J. KIM
Pronouns: she/her
Role: Music Director/Collaborative Pianist
Portland Opera Debut
Chloe J. Kim is a vocal coach based in Detroit, Michigan. Most recently she has served on the music staff at Opera Delaware, Sarasota Opera and Opera Southwest. For two seasons at the Utah Festival Opera, she served as cover conductor for
Aida, Gianni Schicchi, Our Town , and Verdi’s Requiem
Previously she was principal coach for the Studio Artist Program at Florida Grand Opera in Miami. A specialist in French and Czech, Chloe trained at Manhattan School of Music, SUNY Purchase, Sorbonne Université, École Normale de Musique de Paris, and the UK’s National Opera Studio, completing residencies with Scottish Opera, Welsh National Opera, and Opera North.
CARL FABER
Pronouns: he/him
Role: Lighting Designer
Portland Opera Debut: Assistant Lighting Designer, La Bohème , 2017
IVY THOMPSON
Pronouns: she/her
Role: Costume Coordinator
Portland Opera Debut: Stitcher, Falstaff, 2025
STEPHEN KRIZ GARDNER
Pronouns: he/him
Role: Tour Manager
Portland Opera Debut: Tour Manager, POGO The Barber of Seville, 2017
Stephen Kriz Gardner is pleased to join Portland Opera for his seventh season of Portland Opera to Go (POGO). This valuable program keeps him coming back season after season because of the wonderful interactions with students and communities, the lovely and talented artists, and the breathtaking scenery that the tour goes through all over the Pacific Northwest. Stephen has also worked many seasons as the Truck Engineer on the Opera’s “Opera a la Cart” program, as well as stood in as the Interim Props Director.
STAFF
GENERAL DIRECTOR
Sue Dixon
MUSIC DIRECTOR
Damien Geter
ARTISTIC AMBASSADOR
Karen Slack
FINANCE & ADMINISTRATION
Paul Lovincey, Human Resources Generalist
Michael Martinez, Senior Accountant
PRODUCTION
Anna B. Labykina, Director of Production
Kyle Spens, Technical and Production Director
Cindy Felice, Properties Director
Carl Faber, Lighting Supervisor
Pascaline LeFèbvre, Production Coordinator
Jaison Stagg, Production Carpenter
Iain Chester, Warehouse Head
Daniel Wilson, Claudie Fisher, Sumi Wu, Properties Assistants
Mark M. James, Production Electrician
ARTISTIC & MUSIC
Alfrelynn Roberts, Artistic Director
Alexis Hamilton, Associate Director of Education Outreach
Nicholas Fox, Associate Music Director
Ethan Cope Richter, Music Administrator and Librarian
Christina Post, Director of Marketing & Communications
Lizzie Adelsheim, Marketing Project Manager
Ervanny Astari , Social Media Manager
DEVELOPMENT
Beth Lewis, Director of Development
Carleena Manzi, Development Manager
Alexis Walker, Donor Benefits Coordinator
PATRON SERVICES
Chris Kim, Patron Services Supervisor
Magdalena Travis, Patron Services Representative
BROADWAY IN PORTLAND
Tracy Wenckus, General Manager, Broadway
Ella Black, Broadway Ticketing & Database Manager
Bradford Johnson, Technical Liaison
Sophie Stebbins, Broadway Group and Customer Service Supervisor
FOR THE WINNINGSTAD THEATRE:
Rory Breshears, Head Carpenter
PORTLAND OPERA BOARD OF DIRECTORS
OFFICERS
Kregg Arntson, PRESIDENT ; Director, Community Impact | Executive Director, PGE Foundation
Carole Morse, PAST PRESIDENT ; Past President, PGE Foundation
Linda Brown, VICE PRESIDENT ; Owner, Brown’s Blueberries
Christine Lewis, VICE PRESIDENT ; Metro Councilor, District 2
Larry D. Roper, TREASURER ; Emeritus Professor of Language, Culture and Society, Oregon State University
Carol Turner, SECRETARY ; Civic Volunteer
MEMBERS
Nichole Anglin, Attorney, Innova Legal Advisors PC
Vanessa Valencia, Vice President of Financial Planning, On Point Community Credit Union
Laura Howe, Accounting Manager, On Point Community Credit Union
Ayaka Jones, Senior Account Executive, Finn Partners
PORTLAND’5 CENTERS FOR THE ARTS
Portland’5 Centers for the Arts includes the Keller Auditorium, Arlene Schnitzer Concert Hall, and Antoinette Hatfield Hall, comprising the Newmark Theatre, Dolores Winningstad Theatre, and Brunish Theatre. All are public facilities owned by the City of Portland and managed by Metro through the Metropolitan Exposition-Recreation Commission. Each year approximately one million people attend more than 1,000 performances in these facilities.
METRO
Lynn Peterson, Metro Council President
CITY OF PORTLAND
Keith Wilson, Mayor
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Karis Stoudamire-Phillips, Chair
Damien Hall, Vice-Chair
Deidra Krys-Rusoff, Secretary-Treasurer
Dañel Malán-González
Chris Oxley
Deanna Palm
David Penilton
Craig Stroud, Visitor Venues General Manager
PORTLAND’5 CENTERS FOR THE ARTS
Rachael Lembo, Executive Director
Stephanie Torres De Los Santos, Director of Events
Stephanie Viegas Dias, Director of Ticket Services
Ruby Joy White, Director of Culture and Community
Nancy Strening, Director of Operations
Heather Wilton, Director of Programming, Booking, and Marketing
Dave Woodman, Levy Director of Operations
PORTLAND’5 CENTERS FOR THE ARTS ADVISORY COMMITTEE
Greg Brown
Jim Brunberg
Gus Castaneda, Chair
Elisa Dozono
Heather Kmetz
Jessica Lagunas
Antonio Lara
Chariti Montez
Ombrea Moore
Brian Sanders
Daniel A. Sullivan
Richard Wattenberg
Steve Wenig
THANK YOU DONORS
Thank you to all our donors to Portland Opera, especially those that gave specifically to our Portland Opera to Go Program:
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