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PORTFOLIO POORVA CHOUDHARY

Architecture is really about well being. I think that people want to feel good in a place... On the other hand its about shelter, but also about pleasure.

CONTENTS 01 00 01 - 06 Interface 02 07 - 14 Open Source Marlton 03 15 - 20 Interweave 04 21 - 26 Turning Point 05 27 - 28 Pier Performance 06 29 - 30 Professional Work 07 31 - 32 Personal Artwork

- Zaha Hadid

INTERFACE

Equitable models and Co-operative setup for city housing

Year: Spring 2023

OBJECTIVE:

Location: Venice, CA

This is Phase-2 of an on going Thesis project. It aims to create a temporary Urban-human intervention that can be placed at one location or transformed or replicated at multiple locations basen on the ideas of Adaptive p/re-use. An object/structure that delivers a function/purpose for the collective good and is able to interact with people/ be used/ be appropriated by people.

“RE”-WORK THE NETWORK

OLDER SYSTEM

The current housing system is a straight line process leading from one component to the next with a straight point end result which leads to unequal opportunities and waste of resources. The newer system is actually one big component with interconnected parts all relating to each other and resulting in a democratic and equitable system.

NEW SYSTEM

SHAREHOLDER CORPORATION

DEMOCRATIC SETUP

DESCRIPTION:

Through a Phase-1 research, the current housing system is a straight line process leading from one component to the next with an end point result which leads to unequal opportunities and waste of resources. The new system is actually one big component with interconnected parts all relating to each other, resulting in a democratic and equitable system.

Through this project, I found three different location with different needs, where the community can come together to build different elements with easily found material around the neighbourhood and help enhance the area.

COMMUNITY LAND OWNERSHIP

owner division between non-profit & members of the community

members own shared of the cooperative

OWNERSHIP FINANCE DESIGN

NON-PROFIT ORG.

focus on financial wellness of members

OPEN MEMBERSHIP

FINANCIAL CO-OP

Owned & Operated by members

take into account

EXISTING CONTEXT

preserving integrity

COMMUNITY

Flexible STRUCTURAL framework

open building plan

provide COMPETITIVE RATES community decision making powers

plan for FUTURE GROWTH

Independent building systems

meeting the needs of EXISTING & FUTURE residents focus on FLEXIBLE and ADAPTABLE spaces

must not restrict future growth and design reuse material

PHASE-1 MANIFESTO

01 02

SITE LOCATIONS

The different locations are based on the needs and availability of material within the community. Each of these elements are individual community activities, where the people of the neighbourhood can come together and built these elements and expand on them as needed in the area. Each of the objects satisfies a different need for connection, community and affordability.

OZONE PARK

Located in the residential zone, to connect residents and occupy an otherwise barren park to create safe and occupiable spots for all age groups.

01. PAVILLION AS A GATHERING POINT

The pavillion acts as a physical connection connecting the residents of the neighbourhood in an otherwise barren park land. The individual rib sections would be put together by the community using easily found materials like metal or wood slabs, pvc pipes etc. The different sections create program specific spaces along its length. More spaces can be added or removed as needed by the community

ST. & WESTMINSTER AVE.

Creating an extension of the school playground to the westminister dog park, to expand of playground space along with shaded space for pedestrians.

Creating a tubular structure leading towards the boardwalk, providing shelter and space for parking bicycles and information about the community.

MAIN

Bench/LED

steps

OCEAN FRONTWALK

info Stairway Walkway Cafe/recline Bridge walk Exhibit

plaza

03 04

One is an school park/play ground and

PAVILLION AS A CENTRAL FILTER

The tubular temporary pavillion is located in the lanes leading up to the boardwalk. It creates a venue for an information point, vendors, bike parking or rental and even restrooms and changing rooms if needed. Using fence material, like netting, steel and pvc pipes, the facilities are arranged in line with a scaffolding structure which can easily be assembled and disassembled.

acting as an easy extension of the two parks connecting them with each other. It can not only used by citizens for daily walks across but also as a shading structure underneath waiting for a bus. From the structural point of view, it is a wooden passarel created through several ribs suspended inside a very thin wireframe.

03.

05 06

OPEN SOURCE MARLTON USC Guild Design Charette

Winner: Best Demonstration of Interdisciplinary Design

Team: Tishya Rao & Joshua Ryan

Year: Spring 2023

Location: Los Angeles, CA

OBJECTIVE:

Tasked with creating a Media Incubator Center for Creative Content in the Crenshaw and Baldwin Hills district, students from the 4th-year, 5th-year, and Graduate course levels worked in teams of three to design a space that can support a wide array of creative services including film and video production, costuming, props, and other modern theater operations facilities.

‘Open Source Marlton’ is about promoting accessibility to media, which will act as a tool for equitable development and a catalyst for social change and resiliency. Programming is distributed across the site in an effort to engage with production, artists and visitors alike. Similar to how media provides a platform of visibility for communities and individuals, we see this mixed-use programming as an opportunity to also pay ode to the original retail market that existed on site and support Baldwin’s hills’ active local businesses, activist community groups and nonprofit organizations.

MARTIN LUTHER KING JR. BLVD MARTIN LUTHER KING JR. BLVD MARLTON AVE. THRIVE BLVD. RETAIL SPACES + FLEX GALLERIES PODCAST STUDIOS+ RECORDING ROOMS + LOUNGE + RETAIL SMALL STUDIOS + MEETING ROOMS + GALLERIES MARLTON FOOR MARKET + COMMUNITY FLEX SPACE CINEMA THEATRE SMALL STUDIOS WORKER UNITS + GROCERY + COMMUNITY OFFICES ARTISTS UNITS + WORK SPACES + GALLERY/EVENT SMALL STAGE BIG STAGE BASECAMP + UTILITIES PARKING ADMIN OFFICES + RETAIL + CAFE MAKEUP ROOMS & BREAK ROOM PARKING STRUCTURE CREATIVE INCUBATOR + LEARNING CENTRE EXHIBITION SPACE + VISITOR CENTRE + LIBRARY(OLD BANK)

07 08

DESCRIPTION

(Disconnection of building to context/ building as monument)

(Establishing community ownership of the bank,create new program)

(Consolidated network of sound stages and supportive spaces)

(Contrast rigid systemative approach - integrate new public programs)

Connections

(1:1 ratio of outdoor space to public programming)

Site Section

Pedestrian accessibility to the site is provided from all sides, connecting single-family and multi-family homes, as well as the current Crenshaw mall and metro station. Within the site, the pedestrian walkway connects buildings through a series of activated plazas, such as pop-up VR and mural exhibits, a Marlton Plaza of Fame and an outdoor retail market. The design was inspired by the existing thrive walk health trail created by the Kaiser Medical Center, and now creates an engaging walkway loop across the entire site, open for the community.

(Processional

Public Programming Media Production Housing

Cultural Centers

1.Main points of access. 3.Distribute studio program. 5.Infill outdoor public space. 2.Establish cultural nodes. 4.Articulate public programming / housing. 6.Unifying path for optimal way-finding.

path that creates contexual relationships) 09 10

Bringing this idea of incremental growth to the forefront, the team envisions Open Source Marlton expanding beyond its current footprint and establishing phasing, in which there is full integration with this urban block, creating an open source of community resources and expanded housing density, while demanding more public open space. Ultimately, this integrated loop path can promote open source economic and social growth for the people of Crenshaw/Baldwin Hills.

EQUITABLE HOUSING ADAPTATION Section

BUCKINGHAM

Resiliency Plan

MLK JR. BLVD.

RD.

SANTA

ROSALIA DR. MARLTON AVE. THRIVE BLVD.

PHASE TWO (sound stage, communal housing,mixed use development, recreation) (senior living integration, workers housing, mixed use development) PHASE THREE

11 12

(Public outdoor theatre space)

15'-0" 15'-0" 15'-0" 15'-0" 15'-0" 15'-0" 15'-0" 15'-0" 15'-0" 15'-0" 15'-0" 15'-0"

(Sound Stage) (Back of House/Basecamp)

Production Line

13 14

Amphitheatre view

INTERWEAVE

Cities in Cities - Face Lift

Year: Fall 2022

Location: Los Angeles, CA

OBJECTIVE:

The studio challenged students with confronting an urban architecture project that offers a different perspective than the conventional architecture approach to question the role of the modern Agora in a contemporary sprawling car-centric city. To address all the essential topics that form a modern city – public space, urban events, levels of transportation networks, urban agriculture, cultural spaces, climate and sustainability etc.

DESCRIPTION:

‘EXTENSION OF NATURE INTO THE URBAN DENSITY’

This structure creates a new natural experience for Los Angeles that celebrates the interaction of people, the car culture of Los Angeles and the natural experience this city needs. Within an environment which is partially green and particially built, this structure acts as a canyon cutting through the structure in order to weave nature into the lives of people. Providing an indoor outdoor environment- a modern vibrant agora but at the same time a multifunctional space that is serious but fun, planned but spontaneous.

03 15 16

Site Plan

The building is an urban retail mixed use complex providing an indoor outdoor experience. With 5 different levels of outdoor green space, it enhances the user’s experience of the structure providing a natural experience in an urban environment. All the open spaces are curvilinear and non-planar to create a more organic experience. Parking spaces are located at higher floors displaying the cars out to the public highling the car culture of Los Angeles.

Movement of vehicle and people Extension of curves & Subtraction of steps

Carving a canyon into the urban 17

Extension of landscape into the urban structure

The interior is creating a natural canyon to enter the structure. The band of colored stone reinforce the primary circulation pattern and also the relatioship to an actual canyon. Overall, it tried to create an extension of the park across the street into the built space.

19 20

Year: Spring 2022

OBJECTIVE:

TURNING POINT Social Justice Center

Location: Los Angeles, CA

The USC Center for Social Justice is an incubator where USC faculty and students from multiple disciplines engage with neighborhood community in issues of social justice through three departments: service, research and community engagement. Students are asked to design the building for the USC Center for Social Justice Center at a minimum, 7 story vertical structure and minimum of 85’.

DESCRIPTION:

The tower incorporates sustainable practices while servicing the local community of China town as well as the greater Los Angeles County. Since this will be the tallest building in the vicinity, shade studies were consulted to keep the form from casting excessive shade. As the form twists upwards from the ground, the building turns towards fantastic views of the hills for a visual connection to its community and the open balconies provide the good sunny weather of Los Angeles. Thin floor plates allow for natural light and ventilation as well.

21 22

1.SITE

3.Building height established (In Chinatown, Los Angeles, CA) (8 floor building extension according to



           

RESTROOM UP UP UP MEETING ROOM ALL GENDER RESTROOM STORAGE/ JANITOR’S EVENT SPACE CAFE A B C D E F G 1 2 3 4 5 6 20’ 20’ 20’ 20’ 20’ 20’ 20’ 20’ 20’ 15’ 15’       

 

    

+ Connections 5.Outdoor space 6.Green (The

the

and

(Extension to provide extra balcony and community space) (Final form with outdoor green spaces) Ground Floor Plan 23 24

 

4.Viewpoints

twist to achieve

maximum light

views to the mountains)

25 26 Detail Section Building Section

PIER PERFORMANCE

ACSA Steel Competition

Year: Fall 2021

Location: New york city

OBJECTIVE:

Located along the Hudson River between 35th and 37th streets, Pier 76 is a 250,000 square foot structure that since 1977 has served as a vehicle impound lot for the NYPD. The task was to add to the public space of the neighbourhood to enhance the neighbourhood and make it more people friendly than its previous economic and political utility. As a part of the competition requirements, we were asked to explore the many functional and aesthetic uses of steel as a building material and structural system.

DESCRIPTION:

New York and specially Times square is home to a lot of street artists who make a living performing in the open. Due to covid, all of that was shut down. Inspired by scaffolding covered side walks in New York, the pier gives the artists a space to perform and earn a living. It has a variety of spaces and opportunities to exhibit, perform and entertain. With an easy to build structure with easily available material, the project does not require a lot of government funding and extra construction work.

PROFESSIONAL WORK ASD | SKY San Francisco, CA 06 UP DN DN UPDIMENSIONED AS FOLLOWS: LEGEND NOTES: THE SUFFIX "GFI" WITH ANY OUTLET INDICATES THAT THE OUTLET IS A GROUND FAULT INTERRUPT OUTLET. THE SUFFIX "IG" WITH ANY OUTLET INDICATES THAT THE OUTLET IS AN ISOLATED GROUND OUTLET. THE SUFFIX "(E)" WITH ANY OUTLET INDICATES THAT THE OUTLET IS EXISTING TO REMAIN. WOOD WALLS TO RECEIVE BLACK DEVICE & COVER PLATE U.N.O. INDICATES OF WORKSTATIONS TO SUPPLY COMBINED TELE/DATA JACK DESIGNATION TYPE (W WALL, F FLOOR) POWER & COMMUNICATIONS PLAN TYPICALS POWER & COMMUNICATIONS PLAN SHEET NOTES POWER & COMMUNICATIONS KEYNOTES POWER & COMMUNICATIONS PLAN LEGEND A. GENERAL REQUIREMENTS 1. REFER TO GENERAL PROJECT NOTES ON SHEET A0.00. REFER TO SHEET A0.00 FOR ARCHITECTURAL DRAWING, REFERENCE, AND MATERIAL SYMBOLS AS WELL AS ABBREVIATIONS USED ON THIS SHEET. 2. CONTRACTOR AND SUBCONTRACTORS SHALL THOUROUGHLY REVIEW THE SPECIFICATION SHEETS CONTAINED WITHIN THIS DRAWING SET PRIOR TO PRICING AND/OR COMMENCING WITH WORK OF ANY KIND. SPECIFICATION SHEETS ARE NOT PROVIDED, IMMEDIATELY NOTIFY THE ARCHITECT SO SHEETS CAN BE PROVIDED. B. LOCATION /DIMENSION 1. LOCATIONS AND DIMENSIONS SHALL BE PER ARCHITECTURAL DRAWINGS. ENGINEERING DOCUMENTS SHALL PREVAIL IN CASE OF VARIATION IN SPECIFICATIONS, DISCREPANCIES MUST BE BROUGHT TO THE ATTENTION OF ARCHITECT BEFORE START OF WORK. FURNITURE INDICATED ON ARCHITECTURAL PLANS IS FOR REFERENCE ONLY. 2. COORDINATION OF ELECTRICAL WORK WITH HVAC, CABINET WORK, CARPENTRY, FURNITURE, SHALL BE ASSURED BY GC. 3. GC TO COORDINATE WITH ARCHITECT IF LOCATIONS OF ANY OUTLETS ARE NOT SHOWN DIMENSIONALLY PRIOR TO INSTALLATION. 4. GC ELECTRICAL CONSULTANT TO REFER TO A/V DOCUMENTS & COORDINATE WALK THROUGH W/ A/V CONSULTANT FOR EXACT PLACEMENT OF POWER/TELE/DATA OUTLETS, SPEAKERS AND CONDUITS. REFER TO A/V DRAWINGS FOR SPECIFIC REQUIREMENTS. WHERE PROVIDED, LOCATIONS AND DIMENSIONS SHALL BE PER ARCHITECTURAL DRAWINGS. 5. REFER TO THE "DISABLED ACCESS STANDARDS"SHEET(S) IN SERIES A0.0X FOR MOUNTING HEIGHT REQUIREMENTS. 6. SWITCHES, FIRE DEVICES, ETC. SHALL BE GANGED AND LOCATED PER MOUNTING DIAGRAM SPECIFICATIONS. 7. ALL DEVICES, SUCH AS FIRE STROBE, LIGHTING SWITCH, THERMOSTAT, WALL OUTLET, ETC. LOCATED IN THE SAME WALL OR WITHIN REACH OF EACH OTHER, SHALL BE ALIGNED AS INDICATED ON ARCHITECT'S MOUNTING HEIGHT DETAILS, U.N.O. 8. THERMOSTAT LOCATIONS PER MECH. PLAN AND TO BE COORDINATED BY GC WITH OTHER TRADES AND APPROVED BY BUILDING MANAGEMENT-REPRESENTATIVE AND ARCHITECT. C. DEVICES 1. FLOOR OUTLETS SHALL BE FLUSH TYPE AS INDICATED UNLESS PROHIBITED BY BUILDING MANAGEMENT. GC SHALL FURNISH CUT/SAMPLE TO OWNER FOR APPROVAL. UNDER-CARPET WIRING MAY NOT BE USED EXCEPT AS SPECIFIED AND AS LOCAL CODES AND BUILDING MANAGEMENT PERMITS. VERIFY COORDINATION WITH TELE/DATA COVER PLATES. D. MISC. NOTES/COORDINATION 1. REFER TO SCOPE OF MECHANICAL AND HVAC INSTALLATIONS FOR RELATED ELECTRICAL WORK TO BE INCLUDED. 2. SUBMITTALS ON ALL NON BUILDING STANDARD ITEMS ARE REQUIRED PRIOR TO ORDERING FIXTURES, U.N.O. SYMBOLDESCRIPTION FINISH TRIM/ NOTES DATA JACK WHITE COVER PLATE TELE JACK CARD READER WALL MOUNTED QUADRUPLEX PWR OUTLET WHITE DEVICE W/ WHITE COVER PLATE DEDICATED WALL MOUNTED DUPLEX PWR OUTLET BLACK DEVICE W/ WHITE COVER PLATE PWR/DATA/TELE WHIP FOR FURNITURE FLOOR MOUNTED ELEC./DATA/ TELE OUTLET FOR HARD WIRED TABLE BLACK DEVICE W/ BLACK BOX CEILING MOUNTED ELEC. DATA TELE OUTLET WHITE DEVICE W/ WHITE COVER PLATE WALL MOUNTED DUPLEX PWR OUTLET WHITE DEVICE W/ WHITE COVER PLATE DEDICATED WALL MOUNTED QUADRUPLEX PWR OUTLET BLACK DEVICE W/ WHITE COVER PLATE WHITE COVER PLATE WHITE COVER PLATE JUNCTION BOX COORDINATE DEVICE COLOR WITH TENANT VENDOR. GC TO PROVIDE WALL MOUNTED JBOX FOR TENANT CARD KEY ACCESS AV DISPLAY CONNECTION WHITE DEVICE W/ WHITE COVER PLATE TYP. ALTERNATES AREA NOT IN PROJECT SCOPE CR +18" REQUIREMENTS IS WITHIN 18" OF WALL CENTER A B C 7 D E K L 5 6 6.5 5.1 5.3 F G H J 8 9 10 11 12 +60" +60" +60" +60" F W W GFCI GFCI GFCI GFCI +38" +38" +60" +38" 26D 26D 26D 26D 26D 26D 26D 26D 5.4 A3.01 A FORN TATEOF C FEB. 28, 2023 This drawing is the property of Associated Space Design, Inc. and not to be reproduced or copied whole or part. not to be used on any other project and is to be returned upon request. Scales as stated herein are for reference only as normal reproduction processes may alter the accuracy of original drawings. Associated Space Design, Inc. 2021 Broadway_14th fl spec suite_A20.rvt 1/8" = 1'-0" POWER & COMMUNICATION PLAN 26D CONFIRM AND COORDINATE WITH LOCATION OF EXISTING POWER (TYP. FOR ALL EXISTING WALLS) A3.01REFER TO CONSTRUCTION PLAN FOR ALTERNATES 8' -0" V.I.F. B.O. CEILING B-1 2' 10"2'2"3' 0" PT-1 8' -0" V.I.F. B.O. CEILING 2' 10" 8'0" 2'2" 5' 0" SS-1 PL-1 PT-1 FINISH END PANELS C.7 C.3 3' 0" 6' 0" 2' 0" EQ EQ EQ EQ 2' 1" 1' 1/2" EQ EQ 2' 0" 1' 1/2" 2' 10 1/2" EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ 1 A7.11 1 A7.12 6 A7.11 3' 0" 3' 0" 2' 9" 3' 0" 3' 0" 3' 4 1/2" 3' 1" EQ 2' 10 1/2" 0" WT-1 13 A7.11 9 A7.11 3' 4 1/2" 7 A7.11 12' -0" V.I.F. B.O. CEILING 8' -0" T.O. GLAZING EQ EQ 10 A7.02 A7.02 10' 3" 9' -0" V.I.F. PT-1 2'10" 9' -0" V.I.F. B.O. CEILING 6' 2" 9'0" 2' 8 1/2"2' 8 1/2"2' 0" A7.11 13 A7.11 EQEQEQEQ 12' -0" V.I.F. B.O. CEILING 9' -0" T.O. GLAZING 10 A7.02 A7.02 V.I.F. TYP. FOR (N) OFFICE FRONTS EXISTING STOREFRONT OPENINGS 5'0" WT-1 SS-1 PL-1 2' 10"2'2"3' 8'0" EQEQ 1' 1/2" EQEQ 2' 0"2' 3 1/2" A7.11 13 A7.11 A7.11 A7.11 2' 1/2" 2' 1/2" 2' 10" 2'2"3' 2' 0" B-1 18' 1/2" EQ EQ EQ EQ 10 A7.02 A7.02 10 A7.02 2' 10 1/2" 3' 4 1/2" This drawing is the property of Associated Space Design, Inc. and is not to be reproduced or copied in whole or part. It is not to be used on any other project and is to be returned upon request. Scales as stated herein are for reference only as normal reproduction processes may alter the accuracy of original drawings. BIM 360://Swift Real Estate 8_1111 Broadway_14th fl spec suite_A20.rvt A6.01 3/8" = 1'-0" 1402 NORTH ELEVATION 3/8" = 1'-0" 5 BREAK 1402 EAST ELEVATION 3/8" = 1'-0" 1 BREAK 1402 SOUTH ELEVATION 3/8" = 1'-0" 9 CONF 1403 NORTH ELEVATION 6 COPY 1406 NORTH ELEVATION 3/8" = 1'-0" OFFICE FRONTS ELEVATION 7 BREAK 1419 SOUTH ELEVATION 3/8" = 1'-0" 1403 WEST ELEVATION 3/8" = 1'-0" 10 CONF 1409 WEST ELEVATION PER SCHEDULED PARTITION TYPE BOTTOM OF STRUCTURE NOTE ALL PENETRATIONS MUST BE SEALED WITH ACOUSTICAL CAULKING BOTTOM OF STRUCTURE B.O. CEILING SEE CEILING PLAN METAL STUD BRACING, REFER TO NOTES NOTE ALL PENETRATIONS MUST BE SEALED WITH ACOUSTICAL CAULKING BRACING NOTES: UP TO 6'-0" VERT. HEIGHT: BRACE TO BE 250S137-43 (OR EQUIVALENT W/ MIN. RY = 0.511 IN.) UP TO 8'-0" VERT. HEIGHT: BRACE TO BE 362S200-33 (OR EQUIVALENT W/ MIN. RY = 0.772 IN.) UP TO 12'-0" VERT. HEIGHT: BRACE TO BE DBL 250S137-34 (OR EQUIVALENT W/ MIN. RY = 1.0 IN.) DIAGONAL BRACING AT 48" O.C. 16GA CLIP ANGLE W/ 4-# 10SMS INTO EACH BRACE AND (2) HILTI X-DNI PINS W/ 1" EMBEDMENT 16GA CLIP ANGLE W/ 4-#10SMS INTO TOP TRACK AND EACH BRACE 3/8" TEMPERED GLAZING TO 9' HEIGHT, 1/2" TO 11' HEIGHT, U.N.O. HEADER PARTITION TYPE TO MATCH ADJACENT PARTITION TYPE INCLUDING CONNECTION TO STRUCTURE ABOVE, U.O.N. REFER TO CONSTRUCTION PLAN. WHERE TWO DIFFERENT PARTITION TYPES OCCUR DIRECTLY ADJACENT TO HEADER, MATCH THE PARTITION TYPE WITH THE GREATER ACOUSTIC RATING. 1" 2" ALUMINUM GLASS CHANNEL WITH CONTINUOUS GASKET INSERT. FINISH: T.B.D. ACOUSTIC BATT INSULATION AS SPECIFIED CONTINUOUS FRT BLOCKING AS REQUIRED SHIM AS REQUIRED INSULATION T.O. OPENING SEE ELEVATION NOTE ALL PENETRATIONS MUST BE SEALED WITH ACOUSTICAL CAULKING BRACING NOTES: UP TO 6'-0" VERT. HEIGHT: BRACE TO BE 250S137-43 (OR EQUIVALENT W/ MIN. RY = 0.511 IN.) UP TO 8'-0" VERT. HEIGHT: BRACE TO BE 362S200-33 (OR EQUIVALENT W/ MIN. RY = 0.772 IN.) UP TO 12'-0" VERT. HEIGHT: BRACE TO BE DBL 250S137-34 (OR EQUIVALENT W/ MIN. RY = 1.0 IN.) DIAGONAL BRACING AT 48" O.C. (ALTERNATE SIDES) ANGLE OF BRACE TO HORIZONTAL = ±45° WHERE DIAGONAL BRACING WILL BE EXPOSED (NOT CONCEALED BY SCHEDULED CEILING), COORDINATE WITH ARCHITECT TO DETERMIND PLACEMENT OR ALTERNATE SOLUTION. DO NOT DAMAGE SLAB REINFORCEMENT. GC TO CONFIRM IF SLAB IS POSTTENSIONED AND NOTIFY STRUCTRUAL ENGINEER OF RECORD FOR REVIEW OF SLAB DETAILS. METAL STUD BRACING, REFER TO NOTES ACOUSTICAL SEALANT, TYP. BOTH SIDES 16GA CLIP ANGLE W/ 4-#10SMS INTO EACH BRACE AND (2) HILTI X-DNI PINS W/ 1" EMBEDMENT METAL RUNNER TRACK. ANCHOR TO STRUCTURE ABOVE. GAUGE TO MATCH GAUGE OF WALL STUDS BOTTOM OF STRUCTURE BOTTOM OF STRUCTURE METAL STUD BRACING. REFER TO NOTES B.O. CEILING SEE CEILING PLAN 16GA CLIP ANGLE W/ 4-#10SMS INTO TOP TRACK AND EACH BRACE 16GA CLIP ANGLE W/ 4-# 10SMS INTO EACH BRACE AND (2) HILTI X-DNI PINS W/ 1" EMBEDMENT NOTE ALL PENETRATIONS MUST BE SEALED WITH ACOUSTICAL CAULKING BRACING NOTES: UP TO 6'-0" VERT. HEIGHT: BRACE TO BE 250S137-43 (OR EQUIVALENT W/ MIN. RY = 0.511 IN.) UP TO 8'-0" VERT. HEIGHT: BRACE TO BE 362S200-33 (OR EQUIVALENT W/ MIN. RY = 0.772 IN.) UP TO 12'-0" VERT. HEIGHT: BRACE TO BE DBL 250S137-34 (OR EQUIVALENT W/ MIN. RY = 1.0 IN.) CONTINUOUS FRT BLOCKING TYPICAL. SECURE BLOCKING TO METAL STUD BRACING BOTTOM OF STRUCTURE METAL STUD BRACING, REFER TO NOTES 16GA CLIP ANGLE W/ 4-# 10SMS INTO EACH BRACE AND (2) HILTI X-DNI PINS W/ 1" EMBEDMENT 16GA CLIP ANGLE W/ 4-#10SMS INTO TOP TRACK AND EACH BRACE NOTE ALL PENETRATIONS MUST BE SEALED WITH ACOUSTICAL CAULKING BRACING NOTES: UP TO 6'-0" VERT. HEIGHT: BRACE TO BE 250S137-43 (OR EQUIVALENT W/ MIN. RY = 0.511 IN.) UP TO 8'-0" VERT. HEIGHT: BRACE TO BE 362S200-33 (OR EQUIVALENT W/ MIN. RY = 0.772 IN.) UP TO 12'-0" VERT. HEIGHT: BRACE TO BE DBL 250S137-34 (OR EQUIVALENT W/ MIN. RY = 1.0 IN.) DIAGONAL BRACING AT 48" O.C. ACOUSTICAL SEALANT, TYP. BOTH SIDES 3/8" TEMPERED GLAZING TO 9' HEIGHT, 1/2" TO 11' HEIGHT, U.N.O. 1 1/2" PROFILE ALUMINUM GLAZING FRAME. FINISH: T.B.D. GLAZING BEAD, TYP. BOTH SIDES HEADER PARTITION TYPE TO MATCH ADJACENT PARTITION TYPE INCLUDING CONNECTION TO STRUCTURE ABOVE, U.O.N. REFER TO CONSTRUCTION PLAN. WHERE TWO DIFFERENT PARTITION TYPES OCCUR DIRECTLY ADJACENT TO HEADER, MATCH THE PARTITION TYPE WITH THE GREATER ACOUSTIC RATING. NOTE ALL PENETRATIONS MUST BE SEALED WITH ACOUSTICAL CAULKING BRACING NOTES: UP TO 6'-0" VERT. HEIGHT: BRACE TO BE 250S137-43 (OR EQUIVALENT W/ MIN. RY = 0.511 IN.) UP TO 8'-0" VERT. HEIGHT: BRACE TO BE 362S200-33 (OR EQUIVALENT W/ MIN. RY = 0.772 IN.) UP TO 12'-0" VERT. HEIGHT: BRACE TO BE DBL 250S137-34 (OR EQUIVALENT W/ MIN. RY = 1.0 IN.) DIAGONAL BRACING AT 48" O.C. (ALTERNATE SIDES) ANGLE OF BRACE TO HORIZONTAL = ±45° WHERE DIAGONAL BRACING WILL BE EXPOSED (NOT CONCEALED BY SCHEDULED CEILING), COORDINATE WITH ARCHITECT TO DETERMIND PLACEMENT OR ALTERNATE SOLUTION DO NOT DAMAGE SLAB REINFORCEMENT. GC TO CONFIRM IF SLAB IS POSTTENSIONED AND NOTIFY STRUCTRUAL ENGINEER OF RECORD FOR REVIEW OF SLAB DETAILS. ACOUSTIC BATT INSULATION AS SPECIFIED, TYP. T.O. FRAME SEE ELEVATION 1 1/2" METAL STUD BRACING, REFER TO NOTES ACOUSTICAL SEALANT, TYP. BOTH SIDES 16GA CLIP ANGLE W/ 4-#10SMS INTO EACH BRACE AND (2) HILTI X-DNI PINS W/ 1" EMBEDMENT METAL RUNNER TRACK. ANCHOR TO STRUCTURE ABOVE. GAUGE TO MATCH GAUGE OF WALL STUDS 3" = 1'-0" 4 PARTITION HEAD DETAIL WITH BRACING 3" = 1'-0" 8 FRAMELESS GLAZING HEAD DETAIL 3" = 1'-0" 12 FRAMED GLAZING HEAD DETAIL 29 Central Publics Work Dept., Govt. of India New Delhi, India 30