1 EDITORIAL | CONTRAST
Contrast
2 POINT OF SIMPLICITY #1 | CONTRAST
3 POINT OF SIMPLICITY #1 | CONTRAST EDITORIAL | CONTRAST
4
THEME | TONE CONTRAST & COLOUR CONTRAST
6
FEATURED PHOTOGRAPHER YANA KOTINA
12
PIA GUSTAFSSON
23
CARLOS HENRIQUE REINESCH
35
FIND OUT MORE | FEATURED LINKS
49
WANT TO BE FEATURED? SUBMIT YOUR WORK NOW!
50
ASSORTED FEATURE | INSPIRING PHOTOS
52
PHOTO FACT | MEMORABLE DATE
83
A SHOT TO REMEMBER | ON A SEA OF GOLD
84
I WANT A PORTFOLIO! | WHERE CAN I GET ONE?
88
LIST OF PHOTOGRAPHERS
90
TERMS AND CONDITIONS
92
4 EDITORIAL | CONTRAST
CONTRAST POINT OF SIMPLICITY #1 I am pleased to present the first issue
to
introduce
of “Point of simplicity”, a free pdf-based
professional
monthly
audience.
digest
devoted
solely
to
photography.
amateur
and
photographers
semi-
to
new
Each new issue will have a simple
The idea of “Point of simplicity”, a
theme, like “Lines” or “Red”. I already
magazine to collect simple imagery and
have
provide
but
photographers I would be honored to
talented photographers came from a
feature, but I am still on the lookout for
photography group “Ode-to-simplicity” I
new people, who wish to contribute to the
created
on
on-going themes. As, hopefully, the
DeviantArt.com. Once a small project I
magazine will grow and gain some
started from a scratch with a bunch of
momentum I will need enthusiastic team
committed soul mates has grown into a
members to help with written materials
close-knit community of like-minded, yet
and reviews.
limelight
in
to
unknown,
February
2010
a
rather
extensive
list
of
unique artists from all over the world.
The theme of this issue is contrast,
Images approved for the group’s gallery
one of the greatest tools to make the
set a high standard of quality I will do my
photograph tick. As Conrad Hall once put
best to maintain on the pages of this
it, “Contrast is what makes photography
magazine.
interesting.”
The primary aim of “Point of
In this issue we feature three
simplicity” is on one hand to let the
photographers whose distinctive styles set
viewers discover fresh names and enjoy
a great example of employing contrast for
good photography, and on the other hand
genre, macro and conceptual photography.
5 EDITORIAL | CONTRAST Every artistic work in the magazine has a
that you'll be inspired to create more
link to the authors’ online galleries, so
beautiful images yourself!
please feel free to browse away. Dear readers, I hope you will enjoy the first issue of “Point of simplicity” and
May 25th 2011
TEYA SAVELEVA editor in chief RUSSIA showcase http://savatey.500px.com/ blog http://teyasaveleva.livejournal.com
6 THEME | TONE CONTRAST & COLOUR CONTRAST
Pansa Sunavee «PO»
7 THEME | TONE CONTRAST & COLOUR CONTRAST
Teya Saveleva «PHANTASMAL FLOWERS OF SPRING»
8 THEME | TONE CONTRAST & COLOUR CONTRAST
TONAL CONTRAST is the difference between the light and dark areas of the image and is one of the most powerful tools to define its centre of interest. A good example of tonal contrast are silhouettes. When the tones that comprise a picture are very close to each other in tonal value but lack many deep tones (e.g., black) or bright tones (e.g., white), the picture is said to have low contrast. As the tonal situation changes and pictures present more dark and light tones, the images exhibit higher and higher levels of contrast. Here are some facts about human eye and what it makes of tonal contrast: - Light areas advance while dark areas retreat - When looking at a picture human eye catches the lighter objects in a scene first - Light areas look and feel lighter, dark areas look and feel heavier
FURTHER READING ELEMENTS OF TONE ROLE OF CONTRAST IN PHOTOGRAPHY TONAL CONTRAST TO DRAW THE VIEWERS ATTENTION HIGH CONTRAST IN BLACK AND WHITE PHOTOGRAPHY
9 THEME | TONE CONTRAST & COLOUR CONTRAST
COLOUR CONTRAST is the difference between cool and warm areas of the image. Colours may be of the same tone intensity, but still be opposite. To get a better idea of the colour opposites use a colour wheel for guidance. Tips: - Colour contrast works better with fewer and larger colour masses. - The more vibrant the colours, the more colour contrast. - The more colours you introduce to the photo, the more colour contrast will decrease.
FURTHER READING COLOUR THEORY - EXPLAINED IN WORDS COLOUR THEORY – EXPLAINED THROUGH DIAGRAM COLOUR THEORY BASICS FOR PROFESSIONALS INTENSITY QUALITY AND CONTRAST OF LIGHT IN PHOTOGRAPHY
10 THEME | TONE CONTRAST & COLOUR CONTRAST
Alexandra Daryl Ariawan «FISH SPLASH»
11 THEME | TONE CONTRAST & COLOUR CONTRAST
Iva Pelcova «FACE TO FACE»
12 FEATURED PHOTOGRAPHER | odpium
YANA KOTINA ODPIUM
RUSSIA lens of choice 50 mm fix showcase http://500px.com/odpium blog http://odpium.livejournal.com
13 FEATURED PHOTOGRAPHER | odpium
Yana Kotina «ATTACK»
14 FEATURED PHOTOGRAPHER | odpium
Yana Kotina ***
15 FEATURED PHOTOGRAPHER | odpium
Yana Kotina «LINES»
16 FEATURED PHOTOGRAPHER | odpium
Yana Kotina «FORLORN»
17 FEATURED PHOTOGRAPHER | odpium
Yana Kotina ***
18 FEATURED PHOTOGRAPHER | odpium
Yana Kotina ***
19 FEATURED PHOTOGRAPHER | odpium
Yana Kotina ***
20 FEATURED PHOTOGRAPHER | odpium Yana Kotina, better known throughout
this with others. I find my inspiration in
the Internet as odpium, is an aspiring
perfect natural shapes, and also in music. I
photographer from Russia. If one had to
need many small beautiful things around
choose three words to describe Yana’s
me, such as pretty vases, comfortable
style, simple, minimalistic and touching
pillows, some other cute stuff. And
would probably be the best fit. And
cleanliness.
although less is more for odpium, it is definitely more than that to the art of fleeting beauty she creates.
Are you an old-school photographer? No, I use digital darkroom.
Yana, tell us what is the reason you
Yana, why do you mostly shoot square
became a photographer?
and black-white?
I became a photographer because
Black and white photography is
photography helps me to speak and
simple and perfect. With black and white
express emotions without words. I’ve
photo it is easier to focus on the subject of
been traveling a lot, enjoying great wild
photography. You are not disturbed by
nature, and this experience had an
colours.
influence on me. At this point it has been 3 years that I’ve been devoting most of my time to photography
Yana, what is a good photograph? A really good photo should touch the viewer from the inside.
Do you have a motto? Well, I guess that would be " remove the superfluous".
And what is the most challenging thing about this media? Well, for me the most challenging
You works are simple and sententious.
thing is shooting wildlife. Because nine
What is your inspiration?
times out of ten you can do just one shot
When I meet nature I always want to create something beautiful and to share
until your 'model' is gone. You have to be
21 FEATURED PHOTOGRAPHER | odpium always alert, have to be fast and you must know and predict animal's behaviour.
Yana, what would be your advice to anyone seeking to improve their photo skills? I would tell "You should express your own world and try to shoot as much as you can, but after all you have to remove most of your shots and leave the best. You can make a thousand shots, but only one can be the masterpiece"
You shoot a variety of subjects. What is your lens of choice? If I have to choose I'd shoot at my fixed 50mm lens, but I don't have many lenses to compare.
Yana, thank you very much for joining us for the interview. It is pleasure to have you here. Please to be here. Thank you for the opportunity to take part in the launch of this project. Good luck!
22 FEATURED PHOTOGRAPHER | odpium
There is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. Herman Melville
23 FEATURED PHOTOGRAPHER | PiaG
PIA GUSTAFSSON PiaG
FINLAND showcase http://piag.deviantart.com/ http://www.redbubble.com/people/piag
24 FEATURED PHOTOGRAPHER | PiaG
PiaG «HOW SHE LOVES»
25 FEATURED PHOTOGRAPHER | PiaG
PiaG «WHEN YOU CLOSE YOUR EYES»
26 FEATURED PHOTOGRAPHER | PiaG
PiaG «LOSING YOU»
27 FEATURED PHOTOGRAPHER | PiaG
PiaG «.:.»
28 FEATURED PHOTOGRAPHER | PiaG
PiaG «.::.»
29 FEATURED PHOTOGRAPHER | PiaG
PiaG «ECHOES»
30 FEATURED PHOTOGRAPHER | PiaG
PiaG «...»
31 FEATURED PHOTOGRAPHER | PiaG Pia
Gustaffson
is
an
amateur
2009. Basically my journey as an
photographer and art history student
amateur photographer can be through
from Finland. Pia’s photography is
my gallery on deviantArt.
special. Every shot is like a tiny square
Photography was (and still is) like
window through which the viewer can
therapy to me. It was a way of dealing
take a look at and be involved with
with pain – or a memory of pain. It
something intimate. I would say Pia’s
gave me something to do and most
gallery has a subtle touch of 1920’s
importantly it gave me a goal again: I
aesthetism, nostalgic and silent.
wanted to get better at it. I still have more to learn than I even know, but it’s
Pia, when and why did you choose to
a good feeling. Through photography I
be a photographer?
was, in a way, able to take distance
It feels odd to think of myself as a
from all the things that happened
photographer. A few years ago my life
around that time, but it also made me
was in a bad place, I lost almost
see so much of what I never knew
everything I had learned to think as my
before. It really did turn darkness into
life. After the first shock I came across
fairytales and raindrops into diamonds.
my old camera, of which I had no idea how to use – a semi-DSLR by Canon.
Discovering photography on your own,
One day I just began reading and
do you find it challenging in any way?
reading about photography, starting
For me the biggest challenge has
from the basics of exposure and
been to keep faith in myself. There
composition and then slowly moved to
were been times of frustration and
get to know my camera. It was lovely!
feelings of insufficiency, but they
My first pictures can still be found from
passed. The most important thing is to
my gallery on deviantArt and I’m
remember why I started photography
planning to keep them there. It’s nice
in the first place: it simply makes me
to go back to them and remember how
happy.
proud I was of what I had done back in
32 FEATURED PHOTOGRAPHER | PiaG Pia, what is your inspiration?
That’s very true. Do you have personal
My inspiration mostly comes from emotions, words, music and nature.
favourites in your own gallery? Sometimes
I
have
many
and
Whenever I see or hear something
sometimes I have none, but I think the
beautiful it makes my heart beat a little bit
one I see as a turning point would be
faster. And it makes me want to interpret
“Losing you”.
what I see or hear in my own way.
It was a time when my life was changing a lot in many ways, changing for
How would you describe your own style in
the better. I remember the feeling I had
photography?
when I walked on the spot and I just had
I’m not sure if I have my own style,
to take a picture.
but I guess there’s a big element of
The subject was uncharacteristic for
instinct in what I do. I just let go and let
me at the time and it made me think of
the images take control. The world is full
photography in a new way. It also gave me
of unrealized images!
more courage to try out things I never thought of before and that is the kind of
Pia, what, in your opinion, is a good
feeling I seek when I photograph. The
photograph?
thrill and the enjoyment of just being
A good photograph makes you smile,
happy about what you do, at the precise
it thrills you, it makes you think or it can
moment you do it, without thinking about
even make you scared. But a good
anything else in the world.
photograph
will
never
leave
you
uninterested, untouched. A photograph can
be
technically
perfect
Pia, what turns you on creatively?
without
It can be anything. It can be light, a
conveying any feeling – but then it’s not a
reflection, a bird, the wind, a scent, a
good photograph. Though I guess there
memory, a tear, a smile, a song, a
are as many views of what a good
picture… or it might be ice cream.
photograph is as there are viewers!
33 FEATURED PHOTOGRAPHER | PiaG What is the greatest piece of advice you have ever been given? “Be yourself and never let anyone tell you that you should be something else.” It was one of the last things someone I used to know said to me. I think it suits both photography and life perfectly.
If someone asked you “How can I be a better photographer?”, what would you tell them? To be patient, to take pictures, to look at pictures and to read about pictures. And to Want to become better. (Or: If you find out, let me know too!)
Pia, the final question. What is your motto? “Happiness is a state of mind.”
Pia, thank you very much for your time! It is a great honour to feature you and your work on the pages of the magazine. Thanks again for inviting me. It is a rare and a new thing for me. I look forward to seeing the first issue!
34 FEATURED PHOTOGRAPHER | PiaG
Where there is much light, the shadow is deep. Johann Goethe
35 FEATURED PHOTOGRAPHER | oO-Rein-Oo
CARLOS HENRIQUE REINESCH oO-Rein-Oo BRAZIL lens of choice Nikkor 50mm f/1.4 showcase http:// carlosrphoto.daportfolio.com/ deviantart http://oo-rein-oo.deviantart.com/ twitter http://twitter.com/carlosrphoto
36 FEATURED PHOTOGRAPHER | oO-Rein-Oo
oO-Rein-Oo «BODY LANGUAGE»
37 FEATURED PHOTOGRAPHER | oO-Rein-Oo
oO-Rein-Oo «BE UNIQUE»
38 FEATURED PHOTOGRAPHER | oO-Rein-Oo
oO-Rein-Oo «FIERY EVENING»
39 FEATURED PHOTOGRAPHER | oO-Rein-Oo
oO-Rein-Oo «SAIL TO LIFE»
40 FEATURED PHOTOGRAPHER | oO-Rein-Oo
oO-Rein-Oo «SHATTERED ME»
41 FEATURED PHOTOGRAPHER | oO-Rein-Oo
oO-Rein-Oo «SILHOUETTE OF LOVE»
42 FEATURED PHOTOGRAPHER | oO-Rein-Oo
oO-Rein-Oo «UNLOCK MY HEART»
43 FEATURED PHOTOGRAPHER | oO-Rein-Oo Carlos Henrique Reinesch is a 22 year old amateur photographer from Brazil. Self-taught and audacious Carlos works on conceptual photography, and is well-known for his flamboyant, robust style. Hi, Carlos! Nice to have you here. How long have you been into photography? Hi! Nice to be here! I discovered deep passion for photography about three years ago. It has been my addiction and the reason I wake up in the morning ever since. I have always liked photography, but one day I decided to try it on my own. My will to learn photography and my impulses to create merged into one, and at some point I realized that I was making art and at the same time doing the thing I loved! Carlos, what is your photo-motto? Pay attention to the details. Details and seeing the unseen is essential for photography. Another one is “SHOOT LIKE HELL!”. My goal was not just to grab a camera and to randomly make photos around, but to do it with criterion and thoughts. I have always believed that this way I would maybe be able to stand out from the crowd and also a way of having a basis to always be improving, and I am glad that it is working well so far.
OK, so what do you think makes a good photograph? A good photograph, in a simple way of speaking, is a photograph that can change people. A good photograph has to make the viewers think. It has to be direct yet deep, strong yet pleasant to see. It’s hard to explain. There are a lot of feelings involved from the point of creation of the shot to the moment it is being seen. It’s like a two-way road, photographer-viewer, viewerphotographer. A good photograph may be good for me, but for you it may be just another image. However, I think what separates great images from the other average ones is the ability to strike the viewer instantly, to make them stop on their tracks at the very first time they look at it. The photo has to have something that anyone can relate to, to be clear to any person that takes a look at it. The message has to transcend the image, to touch the inner being of the viewer, and that’s what I seek as a photographer. A good image is like magic, and if you are fortunate and skilled enough, you might make one of those in your lifetime. Carlos, what do you feel is the most challenging thing about photography? I am a perfectionist. This is the best and the worst thing for me. The most difficult thing about what I do is to
44 FEATURED PHOTOGRAPHER | oO-Rein-Oo actually make art I like. I tend to dislike my works after some time, and I can’t help but to always seek imperfections in my work. Although it pushes me forward on the road of improvement, it makes me feel insecure. In my opinion, great art is about feelings, passion and message. It is obvious to anyone who is looking at my work that I am trying to say something with my shots, they all have messages embedded into them. The most challenging thing is to be capable of making “timeless” art, that will stand for itself and will always remain as good as it was at the time of making. Such art has no need to be redone and is the closest anyone can get to perfection. Carlos, being so hard on yourself do you even have a favorite shot in your gallery? Yes, I do. My most treasured shot is “Reach Out For My Soul”. It was the beginning of my conceptual pieces and
literally a benchmark in my creative work. After receiving a great feedback on it, I believed that I really had done something out of the ordinary and decided to develop the idea. This was the beginning of my first conceptual photo series “Soul”. The photo is simple, yet full of ideas. Depicting soul as distorted and warped reflections of myself was really a compelling concept. I am still adding new photographs to the series and recreating the concept in different ways. Coming back to it is one of the reasons one of the reasons why I treasure that shot. Are you working on any series at the moment? I love making series of photographs on the same theme. When I start making a new series, I focus on a theme and make everything I can until I move to the next one. Sometimes I love to go back to older series to refresh the previous approach. My latest series is about rainbows. I am not good in writing about my photographs, so probably it is better if you take a look at it yourself! Carlos, it seems like your head is abuzz with ideas 24/7. What’s your secret? Well, I try to develop my ideas and exercise abstract thinking to turn everything I see into concepts, shaping and remolding the stuff I want to do in my head. I write my ideas and spend much
45 FEATURED PHOTOGRAPHER | oO-Rein-Oo time to make them tangible, until I decide that it is time to turn those thoughts into photographs. My inspiration comes from my ideas. One thing that helps and I strongly recommend it to people who are struggling with lack of inspiration periods (which happens to everyone, even to me) is to stick onto a theme of your choice and make series of photos trying to depict the theme in different ways. The theme has to convey your feelings, and has to be wide enough for you to have lots options to elaborate on. My examples of such series are “Time”, “Rainbow” and “Soul”. They look simple at a glance, and it’s important that you remember to simplify. Simple ideas and profound messages can make unbelievable things, and that is how I do it all. So what is your usual workflow? My workflow is not very complicated, but it is a little bit crazy. I always use objects and a lot of different stuff in my photos. But it's not like I make a huge rainbow sign and start making photos of it in a minute. I need inspiration, and you never know when it comes. I carry my stuff with me, and when the inspiration comes, I have it all at hand. I usually pick a day and spend it all shooting at some random place in the country side. I don’t like the urban environment – it distracts me and take my
inspiration away. On the other hand, going to the countryside is about two things that I love: travel and photography. When I go out with a camera I have a particular image in mind, and if I manage to catch it on camera I feel satisfied. My photoshoots need planning, and when everything is set up and I am at the right place, with the right weather, with the right people with me and with the right mood, everything flows more easily and pleasantly. Having images on a flashcard doesn’t mean they are finished. It’s just another step. I know what I had in mind at the time of pressing the shutter button. After a while when the time feels right, I grab my computer and retouch the photo, according to the mood and thoughts I want it to convey. I can’t just force myself into making photos. I need both: a right moment for inception of the idea and a right moment for editing the shot.
46 FEATURED PHOTOGRAPHER | oO-Rein-Oo It is also important to point out that my editing is just for the colors and nothing more, I neither put things that were not there at the time of the shooting nor take out stuff from the images. Color boost is important for the mood, it adds to visual attractiveness. And that is all. Yes, your photos use a lot of vivid color and bold contrast. How would you describe your own style? When I started out, I had to try everything on my own, to experiment and to venture myself into the various genres and kinds of photography. It was necessary for me, and I do recommend people to do the same. It helped me to discover my favorite genre and to plunge even deeper, it helped me to develop my style. My favorite genre is conceptual photography. For me my photos are like paintings. They are about transmitting messages and ideas. I use a wide range of elements and things and play with the connection between them and the ideas they convey. When making series I use interconnections between the photos to make my point clear. I like to add mystery to my photos, to hide something or to make the viewer uncomfortable with what they see. I do love to make faceless photos, where you can see that there is a person there but you can’t tell who it is. I believe that this way viewers can relate to
the picture easily as they don’t identify the person that they are seeing as someone else but just as a human model. I keep in mind that a good photograph is a photograph that can be understood at a first glance, yet I would like the viewer to come closer to feel the details and colors of it. This is one more reason why I like to think of my photos as paintings. I love to hang them up on walls, in huge prints. The colors are very important elements of my work. I always carefully choose the color palette of my photos so that they can work together. I believe that it is not just about the message but the spectacle of the image. Having the right way of displaying the message, the right colors and mood, I am able to instigate and incite people and maybe to change them in order to make them different. So my style is, then, all about ideas, colors, details, mystery and impact. And the lack of face. Carlos, if you had to choose one lens, which one would it be and why? I would definitely choose my Nikkor 50mm f/1.4. It is by far my favorite lens. I can use it anytime, day or night. Its huge aperture enables me to shoot even in poor light conditions, not to mention the amazing quality of a prime, fixed lens which is noticeable very clearly on it. It has no zoom, it is light, it is fast and it is good. It was made to make the
47 FEATURED PHOTOGRAPHER | oO-Rein-Oo photographic act more simple and versatile! I do believe, though, that one should not be worried about their equipment at all: it is not about the gear, but the photographer. Another one of my favorite tools of trade is my cellphone with its tiny image sensor. It is with me all the time, it is silent and discrete. I have a lot of photographs made with my phone amongst my work and I doubt that you can easily tell which those are. Carlos, we are heading to the end of the interview. What would be greatest piece of advice you have ever been given? I learned everything I know on my own. I never went to any art school or something like this. Being a self-taught artist, I have never had any kind of mentor or person to be around to help, and maybe the greatest piece of advice I have ever been given was given to me and by me, which was to be persistent and to always, always be improving no matter what. So how can one be a better photographer except for being a hard worker? When asked about this, I tend to tell the people how it happened with me. If
you have the real passion, don’t give up. Experimenting and practicing is the key to improvement. Photographic theory is important, but it is just the tool you are going to have in mind to make your photographs. What really matters is the notion of what is a great image and it relates to the basics of the whole thing: composition, colors, subject matter, etc. By practicing, you are able to exercise your mind and to train your eyes to seek for great images. Reading about arts is very important, but you still need to try it on your own in order to really know what you are doing and what it is all about. Carlos, thank you very much for taking your time for this interview. Any final words or shoutouts? I am glad that I am being able to speak to people and transmit feelings throughout my art. Thank you for the opportunity of doing this interview, it is a great honor for me to be featured here. I would like to finish in with a quotation from one of my major inspirations, RenÊ Magritte: "Art evokes the mystery without which the world would not exist." That sums it all for me. Thank you for your time!
48 FEATURED PHOTOGRAPHER | oO-Rein-Oo
There are dark shadows on the earth, but its lights are stronger in the contrast. Charles Dickens
49 FIND OUT MORE | FEATURED LINKS ART PROJECT "FAMILY TREE" BY BOBBY NEEL ADAMS Family Tree is a series of portrait of immediate family members from different generations (for example, Mother/Daughter). Individual portraits of family members are taken on film, then sized and printed at the same proportions. Finally two photographs are torn and glued together to make one portrait. The project sheds light on distinctive visual genes running through families and points out the fact that we are often not aware of obvious similarities between us and our closest relatives!
1
http://www.bobbyneeladams.com/family.html
2
FASHION PHOTOGRAPHY BY HUNG NG Another stunning example of using contrast to achieve maximum results. A young and talented photographer from Hong Kong, China offers a smoking hot (literally!) view on fashion photography. http://www.behance.net/gallery/black-fire/1090651
CONTRAST IN NUDE PHOTOGRAPHY BY KLAUS KAMPERT Klaus Kampert is a true priest of human beauty that comes from within. Although naked beauty of a human body is the main concern of Klaus's creative work, he doesn't count himself as a one working in nudes or erotic photography. Photography in his gallery presents human beings as a whole, mind and body, in pursuit of grace, achievement and perfection.
3
www.klauskampert.com
4
ART OF ALTERNATIVE REALITY BY CHEMA MADOZ Gallery of Chema Madoz breaks and bends usual perceptions of reality. Unsophisticated monochrome shots are manifestations of paradox, absurd and humour. The irony with which Madoz assaults recognizable objects creates a relationship with viewers that leads to paths of a parallel universe.
http://www.chemamadoz.com/ingles/gallery1.htm
50 WANT TO BE FEATURED? | SUBMIT YOUR WORK!
ISSUE#2.WHITE SUBMIT YOUR WORK UNTIL JUNE 20 2011 & GET PUBLISHED!
51 WANT TO BE FEATURED? | SUBMIT YOUR WORK!
HOW TO SUBMIT? 1.
Follow us on Facebook or Twitter and share links to your galleries or shots by replying to our posts.
2.
Follow Ode-to-simplicity on DeviantArt and suggest your photos as Favourites to the specially designated folder.
We are glad to discover and publish photographers with a fresh, untarnished view of the world. We are looking for beauty, novelty, depth, transience, special touch, and, well, simplicity. You may not be very famous, but you should have something special to show ♼ By submitting your work you give us the right to publish it on the pages of this magazine and you agree to your work being distributed digitally via issuu.com media plugin, which can be pasted virtually anywhere on the Internet (see Terms and Conditions). We do not publish every work submitted. We select the shots which we think
are a better fit to current theme and general aesthetics of the issue. The choice is subjective and cannot be discussed. Once your work is selected for publishing we will contact you to verify your basic contact information such as your name or nickname, title of the featured work and link to your gallery. This information will be published alongside your work. If
you
have
any
simplicity.pdf@gmail.com.
questions,
please
send
us
an
to
52 ASSORTED FEATURE | INSPIRING SHOTS
Roza Khakimova «411»
53 ASSORTED FEATURE | INSPIRING SHOTS
Beata Czyzowska Young «NOT CINDIRELLA»
54 ASSORTED FEATURE | INSPIRING SHOTS
Alain Baumgarten «V»
55 ASSORTED FEATURE | INSPIRING SHOTS
Benita «STRAIGHT»
56 ASSORTED FEATURE | INSPIRING SHOTS
Valentyna Zegria «BEHIND THE SMILES»
57 ASSORTED FEATURE | INSPIRING SHOTS
Valentyna Zegria «HE’S OUT OF MY LIFE»
58 ASSORTED FEATURE | INSPIRING SHOTS
Isabel Charlotte Meyer «IT’S ALL OVER NOW, BABY BLUE»
59 ASSORTED FEATURE | INSPIRING SHOTS
Anka Zhuravleva «THE AUTUMN HOKKU»
60 ASSORTED FEATURE | INSPIRING SHOTS
Izabela Matuszynska «TASTE OF BLOOD»
61 ASSORTED FEATURE | INSPIRING SHOTS
Hanne «BECOMING ONE»
62 ASSORTED FEATURE | INSPIRING SHOTS
Cosette Chi Guemez «SOZINHO»
63 ASSORTED FEATURE | INSPIRING SHOTS
Ekaterina Serebryakov «DYING SWAN II»
64 ASSORTED FEATURE | INSPIRING SHOTS
Ambrosia Ris «TOKYO»
65 ASSORTED FEATURE | INSPIRING SHOTS
Mert Duyal «FROM EGYPT TO ROME»
66 ASSORTED FEATURE | INSPIRING SHOTS
Peter Pikulik «JUSTICE»
67 ASSORTED FEATURE | INSPIRING SHOTS
Pauline Greefhorst «LONGING FOR HER RETURN»
68 ASSORTED FEATURE | INSPIRING SHOTS
Peter Neske «SUN AT NIGHT»
69 ASSORTED FEATURE | INSPIRING SHOTS
Navid Sanati «HYPOPHRENIA»
70 ASSORTED FEATURE | INSPIRING SHOTS
Maria Gvedashvili «HIGH HOPES»
71 ASSORTED FEATURE | INSPIRING SHOTS
Gu Xiaohui «TOUCH»
72 ASSORTED FEATURE | INSPIRING SHOTS
Joanna Kupniewska «ZONA CMENTARNA»
73 ASSORTED FEATURE | INSPIRING SHOTS
Egor Shapovalov «YULIANA»
74 ASSORTED FEATURE | INSPIRING SHOTS
75 ASSORTED FEATURE | INSPIRING SHOTS
Mikhail Palinchuk Jr. «ANXIETY»
76 ASSORTED FEATURE | INSPIRING SHOTS
Alex Matvey Pesegoff «KNITTING ON A PIANO»
77 ASSORTED FEATURE | INSPIRING SHOTS
Stéphane Pellennec «NIMETÖN SAARI» (ISLAND WITHOUT A NAME)
78 ASSORTED FEATURE | INSPIRING SHOTS
Dan McCarthy «FETCH»
79 ASSORTED FEATURE | INSPIRING SHOTS
Marie Schabow «THE WATCH OUT»
80 ASSORTED FEATURE | INSPIRING SHOTS
Brigita Starešinič «GENERATION GAP»
81 ASSORTED FEATURE | INSPIRING SHOTS
Simon Narto «A YOUNG OLD WOMAN»
82 ASSORTED FEATURE | INSPIRING SHOTS
Which is probably the reason why I work exclusively in black and white... to highlight that contrast. Leonard Nimoy
83 PHOTO FACT | MEMORABLE DATE
Color photography was born on 17TH of May 150 years ago in 1861 when Scottish physicist and mathematician James Clerk Maxwell and photographer Thomas Sutton — inventor of the SLR camera — shot the above photograph of a colored ribbon. via Popular Photography
84 A SHOT TO REMEMBER | ON A SEA OF GOLD
IAN CARTER iancaus AUSTRALIA – CHINA showcase http://iancaus2001.deviantart.com/
85 A SHOT TO REMEMBER | ON A SEA OF GOLD
Ian Carter «ON A SEA OF GOLD»
86 A SHOT TO REMEMBER | ON A SEA OF GOLD A failed attempt for a striking
so I climbed the cliff to get a higher angle
sunrise shot turned to gold when
on the patterns they created. The rising
patience and a change to a higher camera
sea-haze became a huge translucent filter,
position were rewarded. The sun burnt
rendering the colours flat and lifeless.
through the heavy haze just as the actors
Experience has taught me though, never
moved into position on nature’s stage.
give up on Mother Nature, she's full of
Wow! I couldn’t have scripted the chain
surprises.
of events better.
I watched other photographers pack and head off for breakfast, but stayed put,
After a week of cloudy, showery weather,
a
could get some useful images. I watched
welcome change. Next morning we rose at
the two work-boats delivering supplies
3:30 am to drive to Xiapu, a small town
and breakfast (?) to the workers who had
that was a base for part of the extensive
been out on rafts since before sun-rise,
seaweed
Chinese
and saw that several elements were
mainland coast south of Xiamen. Our
coming together. Just as the boats
Chinese guide had suggested that the first
approached a workman, offering a nice
sunrise after the rainy period should be
composition, the sun flashed through a
dramatic, with some residual cloud in a
break and reflected off the sea, lighting
clean, pollution-free sky.
the haze layer from below and the sea
We
the
farms
hiked
forecast
along
up
predicted
hoping that the light might improve so I
the
the
coastal
changed from a dull coppery colour to rich
mountainside-side, hoping to capture a
gold. The magic light lasted less than a
nice sunrise. The sun appeared, veiled by
minute,
a rising sea-haze without distinct clouds
transformation. I nearly fell off the
and devoid of the warm colours we
mountain!
wanted. A winning sunrise image wasn’t going to happen today, but the fascinating
but
what
an
amazing
Luckily I remembered to press the button.
structures of the seaweed farm provided
It all happened just after I’d swapped
an interesting foreground for a seascape,
my Sigma 600mm mirror-lens for a Nikkor
87 A SHOT TO REMEMBER | ON A SEA OF GOLD 75 ~300 zoom and framed where I knew
original RAW file to get it as I saw it,
the boats were going to be. If I could
because I like to slightly over-expose
choreograph nature, I couldn’t have done
sunrises or sunsets to retain some detail in
better. I took several shots as the scene
silhouetted foreground subjects, so the
developed, but knew before I released the
colour washes out. Digital is great; on film,
shutter that this one, “On a Sea of Gold”,
I would have had to expose precisely and
was exceptional. In post-processing, I
accept what came back from the lab.
boosted the saturation a touch from the
88 I WANT A PORTFOLIO! | WHERE CAN I GET ONE?
500px.com
Snapixel.com
free
free
flash
flash
maximum file size 30MB
no maximum file size
JPG only
JPG only
unlimited uploads
5GB of free storage
1 gallery
unlimited galleries
~.500px.com or your domain name
~.snapixel.com or your domain name
7 basic layouts
basic layout customization
drag & drop organizing
drag & drop organizing
bulk upload tools
bulk upload tools
premium features for $50/yr
premium features for $14/yr
http://savatey.500px.com/
http://unniphotography.snapixel.com/
Behance.net
CarbonMade.com
free
free
web-page
flash
maximum file size 3 MB
unknown
JPG, GIF, and PNG
JPEG, GIF, BMP, TIFF, and PNG
unlimited uploads
35 images
unlimited projects
5 projects
~.behance.net
~.carbonmade.com
basic layout customization options
lots of layout customization options
professional social network
funky interface
sync with ProSite.com
video upload available
---
premium features from $12/mo
http://www.behance.net/reclarkgable
http://carbonmade.com/examples/photographers
89 I WANT A PORTFOLIO! | WHERE CAN I GET ONE?
ViewBook.com
ZenFolio.com
$4/mo or $48/yr
$25/yr
flash
flash
maximum file size 20 MB
maximum file size 24 MB
JPG, TIFF, and PNG
JPEG, TIFF, PNG and GIF
1000 hi-res images
2Gb of storage + 1Gb every year
unlimited galleries
unlimited galleries
~.viewbook.com
~.zenfolio.com or your domain name
some layout customization options
25 layouts
neat and clean
custom portfolio logo
Lightroom速 export plugin
WordPress.com plugin
premium features from $9/mo
variety of premium programs from $50/y
http://www.viewbook.com/portfolio-examples
http://demo.zenfolio.com/
SmugMug.com
DeviantArt.com
$5/mo or $40/yr
available for premium users $4.95/mo
flash
flash
maximum file size 24 MB
maximum file size 30MB
JPEG, PNG and GIF
JPEG, TIFF, PNG and GIF
unlimited uploads
up to 4 folders/galleries
unlimited galleries
up to 18 images per gallery
~.smugmug.com or your domain name
custom domain name or your domain name
50 layouts
basic customization of layout
Integrated sharing on social networks
huge artistic community
comments + e-mail notification feature
upload your CV in pdf
variety of premium programs from $60/y
custom portfolio logo
http://www.smugmug.com/photos/example-photosharing-sites/
http://teyasaveleva.artworkfolio.com/
90 THE END | THANK YOU! INDEX OF PHOTOGRAPHIC MATERIAL USED IN THE ISSUE (IN ORDER OF APPEARANCE)
Pansa Sunavee
6
http://www.pansa-art.com /
Teya Saveleva
7
http://savatey.deviantart.com/
Alexandra Daryl Ariawan
10
http://aiyoshi.deviantart.com/
Iva Pelcova
11
http://ivy046.deviantart.com/
Yana Kotina
12-21
http://odpium.deviantart.com/
Pia Gustafsson
23-33
http://piag.deviantart.com/
Carlos Henrique Reinesch
35-48
http://oo-rein-oo.deviantart.com/
Roza Khakimova
52
http://dressed-in-white.deviantart.com/
Beata Czyzowska Young
53
http://incredi.deviantart.com/
Alain Baumgarten
54
http://agbr.tumblr.com/
Benita
55
http://felidae84.deviantart.com/
Valentyna Zegria
56-57
http://valioza.deviantart.com/
Isabel Charlotte Meyer
58
http://myuneko626.deviantart.com/
Anka Zhuravleva
59
http://www.ankazhuravleva.com/
Izabela Matuszynska
60
http://imatuszynska.pl/
Hanne
61
http://svampebob.deviantart.com/gallery/
Cosette Chi Guemez
62
http://catherinecosette.daportfolio.com/
Ekaterina Serebryakov
63
http://katr-s.livejournal.com/
Ambrosia Ris
64
http://ambrosia3.deviantart.com/
Mert Duyal
65
http://kopita.deviantart.com/
Peter Pikulik
66
http://invisiblesk.deviantart.com/
Pauline Greefhorst
67
http://www.pauline-greefhorst.com/
Peter Neske
68
http://augenweide.deviantart.com/
Navid Sanati
69
http://navidoutlaw.deviantart.com/
Maria Gvedashvili
70
http://daizy-m.deviantart.com/
Gu Xiaohui
71
http://earam.deviantart.com/
Joanna Kupniewska
72
http://joannarasta.deviantart.com/
Egor Shapovalov
73
http://www.egorshapovalov.ru/
74-75
http://www.palinchak.com.ua/
Mikhail Palinchak Jr.
Matvey Pesegoff
76
http://matveypesegoff.deviantart.com/
StĂŠphane Pellennec
77
http://www.elucubrations.eu/
91 THE END | THANK YOU! Dan MacCarthy
78
http://thedanis.deviantart.com/
Marie Schabow
79
http://mrsklonk.carbonmade.com/
Brigita StareĹĄiniÄ?
80
http://danishcookie.deviantart.com/
Simon Narto
81
http://www.snarto.se/
Ian Carter
84-87
http://iancaus2001.deviantart.com/
92 THE END | THANK YOU!
Terms and Conditions* 1. POINT OF SIMPLICITY is a free pdf-based magazine distributed online via issuu.com media plugin which can be embedded to any public domain, personal website or social media for non-profit use; 2. By submitting their written or photographic work to POINT OF SIMPLICITY magazine authors: a. agree to the Terms and Condition of POINT OF SIMPLICITY magazine; b. guarantee that the material submitted is original, has created by and belongs to the author; c. grant POINT OF SIMPLICITY magazine the right to publish their work on the pages of the magazine and share it online via issuu.com plugin; 3. POINT OF SIMPLICITY magazine retains full rights to publish submitted photographs and written materials for the purpose of promotional activities of POINT OF SIMPLICITY magazine without requiring any additional approval of the author or remuneration; 4. Photographic or written material once submitted to the magazine by the author or approved for publication in the POINT OF SIMPLICITY magazine by the author cannot be removed, unless in violates the copyright (see 8); 5. POINT OF SIMPLICITY magazine holds no responsibility in case of any kind of manipulation of the submitted material by the POINT OF SIMPLICITY magazine's readers or visitors of any website the POINT OF SIMPLICITY magazine has been shared on; 6. All photographs in the POINT OF SIMPLICITY magazine are published upon prior negotiation with the author of the photograph and getting their written consent to do so. Photographs are published alongside the contact information (full name of the author, their nickname , link to their gallery or portfolio) the author has provided; 7. The POINT OF SIMPLICITY magazine respects the copyrights of all the written and photographic material published. All material published in the POINT OF SIMPLICITY
93 THE END | THANK YOU! magazine or otherwise on the World Wide Web is material in which copyright is owned by POINT OF SIMPLICITY magazine and respective owners (authors). No part of such material may be copied, reproduced or edited in any way without prior permission of the copyright holder. Free online sharing via issuu.com plugin is allowed, but permission is restricted to making a link without any alteration of the magazine's contents. Permission is not granted to reproduce, frame or reformat the pages, images, information and materials of the POINT OF SIMPLICITY magazine in any way by a third party. The POINT OF SIMPLICITY magazine reserves the right to prevent linking by giving notice; 8. No part of the published material may not be duplicated or used by a third party for any profit-driven enterprise; 9. In case any of the copyrights are violated by a third party that submits written or photographic material without the approval of the original author, POINT OF SIMPLICITY magazine will, upon request of the original author, immediately remove such material; 10.The POINT OF SIMPLICITY magazine respects privacy of its authors. We do not disclose data (such as direct contact information) to third parties. If the author doesn’t wish their full name to be disclosed, it is substituted by the nickname or pseudonym of the author’s choice; 11.POINT OF SIMPLICITY magazine is not responsible for the contents of any of site pages or links referenced. Use of the information and data contained within the mentioned sites is at your sole risk. The presence of a hyper-link from a page does not imply any kind of endorsement of the content of these pages or links by POINT OF SIMPLICITY magazine; 12.Every effort is made to ensure that the information published in the POINT OF SIMPLICITY magazine is accurate. However, the POINT OF SIMPLICITY magazine does not warrant or assume any legal liability for the accuracy of any information disclosed
and
accepts
no
responsibility
for
any
errors
or
omissions.
94 THE END | THANK YOU!
COMING SOON! POINT OF SIMPLICITY, #2 WHITE JUNE 2011
Copyright Š POINT OF SIMPLICITY 2011 This statement refers to all text, photos and other design elements in this magazine. All material published in the POINT OF SIMPLICITY magazine or otherwise on the World Wide Web is material in which copyright is owned by POINT OF SIMPLICITY magazine and other respective owners (authors). No part of such material may be copied, reproduced or edited in any way without prior permission of the copyright holder. Free online sharing via issuu.com plugin is allowed, but permission is restricted to making a link without any alteration of the magazine's contents. Permission is not granted to reproduce, frame or reformat the pages, images, information and materials of the POINT OF SIMPLICITY magazine in any way by a third party. This material may not be duplicated or used in any way for any profit-driven enterprise. If you would like to seek permission to copy, reproduce or publish in any manner any of the material from the POINT OF SIMPLICITY magazine which is available on the World Wide Web, or if otherwise you would like any general information about reproducing material published by the POINT OF SIMPLICITY magazine, please contact the POINT OF SIMPLICITY magazine via e-mail.