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FREE ARTS & ENTERTAINMENT MAGAZINE | WWW.THEEASTSIDESCENE.COM | OCT 2016

‘Pump Boys and Dinettes’

{ { Sylvie Davidson, Michael Feldman and Sara Porkalob star in “Pump Boys and Dinettes” now playing at Village Theatre. Production photo

All actors sing while accompanying themselves by Nicole Jennings

I

n a blink-and-you’ll-miss it town on Highway 57, deep in the heart of North Carolina, the five Pump Boys are ready to attend to your car’s needs, whether it’s a tank of gas or a new muffler. Right next door at the Double Cupp Diner, the only breakfast — and lunch — spot in town, sisters Prudie and Rhetta Cupp serve up plenty of personality and a pinch of sass with their pancakes. And so Village Theatre sweeps audiences into rural Dixie in its new musical, “Pump Boys and Dinettes,” a rockabilly romp full of lovable characters and downhome ballads that take you from laughter to tears and back to laughter in a matter of minutes. With just seven cast members who remain onstage for every scene, the actors would already have their work cut out for them just at the vocal and drama levels. But “Pump Boys,” directed by Village Theatre’s Associate Artistic Director Brandon Ivie, takes the cast several steps further. Instead of having a pit orchestra, the actors must provide all of their own accompaniment onstage for every song. They are in essence as much musicians as they are thespians. Joshua Carter, who plays Jim, the unofficial Pump Boys band leader, explained that nowadays actors have to be “a quadruple threat.” “The scape of musical theater is changing,” he said. “You have to have that other thing [besides acting, singing and dancing].” Carter, who said the number of instruments he can play is in the teens, most recently performed in the North American tour of the Broadway musical “Once,”

‘PUMP BOYS’ CONTINUED ON PG 11

The Don’t Miss List By Samantha Pak

LAUGH | ELECT TO LAUGH WITH WILL DURST Join Drinking Liberally for this special benefit performance of Will Durst’s Elect To Laugh stand-up comedy show. This is political humor for people who don’t like politics. For more information, visit tinyurl.com/z7d9meo.

WHEN: 8 p.m., Oct. 12 WHERE: Parlor Live Comedy Club, Bellevue

DRINK | NORTHWEST CELLARS HOWL-O-WEEN

Northwest Cellars wines will hold a Howl-o-ween event for dogs and their wine-loving humans with costumes, contests and treats from Seattle Barkery. A portion of the proceeds from the ticket and wine purchases is graciously donated to Old Dog Haven. Visit tinyurl.com/k6h4emp for more information. WHEN: 1-5 p.m., Oct. 22

WHERE: Northwest Cellars, 11909 124th Ave., Kirkland

LISTEN | THE SAMMAMISH SYMPHONY ORCHESTRA The Sammamish Symphony Orchestra celebrates its 25th anniversary and opens its 2016-17 season with Franz Schubert’s Symphony No. 8, “Unfinished.” For more information, visit www.sammamishsymphony.org. WHEN: 7:30 p.m., Oct. 21 and 2 p.m., Oct. 30 WHERE: Meydenbauer Theatre, Bellevue (Oct. 21) and Eastlake Performing Arts Center, Sammamish


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‘PUMP BOYS’ CONTINUED FROM PG 9 where he was also required to be his own accompanist. He laughed that he will “have culture shock” when he goes back to a musical with a pit orchestra. Music Director R.J. Tancioco said that the callback process essentially forced the actors to form a band and make music together with no prior rehearsal. “We had a plethora of instruments in one room,” he said. “We said, ‘Pick an instrument in this room, and we want you to jam.’ They were creating arrangements on the spot. We wanted to see their chemistry … how they sound together.” And jam they do. With each actor playing multiple instruments, viewers are in store for a concert featuring piano, banjo, drums, guitar, cello and everything in between. Carter said that playing in a band with his castmates with no conductor in the pit to guide them has been challenging, but has made this cast bond faster than any other he has worked with. “It forces you to listen in a way you don’t have to. You have to know how other people breathe,” he said. “We’re not looking at one another, but one person is giving the cue because you can hear them breathe. You learn the mechanics of another person.” “We made sure we cast people who played off of each other, but that we also featured their [individual] strengths,” Tancioco said. “Pump Boys and Dinettes” began its 16-month run on Broadway in 1982, with a stint on London’s West End following from 1984 to 1985. Jim Wann and Mark Hardwick, two of the show’s writers, based the musical on their time as entertainers in New York City’s Western-themed Cattleman Lounge. The musical has almost a 1950s variety show feel to it; rather than a show with a plot, it is more of a music revue, with the the pump boys and the waitresses alternating between performing songs and describing to the audience, sometimes self-deprecatingly, life on Highway 57 through comical anecdotes about their love lives and school days. The show wholeheartedly embraces this breakdown of the traditional audience-actors barrier; in the song “Tips,” Rhetta and Prudie actually come out into the crowd to see if they can collect any cash from generous theatre-goers. The effect is a relaxed atmosphere that makes it so the cast can impress the audience without intimidating them.

Pump Boys and Dinettes Production photo

The cast of “Pump Boys and Dinettes” features Tony Award-winning Levi Kreis and his superb piano skills. The set is simple in that it doesn’t change, yet it is filled with plenty of rich details that evoke the Americana highway life, including large, hanging neon diner signs and an actual truck parked on stage. The light design uses a full range of colors that create a variety of moods tailored to each song, with flashing greens for rocking out and a single spotlight for a longing ballad of unrequited love. Tony Award-winning Levi Kreis wows with his piano playing as L.M. Kreis won the Tony for Best Featured Actor in a Musical in 2010 for his role as Jerry Lee Lewis in “Million Dollar Quartet,” a role he originally played at Village Theatre, the second theatre in the nation to put “Million

BAM Biennial 2016: Metalmorphosis The fourth edition of the Bellevue Arts Museum Biennial, BAM Biennial 2016: Metalmorphosis, will focus on the transformative and elemental medium of metal, which has captivated makers and thinkers alike for over 10,000 years. For each edition of the Biennial, the museum designates a new focus of exploration, be it a medium, technique, process, or theme in art, craft and design. The first three biennials have all focused on specific mediums — clay, fiber and wood respectively — and BAM Biennial 2016 follows this trend. BAM Biennial is a juried exhibition oc-

curring every two years that focuses on the work of established and emerging Northwest artists, craftspeople and designers living and working in Washington, Oregon, Idaho, Alaska, Montana and British Columbia. The museum received a record-breaking 330 applications for this year’s biennial. From this talented and vast pool of applicants, 49 artists were chosen to participate. During the run of BAM Biennial 2016: Metalmorphosis, two awards including cash prizes of $5,000 will be announced. The exhibit runs through January 2017. For information, visit bellevuearts.org.

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More information

“Pump Boys and Dinettes” runs through Oct. 23 at Village Theatre in Issaquah, before moving to Everett from Oct. 28 to Nov. 20. For tickets, call 425-392-2202 or visit www. villagetheatre.org.

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Dollar Quartet” on. “Pump Boys” also features Michael Feldman as Jackson, Olivia D. Hamilton as Eddie and James “Rif ” Reif as Drummer at the gas pump, and Sylvie Davidson as Prudie and Sara Porkalob as Rhetta in the diner.

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theEastside Scene - October 2016  

i20161212112857210.pdf

theEastside Scene - October 2016  

i20161212112857210.pdf