Auburn Reporter, September 09, 2011

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INSIDE | Woman pleads not guilty to domestic violence [3]

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Towering Achievement: WTC one of Auburn man’s monumental designs Yamasaki left legacy as one of the greatest architects of his day By CASEY OLSON colson@fedwaymirror.com

Minoru Yamasaki might be the most famous South King County name you have never heard. The graduate of Auburn High School was born to Japanese immigrant parents in Seattle in 1912 and became one of the most respected and prolific architects in the world. Yamasaki designed several iconic buildings in Seattle, including the Pacific Science Center, IBM Building and Rainier Bank Tower. He also designed structures in faraway places like Saudi Arabia, India and Japan, and other projects throughout the United States. But those projects pale in comparison to Yamasaki’s best-known work: the

Prep volleyball | Time to shine for Trojans’ Isia Johnson; Lions reload as title contenders; Ravens rebuild [15]

Auburn native designed the twin towers of the World Trade Center in the heart of New York City. Sunday marks the 10th anniversary of the destruction of Yamasaki’s buildings in the 9/11 terrorist attacks. Upon tbeir completion in 1976, the World Trade Center’s twin 110-story towers were the world’s tallest buildings. Yamasaki’s greatest triumph helped land his face on the cover of Time Magazine. Yamasaki died of cancer in 1986, so he didn’t witness the destruction of the World Trade Center towers in the terrorist attacks of Sept. 11, 2001. According to a 2003 essay by Walt Crowley on historylink.org, Yamasaki was quoted as saying, “World trade means world peace,” and thus the World Trade Center should be “a living symbol” of global harmony. [ more YAMASAKI page 14 ]

9/11 Remembered • Gov. Chris Gregoire among guests for Sunday’s ceremony, page 3 • Local firefighter recalls tragedy a decade later, page 7

Jovahn ‘JoJo’ Munson, 2, enjoys the slide at Auburn’s Discovery Playground at Les Gove Park on a sun-splashed day. ROBERT WHALE, Auburn Reporter

Auburn makes top 5 of ‘most playful cities’ By ROBERT WHALE rwhale@auburn-reporter.com

Jovahn “JoJo” Munson, all of 2, couldn’t get enough of the slide at Auburn’s Discovery Playground at Les Gove Park last Friday afternoon, clambering up and scooting down, up and down, a grin of sheer delight pasted on his face. “Yeah!” said JoJo, legs pumping for another go at the slide. “Yeah!” His grandparents watched, marveling at the endurance packed into the pint-sized legs. “I really like this,” grandma Tammie Anderson said of the playground. “My younger sisters have little kids, and I always hear them talking about bringing the little kids to the park and the spray park over there. So when got to spend some time with him today, we got some lunch and brought it here.” Jovahn knows what fun is, but the knowledge that he was having it in one of the best five American

By SHAWN SKAGER

“Dead” wastes no time in making an impact. Visitors to the White River Valley Museum’s newest exhibit – “Dead: Unearthing the Shift in Funeral Practices from Home to Mortuary” – are immediately greeted by the deceased, in this

Great Doctors. Close to Home. Caring for mature minds.

KaBOOM!, a national, nonprofit organization dedicated to saving playgrounds, honored these five communities for leading the way through its Playful City USA programs: • Auburn (population: 70,180; number of public play spaces: 90) • San Francisco (pop: 805,235; places: 144) • Columbus, Ohio (pop: 787,933; places: 140) • Hartford, Conn. (pop: 124,512; places: 30) • Orlando, Fla. (pop: 238,300; places: 83) More information: www.kaboom.org/playfulcityusa

cities for kids to play in, and in a playground that helped Auburn earn the distinction, seemed to [ more PLAYFUL CITY page 8 ]

Museum’s ‘Dead’ exhibit educates, widens perspective sskager@auburn-reporter.com

Minoru Yamasaki stands before one of his most famous works, the World Trade Center in New York. Courtesy photo

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case, a post-mortem photo of Astrid, an angelic-faced Swedish girl in her casket, the family house and cemetery plot captured in the background. For some, the image might just be a morbid reminder of our impermanence, an acknowledgement that everybody dies eventually. [ more DEAD page 5 ]

Learn more on page 2 AuburnRegional.com


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